Podcasts about greatest albums

Rockstars, in this episode, I'm hanging with four-time Grammy-winning producer, engineer, and mixer Chris Shaw for a deep dive into the craft of recording and mixing. We talk about his journey in the industry, his unique mixing setup, and the balance between analog and digital workflows. Chris shares insights on managing plugins, keeping a solid recording system, and the nuances of working with tape—covering everything from compression and dynamic range to how MIDI triggers fit into a mix. We also dig into the challenges of mixing live recordings, working on Bob Dylan's archival material, and the evolution of recording technology. Chris breaks down workflow efficiency, the importance of pre-production, and how tools like iZotope RX help clean up tracks. Plus, we touch on the role of machine learning in music production and the art of capturing a performance's true feel in the final mix. Chris shares stories from working with legends like Ice Cube and Public Enemy, techniques for dialing in signature guitar tones, and how looping has changed over the years. Whether you're in a pro studio or working from home, this episode is packed with tips and insights to level up your mixes! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Chris Shaw, a four-time Grammy-winning producer, engineer, mixer, and musician. Starting at Greene Street Recording, he quickly rose from an NYU intern to staff engineer, working with hip-hop legends like Public Enemy, A Tribe Called Quest, Run-DMC, and LL Cool J. In 1991, he played bass with LL Cool J on MTV Unplugged. Going independent, he's since worked with artists like Weezer, Wilco, Bob Dylan, Jeff Buckley, Sheryl Crow, Death Cab for Cutie, and more. His work appears on six of Rolling Stone's "500 Greatest Albums of All Time." Originally from New York, Chris relocated to Austin in 2014. Chris Shaw has been a guest on the podcast in RSR246 episode. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.phantomfocus.com/category-s/149.htm https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/1ngTJOUT3IqRLJVm3FWKKQ?si=f6cb25639e3b4199 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/511

What's the greatest album of all time—and why does it feel like the answer changes depending on who's holding the aux cord?In this music-fueled, laugh-out-loud episode of The Ben and Skin Show, with Ben Rogers still out on vacation, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray dive deep into a newly compiled list of the top-rated albums of all time—sourced from seven major music outlets and mashed together into one glorious, chaotic ranking.

Learn what makes Marvin Gaye's protest album a timeless masterpiece. Adam and Peter go deeper than deep—layer by layer—using stems to find out. Listen to the full arrangement in a way you've probably never experienced, even if you've heard it a thousand times. Strings, bass, background vocals, Marvin's multi-tracked leads, percussion, vibes—it's all here, isolated and exposed.We also dig into the story behind the album, and how a protest record became a timeless masterpiece.A must-listen for anyone who cares about music—and how it's made.

What happens when a 21-year-old Stevie Wonder gets the keys to the Motown kingdom? You get Talking Book, a no-filler masterpiece. Adam and Peter go track-by-track through Stevie's first fully self-driven album, where he played nearly everything himself. From the sticky funk of “Superstition” to the guitar-like tones of “Big Brother,” we break down Stevie's best clav sounds, synth bass lines, and his surprisingly killin' drum takes. You'll hear how this record captured the cutting-edge of music tech while remaining deeply human – and why it may be even better than Songs in the Key of Life. Let's talk the genius of Stevie Wonder.

I did it so you don't have to; the five greatest flute albums of all time, ranked for your pleasure. What makes an album great? Is it only classical albums included? Was 1975 the best year for James Galway's beard?Come on in and find out xInline G Merch

In this Season 7 episode, I give a brief review of the Rolling Stone's "500 Greatest Albums of All-Time."

Could Miles Davis' peak performance come alongside a bunch of kids who weren't even getting paid? In this episode, Peter and Adam dive into one of the greatest live albums ever captured, My Funny Valentine: Live at the Philharmonic (1964). We explore how Miles Davis, sideman George Coleman, and a young rhythm section (Herbie Hancock, Ron Carter, and teenage Tony Williams) made jazz history in real time with their one-of-a-kind (unpaid) voter registration benefit concert. Learn how the quintet remade Miles' go-to standards (“All of You”, “Stella”, “All Blues”...) with their conversational, free-flowing, spacious playing – and hear the evolution across Davis' career. Join us as we break down these incredible performances and prove why this underappreciated live album captures Miles' greatest playing ever (at least for Peter's ears).ABOUT OPEN STUDIO------------------------------------------------------------------------------------------------------------------------------------------------------------As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you're a total beginner, or an advanced pro-level improvisor.Try OS Membership today! → https://osjazz.link/aboutAll about YHIhttps://lnk.to/youllhearitYB

Music writer Andrew "Noz" Nosnitsky gets into why bay area rapper Saafir's debut record Boxcar Sessions, deserves to be inducted into the canon of great pop culture albums.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

(S4-Ep13) The Four Tops - Reach Out (Motown)Released July 1967 and Recorded between 1966-1967Reach Out is the Four Tops' best-selling studio album and a landmark Motown release. The album features their signature hit, “Reach Out I'll Be There,” It showcases Levi Stubbs' passionate vocals, dramatic orchestration, and the Funk Brothers' impeccable musicianship. Other standout tracks include “Standing in the Shadows of Love,” “Bernadette,” and “7-Rooms of Gloom,” all highlighting the group's dynamic intensity and James Jamerson's masterful bass playing. This was the last album the Four Tops recorded with the legendary Holland–Dozier–Holland team before they departed from Motown, marking the end of an era. To broaden the group's crossover appeal, Motown's Berry Gordy had them cover several contemporary pop hits, including The Left Banke's “Walk Away Renée,” Tim Hardin's “If I Were a Carpenter,” and two Monkees songs, “I'm a Believer” and “Last Train to Clarksville.” Though some of these covers felt somewhat forced, the album remains a defining moment in their career. Reach Out was a commercial success, reaching #11 on the Billboard Top LPs chart and #4 in the UK. Its legacy endures, earning a spot on Rolling Stone's 500 Greatest Albums of All Time and solidifying the Four Tops' place in Motown history.Signature Tracks: "Reach Out I'll Be There,"  "Standing In The Shadows Of Love,""Bernadette"Full Album: YouTube  Spotify Playlists: YouTube  Spotify

pWotD Episode 2841: Kendrick Lamar Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 1,781,900 views on Monday, 10 February 2025 our article of the day is Kendrick Lamar.Kendrick Lamar Duckworth (born June 17, 1987) is an American rapper. Regarded as one of the most influential hip-hop artists of his generation, Lamar was awarded the 2018 Pulitzer Prize for Music, becoming the first musician outside of the classical and jazz genres to receive the honor.Born in Compton, California, Lamar began releasing music under the stage name K. Dot while he was attending high school. He signed with Top Dawg Entertainment (TDE) in 2005, where he co-founded the hip hop supergroup Black Hippy. Following the 2011 release of his alternative rap debut album Section.80, Lamar secured a joint contract with Dr. Dre's Aftermath Entertainment and Interscope Records. He rose to prominence with his gangsta rap-influenced second album Good Kid, M. A. A. D City (2012), which became the longest-charting hip hop studio album in the Billboard 200's chart history; Rolling Stone named it the greatest concept album of all time. In 2015, Lamar scored his first Billboard Hot 100 number-one single, after featuring on the remix of Taylor Swift's "Bad Blood", and released his third album, To Pimp a Butterfly, which infused hip-hop with historical African-American music genres such as jazz, funk, and soul, and became his first of five consecutive number-one albums on the Billboard 200 chart.Lamar's critical and commercial success continued with his R&B and pop-leaning fourth album Damn (2017), yielding his second Hot 100 number-one single, "Humble". He curated original songs for the soundtrack of the 2018 film Black Panther, earning a nomination for the Academy Award for Best Original Song for the US and UK top-ten single "All the Stars". Lamar's 2022 double album Mr. Morale & the Big Steppers concluded his tenure with TDE and Aftermath. His feud with Drake and subsequent sixth album GNX (2024) spawned the Hot 100 number-ones "Like That", "Squabble Up", as well as "Not Like Us", which became the most-decorated song in the Grammy Awards history, with five wins, including Song of the Year and Record of the Year.Lamar has received various accolades throughout his career, including 22 Grammy Awards (the third-most won by a rapper), a Primetime Emmy Award, a Brit Award, four American Music Awards, six Billboard Music Awards, 11 MTV Video Music Awards (including two Video of the Year wins), and a record 37 BET Hip Hop Awards. Time listed him as one of the 100 most influential people in the world in 2016. Two of his concert tours, the Damn Tour (2017–2018) and the Big Steppers Tour (2022–2024), are amongst the highest-grossing rap tours in history. Three of his works were included in Rolling Stone's 2020 revision of the 500 Greatest Albums of All Time. Outside of music, Lamar co-founded the creative company PGLang and ventured into film with his longtime creative partner, Dave Free.This recording reflects the Wikipedia text as of 02:39 UTC on Tuesday, 11 February 2025.For the full current version of the article, see Kendrick Lamar on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Joey.

If you've ever wondered what puts the “Groove” in Behavioral Grooves, this episode has the answer! We're diving headfirst into the mesmerizing world of music with the legendary John Bargh to tackle the ultimate question: If you could sit in on the recording of any album in history, which one would you choose? From the legendary sessions at Island Records to the eternal brilliance of Led Zeppelin's Stairway to Heaven, we explore the artistry, spontaneity, and sheer magic behind music's most iconic moments. Whether you're a die-hard classic rock fan or just curious about the creative process, this episode will take you straight to the heart of music's golden age. ©2025 Behavioral Grooves We Made a Playlist for You! Check out all the artists we discussed this week, here  

On this episode of Vinyl Verdict, Bell, Jamie and Adam listen to Jamie's next pick, The Cars self titled debut album. Released in 1978, it was an immediate radio hit, later going 6x Platinum. Described variously as New Wave, Power Pop and Synth-Rock, the album incorporates elements of all three genres. Rolling Stone has most recently named this the #353/500 Greatest Albums of all Time. But will the boys say "Bye Bye Love" to it after repeat listenings, or will the "Good Times Roll"? Come along and find out!

The Edge 160 - Exploring Gospel Music's Greatest Albums: Andraé Crouch & Mavis Staples | Roger Moore & Kevin Tomlin”   Host Roger Moore from Affinity Xtra sits down with historian Kevin Tomlin to dive deep into two of gospel music's greatest albums: Andraé Crouch's “Finally” and Mavis Staples' “One True Vine.” Discover what makes these albums timeless, their impact on gospel and soul music, and the stories behind their creation. Kevin provides fascinating insights into how these powerful records shaped the genre and inspired listeners around the world. Join us in celebrating the profound artistry and legacy of these two gospel music icons.   #AndraeCrouch #MavisStaples #GospelMusic #AffinityXtra #KevinTomlin #RogerMoore #FinallyAlbum #OneTrueVine #GospelLegends #MusicHistory #SoulMusic #GospelGreats #MusicDocumentary #BlackMusicHeritage #GospelInspiration #LegendaryAlbums   https://youtu.be/sz3vP2_mkbk   ———   Kevin Tomlin Books: Icons of New Orleans: An Introduction to American Soul & R&B Volume 1 (An Introduction to American Soul and R&B) https://amzn.eu/d/0kabFNp    Icons of Memphis: An Introduction to American Soul and R&B Volume 2 https://amzn.eu/d/9Wa4UyK   Icons of Muscle Shoals: An Introduction to American Soul and R&B Volume 3 https://amzn.eu/d/ckNvVWl   Icons of Chicago: An Introduction to American Soul & R&B (An Introduction to American Soul and R&B) https://amzn.eu/d/35v2ogz   Icons of Detroit Part 1 https://amzn.eu/d/0vVy637

Canonball is a segment that takes a closer look at albums that should be considered classics. This time, MC Skiz Fernando joins Bullseye to discuss the game changing album Operation: Doomsday by MF Doom. Skiz just released a book that records the life and death of the hip-hop legend. It's called The Chronicles of DOOM: Unraveling Rap's Masked Iconoclast. Skiz stops by to key us into the classic album, including songs like: "Tick Tick" and "Rhymes Like Dimes."Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day  A very famous show from a very famous year.  Many feel 1973 was the peak of the band's post psychedelic era.  Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run.  In 2008 the Dead released the box set:  “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973.  This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band).  The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band.  They were on fire for these three days.  A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness.  It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.”  INTRO:                                 Promised Land                (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind)                                                Track #1                                                0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995.  Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out.  I especially love Keith's piano which is featured prominently in this clip. Played:  430 timesFirst:  May 28, 1971 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 1:                    To Lay Me Down  (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee                                                Track #6                                                2:21 – 4:20 David Dodd:  “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to.  Jerry's voice is still so young and strong.  And the group singing works really well.  Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played:  64 timesFirst:  July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS:                                                           Music Intro:                       Brain Damage                                                                                    Pink Floyd                                                                                    Pink Floyd - Brain Damage (2023 Remaster)                                                                                    0:00 – 1:47             "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4]             The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts.             The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.             The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.”  Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival.  More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3.    Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride.  The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green).  “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA.   SHOW No. 2:                    Weather Report Suite Prelude  (out of China >Rider/Me & My Uncle/Loose Lucy                                                Track #14                                                3:10 – end                                                   INTO                                                 Weather Report Suite Part I  (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break  - 16 songs                                                Track #15                                                0:00 – 1:03 David Dodd:  This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played:         46 timesFirst:  September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast:  October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3:                     Mississippi Half Step Uptown Toodeloo  (Second Set Opener/into Big River/Dark Star)                                    Track #17                                    3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special.  Great story.  Great lyrics:  “what's the point of calling shots, this cue ain't straight in line.  Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert.  ½ Step>Franklin's were especially fun as a one two show opener punch. Played:  236 timesFirst:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS:                 INTRO MUSIC:       Willin'                                                Little Feat                                                Little Feat - Willin' sung by Lowell George Live 1977. HQ Video.                                                0:10 – 1:32                                                1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists.          George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem.  And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1.      Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2.     Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3.     Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4.     Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract:             Dulce Limon – hyrbrid sativa dominant            Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4:                    Dark Star  (Mind Left Body Jam)                                                Track #18                                                34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then.  The truly improvisational side of the Dead and their live performances.  Played:  9 timesFirst:  October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast:  March 24, 1990 at Knickerbocker Arena, Albany, NY, USA                                                 INTO                                                 Eyes of the World  (into China Doll/Sugar Mag as second set closer)                                                Track #19                                                0:00 – 2:25 David Dodd:  “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song.  The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise.  A perfect jam tune.  Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses.  First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros.  We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention.  I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes.  Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes.  Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set.  Any '73 Eyes will leave you in awe and this one is one of the best. Played:  382 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO  OUTRO:                               And We Bid You Goodnight  (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!!                                                Track #25                                                :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard.  Great reaction from the Deadheads.  Kind of a chills down your spine thing.  I was with One armed Lary and Alex, both had been with us at Deer Creek right before.  Lary stayed for all three nights but Alex had to take off after the first show.  Great times.  Played:  69 timesFirst:  January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast:  September 26, 1991 at Boston Garden, Boston, MA, USA  Thank you for listening.  Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly.   .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

When we finished our last music podcast series that took us almost 18 months! (101 Greatest Albums), we had no plans to do another. However, after some pub some chat with friends we concluded that, although there has been plenty of discussion on great Scottish albums, there has been very little on what a great Scottish songs list might look like. So…..we asked our Twitter/X friends for song suggestions. And,5000 nominations later, we are now having a go at working through a quorum of them. Episode 1 reflects all of the above, where we are joined by some of our resident podcast panel. It also covers off the online discussion we had about how you would define a ‘Scottish' artist. On the basis that none of Big Country were born in Scotland, it's not as easy as you think. This series will take us a while to get through, however we can categorically assure you it WONT take us 18 months! Number 1 priority at the moment – we give this new series a title it deserves…. Enjoy & stay safe.

On this episode of Vinyl Verdict, Bell, Jamie and Adam listen to Bell's next pick, Frank Ocean's "Blonde". Released in 2016, it was his second studio album. The album was highly anticipated, having been delayed several times and came out to widespread critical acclaim. Some of the things critics raved about were the progressive sound and introspective lyrics in the songs, with a number of publications calling it one of the best albums of 2016. Pitchfork has called it the best album of the 2010s and Rolling Stone has ranked it at #79 on the list of the 500 Greatest Albums of Time. But how will the boys rank it? Will they call it "Pretty Sweet" or will they strap on their "Nikes" and beat a trail away from it? Come along and find out!

Baxie talks to the legendary John Doe from X! For the last 47 years X has been one of the most important and respected bands in America. Not only do two of their albums reside amongst Rolling Stones Magazine's list of the Top 500 Greatest Albums of All Time (1980's Los Angeles and their 1981 follow-up Wild Gift), they just released the final album of their career--"Smoke and Fiction". And to be honest, it's arguably one of the best albums that they've released in years! John talks about that, their "Final Tour" (including their upcoming show at the Wilbur Theater in Boston on September 23rd), their fans, being produced by the late Ray Manzarek of The Doors, his bandmates (Exene Cervenka, Billy Zoom, and DJ Bonebreak) and much more! This one is a real treat! Listen on Apple Podcasts, SoundCloud, Spotify, and on the Rock102 app for you iPhone or Android! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee!

Pete “Damien” Marshall from Iggy Pop/Trolls and Samhain joins Frumess to discuss The Stooges Funhouse and why it is one of the greatest albums of all time. FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

UNDER PALE GREY SKIES! - Another "Genre Essentials Commentary" is on deck. We're going back to 1991 for a breakthrough from Brazil...one of the Greatest Albums of All Time...Sepultura's Arise. - Is it Death? Is it Thrash? Is it both? Don't matter cuz it fucking rules and we love it! Listen along with us and hit play in 3...2...1...

Episode 586. We want you to play along with us this week… KISS Albums Either You Love It or Hate It, Greatest Album of All Time, Overlooked Masterpiece, Mental Breakdown, Which Divides Fandom. Let's hear from you! Forget the haters, we won! Press requests please contact Michael Brandvold at www.michaelbrandvold.com Since launching in 2012 Three […]

In conclusion to episode 213, Jesusfreakhideout staff writers Chase Tremaine, Scott Fryberger, Josh Balogh, and Evan Dickens continue to argue for which album (of the past twenty JFH Staff Picks aka #1 albums of the year) is the greatest release of the past two decades, alongside creating a top ten ranking that all four hosts can get behind. This episode is sponsored by Aryn Michelle, whose new album Wild Beautiful Dangerous releases this Friday, August 9. Click here for more information. The JFH Podcast is hosted and produced by Chase Tremaine and executive produced by John DiBiase and Christopher Smith. To meet the people behind the show, discuss the episodes, ask questions, and engage in conversations with other listeners, join the JFH Podcast group on Facebook.

Bad Bunny, born Benito Antonio Martinez Ocasio on March 10, 1994, is a Puerto Rican singer, rapper, and songwriter who has significantly impacted the music industry, particularly in the Latin and reggaeton genres. He first gained popularity in 2016 with his breakout hit "Diles," which led to a deal with DJ Luian's record label, Hear This Music. Known for his deep, slurred vocal style and eclectic fashion sense, Bad Bunny has continually pushed the boundaries of what is expected in Latin music.In 2018, his collaboration with Cardi B and J Balvin on the song "I Like It" catapulted him to international fame. The track reached number one on the Billboard Hot 100, marking a significant milestone in his career. That same year, he released "Mía," featuring Drake, which also gained substantial commercial success and showcased his ability to cross over into mainstream markets.Bad Bunny's debut album, "X 100PRE," was released on Christmas Eve 2018 and received critical acclaim. It won the Latin Grammy for Best Urban Music Album and was included in Rolling Stone's list of the 500 Greatest Albums of All Time. His versatility and innovation continued with his subsequent albums, "YHLQMDLG" (Yo Hago Lo Que Me Da La Gana), which translates to "I Do Whatever I Want," and "El Último Tour Del Mundo." The latter made history as the first all-Spanish-language album to reach number one on the Billboard 200 chart.Apart from his music career, Bad Bunny has ventured into acting and professional wrestling. He made an appearance in WWE's Royal Rumble event in 2021, where he showed impressive physical skills and a genuine passion for the sport. Later that year, he performed in several WWE matches, earning respect from both fans and professional wrestlers.Bad Bunny is also known for his activism and social advocacy. He has frequently used his platform to highlight issues affecting Latinx communities, including speaking out against gender violence and advocating for LGBTQ+ rights. His 2020 performance on "The Tonight Show Starring Jimmy Fallon," where he wore a T-shirt that read "They killed Alexa, not a man in a skirt," drew attention to the murder of a transgender woman in Puerto Rico, further establishing his role as a socially conscious artist.Moreover, his style and public persona challenge traditional gender norms, often incorporating elements of drag and non-binary fashion into his appearances. This has garnered both praise and critique but undeniably positions him as a trailblazer in modern music and culture.Despite his fame, Bad Bunny maintains a relatively private personal life, though he has shared moments of his downtime through social media. He continues to produce music that resonates across various demographics and remains a key figure in the evolving landscape of Latin and global music.

He's baaaaAAAAck. Popmatters' Evan Sawdey joins the pod to chat with Kiel about the recent publication of Paste's list of the 300 Greatest Albums and Apple Music's 100 Best Albums. After a breakdown of the lists themselves, Evan and Kiel dig into the concept of these kinds of lists - why we need them and why the evolution of what they represent is important. Next, they examine the possibility of Taylor Swift Fatigue, the rapid rise of Chappell Roan, and make their best bets on 2024's Song of the Summer. Listen in!

The boiz (minus Jer) explore the greatest albums of all time according to different lists. Our quest for the Iron Legend takes us through East meeting West (HMMMMM). Also Jordan gets excited for woke games.

Picture of album Elton John Pull My Finger  Courtesy of The Greatest Albums that ever existed The penultimate podcast before we pause for July, unless I finally finish the special I have been promising, so with The Height - All of Us, Damn The Wolves - Reckless, Faint Line - Colour Blind, Abz Winter - Sike I am assuming you are loving these new album pictures. Let me know. courtesy

Send us a Text Message.Josh Adam Meyers in St Louis THIS WEEKEND at the Westport Funny BoneNo one can do what Josh Adam Meyers is doing with comedy and music.1 part stand up comic, 1 part rock star, Josh brings comedy and music together with his signature high energy, raspy voice, and command of the stage; combining killer jokes with music, he is the best of both worlds.Josh spent the summer of 2023 opening for Jelly Roll in front of 20k a night at 45 different arenas and amphitheaters around the country, with more high-profile concert dates coming in 2024.Josh tours arenas with Bill Burr, and was featured on "Bill Burr's Friends Who Kill" (Netflix), "The Ringers" (Comedy Central), and can also be seen voicing ‘DJ Howlin Hank' on Bill Burr's "F is for Family" (Netflix).He is the creator and host of The Goddamn Comedy Jam, a live comedy show where famous comedians sing a cover song with a live band, which continues to be one of the most popular live shows in Los Angeles at its home base, The Comedy Store. GDCJ inspired a TV version and a special on ComedyCentral. The show has toured the continent performing on the live festival circuit in front of thousands of die-hard comedy fans.On “The 500 Podcast with Josh Adam Meyers”, he combs through Rolling Stone Magazine's 500 Greatest Albums of All Time list, the show was a Spotify Original from 2019-2020 until Spotify spent all their money on Joe Rogan. www.betterhelp.com/TheBarnhttp://www.betterhelp.com/TheBarn http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and presented to you by The Barn Media Group.

In this episode, Team Derringer (Laura, Alton, and Paul) interview Søren Koch of Denmark, the third and current bassist for The Zombies. Yes, this is The Zombies from the UK! In the 1960s, throughout a number of countries including the US and UK, they scored timeless hits, including She's Not There and Time of the Season. Post break-up, in 1968, they released their now classic Odessey and Oracle album, ranked in 2012 by Rolling Stone magazine as one of the 500 Greatest Albums of All Time. In 2019, The Zombies were inducted into the Rock and Roll Hall of Fame. In October 2023, they released their latest album Different Game. Presently, The Zombies are on a multi-nation tour, and they have 3.4 million monthly listeners on Spotify. Join Team Derringer as Søren Koch who has been with The Zombies since 2018 reveals his Top Five Favorite Songs (so far) by the band. Where do you think She's Not There and Time of the Season will land? Think again! Also, how does Søren feel about Odessey and Oracle and Different Game? Listen to this episode and find out. News Flash: With his #1 pick, Søren breaks a Derringer Discoveries rule! Discover how Laura, Alton, and Paul handle this left-field transgression. Also, throughout this episode, you will hear "voiceovers" from listeners all over the world. Add your voice to future episodes! Send us your voiceover on an MP3 to feedback@derringerdiscoveries.com. Feel free to say what you want! Keep it short. Make it funny, like one of this episode's listeners Colleen from Waynesboro, Virginia (US) did with her rooster who, for some season, does not like Derringer Discoveries! In this episode, Team Derringer will also introduce you to Søren Koch's other band, The Beatophonics, based in Denmark. The theme song for Derringer Discoveries is Your Sister's Room by Ho Jo Fro. Derringer Discoveries episodes are released bi-monthly. Find all Derringer Discoveries episodes on our website: www.derringerdiscoveries.com/episodes. If you enjoyed this episode, please subscribe to our podcast, and tell your friends about Derringer Discoveries. Subscribe to the Derringer Discoveries podcast so you'll never miss an episode. You can follow us on social media: Instagram, Facebook, Threads, and X and sign up for our newsletter, if you're so inclined. We sure would appreciate it!  Thanks for listening to Derringer Discoveries!

In this episode, Team Derringer (Laura, Alton, and Paul) interview Søren Koch of Denmark, the third and current bassist for The Zombies. Yes, this is The Zombies from the UK! In the 1960s, throughout a number of countries including the US and UK, they scored timeless hits, including She's Not There and Time of the Season. Post break-up, in 1968, they released their now classic Odessey and Oracle album, ranked in 2012 by Rolling Stone magazine as one of the 500 Greatest Albums of All Time. In 2019, The Zombies were inducted into the Rock and Roll Hall of Fame. In October 2023, they released their latest album Different Game. Presently, The Zombies are on a multi-nation tour, and they have 3.4 million monthly listeners on Spotify. Join Team Derringer as Søren Koch who has been with The Zombies since 2018 reveals his Top Five Favorite Songs (so far) by the band. Where do you think She's Not There and Time of the Season will land? Think again! Also, how does Søren feel about Odessey and Oracle and Different Game? Listen to this episode and find out. News Flash: With his #1 pick, Søren breaks a Derringer Discoveries rule! Discover how Laura, Alton, and Paul handle this left-field transgression. Also, throughout this episode, you will hear "voiceovers" from listeners all over the world. Add your voice to future episodes! Send us your voiceover on an MP3 to feedback@derringerdiscoveries.com. Feel free to say what you want! Keep it short. Make it funny, like one of this episode's listeners Colleen from Waynesboro, Virginia (US) did with her rooster who, for some season, does not like Derringer Discoveries! In this episode, Team Derringer will also introduce you to Søren Koch's other band, The Beatophonics, based in Denmark. The theme song for Derringer Discoveries is Your Sister's Room by Ho Jo Fro. Derringer Discoveries episodes are released bi-monthly. Find all Derringer Discoveries episodes on our website: www.derringerdiscoveries.com/episodes. If you enjoyed this episode, please subscribe to our podcast, and tell your friends about Derringer Discoveries. Subscribe to the Derringer Discoveries podcast so you'll never miss an episode. You can follow us on social media: Instagram, Facebook, Threads, and X and sign up for our newsletter, if you're so inclined. We sure would appreciate it!  Thanks for listening to Derringer Discoveries!

Join Jared and Ed as they discuss their personal ranking of anxieties, fingers, and taking a dive into the latest effort to quantify the greatest albums of all time, with Prince clocking in twice, with Purple Rain and Sign o' the Times.  Are these lists nonsense? Pointless? Fun? All three? Only history can decide!Support the Show.

Please add your cited works at the end of your paper. And the paper should be in MLA format. Thank you! 0:00 – Mic Test 0:57 - Intro 1:59 - What Can't You Wrap Your Head Around? 15:15 - Bussin' Ballots: Oregon and Pennsylvania 30:20 - Robert DeNiro Holds Press Conference Outside of Trump Trial 37:55 - Another Coon Makes A Fool of His Own People 49:44 - Sharelle Backtracks On Her Statements About Nikki Haley 55:40 - Media Literacy is SO Important 1:06:31 - The SuperSize Me Guy Dies 1:12:35 - Apple Music Release Top 100 Greatest Albums of All-Time (Allegedly) 1:29:39 - Outro/ Corny Joke -------------------------------------------------------------------- Bussin' Ballots Links: Oregon - https://oregoncapitalchronicle.com/2024/04/15/u-s-rep-salinas-backs-legislation-to-increase-expand-mental-health-care-in-public-schools/ Pennsylvania - https://penncapital-star.com/government-politics/pa-house-passes-bill-to-close-loophole-in-seatbelt-law/ Please be sure to follow us on all our social media: Cashapp: $Headwrappod Twitter: @headwrappod Instagram: @headwrapsandlipsticks TikTok: @headwrapsandlipsticks Facebook: Headwraps And Lipsticks: The Podcast Website: www.headwrapsandlipstick.com Email: hosts@headwrapsandlipsticks.com

Explicit. Juice and Kim are back with more shenanigans. First, dog owners taking their dogs everywhere & they talk about Congress being “ghetto” & the plague of Cicadas. Next, they discuss the Apple Music 100 Greatest Albums list. After that, they discus: ending their feud with Byrd of The Black Card Podcast(the feud doesn't include April), The Diddy Abuse Tape, and more. Title Track By @DJCBATTLE

Welcome back y'all - what a week! This week our #OTWEEKLYPLAYLISTS has sounds from Billie Eilish, Vedo, Vanilla Is Black & 6lack, and Rapsody! During #MUSICNEWS of course we get into the egregious tape "leaked" last week of Sean "Diddy" Combs caught on camera domestically abusing Cassie, and the latest allegations from the fall out. We also discuss Apple Music's 100 Greatest Albums of all time list. In #THEBLACKNESS - we talk through this year's 2024 BET Award Nominations, and we also shine a #QUEENSPOTLIGHT on Simone Biles, Gabby Douglas, & 18 year old Dr. Dorothy Jean-Tillman who received her associates, bachelors, and masters by the age of 14! Follow Us: All Links: https://linktr.ee/otwweekly Instagram/Twitter: @onthewayweekly FB: facebook.com/onthewaypod | Youtube: https://bit.ly/3CWxgPZ Website: instinctent.com/ontheway | www.mochapodcastsnetwork.com/ontheway Sylvee - @sylveejones Kahlil - @kahlilxdaniel | www.kahlildaniel.com | www.facebook.com/kxdmusic Tap in to our latest playlists too! Learn more about your ad choices. Visit megaphone.fm/adchoices

 In Other News with Ethan: Apple drops their 100 greatest Albums of all time, Train founding Bassist passes, Graceland not for sale...yet, 

(00:00) Apple continues to unveil its list of the 100 greatest albums of all time (18:33) Great news, everybody: It's the EMAIL BIT! It's time for Fred, hardy and Wallach to read listener emails. It really is quite a treat! (29:13) THE STACK CONNECT WITH TOUCHER & HARDY: linktr.ee/ToucherandHardy For the latest updates, visit the show page on 985thesportshub.com. Follow 98.5 The Sports Hub on Twitter, Facebook and Instagram. Watch the show every morning on YouTube, and subscribe to stay up-to-date with all the best moments from Boston's home for sports!

Annnnnnnd we're BACK! Today, the podcast crew is diving into the top tunes turning 40 in 2024. and you may be surprised how many are on the list. Plus we've got a rad '80s enthusiast joining us - author Tami Dever of Totally Cool 80's - to talk about what made 1984 such an important year in music history.  Putting aside how old this all makes us feel, hear our top picks from that iconic year as well as what our outspoken Facebook community had to say. Seriously, no self respecting GenXer would skip this one - listen now!Episode linksMartha Quinn talks with Tamara Dever about “I Like Big Books and I Cannot Lie.”100 greatest songs of 1984100 Greatest Albums of 198424 Huge hits turning 40 in 2024Why 1984 Was the Greatest Year in Pop Music 1984 Was Pop Music's Best Year Ever‘Purple Rain,' ‘Born In The U.S.A.': These Blockbuster Records Are Turning 40 In 202440 Years Ago, This Ad Changed the Super Bowl ForeverHistory of WHFS Radio in the DC areaLinks for our guest Tami DeverWebsiteshttps://www.totallycool80s.com/ https://www.ultimatemixtapelive.com/BooksUltimate Mix Tape Music Quiz Book:Ultimate Mix Tape Music Quiz Book: Side BI Like Big Books and I Cannot LieTtally Cool 80's Social MediaTwitter/XInstagramFacebookConnect with usSubscribe to GenX Stories in your favorite podcast appBuy some kickass merchWrite us a reviewVisit our siteJoin our Facebook GroupFollow our 80's inspired InstagramSend us an email

fWotD Episode 2539: Rumours (album) Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Wednesday, 17 April 2024 is Rumours (album).Rumours is the eleventh studio album by the British-American rock band Fleetwood Mac, released on 4 February 1977 in the United States and on 11 February 1977 in the United Kingdom by Warner Bros. Records. Largely recorded in California in 1976, it was produced by the band with Ken Caillat and Richard Dashut. The recording sessions took place in the aftermath of several relationship breakups among the band members in addition to heavy drug use, both of which shaped the album's direction and lyrics.Recorded with the intention of making "a pop album" that would expand on the commercial success of the 1975 album Fleetwood Mac, the music of Rumours is characterized by a mix of electric and acoustic instrumentation, accented rhythms, guitars, and keyboards, while its lyrics concern personal and often troubled relationships. Its release was postponed by delays in the mixing process. Following the album’s release, Fleetwood Mac undertook worldwide concert tours in support of it. Rumours became the band's first number-one album on the UK Albums Chart and also topped the US Billboard 200. The songs "Go Your Own Way", "Dreams", "Don't Stop", and "You Make Loving Fun" were released as singles, all of which reached the US Top 10, with "Dreams" reaching number one.Rumours was a commercial success, selling 13 million copies worldwide by 1980. It garnered widespread acclaim from critics, with praise centred on its production quality and vocal harmonies, which frequently relied on the interplay among the band's three vocalists, and which has subsequently inspired the work of musical acts in various genres. It won Album of the Year at the 1978 Grammy Awards and received Diamond certifications in several countries, including the UK, Canada, Australia, and the US, in where it is certified 21× Platinum by the Recording Industry Association of America (RIAA). As of February 2023, Rumours has sold over 40 million copies worldwide.Often considered Fleetwood Mac's magnum opus, Rumours has frequently been cited as one of the greatest albums of all time. It was inducted into the Grammy Hall of Fame in 2003, and in 2004, Rumours was remastered and reissued with the addition of "Silver Springs", which had been excluded from the original release, and a bonus CD of outtakes from the recording sessions. It was selected for preservation in the National Recording Registry in 2017, being deemed "culturally, historically, or aesthetically significant" by the Library of Congress. In 2020, Rumours was ranked 7th in Rolling Stone's list of the "500 Greatest Albums of All Time".This recording reflects the Wikipedia text as of 00:40 UTC on Wednesday, 17 April 2024.For the full current version of the article, see Rumours (album) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Joanna Standard.

The original band was formed in 1968 in Los Angeles as The Flying Burrito Brothers.  Its classic lineup featured country rock pioneer, the late Gram Parsons, and former founding Byrds members bassist Chris Hillman and drummer Michael Clarke, along with eventual original Eagles member Bernie Leadon on lead guitar and pedal steel guitar genius Sneaky Pete Kleinow. The band's first two albums, The Gilded Palace of Sin (which Rolling Stone listed at number 192 on its list of 500 Greatest Albums of All Time) and Burrito Deluxe, remain highly influential, acclaimed works which helped put country-rock on the map.  Because Parsons and Keith Richards were good friends, Burrito Deluxe contains the first issued version of the Mick Jagger/Keith Richards-written song "Wild Horses," released almost a year before the The Rolling Stones own take on it appeared on Sticky Fingers.  These days, the band, who formed the current incarnation of the Burritos in 2009, and are now based in Nashville, features Chris P. James on keys and lead vocals, guitarist Steve Allen, Tony Paoletta on pedal steel and drummer Peter Young…all extremely talented musicians who love being involved with the band's legacy and creating new music to keep that legacy alive. Chris, Tony, and Pete have played together since the 1990 starting together in the band Mr. Hyde. They know each other's musical moves every which way possible. This band is tuned in, turned on, upbeat and loaded with great songwriting and musicianship. These guys are truly “brothers.” Steve Allen has got the guitar thing going strong with benders and 12-strings and telecasters and acoustics He also plays.  A mean bass. “Smiling” Tony Paoletta is a truly gifted pedal steel player. He's fully versed in the Sneaky Pete oeuvre. And, essentially, every other steel player who came before him. Tony brings unlimited creativity to the table. His admirers are legion. Peter Young is a consummate drummer. The familiarity these fellows have with each other's musicianship is near-perfect. Everything's fine cuz Pete's holdin' down the time. Been doing it a long, long while. In various combinations, these guys have recorded more sessions together than you could count. Pete sings a real nice harmony too. And Chris P. James is their front man. He plays keyboards and guitar and harmonica. Writes songs too. He wound up with the Burrito Brothers in 2009. He was offered a record deal to make a new album in 2010 by the group that would trademark and continue as The Burrito Brothers. Or he could decline. What kind of choice is that? Of course, The Burrito Brothers are alive! And that is definitely a good, good thing. They continue to carry the torch via the Together release, which features superb musicianship, tight ensemble playing, beautiful harmonies and excellent songwriting. The album features 10 new, tracks that continue in the Burrito's longstanding musical tradition while forging ahead in the present and towards the future.  Track Listing: 1.Ms Misery / 2. Mr. Customs Man / 3. Together / 4. I Find Love / 5. Let Go / 6. Blood On His Hands / 7. Boiling Point / 8. Streets Of Santa Rosa /  9. I Live For Loving You / 10. History Suite Will James from Gram Parsons International says, ““This latest incarnation is the closest to the original FBB sound of all of the previous bands.” Gram Parsons said it best…The idea'll keep going on. It's not like it's dead or anything. Whether I do it or anybody else does it, it's got to keep going."    Please use the following links below to access all things The Burrito Brothers including photos, bio, and a discography. The Burrito Brothers website:  www.TheBurritoBrothers.net Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Vinyl Verdict, Bell, Jamie and Plouffe listen to Jamie's next pick, Tame Impala's "Currents". The group's third studio album, it was released in 2015 to widespread acclaim, including a 9.3 from Pitchfork. On the 2022 refresh of Rolling Stone's 500 Greatest Albums of all time, it was placed at #382. Normally just made up of one guy - Kevin Parker, Tame Impala grows to 6 people on tour. Will the boys love the layered sound of the album? Will this be a rare quorum on the podcast? Come along and find out!

At the end of 2023, Rolling Stone published some small adjustments to the 2020 list of the 500 Greatest Albums. Among those changes was a decision to drop Legend: The Best of Bob Marley and the Wailers, and replace it by moving up their album Exodus, an album that had previously been in the #71 spot. Given that unique change, we thought we would re-share our original review with Bram Wooley, for your listening pleasure. Enjoy! ----------------------- It is always comforting to revisit an artist we have reviewed before, and this time we also had the pleasure of inviting back the same guest who joined us last time we reviewed Bob Marley and The Wailers. You may remember when Bram joined us for our review of Legend.  This time, Bram helps us unpack this iconic album and all the amazing hits it contains!  As a reminder, you can find our favorite songs from the RS500 on ⁠our Spotify playlist right here⁠ - we'll be updating it as we go with our favorite songs from each album! You can check out ⁠Rolling Stone's new 2020 list right here⁠. We'd love it if you would review us in your favorite podcast app, and while you're at it, give us a like on our ⁠Facebook Page⁠ or ⁠Instagram⁠, follow us on ⁠Twitter⁠, and send us a message if you have any comments or questions. --- Send in a voice message: https://podcasters.spotify.com/pod/show/soundlogic/message Support this podcast: https://podcasters.spotify.com/pod/show/soundlogic/support

fWotD Episode 2484: Dookie Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Thursday, 22 February 2024 is Dookie.Dookie is the third studio album by the American rock band Green Day, released on February 1, 1994, by Reprise Records. The band's major label debut and first collaboration with producer Rob Cavallo, it was recorded in mid-1993 at Fantasy Studios in Berkeley, California. Written mostly by frontman and guitarist Billie Joe Armstrong, the album is heavily based around his personal experiences, with themes such as boredom, anxiety, relationships, and sexuality. The album was promoted with four singles: "Longview", "Basket Case", a re-recorded version of "Welcome to Paradise" (which originally appeared on the band's second studio album, 1991's Kerplunk), and "When I Come Around".After several years of grunge's dominance in popular music, Dookie brought a livelier, more melodic rock sound to the mainstream, and propelled Green Day to worldwide fame. Considered one of the defining albums of the 1990s and punk rock in general, it was also pivotal in solidifying the genre's mainstream popularity. Its influence permeated into the new millennium and beyond, being cited as an inspiration by many punk and pop-punk bands, as well as artists from other genres.Though the band was labeled a sell-out by some of their original fans for leaving their independent label, Lookout! Records and embracing a more polished sound, Dookie received critical acclaim upon its release. The record won a Grammy Award for Best Alternative Album in 1995. It was also a worldwide success, peaking at number two on the Billboard 200 in the United States and reaching top ten positions in several other countries. It was later certified Diamond by the Recording Industry Association of America (RIAA), and has sold over 20 million copies worldwide, making it the band's best-selling album and one of the best-selling albums worldwide. It has been labeled by critics and journalists as one of the greatest albums of the 1990s and one of the greatest punk rock and pop-punk albums of all time; Rolling Stone placed Dookie on three iterations of their "500 Greatest Albums of All Time" list, and at number 1 on their "50 Greatest Pop-Punk Albums" list. In August 2023, it was announced that a 30th anniversary deluxe edition of the album would be released on September 29, 2023, featuring outtakes, demos, and two live concert recordings.This recording reflects the Wikipedia text as of 00:01 UTC on Thursday, 22 February 2024.For the full current version of the article, see Dookie on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Matthew Standard.

Linktree: https://linktr.ee/AnalyticJoin Analytic Dreamz on the latest episode of Notorious Mass Effect as he explores the timeless debate in Episode 131: "Greatest Game Of All Time!?"

The band was formed in 1968 in Los Angeles as The Flying Burrito Brothers.  Its classic lineup featured country rock pioneer, the late Gram Parsons, and former founding Byrds members bassist Chris Hillman and drummer Michael Clarke, along with eventual original Eagles member Bernie Leadon on lead guitar and pedal steel guitar genius Sneaky Pete Kleinow.The band's first two albums, The Gilded Palace of Sin (which Rolling Stone listed at number 192 on its list of 500 Greatest Albums of All Time) and Burrito Deluxe, remain highly influential, acclaimed works which helped put country-rock on the map.  Because Parsons and Keith Richards were good friends, Burrito Deluxe contains the first issued version of the Mick Jagger/Keith Richards-written song "Wild Horses," released almost a year before the The Rolling Stones own take on it appeared on Sticky Fingers.The band has churned through countless members over the years (including many ex-members who have attained success over the years on their own in big-name bands) but has continued to keep the Burritos name and legacy alive by touring and recording under various Burritos-styled names over the decades.These days, the band, now based in Nashville, features Chris P. James (who's been involved with the band since 2009), guitarist Steve Allen, Tony Paoletta on pedal steel and drummer Peter Young…all extremely talented musicians who love being involved with the band's legacy and creating new music to keep that legacy alive.The current lineup has continued for over a decade to carry the Burrito Brothers torch via the Christmas release, which features the band's trademark tight ensemble playing, beautiful harmonies, excellent songwriting, and the ability to turn other artist's songs into their own.To learn more about The Burrito Brothers, or to purchase their new album entitled CHRISTMAS, click here https://www.theburritobrothers.net/ Support the showVisit www.creativepeacemeal.com to leave a review, fan voicemail, and more!Insta @creative_peacemeal_podcastFB @creativepeacemealpodBonfire https://www.bonfire.com/store/creative-peacemeal/Redbubble CPPodcast.redbubble.comCreative Peacemeal READING list here Donate to AhHa!Broadway here! Donate Dachshund Rescue of Houston here Interested in Corrie Legge's content planner? Click here to order! Looking for custom orthotics? Foot and Shoe Solutions is your answer. Click here for more.

Jerry was able to keep his baloney at bay, and the guys explain what a doob is. We also listen to one of the greatest albums ever made!Please visit us at http://thegrungepodcast.comAlso, find us on all social media platforms, as well as our Patreon page at http://patreon.com/thegrunge

Dave and Blair break down the top 5 albums of all time.  Here they annound #5 and #4, so get your Big Chief and Pencil out...

On the 24th Episode of Dorm Damage With Tom & Zeus, the guys breakdown Rolling Stone magazine's The 500 Greatest Albums of All Time. Rolling Stone released their list of the 500 greatest albums of all time in 2020. The guys go through the top 30 albums they have listed and discuss the albums and their ranking.  This episode gets the SIOL warning label "WARNING STRONG OPINIONS ARE GIVEN!" To read the ROLLING STONE list click below:   500 Greatest Albums Of All Time - Rolling Stone For all things Shout It Out Loudcast check out our amazing website by clicking below:   www.ShoutItOutLoudcast.com   Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:   SIOL Patreon   Get all your Shout It Out Loudcast Merchandise by clicking below: Shout It Out Loudcast Merchandise at AMAZON   Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

On the 24th Episode of Dorm Damage With Tom & Zeus, the guys breakdown Rolling Stone magazine's The 500 Greatest Albums of All Time. Rolling Stone released their list of the 500 greatest albums of all time in 2020. The guys go through the top 30 albums they have listed and discuss the albums and their ranking.  This episode gets the SIOL warning label "WARNING STRONG OPINIONS ARE GIVEN!" To read the ROLLING STONE list click below:   500 Greatest Albums Of All Time - Rolling Stone For all things Shout It Out Loudcast check out our amazing website by clicking below:   www.ShoutItOutLoudcast.com   Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:   SIOL Patreon   Get all your Shout It Out Loudcast Merchandise by clicking below:   Shout It Out Loudcast Merchandise at AMAZON   Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the Season 1 finale! In this episode, hosts E and Tank get angry about a three-year-old list of the best albums of all time. ANGRY. They take a somewhat scientific approach to their discussion, each suggesting three albums that should have been on the list and where they might be placed, and in doing so, fix the list. Well, maybe not, but at least they certainly feel a whole hell of a lot better now. Remember to like/follow/subscribe to The Extended Play Podcast. Hear songs from this and previous episodes via Spotify and YouTube.

In this 10ish Podcast "BEST OF" 2-Pack, we're ready to drop all kinds of HOT TAKES about your favorite music. First, Nick and OG sidekick host, Brandon, analyze Rolling Stone Magazine's list of the Top 10 Greatest Albums of All Time (Episode 106). Then, immediately following that, we'll break down the Rolling Stone list for the Top 10 Greatest Songs of All Time (Episode 132). ---------------------------------------------- Summary of Episode 106: Greatest Music Albums of All Time, originally released November 2020 Thriller. Back in Black. The White Album. The Black Album. Big Willie Style (maybe). We can all name some of the most famous albums in music history, but what do industry experts - including the biggest names in modern music today - rank as the Top 10 Greatest Albums of All Time? Rolling Stone Magazine has put forth the Top 500 ever, ranked with input from experts and musicians; Nick tries to guess the Top 10 albums ever according to the most recent version of Rolling Stone's 500 list. PLUS...what artists from history have the most albums in the Top 500?, fun facts and trivia about each album and each artist, differences between the 2020 iteration of the list vs. past versions, our thoughts on each album in the Top 10, big albums that got slighted, cranberry juice, concept albums, analyzing some of the most famous album covers, Brandon's dumbest Top 10 hint yet, sex and drugs and rock 'n roll, the artist killed by his own father, diversity in the Top 10, nunchucks, and MUCH more. ---------------------------------------------- Summary of Episode 132: Greatest Songs of All Time, originally released May 2021 Of the millions of songs throughout music history, which one can lay claim to being the GREATEST song ever recorded? Industry experts from Rolling Stone Magazine, with input from some of the top musicians in modern music today, have ranked what they say are the best, most influential songs in history. On this episode, Nick puts his music history knowledge to the test when he tries to guess Rolling Stone's full list of the Top 10 Greatest Songs Ever. PLUS...what one musician has two songs in the Top 10?, what makes for a great song, fun facts and #HotTakes about each song, behind-the-scenes notes about the making of each song, menstruation, music experimentation, Back to the Future, sexual frustration, Nick's Foley artistry, which Top 10 song was influenced by underarm deodorant?, marijuana in music, "sock it to me", and MUCH more. ---------------------------------------------- Get early access to AD-FREE episodes as a 10ish Pod+ member. Plus (pun intended), get a new exclusive bonus episode every month, free swag, and much more. Learn more and sign up at https://www.10ishpod.com/plus; or, sign up in one tap on Apple Podcasts (https://podcasts.apple.com/us/podcast/10ish-podcast/id1434572769). ---------------------------------------------- TIKTOK: https://www.tiktok.com/@10ishpod REDDIT: https://www.reddit.com/r/10ishPod YOUTUBE: https://www.youtube.com/10ishpodcast TWITTER: https://www.twitter.com/10ishpod INSTAGRAM: https://www.instagram.com/10ishpod ---------------------------------------------- 10ish Podcast Theme Music:  Hackbeat by Kevin MacLeod (incompetech.com)  Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0 The following music was used for this media project: Music: Hip Hop Flute Chill(loopable} by chilledmusic Free download: https://filmmusic.io/song/8531-hip-hop-flute-chillloopable License (CC BY 4.0): https://filmmusic.io/standard-license Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a music discussion episode! How does canonization work in popular music? Is Rolling Stone's 500 Best Albums of All Time list just a modest record of the favorite albums of people associated with Rolling Stone? Is it a statement of what “experts” in popular music enjoy? Does it reflect English-American popularity, and what responsibility to list-makers have to experience and include world music, indie music, and other music by those not powerful enough to have promotional backing? Mark is joined by  journalist Noah Berlatsky (who wrote The Best Greatest Albums of All Time Ever), musical artist Mobley, and The Hustle podcast host Jon Lamoreaux to discuss the album as a format, music curation, the subjectivity of taste, and our childhood love affairs with particular albums. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsor: Upgrade your showering at nebia.com/nem (code NEM).