Podcast appearances and mentions of georgia hubley

As close to indie rock royalty as may exist, Ira Kaplan of Yo La Tengo–a band nearing its 40th year in existence that he founded with his partner, drummer Georgia Hubley in the mid-1980’s–has recorded 17 records under that name and influenced more bands than could be named here. Simultaneously considered critics’ darlings but also having established a wide, loyal, and sustaining fanbase, the band–anchored by bass player James McNew–will perform with the Sun Ra Arkestra at the Big Ears Festival in Knoxville in March. In this episode, he discusses how songs by Half Japanese, the Grateful Dead, and The Tremeloes guided his development.See omnystudio.com/listener for privacy information.

This week Mark and Allen complete their breakdown the Episode where we finally meet the Department of the Interior's resident "bad boy", Liam Bonneville!  Leslie is in San Francisco, scheduled to speak at the National Parks Conference about the Pawnee/Eagleton merger. At the conference, Leslie bumps into Grant Larson, who invites her to lunch and introduces her to a number of her idols, including Michelle Obama. Grant tells a starstruck Leslie he needs a final decision from her by tomorrow, and after all this, Leslie is heavily leaning towards taking the job. Later, Leslie gives her speech at the conference, describing the Pawnee/Eagleton merger completing in 6-12 months, but her timeline is ridiculed by the audience, with two department heads suggesting the merger will need 10 years of constant hands-on management, or else risk her precious town losing its cityhood and becoming "unincorporated territory". Needless to say, this shakes Leslie to her core, and despite meeting her idols earlier, and how perfect this job seems ... she is now considering not taking it.  Meanwhile, Tom's Bistro is set to open in 6 weeks, but when investor Mitch Savner mentions how great it would be for the restaurant to be ready in time for the Unity Concert, Tom jumps the gun and promises to have the place ready for a soft opening the next day, and be ready for officially opening at the end of the week. Tom desperately brings all hands on deck, recruiting April, Craig, Ron and Donna to help him get the restaurant serviceable. Things do not go well: Ron is unable to make 20 chairs in time, Craig is unable to do his job as sommelier due to sinus/allergy issues, and Jerry Gergich orders the menus with ... uh ... let's just say, the wrong background image. As the night goes on, Mitch becomes more and more concerned and upset with the way Tom is running things.  Also meanwhile, Ben and Andy are also in San Francisco to meet with tech company "Gryzzl", who is giving away free Wi-Fi to a few cities across the US. Ben meets with them to pitch the idea of Pawnee being one of the cities. Unfortunately, they are only focusing on big cities, so they turn Ben down. After some time to think, Ben is determined to not take no for an answer, and goes back with Andy a 2nd time.  This time, however, he sees a large group of Gryzzl employees - including the Gryzzl owners he spoke to in the first meeting - playing the board game HE invented.  That's right ... they are playing "The Cones of Dunshire"!  Finally, we witness the day we've all been waiting for ... the Unity Concert is here! April and Andy lead the final Unity Concert planning meeting, with a main goal of getting 2000 signatures in support of the Pawnee-Eagleton merger. Andy also tries one last time (unsuccessfully) to get Ron to play as Duke Silver during the concert. Later, we see the Unity Concert in full swing, with headline acts The Decemberists, Ginuwine, Letters to Cleo, Bobby Knight Ranger, and Land Ho bringing in huge crowds. Andy performs as Johnny Karate on the children's stage, and afterwards bumps into Burly. The two reminisce over Mouse Rat's break up and it brings back memories for Andy as he misses being a part of a band. On a similar note, Diane encourages Ron to get up on stage and have fun, but Ron has no intention of doing so.  As always, we tackle the tough questions, such as ... Will Leslie take the job? Will Tom's investor, Mitch Savner, back out of the deal? How did Gryzzl get their hands on the Cones of Dunshire? Can Andy find a way to deal with the fact that he misses being in a band? Will Leslie move away from Pawnee? Could there be another opportunity for Tom's Bistro to be redeemed? Can Ben leverage the Cones of Dunshire to his advantage? Does Ron become convinced to play as Duke Silver at some point? Can Leslie find a way to have it all? Does Tom find a way to turn things around? Will Pawnee get free WiFi? Will the gang manage to collect 2000 signatures in support of the Pawnee-Eagleton merger?  Loyal viewers, we MADE IT! We are at the END of Season 6! Can you even believe it?!? Will this 53 MINUTE extravaganza blow everything else out of the water? Tune in and find out! Many thanks to our sponsor Entertainment 720 and their award-hopeful film: "Identity Crisis: This is Mouse Rat."

This week Mark and Allen break down the Episode where we finally meet the Department of the Interior's resident "bad boy", Liam Bonneville!  Leslie is in San Francisco, scheduled to speak at the National Parks Conference about the Pawnee/Eagleton merger. At the conference, Leslie bumps into Grant Larson, who invites her to lunch and introduces her to a number of her idols, including Michelle Obama. Grant tells a starstruck Leslie he needs a final decision from her by tomorrow, and after all this, Leslie is heavily leaning towards taking the job. Later, Leslie gives her speech at the conference, describing the Pawnee/Eagleton merger completing in 6-12 months, but her timeline is ridiculed by the audience, with two department heads suggesting the merger will need 10 years of constant hands-on management, or else risk her precious town losing its cityhood and becoming "unincorporated territory". Needless to say, this shakes Leslie to her core, and despite meeting her idols earlier, and how perfect this job seems ... she is now considering not taking it.  Meanwhile, Tom's Bistro is set to open in 6 weeks, but when investor Mitch Savner mentions how great it would be for the restaurant to be ready in time for the Unity Concert, Tom jumps the gun and promises to have the place ready for a soft opening the next day, and be ready for officially opening at the end of the week. Tom desperately brings all hands on deck, recruiting April, Craig, Ron and Donna to help him get the restaurant serviceable. Things do not go well: Ron is unable to make 20 chairs in time, Craig is unable to do his job as sommelier due to sinus/allergy issues, and Jerry Gergich orders the menus with ... uh ... let's just say, the wrong background image. As the night goes on, Mitch becomes more and more concerned and upset with the way Tom is running things.  Also meanwhile, Ben and Andy are also in San Francisco to meet with tech company "Gryzzl", who is giving away free Wi-Fi to a few cities across the US. Ben meets with them to pitch the idea of Pawnee being one of the cities. Unfortunately, they are only focusing on big cities, so they turn Ben down. After some time to think, Ben is determined to not take no for an answer, and goes back with Andy a 2nd time.  This time, however, he sees a large group of Gryzzl employees - including the Gryzzl owners he spoke to in the first meeting - playing the board game HE invented.  That's right ... they are playing "The Cones of Dunshire"!  Finally, we witness the day we've all been waiting for ... the Unity Concert is here! April and Andy lead the final Unity Concert planning meeting, with a main goal of getting 2000 signatures in support of the Pawnee-Eagleton merger. Andy also tries one last time (unsuccessfully) to get Ron to play as Duke Silver during the concert. Later, we see the Unity Concert in full swing, with headline acts The Decemberists, Ginuwine, Letters to Cleo, Bobby Knight Ranger, and Land Ho bringing in huge crowds. Andy performs as Johnny Karate on the children's stage, and afterwards bumps into Burly. The two reminisce over Mouse Rat's break up and it brings back memories for Andy as he misses being a part of a band. On a similar note, Diane encourages Ron to get up on stage and have fun, but Ron has no intention of doing so.  As always, we tackle the tough questions, such as ... Will Leslie take the job? Will Tom's investor, Mitch Savner, back out of the deal? How did Gryzzl get their hands on the Cones of Dunshire? Can Andy find a way to deal with the fact that he misses being in a band? Will Leslie move away from Pawnee? Could there be another opportunity for Tom's Bistro to be redeemed? Can Ben leverage the Cones of Dunshire to his advantage? Does Ron become convinced to play as Duke Silver at some point? Can Leslie find a way to have it all? Does Tom find a way to turn things around? Will Pawnee get free WiFi? Will the gang manage to collect 2000 signatures in support of the Pawnee-Eagleton merger?  Loyal viewers, we MADE IT! We are at the END of Season 6! Can you even believe it?!? Will this 53 MINUTE extravaganza blow everything else out of the water? Tune in and find out! Many thanks to our incredible sponsors, "?????" and "?????".

Ira Kaplan has played guitar and co-fronted the band Yo La Tengo for almost forty years. He founded Yo La Tengo with his wife Georgia Hubley back in 1984. They've put out over a dozen albums since then. Their latest is This Stupid World. On Bullseye, Kaplan talks about Yo La Tengo's latest album, the band's early influences and the story behind their name. Plus, Jesse and Ira discuss the kind of "old guy" musician Ira wants to be as he settles into the back half of middle age.

What's on the flipside of a CD? Yo La Tengo's Georgia Hubley and Ira Kaplan are the latest inductees to the MOJO Record Club, sharing their love of Bob Marley and The Clean with Andrew Male. Then stick around for a trip deep into Bob Dylan's archives… Baby, follow us down! Tracklisting: 1. Aselestine, by Yo La Tengo, written by Ira Kaplan and Georgia Hubley and released on Matador Records 2. Concrete Jungle, by Bob Marley, released on Island Records 3. In the Dreamlife You Need A Rubber Soul, by The Clean, released on Morr Music 4. Love Sick, by Bob Dylan, originally released by Colombia / SME Records – bootleg re-released by MOJO Magazine 2023 5. She's a Fighter, song by Robert Forster, released on Tapete Records

Often side-project bands don't live up to the hype of the artist or band's main gig. But for Stephin Merritt, this isn't the case with several of his non-Magnetic Fields bands. With The 6ths, he's taken on the challenge of writing the songs but handing them over to guest vocalists. On the 1995 debut Wasps' Nests, that means a wide array of contributors, including Lou Barlow from Sebadoh and Dinosaur Jr., Mary Timony of Helium and Ex Hex, Dean Wareham of Galaxie 500 and Luna, Georgia Hubley of Yo La Tengo, Mac McCaughan of Superchunk, Mitch Easter of Let's Active, and more. The musical landscape shifts from song to song, one minute aping the motortik of Stereolab and next the harmony sunshine of Laurel Canyon in the 1970s. But it's all in Stephin Merritt's wheelhouse, utilizing an array of synth and keyboard sounds over minimalist rhythms that reveal layers upon repeated listens.   Songs In This Episode: Intro - Aging Spinsters 15:56 - All Dressed Up in Dreams 20:23 - San Diego Zoo 35:02 - Here in My Heart Outro - Falling Out of Love (With You)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Often side-project bands don't live up to the hype of the artist or band's main gig. But for Stephin Merritt, this isn't the case with several of his non-Magnetic Fields bands. With The 6ths, he's taken on the challenge of writing the songs but handing them over to guest vocalists. On the 1995 debut Wasps' Nests, that means a wide array of contributors, including Lou Barlow from Sebadoh and Dinosaur Jr., Mary Timony of Helium and Ex Hex, Dean Wareham of Galaxie 500 and Luna, Georgia Hubley of Yo La Tengo, Mac McCaughan of Superchunk, Mitch Easter of Let's Active, and more. The musical landscape shifts from song to song, one minute aping the motortik of Stereolab and next the harmony sunshine of Laurel Canyon in the 1970s. But it's all in Stephin Merritt's wheelhouse, utilizing an array of synth and keyboard sounds over minimalist rhythms that reveal layers upon repeated listens.   Songs In This Episode: Intro - Aging Spinsters 15:56 - All Dressed Up in Dreams 20:23 - San Diego Zoo 35:02 - Here in My Heart Outro - Falling Out of Love (With You)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Ira Kaplan and Georgia Hubley have been married and making music together as Yo La Tengo for over thirty years at this point, but in the spring of 1997 they recorded their magnum opus - “I Can Hear The Heart Beat As One”. They put Hoboken on the indie map around this time with legendary Hannakuh residencies at a bar called Maxwell's and collaborated on music videos with local alt-comedy luminaries David Cross and Bob Odenkirk. Containing krauty motorik jamming, fuzzy trip-bop and noisey blasts of scuzz alongside the more traditional straightforward indie rock guitar music, I Can Hear The Heart Beat As One is generally regarded as the best Yo La Tengo record, and is the most commercially successful LP from their oeuvre. I Can Hear The Heart Beat As One is also the 423rd Greatest Album of All Time according to Rolling Stone magazine's list of the 500 Greatest Albums of All Time, which means that Christopher and Liam have listened to it and now they're going to get their autumn sweaters on and smash it up octopad-style. Featuring digressions and hot takes on everything from Mr Magoo, Girl Talk, Mr Show with Bob & David, Ghetto Superstar and The Sounds of The Sounds of Science as well as Secret Posho, Is This Emo? And Tattoo Woohoo/Tattoo Boohoo. Enjoy!

In April, Yo La Tengo's landmark 1997 album I Can Hear the Heart Beating as One celebrated its 25th anniversary. In this latest episode of our Matador Revisionist History podcast, the band – Georgia Hubley, Ira Kaplan, and James McNew – joins label co-owner Gerard Cosloy to discuss the record's history and singular standing within the YLT oeuvre. “We know this is considered a key part of the arc,” explains Kaplan. “If we're at the merch table and somebody is asking, ‘I don't have any of your records, which one should I get?' we know this is the right answer. Whether we feel that way or not, we know we're supposed to recommend this record.” Further reminiscences include the origin of The Condo Fucks, how a fake Brian Brain tribute album spiraled into real-life drama, and why the working title of “The Lie and How We Told It” was “The Hard Singing Song.”

Original de Hoboken, Nova Jersey, o Yo La Tengo atravessou as décadas de 1980 e 1990 em uma sequência de obras que contaram com a forte aclamação da crítica e carinho do público. Nada que se compare ao sucesso em torno de "I Can Hear the Heart Beating as One" (1997), trabalho que alcança uma posição de destaque nas paradas de sucesso, apresenta músicas como "Autumn Sweater" e "Sugarcube", e ainda consolida o trio formado por Georgia Hubley, Ira Kaplan e James McNew como um dos mais importantes do período. No aniversário de 25 anos do álbum, Cleber Facchi (@cleberfacchi) e Gabriel Eliott (@eliminadorzinho) discutem o impacto e a herança cultural deixada pelo disco. Gostou do programa e quer ter acesso a outros episódios com muita antecedência? Apoie a gente em https://www.padrim.com.br/podcastvfsm.

I have had many exchanges with Jamie Campbell about music, and I have always found his observations interesting and informative, so I wanted to get him to share them on the show. He obliged for this week's episode, in which we discussed one of his favorite albums — I Can Hear the Heart Beating as One by Yo La Tengo. In addition to discussing this album, Jamie talked about the role that radio played in shaping his musical tastes, and the formative role that ‘90s music played for him in general.You can find Jamie and his musical commentary on Twitter at @spacegauche.Al is on Twitter at @almelchiorBB, and this show has accounts on Twitter and Instagram at @youmealbum. Be sure to follow @youmealbum to find out in advance about upcoming guests and featured albums for this podcast.Al has recently launched You, Me and An Album: The Newsletter. You can subscribe for free to get Al's monthly posts, but paid subscriptions give you access to weekly posts and much more. Please consider trying a paid subscription as it also helps to support this podcast! https://youmealbum.substack.com/1:20 Jamie joins the show1:59 Jamie explains the baseball-related origins of Yo La Tengo's name4:11 Jamie really started digging into bands he liked in the early ‘90s7:11 Both Jamie and Al listened to WHFS during formative music-listening periods10:48 Jamie tells Al of WHFS's demise12:42 Al wonders why he doesn't remember hearing YLT on the radio13:42 Jamie became less reliant on radio as the ‘90s progressed15:57 Little Honda was Jamie's entry point into YLT17:05 Becoming a YLT fan was a long-term project for Jamie20:12 Al wonders if he would have heard Beating as One differently with more knowledge of YLT's catalog23:27 Jamie explains why he chose Beating as One for this episode25:00 Al and Jamie find Beating as One to be both eclectic and consistent25:59 Stockholm Syndrome as an outlier on the album32:01 Jamie likes how YLT vocals are more like just another instrument36:01 The songs Jamie liked in his initial listens to Beating as One38:24 The Georgia Hubley songs40:07 The songs that were growers for Jamie44:44 The one track that Jamie is still ambivalent about51:06 What changes would Jamie make to shorten the album?55:09 My Little Corner of the World57:14 We're An American Band1:00:17 Al highlights his favorite tracks so far1:04:19 Deeper Into Movies

Incoming transmission from Joe Wong. He's an incredibly busy guy: he hosts the Trap Set, a weekly interview podcast he’s helmed since 2015, where he sits down with artists like Mix Master Mike, Sharon Van Etten, Jim Keltner, Georgia Hubley of Yo La Tengo, among many others. He also makes music for film in TV—you’ve probably heard his work on Master of None, Russian Doll, Awkwafina is Nora From Queens, To All the Boys I’ve Loved Before, and Midnight Gospel.    Joe has long played music with artists like Mary Timony of Helium and Marnie Stern, but recently, he released his debut solo long player, Nite Creatures. Produced by Timony, who also plays on it, it finds him joined by members of Flaming Lips, War on Drugs, and that dog. for a set of deeply cinematic psychedelic pop, which brings to mind the mystical lushness of Scott Walker, the Zombies, and Pink Floyd. One of the albums best songs “Dreams Wash Away” was featured in Duncan Trussel’s Midnight Gospel finale on Netflix—one of the most affecting things you’ll see all year, and like that episode, Nite Creatures grapples with mortality and existential dread, but remains vivid, colorful, and beautiful. 

Yo La Tengo's Georgia Hubley joins Joe from Montauk, NY to discuss: her animator parents; her background in visual arts; her band-specific drumming style; and her strong sense of intuition.

Our recent live show was recorded in New York on a glorious spring day on the High Line, the elevated park. It begins with Kurt Andersen welcoming to the stage Friends Who Folk, the music comedic duo of Rachel Wenitsky and Ned Risely, who perform and discuss how they’re truly devotees to the folk tradition, even though their songs are satirical. Next to join Kurt is former “Daily Show” correspondent Aasif Mandvi, who performs a stand-up set before talking with Kurt about his career as both a serious and comic actor. Finally, Yo La Tengo performs and members Georgia Hubley, Ira Kaplan and James McNew reflect on the band’s 35 years together. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our recent live show was recorded in New York on a glorious spring day on the High Line, the elevated park. It begins with Kurt Andersen welcoming to the stage Friends Who Folk, the music comedic duo of Rachel Wenitsky and Ned Risely, who perform and discuss how they’re truly devotees to the folk tradition, even though their songs are satirical. Next to join Kurt is former “Daily Show” correspondent Aasif Mandvi, who performs a stand-up set before talking with Kurt about his career as both a serious and comic actor. Finally, Yo La Tengo performs and members Georgia Hubley, Ira Kaplan and James McNew reflect on the band’s 35 years together. Learn more about your ad choices. Visit megaphone.fm/adchoices

Yo La Tengo formed in 1984. The band is made up Ira Kaplan, Georgia Hubley, and James McNew. In March 2018, they released There’s a Riot Going On, their 15th album. They made the record themselves—they recorded it entirely in their rehearsal studio with James handling the engineering duties. The album came together slowly, over a few years. In this episode, Georgia, James, and Ira break down the experiments and accidents that led to the the closing track from the record, the song "Here You Are." songexploder.net/yo-la-tengo

From the ball fields and barrooms of Hoboken to your turntable, uh, CD player, uhm, MP3 player comes Yo La Tango, uh, Tengo, and with them alternative, uhm, indie rock. In Big Day Coming: Yo La Tengo and the Rise of Indie Rock (Gotham, 2012) journalist Jesse Jarnow chronicles the three-decade career these seminal rock stalwarts. This is the story of Yo La Tengo, a band composed of husband and wife team Georgia Hubley and Ira Kaplan, James McNew, and a rotating casts of dozens of others that include musicians, writers, recording engineers, comedians, barbecue joints, baseball teams and, of course, fans. They are a band that sometimes plays Neil Young loud and sometimes Lamb Chop quiet, sometimes within the same measure. They have maintained a solid career, starting small within Hoboken, New Jersey’s indie scene, and growing, one step at a time, into a professional rock band that pays their bills and treats others with respect. They are musically and gastrointestinally adventurous, playing and eating what they want, not what is hip. Along the way, a structural scene and musical genre–“indie rock”–emerged with them. Jarnow captures the band and the scene at every turn, providing a richly detailed account of the songs, albums, bars, fanzines, studios and people who make up the world of Yo La Tengo. Jesse Jarnow hosts the Frow Show on Jersey City freeform radio station WFMU. His work has appeared in the London Times, Rolling Stone, the Village Voice, and elsewhere. His next book, provisionally titled Heads: A Biography of Psychedelic America is due from Da Capo in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the ball fields and barrooms of Hoboken to your turntable, uh, CD player, uhm, MP3 player comes Yo La Tango, uh, Tengo, and with them alternative, uhm, indie rock. In Big Day Coming: Yo La Tengo and the Rise of Indie Rock (Gotham, 2012) journalist Jesse Jarnow chronicles the three-decade career these seminal rock stalwarts. This is the story of Yo La Tengo, a band composed of husband and wife team Georgia Hubley and Ira Kaplan, James McNew, and a rotating casts of dozens of others that include musicians, writers, recording engineers, comedians, barbecue joints, baseball teams and, of course, fans. They are a band that sometimes plays Neil Young loud and sometimes Lamb Chop quiet, sometimes within the same measure. They have maintained a solid career, starting small within Hoboken, New Jersey’s indie scene, and growing, one step at a time, into a professional rock band that pays their bills and treats others with respect. They are musically and gastrointestinally adventurous, playing and eating what they want, not what is hip. Along the way, a structural scene and musical genre–“indie rock”–emerged with them. Jarnow captures the band and the scene at every turn, providing a richly detailed account of the songs, albums, bars, fanzines, studios and people who make up the world of Yo La Tengo. Jesse Jarnow hosts the Frow Show on Jersey City freeform radio station WFMU. His work has appeared in the London Times, Rolling Stone, the Village Voice, and elsewhere. His next book, provisionally titled Heads: A Biography of Psychedelic America is due from Da Capo in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the ball fields and barrooms of Hoboken to your turntable, uh, CD player, uhm, MP3 player comes Yo La Tango, uh, Tengo, and with them alternative, uhm, indie rock. In Big Day Coming: Yo La Tengo and the Rise of Indie Rock (Gotham, 2012) journalist Jesse Jarnow chronicles the three-decade career these seminal rock stalwarts. This is the story of Yo La Tengo, a band composed of husband and wife team Georgia Hubley and Ira Kaplan, James McNew, and a rotating casts of dozens of others that include musicians, writers, recording engineers, comedians, barbecue joints, baseball teams and, of course, fans. They are a band that sometimes plays Neil Young loud and sometimes Lamb Chop quiet, sometimes within the same measure. They have maintained a solid career, starting small within Hoboken, New Jersey’s indie scene, and growing, one step at a time, into a professional rock band that pays their bills and treats others with respect. They are musically and gastrointestinally adventurous, playing and eating what they want, not what is hip. Along the way, a structural scene and musical genre–“indie rock”–emerged with them. Jarnow captures the band and the scene at every turn, providing a richly detailed account of the songs, albums, bars, fanzines, studios and people who make up the world of Yo La Tengo. Jesse Jarnow hosts the Frow Show on Jersey City freeform radio station WFMU. His work has appeared in the London Times, Rolling Stone, the Village Voice, and elsewhere. His next book, provisionally titled Heads: A Biography of Psychedelic America is due from Da Capo in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emily Hubley is a daughter of pioneer animators Faith and John Hubley and she worked on Faith Hubley's films at The Hubley Studio, Inc. from 1977 to 2001. Emily has also been making her own animated shorts for thirty years. Her hand-drawn films explore personal memory and the turbulence of emotional life. Among Hubley's shorts are: Pigeon Within, Delivery Man, The Tower, Her Grandmother's Gift, Set Set Spike, and Octave. She has created the animated sequences for John Cameron Mitchell's Hedwig and the Angry Inch. She also provided inserts for documentaries Everything's Cool, Blue Vinyl, The Boy in the Bubble, and Original Child Bomb. With Emily’s 1st feature length film, The Toe Tactic, she layers human truths, working with live elements to depict a reality that is at once subjective, honest and bittersweet.  The Toe Tactic uses live action and animation together to explore the interaction between the human and supernatural forces and the main character, Mona Peek, finds her way to reconnect with the world.  The Toe Tactic features an eclectic score from her sister and collaborator Georgia Hubley's band, Yo La Tengo. Emily is touring and speaking about The Toe Tactic in various cinemas and venues nationwide.