Podcast appearances and mentions of Wesley Morris

The Ringer's Bill Simmons sympathizes with Mavericks fans after the report that Kyrie Irving will miss the remainder of the season with a torn ACL (0:00), before he is joined Peter Schrager to discuss the NFL combine, Matt Stafford remaining with the Rams, Aaron Rodgers's next team, several QB-desperate teams, possible scenarios at the top of the NFL draft (8:55), as well as worst-situation NFL franchises, newly optimistic teams, the Bengals' quest to pay all four of their star players, and more (36:20). Finally Bill talks with Wesley Morris about the Oscars (01:07:35), before remembering the great Gene Hackman (01:45:06). Host: Bill Simmons Guests: Peter Schrager and Wesley Morris Producers: Kyle Crichton and Chia Hao Tat Get almost, almost anything. Order today in the Uber Eats app. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're continuing to focus on the experience of trans children and their parents this week with this reading of the exquisite essay As They Like It: Learning To Follow My Child's Lead, by the author, Nicole Graev Lipson. The piece — about gender in Shakespeare and Nicole's journey of watching her child let go of girlhood — was originally published in the Virginia Quarterly Review and then included in The Best American Essays, 2024, edited by Wesley Morris. It's also part of Nicole's upcoming collection, Mothers and Other Fictional Characters, which will be published on March 4th. Links:* Order Nicole's book Mothers and Other Fictional Characters* Read As They Like It: Learning To Follow My Child's Lead* Check out Nicole's book events and other great work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit motherofitall.substack.com/subscribe

“My life has often forced me to follow the Super Bowl in unusual circumstances. The first Super Bowl found me in boarding school in England, huddled under my bedclothes with an illegal transistor radio.” –Pico Iyer In this episode of Deviate, Rolf and Pico talk about the novelty of two travel writers talking about the Super Bowl, and Pico’s NFL fandom (4:00); how sports can be a therapeutic diversion from the more serious aspects of life, and which players are Rolf and Pico’s all-time favorites (13:00); Pico and Rolf’s old articles for Sports Illustrated, and how narratives attach themselves to sporting contests (21:00); and what Pico’s plan and predication is for the 2025 Super Bowl (32:30). Pico Iyer (@PicoIyer) is a novelist, essayist, and author. His newest book is Aflame: Learning from Silence. Notable Links: A personal history of being a lifelong pro-sports fan (Deviate Super Bowl special 2020) The Native Americans that beat the NFL Giants (Deviate Super Bowl special 2023) Sports, superstitions, and sacraments (Deviate Super Bowl special 2024) Pico Iyer on solitude, stillness, and silence (Deviate episode) Pascal’s wager (philosophical argument) Edgar Allan Poe (American poet) Wichita North (high school in Kansas) Sports Illustrated (magazine) Eton’s Brutal, Incomprehensible Wall Game, by Pico Iyer (1995 article) Murder of football player in Kansas shakes town, by Rolf Potts (2012 article) Ralph Henry Barbour (early 20th century sports fiction writer) Notes On the Narrative Conundrum of Baseball Fandom, by Rolf Potts (article) Vin Scully (sportscaster for the LA Dodgers) Chick Hearn (sportscaster for the LA Lakers) Bill Simmons (podcaster) Nick Wright (sportscaster) 2014 American League Wild Card Game (Royals-A’s baseball playoff game) Wesley Morris (media critic) NFL football links: Baltimore Ravens (NFL football team with literary mascot) Derrick Henry (NFL running back) Tony Romo (retired NFL quarterback and commentator) Chris Collinsworth (retired NFL wide receiver and commentator) Jared Goff (NFL quarterback for the Detroit Lions) Josh Allen (NFL quarterback for the Buffalo Bills) Super Bowl I (first AFL–NFL World Championship Game) Max McGee (former NFL end for the Green Bay Packers) Super Bowl LI (2017 Falcons-Patriots Super Bowl) Super Bowl LV (2021 Chiefs-Buccaneers Super Bowl) John Brodie (former NFL quarterback for the San Francisco 49ers) Brock Purdy (NFL quarterback for the San Francisco 49ers) Barry Sanders (retired NFL running back for the Detroit Lions) Joe Montana (former NFL quarterback for the San Francisco 49ers) Saquon Barkley (NFL running back for the Philadelphia Eagles) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

THE WINNER—Clang! Clink! Bang! Hear that? It's the sound of all the hardware that Jake Silverstein's New York Times Magazine has racked up in his almost eleven years at its helm: Pulitzers and ASMEs are heavy, people!When we were preparing to speak to Jake, we reached out to a handful of editors who have loyally worked with him for years to find out what makes him tick. They describe an incredible and notably drama-free editor who fosters an amazing vibe and a lover of both literary essay and enterprise reporting who holds both an MA and an MFA. As one New York Times Mag story editor put it, Jake's superpower is his “vigorous and institutionally-shrewd support of skilled reporters with strong voices pursuing projects that were just a little beyond the paper's ordinary comfort zone.” Here's a theory we set out to test in this interview—one that we've floated in our newsletter, The Spread, for years now: Is The New York Times Magazine the best women's magazine out there? Yes, we're talking about the stories they produce under Jake, like Susan Dominus's ASME-winning, game-changing story about menopause and hormone replacement therapy, and Linda Villarosa's feature shining a light on the Black maternal health crisis. But we're also talking about the woman-loaded top of the Times Mag masthead, on which Gail Bichler, Jessica Lustig, Sasha Weiss, Ilena Silverman, and Adrienne Greene reign supreme—and seriously outnumber their male counterparts. And we could spend all day name checking favorite writers, like Dominus and Villarosa, but also Emily Bazelon, Danyel Smith, Taffy Brodesser-Akner, Irina Aleksander, Jordan Kisner, Azmat Khan, Pam Colloff, Nikole Hannah-Jones, J Wortham, Wesley Morris. We could go on and on—you get the idea! So, did Jake agree with our women's mag theory? And what is it like to have the deep resources it takes to make these kinds of stories these days? You'll have to listen to find out.—This episode is made possible by our friends at Commercial Type and Freeport Press. Print Is Dead (Long Live Print!) is a production of Magazeum LLC ©2021–2025

The fifth episode of our special retrospective 20th season looks back to the awesome movie year of 2007 with the first of our producer Dave's three picks, the Lonely Island's Hot Rod. Directed by Akiva Schaffer and starring Andy Samberg, Isla Fisher, Ian McShane, Jorma Taccone, Danny McBride and Bill Hader, Hot Rod was the first feature film from comedy troupe The Lonely Island.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/hot-rod-2007), Wesley Morris in The Boston Globe, and A.O. Scott in The New York Times (https://www.nytimes.com/2007/08/03/movies/03hot.html).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and

In 2022, seven years after surviving a brain aneurysm that left her unable to sing or even speak, Joni Mitchell appeared onstage at the Newport Folk Festival. Singing alongside her were her supportive — and emotional — musician friends, including Brandi Carlile, Marcus Mumford, Wynonna Judd and Annie Lennox.Our critic Wesley Morris had his doubts. What was really happening here? Did Joni Mitchell even want this? Or were her younger adoring musician fans propping her up for their own reasons? When he learned this fall that Joni would be appearing onstage again, at the Hollywood Bowl, he bought a ticket to see for himself.On today's episode, Wesley talks with his editor Sasha Weiss about the concert, and what it's like to experience an 80-year-old in full command of her meaning.Guest: Wesley Morris, a critic at large for The New York Times.Sasha Weiss, the deputy editor of the The New York Times Magazine.Background reading: 50 Reasons to Love Joni Mitchell's “Blue”For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

This week, Juliet returns with friend and old colleague Wesley Morris to discuss the week's celebrity news, starting with a deep dive into Leonardo DiCaprio's 50th birthday bash and who all attended (1:57). Then they get into the Rock's Men of the Year cover story in GQ (35:15) and, finally, some quick hits on the ‘Wicked' press tour and Chappell Roan (54:02). Host: Juliet Litman Guest: Wesley Morris Producer: Jade Whaley Learn more about your ad choices. Visit podcastchoices.com/adchoices

Legendary music producer Quincy Jones, known for working with such icons as Count Basie, Frank Sinatra, and Michael Jackson, died this week at the age of 91. New York Times art and culture critic Wesley Morris joins us to discuss Jones' legacy and take listener calls.

Jacob Shymanski thought he was Stevie Wonder's Number 1 fan, until he heard Barack and Michelle Obama's relationship started with bonding over the guy. We get into it when we review The Wonder of Stevie, an Audible Original Production, written and Hosted by New York Times Pulitzer Prize-winning culture critic, Wesley Morris.Sara Hillis, Ramya Amuthan, and Jacob Shymanski have a whole lot to say on the Audible production, and their impressions of Stevie Wonder after checking out this project.

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea's last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm. The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again. Some of the voices you'll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate's book critic. This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today.  Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stevie Wonder may very well be our modern-day Mozart. A child prodigy, he joined Motown as a preadolescent, marketed as “Little Stevie Wonder.” He amazed audiences with his virtuosic command of the piano, harmonica, drums, and, of course, his vocals. At just 13, he achieved his first number one hit with “Fingertips Part II,” an unusual chart-topper that featured a live recording of mostly improvised music, with Wonder switching between instruments as the audience cheered him on. However, his talent far surpassed this early novelty. In the 1970s, Wonder broke free from the constraints of his initial recording contract, gaining both artistic and financial independence. Between 1971 and 1976, during what is now known as his "classic period," he released five of the most iconic albums in popular music, beginning with Music of My Mind and culminating in Songs in the Key of Life. These albums showcased his musical genius and included timeless songs that have become part of the modern pop canon, touching on themes of love, heartbreak, justice, and spirituality. Few child prodigies fulfill their potential as profoundly as Stevie Wonder. In this episode of Switched on Pop, with the help of Wesley Morris, NYT critic and host of the audio series The Wonder of Stevie, the show reflects on some of Wonder's most powerful compositions, exploring what makes him our contemporary musical maestro. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The director of the Oscar-winning O.J. documentary, Ezra Edelman, has completed one of the greatest films ever made: a nine-hour epic about Prince. So why won't the artist's estate let this movie out of the vault? Pablo and New York Times critic-at-large Wesley Morris are two of the only people to have seen it. And they're finally able to reveal what they learned: about the hypothetical cancellation of an icon; Prince's actual scouting report as a basketball player; the disease of pop stardom; the cost of genius; and whether you will ever see this masterpiece, too. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea's last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm. The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again. Some of the voices you'll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate's book critic. This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today.  Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea's last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm. The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again. Some of the voices you'll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate's book critic. This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today.  Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea's last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm. The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again. Some of the voices you'll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate's book critic. This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today.  Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea's last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm. The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again. Some of the voices you'll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate's book critic. This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant. Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today.  Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

The director of the Oscar-winning O.J. documentary, Ezra Edelman, has completed one of the greatest films ever made: a nine-hour epic about Prince. So why won't the artist's estate let this movie out of the vault? Pablo and New York Times critic-at-large Wesley Morris are two of the only people to have seen it. And they're finally able to reveal what they learned: about the hypothetical cancellation of an icon; Prince's actual scouting report as a basketball player; the disease of pop stardom; the cost of genius; and whether you will ever see this masterpiece, too. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The director of the Oscar-winning O.J. documentary, Ezra Edelman, has completed one of the greatest films ever made: a nine-hour epic about Prince. So why won't the artist's estate let this movie out of the vault? Pablo and New York Times critic-at-large Wesley Morris are two of the only people to have seen it. And they're finally able to reveal what they learned: about the hypothetical cancellation of an icon; Prince's actual scouting report as a basketball player; the disease of pop stardom; the cost of genius; and whether you will ever see this masterpiece, too. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kirk talks with Wesley Morris and Josh Gwynn about the endless world of Stevie Wonder. Morris and Gwynn are host and producer, respectively, of the brilliant new six-part podcast series The Wonder of Stevie.Check out Josh Gwynn's terrific pop culture podcast Back Issue, Wesley Morris's culture podcast Still Processing, and Morris' essential writing on Aretha Franklin, Jam & Lewis, Meshell Ndegeocello, and his mustache, as well as his 2019 essay about Black American Music.REFERENCED ON THIS EPISODE:"Wild Wild West" by Will Smith, Kool Moe Dee, Rub Fusari, and Stevie Wonder, 1999"Straight, No Chaser" by Thelonious Monk, recorded 1967Thelma Golden and Michelle Obama talking about listening to records as kids, from Episode 5 of The Wonder of StevieStevie Wonder Song Excerpts:"Keep On Running" from Music of My Mind, 1972"You Are the Sunshine of My Life" from Talking Book, 1972"Jesus Children of America" from Innervisions, 1973"Boogie On Reggae Woman" from Fulfillingness' First FInale, 1974"I Wish," "Sir Duke," and "As," from Songs in the Key of Life, 1976"Happy Birthday" from Hotter Than July, 1980----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------OCTOBER 2024 WHOLE-NOTE PATRONSElizabeth CulverMeryl AllisonRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzRushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshMelanie AndrichJenness GardnerNathaniel BauernfeindPaul DelaneyDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyOCTOBER 2024 HALF-NOTE PATRONSLawrenceSy JacobsirritableIan PiddAndrew HoferJordan GatenbyMelissa KuhnsAshleySeattle Trans and Nonbinary Choral EnsembleKevin MarceloMatt CSamantha CoatesJamesMark NadasdiJeffDan CutterJoseph RomeroOl ParkerJohn BerryDanielle KrizClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenGrettir AsmundarsonSean MurphyRandal VegterRobert Granatdave malloyAlan MaassNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareRichard SneddonJanice BerryDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemonCookies250Angela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelmaniacEric HelmJonathan DanielsCaro FieldNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

Hey Big Hit Show fans. We're sharing a preview of a new podcast from Higher Ground called The Wonder of Stevie. It's hosted by Wesley Morris and this episode features Alex Pappademas. Host Wesley Morris is taking you on a deep-dive through Stevie's Classic Period. In this episode, Wesley talks with Alex about the fourth album in Stevie's streak: Fulfillingness' First Finale. It was made following an unexpected and life-changing event, and shows Stevie's different, moodier, more reflective side. Hear why the album is Wesley and Alex's favorite (and why not everyone agrees). Hosted on Acast. See acast.com/privacy for more information.

On this week's show, the hosts are joined by a very special fourth panelist: Wesley Morris, a critic at The New York Times and the host of The Wonder of Stevie, a new podcast on Audible. First, the quartet explores The Substance, a lurid, monstrous body horror flick by writer-director Coralie Fargeat. Demi Moore stars as Elisabeth Sparkle, a fading Hollywood icon who is so repulsed by the idea of aging, that she purchase a black-market drug known as “the substance.”‌ The film caused a commotion at Cannes this year, where audience members reportedly walked out in disgust and the remaining crowd gave it a 13-minute standing ovation. Then, the panel dives into The Wonder of Stevie with its host. The new six-part Audible series explores the career of Stevie Wonder and “uncovers the untold story of an extraordinary artistic journey that shaped the greatest creative era in popular music history.”‌ On the show, Wesley is joined by guests including Barack and Michelle Obama, Questlove, Smokey Robinson, and more. Finally, the hosts discuss A.I. slop and the onslaught of online garbage and language model detritus. This conversation was inspired by Max Read's piece for New York Magazine, “Drowning in Slop.”‌ In the exclusive Slate Plus segment, Wesley Morris sticks around for a classic Slate spoiler special, and joins the hosts in dissecting The Substance and the film's controversial, bloody, and borderline nauseating third act.  Email us at culturefest@slate.com.  Endorsements: Dana: Stevie Wonder and Gilbert Gil performing live in Brazil in 1995. Julia:‌ Today on Trail, Rusty Foster's spin-off newsletter miniseries about hiking the Appalachian Trail with his son. Stephen:‌ British singer-songwriter Nilüfer Yanya's album, My Method Actor. Wesley: Vote for your favorite songs of the past 25 years, and add to WXPN radio's definitive list of the “885 Greatest Songs of the 21st Century.”‌ Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, the hosts are joined by a very special fourth panelist: Wesley Morris, a critic at The New York Times and the host of The Wonder of Stevie, a new podcast on Audible. First, the quartet explores The Substance, a lurid, monstrous body horror flick by writer-director Coralie Fargeat. Demi Moore stars as Elisabeth Sparkle, a fading Hollywood icon who is so repulsed by the idea of aging, that she purchase a black-market drug known as “the substance.”‌ The film caused a commotion at Cannes this year, where audience members reportedly walked out in disgust and the remaining crowd gave it a 13-minute standing ovation. Then, the panel dives into The Wonder of Stevie with its host. The new six-part Audible series explores the career of Stevie Wonder and “uncovers the untold story of an extraordinary artistic journey that shaped the greatest creative era in popular music history.”‌ On the show, Wesley is joined by guests including Barack and Michelle Obama, Questlove, Smokey Robinson, and more. Finally, the hosts discuss A.I. slop and the onslaught of online garbage and language model detritus. This conversation was inspired by Max Read's piece for New York Magazine, “Drowning in Slop.”‌ In the exclusive Slate Plus segment, Wesley Morris sticks around for a classic Slate spoiler special, and joins the hosts in dissecting The Substance and the film's controversial, bloody, and borderline nauseating third act.  Email us at culturefest@slate.com.  Endorsements: Dana: Stevie Wonder and Gilbert Gil performing live in Brazil in 1995. Julia:‌ Today on Trail, Rusty Foster's spin-off newsletter miniseries about hiking the Appalachian Trail with his son. Stephen:‌ British singer-songwriter Nilüfer Yanya's album, My Method Actor. Wesley: Vote for your favorite songs of the past 25 years, and add to WXPN radio's definitive list of the “885 Greatest Songs of the 21st Century.”‌ Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

A cross-post of the first episode of "The Wonder of Stevie," a new six-part podcast series from Higher Ground and Pineapple Street Studios. It's a great show - find it on Apple, Amazon, Spotify... it's a podcast, you know the deal.Next week, we'll run a conversation between Kirk, host Wesley Morris, and producer Josh Gwynn all about what they learned making the show, and how they've come to think about Stevie and his music. In the meantime, check out some of Wesley Morris's  writing on Aretha Franklin, Jam & Lewis, Meshell Ndegeocello, and his mustache, as well as his essential 2019 essay about Black American Music.

Dearly beloved, we are gathered here today to rewatch a movie called ‘Purple Rain.' The Ringer's Bill Simmons and Wesley Morris dive deep into Prince's 1984 acting debut, staring Prince, Apollonia, and Morris Day. Watch this episode on our Ringer Movies YouTube channel! Producer: Craig Horlbeck Learn more about your ad choices. Visit podcastchoices.com/adchoices

SORRY/NOT SORRY charts how an open secret about comedian Louis C.K.'s sexual misconduct evolved into a front page article on The New York Times. Following the story's publication, Louis C.K. admitted “these stories are true” and faced initial repercussions, only to return to the stage nine months later. While the story of C.K.'s rise and fall largely played out in public, this film reveals the stories of three women who spoke out over the years about C.K.'s behavior. Through candor and surprising humor, the documentary gives voice to the nuanced and complicated experiences of Jen Kirkman, Abby Schachner, and Megan Koester. It presents new details about their encounters with Louis C.K. and unveils the extent of the personal and professional consequences they faced for speaking out about it. SORRY / NOT SORRY directors Caroline Suh and Cara Mones shed new light on questions about sex and power in the workplace, who gets to take the stage, and the role the public plays in these stories at large. Featuring interviews with the reporters who broke the original story – Melena Ryzik, Cara Buckley, and Jodi Kantor – along with comedians, gatekeepers and critics including Michael Ian Black, Michael Schur, Aida Rodriguez, Andy Kindler, Noam Dworman, and Wesley Morris, the film leaves viewers contemplating: who is afforded a second chance, and who is overlooked in the process? For more go to: greenwichentertainment.com/sorry-not-sorry

The four NBA coaches who made the Conference Finals this season all have something in common: a pullover. Because unlike Pat Riley in Armani, or even Larry Brown in overalls (yes, overalls), modern basketball authority rejects individual style in favor of sideline uniformity. So we summon New York Times critic-at-large Wesley Morris (and his two Pulitzer Prizes) to help us explain how we got here. What we've really lost, amid this pandemic of athleisure. And why women's college basketball has the heroes we desperately need. Also: mutating into a muppet; Don Zimmer vs. Pedro Martinez; Hubie Brown as Philippe Petit; and the most delicious glass bowl of chocolate pudding you could ever hope to taste.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The four NBA coaches who made the Conference Finals this season all have something in common: a pullover. Because unlike Pat Riley in Armani, or even Larry Brown in overalls (yes, overalls), modern basketball authority rejects individual style in favor of sideline uniformity. So we summon New York Times critic-at-large Wesley Morris (and his two Pulitzer Prizes) to help us explain how we got here. What we've really lost, amid this pandemic of athleisure. And why women's college basketball has the heroes we desperately need. Also: mutating into a muppet; Don Zimmer vs. Pedro Martinez; Hubie Brown as Philippe Petit; and the most delicious glass bowl of chocolate pudding you could ever hope to taste.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Ringer's Bill Simmons is joined by Kevin O'Connor to discuss the Celtics' overtime win vs. the Pacers in Game 1 of the Eastern Conference finals, Mavericks-Timberwolves predictions, the Lakers' coaching search, and more (1:40). Then, Bill talks to the New York Times' Wesley Morris about NY sports, before discussing the new Zendaya film, 'Challengers', the worst sports movie endings of all time, and summer 2024 films (1:01:14). Host: Bill Simmons Guests: Kevin O'Connor and Wesley Morris Producer: Kyle Crichton The Ringer is committed to responsible gaming. Please visit www.rg-help.com to learn more about the resources and helplines available. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Everything is political – including the Oscars. This week, Wesley Morris, The New York Times' critic at large, joins Errin to discuss this year's standout nominees and what their roles reveal about our culture and our politics.Follow Wesley Morris on X @Wesley_Morris Follow The 19th on Instagram, Facebook, X and via our newsletters. Follow Errin Haines on Instagram @emarvelous and X @errinhaines.Follow Wonder Media Network on Instagram @wmn.media, X @wmnmedia, and Facebook. Stream Breaking the News, a new documentary about The 19th, now on PBS! Hosted on Acast. See acast.com/privacy for more information.

How did the only person who's ever won multiple Pulitzer Prizes for Criticism develop his sense of taste? Who needs a movie review when we've got Rotten Tomatoes and streaming algorithms? And do we even have real movie stars anymore? Wesley Morris, New York Times critic at large, makes the case for professional criticism over customer service. (And why Stephen A. Smith belongs to the proud tradition of camp.) Learn more about your ad choices. Visit megaphone.fm/adchoices

How did the only person who's ever won multiple Pulitzer Prizes for Criticism develop his sense of taste? Who needs a movie review when we've got Rotten Tomatoes and streaming algorithms? And do we even have real movie stars anymore? Wesley Morris, New York Times critic at large, makes the case for professional criticism over customer service. (And why Stephen A. Smith belongs to the proud tradition of camp.) Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean and Amanda are joined by New York Times film critic Wesley Morris to hand out The Big Picture's very own Alternative Oscars (32:00). They've included a handful of categories they've invented, as well as alternative nominees and winners in the major Academy Awards categories. Before digging into this exercise, they open by talking about ‘Dune: Part Two,' as well as the state of ‘Oppenheimer' and director Christopher Nolan as overwhelming Oscar front-runners (1:00). Hosts: Sean Fennessey and Amanda Dobbins Guest: Wesley Morris Senior Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

Development Hell will return on Thursday with an all-new episode about a chimpanzee. In the meantime, here's a Hollywood-related episode from our friends at Talk Easy. Host Sam Fragoso talks with the New York Times critic Wesley Morris about all things Oscars, his career, and the state of the film industry. Find more Talk Easy at talkeasypod.com.See omnystudio.com/listener for privacy information.

From “Oppenheimer” to “Poor Things,” 2023 boasted a bevy of Oscar-buzzworthy films. The ceremony isn’t till Sunday, but today  we asked New York Times critic at large Wesley Morris for his best actor, actress and picture picks. He also talked about the life of a critic and how he goes about preparing to review a movie. Plus, testing is becoming more common in hiring.

From “Oppenheimer” to “Poor Things,” 2023 boasted a bevy of Oscar-buzzworthy films. The ceremony isn’t till Sunday, but today  we asked New York Times critic at large Wesley Morris for his best actor, actress and picture picks. He also talked about the life of a critic and how he goes about preparing to review a movie. Plus, testing is becoming more common in hiring.

On this week's show, the panel is first joined by Wesley Morris, New York Times' critic at large, to dissect This Is Me… Now: A Love Story, Jennifer Lopez's bizarre, nutty, yet utterly delicious self-funded vanity project that cost the singer $20 million to produce. (Wesley wrote a brilliant piece about it for the Times.) Then, the three explore 20 Days in Mariupol, the Oscar-nominated documentary by Ukrainian journalist Mstyslav Chernov that depicts the atrocities of the Russia-Ukraine war through on-the-ground footage and harrowing accounts of civilians. Finally, in a new oral history of the Village Voice, entitled The Freaks Came Out to Write: The Definitive History of the Village Voice, the Radical Paper That Changed American Culture, author Tricia Romano tells the iconic alt-weekly newspaper's history through 200 interviews with its legendary writers, editors, and photographers. We discuss. In the exclusive Slate Plus segment, we share an impromptu conversation between the hosts and Wesley Morris. Email us at culturefest@slate.com.  Outro music: "Zero Gravity" by ELFL Endorsements: Cameron: Longtime Culture Gabfest producer, Cameron Drews, is moving onto his next project but came on one last time to endorse! He endorses movie theater subscriptions and is a big fan of Alamo Drafthouse's season pass.  Dana: The Criterion Channel's new “Gothic Noir” series.  Julia: An algorithm-recommended bop, UNTZ UNTZ by Inji.  Steve: The Milk Carton Kids' cover of Pink Floyd's “Wish You Were Here” and a performance of their song, “All of the Time in the World to Kill,” featuring some lovely on-stage banter.  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, the panel is first joined by Wesley Morris, New York Times' critic at large, to dissect This Is Me… Now: A Love Story, Jennifer Lopez's bizarre, nutty, yet utterly delicious self-funded vanity project that cost the singer $20 million to produce. (Wesley wrote a brilliant piece about it for the Times.) Then, the three explore 20 Days in Mariupol, the Oscar-nominated documentary by Ukrainian journalist Mstyslav Chernov that depicts the atrocities of the Russia-Ukraine war through on-the-ground footage and harrowing accounts of civilians. Finally, in a new oral history of the Village Voice, entitled The Freaks Came Out to Write: The Definitive History of the Village Voice, the Radical Paper That Changed American Culture, author Tricia Romano tells the iconic alt-weekly newspaper's history through 200 interviews with its legendary writers, editors, and photographers. We discuss. In the exclusive Slate Plus segment, we share an impromptu conversation between the hosts and Wesley Morris. Email us at culturefest@slate.com.  Outro music: "Zero Gravity" by ELFL Endorsements: Cameron: Longtime Culture Gabfest producer, Cameron Drews, is moving onto his next project but came on one last time to endorse! He endorses movie theater subscriptions and is a big fan of Alamo Drafthouse's season pass.  Dana: The Criterion Channel's new “Gothic Noir” series.  Julia: An algorithm-recommended bop, UNTZ UNTZ by Inji.  Steve: The Milk Carton Kids' cover of Pink Floyd's “Wish You Were Here” and a performance of their song, “All of the Time in the World to Kill,” featuring some lovely on-stage banter.  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

Rob reminisces on his time witnessing Janelle Monae perform at South By Southwest in the year of Michael Jackson's passing, before looking back at the King of Pop's televised funeral. Along the way, Rob looks back at the height of Jackson's powers in the '80s as well as a bit more tumultuous era in the '90s. Later, Wesley Morris joins the show to aid in deciphering how to process Michael Jackson's career draped in success and controversy. Host: Rob Harvilla Guest: Wesley Morris Producers: Jonathan Kermah and Justin Sayles Additional Production Support: Chloe Clark Learn more about your ad choices. Visit podcastchoices.com/adchoices

Wesley Morris has served as critic at large at The New York Times since 2015, covering film, politics, and pop culture. He joins this week to discuss this year's Academy Award nominations.  At the top, we discuss the omission of Greta Gerwig from the Best Director category (6:07), former Secretary Clinton on Barbie-gate (10:12), the ‘perversely effective' nature of Killers of the Flower Moon (16:30), and the ways in which Bradley Cooper's Maestro upends the traditional biopic (21:45). Wesley then reflects on his early adventures in moviegoing (30:43), the indie film boom of the late ‘90s (35:15), the rise of the Marvel Cinematic Universe (36:23) what the Best Picture nominations of 1988 can tell us about 2023's slate (38:05), and the erosion of the ‘middle' across film and culture (41:02). On the back-half: Todd Haynes' beguiling new film May December (44:10), Ava DuVernay's Origin (45:53), the Academy's fraught relationship to diversity (53:05), the function of Wesley's work in 2024 (1:05:58) and a reading of his moving, personal review about Alexander Payne's The Holdovers (1:10:54). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com. This conversation was recorded at Spotify Studios.See omnystudio.com/listener for privacy information.

The Ringer's Bill Simmons and Chris Ryan are joined by The New York Times' Wesley Morris as they look to be a part of justice and discuss what that case is really all about by rewatching Jonathan Demme's 1993 drama, ‘Philadelphia,' starring Denzel Washington and Tom Hanks. Producer: Jessie Lopez Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this episode of Vibe Check, Sam, Saeed and Zach discuss the Iowa Caucus, the 2024 Presidential election, and the rise in musical films like Wonka, The Color Purple, and Mean Girls. Plus, a few recommendations to keep your vibe right.We want to hear from you! Email us at vibecheck@stitcher.com, and keep in touch with us on Instagram and Threads @samsanders, @theferocity, and @zachstaff.------------------------------------------------------Recommendations:SAM: Marcella Hazan's Tomato Sauce RecipeSAEED: I'm Going Back To Minnesota Where Sadness Makes Sense by Danez SmithZACH:  ORIGINS by Ava Duvernay 

This week, Emily Bazelon and David Plotz are joined by Wesley Morris, critic at large for The New York Times and co-host of the Still Processing podcast, to cogitate on Conundrums 2023.    Here are some notes and references from this week's show: Thanks to everyone who submitted Conundrums, especially Alex, Brian, Mitchell Kosht, Patricia Gonzalez, Kali Rocha, Becca Nagorsky, Kevin Maginnis, Kevin Collins, Beth Kirsch, Brian Cechnicki, Chuck Terhark, Howard W, Brian, Mike Daugherty, Alan Dybner, Tim Falzone, Matthew Gill, Cynthia Weiner, and the incomparable Phil Goldstein.    Benjamin Wittes for Dog Shit Daily: My encounter with a shit-throwing neighborhood Karen Jon Mendelsohn for American Songwriter: The Real Reason Why Van Halen Asked Venues For Bowls of M&Ms Containing ‘No Brown Ones'  The Sellout: A Novel by Paul Beatty Working: People Talk About What They Do All Day and How They Feel About What They Do by Studs Terkel Richard Scarry's What Do People Do All Day? by Richard Scarry In Love: A Memoir of Love and Loss by Amy Bloom Amy Bloom for This American Life: Exit Strategy Gabfest Reads: He Wanted to Die Holding Hands   For this week's Slate Plus bonus segment, David, Emily, and Wesley tackle three more Conundrums.  In the latest Gabfest Reads, John talks with Brad Stulberg about Master of Change: How to Excel When Everything Is Changing – Including You.   Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.)   Podcast production by Jared Downing and Cheyna Roth with live show support from Katie Rayford Research by Julie Huygen Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean and Amanda are joined by Wesley Morris to unpack their feelings about Todd Haynes's ‘May December.' They discuss the complicated nature of the performances, hypothesize its potential for awards season, and much more (1:19). Later, they talk about their shared love for the newest concert film, ‘Renaissance: A Film by Beyoncé,' and highlight their appreciation for its impressive technical feats (55:13). Hosts: Sean Fennessey and Amanda Dobbins Guest: Wesley Morris Producers: Jack Sanders and Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, the panel begins by dissecting Teenage Mutant Ninja Turtles: Mutant Mayhem, a zany piece of intellectual property that's been taken off the shelf by Jeff Rowe, Seth Rogan, and a slew of animators and turned into a critical darling. Then, the trio reviews The Retrievals, a five-part narrative podcast hosted by Susan Burton for The New York Times and Serial Productions that chronicles the systematic ways American healthcare continually denies, discounts, and ignores women's pain through a series of events that unfolded at the Yale Fertility Clinic. Finally, they are joined by Wesley Morris, critic at large at The New York Times, to discuss his tour de force essay, “How Hip-Hop Conquered the World,” and how the history of the radical art form is as porous and complex as the nation itself.  In the exclusive Slate Plus segment, the panel commemorates hip-hop's 50th anniversary with a lightning round of personal accounts about their first encounters with the form.  Email us at culturefest@slate.com.  Endorsements: Dana: Since their conversation about Sinéad O'Connor a few weeks ago, Dana has dived even deeper into the late Irish singer/songwriter's oeuvre. One gem she found was The Year of the Horse, a concert documentary recorded live in 1990 at Forest National, Brussels. It's a fantastic snapshot of a live performance at a very specific time in O'Connor's life.  Julia: Taylor Swift fans! Julia recently attended Swift's concert in Los Angeles and was struck by the overall kind, positive, and good vibes of the crowd. Fans of all ages and body types exchanged bracelets with one another, trading “Hi Barbie!” greetings, which made the concert-going experience feel even more special.  Stephen: It may be difficult to convince a teenage girl in 2023 to listen to Tom Waits' catalog, but Stephen has done exactly that: he created a playlist for his daughter called “Broken Bicycles,” which highlights Waits' extraordinary ability to write a pop melody.  Outro music: “Spinning Wheels” by Dusty Decks. Podcast production by Cameron Drews. Production assistance by Kat Hong.  This episode is sponsored by the podcast About the Journey. Learn more here: https://traveler.marriott.com/about-the-journey/ If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Ringer's Bill Simmons and Sean Fennessey and The New York Times's Wesley Morris are out of order in their revisit of the 1979 mystery-drama 'And Justice For All' starring Al Pacino, Jack Warden, and John Forsythe. Hosts: Bill Simmons, Sean Fennessey, and Wesley Morris Producer: Isaiah Blakely Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Ringer's Bill Simmons, Chris Ryan, and Wesley Morris look to answer the question of "What is a yute?" by revisiting the 1992 comedy ‘My Cousin Vinny,' starring Joe Pesci, Marisa Tomei, Ralph Macchio, and Fred Gwynne. Producer: Jessie Lopez Learn more about your ad choices. Visit podcastchoices.com/adchoices

"All rise!" as The Ringer's Bill Simmons and Wesley Morris revisit the 1996 legal drama 'A Time to Kill,' starring Matthew McConaughey, Samuel L. Jackson, and Sandra Bullock. Producer: Kyle Crichton Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Ringer's Bill SImmons shares some NBA thoughts, including the only realistic way Damian Lillard can be traded to the Heat, teams that are "on the clock" with their superstars, the Celtics parting ways with their defensive anchors, who is truly the greatest Trail Blazer of all time, and more (1:19). Next, Bill talks with Chris Ryan about how the James Harden situation will be resolved, new 76ers coach Nick Nurse, a competitive Eastern Conference, NBA in-season tournament takes, and more (28:34). Then, Bill is joined by Wesley Morris of the New York Times to discuss HBO's 'The Idol', why the show flopped, 'The Weekend', and more (54:23). Host: Bill Simmons Guests: Chris Ryan and Wesley Morris Producers: Kyle Crichton and Jessie Lopez Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Ringer's Bill Simmons is joined by Kevin O'Connor to discuss how the Lakers survived the Timberwolves in the play-in tournament, a look ahead to Lakers-Grizzlies, a disappointing Heat loss to the Hawks, NBA Round 2 dream matchups and more (1:33), before talking with The NYT's Wesley Morris about why everyone loves the film ‘Air,' revisiting Ben Affleck's Hollywood legacy, HBO's ‘Succession,' and more (49:00). Host: Bill Simmons Guests: Kevin O'Connor and Wesley Morris Producer: Kyle Crichton Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Ringer's Bill Simmons is joined by Chris Vernon and Joe House to discuss the Grizzlies' three-game losing streak and whether this team could use some veterans before the trade deadline (2:06). They also kick around solutions to the NBA's problem of its stars missing games (19:11) before sharing their favorite NBA futures bets (39:53). Finally, Bill is joined by NYT's Wesley Morris to react to the 2023 Oscars nominations and discuss a strange year in film (1:05:28). Host: Bill Simmons Guests: Chris Vernon, Joe House, and Wesley Morris Producer: Kyle Crichton Learn more about your ad choices. Visit podcastchoices.com/adchoices