Podcast appearances and mentions of jake silverstein

THE WINNER—Clang! Clink! Bang! Hear that? It's the sound of all the hardware that Jake Silverstein's New York Times Magazine has racked up in his almost eleven years at its helm: Pulitzers and ASMEs are heavy, people!When we were preparing to speak to Jake, we reached out to a handful of editors who have loyally worked with him for years to find out what makes him tick. They describe an incredible and notably drama-free editor who fosters an amazing vibe and a lover of both literary essay and enterprise reporting who holds both an MA and an MFA. As one New York Times Mag story editor put it, Jake's superpower is his “vigorous and institutionally-shrewd support of skilled reporters with strong voices pursuing projects that were just a little beyond the paper's ordinary comfort zone.” Here's a theory we set out to test in this interview—one that we've floated in our newsletter, The Spread, for years now: Is The New York Times Magazine the best women's magazine out there? Yes, we're talking about the stories they produce under Jake, like Susan Dominus's ASME-winning, game-changing story about menopause and hormone replacement therapy, and Linda Villarosa's feature shining a light on the Black maternal health crisis. But we're also talking about the woman-loaded top of the Times Mag masthead, on which Gail Bichler, Jessica Lustig, Sasha Weiss, Ilena Silverman, and Adrienne Greene reign supreme—and seriously outnumber their male counterparts. And we could spend all day name checking favorite writers, like Dominus and Villarosa, but also Emily Bazelon, Danyel Smith, Taffy Brodesser-Akner, Irina Aleksander, Jordan Kisner, Azmat Khan, Pam Colloff, Nikole Hannah-Jones, J Wortham, Wesley Morris. We could go on and on—you get the idea! So, did Jake agree with our women's mag theory? And what is it like to have the deep resources it takes to make these kinds of stories these days? You'll have to listen to find out.—This episode is made possible by our friends at Commercial Type and Freeport Press. Print Is Dead (Long Live Print!) is a production of Magazeum LLC ©2021–2025

On this episode of Library Talks, bestselling author Taffy Brodesser-Akner discusses her new novel, Long Island Compromise, with Jake Silverstein, editor in chief of The New York Times Magazine.

Kathy Ryan's career journey began in Bound Brook, New Jersey, at St Joseph's Catholic School. Her third grade teacher, Sister Mary William, had a thing for great works of art. And, as it turns out, so did Ryan. _____ “I got it. I so got it. Looking at the pictures and just understanding. It was like, ‘Wow, I get it.'” _____ That understanding of the power of the visual led Ryan to a focus on art in college—on lithography and printmaking. But the solemn life of an artist wasn't for her. She hated being alone all day. She loved working with people. She wanted to be part of a team. _____ Kathy Ryan was made for magazines. _____ After starting her career at Sygma, the renowned French photo agency, Ryan was hired away by The New York Times Magazine in 1985. She had found her team. _____ In her tenure at the Times, she has collaborated with all the bold-face names: Jake Silverstein and Gail Bichler (the current editor-in-chief and creative director) as well as Adam Moss, Rem Duplessis, Janet Froelich, Peter Howe, Diana Laguardia, Gerald Marzorati, Ken Kendrick, and Jack Rosenthal. And between and among them they've won all the awards—and created one of the world's truly great magazines. _____ Recently, Ryan's work at the Times took a new turn. Inspired by her collaborations with the most gifted photographers in the business, Ryan started making a few pictures of her own. _____ She had always been mesmerized by the way the light hit the Renzo Piano-designed Times headquarters. But on this particularly sunny morning, Ryan pulled out her phone and snapped a picture. Then she took another. And another. She started seeing pictures everywhere. Portraits, abstracts—whatever caught her eye. Encouraged by friends and colleagues, she posted them on Instagram with the hashtag #officeromance. _____ After a career of looking at pictures, she is now making them. And that led to her glorious book, Office Romance, published by Aperture in 2014. _____ We talked to Ryan about her passion for the art of work, about the thrill of discovering incredible talent in unexpected places, and about the responsibility that comes with sending photojournalists into harm's way.

AudioFile's Behind the Mic is highlighting audiobooks that are up for the 2023 Audie Awards. Today we're hearing AudioFile's Alan Minskoff and host Jo Reed in discussion about THE 1619 PROJECT, Nikole Hannah-Jones's ambitious work with the New York Times Magazine that tells the story of America through the lens of slavery. It's a contender for the 2023 Audiobook of the Year and a finalist in the Multi-Voiced Performance category. Read the full review of the audiobook on AudioFile's website. Published by Random House Audio. Explore a full list of this year's Audie Award finalists, along with audiobook reviews and sound samples, at theaudies.com Support for AudioFile's Behind the Mic comes from HarperCollins Focus, and HarperCollins Christian Publishing, publishers of some of your favorite audiobooks and authors, including Joanna Gaines, Zachary Levi, Kathie Lee Gifford, Max Lucado, Willie Nelson, and so many more! Learn more about your ad choices. Visit megaphone.fm/adchoices

[REBROADCAST FROM December 22, 2021] The 1619 Project from The New York Times was first published in 2019, four hundred years after the first slave ship landed on the shores of the United States. The project aims to create a new framework for how to understand the legacy and present consequences of slavery in the U.S, and was received with high praise or sharp criticism, depending on who you ask. Now, a new book, The 1619 Project: A New Origin Story, expands upon the original published version with new essays and reporting. Creator Nikole Hannah-Jones and New York Times Magazine editor in chief Jake Silverstein are with us to discuss the project.

To mark Juneteenth, a conversation with three contributors to "The 1619 Project" about what happens when we place slavery and its legacy at the center of the American story. Diane talks to New York Times columnist Jamelle Bouie, history professor Martha S. Jones and Jake Silverstein, editor-in-chief of The New York Times Magazine.

[REBROADCAST FROM December 22, 2021] The 1619 Project from The New York Times was first published in 2019, four hundred years after the first slave ship landed on the shores of the United States. The project aims to create a new framework for how to understand the legacy and present consequences of slavery in the U.S, and was received with high praise or sharp criticism, depending on who you ask. Now, a new book, The 1619 Project: A New Origin Story, expands upon the original published version with new essays and reporting. Creator Nikole Hannah-Jones and New York Times Magazine editor in chief Jake Silverstein are with us to discuss the project.

Nikole Hannah-Jones, herself a persuasive narrator, has brought together a remarkable mosaic of voices, stories, and poems that tell the story of America through the lens of slavery. Host Jo Reed and AudioFile's Alan Minskoff discuss the impressive collection of history, journalism, and creative fiction works, all delivered on audio by outstanding narrations. The variety of voices and views deepens listeners' understanding of U.S. history and how it has been presented. Read the full review of the audiobook on AudioFile's website. Published by Random House Audio. Find more audiobook recommendations at audiofilemagazine.com Today's episode of Behind the Mic is brought to you by Oasis Audio, publisher of the 2020 Christian Book Award for Best Audiobook, Chasing Vines, find your way to an immensely fruitful life. Learn more about your ad choices. Visit megaphone.fm/adchoices

The 1619 Project from The New York Times was first published in 2019, four hundred years after the first slave ship landed on the shores of the United States. The project aims to create a new framework for how to understand the legacy and present consequences of slavery in the U.S, and was received with high praise or sharp criticism, depending on who you ask. Now, a new book, The 1619 Project: A New Origin Story, expands upon the original published version with new essays and reporting. Creator Nikole Hannah-Jones and New York Times Magazine editor in chief Jake Silverstein are with us to discuss the project.

He may not be AFC Richmond's Rebecca Welton but this America knows his way around a pitch and a boardroom. Michael Barr, Scarlet Fu and Mike Lynch talk all things soccer with DC United and Swansea City “Diamond Dog” Jake Silverstein. We find out why he continues to invest in the sport and what's in store for those investments on both sides of the pond.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Dynamo and Dash owner Jake Silverstein talks about the highs and lows of owning a team and what the phrase "soup to nuts" means. Marko Marić answers questions from Dynamo Season Ticket Members and Jane Campbell talks about a record she wish she didn't have.

Host Jeremy Leslie talks with Jake Silverstein about The New York Times Magazine story Penthouse Birdwatching, by Helen Macdonald. The story looks at the vibrant bird life that exists high above the streets of Manhattan. Presented by WeTransfer Studios.   See acast.com/privacy for privacy and opt-out information.

We compiled a playlist of songs that tell us where music is going. Hosted by Jake Silverstein, the editor in chief of The New York Times Magazine, and Nitsuh Abebe, a story editor, it features some of their favorite writers and the songs that spoke to them this year. Find the magazine's music issue at nytimes.com/25songs.

This week we’re talking about penises. Specifically, penises on the big screen. There are more and more of them, but the penises deemed safe enough to see tend to be white ones. We talk about the role of black penises and black sexuality in popular culture. Plus, Jenna puts Barack Obama’s digital legacy in perspective, and then our boss, Jake Silverstein, joins us to discuss the one thing we never got from the president.

Jake Silverstein, editor of The New York Times Magazine, sat down with Jenna Pirog, Graham Roberts and Sam Dolnick to talk about all things virtual reality.

Jake Silverstein, editor of The New York Times Magazine, sat down with Jenna Pirog, Graham Roberts and Sam Dolnick to talk about all things virtual reality.

The magazine editor, Jake Silverstein, on a new adventure in storytelling. Susan Lehman is the host.

The magazine editor, Jake Silverstein, on a new adventure in storytelling. Susan Lehman is the host.

Jake Silverstein, editor-in-chief of Texas Monthly. Show notes: @jakesilverstein Silverstein's Texas Monthly archive [5:00] Welcome to the New National Homepage of Texas (Texas Monthly • Jan 2013) [14:00] "The Innocent Man, Part 1" (Pamela Colloff • Texas Monthly • Nov 2012) [14:30] Colloff's ongoing coverage of the Michael Morton case [19:30] "Walking the Border" (Luke Dittrich • Esquire • April 2011) [20:00] Nothing Happened and Then It Did: A Chronicle of Fact and Fiction [27:00] "The Devil and Ambrose Bierce" (Harper's • Feb 2002) (sub req) [28:30] "The Small Boys' Unit: Searching for Charles Taylor in a Liberian civil war" (Denis Johnson • Harper's • Oct 2000) (sub req) [30:30] "What Is Poetry? And Does It Pay?" (Harper's • August 2002) [42:00] "Still Life" (Skip Hollandsworth • Texas Monthly • May 2009)