Podcast appearances and mentions of julia fawcett

In the wake of President Trump's proposed film tariffs, Jake Kanter, International Investigations Editor at Deadline, discusses what the impact could be for the British film industry.Last week Moorcroft became the latest heritage ceramic company to close its doors in Stoke-On-Trent. Emma Bridgewater, founder of the eponymous ceramics company, and Alasdair Brooks from Re-Form Heritage, discuss the decline of pottery in The Potteries.A new genre-bending production of Hamlet created in collaboration with Thom Yorke from Radiohead has just opened at Factory International in Manchester. Co-directors Christine Jones and Steven Hoggett discuss their vision for Hamlet Hail to the Thief. When it opened in 2000, The Lowry in Salford was one of the many beneficiaries of cultural infrastructure funding from the Millennium Commission. Twenty five years on, its CEO, Julia Fawcett, joins Front Row to discuss the significance of this national funding programme.David Hockney and Vincent van Gogh have had the immersive art treatment. Now the National Portrait Gallery is using this approach for its collection in a new exhibition, Stories Brought To Life, that has just opened in MediaCity, Salford Quays. Art critic Laura Robertson gives her thoughts.Presenter: Nick Ahad Producer: Ekene Akalawu

Samira discusses the perilous situation facing arts sponsorship in the UK, amid growing protests and campaigns, with leading figures from the worlds of arts and finance. As literary and music festivals have been engulfed in sponsorship rows this summer, resulting in many severing ties with major donors such as the investment firm Baillie Gifford. what are the implications for the future of arts funding?She is joined by Peter Bazalgette, Chair of the Board of Directors of the Baillie Gifford Prize for Non Fiction. David Ross, co-founder of Carphone Warehouse, founder of Nevill Holt Opera Festival and Chair of the National Portrait Gallery. Julia Fawcett, Chief Executive of The Lowry in Salford. Author and journalist John Kampfner. Luke Syson, Director of The Fitzwilliam Museum in Cambridge. City Financier Malcolm Le May. Presenter: Samira Ahmed Producer: Timothy Prosser

Broadway star Stephanie J Block performs So In Love from the new production of Kiss Me Kate, at London's Barbican. Tom talks to her and the Tony Award-winning director Bartlett Sher about creating the musical show within a show, which is based on Shakespeare's The Taming of the Shrew.The BBC's Culture Editor Katie Razzall on what the political parties have included in – and left out of - their manifestos on the Arts and Culture. We also hear from The Lowry's CEO Julia Fawcett and The Times' Chief Culture Editor Richard Morrison about their thoughts on arts education, tax breaks for filmmakers, Arts Council England and economic regeneration. And in Independent Bookshop Week – we hear from Persephone Books in Bath about 25 years of reprinting the work of neglected women writers, mostly from the mid-twentieth century, with recollections of the early days from publishing pioneer Nicola Beauman.Presenter: Tom Sutcliffe Producer: Paula McGrath

"By gossiping about celebrities and by talking about what they've done that isn't so great, it allows us to establish our values as a community and also for me, as an individual, to advertise my values to the people I'm speaking with," says Julia Fawcett, a professor who teaches a course called The History of Celebrity in the Department of Theater, Dance and Performance Studies. Celebrities, one theory goes, act to unite imagined communities in a modern nation. When people used to know everyone in their villages, now we use celebrities to come together in a new kind of group. "I’m a fan of Beyoncé, and you’re a fan of Beyoncé, so now we’re a part of this imagined community," says Fawcett.Listen to the episode and read a transcript on Berkeley News. See acast.com/privacy for privacy and opt-out information.

On this hump day edition of WUL, I sit down for a second chat with Julia Fawcett. Julia was on the show a few months ago and today she shares a bit of her results and how much she's grown in this window of time. She also explains her key to affiliate marketing success: Laser-Focus + Value + Daily Action

On this WUL, I talk with Julia Fawcett about how she left behind her drop shipping business for affiliate marketing.

Doctor Foster creator, Mike Bartlett, has come up with a new drama for BBC1. Set in Manchester, Life follows the stories of the residents of a large house divided into four flats, and explores love, loss, birth and death, and features some of the characters from Doctor Foster. Nick Ahad reviews. Channing Godfrey Peoples talks about writing and directing her debut film, Miss Juneteenth, about a beauty queen pageant commemorating the day slaves in Texas were freed – two years after the Emancipation Proclamation. Life for Turquoise Jones didn’t turn out as beautifully as winning the title promised, so she is cultivating her daughter, Kai, to become Miss Juneteenth, even if Kai wants something else. Show Trials: The Lowry in Salford has come up with a unique way to bring in revenue whilst its regular artistic functions are paused because of pandemic regulations and social distancing. They’re going to become a temporary ‘Nightingale Court’. Julia Fawcett, Chief Executive of The Lowry, reveals how it’s going to work and what the implications will be. Susanna Clarke, who enjoyed enormous success with her novel Jonathan Strange & Mr Norrell, talks to Kirsty Lang about Piranesi, not a biography of the C18th Italian artist, but a novel set somewhere he might have imagined. The House is an endless sprawl of halls lined with statues, but it is falling apart, flooded by tides and populated, at first, by just the eponymous narrator and someone he knows only as The Other. An intriguing story of parallel realities, interrogating reality itself, unravels. She discusses her new novel with Kirsty. Presenter: Kirsty Lang Producer: Simon Richardson Studio Manager: Donald McDonald

Hi Guys,    Today's golden talk will be with the amazing Julia Fawcett-Murray! I hope you enjoy this episode with Julia Fawcett-Murray.  She has spent most of her professional life working specialising in sales for various industries such as; retail, manufacturing, travel, hospitality and logistics. Julia loves nothing more than building and nurturing long-lasting relationships with her customers, some of whom still recommend her work over 15 years later.   I am so happy to bring her on the show, where we will be discussing, how to qualify leads, how to get good at selling, lead gen and much more important topics that are vital for every businesses success."     Follow Julia Here:     https://www.jfmsalesandmarketing.co.uk/   https://www.linkedin.com/in/julia-fawcett-murray-0060522/       ★/ Recommendation: Visit the official MBMPlatfrom.com, Join MBMMembership.com, and start strategically building your business     ★/ Follow The Scherise Saskia Podcast YT channel HERE!

Talking to Julia Fawcett, the Chief Exec of The Lowry about the history of the venue, balancing theatre and gallery space (and how they're starting to merge), the evolution of the Quays, the Lowry's place in the Manchester scheme of things and what's happening next. We also get in to some nerdy stuff about governance and some less nerdy stuff about LS Lowry himself.

“How can the modern individual maintain control over his or her self-representation when the whole world seems to be watching?” This is the question that prompts Julia Fawcett‘s new book, Spectacular Disappearances: Celebrity and Privacy, 1696-1801 (University of Michigan Press, 2016). Drawing on a diverse range of material to analyze some of England's earliest modern celebrities, Fawcett offers a fascinating glimpse into the paradoxes of their eighteenth-century autobiographical performances. More than just the rise of celebrity culture she argues, these performances can help deepen our understanding of the making – and unmaking – of the modern self. Using creative, playful and transgressive techniques, the celebrities in Fawcett's study experimented with presenting themselves as legible to curious publics even as they obscured their identities through ‘overexpressive' acts that helped enable their spectacular disappearance. The result is a tantalizing narrative that continues to fascinate, three centuries later. Julia Fawcett is Assistant Professor in the Theatre Dance and Performance Studies Department at the University of California, Berkeley. Her research interests include Restoration and eighteenth-century theatre and performance, performance historiography, the intersections between literature and performance, autobiographical performance, urban space, celebrity, gender, and disability studies. She received her PhD in English Literature from Yale University, and has published essays in PMLA, The Eighteenth Century: Theory and Interpretation, and Modern Drama. Fawcett is currently working on her next book, Unmapping London: Performance and Urbanization after the Great Fire. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire's Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

“How can the modern individual maintain control over his or her self-representation when the whole world seems to be watching?” This is the question that prompts Julia Fawcett‘s new book, Spectacular Disappearances: Celebrity and Privacy, 1696-1801 (University of Michigan Press, 2016). Drawing on a diverse range of material to analyze some of England’s earliest modern celebrities, Fawcett offers a fascinating glimpse into the paradoxes of their eighteenth-century autobiographical performances. More than just the rise of celebrity culture she argues, these performances can help deepen our understanding of the making – and unmaking – of the modern self. Using creative, playful and transgressive techniques, the celebrities in Fawcett’s study experimented with presenting themselves as legible to curious publics even as they obscured their identities through ‘overexpressive’ acts that helped enable their spectacular disappearance. The result is a tantalizing narrative that continues to fascinate, three centuries later. Julia Fawcett is Assistant Professor in the Theatre Dance and Performance Studies Department at the University of California, Berkeley. Her research interests include Restoration and eighteenth-century theatre and performance, performance historiography, the intersections between literature and performance, autobiographical performance, urban space, celebrity, gender, and disability studies. She received her PhD in English Literature from Yale University, and has published essays in PMLA, The Eighteenth Century: Theory and Interpretation, and Modern Drama. Fawcett is currently working on her next book, Unmapping London: Performance and Urbanization after the Great Fire. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

“How can the modern individual maintain control over his or her self-representation when the whole world seems to be watching?” This is the question that prompts Julia Fawcett‘s new book, Spectacular Disappearances: Celebrity and Privacy, 1696-1801 (University of Michigan Press, 2016). Drawing on a diverse range of material to analyze some of England’s earliest modern celebrities, Fawcett offers a fascinating glimpse into the paradoxes of their eighteenth-century autobiographical performances. More than just the rise of celebrity culture she argues, these performances can help deepen our understanding of the making – and unmaking – of the modern self. Using creative, playful and transgressive techniques, the celebrities in Fawcett’s study experimented with presenting themselves as legible to curious publics even as they obscured their identities through ‘overexpressive’ acts that helped enable their spectacular disappearance. The result is a tantalizing narrative that continues to fascinate, three centuries later. Julia Fawcett is Assistant Professor in the Theatre Dance and Performance Studies Department at the University of California, Berkeley. Her research interests include Restoration and eighteenth-century theatre and performance, performance historiography, the intersections between literature and performance, autobiographical performance, urban space, celebrity, gender, and disability studies. She received her PhD in English Literature from Yale University, and has published essays in PMLA, The Eighteenth Century: Theory and Interpretation, and Modern Drama. Fawcett is currently working on her next book, Unmapping London: Performance and Urbanization after the Great Fire. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

“How can the modern individual maintain control over his or her self-representation when the whole world seems to be watching?” This is the question that prompts Julia Fawcett‘s new book, Spectacular Disappearances: Celebrity and Privacy, 1696-1801 (University of Michigan Press, 2016). Drawing on a diverse range of material to analyze some of England’s earliest modern celebrities, Fawcett offers a fascinating glimpse into the paradoxes of their eighteenth-century autobiographical performances. More than just the rise of celebrity culture she argues, these performances can help deepen our understanding of the making – and unmaking – of the modern self. Using creative, playful and transgressive techniques, the celebrities in Fawcett’s study experimented with presenting themselves as legible to curious publics even as they obscured their identities through ‘overexpressive’ acts that helped enable their spectacular disappearance. The result is a tantalizing narrative that continues to fascinate, three centuries later. Julia Fawcett is Assistant Professor in the Theatre Dance and Performance Studies Department at the University of California, Berkeley. Her research interests include Restoration and eighteenth-century theatre and performance, performance historiography, the intersections between literature and performance, autobiographical performance, urban space, celebrity, gender, and disability studies. She received her PhD in English Literature from Yale University, and has published essays in PMLA, The Eighteenth Century: Theory and Interpretation, and Modern Drama. Fawcett is currently working on her next book, Unmapping London: Performance and Urbanization after the Great Fire. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

“How can the modern individual maintain control over his or her self-representation when the whole world seems to be watching?” This is the question that prompts Julia Fawcett‘s new book, Spectacular Disappearances: Celebrity and Privacy, 1696-1801 (University of Michigan Press, 2016). Drawing on a diverse range of material to analyze some of England’s earliest modern celebrities, Fawcett offers a fascinating glimpse into the paradoxes of their eighteenth-century autobiographical performances. More than just the rise of celebrity culture she argues, these performances can help deepen our understanding of the making – and unmaking – of the modern self. Using creative, playful and transgressive techniques, the celebrities in Fawcett’s study experimented with presenting themselves as legible to curious publics even as they obscured their identities through ‘overexpressive’ acts that helped enable their spectacular disappearance. The result is a tantalizing narrative that continues to fascinate, three centuries later. Julia Fawcett is Assistant Professor in the Theatre Dance and Performance Studies Department at the University of California, Berkeley. Her research interests include Restoration and eighteenth-century theatre and performance, performance historiography, the intersections between literature and performance, autobiographical performance, urban space, celebrity, gender, and disability studies. She received her PhD in English Literature from Yale University, and has published essays in PMLA, The Eighteenth Century: Theory and Interpretation, and Modern Drama. Fawcett is currently working on her next book, Unmapping London: Performance and Urbanization after the Great Fire. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

“How can the modern individual maintain control over his or her self-representation when the whole world seems to be watching?” This is the question that prompts Julia Fawcett‘s new book, Spectacular Disappearances: Celebrity and Privacy, 1696-1801 (University of Michigan Press, 2016). Drawing on a diverse range of material to analyze some of England’s earliest modern celebrities, Fawcett offers a fascinating glimpse into the paradoxes of their eighteenth-century autobiographical performances. More than just the rise of celebrity culture she argues, these performances can help deepen our understanding of the making – and unmaking – of the modern self. Using creative, playful and transgressive techniques, the celebrities in Fawcett’s study experimented with presenting themselves as legible to curious publics even as they obscured their identities through ‘overexpressive’ acts that helped enable their spectacular disappearance. The result is a tantalizing narrative that continues to fascinate, three centuries later. Julia Fawcett is Assistant Professor in the Theatre Dance and Performance Studies Department at the University of California, Berkeley. Her research interests include Restoration and eighteenth-century theatre and performance, performance historiography, the intersections between literature and performance, autobiographical performance, urban space, celebrity, gender, and disability studies. She received her PhD in English Literature from Yale University, and has published essays in PMLA, The Eighteenth Century: Theory and Interpretation, and Modern Drama. Fawcett is currently working on her next book, Unmapping London: Performance and Urbanization after the Great Fire. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

“How can the modern individual maintain control over his or her self-representation when the whole world seems to be watching?” This is the question that prompts Julia Fawcett‘s new book, Spectacular Disappearances: Celebrity and Privacy, 1696-1801 (University of Michigan Press, 2016). Drawing on a diverse range of material to analyze some of England’s earliest modern celebrities, Fawcett offers a fascinating glimpse into the paradoxes of their eighteenth-century autobiographical performances. More than just the rise of celebrity culture she argues, these performances can help deepen our understanding of the making – and unmaking – of the modern self. Using creative, playful and transgressive techniques, the celebrities in Fawcett’s study experimented with presenting themselves as legible to curious publics even as they obscured their identities through ‘overexpressive’ acts that helped enable their spectacular disappearance. The result is a tantalizing narrative that continues to fascinate, three centuries later. Julia Fawcett is Assistant Professor in the Theatre Dance and Performance Studies Department at the University of California, Berkeley. Her research interests include Restoration and eighteenth-century theatre and performance, performance historiography, the intersections between literature and performance, autobiographical performance, urban space, celebrity, gender, and disability studies. She received her PhD in English Literature from Yale University, and has published essays in PMLA, The Eighteenth Century: Theory and Interpretation, and Modern Drama. Fawcett is currently working on her next book, Unmapping London: Performance and Urbanization after the Great Fire. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

In episode three, find out what our panelists in Salford think of the suggestion that women need to take responsibility for the gender pay gap.   Julia Fawcett, the Chief Executive of The Lowry discusses some of the toughest choices she had to make in her career and why she *knew* the day she was going to be sacked. And in Ask The Hive, Kirsty asks why tech has a class problem. Plus all the Northern Power Women news you need.