Podcasts about News media

CHECK, PLEASE — Thanks for tuning in. Just a note before we get going: This is the 50th episode of The Full Bleed, and I, along with the team here at Magazeum, truly appreciate the time you spend with us. Waiting is what I consider a perfect magazine. Not because of its design or the writing, though both are stellar. But mostly because it functions as a closed loop. How? The subject and the audience are one and the same. Waiting, you see, is a magazine about creatives in New York's service industry. And it is a magazine for creatives in New York's service industry. That's a neat trick and also makes me wonder why no one had done this before founder, editor-in-chief, and complete magazine neophyte Adele Blanton hit upon the idea. Adele has done the math: 10 percent of the estimated 700,000 people working in the food and beverage industry in New York are artists of some kind. Artists, actors, writers, dancers. You name it. And that number is a healthy baseline for any publication. Waiting has published three well-received issues and now she and the team behind it has to figure out how to maintain and grow the media. That's one of the many things we talk about on the show. Did we tell you this is our 50th episode? Because it's our 50th episode. — This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Joyce Talks about: People making money off of the Trump Administration with "tell-all" books.Inflation numbers.Primary elections: Graham Plattner wins in Maine/ Nancy Mace finishing last in South Carolina Primary. War with Iran and military strikes. $70 million bill to fund deportation efforts through Trump's final term.War on cartels. Drone boat rescue in Iran. Lack of support for America's 250th anniversary.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Baltimore Business Journal's Market President & Publisher Courtney Bode and Editor-in-Chief Jessica Iannetta join John Maroon to discuss the intersection of public relations and news media. Insights are shared on how the BBJ selects what to cover, AI integration, and advice for PR professionals pitching stories.

Several media outlets are allegedly trying to tie the practice of selling young girls into marriage to settle debts in Afghanistan on the US, after the Trump administration cut off us funding to the region. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In today's MadTech Daily, we cover the SPUR Coalition welcoming 30 new members at the World News Media Congress, and Peer39 strengthening its verification offering through a deal with Adloox, and Malaysia's under-16 social media ban taking effect on 1st June.

So, obviously, this is the night after the Radio Awards, and with all this talk about awards, I'd like to congratulate a winner in my community. His name is Rob Drent. He is the editor and publisher of the Devonport Flagstaff and the Rangitoto Observer on the North Shore of Auckland. Rob was recently named best senior news journalist at the New Zealand Community Newspaper Awards — and it's well deserved because he's good. And I love my local rag. It's home-delivered, 30-odd pages of local news that you don't get anywhere else. Rob employs nine people — they're all locals. But like all media, it's a struggle. So in this week's issue there is an open letter from Rob asking for donations to keep the Devonport Flagstaff on track. You can become a supporter on their website, devonportflagstaff.co.nz, if you believe in local media. So last night we got the issue. The front-page lead followed an Official Information Act request by Rob. It's about a long-running saga around a skate park in Narrow Neck. This is the second crack at building it because the council scaled down the size due to ratepayer concerns. So yeah — this is part two. Rob has found that more than $100,000 has been spent and not a single sod of earth has been turned. Four consultants got $90,000 for designs, renders, geotech and drainage. Another $25,000 was spent on public consultation and internal council advice. So what's that — $115,000? Rob's article goes on to say the new plan still needs resource consent because it's in a flood zone. Of course it's in a flood zone — they don't call Lake Road “Lake Road” for nothing. But it's a skate park — who cares if it's in a flood zone? You just sweep it out afterwards. Anyway, the consultants' fees — just incredible, eh? Surely it should go to one firm that specialises in skate parks instead of four different outfits. There must be a skate park design you can buy off the shelf. And while I understand that all the consultants need to make a living and they're ratepayers too — so they contribute back into the system — you still have to wonder how it's got so hard, so expensive and so slow. So thank you, Rob — and thank you to your local media — for showing me the waste happening in my own backyard.See omnystudio.com/listener for privacy information.

This week, on The Outcue podcast, hosts Senior Digital Content Manager Robert McFerren and Reporter Ally Ross are discussing the word “transparency”, especially when it comes to the relationship between news media outlets and local government officials, in addition to the importance of communication between the two parties.

It's been a long while since Isaac Weishaupt @occultsymbolism was on the show, but he returns tonight as we stand here knocking on the door of June 2026, and there is a ridiculously unnatural merging of Hollywood, News Media, and Government narratives on non-human life, and alien hybridization programs...and just go happens that Stephen Spielberg's Disclosure Day movie just released its official trailer last night. So we get to watch that and talk about where we are along the predictive programming timelines, and Lord knows what else. Also, the White House made a special acknowledgment of what is now TEN YEARS since the untimely death of Meme Magic Icon, Harambe, and we need to do a little trip back in time to 2016 to underscore the importance of this famous 'goriller'. Rebuild your Gut, Nourish your Soul w/ Farmalogical Bone Broth 15% OFF w/ code FRANKLY: https://Farmalogical.com E-Mail me for FREE SAMPLES - Frank@quitefrankly.tv Sponsor Monthly for VIP Perks: https://www.quitefrankly.tv/sponsor One-Time Tip: http://www.paypal.me/QuiteFranklyLive Quite Frankly Amazon Storefront: https://amazon.com/shop/quitefranklyofficial Official Coffee & Mugs: https://www.coffeerevolution.shop/category/quite-frankly Official QF MERCH: https://tinyurl.com/f3kbkr4s Gold & Silver: https://quitefrankly.gold Send Holiday cards, Letters, and other small gifts, to the Quite Frankly P.O. Box! Quite Frankly 222 Purchase Street, #105 Rye, NY, 10580 Tip in Crypto: BTC: bc1q97w5aazjf7pjjl50n42kdmj9pqyn5zndwh3lng XRP: rnES2vQV6d2jLpavzf7y97XD4AfK1MjePu Quite Frankly Socials: Twitter/X: @QuiteFranklyTV Instagram: @QuiteFranklyOfficial Discord Chat: https://discord.gg/xPu7YEXXRY Official Forum: https://tinyurl.com/k89p88s8 Telegram: https://t.me/quitefranklytv Streaming Live On: QuiteFrankly.tv (Powered by Foxhole) Youtube: https://tinyurl.com/yc2cn395 Rumble: https://tinyurl.com/yeytwwyz Twitch: https://www.twitch.tv/quitefranklylive Audio On Demand: Spotify: https://tinyurl.com/yk4yfdsa iTunes: http://apple.co/2dMURMq

The News Is Broken—And It's Breaking Your Brain BREAKING NEWS!” Every alert is urgent. Every headline is a crisis. Every story is supposedly the end of the world. But what if the real problem isn't the news… it's the way the news is built? Today on The Karel Show, we dive into the nonstop outrage machine that modern media has become. Fear, anger, panic, urgency—it's all engineered to keep you watching, clicking, doom-scrolling and emotionally exhausted. Are we finally tuning out because the news itself is broken? We'll look at today's biggest headlines and ask: * Which stories truly matter? * Which are manufactured outrage? * And how much of “breaking news” is actually broken journalism? Also: Primm, Nevada—the once-iconic stop between Las Vegas and California—is becoming a modern ghost town. So what killed it? Bad planning? Changing travel habits? Corporate greed? We'll break down the slow collapse of a desert landmark. And the Pope issues a massive warning about Artificial Intelligence in a 43,000-word address—and the tech world immediately shrugs it off. Is the Vatican overreacting… or seeing something Silicon Valley refuses to admit? The Karel Show streams live Monday through Thursday at 10:30 AM PST. Support the show at patreon.com/reallykarel Watch and subscribe at youtube.com/reallykarel Available on Apple Podcasts, Spotify, iHeartRadio, Spreaker, TikTok and Instagram. #BreakingNews, #MediaBias, #NewsMedia, #DoomScrolling, #MainstreamMedia, #KarelShow, #TheKarelShow, #NewsCommentary, #CurrentEvents, #PoliticalCommentary, #PrimmNevada, #LasVegas, #GhostTown, #AI, #ArtificialIntelligence, #PopeFrancis, #TechNews, #MediaCulture, #CableNews, #Journalism, #ModernMedia, #FearMongering, #YouTubeNews, #IndependentMedia, #ViralNews, #TrendingNews, #NewsAnalysis, #DigitalCulture, #PodcastShow, #EntertainmentNews, #LGBTQ, #Vegan, #LasVegas https://youtube.com/live/B7hgi4oK08s

In Episode 209, Dr. Michael Osterholm and Chris Dall talk through the response to the hantavirus outbreak and the lingering questions about how the virus spreads. They also discuss a recent Ebola outbreak in the Democratic Republic of the Congo, as well as the latest findings from The Vaccine Integrity Project's comprehensive review of peer-reviewed evidence on Tdap vaccination during pregnancy. Links:Hantavirus Is Not the Next Covid, But Try Telling That to the News Media (The Daily Show)Safety and Effectiveness of Tdap Vaccination During Pregnancy Report (Vaccine Integrity Project)Aluminum in vaccines not linked to autism, other health problems, study finds (CIDRAP)  Resources for vaccine and public health advocacy: Voices for Vaccines Families Fighting Flu Vaccinate Your Family Shot@Life Medical Reserve Corps Learn more about the Vaccine Integrity Project MORE EPISODES       SUPPORT THIS PODCAST   Music: "Beauty Flow" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 License

How does the news media navigate an environment of huge changes and challenges? How do news consumers get the news they need to be informed citizens? News organizations—for-profit and nonprofit, large and small, traditional and new media—are facing tremendous changes in business models, in reaching audiences, in political pressure, and in technology.Get an inside look at the mission of the news media when William Brangham joins us at Commonwealth Club World Affairs headquarters. Brangham is an award-winning correspondent for the “PBS News Hour” and also serves as the host of “Horizons” from PBS News. Brangham has also reported extensively on the climate crisis, helping establish the “News Hour” as the clear leader in broadcast news. Brangham has also done considerable reporting on health, health care and pandemics. In addition to playing a central role in the News Hour's Covid-19 coverage, his multi-part series about the fight against influenza won the 2020 News & Documentary Emmy Award for “Outstanding Science, Medical and Environmental Report.” During his career, Brangham has also worked on video and television projects for The New York Times, ABC News, National Geographic and “Frontline.” Prior to joining the “News Hour,” he was a producer and correspondent for “Need to Know” on PBS, and before that, on “Bill Moyers Journal.” Hear the inside scoop from a veteran journalist on the state of the news media in 2026. Learn more about your ad choices. Visit megaphone.fm/adchoices

THE INTERNET WILL NOT BE TELEVISED — The tech industry is easy to dislike, admire, ridicule, resent, need, and all of the above. Look, this podcast doesn't exist without tech. But there is also no "enshittification" without tech. Coined by writer Cory Doctorow that word has entered the general lexicon with a speed and ubiquity that might make someone like, I don't know, Shakespeare envious. If he knew what was going on. Which he doesn't. All of this to introduce InFormation, a magazine about tech, but more importantly, a magazine about “what tech is doing to us.” The people behind it work in the industry and so understand it, which makes them dislike it even more. Twenty-five years ago, InFormation was like the Spy magazine of the dot com boom, a bit of a kick in the pants to an industry and a group of people who saw themselves in utopian if not messianic terms. And while they might still see themselves that way (spoiler alert: they most certainly do), a lot of people in the world do not, and so InFormation is back, it has reformed, and is being published again, with the same attitude, that is it continues to kick ass but with more feeling, because Silicon Valley is no longer a place but a mindset, techbros are a thing and a wealthy thing at that, and, well, there's a general feeling that the world has been thoroughly colonized and completely enshittified. — This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

PLEASE LIKE AND SUBSCRIBE TO THE BRUCE COLLINS SHOW- THAT WOULD BE HUGE. MASSIVE THANKS! The Bruce Collins Show is “A modern old-time variety show for people who like smart comedy and serious conversation.”FACEBOOK PAGE- https://www.facebook.com/profile.php?...TAMPA BAY OBSERVER- https://tampabayobserver.com/former-a...The Insider Weekly- https://theinsiderweekly.com/former-a...

A large number of Americans have very little confidence in news outlets. How did we get to this point? What are the impacts of that? Jesse Holcomb, Professor of journalism and communication at Calvin University, joins us.

THE NEW YORK OBSERVER — “I finally went up to Graydon and I said, ‘Hey, you know, I know you like me. I know you wanted me to be here, but I can also do covers.'” • • • That's today's guest, Mark Seliger. He's the same Mark Seliger who, at the moment of this exchange with Vanity Fair editor Graydon Carter, had already shot over 180 covers for Rolling Stone, where he was the chief photographer from 1992-2002. Seliger had been heavily recruited by GQ and Vanity Fair to move to Condé Nast. But, as he learned, the days of being Fred Woodward's go-to image maker were over. Once again, he was the new guy. And he saw an opportunity to reinvent himself. Fortunately, reinvention is Seliger's middle name. (Well, it's really Alan, but you get what we mean). For example: Seliger grew up in rural Texas, but decides to go big and moves to New York City to get into the magazine business. Reinvention #1. He gets early work at business magazines like Manhattan, Inc. In short time his portraiture lands him a few plum assignments at Rolling Stone. Reinvention #2. Unforgettable shoots and an immediate connection with Woodward lands him the title of chief photographer, and he picks right up where the legendary Annie Leibovitz leaves off. Reinvention #3. His exposure at Rolling Stone leads Seliger (along with his pal Woodward) to directing music videos for A-listers like Lenny Kravitz and Courtney Love, and Gap commercials with LL Cool J and Missy Elliott. Reinvention #4. When Covid hits, and publishing effectively shuts down, he pivots to documentary photography and produces an epic portfolio of an empty and still New York City that becomes the book, The City That Finally Sleeps. Reinvention #5. And somewhere in the middle of all of this, Reinvention #6: Seliger starts writing songs in his free time, and then forms the band Rusty Truck. And at the moment Seliger is reminding Graydon Carter that he knows his way around a cover shoot, Rusty Truck releases its first album, Luck's Changing Lanes, which is produced by Lenny Kravitz, Gillian Welch, Willie Nelson, Dave Rawlings, Sheryl Crow, T-Bone Burnett, and Bob Dylan. That's a lot. A whole lot. But for Seliger, it's all of a piece. Photography, music, work, life. He says it's all about following your curiosity. Observing. Not just looking but seeing. “For me,” he explains, “it's all about storytelling—the storytelling in photography translated well into the storytelling of songwriting. And that exploration leads you to do something that you'd never done before.” That's the story of his life. — This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

If it's not already obvious to you, the fact that Maiki Sherman has lost her job should now make it very clear: the media—especially the state broadcasters, both of them—are about to find out what it means not just to make and report the news but to be the news. Just look at what's happened this week alone. And this is only a sample—this has been building for some time.In one week, TVNZ political editor Maiki Sherman has lost her job over poor behaviour in a minister's office. David Seymour, the ACT Party leader, has taken a significant swipe at RNZ for hiring John Campbell, who is well known for voting left—something he's said himself. Seymour has even gone so far as to suggest the head of RNZ should lose his job over it. Then there's the BSA, effectively the head girl telling everyone off for bad jokes at the party, being abolished. The politicians are coming for the media and Sherman's case is an example of that. The National Party lined her up. They complained about her allegedly door-knocking Stuart Smith for 10 minutes at night. They confirmed that she had sworn at Nicola Willis' event in the office—which was unusual, given that Nicola effectively broke Chatham House rules that MPs normally guard jealously. Now, look—I feel sorry for Maiki losing her job. That's a very high price to pay. But I don't feel sorry for the media in general for what's coming. We've had this coming. For years, we've collectively pushed a certain world view through the framing of our stories. We decide who the victim is, who the bad guy is and what language we use—labelling things as “controversial” to signal to the audience that something is bad, like the “controversial Treaty Principles Bill”. We flip angles too—turning a positive government crime stats story into a negative gang-focused story for the same government. And when Radio New Zealand, which is supposed to be more impartial and balanced than any other outlet in this country, chooses someone to front its flagship programme who has explicitly said he votes for left-wing parties—well, that matters. We deserve what's coming to us in this election. We can't shove the scrum for years and not expect to become part of the on-field play. And I, for one, am not unhappy about what's about to happen. I think it's time for this to be sorted out. If this election brings media bias into sharper focus and forces all of us in the media to stop, reflect and think hard about what we've been doing, I don't think that's a bad thing. LISTEN ABOVESee omnystudio.com/listener for privacy information.

In this episode of Beyond the Game, we sit down with media strategist Matt Friedman for a deep conversation on how news consumption is evolving in real time.From shifting audience behavior to the growing challenge of trust in media, Matt breaks down what's actually happening behind the scenes and what it means for the future of journalism, storytelling, and content distribution.We also explore:​ Why traditional news models are struggling to keep up​ The impact of digital platforms on how audiences engage with content​ What media professionals must understand to stay relevant​ Where the biggest opportunities exist in today's media landscapeThis is not just a conversation about media. It is a look at where the industry is going and who will shape it next.—Produced by Tunnel Vision Network Where Media Begins.

REALITY BITES —  I am Gen X. I'm telling you this because, well, this is hardly something that is ever relevant to any conversation when, in fact, it is also always relevant to everything. But I just don't talk about it because who cares when I was born, or that we Gen Xers all live in the long and darkest of dark shadow of Boomers, or the loud echo of Millennials, or the annoyingly brash and unknowing living of whatever the other younger generations are called. I'm Gen X, and I just know one thing: there are more of you than there are of me, and there always have been. I'm saying all this because today we're gonna talk about Geezer magazine, as if any Gen X-er in their right mind would ever call themselves a geezer, because that's Boomer stuff. And hey, did you see we're turning 60? For fuck's sake. As if. So yes, Geezer, a magazine by and for Gen X that is both completely irreverent and surprisingly serious and even tender, that balances nostalgia with irony. And while Gen X's favorite word might be whatever, the secret is we care what you think. We always have. You just have to first extract a whole lot of other stuff, that cold exterior built up as a defense mechanism against a world that is stupid, and that for whatever reason the Boomers keep running. Meaning sure, we like to say never mind, but we also sang “Don't You Want Me” and “Debaser.” So just take a chill pill. I promise we'll talk about a rad magazine on today's show.. — This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

When people don't care about comic books, they don't care about news about comic books. Comic book industry news media is all but dead. Newsarama is being shut down completely, and most other sites that covered comics have branched out into other pop culture. What's left of comic journalism has mostly migrated to podcasts and YouTube. Again, this isn't a good sign about the state of the American comic book industry. Watch the podcast episodes on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. Get more news, views and reviews on Clownfish TV News - https://more.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629 MORE CLOWNFISH TV - Official Merch Store: http://ClownfishMinus.com Facebook - https://facebook.com/ClownfishTV X - https://x.com/ClownfishTVcom Clownfish TV subreddit: https://www.reddit.com/r/ClownfishTVOfficial/ Disclaimer: This series is produced by Clownfish Studios and WebReef Media, and is part of ClownfishTV.com. Opinions expressed by our contributors do not necessarily reflect the views of our guests, affiliates, sponsors, or advertisers. ClownfishTV.com is an unofficial news source and has no connection to any company that we may cover. This channel and website and the content made available through this site are for educational, entertainment and informational purposes only. These so-called “fair uses” are permitted even if the use of the work would otherwise be infringing. #Comics #DCComics #Batman #MarvelComics #Podcast #Commentary #News #Reaction #Gaming #Comedy #Entertainment #Hollywood #PopCulture #Tech #Anime #FYP Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This month's Ask Me Anything program focuses on your questions on everything from challenging interviews, to challenging competition. Plus our regular Thursday feature -- the Random Ranter, this week on China. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ballroom Blitz: Distraction or Coincidence? Why This Political Chaos Feels Scripted Was it chaos—or calculated? Just as pressure mounts politically, another shocking moment takes over the headlines. Coincidence… or something more strategic? In this episode of The Karel Show, we break down the timing, the media response, and why events like this instantly dominate the narrative. The White House Correspondents' Dinner turns into what can only be described as a “Ballroom Blitz”—and suddenly, the conversation shifts. Again. So why does this keep happening at key moments? Why does the media move on so quickly? And why are so many people questioning what's real versus what's being presented? Karel dives into the patterns, the public reaction, and the bigger question: are we watching random events unfold—or something far more coordinated?

ONE EYE ON THE WORLD — Monocle, the brainchild of the expat Canadian magazine maker, Tyler Brûlé, was born in early 2007, a relatively awful year for the magazine business, not to mention the entire world. In that year alone, more than 100 print magazines folded—or, as Wikipedia terms it, were “dis-established”—among them: Life (yet again), Premiere, Red Herring, House & Garden, Jane, Child, and Business 2.0. Months later, the global economy was hit by the Great Recession. But Brûlé was coming out from under a rather lengthy non-compete agreement with Time Inc., after selling his previous startup, Wallpaper*, to the American media giant, and he was desperate to get back to the newsroom. Given the times, and the stream of fading print publications, one could judge Brûlé's resolve as “madness,” as Don Quixote cried in the opening clip. Digital was all the rage, the iPad was knocking on the door, and the radiation of the frenzied dotcom meltdown was still slowly killing legacy media. “Madness”? Not if you know Tyler Brûlé.  In his world, “life as it should be” is rich—a morning espresso in a bustling cafe with a crisp newspaper written and edited in the romance language of your choice, sorting out weekends skiing the Alps or lounging on the Med while riding the night train to Vienna. And then there's the print—not only the magazine itself, printed on “upwards of nine different paper stocks, crammed with extremely niche articles about carbon-neutral airlines in Costa Rica and sleek Afghan restaurants in Dubai,” but also special edition newspapers, coffee table books, and Monocle-approved travel guides.  (Someone forgot to tell Brûlé and his brilliant team of collaborators that print is dead). In a media culture traditionally obsessed with scale at any cost, Monocle's modest 100,000 circulation belies a thriving multi-media juggernaut that confidently ignores the lure of social media. “We're in a very fortunate position that we're an independent publisher,” says Brûlé, “and we don't have the commercial pressures of a big parent. And those commercial pressures can be two-fold: One is cost savings, but the other pressures are to go and chase after every new trend.” In fact, Brûlé thinks of Monocle as a family business. “We don't set out to be pioneers, but also we're a family company, and we can choose to do things quickly if we want to.” That same culture has manufactured the pressure to establish one's entrepreneurial cred. You're not the editor, you're the founding editor, the founding creative director, the founding director. But when asked about how he thinks of and refers to himself, Brûlé answers simply: “If I think about ‘What do I do?' I'm a journalist. I'm out to be a witness. I'm out to absorb, I'm out to interpret, and I'm out to communicate.  A print-centric media phenomenon, created as a family business, led by a journalist. Surprising? Not for someone who's been building a life—as it should be. — This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

This week on Excelsior Journeys: The Road to Creativity, host & producer George Sirois sits down with documentary filmmaker Sara Alessandrini. She has spent several years producing her feature-length documentary - which then became a miniseries - about the fall of New York Governor Andrew Cuomo, after various allegations forced his resignation and eventual decline from the political stage. You can find out more about this documentary series by clicking HERE.ll kinds (authors, filmmakers, stand-up comics, musicians, voice artists, painters, podcasters, etc) to share their journeys to personal success. It is very important to celebrate those voices as much as possible to not only provide encouragement to up-and-coming talent, but to say thank you to the established men & women for inspiring the current generation of artists.If you agree that the Excelsior Journeys podcast serves a positive purpose and would like to show your appreciation, you can give back to the show by clicking HERE.Excelsior Journeys: The Road to Creativity is now a proud member of the Podmatch Podcast Network, and you can access all shows in the network by clicking HERE.

THE MAGAZINE'S THE THING — When you chat with a filmmaker who has become a magazine editor you start to note the parallels between filmmaking and magazine making that you never considered before. Ok, that I hadn't considered before. The relationship between editors and art directors, and the relationship between a director and cinematographer, well, that's actually almost the same thing. Editors and writers. Editors and actors. Copy editors and film editors. On and on. It's uncanny. Seen is a magazine about the art of film and filmmaking that comes from BlackStar Projects, home of an annual film festival in Philadelphia and a creative space that “uplifts the work of Black, Brown and Indigenous artists.” Seen grew out of the program notes for the festival and it is everything cinema magazines used to be: thorough, intellectually stimulating, challenging.  Heidi Saman, the editor, trained as a film maker and then worked at Fresh Air for over a decade. She doesn't come from the magazine world. But she's a storyteller. And after you listen to our chat, you, too, will see, perhaps, that making a magazine is a lot like making a movie. — This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Bonus Episode of "Inside Schizophrenia" podcast from Healthline Media. “Paranoid schizophrenic admits to attacking dog walker.” When we watch a horror movie, we know the “madman” on screen is a work of fiction. But when the nightly news leads with a diagnosis to explain a tragedy, the fear it creates is very real — and often permanent.Why does the media lead with schizophrenia only when the story involves violence, yet remain silent when it comes to stories of recovery, hope, and humanity? In this hard-hitting episode, host Rachel Star Withers (who lives with schizophrenia) explores the Lead with Fear phenomenon — the dangerous journalistic trend of linking a diagnosis to a crime before the facts are even in — and why schizophrenia seems to have the worst PR team in the world. Later in the show, we sit down with two media heavyweights who are using their platforms to overhaul how the world views mental health.: Janet Yang, an Emmy and Golden Globe Award-winning producer and former President of the Academy of Motion Picture Arts and Sciences. Frank Kosa, an Emmy-nominated documentary filmmaker for National Geographic, the History Channel, and A&E. Listener Take-A-Ways: why "paranoid schizophrenia" is an obsolete clinical term that journalists refuse to let go of the startling statistic that fewer than 20% of news stories about schizophrenia include themes of recovery practical ways you can hold news outlets accountable and promote stories of hope Our guest, Frank Kosa, is an award-winning documentary producer-writer-director, and a journalist. He produced National Geographic's “The Story of God with Morgan Freeman,” wrote the inaugural season of Travel Channel's hit show “Booze Traveler,” produced the award-winning “The Revolutionary War,” a mini-series for A&E, “Christianity: The Second Millennium” and multiple shows of TV's most engaging documentary series including “Life Without People,” “The Universe,” and “Game Changers.” His shows have aired on The Science Channel, The History Channel, Discovery, A&E, TLC, Animal Planet, The Travel Channel, The Weather Channel, Lifetime, Bloomberg TV, HGTV, and National Geographic. His print journalism has appeared in The LA Times, USA Today, Sacramento Bee, The Christian Science Monitor, and numerous magazines. He has also worked for films and TV shows produced by Universal, Warner Bros., & Sony. He is Emmy-nominated, has won a Cable Ace and other awards, and strives to tell stories that deeply connect with audiences.  Our guest, Janet Yang, is an Emmy and Golden Globe Award-winning Hollywood producer, former President of the Academy of Motion Picture Arts and Sciences, and has been named one of the “50 Most Powerful Women in Hollywood” by the Hollywood Reporter. Yang's extensive film and television credits include “The Joy Luck Club,” “The People vs. Larry Flynt,” “The Weight of Water,” “Shanghai Calling,” “High Crimes,” “Zero Effect,” and “Over the Moon.” Yang began her career by running the first distribution company to market Chinese films into North America. She also brokered the reintroduction of American studio films to the Chinese marketplace after a decades-long hiatus. This, in turn, led to joining Steven Spielberg on the historic production of “Empire of the Sun.” This was followed by long-term partnership with multiple Academy-Award winning writer/director, Oliver Stone. Our host, Rachel Star Withers, (Link: www.rachelstarlive.com) is an entertainer, international speaker, video producer, and schizophrenic. She has appeared on MTV's Ridiculousness, TruTV, NBC's America's Got Talent, Marvel's Black Panther, TUBI's #shockfight, Goliath: Playing with Reality, and is the host of the HealthLine podcast “Inside Schizophrenia”. She grew up seeing monsters, hearing people in the walls, and having intense urges to hurt herself. Rachel creates videos documenting her schizophrenia, ways to manage, and letting others like her know they are not alone and can still live an amazing life. She has created a kid's mental health comic line, The Adventures of ____. (Learn more at this link: https://www.amazon.com/Adventures-Fearless-Unstoppable-Light-Ambitious/dp/B0FHWK4ZHS ) Our cohost, Gabe Howard, is an award-winning writer and speaker who lives with bipolar disorder. He is the author of the popular book, "Mental Illness is an Asshole and other Observations," available from Amazon; signed copies are also available directly from the author. He also hosts the twice Webby honored podcast, Inside Bipolar, with Dr. Nicole Washington. To learn more about Gabe, please visit his website, gabehoward.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens when local news disappears—and who decides which stories get told? In this thought-provoking episode, Rob Ryan sits down with Michele Siqueiros, CEO of LA Local, to explore the critical role of local journalism in building trust, informing communities, and strengthening democracy. Michele shares her journey into nonprofit media, the challenges facing traditional news outlets, and how innovative, community-driven approaches are reshaping the future of journalism in Los Angeles. From crisis reporting to empowering the next generation of journalists, this conversation reveals why reliable, local information matters more than ever.Feel free to follow and engage with MICHELE here:LinkedIn: https://www.linkedin.com/in/michele-siqueiros/Instagram: https://www.instagram.com/michele.siqueiros/Business Instagram: https://www.instagram.com/hey.lalocal/Business LinkedIn: https://www.linkedin.com/company/the-la-local/Website: https://thelalocal.org/We're so grateful to you, our growing audience of entrepreneurs, investors and community leaders interested in the human stories of the Entrepreneurial Thinkers behind entrepreneurial economies worldwide.As always we hope you enjoy each episode and Like, Follow, Subscribe or share with your friends. You can find our shows here, and our new Video Podcast, at “Entrepreneurial Thinkers” channel on YouTube. Plug in, relax and enjoy inspiring, educational and empowering conversations between Rob and our guests.¡Cheers y gracias!,Entrepreneurial Thinkers Team.Chapters00:00 Introduction to LA Local and Michele Siqueiros04:35 The Importance of Non-Profit Media05:30 Michele's Journey to LA Local08:02 The Role of Local News in Crisis11:11 Adapting to Digital News Consumption13:24 The Landscape of News Media in LA15:33 Collaboration Over Competition in Journalism18:01 The Non-Profit Model of LA Local22:17 The Vision and Mission of LA Local25:18 Building a Sustainable Revenue Model28:40 Partnerships with Other Media Outlets33:37 Empowering Young Journalists36:37 The Core Message of LA Local38:22 Community Feedback and Engagement41:52 Personal Reflections on Community Stories45:57 Activating Local Democracy

“Paranoid schizophrenic admits to attacking dog walker.” When we watch a horror movie, we know the “madman” on screen is a work of fiction. But when the nightly news leads with a diagnosis to explain a tragedy, the fear it creates is very real — and often permanent.Why does the media lead with schizophrenia only when the story involves violence, yet remain silent when it comes to stories of recovery, hope, and humanity? In this hard-hitting episode, host Rachel Star Withers (who lives with schizophrenia) explores the Lead with Fear phenomenon — the dangerous journalistic trend of linking a diagnosis to a crime before the facts are even in — and why schizophrenia seems to have the worst PR team in the world. Later in the show, we sit down with two media heavyweights who are using their platforms to overhaul how the world views mental health.: Janet Yang, an Emmy and Golden Globe Award-winning producer and former President of the Academy of Motion Picture Arts and Sciences. Frank Kosa, an Emmy-nominated documentary filmmaker for National Geographic, the History Channel, and A&E. Listener Take-A-Ways: why "paranoid schizophrenia" is an obsolete clinical term that journalists refuse to let go of the startling statistic that fewer than 20% of news stories about schizophrenia include themes of recovery practical ways you can hold news outlets accountable and promote stories of hope Our guest, Frank Kosa, is an award-winning documentary producer-writer-director, and a journalist. He produced National Geographic's “The Story of God with Morgan Freeman,” wrote the inaugural season of Travel Channel's hit show “Booze Traveler,” produced the award-winning “The Revolutionary War,” a mini-series for A&E, “Christianity: The Second Millennium” and multiple shows of TV's most engaging documentary series including “Life Without People,” “The Universe,” and “Game Changers.” His shows have aired on The Science Channel, The History Channel, Discovery, A&E, TLC, Animal Planet, The Travel Channel, The Weather Channel, Lifetime, Bloomberg TV, HGTV, and National Geographic. His print journalism has appeared in The LA Times, USA Today, Sacramento Bee, The Christian Science Monitor, and numerous magazines. He has also worked for films and TV shows produced by Universal, Warner Bros., & Sony. He is Emmy-nominated, has won a Cable Ace and other awards, and strives to tell stories that deeply connect with audiences.  Our guest, Janet Yang, is an Emmy and Golden Globe Award-winning Hollywood producer, former President of the Academy of Motion Picture Arts and Sciences, and has been named one of the “50 Most Powerful Women in Hollywood” by the Hollywood Reporter. Yang's extensive film and television credits include “The Joy Luck Club,” “The People vs. Larry Flynt,” “The Weight of Water,” “Shanghai Calling,” “High Crimes,” “Zero Effect,” and “Over the Moon.” Yang began her career by running the first distribution company to market Chinese films into North America. She also brokered the reintroduction of American studio films to the Chinese marketplace after a decades-long hiatus. This, in turn, led to joining Steven Spielberg on the historic production of “Empire of the Sun.” This was followed by long-term partnership with multiple Academy-Award winning writer/director, Oliver Stone. Our host, Rachel Star Withers, (Link: ⁠www.rachelstarlive.com⁠) is an entertainer, international speaker, video producer, and schizophrenic. She has appeared on MTV's Ridiculousness, TruTV, NBC's America's Got Talent, Marvel's Black Panther, TUBI's #shockfight, Goliath: Playing with Reality, and is the host of the HealthLine podcast “⁠Inside Schizophrenia⁠”. She grew up seeing monsters, hearing people in the walls, and having intense urges to hurt herself. Rachel creates videos documenting her schizophrenia, ways to manage, and letting others like her know they are not alone and can still live an amazing life. She has created a kid's mental health comic line, The Adventures of ____. (Learn more at this link: ⁠https://www.amazon.com/Adventures-Fearless-Unstoppable-Light-Ambitious/dp/B0FHWK4ZHS⁠ ) Our cohost, Gabe Howard, is an award-winning writer and speaker who lives with bipolar disorder. He is the author of the popular book, "Mental Illness is an Asshole and other Observations," available from Amazon; signed copies are also available ⁠directly from the author.⁠ He also hosts the twice Webby honored podcast, ⁠Inside Bipolar⁠, with Dr. Nicole Washington. To learn more about Gabe, please visit his website, ⁠gabehoward.com⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

A STYLE ALL HER OWN — Maggie Bullock: Last month, the big, bad headline in the world of women's media was the shuttering of the groundbreaking feminist website Jezebel. We've since learned that Jezebel could be revived, but who even knows what that means? Regardless, the “closure” unleashed a wave of mourning, even among magazine fanatics like us who've become a little bit inured to the decimation of the legacy magazines that Jezebel was invented to skewer. Rachel, Jezebel was supposed to be the radical “antidote to the establishment”—and it didn't have to contend with the print and circulation costs that sink bigger ships. When that topples, you have to ask yourself: What era of women's media are we in now?  Rachel Baker: That's what makes it such an interesting time to talk to Stella Bugbee. Ask any 30- or 40-something today about the one women's media brand that is absolutely a daily must-read, and she will say New York magazine's The Cut—the site that, starting in 2012, Stella built. The Cut was not just a women's magazine re-sized for the internet, but a whole-cloth reinvention of the form. Jezebel (which was founded in 2007) was as much its forebear as the Elles and Vogues of the world: The Cut had the irreverence and voice-yness and political savvy of new media and the high-caliber production value of old media. And it was built to last: While we may have lost Jezebel, The Cut is still operating, more or less, on the blueprint that Stella created—and going strong.  Maggie Bullock: What we've always found fascinating about Bugbee is that she started out as a designer—she worked at a creative agency and on the visual side of a ton of cool indie magazines (like Interview and Topic) and had a stint at The New York Times before becoming the design director of the original Domino. But then when that magazine folded, she somehow totally switched teams, becoming an editor and a really great writer. I can't think of anybody else who did that, can you? It's no surprise that The New York Times tried for years to get Stella to come to run the Styles desk. Somehow, the middle of the pandemic—when most of the Times was still working remotely, when she was unable to meet her team in person—felt like the right time for her?  Rachel Baker: Now I think you can really see the Stella touch in the way they package their stories. Like, a couple weeks ago, when the section ran a cover story titled, “Ozempic vs. Thanksgiving.” The idea sounds almost obvious, but I'd argue that it's a masterclass in headline writing—it demonstrates a specific Bugbee-an ability to survey the culture and zero in on the thing everyone is thinking about—like when Styles spotlighted the “girl dinner” over the summer. My group texts are still full of photos of “cheese plates for one,” how about yours? Maggie Bullock: Totally. So should we stop yammering so folks can listen to what Stella has to say? Rachel Baker: Let's do it. — This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

THE JOY OF READING — Newspapers are in trouble and that's not news to you. Print is expensive, the ads moved to Facebook and Google, the classifieds bled over to Craigslist. You know all this. So, hats off to the newspapers that succeed today. And the ones that do, the big ones, the legacy media, have a surprising thing in common: magazines. The New York Times. The Times of London. Le Monde. Germany. Italy. All over Asia. A lot of them produce print magazines as editorial add ons, supplements, not just for reader loyalty and engagement, but as a way to expand inventory for advertisers and a way to diversify business and the brand. That's what The Guardian newspaper is doing and, being The Guardian, they are also doing it differently than their competitive set. How? By taking an existing feature of the newspaper, The Long Read, and reproducing their favorites in a stand alone magazine. A kind of greatest hits package if you will. Well designed. Very printy. Heavy stock. Debossed covers. So why do it? Who benefits? What is the business rationale behind it? To answer those questions, I spoke to David Wolf, the editor of The Long Read, the section and the magazine, about these topics and, mostly, about the joys of immersive storytelling, the state of journalism today, and the absolute joy of long reads in a world of shortened attention spans and general slop. — This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Send us Fan MailIn this solocast, On Top of PR host Jason Mudd dives into why most press releases fail and how to craft news releases that capture attention, clicks, and engagement.Five things you'll learn from this episode:1. Five reasons your news release isn't getting coverage2. Understanding the move from “press releases” to news releases3. Common mistakes that cause press releases to be ignored4. How to write headlines and content that attract attention and clicks5. Adopting an audience-first mindset to make your news releases effective Quotables“A journalist or reader is asking, ‘Why should I care?' ‘Why now?' and ‘Why does this matter now?' And if you don't answer that in the first few lines of your pitch or your news release, you lose that audience.” — @jasonmudd9“Safe content doesn't get shared; it gets ignored.” — @jasonmudd9“Your content now competes in search, AI, and social feeds. Structure matters. You need clear headlines, direct language, and answer-driven content.” — @jasonmudd9“Shift your mindset from ‘What do we want to announce?' to ‘What would someone care [about], click, and share?' Define your audience, validate your angle with data, and write like a journalist.” — @jasonmudd9“Coverage isn't requested; it's earned. It starts with how you think about the story before writing.” — @jasonmudd9If you enjoyed this episode, please take a moment to share it with a colleague or friend. You may also support us through Buy Me a Coffee or by leaving us a quick podcast review.Guest's contact info and resources:Jason Mudd on XJason Mudd on LinkedInListen to more episodes of the On Top of PR podcast.Find out more about Axia Public Relations.Axia Public Relations resources1:1 consultations and training with Axia10 2026 press release tips marketers aren't going to likeAdditional Resources:What's the difference between press releases and public relations?What's the difference between newswire and press release distribution wire agencies?How press releases are powering generative engine optimization and answer engine optimization3 elements of an effective news releaseSupport the showOn Top of PR is produced by Axia Public Relations, named by Forbes as one of America's Best PR Agencies. Axia is an expert PR firm for national brands.On Top of PR is sponsored by ReviewMaxer, the platform for monitoring, improving, and promoting online customer reviews.

AN ENGLISHMAN IN NEW YORK — If you can count yourself among the lucky ones who've met Robert Priest in person, any chance you remember what you were wearing? Well, fear not: He does. According to his business partner, the designer Grace Lee, Priest possesses a near-photographic memory of how people present themselves. And those first impressions last a lifetime.  To hear him talk, though, it's not at all about being judgy. Priest is just naturally consumed with all things visual. He has been since childhood. (He gets it from his mother). To him, design is everything. Priest has dedicated his 50-plus-year career to the relentless pursuit of taste, style, and fashion. And it shows. He has led design teams at all of the big magazines: GQ, House & Garden, InStyle, Newsweek, and Esquire (Twice!) But there's another side to Robert Priest. He's a huge sports fan. And designing magazines is his sport. Indeed, like a head coach, he's hired to win. And the trophies in this case are readership, advertising, circulation, and buzz—and when that's all taken care of, the design awards start to pile up—they certainly have for him. We talked to Priest about his early days in London, when he—and The Beatles and the Rolling Stones—were just getting started, about why soccer is the real football, and the rise and fall of one of the biggest magazine launches in history, Condé Nast Portfolio. — This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

AN ART BAR FOR EVERYONE — ArtBar is the perfect name for ArtBar magazine and that's not always the case with the names of magazines. Founded by photographer and filmmaker Sarah Ingram in LA, ArtBar is like a dive bar for artists and their art. It's democratic in its tastes, and wide in its scope. And fun. Sarah wanted to hang with artists and so she created a space for them. Literally. From a recent editorial: "Art Bar is a hole in the wall where the graffiti artists, punks and poets, filmmakers, philosophers, painters, photographers, musicians, and wild-eyed creatures find themselves at the end of the day to tell our stories and share our work." So. A dive bar. And that bar was going to be in print. And she wanted to get the magazine in your hands no matter where you lived. ArtBar is widely distributed, available on newsstands, and seeks more. Sarah wants to create a community, of course, all editors do, but she also wants to create a community of indie magazine folk. She wants to break things and rules and invite like-minds to her art bar and hang out and see some cool stuff and do some cool things. Think I'm taking the dive bar thing too far? Here's that editorial again: "We wanted to foster a place to gather, a common ground to share the stories of our human experiences and how they shape our work. This is a place where we can break things, break rules, get our hands dirty." I wasn't joking. I may joke about a lot of things but not about a magazine set up like a dive bar for artists. Are you kidding? Doesn't this sound like a place you might want to hang for a bit? Can you tell I love dive bars? — This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

THE LAST CELEBRITY MAGAZINE EDITOR — Maggie Bullock: It's 2016. Rachel and I are sitting at our desks on the 24th floor of the Hearst Tower working at Elle magazine when the glass double doors blow open—or at least that's how I remember it—and a vision of white-blonde hair, metallic pants, and checkerboard platforms, breezes into the office speaking in a commanding British accent to two or three minions in her wake. There are no cameras in sight, but it's as if we're watching a grand entrance and a reality TV show. You can almost feel the wind machines in the air, which is what it's like pretty much any time you witness a Joanna Coles appearance in the corridors of Hearst. There's just something cinematic about her. Rachel Baker: Joanna started her career as a reporter in London, moving to New York in the late 1990s to be The Guardian's New York bureau chief. Next, she shifted into editing. First, as an articles editor at New York magazine, then over to More magazine. By 2006, she grabbed hold of the editor-in-chiefship at Marie Claire, part of Hearst, and in 2012 became the editor-in-chief of the company's largest title, Cosmopolitan. Maggie Bullock: By the time she strode into the Elle offices in 2016, she was much more than an editor. She was also a reality TV star, a television producer, an author, a public speaker, a driving force of the “girl boss” movement, besties with Sheryl Sandberg, and a celebrity in her own right, who famously ran meetings from the helm of a treadmill walking desk. Rachel Baker: The Jo-Co who walked into our office in 2016 had been newly-crowned as Chief Content Officer of Hearst Magazines—the first to hold the title—and tasked with consolidating the creative side of the 100-year-old publishing giant in the new digital-first era. Maggie and I are a longtime print editors, so you can imagine how that sounded to us. But even through our fear goggles, we could also see that Joanna was ready to do the necessary surgery that other print editors didn't have the stomach for, so that legacy magazines might live to see another day. Maggie Bullock: Joanna was certainly the most famous women's magazine editor at Hearst at that time. But what wasn't clear back then, and is undeniable now, is that she was the last of her breed. There was a rich history of iconic women's magazine editors that came before Joanna, but can you think of an iconic, larger-than-life one that came after her? Rachel Baker: Joanna left Hearst in 2018, roughly around the same time that both Maggie and I did, and today she's a board member for major tech companies like Sonos and Snapchat and an executive producer for major Hollywood projects, including an upcoming Amazon series starring Priyanka Chopra. And she is, as ever, a baller. Setting up our interview, with what lesser individuals might call a “personal assistant,” but Joanna has anointed Chief Get-It-Done Officer, when we met JC via Zoom, she was without pretense or treadmill desk. She was disarmingly down to earth. Maggie Bullock: And yet somehow she still emanated that chutzpah or moxie—or maybe we should bring back the word “pizazz” to describe it. The X-factor that, in a 44-floor media empire brimming with big egos and considerable talent, made her one of media's biggest stars.ng. — This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

Nicolle Wallace covers the threats Brendan Carr, chair of the FCC, and Donald Trump have made to the news media for covering the war in Iran in a matter that is ‘unfavorable' to the Trump administration. Later, Nicolle covers new reporting that young Trump voters regret their vote for Donald Trump because they feel betrayed by the war in Iran and by the state of the economy. For more, follow us on Instagram @deadlinewh To listen to this show and other MS NOW podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. For more from Nicolle, follow and download her podcast, “The Best People with Nicolle Wallace,” wherever you get your podcasts.To listen to this show and other MS podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In honor of Women's History Month, we're revisiting one of our favorite episodes from 2024 with legendary journalist, Connie Chung. Connie Chung Shattered the Chains of her Cultural Traditions and Navigated the News Waters in a Sea of Men. Now she's opening up about being sexually abused by her doctor as a teenager, her deep desire to be “one of the guys”, and why she thinks current news media is in the toilet. She reveals how she conquered the male-dominated realms of journalism and politics, the clever ways she combated sexism and racism in the newsroom, how she managed to keep her emotions in check while delivering impartial news that shaped our world, and her struggles with tying her self worth to her career. Hear about Connie's wild stakeouts during the Watergate scandal, the reason she was forced to cover controversial figures like Tonya Harding & OJ Simpson, and her longtime marriage to daytime talk show host Maury Povich! Connie Chung also breaks down: - Her parents' arranged marriage at a very early age & the loss of her older siblings - How she broke out of the mindset of the traditional Chinese caste system - Dangers of being seen as a feminist when she began & what feminism mean to her now - Her first big news break - Importance of neutrality & credible fact-checking in the news media - Challenges women in media face today It's no wonder why so many Asian-American parents continue to name their kids after THE Connie Chung! Don't miss this exclusive look into the life of a trailblazer - TUNE IN to MBB today! Follow us on Substack for Exclusive Bonus Content: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bialikbreakdown.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BialikBreakdown.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/mayimbialik⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In honor of Women's History Month, we're revisiting one of our favorite episodes from 2024 with legendary journalist, Connie Chung. Connie Chung Shattered the Chains of her Cultural Traditions and Navigated the News Waters in a Sea of Men. Now she's opening up about being sexually abused by her doctor as a teenager, her deep desire to be “one of the guys”, and why she thinks current news media is in the toilet. She reveals how she conquered the male-dominated realms of journalism and politics, the clever ways she combated sexism and racism in the newsroom, how she managed to keep her emotions in check while delivering impartial news that shaped our world, and her struggles with tying her self worth to her career. Hear about Connie's wild stakeouts during the Watergate scandal, the reason she was forced to cover controversial figures like Tonya Harding & OJ Simpson, and her longtime marriage to daytime talk show host Maury Povich! Connie Chung also breaks down: - Her parents' arranged marriage at a very early age & the loss of her older siblings - How she broke out of the mindset of the traditional Chinese caste system - Dangers of being seen as a feminist when she began & what feminism mean to her now - Her first big news break - Importance of neutrality & credible fact-checking in the news media - Challenges women in media face today It's no wonder why so many Asian-American parents continue to name their kids after THE Connie Chung! Don't miss this exclusive look into the life of a trailblazer - TUNE IN to MBB today! Follow us on Substack for Exclusive Bonus Content: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bialikbreakdown.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BialikBreakdown.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/mayimbialik⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Bridget Phetasy breaks down the "headline surgery" of the New York Times after an attempted terrorist attack in NYC. From renaming pipe bombs to "smoking jars of metal" to the media's desperate attempt to avoid the "T-word," Bridget exposes why you don't hate the media enough. #MediaBias #NewYorkTimes #Gaslighting #NYC #dumpsterfire Topics covered: Smoking jars of metal and fuses, the New York Times headline surgery, media gaslighting, the "mostly peaceful pipe bomb," and the Kardashian-level editing of the news. 

THE MAGAZINE OF THE MONTH CLUB — One of the things I've learned while hosting this podcast is that there are a lot of magazines out there. More than I imagined. Meaning there was never a “death of the magazine,” simply a realignment of dollars and attention. If anything, there are more magazines being published than ever.  But, and it's a big but, they are harder and harder to find. There are fewer magazine stores. There are almost no newsstands, at least in North America. And bookstores, well, ok, go to your local bookstore and good luck. Which brings us to Steve Watson. He worked in the industry and he lived what was happening to it. And so he created Stack which is, essentially, a discovery system. Or a club. Call it The Magazine of the Month Club. Join it and you receive random independent magazines from around the world, chosen by Steve—or curated, let's use the word—curated by Steve, and if you like the magazine, great, go out and subscribe to it, and you've just expanded your world.  I asked Steve about the changes in the industry, how he builds community and what the future of magazines might be. He's an optimist. And that makes me feel good about things. — This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Ahron Young, founder and CEO of Ticker News, to discuss the current state of journalism, the evolution of news media, and the challenges faced by modern journalists. Ahron shares his personal journey in journalism, from his early days as a cadet journalist to becoming a foreign correspondent and eventually launching Ticker News.  The conversation delves into the impact of technology on journalism, the importance of maintaining integrity in news reporting, and the innovative approach Ticker Studio takes in creating engaging content for audiences. Ahron emphasizes the need for journalists to adapt to the changing media landscape while remaining committed to delivering credible and authentic news. Listen on Apple: https://podcasts.apple.com/au/podcast/managing-marketing/id1018735190   Listen on Spotify: https://open.spotify.com/show/75mJ4Gt6MWzFWvmd3A64XW?si=a3b63c66ab6e4934   Listen on Stitcher: https://www.stitcher.com/show/managing-marketing   Listen on Podbean: https://managingmarketing.podbean.com/    For more episodes of TrinityP3's Managing Marketing podcast, visit https://www.trinityp3.com/managing-marketing-podcasts/   Recorded on RiversideFM and edited, mixed and managed by JML Audio with thanks to Jared Lattouf.

Highbrow, Brilliant: The Adam Moss Approval Matrix — Adam Moss is probably painting today. He's not ready to share it. He may never be ready to share it. You see, this ASME Hall of Famer unabashedly labels himself as “tenth rate” with the brush. And he's okay with that. As Moss explains, it's not about the painting. After decades of creating some of the world's great magazines, he is throttling down. He's working with canvas, paint, and brush — and reveling in the thrill of making something, finally, for an audience of one.  It hasn't always been this way for Moss. Like most accomplished editors — like most serious creatives — Moss spent the better part of his career obsessed. Obsession is essential, he says, to the making of something great. Growing up on Long Island, Moss became obsessed with Esquire and New York magazines. “My parents were subscribers,” he says. “I was in the suburbs. I'd open them and it was my invitation to New York City. And to cosmopolitan life. And to sophistication.” And knowing that it was all happening just a short subway ride away made it irresistible. Moss's publishing portfolio is rotten with blue-blood brands: Rolling Stone, Esquire, The New York Times, and New York magazine. He's collaborated with editorial legends. In 1987 Moss decided to create something of his own. Invited to pitch an idea for a new magazine to the owners of The Village Voice, Moss did his song and dance. The folks in the boardroom were … unmoved. Afterwards, Moss retreated to the men's room to ponder his humiliation. Minutes later, Leonard Stern, the Voice's owner, took a spot at the next urinal, where he turned to Moss and said, “Okay, we'll do your magazine.” What Moss pitched was a city magazine called 7 Days. It only lasted two years. But two weeks after ceasing publication, 7 Days was presented the National Magazine Award for general excellence. The splash it created propelled Moss to The New York Times, where, in a few short years, he transformed the paper's Sunday supplement into an editorial magnet for creative talent, the Esquire or New York magazine of the 1990s. In 2004 Moss joined another venerable brand, New York magazine, where he not only completely reimagined the print magazine, he bear-hugged the encroaching internet menace, creating more than 20 new digital-only brands, five of which — Vulture, The Cut, Intelligencer, The Strategist, and Grub Street — remain heavyweights of modern online editorial. In 2019, Adam Moss ended his 15-year run at New York, saying, “I want to see what else I can do.” So … painting. — This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

Are we in a News Media Golden Age, or a fragmented era? In this “Generational Divides” episode, Reason editor-at-large Nick Gillespie brings together Baby Boomer, Millennial, and Gen Z voices to debate how our media landscape is changing. Are more platforms expanding truth, or blurring the line between news and entertainment? Are journalists accountable to funders, audiences, or the truth? As industry shakeups like recent Washington Post layoffs signal change, what does the future of news media look like?  For Baby Boomers: Kurt Andersen, Novelist, and Former Host of NPR's "Studio 360"; Co-founder of Spy magazine  For Millennials: Nellie Bowles, Journalist & Co-Founder of The Free Press   For Gen Z: Rachel Janfaza, Journalist & Founder of The Up and Up Substack; Contributor to The Bulwark  Nick Gillespie, Editor-at-Large at Reason, is the guest moderator.  Join the conversation on Substack—share your perspective on this episode and subscribe to our weekly newsletter for curated insights from our debaters, moderators, and staff.  Follow us on YouTube, Instagram, LinkedIn, X, Facebook, and TikTok to stay connected with our mission and ongoing debates.   Learn more about your ad choices. Visit podcastchoices.com/adchoices

NO RESERVATIONS — Welcome to a new season of The Full Bleed. This year, we're going to be talking to makers and creators, of course, but also more about the business of magazines. Because, let's face it, making a magazine is not easy. It never has been. But we're seeing more and more magazines—in print—out in the world and there's a reason for that. At a time where the digital world is a messy place, and that's being polite, magazines are perfectly positioned as a part of an “analog” wave that is going to become more and more important in the media and in marketing.  We open the season with Nathan Thornburgh from Roads & Kingdoms, a media brand that started out as a media brand—stay with me here—with the support of Anthony Bourdain, yes, that one, and then pivoted to becoming a kind of gastronomic tour company with loads of content on their website, and has now published their first magazine. And it won't be their last. Travel, especially these days, is pure analog, a completely human experience. It touches the senses in a way not many things can. Think about Anthony Bourdain's work and you think of how immersed he was everywhere he went. Whether he was writing about the reality of a kitchen or filming a meal of noodles at a roadside stand in Thailand, he was all in. His was a very human-centered media, full of sights and smells and sounds and people. And that's what Roads & Kingdoms will try and replicate. On the page. On every page. — This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Independent investigative journalism, broadcasting, trouble-making and muckraking with Brad Friedman of BradBlog.com

A state senator explains why she championed expanded fertility treatment for Californians. Also, CalMatters digs into the data surrounding historic decline in homicides. Finally, how to spot fake news and combat doomscrolling for your health.

THE VIEW FROM THE WINDOW SEAT—Despite its name, Direction of Travel is not a travel magazine. Sure, it's a celebration of a certain kind of travel, but this is not a publication that takes you somewhere. Unless you think of Air World as a destination. Which I do.Founder Christian Nolle is an AvGeek. Which is not an insult. More an acknowledgement of a state of mind. Christian loves all things aviation. And mostly he loves how it looks and feels and, perhaps more importantly, how it looked and felt.Direction of Travel is a loving homage to route maps, in-flight entertainment, ticket offices, and airports. It is a magazine about the culture of flight and the aesthetics one finds in Air World. And for anyone with even the slightest interest in flight, it is a glorious—and loving—celebration of that world.Regular listeners of this podcast may have noticed that I've been speaking to quite a few people from travel magazines recently, and there are reasons for that. One could argue that no other type of magazine has had to weather such a variety of competition from the digital space. And travel itself is subject to forces that have nothing to do with travel itself. But it remains aspirational even to those lucky enough to travel often.So whether you're a frequent flying business person, or someone who might fly once in a while, the magic of lift off—and touch down—remains.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

WHEN EUSTACE MET FRANÇOISE— I first met Françoise Mouly at The New Yorker's old Times Square offices. This was way back when artists used to deliver illustrations in person. I had stopped by to turn in a spot drawing and was introduced to Françoise, their newly-minted cover art editor.I should have been intimidated, but I was fresh off the boat from Canada and deeply ensconced in my own bubble—hockey, baseball, Leonard Cohen—and so not yet aware of her groundbreaking work at Raw magazine.Much time has passed since that fortuitous day and I've thankfully caught up with her ouevre—gonna get as many French words into this as I can—through back issues of Raw and TOON Books. But mostly with The New Yorker, where we have worked together for over 30 years and I've been afforded a front-row seat to witness her mode du travail, her nonpareil mélange of visual storytelling skills.Speaking just from my own experience, I can't tell you how many times at the end of a harsh deadline I've handed in a desperate, incoherent mess of watercolor and ink, only to see the published product a day later magically made whole, readable, and aesthetically pleasing.Because Françoise prefers her artists to get the credit, I assume she won't want me mentioning the many times she rescued my images from floundering. I can remember apologetically submitting caricatures with poor likenesses, which she somehow managed to fix with a little digital manipulation—a hairline move forward here, a nose sharpened there. Or ideas that mostly worked turned on their head—with the artist's permission, of course—to suddenly drive the point all the way home.For Françoise, “the point” is always the point. Beautiful pictures are fine, but what does the image say? Françoise maintains a wide circle of devoted contributing artists—from renowned gallery painters to scribbling cartoonists, and all gradations between—from whom she regularly coaxes their best work. I thank my étoiles chanceuses to be part of that group.And now, an interview with Françoise. Apparently. —Barry Blitt—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

Project Mockingbird... the CIA's secret project that infiltrated our news rooms and controlled our news cycles for decades reports anchors and reporters is still alive and well. That's just one of the many revelations from Kevin Shipp, he's a veteran of the CIA who's been exposing the shadow government that essentially control Washington DC. 

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