Podcast appearances and mentions of Adam Moss

Hoy hablamos de dinero, uno de los mayores choques culturales que tenemos los españoles al vivir en Estados Unidos. Porque los estadounidenses tienen una relación con el dinero diferente a la que tenemos en España. Los sueldos, además, son muy superiores. También es más caro el coste de vida. Hablaremos de sueldos y gastos, poniendo sobre la mesa dos historias concretas con sus números específicos. Una pareja sin hijos y una pareja con hijos. ¿Cuánto cobran? ¿Cuánto ahorran? ¿En qué se va el dinero? ¿Qué cosas son más caras y qué cosas son más baratas en un país y en otro?Tienes el episodio completo en exclusiva en nuestro Patreon: Aló Miami Patreon | Vídeos, podcasts, microclases de inglés y mucho más¡Gracias por apoyarnos!-----Este podcast es independiente y autoproducido. Nos sostenemos gracias a las suscripciones de Patreon.Guion y voz: Belén MontalvoEdición: Adam Moss

Choreographing massages to Mozart, enforcing cancellation policies with beloved clients, and shutting down callers seeking "undraped sessions" with Allissa Haines, a massage therapist. What made her cry in her car after one particular house call? And what is "effleurage”?In this episode, Dan recommended The Work of Art by Adam Moss, a book about how artists make their work. Check it out here.IF YOU LIKE THIS EPISODE: Check out what it's like to be a couples therapist, a hair stylist, or a piano teacher.GOT A COMMENT OR SUGGESTION? Email us at jobs@whatitslike.com WANT TO BE ON THE SHOW? Leave us a voicemail at (919) 213-0456. We'll ask you to answer two questions: 1. What's a word or phrase that only someone from your profession would be likely to know and what does it mean? 2. What's a specific story you tell your friends that happened on the job? It could be funny, sad, anxiety-making, pride-inducing or otherwise. We can't respond to every message, but we do listen to all of them! We'll follow up if it's a good fit.

How do people like Stephen Sondheim, Sofia Coppola or David Simon create something from nothing? And what are the threads that tie their work together with making a cookbook or a cartoon? Former New York Magazine and New York Times Magazine editor Adam Moss talked to dozens of creative people to find out how they do it. In his new book, The Work of Art, artists from a wide range of mediums break down the process behind a single piece, sharing sketches, outlines and rejected attempts they worked through along the way.  This episode was originally published May 15, 2024

Doy por finalizada la saga "Vigilantes" con este último episodio en el que os hablo de las milicias de Estados Unidos. Espero que os guste. Si quieres apoyar la creación y mantenimiento de este podcast autoproducido e independiente, puedes suscribirte a nuestro canal de Patreon de Aló Miami, donde todos los meses publicamos vídeos y podcasts nuevos y super interesantes sobre distintos aspectos de la cultura estadounidense. Este es el enlace: Aló Miami Patreon | Vídeos, podcasts, microclases de inglés y mucho más¡Muchas gracias!Belén Montalvo & Adam Moss

Advertencia: en esta tercera parte de nuestra saga sobre la cultura de la vigilancia se describen cosas muy feas: hay asesinatos, pederastia, violencia gratuita y suicidio.Todos, obviamente, son hechos reales ocurridos en Estados Unidos.---Podcast escrito, grabado, producido, editado y publicado por Belén Montalvo y Adam Moss.Si quieres ayudarnos y tener acceso a muchos más podcasts y vídeos sobre la cultura estadounidense, suscríbete a nuestro canal de Patreon.¡Gracias por tu apoyo!

¿De verdad es TAN sorprendente que Luigi Mangione se convirtiera, tras asesinar a Brian Thompson en plena calle, en un héroe popular?Yo creo que no.Esta es la primera parte (de un total de cuatro) de la Saga Vigilantes: un repaso por las distintas ramificaciones que componen la cultura de la vigilancia en Estados Unidos.Espero que te guste. ----Todos los episodios del podcast Aló Miami: Desmitificando EE.UU. están escritos, grabados, editados y producidos por Belén Montalvo y Adam Moss.Si quieres apoyarnos y acceder a muchos más episodios en exclusiva, puedes apuntarte a nuestro canal de Patreon. 

In todays episode, Shelley and Phil virtually sit across from Paige Comrie, the brain behind the Wine With Paige brand. In this episode, we talk about almost everything! So many things we can't even BEGIN to mention them here in the description. You're going to love this one! #HappyFriday! #ItsWineTime! #Cheersing #GeekOut #NoEasterEgg Visit https://www.winewithpaige.com for ALL things Paige, including her free Napa map, and we recommend "Following" her on Instagram which is @winewithpaigeWines this episode:2023 The Terraces Chardonnay ($45 at the winery)2021 Napa Cellars Cabernet Sauvignon ($35 at Pilgrim's Market)A HUGE thanks to our sponsors: Elsom Cellars and Seasons of Coeur d'Alene!Elsom Cellars: Good times are meant to be shared and so are great grapes and great wines! Since 2006, Elsom Cellars has been producing brilliant Washington wines. For more information about Elsom Wines, please visit http://www.elsomcellars.com Seasons of Coeur d'Alene: Experience the best of Coeur d'Alene's culinary scene at Seasons, where farm-to-table cuisine meets elegant ambiance. Don't miss their Wine Down Wednesday where all bottled wines are 50% off! Visit https://www.seasonsofcda.com/ for more information or call 208-664-8008And of course, a HUGE thank you to Tod Hornby who wrote and recorded our official Wine Time Fridays theme music. Please visit https://todhornby.com to see what Tod is up to!The 3D Cabinets by Design Wine Words of the Week - BroodingThis term is used for wines that are complex and seem to hold back some of their flavors and aromas. It can be a positive descriptor, suggesting a wine that rewards contemplation.If you're ready for a complete kitchen upgrade, 3D Cabinets by Design is THE place for you. Visit https://3dcabinetsbydesign.com for more information or visit their new location at 3895 Schreiber Way in Coeur d'Alene! 3D Cabinets by Design: Dream, Design, DeliverSome wines we've enjoyed this week: 2017 R&B Single Vineyard Malbec, Pèppoli Chianti Classico (Antinori), Readers Syrah, Mer Soleil Silver Chardonnay.Mentions: Rocky Pond Winery, Massican, Shannon Crull, Andrew Allison, Cuvée Collective, Cameron Roblee, Andrea Robinson, Chris Cochran, Sara Lane, GlassVin, VinGarde Valise, Alaska Airlines, Social Media Marketing World, GaryVee Wine Club, Dottie J. Gaiter and John Brecher, VacuVin Swirling Carafe, Luke Marquis, Molly Dooker, Cynthia, Dan Petroski, Adam Moss eri, Mark Zuckerberg, Matt Sparkman, J. Bookwalter Wines, Kevin Olsonberg, Rams Gate Winery.Products used in this episode: The One Wine Glass and Boomerang Two-Step Corkscrew Wine Opener with Built-In Foil Cutter & Bottle Opener.Please find us on Facebook (https://www.facebook.com/WineTimeFridays), Twitter (@VintageTweets), Instagram (@WineTimeFridays) on our YouTube Channel, https://www.youtube.com/@winetimefridays and on Threads, which is @winetimefridays. You can also “Follow” Phil on Vivino. His profile name is Phil Anderson and will probably “Follow” you back! Wine Time Fridays Rating System: Phenomenal 

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it's a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“ I was very interested in the state of mind of an artist as he or she goes about making. I think one of the things that artists have is not just an interest in their own subconscious, but also an ability to find ways, tricks, and hacks to access their subconscious. Over time, they understand how to make productive use of what they find there. We all have subconsciousness; we all dream and daydream. We all have disassociated thoughts that float through our head, but we don't generally know what to do with them. One of the traits that successful artists seem to have is this ability to cross borders into recesses of their own minds.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“ I was very interested in the state of mind of an artist as he or she goes about making. I think one of the things that artists have is not just an interest in their own subconscious, but also an ability to find ways, tricks, and hacks to access their subconscious. Over time, they understand how to make productive use of what they find there. We all have subconsciousness; we all dream and daydream. We all have disassociated thoughts that float through our head, but we don't generally know what to do with them. One of the traits that successful artists seem to have is this ability to cross borders into recesses of their own minds.”Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

This week Reid is vomiting in Miami as Jeremy prepares to go to Cleveland. Topics include "Angels in America" with two more chapters of Adam Moss' “The Work of Art” and "Paquita" at New York City Ballet. ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠➩ WEBSITE⁠⁠⁠⁠⁠⁠ ◦⁠⁠⁠⁠⁠⁠YOUTUBE ⁠⁠⁠⁠⁠⁠◦⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠➩ SUPPORT:⁠⁠⁠⁠⁠✨VIA VENMO!⁠⁠⁠⁠⁠⁠✨ or  ⁠⁠⁠⁠⁠⁠PATREON⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ REID⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠JEREMY⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠JACK⁠⁠⁠⁠⁠⁠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠⁠⁠➩ withdanceandstuff@gmail.com⁠

Jeremy and Reid are ringing in the new year with some reflections and resolutions. Other topics include Baby Girl, Anora, dense cake, and our next book club pick. Claire Saffitz's Tiramisu The Work of Art by Adam Moss ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ⁠⁠⁠⁠➩ WEBSITE⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠YOUTUBE ⁠⁠⁠⁠◦⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠ ⁠➩ SUPPORT: ⁠⁠⁠✨VIA VENMO!⁠⁠⁠⁠✨ or  ⁠⁠⁠⁠PATREON⁠⁠⁠⁠ ⁠⁠⁠⁠➩ REID⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠JEREMY⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠JACK⁠⁠⁠⁠ ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ⁠⁠⁠⁠➩ withdanceandstuff@gmail.com⁠

On this special episode of Design Matters, we look back at the collective brilliance of editors interviewed in 2024. Best of Design Matters 2024 with Stella Bugbee, Scott Dadich, Adam Moss, and David Remnick is live! Hosted on Acast. See acast.com/privacy for more information.

Adam Moss was the best magazine editor of his generation. When he retired, he took up painting. But he wasn't very good, and that made him sad. So he wrote a book about how creative people work— and, in the process, he made himself happy again. SOURCE:Adam Moss, magazine editor and author. RESOURCES:The Work of Art: How Something Comes from Nothing, by Adam Moss (2024)."Goodbye, New York. Adam Moss Is Leaving the Magazine He Has Edited for 15 Years," by Michael M. Grynbaum (The New York Times, 2019).Salt, Fat, Acid, Heat: Mastering the Elements of Good Cooking, by Samin Nosrat (2017). EXTRAS:"David Simon Is On Strike. Here's Why," by People I (Mostly) Admire (2023)."Samin Nosrat Always Wanted to Be Famous," by Freakonomics Radio (2023)."What's Wrong with Being a One-Hit Wonder?" by Freakonomics Radio (2023).

The Work of Art is a series of in-depth conversations from artists, poets, musicians and more on how they make their art and what goes on inside their heads with Adam Moss, former editor of New York magazine. Moss joins us to talk about his time as a painter, how he decided the composition of the book, changing how we appreciate art over time and more with Miwa Messer, host of Poured Over. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app Featured Books (Episode): The Work of Art by Adam Moss How Should a Person Be? by Sheila Heti Angels in America by Tony Kushner The Hours by Michael Cunningham

Gracias por escuchar esta saga de las #Yankielecciones hasta el final. Tienes el episodio completo y sin publicidad en Patreon. Con tu suscripción, nos ayudas muchísimo. Y nosotros te damos por allí también muchísimo a cambio.Un abrazo,Adam Moss & Belén MontalvoNoviembre 2024Puedes seguirnos en nuestras redes:@alo_miami en Instagram, TikTok, Facebook y X@alomiami en Blueskywww.alomiami.com

We're students of the creative process, and so is Adam Moss, author of The Work of Art: How something comes from nothing. Formerly the editor-in-chief of New York magazine, these days Moss is on a quest in his studio to understand painting and through it the mysteries of the act of creation.  Questions about why people create—and the diversity of process across mediums—led Adam to write his book, which features interviews with a host of inspiring folks. Kara Walker, Tony Kushner, Sofia Coppola, Stephen Sondheim, Barbara Kruger, Ira Glass, Samin Nosrat, Marc Jacobs, David Simon, and many more share their approach to the work they do in the book.  We talk with Adam about the red threads that run through such varied creative expressions, finding the right creative partners, how to feed creativity, and how his own work has been influenced by his investigation into how creativity unfolds.  Visit our Substack for bonus content and more: https://designbetterpodcast.com/p/adam-moss Bio Adam Moss was the editor of New York magazine, The New York Times Magazine, and 7 Days. As editor of New York, he also oversaw the creation of five digital magazines: Vulture, The Cut, Daily Intelligencer, Grub Street, and The Strategist. During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine, the Book Review, and the Culture, and Style sections, as well as managing editor of Esquire. He was elected to the Magazine Editors' Hall of Fame in 2019. *** Premium Episodes on Design Better This ad-supported episode is available to everyone. If you'd like to hear it ad-free, upgrade to our premium subscription, where you'll get an additional 2 ad-free episodes per month (4 total). Premium subscribers also get access to our monthly AMAs with former guests, ad-free episodes, early and discounted access to workshops, and our new enhanced newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show.   Upgrade to paid *** Visiting the links below is one of the best ways to support our show: Wix Studio: With Wix Studio, agencies and enterprises can create, develop and manage exceptional web projects with hyper efficiency. And if you're worried about the learning curve eating into time you don't have, don't be. Wix Studio is intuitive by design, so your entire team can hit the ground running. For your next project, check out wixstudio.com. Wine Access: We love wine, but often feel overwhelmed by the options out there. But we recently joined Wine Access who not only ship to your door some of the world's most inspiring wines, they also educate subscribers with full color information cards that accompany each bottle. You should totally join The Waitlist Wine Club. Just visit wineaccess.com/waitlist and use Promo Code: DESIGNBETTER for $25 off your first shipment. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hoy nos graduamos del master en Comprensión Yankielectoral y esperamos que este podcast os ayude a comprender el resultado de las elecciones, sea cual sea. Ha sido un placer acompañaros durante más de un año de forma semanal. Ojalá hayáis disfrutado, os hayáis entretenido y hayáis aprendido muchas cosas durante este tiempo.Si quieres escuchar (y ver) más contenidos hechos por nosotros, te animamos a suscribirte a nuestro canal de Patreon - https://www.patreon.com/c/alo_miamiPatreon es nuestra única manera de sostenernos y poder seguir dedicando tiempo a desgranar y desmitificar Estados Unidos.Muchas gracias por tu apoyo y por tu tiempo. Adam Moss & Belén Montalvo

Escucha este episodio completo (de una hora de duración) en nuestro canal de Patreon. Además, con tu suscripción tendrás acceso a una librería de más de 600 podcasts, vídeos, relatos, microclases de inglés y todo tipo de explicaciones relacionadas con la cultura popular de Estados Unidos que publicamos allí en exclusiva.Este podcast se hace de principio a fin exclusivamente entre dos personas: Adam Moss y Belén Montalvo. Lo podemos producir y sostener gracias al apoyo de las suscripciones. Podemos seguir creciendo si nos recomiendas en tus redes sociales y nos ayudan muchísimo los comentarios positivos acerca de nuestro trabajo.Muchísimas gracias por tu apoyo.@alo_miamihttps://www.patreon.com/c/alo_miami 

Making art is hard work, as Adam Moss, the revered former editor of New York magazine, reveals in his illuminating new book, "The Work of Art." The book is a collection of interviews with painters, poets, filmmakers, and even sandcastle builders about the demanding, mystical, peculiar process of creating something out of nothing. Adam spoke with our curator Daniel Pink in front of a live audience in New York City earlier this month.

Stefanos Geroulanos, an eminent historian, tells the story of how we came to obsess over the origins of humanity ― and how, for three centuries, ideas of prehistory have been used to justify devastating violence against others.

Hoy hablamos del debate entre los candidatos a vicepresidente y también de los grandes cambios que se están empezando a ver en los votantes estadounidenses. Porque, como diría Bob Dylan... the times, they are a-changin'. ----Este podcast se hace entre solo dos personas: Adam Moss (yankimarido) y Belén Montalvo (@alo_miami). Si te gusta, por favor, apóyanos con un comentario, estrellitas o, si quieres tener acceso a más contenido en exclusiva, apúntate a nuestro canal de Patreon. Por menos de lo que te gastarías en un café a la semana, tendrás acceso a cientos de vídeos, podcasts, microclases, yankicatas, relatos, un chat que vale oro... y mucho más.https://www.patreon.com/alo_miami¡Muchas gracias!

Twenty-five years ago, Malcolm Gladwell was not Malcolm Gladwell. Well, sure, ontologically speaking he was, but he would not have registered on the Celeb-O-Meter the way he does today. So what happened? What changed? What did he do to become a household name? He wrote “The Tipping Point: How Little Things Can Make a Big Difference.” A quarter century later, Malcolm sat down to update the book that made his name — only he realized that he had a lot of new things to say about social contagion. Cut to this week. On Tuesday, he published “Revenge of the Tipping Point,” a sequel in which he explores the “dark side of contagious phenomena.” He got together with Rufus for a wide-ranging conversation about the new book, because wide-ranging conversations are Malcolm Gladwell's specialty. They discussed social media, Medicare fraud, white flight, the Holocaust, and the ways Malcolm has changed over the past few decades.

Time correspondent Simon Shuster provides an intimate portrait of Ukraine's president Volodymyr Zelensky.

Want to be sharper, healthier, and happier? Then you need to up your sleep game. Lynne Peeples, author of The Inner Clock: Living in Sync with Our Circadian Rhythms, will teach you how.

Megan Hellerer graduated from Stanford at the top of her class, landed a dream job at Google, and dutifully climbed the corporate ladder. So why was she so miserable?

Next week, Malcolm Gladwell will be on the show to discuss his new book "Revenge of the Tipping Point: Overstories, Superspreaders, and the Rise of Social Engineering." In anticipation of that conversation, we're revisiting our 2021 interview with Malcolm about "The Bomber Mafia" — the story of a group of pilots who met on a muggy airbase in central Alabama and hatched a plan to revolutionize warfare.

¡Escucha el episodio entero en Patreon!Además, con tu suscripción tendrás acceso a todos los episodios del podcast que vamos subiendo por allí en exclusiva.El podcast Aló Miami se hace exclusivamente entre dos personas (Adam Moss y Belén Montalvo) y es 100% autoproducido. Por eso necesitamos el apoyo de los suscriptores para mantenerlo.¡Muchas gracias por tu apoyo!https://www.patreon.com/alo_miami

Jeremy Hurewitz on the tradecraft that can make you better at persuasion.

Is AI all bad, or could it be so good that we might one day want to merge with it? This is just one of the questions Rufus poses in part two of his conversation with historian and mega-bestselling author Yuval Noah Harari. 1️⃣ If you missed part one of this conversation, listen now on Apple Podcasts or Spotify

Hay mucho, muuuuucho de lo que hablar hoy, a raíz de la DNC. Comparamos la convención demócrata con la republicana, hablamos de qué nos gustó y qué nos decepcionó, hablamos de los discursos de Oprah, de Michelle Obama, de Doug Emhoff, de Kamala Harris y de Tim Walz...Tenéis el episodio completo (y sin anuncios), de casi 2h de duración, en Patreon: https://www.patreon.com/alo_miamiGracias por apoyarnos en lo que hacemos de forma independiente y autoproducida: solo entre nosotros dos.Adam Moss y Belén Montalvo@alo_miami en Instagram y X (o Tuiter)

On a summer day in 2001, Donna Stabile knocked on the front door of Leticia Aguilar. She babysat Leticia's five children nearly every night but hadn't seen them for a few day. Donna had started to get worried, so she went to the house. On a whim, she opened the front door and stepped inside. Donna immediately knew something wasn't right. What she didn't know was that she had just stumbled upon one of the most brutal crimes in Iowa history.  

Puedes escuchar el episodio completo (de más de una hora de duración) en nuestro canal de Patreon, donde subimos muchísimo más contenido interesante y gracias al cual se sostiene este podcast casero y autoproducido por nosotros: Adam Moss y Belén Montalvo.¡Muchas gracias por tu apoyo! https://www.patreon.com/alo_miamiBelén y Adam@alo_miami en Twitter e Instagramwww.alomiami.comhttps://www.todostuslibros.com/autor/montalvo-belen

Hoy hablamos del Tribunal Supremo. Nadie vota a los nueve jueces que lo componen y que, en demasiadas ocasiones, deciden cómo los estadounidenses han de vivir su vida. En estas elecciones, el Tribunal Supremo juega un papel fundamental. No es la primera vez que estamos en esta tesitura, pero esta vez nos preocupa todo más.Si te gusta este podcast, queremos que sepas que se hace entre solo dos personas (Adam Moss, alias "Yankimarido", y Belén Montalvo, alias "Aló Miami") y que, si te apetece, puedes apoyarnos compartiéndolo para que otros lo escuchen o suscribiéndote a nuestro canal de Patreon, aquí: https://www.patreon.com/alo_miamiTambién puedes comprar "(Des)hacer las Américas" o "Aprende Yankinglés con Aló Miami, mis dos libros publicados, a ser posible en una librería de barrio. Te dejo el enlace de todostuslibros.com por si quieres echarles un vistazo: https://www.todostuslibros.com/autor/montalvo-belen¡Gracias por estar al otro lado!

Vaya tela el debate...Tenéis el episodio completo (de hora y media de duración) en Patreon, donde explicamos todo lo que ocurrió en el debate, lo que se habló, de lo que NO se habló, contestamos a todas vuestras dudas y os explicamos lo que nosotros creemos que va a pasar. No os lo perdáis. Lo tenéis en Patreon: https://www.patreon.com/alo_miamiGracias a tu suscripción al Patreon de Aló Miami, este podcast autoproducido y realizado por solo dos personas - Adam Moss y Belén Montalvo-  puede seguir siendo posible.También puedes comprar mi libro "(Des)hacer las Américas" aquí, en todostuslibros.com, mirando qué librería de barrio te viene mejor y apoyando así al pequeño comercio.¡Muchas gracias!

Kara and Scott discuss Sony and Apollo Global wanting to break up Paramount, Apple apologizing after everyone hated the new iPad Pro ad, Melinda Gates resigning from the Gates Foundation, and new reporting that casts doubt on RFK Jr.'s VP pick. Then, earnings, earnings, earnings. What do Kara and Scott think of the latest numbers from Uber, Warner Bros and The New York Times? Plus, Apple has closed in on an agreement with OpenAI to use ChatGPT in iPhone operating systems. And, our Friend of Pivot Adam Moss joins us to discuss his new book, “The Work of Art: How Something Comes From Nothing.” You can find Adam's book, “The Work of Art: How Something Comes From Nothing,” here. Follow us on Instagram and Threads at @pivotpodcastofficial. Follow us on TikTok at @pivotpodcast. Send us your questions by calling us at 855-51-PIVOT, or at nymag.com/pivot. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Adam Moss is widely known as one of the great magazine editors of his generation, remaking and reshaping The New York Times and New York magazine into the most significant print and digital publications of our time. He joins to discuss his illustrious career as an author, editor, and artist.

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comAdam is the best magazine editor of my generation, and an old friend. From 2004 to 2019, he was the editor-in-chief of New York Magazine, and before that he edited the New York Times Magazine, and 7 Days — a weekly news magazine covering art and culture in NYC. His first book is The Work of Art: How Something Comes from Nothing.For two clips of our convo — on the bygone power of magazines, and the birth of the great and powerful performance artist Dina Martina — pop over to our YouTube page. Other topics: his upbringing on Long Island; fantasizing about NYC through the cosmopolitanism of magazines; being a “magazine junky extremely early”; the literary journalism of the ‘60s; Gay Talese; Joan Didion; Tom Wolfe; Adam's early start at The Village Voice; 18-hour workdays; joining Rolling Stone then Esquire; commissioning Frank Rich's groundbreaking piece on gay culture; the visual strength of mags; 7 Days “doomed from the start” because of a stock market crash; the NYT's Joe Lelyveld hiring Adam to “make trouble” with creative disruption; Tina Brown; “the mix” of magazines like a dinner party; the psychodrama of writers clashing with colleagues; how the Internet killed magazines; the blogosphere; podcasting; the artist Cheryl Pope and her series on miscarriages; Tony Kushner's Angels in America; when creation is tedious and painful; Leaves of Grass and its various versions; Montaigne's essays; Pascal and the incompleteness of The Pensées; Amy Sillman painting over her beautiful work; Steven Sondheim; choreographer Twyla Tharp; poetry as the concentration of language and the deconstruction of how we speak; poets Marie Howe and Louise Gluck; the fiction writer George Saunders; how weed suppresses the ego; and Adam's preternatural calm.Browse the Dishcast archive for an episode you might enjoy (the first 102 are free in their entirety — subscribe to get everything else). Coming up: Oren Cass on Republicans moving left on class, Noah Smith on the economy, Bill Maher on everything, George Will on Trump and conservatism, Lionel Shriver on her new novel, Elizabeth Corey on Oakeshott, and the great Van Jones! Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

On this week's show, the hosts begin by diving head-first into The Fall Guy, director David Leitch's love letter to stunts and stunt people. It's a rom-com starring action set pieces, in which stuntman Colt Seavers (Ryan Gosling) falls for his director and ex-flame, Jody (Emily Blunt). The film is very telling about the work that goes into making an action flick… but does The Fall Guy ever achieve liftoff? Then, they debate I Saw the TV Glow, Jane Schoenbrun's impressive second feature that chronicles the friendship between Owen and Maddy, and their fascination with the fictional show The Pink Opaque. I Saw the TV Glow obsesses over what's real and not real–and is said to be an allegory for being trans–in a way that's brave and admirable, but often depressing to watch. Finally, the panel is joined by Lydia Polgreen, Opinion columnist for The New York Times and co-host of the Matter of Opinion podcast, to discuss her reporting on the student protests unfolding in New York City. A few of the media mentioned: “Columbia, Free Speech and the Coddling of the American Right” and “The Student-Led Protests Aren't Perfect. That Doesn't Mean They're Not Right.” by Polgreen; “The Takeover,” an on-the-ground report by the staff of the Columbia Daily Spectator for New York Magazine; the Columbia Revolt documentary.  In the exclusive Slate Plus segment, the panel discusses the question that's been roiling TikTok: For women, would you rather be alone in the woods with a man or a bear?  Email us at culturefest@slate.com.  Endorsements: Dana: “Kindness,” a poem by Naomi Shihab Nye, which she read on the On Being podcast. You can explore more of Shihab Nye's poetry here. Julia: (1) A congratulations to former Los Angeles Times film critic Justin Chang for his Pulitzer Prize. (2) The Work of Art: How Something Comes From Nothing by Adam Moss.  Stephen: Saxophonist Frank Morgan, specifically, his album Listen to the Dawn. And you can listen to Steve's playlist for Julia here. Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

After a successful career as an award-winning magazine editor, Adam Moss decided to put it all aside to pursue a passion for painting. He became pretty good; but something was missing. His struggle to understand what that something was led him to his new book, The Work of Art.

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comMy old and dear friend Johann just released his latest book, Magic Pill: The Extraordinary Benefits and Disturbing Risks of the New Weight-Loss Drugs. That follows Chasing the Scream: The First and Last Days of the War on Drugs (2015), Lost Connections: Uncovering the Real Causes of Depression (2018), and Stolen Focus: Why You Can't Pay Attention (2022), which we covered on the Dishcast.For two clips of our convo — on the ways Big Food gets us hooked, and the biggest risk of Ozempic — pop over to our YouTube page. Other topics: Johann's struggles with food growing up; how his Swiss dad's healthy eating habits clashed with his Scottish mom's processed food; how the obesity crisis started in 1979; the comfort and convenience of junk food; 78 percent of calories consumed by kids today are ultra-processed; how ads hook them at an early age; why the government should regulate food companies like Japan does; Johann's own experience with Ozempic over the past year; how such drugs boost satiety; nausea and other side effects; the dangers for those with thyroid issues and anorexia; ten other risks he highlights; the ease of getting Ozempic; how people on it lose the pleasure of eating; how the disruption of food habits surface psychological problems; bariatric surgery; Fen Phen and its $12 billion settlement; the dangers of obesity that include diabetes and cancer; how victims of sexual abuse put on weight as a deterrent to abusers; the resilience of fatphobia; why The Biggest Loser is an “evil f*****g show”; why weight-loss drugs feel like cheating; why they might inhibit reform in the food industry; when Johann was fat-shamed by the Dalai Lama; why exercise is great for your health but not really for weight loss; and why I might start taking Ozempic myself.In fact, I just started. Took my first dose yesterday. I'm struck by how utterly simple it is. A teeny-tiny injection from a teen-tiny needle once a week. I'll keep you posted if anything interesting happens.Browse the Dishcast archive for an episode you might enjoy (the first 102 are free in their entirety — subscribe to get everything else). Coming up: Nellie Bowles on the woke revolution, Adam Moss on the artistic process, Oren Cass on Republicans moving left on class, Noah Smith on the economy, Bill Maher on everything, George Will on conservatism, Elizabeth Corey on Oakeshott, and the great and powerful Van Jones! Please any guest recs, dissents, and other comments to dish@andrewsullivan.com.

In our recent series on artificial intelligence, I kept returning to a thought: This technology might be able to churn out content faster than we can, but we still need a human mind to sift through the dross and figure out what's good. In other words, A.I. is going to turn more of us into editors.But editing is a peculiar skill. It's hard to test for, or teach, or even describe. But it's the crucial step in the creative process that takes work that's decent and can turn it into something great.Adam Moss is widely known as one of the great magazine editors of his generation: He remade The New York Times Magazine in the late 1990s and early 2000s, and during his 15 years as editor in chief of New York magazine, shaped that outlet into one of the greatest print and digital publications we have. And he's now out with a new book, “The Work of Art: How Something Comes From Nothing.” It's a curation of 43 conversations with artists about the marginalia, doodles, drafts and revisions that lead to great art. It's a celebration of the hard, human work that goes into the creative act. It's a book, really, about editing.In this conversation, we discuss what musicians, writers, visual artists, sandcastle-builders and others have in common as they create; how editing is an underappreciated and often misunderstood step in the creative process; how creativity morphs in different stages of our lives; and trusting your own “sensibility.”Mentioned:“A Subtlety, or the Marvelous Sugar Baby” by Kara Walker“Miss Gleason” by Amy SillmanEzra Klein Show episode with George Saunders“Mother and Child on Blue Mat” by Cheryl PopeEzra Klein Show episode with Maryanne Wolf“Fidenza” by Tyler Hobbs“In a River” by RostamBook Recommendations:Interviews with Francis Bacon by David SylvesterFaux Pas by Amy SillmanThe Sketchbooks Revealed by Richard DiebenkornThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our senior editor is Claire Gordon. The show's production team also includes Rollin Hu, Kristin Lin and Aman Sahota. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Sonia Herrero, Rachel Baker and James Burnett.

Alan and Executive Producer Graham Chedd chat about and play excerpts from Alan's conversations with some of the guests in the new season, beginning next week. Guests include newspaper editor Adam Moss; science journalist Rebecca Boyle; and writers Kelly and Zach Weinersmith.