Podcasts about English literature

Melvyn Bragg and guests discuss 'the greatest poet of his age', Thomas Wyatt (1503 -1542), who brought the poetry of the Italian Renaissance into the English Tudor world, especially the sonnet, so preparing the way for Shakespeare and Donne. As an ambassador to Henry VIII and, allegedly, too close to Anne Boleyn, he experienced great privilege under intense scrutiny. Some of Wyatt's poems, such as They Flee From Me That Sometime Did Me Seek, are astonishingly fresh and conversational and yet he wrote them under the tightest constraints, when a syllable out of place could have condemned him to the Tower. With Brian Cummings 50th Anniversary Professor of English at the University of York Susan Brigden Retired Fellow at Lincoln College, University of Oxford And Laura Ashe Professor of English Literature at the University of Oxford Producer: Simon Tillotson In Our Time is a BBC Studios Audio Production Reading list: Thomas Betteridge and Suzannah Lipscomb (eds.), Henry VIII and the Court: Art, Politics and Performance (Routledge, 2016) Susan Brigden, Thomas Wyatt: The Heart's Forest (Faber, 2012) Nicola Shulman, Graven with Diamonds: The Many Lives of Thomas Wyatt: Courtier, Poet, Assassin, Spy (Short Books, 2011) Chris Stamatakis, Sir Thomas Wyatt and the Rhetoric of Rewriting (Oxford University Press, 2012) Patricia Thomson (ed.), Thomas Wyatt: The Critical Heritage (Routledge, 1995) Greg Walker, Writing Under Tyranny: English Literature and the Henrician Reformation (Oxford University Press, 2005) Thomas Wyatt (ed. R. A. Rebholz), The Complete Poems (Penguin, 1978) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

Melvyn Bragg and guests discuss the dance which, from when it reached Britain in the early nineteenth century, revolutionised the relationship between music, literature and people here for the next hundred years. While it may seem formal now, it was the informality and daring that drove its popularity, with couples holding each other as they spun round a room to new lighter music popularised by Johann Strauss, father and son, such as The Blue Danube. Soon the Waltz expanded the creative world in poetry, ballet, novellas and music, from the Ballets Russes of Diaghilev to Moon River and Are You Lonesome Tonight. With Susan Jones Emeritus Professor of English Literature at the University of Oxford Derek B. Scott Professor Emeritus of Music at the University of Leeds And Theresa Buckland Emeritus Professor of Dance History and Ethnography at the University of Roehampton Producer: Simon Tillotson Reading list: Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, and Anne von Bibra Wharton (eds.), Waltzing Through Europe: Attitudes towards Couple Dances in the Long Nineteenth Century, (Open Book Publishers, 2020) Theresa Jill Buckland, ‘How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack' (Dance Research, 36/1, 2018); ‘Part Two: The Waltz Regained' (Dance Research, 36/2, 2018) Theresa Jill Buckland, Society Dancing: Fashionable Bodies in England, 1870-1920 (Palgrave Macmillan, 2011) Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge University Press, 2022) Paul Cooper, ‘The Waltz in England, c. 1790-1820' (Paper presented at Early Dance Circle conference, 2018) Sherril Dodds and Susan Cook (eds.), Bodies of Sound: Studies Across Popular Dance and Music (Ashgate, 2013), especially ‘Dancing Out of Time: The Forgotten Boston of Edwardian England' by Theresa Jill Buckland Zelda Fitzgerald, Save Me the Waltz (first published 1932; Vintage Classics, 2001) Hilary French, Ballroom: A People's History of Dancing (Reaktion Books, 2022) Susan Jones, Literature, Modernism, and Dance (Oxford University Press, 2013) Mark Knowles, The Wicked Waltz and Other Scandalous Dances: Outrage at Couple Dancing in the 19th and Early 20th Centuries (McFarland, 2009) Rosamond Lehmann, Invitation to the Waltz (first published 1932; Virago, 2006) Eric McKee, Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in 3/4 Time (Indiana University Press, 2012) Eduard Reeser, The History of the Walz (Continental Book Co., 1949) Stanley Sadie (ed.), The New Grove Dictionary of Music and Musicians, Vol. 27 (Macmillan, 2nd ed., 2000), especially ‘Waltz' by Andrew Lamb Derek B. Scott, Sounds of the Metropolis: The 19th-Century Popular Music Revolution in London, New York, Paris and Vienna (Oxford University Press, 2008), especially the chapter ‘A Revolution on the Dance Floor, a Revolution in Musical Style: The Viennese Waltz' Joseph Wechsberg, The Waltz Emperors: The Life and Times and Music of the Strauss Family (Putnam, 1973) Cheryl A. Wilson, Literature and Dance in Nineteenth-century Britain (Cambridge University Press, 2009) Virginia Woolf, The Voyage Out (first published 1915; William Collins, 2013) Virginia Woolf, The Years (first published 1937; Vintage Classics, 2016) David Wyn Jones, The Strauss Dynasty and Habsburg Vienna (Cambridge University Press, 2023) Sevin H. Yaraman, Revolving Embrace: The Waltz as Sex, Steps, and Sound (Pendragon Press, 2002) Rishona Zimring, Social Dance and the Modernist Imagination in Interwar Britain (Ashgate Press, 2013) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

Send us a textWhen you've lived through emotional abuse, the very idea of a healthy, loving relationship can feel like a fantasy. Maybe you've never experienced respect, true friendship, or kindness in a partner. Maybe you've been told—through words or through wounds—that love is supposed to be hard, painful, or disappointing. And maybe you secretly believe that happy marriages are reserved for other people, not for you.That's exactly why I invited Michelle W. Lentz, author of Hey Beginner Wife, onto the podcast. In our conversation, Michelle shares how seeing herself as a “beginner” allowed her to give herself grace as a wife and grow into a marriage built on nearly four decades of trust, respect, and friendship. Together, we unpack what these qualities really look like in a healthy marriage—and how they stand in sharp contrast to the confusion and chaos of abuse.This episode isn't about sugarcoating relationships. It's about hope. It's about proof that love rooted in respect and safety is real, and it's possible—even if you've never known it before. And Michelle leaves us with a special nugget of truth at the end that I know will stay with you long after the episode is over.If you've ever felt jaded, broken, or too damaged to hope again, this conversation is your reminder: the kind of love you long for does exist—and you are worthy of it.  Michelle Lentz graduated from UCLA with a degree in English Literature. Using her happy marriage of nearly 40 years as an example, she writes to inspire women to learn from her mistakes, love their husbands well and enjoy marriage. When she's not cheering on her husband Steve, their six grown children and a growing troop of delightful grandchildren, she's curled up with a good book, pursuing a deep conversation, or looking forward to the next wedding so she can hit the dance floor. You can also find her on Instagram at @heybeginnerwife.Support the showTo learn more about my Programs visit the websitewww.radiatenrise.com Email: Allison@radiatenrise.comFree 30 Min Root Cause Call Join Radiate and Rise Together - Survivor Healing Community for Women To send a DM, visit Allison's profiles on Instagram and Facebookhttps://www.instagram.com/allisonkdagney/https://www.facebook.com/allisonkdagney/*Formerly (The Emotional Abuse Recovery Podcast)

Amy is joined by Amie Souza Reilly, author of Human/Animal, for an eye-opening discussion about stalking and safety, about how patriarchy thrives on women's fears and about what we actually have to be afraid of.Donate to Breaking Down PatriarchyAmie Souza Reilly is a visual artist and multigenre writer from Connecticut. Her work has appeared in various journals, including Wigleaf, HAD, The Chestnut Review, The Atticus Review, Catapult, SmokeLong Quarterly, Barren, Pidgeonholes and elsewhere. She holds an MA in English Literature from Fordham University and an MFA from Fairfield University, and is the Writer-in-Residence and Director of Writing Studies at Sacred Heart University. She is the author of Human/Animal and works as the Director of Writing Studies at Sacred Heart University.

Derrick Barnes is a National Book Award Finalist for his graphic novel Victory. Stand!-Raising My Fist For Justice, which also won the YALSA Excellence in Young Adult Nonfiction Award, and a Coretta Scott King Award Author Honor. He is also the author of the critically acclaimed, multi-award-winning picture book Crown: An Ode to the Fresh Cut which received a Newbery Honor, a Coretta Scott King Author Honor, the Ezra Jack Keats New Writer Award, and the Kirkus Prize for Young Readers. He is a native of Kansas City, MO, but currently lives in Charlotte, NC with his enchanting wife, Dr. Tinka Barnes, and their four sons, the Mighty Barnes Brothers.Dr. Chandra Maxwell is a Lead English Language Arts teacher at David Wooster Middle School in Stratford, CT. She became interested in English Literature as a student at Central Magnet High School in Bridgeport, Connecticut. Through her English teacher, Mrs. Cynthia Fernandes, she learned about the power of intentional writing as found in the works of Langston Hughes and Lorraine Hansberry. As a result, Dr. Maxwell has done extensive research on equitable reading intervention programs for middle school students so that all students can be exposed to intentional reading and writing practices.

⚠️ The Middle East is in the RED ZONE. Tensions between Iran and Israel are rising again, bringing the region closer to the brink of war. At sea, the Freedom Flotilla sails toward Gaza — and tonight we're joined live from aboard the vessel as it nears its destination. Meanwhile, Trump is pushing his “Gaza peace plan” — but will it succeed, or is it doomed from the start?

Michael Rectenwald discusses his newly founded Anti-Zionist America PAC (AZAPAC) which exists to end America's political, financial, and military entanglement with Israel. He explains what has gone wrong with Zionist influence, how its mask has come off under the Trump administration, the attack on civil liberties, the devastation of Gaza, and more. He also gives an update on where we're at with the globalist project for a technocratic world state. Watch on BitChute / Brighteon / Rumble / Substack / YouTube Geopolitics & Empire · Michael Rectenwald: Disentangling the Zionist Lobby Through AZAPAC #572 *Support Geopolitics & Empire! Become a Member https://geopoliticsandempire.substack.com Donate https://geopoliticsandempire.com/donations Consult https://geopoliticsandempire.com/consultation **Visit Our Affiliates & Sponsors! Above Phone https://abovephone.com/?above=geopolitics easyDNS (15% off with GEOPOLITICS) https://easydns.com Escape The Technocracy (15% off with GEOPOLITICS) https://escapethetechnocracy.com/geopolitics Expat Money Summit 2025 (20% off VIP with EMPIRE) https://2025.expatmoneysummit.com PassVult https://passvult.com Sociatates Civis https://societates-civis.com StartMail https://www.startmail.com/partner/?ref=ngu4nzr Wise Wolf Gold https://www.wolfpack.gold/?ref=geopolitics Websites Michael Rectenwald https://www.michaelrectenwald.com AZAPAC https://www.aza-pac.com Substack https://mrectenwald.substack.com X https://x.com/RecTheRegime About Michael Rectenwald Dr. Michael Rectenwald is the author of twelve books, including The Great Reset and the Struggle for Liberty: Unraveling the Global Agenda (Jan. 2023), Thought Criminal (Dec. 2020); Beyond Woke (May 2020); Google Archipelago: The Digital Gulag and the Simulation of Freedom (Sept. 2019); Springtime for Snowflakes: “Social Justice” and Its Postmodern Parentage (an academic's memoir, 2018); Nineteenth-Century British Secularism: Science, Religion and Literature (2016); Academic Writing, Real World Topics (2015, Concise Edition 2016); Global Secularisms in a Post-Secular Age (2015); Breach (Collected Poems, 2013); The Thief and Other Stories (2013); and The Eros of the Baby-Boom Eras (1991). (See the Books page.) Michael was a distinguished fellow at Hillsdale College and a Professor of Liberal Studies and Global Liberal Studies at NYU. He also taught at Duke University, North Carolina Central University, Carnegie Mellon University, and Case Western Reserve University. His scholarly and academic essays have appeared in The Quarterly Journal of Austrian Economics, Academic Questions, Endeavour, The British Journal for the History of Science, College Composition and Communication, International Philosophical Quarterly, the De Gruyter anthologies Organized Secularism in the United States and Global Secularisms in a Post-Secular Age, and the Cambridge University Press anthology George Eliot in Context, among others (see the Academic Scholarship page). He holds a Ph.D. in Literary and Cultural Studies from Carnegie Mellon University, a Master's in English Literature from Case Western Reserve University, and a B.A. in English Literature from the University of Pittsburgh. (See his C.V. for details.) Michael's writing for general audiences has appeared on The Mises Institute Wire, Newsweek, The Epoch Times, RT.com, Campus Reform, The New English Review, The International Business Times, The American Conservative, Quillette, The Washington Post, Pittsburgh Post-Gazette, CLG News, LotusEaters.com, Chronicles, and others. (See the Essays and Presentations page.) Michael has appeared on major network political talk shows (Tucker Carlson Tonight, Tucker Carlson Originals, Fox & Friends, Fox & Friends First, Varney & Company, The Ingraham Angle, Unfiltered with Dan Bongino, The Glenn Beck Show), on syndicated radio shows (Coast to Coast AM, Glenn Beck, The Larry Elder Show, and many others),

Project 21's Curtis Hill, McIver Institute's Bill Osmulski, Junk Science's Steve Milloy, Humanize Today's Wesley Smith, Professor of English Literature at UW-Oshkosh Duke Pesta We are replaying Bill Osmulkski

Christopher Marlowe and William Shakespeare were both born in 1564, rising from working-class origins finding success in the new world of the theater. But before Shakespeare transformed English drama, Marlowe had already done so—with Tamburlaine the Great and the introduction of blank verse to the stage. As Stephen Greenblatt argues in his new biography, Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare's Greatest Rival, virtually everything in the Elizabethan theater can be seen as “pre- and post-Tamburlaine.” Shakespeare learned from Marlowe, borrowed from him, and even tried to outdo him. Beyond his theatrical innovation, Marlowe was a poet, provocateur, and likely spy whose turbulent life was cut tragically short. In this episode, Greenblatt explores Marlowe's audacious works, his entanglements with power and secrecy, and his lasting influence on Shakespeare and the stage. From the Shakespeare Unlimited podcast. Published September 23, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Stephen Greenblatt is Cogan University Professor of the Humanities at Harvard University. He has written extensively on English Renaissance literature and acts as general editor of The Norton Anthology of English Literature and The Norton Shakespeare. He is the author of fourteen books, including The Swerve, winner of the Pulitzer Prize and National Book Award, and Will in the World, a Pulitzer Prize finalist.

In this episode, we're talking about beloved computer game, The Sims, with special guest Ruth Ormiston. Ruth (they/them) is a book designer and cultural worker with an MA in English Literature from the University of Victoria (where they specialized in late-nineteenth-century children's publishing) and a Master of Publishing from Simon Fraser University. And they're a fan of The Sims.Released 25 years ago, the game has seen many updates and dozens of expansion packs, all while retaining a grip on children and adults alike who flock to it for escapism, world-building, chaos, and play. In our conversation, Hannah contextualizes its reception in the early aughts and helps us understand its enduring success across a diverse audience through a look at Jack Halberstam's work, The Queer Art of Failure. Together, Ruth, Marcelle and Hannah consider the pleasure of the open-endednesThe Sims provides, while still being a designed game that has particular ideas about the world coded into it. As you can imagine, the conversation turns to heteropatriachy and capitalism before deep-diving into the exit-less pool of subversive possibilities enabled in the gameplay itself.This episode cites work from Tanja Sihvonen, Jack Halberstam, Diane Nutt, Diane Railston, Hanna Wirman and Rhys Jones.. ***To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back next week with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there!***Material Girls is a show that makes sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we're talking about beloved computer game, The Sims, with special guest Ruth Ormiston. Ruth (they/them) is a book designer and cultural worker with an MA in English Literature from the University of Victoria (where they specialized in late-nineteenth-century children's publishing) and a Master of Publishing from Simon Fraser University. And they're a fan of The Sims.Released 25 years ago, the game has seen many updates and dozens of expansion packs, all while retaining a grip on children and adults alike who flock to it for escapism, world-building, chaos, and play. In our conversation, Hannah contextualizes its reception in the early aughts and helps us understand its enduring success across a diverse audience through a look at Jack Halberstam's work, The Queer Art of Failure. Together, Ruth, Marcelle and Hannah consider the pleasure of the open-endednesThe Sims provides, while still being a designed game that has particular ideas about the world coded into it. As you can imagine, the conversation turns to heteropatriachy and capitalism before deep-diving into the exit-less pool of subversive possibilities enabled in the gameplay itself.This episode cites work from Tanja Sihvonen, Jack Halberstam, Diane Nutt, Diane Railston, Hanna Wirman and Rhys Jones.. ***To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back next week with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there!***Material Girls is a show that makes sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Today we introduce you to a model program that is making a real difference.  The Tufts University Prison Initiative of Tisch College (TUPIT) provides transformative educational experiences for incarcerated and on-campus students and faculty in an environment that encourages bold critical thinking, higher levels of civic engagement, and a greater sense of community. TUPIT aims to facilitate creative and collaborative responses to the problems of mass incarceration, fostering students' and faculty members' capacities to become active citizens of change. Joining us to tell more of the story is Dr. Hilary Binda, Founder and Executive Director of the Tufts University Prison Initiative (TUPIT). Hilary has a PhD in English Literature and teaches Literature, Gender Studies, and Carceral Studies at Tufts and in the degree program at MCI-Shirley and Souza-Baranowski Correctional Center. David Delvalle is the Education and Reentry Director for TUPIT.  A true success story, he has become a leader in prison reform, education, and restorative justice, transforming his community after his own incarceration.

Now back in the swing of term, Liz and Kate debate the lack of diversity in the English Literature curriculum, citing research that reveals a startling bias, particularly at GCSE, to the “male, pale and stale”.

Today I'm thrilled to be joined by Carolyn Vine from Robin Hood, one of New York City's most impactful organizations fighting poverty. Robin Hood is stepping into an exciting new chapter—launching an endowment campaign that will strengthen their ability to serve the city for generations to come. Carolyn and I dive into how this initiative is taking shape, what it means for New Yorkers, and why continuity in leadership has been one of Robin Hood's greatest advantages. Carolyn oversees all fundraising activities at Robin Hood andleads the Development, Marketing, and Events team in their work raising funds to support the organization in its critical poverty-fighting work. In that capacity, she is responsible for reaching annual fundraising goals of more than $150 million and driving Robin Hood's development strategy by identifying new partners and initiatives to expand its fundraising platform, including planned giving, an endowment campaign, and a next-generation leadership group.Prior to joining Robin Hood in 2010, Carolyn worked at the global investment firm, D. E. Shaw & Co., in the Resource Development and Fundamental Research groups, focusing on business development, recruiting, and research.  She has an M.Sc. in African Studies from the University of Oxford. She earned a B.A. in English Literature from Columbia University. A native New Yorker, Carolyn is passionate about making this city a more equitable engine of opportunity for all, and she has fought to do so in her fundraising roles at Robin Hood for over ten years.  She lives in Manhattan with her husband and two small children.

Episode 185:For today's guest episode it's a warm welcome to the podcast for Christine and Jonathan Hainsworth, co-authors of the recently published book ‘The Shakespeare Ladies Club'.Their book explores the lives of four ladies who were crucial in ensuring the original work of Shakespeare was not forgotten in the 18th Century and beyond. In 1736, these three ladies of quality, two from the aristocracy and one a writer who ran a stationery shop, formed the ‘Shakespeare Ladies Club'. All three were so enraptured by the plays of William Shakespeare that they met to read and discuss his them and his genius. Not content with this, they used their power and influence to campaign for a statue of their literary idol to be placed in Westminster Abbey. They were successful in that endeavour, but their role in these achievements has never been properly recognised. Along with other scholars Christine and Johnathn's book is part of the process of putting that right. It is a very entertaining and informative read that I thoroughly enjoyed as I hope you will our conversation with just a taster of some of the details Christine and Jonathan have revealed.Christine and Jonathan Hainsworth live in Adelaide, South Australia and have a passion for historical investigation and challenging the 'conventional wisdom' regarding famous historical subjects.Christine spent several decades working for the Australian government in social services. Her work on a program to re-connect lone parents with training, education and employment opportunities gave her a unique insight into family and societal challenges.Jonathan was educated in Britain and Australia and has over thirty years of experience as a high school teacher of Modern and Ancient History, and English Literature. He is a graduate of The University of Adelaide and the University of South Australia.Link to Christine and Jonathan's website: https://hainsworthwardagius.comLink to The Shakespeare Ladies Club on Amberley Publishing: https://www.amberley-books.comLink to The Shakespeare Ladies Club on Amazon UK: https://www.amazon.co.uk/Shakespeare-Ladies-Club-Forgotten-Rescued/dp/1398127442/ref=sr_1_1?Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 135 In part 26 of our Sinai and Synapses interview series, we are talking with Dr. Randy Wedin. He is a freelance science writer and a Lay Teacher at the Minnesota Zen Meditation Center (MZMC). He earned his PhD in Chemistry at Harvard University and his BA in Chemistry and English Literature at St. Olaf College (Minnesota). As a science writer, he uses his communication skills to bridge the gap between the worlds of science, business, government, and the public. He has research and writing experience on a broad range of science-related topics, from green chemistry, drug development, and sustainability to smart grid, public outreach, and K-12 science education. In addition, he has written creative nonfiction essays and op-ed articles for general audiences on subjects related to parenting, relationships, and daily life, often using metaphors from the world of science to provide new perspectives on these topics. His current focus at MZMC is on exploring the relationship of science and Zen Buddhism in his dharma talks and a six-week course he taught on “Zen and Science”.   Sinai and Synapses - https://sinaiandsynapses.org/   Support this podcast on Patreon at https://www.patreon.com/DowntheWormholepodcast   More information at https://www.downthewormhole.com/   produced by Zack Jackson music by Zack Jackson and Barton Willis 

This interview is with Luisa Ponzi of Ponzi Vineyards. In this interview, Luisa talks about growing up in the wine industry and finding her own place in it.Luisa shares about what it was like to grow up in the early Oregon wine industry, making friends with other kids in wine families and others not really understanding what her family did. Though she originally went to school for biology to enter the medical field, she graduated with a degree in English Literature.In 1991, Luisa returned to her family's winery to help with harvest, and this put her directly back onto the wine industry path. After studying wine in France - and discovering a lot of sexism towards women working in wine - she returned to her family's estate to take over winemaking duties from her father.Later in the interview, Luisa talks about selling the Ponzi brand and starting her own label. She and her husband, Eric Hamacher, started a project called Winery Lane Collective, which is a shared winemaking and tasting room space. She speaks to her family's focus on quality over everything else, and her pride in how her family has grown over the years.This interview was conducted by Rich Schmidt at Winery Lane Collective in Beaverton on August 8, 2025.

The Holy See and the United Nations: The International Conference on Population and Development (Cairo, 1994) as a Case StudyPresenters:Jane Adolphe, LLB/BCL/JCL/JCD Dr. Jane F. Adolphe is a professor of law at Ave Maria School of Law in Naples, Florida (2001-present), with degrees in common law, civil law (LLB/BCL), and canon law (JCL/JCD). She is also a lawyer qualified to practice law in Alberta, Canada and New York, USA, with an expertise in international human rights law and the Holy See. She is a former external advisor (2002-2011) and internal advisor (2011-2020) to three Popes: John Paul II, Benedict XVI and Francis through her work with the Papal Secretariat of State, Section for Relations with States. Jane is Founder and Executive Director of the International Catholic Jurists Forum.AbstractProfessor Adolphe will discuss the nature and mission of the Holy See within the international community and its status within the United Nations Organization (UN), with an overview of the Holy See's role during the 1990's when the UN launched a series of international conferences that form the basis of the current UN document: Transforming our world: the 2030 Agenda for Sustainability Goals, and the Holy See's extensive reservations to the same.  John Klink, M.A. Former Papal Diplomat and Chief Negotiator for the Holy See over UN World Summits in mid-1990s Gift of Divine Providence: My Role as a Papal Diplomat under Saint John Paul IIJohn Klink holds a BA from Santa Clara University and an MA from Georgetown University in English Literature. John was an executive with Catholic Relief Services serving in underdeveloped countries in North Africa, the Middle East, and Asia. He was recruited by the Vatican, and subsequently the White House, to serve as a diplomat/negotiator for scores of United Nations World Summits and Conferences during the critical period of the fall of the Soviet Union and the rise of the European Union. He became an advisor to Popes and Presidents, was elected President of the International Catholic Migration Commission, and with his wife Patricia began a sovereign securities firm on Wall Street.His distinctive honors include Knight Commander of the Order of St. Gregory the Great, Knight of the Sovereign Military Order of Malta, Knight of the Equestrian Order of the Holy Sepulchre of Jerusalem, Knight of the Sacred Military Constantinian Order of St. George, Knight of Columbus (3rd Degree), and a Knight of Sts. Maurice and Lazarus. Royal Thai Armed Forces Award for Humanitarian Assistance to Displaced Persons in Thailand; 41st CRS Anniversary Award for Humanitarian Assistance; Legatus Ambassador Award.AbstractThe Population World Battle of CairoWhile the Holy See's Mission to the United Nations observer status normally precludes its active participation in member state negotiations, the creation in the 1990s of UN world conferences/summits allowed for the Holy See's delegations to participate as Conference state members. Thus, when a gauntlet was thrown by the draft document for the Cairo Population Conference of 1994 prepared by the Secretariat of the infamously “progressive” UN Population Fund and the nomination of its Director, Dr. Nafis Sadik as the President of the Cairo Conference, the Holy See actively intervened. Pope St. John Paul II, who providentially had taken the time to read the draft document, confronted Dr. Sadik at her private Papal audience, and he issued a clarion call to his fellow heads of state to be aware of the dangers to humanity that lurked in the Cairo draft declaration pages. In my remarks, I will recount some of the background history of how John Paul's inspiration led to the blocking of attempts by the “progressive” governments of the US and EU to create an international right to abortion.

With tensions rising in Tehran and the region on edge, how close are we to a wider war?

Welcome back to ARTMATTERS: The Podcast for Artists.On this week's episode Michael Stamm is back to continue with our conversation about his artistic practice and career insights.Michael Stamm is a Brooklyn-based painter with an MFA from NYU and an MA in English Literature from Columbia University. He also attended Skowhegan School of Painting and Sculpture in 2016. Stamm has had solo and two-person exhibitions at Deli Gallery, DC Moore and Thierry Goldberg in New York, and Shul-amit Nazarian in Los Angeles. He is a NYFA Artist Fellowship recipient and has been featured in the New Yorker, Artforum, W Magazine, and Art in America. His work is in the permanent collection of the Institute of Contemporary Art, Miami.In today's conversation, Michael discusses his ongoing evolution from a controlled approach toward a more present, gestural practice while also sharing his current struggles with large-scale bodybuilder paintings that demand new technical skills in oil paint and expressive mark-making. This discussion with Michael moves from more practical studio tips and daily routines to deeper questions about artistic growth, the balance between spontaneity and planning, and how historical art continues to offer fresh ways of seeing. Michael concludes with hard-won career advice emphasizing professional positivity, strategic flexibility and giving up non-essential elements of your practice.You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mann www.isaacmann.com insta: @isaac.mann  guest: Michael Stamm www.michaelstamm.com insta: @michaelstammmmmThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

We're counting down the days until the publication of The Hallmarked Man! Nick Jeffery and John Granger take perhaps the last look at Rowling's most recent postings before they dive into discussion about the meaning and artistry of Strike8.In today's conversation, they review Rowling's relationship with Stephenie Meyer, the author of the Twilight series, a New York Times feature article ‘The Wizard's Everlasting Spell' about the growth of Potter fan fiction with a romantic twist, and Rowling's acerbic review of Nikola Sturgeon's memoir Frankly. Nick and John discuss along the way the initial response of cultural gatekeepers to the quality of the writing in Harry Potter, the history of Rowling's relationship with the writers of romantic fan fiction using her characters in light of Fifty Shades of Gray, and Hogwarts Professor's role in making ‘Rowling Studies' legitimate and the culture-wide acceptance of Rowling as a writer of merit “something we've always known” rather than a controversial assertion.And what does all that have to do with the imminent release of Hallmarked Man? Nick and John share their more-than-tentative plans for reading Strike8 and the best way — not the only way, of course, but a much better way than, say, cataloging predictions everyone will forget by mid-September — to prepare for our first reading of an epic Rowling-Galbraith title.We hope you are as excited as we are to the advent of Hallmarked Man and that you're looking forward to exploration of its breadth and depth beneath the surface plot with us in the coming month!Links To Subjects Discussed Above:The Wizard's Everlasting Spell Why Magic, Dragons and Explicit Sex Are in Bookstores Everywhere: Romantasy is propping up the fiction market. Thanks to a generation that grew up reading about a boy wizard. (The New York Times, 20 August 2025, Alexandra Alter)The new version of the [‘Dramione' Potter fan fiction] story that so captivated Ms. Stallone will soon be released as “Alchemised,” and the novel's publisher, Del Rey, is betting that the feverish devotion to its fanfiction predecessor will translate into blockbuster sales. Del Rey has ordered a first printing of 750,000 copies for the novel's release in late September; translations are lined up in 21 languages.Besides appealing to hordes of existing fans, “Alchemised” has another advantage: It taps into the raging appetite for romantasy, a subgenre that blends fantasy elements like magic, fairies and dragons with love, yearning and explicit sex.In a way, the romantasy explosion — driven by the success of blockbuster authors like Sarah J. Maas and Rebecca Yarros, whose series have sold millions upon millions of copies — stems from the legacy of popular young adult series like “Twilight” and “Harry Potter.” Those books molded generations of young readers who have grown up but still crave big fantasy novels — now with a dose of erotica.“They grew up with the characters, and the stories ended, but there's still such a huge appetite,” said Leah Hultenschmidt, publisher of the romance imprint Forever. “They're still hungry for that magical world building, an epic cast of characters and heroism, and maybe they just want it a little spicier.”Publishers are frantically searching for the next breakout romantasy series. Last year, romantasy sales topped more than 32 million copies in print alone, a 47 percent jump over the previous year, according to Circana Bookscan. Five of the 10 best-selling adult fiction titles this year are romantasies. At the same time, adult fiction sales overall have stagnated.The kind of romance that's selling like crazy now — erotically charged genre mash-ups — first took off in fanfiction before publishers recognized there was an appetite for it.“For a long time, you had to go to fanfiction to find that,” said Anne Jamison, a professor of English at the University of Utah who has studied fanfiction. “Romantasy basically is what fanfiction made.”* Alchemized Sen Lin Yu* ‘Romantasy' Novels on Amazon, Etc.The twilight of Nicola Sturgeon: J.K. Rowling reviews FranklyI know I'm stating the obvious, and I'll probably be one of countless reviewers making the same point, but it's impossible to read Nicola Sturgeon's memoir without remembering the smash hit fictional franchise, Twilight by Stephenie Meyer. For those who don't know (ie, everyone who wasn't a tween or teenage girl, or living with one, 2005-2015), Twilight was massively popular for roughly a decade, each new book or film being greeted adoringly by its devoted fans. [opening paragraph)Rowling and Romantasy:* ‘The Twenty Richest Authors in the World:' Rowling #2 (!), Meyer #18, Collins #20* The Sunday Times' List of the “100 Bestselling Books of the Last Five Decades:” Rowling #23, Meyer #42, 58, 59, and 64* Twilight Book Sales * Stephen King: “Stephenie Meyer Can't Write Worth a Darn”* Speaking of Disappearances – Whatever Happened to Stephenie Meyer?* Fifty Shades of Grey Book Sales* ‘Fifty Shades Outsells Harry Potter'* ‘Rowling Refuses to Read Fifty Shades'* Rowling about Sales of Fifty Shades: “Just think how many books I could've sold if Harry had been a bit more creative with his wand.”Rowling August 2025 Tweet about Writers who are All Lake No Shed (and Vice-Versa) The Silkworm and its Women Writers:* Kathryn Kent: “I write fantasy with a twist… It's fantasy slash erotica really, but quite literary” (416) “She makes Dorcus Pengelly look like Iris Murdoch” (232)* Dorcus Pengelly: “She writes pornography dressed up as historical romance” (225)* Elizabeth Tassel: All Shed, No Lake (per Strike)You told Quine that Bombyx Mori sounded brilliant, that it would be the best thing he'd ever done, that it was going to be a massive success, but that he ought to keep the contents very, very quiet in case of legal action, and to make a bigger splash when it was unveiled.And all the time you were writing your own version. You had plenty of time to get it right, didn't you, Elizabeth? Twenty-six years of empty evenings, you could have written plenty of books by now, with your first from Oxford… but what would you write about? You haven't exactly lived a full life, have you?… (442)Did it feel good, raping and killing your way through everyone you knew, Elizabeth? One big explosion of malice and obscenity, revenging yourself on everyone, painting yourself as the unacclaimed genius, taking sideswipes at everyone with a more successful love life, a more satisfying — (440)* Michael Fancourt about women writers (298):I said that the greatest female writers, with almost no exceptions, have been childless. A fact. And I have said that women generally, by virtue of their desire to mother, are incapable of the necessarily single-minded focus anyone must bring to the creation of literature, true literature. I don't retract a word. That is a fact.* Hobart's Sin, Owen Quine's first and best novel, the “Key” to Tassel's Bombyx Mori, the “book within a book:” “The plot of Hobart's Sin turns on Hobart, who's both male and female, having to choose between parenthood and abandoning his aspirations as a writer: aborting his baby, or abandoning his brainchild” (229)* “It's all about a hermaphrodite who's pregnant and gets an abortion because a kid would interfere with his literary ambitions” (242)* Rowling about The Silkworm: It is the Story that Inspired the Series, the Lake OriginActually, the plot for Silkworm predated the plot for Cuckoo's Calling. I'd had the idea for that plot, the book within the book, for seven or eight years before I wrote it. That often happens with me, I have an idea and I keep it and sit on it. But I keep it and I play with it like a Rubik's cube and there'll come a point where everything clicks and it's ready to be written. I have a lot of notebooks filled with these kinds of things. Silkworm was like that. I sat on that plot for a long time before using it.* “It's a novel about novels with another novel inside it” (~1;15)Reading for Wisdom and JolliesAn Introduction to and Example of Reading Rowling at Four Levels: A Quadrigal Reading of The Christmas PigReading Rowling the Hard, Right Way versus Enjoying the Surface Story and Discussing Themes: An Introduction to Perennialist ReadingTraditional Symbols in Harry Potter and Cormoran Strike: A Perennialist ViewHarry Potter's Bookshelf — What to Read to Understand Rowling's Artistry and How to Read Her Work to Grasp Her Meaning and IntentionThe Deathly Hallows LecturesHarry Potter as Ring Cycle and Ring Composition* ‘How Does Ring Composition Work Anyway?'Darke Hierogliphicks: Alchemy in English Literature from Chaucer to the Restoration (Stanton Linden)How to Think About The Ink Black Heart Pre-Publication – Seven Tools for Serious Readers to Review (February 2022)And Don't Forget!* In Praise of Friendship - a Robin and Strike Heresy Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

Today I'm joined in conversation by Denali Sai Nalamalapu author of Holler: A Graphic Memoir of Rural Resistance.Inspired by Denali's powerful book about the controversial Mountain Valley Pipeline in Appalachia we discuss what activism really looks like, and not the main stream media's portrayal of protests by those on the fringes and out of touch with society. Denali's book utilises raw imagery stripped bare from complicated language that opens up this conversation at a heart level to everyone, and brings to the fore the passion and love that drives people to stand up for what they believe in. Denali encourages us to use discernment to question the narratives we consume and to find the courage to advocate for ourself and our community, and how this can take many different forms, but importantly simply allows you to embrace your existing skills and passions.Alongside this call to action we acknowledge the resilience needed to hold the grief and hopelessness whilst balancing a belief in an alternative hopeful vision for the future and how community is both our biggest driving force and greatest asset as we embrace the stubbornness to take on what on the surface seems insurmountable. Learn more about  DenaliDenali Sai Nalamalapu (They/Them) is the author of Holler, a climate organizer and comic artist living in Southwest Virginia, originally from Southern Maine and Southern India. Denali's work uplifts the voices of those most impacted by climate change – rural, queer, and communities of color – through vibrant, engaging, and accessible illustrations and writing. Denali studied English Literature at Bates College and completed a Fulbright grant in Malaysia. Denali has worked as a climate communicator and organizer since 2019.Holler is a spectacular blend of graphic memoir and climate activism, using contemporary visceral storytelling to highlight the lives of six frontline resisters to the Mountain Valley Pipeline in Appalachia. Drawing from original interviews with Denali, Holler introduces readers to a teacher, a single mother, a nurse, an organizer, a photographer, and a seed keeper, who became activists as the Mountain Valley Pipeline, which spans approximately 300 miles from northwestern West Virginia to southern Virginia, threatened their homes, their livelihoods, their community.These are the stories of everyday resistance, while each person has their own motivation and methods, they share a love for the land and a desire to preserve it. Denali themselves poignantly illustrates both their own experiences with climate anxiety and grief and the ways that finding community has galvanized them in their environmental work.A deeply moving story about change, hope, and humanity, Holler is an invitation to readers everywhere searching for their own path to activism: sending the message that no matter how small your action is, it's impactful.Website: https://denali-sai.com/Instagram: @Denali_SaiBlueSky: @denalisai.bsky.socialSupport the showThank you for being part of this journey with me, please Subscribe so you don't miss our future episodes, leave a review & share with friends to help these messages ripple out across the world. More information about the Podcast & our host Fiona MacKay: Fiona Mackay Photography WebsiteConnect with us & join the conversation on social media:Instagram @FionaMacKayPhotographyFacebook @FionaMacKayPhotographyTwitter @FiMacKay

I'm talking to Eleanor Conlon and Martin Vaux from the Three Ravens podcast about the difficulties in defining 'folklore', the importance of storytelling, which of England's 39 historic counties has the best folk tales, why people love ghost stories, and making folklore accessible to wider audiences! Eleanor Conlon and Martin Vaux are the brains behind the Three Ravens podcast, and they are a real life couple, based in Sussex. Eleanor was born in Suffolk and grew up in Sussex, and after developing a passion for storytelling and stage performance as a child, become involved in amateur dramatics and completed her BA in English Literature and earned her MA in Shakespeare and Early Modern Drama. She also founded the theatre company Rust & Stardust, which tours original work and education projects rooted in English folklore. Martin was born in Somerset and grew up in the developing world, including in Uganda and Papua New Guinea. After leaving school, he completed his BA in English and won National Student Television Awards for comedy and directing. Having been a freelance journalist, radio presenter, and English teacher, he also won the BBC Moo! New Writers Prize in 2009. He gave up teaching after the pandemic to undertake his MA in Romantic and Victorian Literature and Culture at Goldsmiths, and to launch Three Ravens. Buy their book, The Three Ravens Folk Tales: New tellings of half-forgotten stories from England's 39 Historic Counties: https://uk.bookshop.org/a/12992/9781803999685 Visit the Three Ravens Podcast website: https://www.threeravenspodcast.com/ Get your free guide to home protection the folklore way here: https://www.icysedgwick.com/fab-folklore/ Become a member of the Fabulous Folklore Family for bonus episodes and articles at https://patreon.com/bePatron?u=2380595 Buy Icy a coffee or sign up for bonus episodes at: https://ko-fi.com/icysedgwick Fabulous Folklore Bookshop: https://uk.bookshop.org/shop/fabulous_folklore Pre-recorded illustrated talks: https://ko-fi.com/icysedgwick/shop Request an episode: https://forms.gle/gqG7xQNLfbMg1mDv7 Get extra snippets of folklore on Instagram at https://instagram.com/icysedgwick Find Icy on BlueSky: https://bsky.app/profile/icysedgwick.bsky.social 'Like' Fabulous Folklore on Facebook: https://www.facebook.com/fabulousfolklore/

Season 6: Episode 7 --The UP Notable Book Club presents Joseph Heywood speaking about his book "Limpy's Adult Lexicon." The Crystal Falls Community District Library in partnership with the U.P. Publishers & Authors Association (UPPAA) presents author events with winners of the UP Notable Book List. Make sure to like and subscribe so you don't miss any future UP Notable Book Club speakers! For more information please visit the links below www.UPPAA.org www.UPNotable.com JOSEPH HEYWOOD is a 1961 graduate of Rudyard High School in Michigan's Upper Peninsula. Following a BA in Journalism and an Air Force career, he pursued a graduate degree in English Literature at Western Michigan University. Heywood is a former adjunct professor of professional writing at Western Michigan University. Author, cartoonist, painter, poet, photographer, fisherman, hiker, Heywood spends up to a month a year in trucks on patrol with Michigan conservation officers to gather information for the Woods Cop mystery series. He has worked in 15 counties in the Upper Peninsula with them under all kinds of conditions during all times of the day. All of the hiking he does alone is to prepare himself for the outings he does with the conservation officers. The experience helps make the stories authentic. Almost everything in the series has happened to a CO somewhere in the state.

Writing a book can be a powerful catalyst for building thought leadership and accelerating business success, but the journey requires strategic planning and expert guidance.In this episode of High Octane Leadership, host Donald Thompson sits down with Bob Bachelor, an accomplished author of 15 books and strategic communications expert, to explore the complete roadmap for successfully writing and publishing a book that builds professional credibility and drives business growth.What You'll Learn:How to strategically write and publish a business book that builds credibility and drives growthThe importance of collaborating with publishing experts to elevate quality and market reachSmart ways to use AI while preserving your authentic voice and emotional depthHow to turn your book into a powerful content engine and tool for executive engagementAbout the Guest(s)Bob Bachelor is a distinguished author, strategic communicator, and publishing expert with over 15 books authored and 19 edited works to his credit. As a PhD in English Literature and experienced ghostwriter, he has helped countless business leaders and professionals transform their expertise into published works, including a bestselling biography of Stan Lee. Currently leading global content strategy initiatives at Workplace Options, Bob specializes in developing thought leadership programs and authentic communication strategies that drive organizational success. His expertise in both traditional publishing and modern content creation, including AI integration and strategic communications, makes him an invaluable resource for aspiring authors and business leaders looking to establish their thought leadership presence.Resources:Bob Bachelor LinkedInThe Diversity Movement LinkedInThe Diversity Movement WebsiteWorkplace Options LinkedInWorkplace Options WebsiteDonald Thompson LinkedIn High Octane Leadership is hosted by The Diversity Movement CEO and executive coach Donald Thompson and is a production of Earfluence.Order UNDERESTIMATED: A CEO'S UNLIKELY PATH TO SUCCESS, by Donald Thompson.

Welcome back to ARTMATTERS: The Podcast for Artists!My guest today is the Brooklyn-based painter Michael Stamm. Stamm explores themes of strength and weakness, vice and virtue, and self-actualization versus obliteration in his work. Stamm received an MFA from New York University and MA in English Literature from Columbia University, and attended Skowhegan School of Painting and Sculpture in 2016. Stamm has had solo and two-person exhibitions at Deli Gallery (NYC), DC Moore (NYC) and Thierry Goldberg Gallery (NYC) and Shulamit Nazarian in Los Angeles; He is a NYFA Artist Fellowship recipient and has been featured in the New Yorker, Artforum, W Magazine, and Art in America. His work is in the permanent collection of the Institute of Contemporary Art, Miami.In this first part of our conversation we explore Stamm's multimedia process using stone and texture, his reliance on digital tools, the psychological function of his painted frames, his current technical explorations in glazing and figure drawing, why he can't replicate past successes, and his philosophy on time-intensive painting processes. Enjoy this conversation with Michael Stamm. You can now support this podcast by clicking HERE where you can donate using PATREON or PayPal!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mann www.isaacmann.cominsta: @isaac.mann guest: Michael Stamm www.michaelstamm.cominsta: @michaelstammmmmThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

Stefan Collini, FBA. Professor Emeritus of Intellectual History and English Literature, University of Cambridge.The Donald Winch Lectures in Intellectual History.University of St Andrews. 11th, 12th & 13th October 2022.In the course of the nineteenth and twentieth centuries, universities expanded to include a wide range of what came to be regarded as academic ‘disciplines'. In Britain, the study of ‘English literature' was eventually to become one of the biggest and most popular of these subjects, yet it was in some ways an awkward fit: not obviously susceptible to the ‘scientific' treatment considered the hallmark of a scholarly discipline, it aroused a kind of existential commitment in many of those who taught and studied it. These lectures explore some of the ways in which these tensions worked themselves out in the last two hundred years, drawing on a wide range of sources to understand the aspirations invested in the subject, the resistance that it constantly encountered, and the distinctive forms of enquiry that came to define it. In so doing, they raise larger questions about the changing character of universities, the peculiar cultural standing of ‘literature', and the conflicting social expectations that societies have entertained towards higher education and specialized scholarship.Handout - Lecture 3: Syllabuses1. ‘“English”, including Anglo-Saxon and Middle English along with modern English, including what we ordinarily call the “dull” periods as well as the “great” ones, is an object more or less presented to us by nature.'2. ‘In the 1880s, an exciting duel between two great publishing houses brought the price of the rival National and World Libraries (Cassell's and Routledge's, respectively) down to 3d in paper and 6d in cloth. And not only were prices cut: the selection of titles was greatly enlarged, the old standbys - Milton, Pope, Cowper, Thomson, Burns, Goldsmith, and the rest - being joined by many other authors who had seldom or ever appeared in cheap editions.'3. ‘Sir John Denham (1615-1668) is familiar from the oft-quoted couplet in his poem of Cooper's Hill, the measured and stately versification of which has been highly praised. He died an old man in the reign of Charles II, with a mind clouded by the sudden loss of his young wife, whom he had married late in life. John Cleveland (1613-1659), author of the Rebel Scot and certain vigorous attacks on the Protector, was the earliest poetical champion of royalty. Butler is said to have adopted the style of his satires in Hudibras. Colonel Richard Lovelace (1618-1658) ....'4. ‘Poetry: More advanced poems from Chaucer (e.g. The Prologue), Shakespeare, Spenser, Milton, Pope, Wordsworth, Tennyson, or from selections such as The Golden Treasury; Shakespeare, (Histories, Comedies or easier Tragedies). Prose: Plutarch's Lives, Kinglake, Eothen, Borrow, Lavengro, Ruskin, Sesame and Lilies, Frowde [sic; ?Froude], selected short studies, Modern prose Comedies (e.g. Goldsmith and Sheridan), Selections from British Essayists (e.g. Addison, Lamb, Goldsmith), Macaulay, Essays or selected chapters from The History.'5. ‘In the 1930s favourite Higher Certificate set books and authors among the various Boards include: The Faerie Queene, Marlowe's Faustus, Bacon's essays, Sidney's Apologie for Poetrie, Hakluyt, The New Atlantis, Shakespeare, Chaucer, Milton, Lamb, Carlyle, Pope, Dryden, Scott and the Romantic poets. These texts and authors changed hardly at all between 1930 and 1950 (and represent a very similar situation to that of 1900-1910).'6. ‘An Honours Degree in English Language and Literature at present entails, in every University in England, some knowledge both of Latin or Greek at the outset, and of Old English later.' This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit standrewsiih.substack.com

Vinita Rashinkar is a spiritual healer, writer, speaker and wellness expert. She is the Founding Director of Sri Chakra Yantra Foundation, a not-for-profit organisation created with the intention of bringing individuals and organisations together to improve health and well-being, cultivate spiritual knowledge, expand consciousness and provide authentic information about Tantra and Sri Vidya as outlined in the Hindu Scriptures. Vinita's first book “Sri Chakra Yantra” was published in 2019, second book “Chakras” in 2020, third book “Tantra, Mantra and Yantra of Sri Vidya in 2021 and fourth book “The Sacred Sounds of Sri Vidya” was published in 2022. The fifth book “Dasa Mahavidya – The Ten Great Tantric Wisdom Goddesses” was released in August 2023. She has studied principles of Ayurveda, yoga, meditation, chanting, chakras, stress management and spiritual counselling under various masters for the past 23 years.Vinita is the Founder and Managing Director of Amara Vedic Wellness GmbH, a Dusseldorf based company founded with the intention to bring the hidden aspects of Vedic knowledge to the common man, thereby promoting total wellness encompassing the body, mind and spirit. She has a Masters degree in English Literature and is a gold medallist and rank holder at Bachelors and Masters degree levels. She has studied at London College of Fashion and done an executive program at Harvard Business School.The topics we cover in this episode are:- Tantra, yantra, mantra, mudras & Kundalini Shakti Sanata- Sri Yantra – the blueprint of the Universe (sacred geometry)- The Dasa Mahavidya – ten great wisdoms- Shiva and Shakti- Kali (time)- Tara (combustion)- Lalita Tripura Sundari (beauty)- Bhuvaneshvari (Mother Earth)- Bhairavi - Chinnamasta- Dhumavati (Crone)- Bagalamukhi- Matangi (knowledge)- Kamalatmika (Kamala)Visit Vinita: https://vinitarashinkar.in/ and https://www.instagram.com/vinita_rashinkarVinita's book on the Dasa Mahavidya: https://vinitarashinkar.in/dasa-mahavidya/ Vinita's book on Tantra, Mantra and Yantra: https://vinitarashinkar.in/tantra-mantra-and-yantra-of-sri-vidya/Book a session with Vinita: https://meet.vinitarashinkar.in/My Law of Positivism Healing Oracle Card Deck:https://www.lawofpositivism.com/healingoracle.htmlMy book The Law of Positivism – Live a life of higher vibrations, love and gratitude:https://www.lawofpositivism.com/book.html My readings and healing sessions:https://www.lawofpositivism.com/offerings.htmlVisit Law of Positivism:https://www.instagram.com/lawofpositivism/Website: https://www.lawofpositivism.com/Facebook: https://www.facebook.com/lawofpositivism/ YouTube: https://www.youtube.com/lawofpositivism

P&C drink and review a single-hop beer from Brookeville Beer Farm, then Crowhill quizzes Pigweed on the most important characters in English literature. Crowhill combined replies from both ChatGPT and Grok to create a test for Pigweed. The prompt read as follow: "Please give me a list of the 30 most important characters in English literature. By important I mean they have made a lasting impression on the culture, they're cited, they're imitated or referenced in other works, and so on. Please exclude the Bible. Please give no more than two characters from any given author. Please list the character, the author, the book in which the character appears, and a brief description of the character." Pigweed does a great job guessing characters from Shakespeare, Austen, Bronte, Conan Doyle, Orwell, Dickens, Twain, Orwell, and others. The boys also give an update to their "have we reached the end of woke" show. More at ... https://www.pigweedandcrowhill.com/https://www.youtube.com/playlist?list=PLYAjUk6LttQyUk_fV9F46R06OQgH39exQ#literature #authors #English

We're back for season 11 of the podcast! Listen to hear about everything that is new at A Delectable Education along with a unique opportunity to read Charlotte Mason along with us. Charlotte Mason, Volume 6 (Amazon) (Living Book Press - use code DELECTABLE for 10% off!) ADE Vol 6, Chapt 10 Reading List ADE on YouTube! Teacher Helps 10 Minute's Map Exercises   Scansion Lessons - Extra Practice   Literature Forms 3-4 (English Literature for Boys & Girls and Age of Fable)   Citizenship Forms 3-4 (The Young Citizen's Reader and Ourselves) Teacher Training Videos High School Algebra demonstration lesson   Form 1-2 Bible demonstration lesson   A Method for the Madness: Organizing Home and School workshop   Imagination, The Missing Ingredient workshop   Conducting a Special Study workshop   A Point or Two of Correction and Critique: Assessing Your Students' Compositions workshop   The Habit of Remembering workshop   School Planning, One Bite at a Time workshop ADE's Patreon Community ADE at HOME {Virtual} Conference (First weekend in February, access for 3 months following) Theo of Golden, Allen Levi Every Moment Holy, Vol. 3, Douglas Kaine McKelvey

In ep 132 of “How Do You Say That?!” sponsored by britishvoiceover.co.uk, Holly Gillanders joins Sam and Mark to talk about creating an informative read versus a storytelling approach, drawing the audience in with a whispered undertone, voicing a phrase in inverted commas and choosing which way to go when there are so many different ways to play a fantasy character. We get over excited with the wildcards, and Sam produces a buzzing creature that'll get you reaching for the fly-swatter!Our VO question this week is all about how actors form a plan to pivot from stage acting to voice acting.Get involved! Have you got a Wildcard suggestion that we should try or an idea for the show? Send it to us via Mark or Sam's social media or email it directly to podcast@britishvoiceover.co.ukScript 1This is God's Providence House, tucked just off Holyrood Street. It's a curious name which came about following the arrival of the Black Plague on the Isle of Wight in 1582. It was the only building in which no one fell ill or died - locals believed the inhabitants had been spared due to 'Gods Providence'.Rebuilt following a fire in 1699, it's whispered to be one of the most spiritually active buildings in town.Staff have reported hearing footsteps pacing above when no one's there, and one former tenant claimed to see a woman in grey sitting in the corner of a locked room. They say she was knitting. Script 2You wish to know where the most huge and fearsome dragon in all the land resides? Ah! A most fascinating question, mortal. The huge and fearsome dragon you speak of resides in the Cathedral of Diamonds.And now my faithful guards, throw him into the well of death!Good. It is done. And now I will continue to sit and to wait, in the hope that the day will come when somebody will ask me a question I actually know the answer to. What do you mean ‘we all pray for that day, my lady?'Half the people who come here ask me about dragons. What's so great about f*cking dragons? I mean, I don't have a clue about dragons. Never even seen one. Have you?We'd love your feedback - and if you listen on Apple Podcasts or Spotify, hit the follow button today!**Listen to all of our podcasts here - you can also watch on YouTube, or say to your smart speaker "Play How Do You Say That?!"About our guest: Holly Gillanders grew up in Newark on Trent in Nottinghamshire. She has a degree in English Literature and a background in producing participation projects in the arts with a goal to making ballet, opera, classical music and theatre accessible to all. Theatre has been an interest for Holly since she was at school, but it wasn't until she volunteered doing props at a local amateur theatre that she decided to try auditioning for a lead acting role and really caught the bug. Holly has performed in many audio dramas for Political Art, Questors Theatre, Evcol Entertainment, Alternative Stories and The Story Hive. In 2024, Holly was shortlisted for the best Best Female Audio Drama performance at the One Voice Awards. She lives in London with her husband, her 3 year old son and giant cat, Heathcliff. @hollygillandersvo on Instagram

Episode 179:For today's guest episode it is a welcome return for Kay Daly to the podcast. In our second conversation Kay discusses Jonson's world view and how it differed from Shakespeare's, which we discussed in our first conversation plays. If you have not already done so, listening to that conversation, which is episode 177, and my recent episodes on Jonson's early plays ‘The Case Is Altered', ‘Every Man Out of his Humour' and ‘Every Man In His Humour' would be a good idea before listening to this conversation.Kay Daly is a writer, novelist, book and theatre reviewer, teacher, and public humanities advocate. Since earning her Ph.D. in English Literature from Northwestern University, she has written for a variety of publications and organizations including The Chicago Review of Books, TimeOut Chicago, the Metropolitan Opera, WNET New York Public Media, The Library of Virginia's blog UnCommonwealth, Dramatics Magazine, and Centerstage Chicago. She also teaches adult enrichment courses focusing on arts and humanities at the Newberry Library in Chicago. Her debut novel ‘Wilton House', based on the life of 17th-century writer Lady Mary Wroth, will be published by Regal House Publishing in 2027Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Stefan Collini, FBA.Professor Emeritus of Intellectual History and English Literature, University of Cambridge.The Donald Winch Lectures in Intellectual History.University of St Andrews.11th, 12th & 13th October 2022.In the course of the nineteenth and twentieth centuries, universities expanded to include a wide range of what came to be regarded as academic ‘disciplines'. In Britain, the study of ‘English literature' was eventually to become one of the biggest and most popular of these subjects, yet it was in some ways an awkward fit: not obviously susceptible to the ‘scientific' treatment considered the hallmark of a scholarly discipline, it aroused a kind of existential commitment in many of those who taught and studied it. These lectures explore some of the ways in which these tensions worked themselves out in the last two hundred years, drawing on a wide range of sources to understand the aspirations invested in the subject, the resistance that it constantly encountered, and the distinctive forms of enquiry that came to define it. In so doing, they raise larger questions about the changing character of universities, the peculiar cultural standing of ‘literature', and the conflicting social expectations that societies have entertained towards higher education and specialized scholarship.Handout - Lecture 2: Careers1. ‘His tastes and pursuits would no doubt lead him to lecture on the Structure of the English Language and its affinities with cognate tongues, rather than upon Rhetoric or the Art of Composition, but when it was mentioned to him that the latter formed part of the duties of the chair, he made no difficulty about undertaking it.'2. ‘We think that the Professor of the English Language and Literature at our College ought, if it were possible, to unite all the qualifications which we think desirable, to be a thoroughly educated man, a man whose peculiar learning is based upon the sound scholarship which is the general training of English gentlemen. He ought to have made a systematic study of the English Language and English Literature: a systematic study of the Language, so as to be thoroughly conversant with its etymological structure, and the history of its formation through its successive stages; a systematic study of the Literature, so that his familiar knowledge of it may not be confined within the limits of one or two periods. He ought to have experience as a Lecturer, and to be able to lecture well: but he ought to be prepared not only to lecture, but to teach. We must bear in mind, and our Professor must bear in mind, that the practical end of our English Class is to teach our students to use their own language well both in speaking and writing.'3. ‘All the world is standing, every chatterer in every newspaper thinks he is good enough for English language and literature.'4. ‘The lecture list of Easter Term was considered. It was agreed that the Reader in Phonetics should be asked either to change the subject of his lecture on Ugrian Phonetics or to remove it from the list, as in the opinion of the Board the subject did not fall within the scope of the school.'5. ‘The main point, of course, was to choose a scholar and not a chatterer; now the chatterers have command of the newspapers and the scholars have not. That's all. I have no doubt that to any maker of paragraphs, Matthew, Ealdorman of babblers, seems a greater man than William of Chester'.6. ‘In those early years everyone, whatever her natural bias, read for the English School at Oxford, because that was the only course for which adequate preparation could at that time be secured.'7. ‘Well, I have no hesitation in de-classing the whole professorial squad - Bradley, Herford, Dowden, Walter Raleigh, Elton, Saintsbury'... [Saintsbury is allowed to have some strengths, though in spite of his style rather than because of it] ...For the rest: Professor Walter Raleigh is improving. Professor Elton has never fallen to the depths of sterile and pretentious banality which are the natural and customary level of the remaining three.' This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit standrewsiih.substack.com

Anthony Esolen, distinguished professor of the humanities at Thales College, addresses the virtue of prudence.  Dr. Anthony Esolen received his A.B. in English Literature from Princeton University and his M.A. and Ph.D. in Renaissance English Literature from the University of North Carolina at Chapel Hill. Dr. Esolen has been a professor of literature and humanities for 35 years and is the author or translator of more than 30 books, which include a range of English translations, analyses of culture, literary and Biblical criticisms, meditations on modern education, meditations on the Christian life, and original poetry. Dr. Esolen serves as a Distinguished Professor of Humanities at Thales College.Dr. Esolen delivered this presentation at the Conference of Miletus on July 14, 2025. The Conference of Miletus is a series of short, informative lectures given by members of the Thales Academy leadership team on ideas relating to classical education.Interested in teaching at Thales Academy? Please check out our website if you are interested in pursuing a career at Thales Academy and learning about needs across our network. Find out more at https://www.thalesacademy.org/contact/careers.

How literature helps us to understand morality, totalitarian politics, and the life of Jesus Christ.Join the team at the IAI for four articles about great, classic literature, covering world-renowned authors such as George Orwell, Fyodor Dostoevsky, Clarice Lispector, to name but a few.These articles were written by Michael Marder, Emrah Atasoy, John Givens, and Dana Dragunoiu.Michael Marder is Ikerbasque Research Professor of Philosophy at the University of the Basque Country, Vitoria-Gasteiz. Emrah Atasoy is a professor in the Department of English and Comparative Literary Studies at the University of Warwick. John Givens is a professor of Russian at the University of Rochester and the author of 'The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak'. Dana Dragunoiu the author of 'Vladimir Nabokov and the Art of Moral Acts' and 'Simply Nabokov'. And don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such debates live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode 168 - Keep Your Eye on Jesus In this episode of the Faith and Family Filmmakers podcast, your host Matt Chastain continues his discussion with Kristen Collier, an english literature graduate, author, and animator, who is described as a relentless go-getter. Kristen shares her experiences dealing with imposter syndrome, her interactions with Corbin Bernsen, and emphasizes the importance of authenticity and dedication. She delves into her work on 'King of Glory,' a novel about the Second Coming, and her cartoon “Blink and Friends'. Kristen underscores the need for filmmakers to take bold steps in pursuing their projects.Highlights Include:Welcome and IntroductionKristen the Go-GetterWorking with Corbin BernsenThe Importance of AuthenticityDreams and the Second ComingKing of Glory: A Supernatural Love StoryA Year of Change and FocusThe Three-Pronged ApproachWriting Style and InspirationsGlowing Reviews and Future PlansWhere to Find Kristen and Her WorkBio:Kristen Collier has a B.A. in English Literature. She learned animation during the lockdown at age 51 and now has cartoons that have major distribution and are on streaming platforms. Her first love is books, and so she's most excited these days about her supernatural thriller, "King of Glory," a Peretti-esque love story about the Second Coming.Kristen's Links:https://www.collieranimationstudio.com/https://www.amazon.com/King-Glory-Kristen-Collier-ebook/dp/B00AKFOL2Ihttps://www.instagram.com/collieranimationstudio/https://www.facebook.com/profile.php?id=61556786981441Editing by Michael RothFaith and Family Filmmakers Bootcamp: https://www.faffassociation.com/filmmakers-bootcampFAFF Association Online Meetups: https://faffassociation.com/#faff-meetingsScreenwriters Retreat - Mexico: https://www.faffassociation.com/writers-retreatJaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God: https://www.amazon.com/dp/B0D9R7XS9VProducers Mentorship Program https://www.faffassociation.com/vip-producers-mentorshipThe Faith & Family Filmmakers podcast helps filmmakers who share a Christian worldview stay in touch, informed, and inspired. Releasing new episodes every week, we interview experts from varying fields of filmmaking; from screenwriters, actors, directors, and producers, to film scorers, talent agents, and distributors. It is produced and hosted by Geoffrey Whitt and Jaclyn Whitt , and is brought to you by the Faith & Family Filmmakers Association Support Faith & Family Filmmakers Our mission is to help filmmakers who share a Christian Worldview...

What do you do when the life you dreamed of looks nothing like the one you're living?Jenny always knew she wanted to be a mom. But when her first child, Sarah, was born with special needs, the parenting story she had imagined began to unravel. For years, she carried invisible bricks of guilt, believing she had to fix what wasn't broken. Everything shifted the day she gave herself permission to just love her daughter exactly as she was.Letting go of the guilt and shame that clouded early motherhoodFinding hope and community in the Son-Rise ProgramDiscovering that love, not perfection, was the connection her daughter neededIn this conversation, Jenny shares what happens when we stop chasing a picture-perfect life and start honoring what is. It's about love, resilience, and learning to see the spark that's always been there.Jennifer Celeste Briggs is a writer, mother, and advocate for emotionally connected parenting. She has a BA in English Literature from Swarthmore College and lives in Pittsburgh, PA with her husband and two daughters. Her daughter Sarah has a genetic anomaly and autism, which led Jenny to create and lead a home-based Son-Rise Program called Sarah-Rise. After training at the Autism Treatment Center of America, she coordinated hundreds of hours of therapeutic play with the help of volunteers. Her blog, Watching Sarah Rise, has become a source of comfort and inspiration to others navigating life's unexpected paths. Jenny's mission is to help parents feel seen and to spread the word about the power of presence, joy, and connection.Connect with JennyWebsite: www.watchingsarahrise.comFacebook: facebook.com/jenniferbriggsauthorInstagram: @jennifercelestebriggsauthorListen wherever you get your podcasts or at www.thelifeshiftpodcast.comSupport ad-free episodes and early releases at www.patreon.com/thelifeshiftpodcastGet show updates, reflection prompts, and behind-the-scenes notes in the newsletterFollow on social: @thelifeshiftpodcastSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Our guest in this episode is the returning Anna Addoms of Wicked Marvelous. She is a wonderfully pragmatic and insightful guide helping entrepreneurs navigate the complex world of AI. Anna champions using technology as a powerful tool, not to replace us, but to help foster deeper and more authentic human connections.We picked up our conversation right where we left off in episode 671, exploring the critical ethical questions and practical boundaries of artificial intelligence. Anna shared brilliant insights on everything from copyright in the creative arts to the single most important skill we need to hone for the future.Key points discussed include:* Practice radical transparency about your AI use to build unwavering trust with your audience.* Use AI as a back-office tool to free up your precious time for genuine human connection.* Train AI on your own content to ensure your unique brand voice always shines through.Listen to the podcast to find out more.Innovabiz Substack is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Show Notes from this episode with Anna Addoms, Wicked MarvelousIt was an absolute delight to welcome Anna Addoms of Wicked Marvelous back to the Innovabuzz podcast. Our last conversation was cut short by a technical hiccup—perhaps the AI getting its own back on us—right as we were getting to the heart of the matter. So, picking up right where we left off felt not just necessary, but essential. Anna, with her characteristic clarity and pragmatism, helped navigate the complex, and sometimes murky, waters of using AI in a way that is both effective and deeply human.We jumped straight into the profound shift required in our thinking as we build relationships in this new digital landscape. Anna's perspective is a refreshing dose of common sense in a field often filled with hype. She argues that while the tools are new and evolving at a breakneck pace, the fundamental principles of good business and human connection remain the same. It's not about a total revolution in our values, but a thoughtful evolution in our methods.The Transparency Mandate: Your First Rule of AI EngagementAnna's foundational rule for AI engagement is simple yet powerful: be transparent. She made it crystal clear that if you are using AI in any capacity that faces the public or your clients, you have a responsibility to disclose it. This isn't about being ashamed of using a powerful tool; quite the opposite. It's about building trust by being upfront and honest about your processes. Not disclosing, and then getting caught, can do irreparable damage to your reputation.This frames AI correctly, not as a replacement for human skill or creativity, but as a tool in our arsenal. We wouldn't hide the fact that we use specialized software for accounting or project management, and Anna argues we should treat AI with the same straightforwardness. This simple act of disclosure respects your audience's intelligence and allows them to engage with your work, and your brand, on honest terms.The Creative Gray Area: Navigating AI Art and Intellectual PropertyAs a keen photographer, this part of our conversation struck a personal chord. We waded into what Anna aptly calls the "biggest gray area" in AI right now: the world of generated art and the protection of intellectual property. It's a space filled with incredible potential but also fraught with ethical questions. Where do we draw the line between an AI emulating a style and it infringing upon a human artist's livelihood and creative ownership?Anna shared some fascinating, and slightly sobering, insights, referencing the lawsuit between Disney and Midjourney as a major signal of the legal battles to come. She also pointed to the development of technologies like permanent digital watermarks for AI-generated media as a necessary step forward. It's a reminder that as we embrace these creative tools, we must also advocate for frameworks that protect the human creators whose work forms the very foundation of the AI's knowledge.From Fun to Function: AI as a Creative Partner and Problem-SolverLest we think the conversation was all serious, we took a detour into the genuinely fun and creative applications of AI. I shared a story about getting a parking fine and using AI to translate my initial, very angry, draft letter into something diplomatic, before asking it to rewrite the letter in the style of comedians like Stephen Colbert and Jim Jeffries. The process was not only hilarious but cathartic, turning frustration into laughter.This perfectly complemented Anna's examples of using AI as a playful, creative partner. She spoke of creating unique cartoon avatars for her members, which many now use as their official business profiles, and even generating a full 160-card Oracle deck with AI graphics just for fun. It's a brilliant illustration of how these tools can be used for more than just productivity; they can be a source of joy, creativity, and connection.Drawing the Line: Where AI Should Work and Where Humans Must RuleSo, where do we draw the line? Anna's distinction is incredibly clear and practical. She is a huge proponent of using AI for "back office" functions, letting it handle what she calls the "administrative minutia" so that we have more time and energy to focus on high-value, human-to-human interactions. Think of it as an assistant that helps you repurpose content, analyze data, or draft initial documents.However, she has a "hard line" when it comes to client-facing engagement. The core message is to use AI to help you run your business more effectively, but not to let it be in your business, interacting with your clients or your audience. The ultimate goal of using these tools should be to free us up to spend more quality time with people, not to create a buffer between us.The Communication Imperative: The Most Important Skill for the AI EraAs we continued, a powerful theme emerged: the most critical skill we need to hone in the age of AI is communication. This goes far beyond just "prompt engineering." It's about the timeless art of asking clear, specific, and descriptive questions. The old "garbage in, garbage out" principle has never been more relevant.Anna used a wonderful analogy of briefing a designer. If you give a vague, one-line request, you'll get a generic result. But if you provide rich detail, context, and specific examples, you'll get something much closer to your vision. The same is true for AI. Communicating effectively with these models not only yields better results but also reinforces the habits of clear communication that are essential in our interactions with other people.Your AI Action Plan: Start Secure, Stay HumanTo wrap up our discussion, Anna offered a clear, two-part action plan for anyone looking to leverage AI thoughtfully. First, and most critically, is to choose a secure AI environment. Free and open platforms often mean you are paying with your data. Using a secure, encrypted service ensures your proprietary information and client data remain private.Second, take the time to train your AI to sound like you. By creating a persona or agent that has learned from your own writing—be it blog posts, emails, or sales copy—you can ensure the output reflects your unique voice and phrasing. This step is fundamental to moving beyond generic content and truly using AI as a tool that enhances, rather than dilutes, your personal brand.In Summary: My conversation with Anna Addoms was illuminating guide in navigating the AI landscape with wisdom and integrity. Her core message is to embrace AI as a powerful tool for back-office efficiency, freeing you to deepen the human connections that truly matter. Be transparent in its use, be protective of your creative voice, and never forget that technology's highest purpose is to help us become more, not less, human.The Buzz - Our Innovation RoundHere are Anna's answers to the questions of our innovation round. Listen to the conversation to get the full scoop.* Most innovative use of AI to enhance human relationships – By taking administrative minutia off people's plates, it allows them to focus on human-to-human interaction.* Best thing to integrate AI and human connection – Creating a personalized AI agent or persona trained on your own content so it learns to write in your unique voice.* Differentiate by leveraging AI – Use AI to help run your business effectively in the back office, not to be in business with your clients.ActionChoose a secure AI environment that protects your data, then take the time to train the AI to learn and use your unique voice. This is the foundation for using AI effectively and authentically in your business.Reach OutYou can reach out and thank Anna by visiting her website or finding her on LinkedIn.Links* Website – Wicked Marvelous* Twitter – @WickedMarvelous* LinkedIn* Facebook* InstagramCool Things About Anna* Anna grew up in Colorado in a family of entrepreneurs, right in the thick of the tech boom. She was raised around innovation and search engines, with her dad running AOL's biggest competitor during the first dot-com bubble. That's a childhood spent at the intersection of curiosity and code.* She's a creative at heart: Anna went to art school and holds a degree in English Literature. Her journey from art and literature to Silicon Valley tech startups is a delightful zigzag, not a straight line. She's proof that you can be both a techie and a creative soul.* She's a self-confessed “sponge of knowledge,” always learning, always curious. Anna's love of learning has led her down unexpected paths—from luxury travel to ad agencies to med-tech startups. She's not afraid to pivot, experiment, or start over if it means staying true to her values.Imagine being a part of a select community where you not only have access to our amazing podcast guests, but you also get a chance to transform your marketing and podcast into a growth engine with a human-centered, relationship-focused approach.That's exactly what you'll get when you join the Flywheel Nation Community.Tap into the collective wisdom of high-impact achievers, gain exclusive access to resources, and expand your network in our vibrant community.Experience accelerated growth, breakthrough insights, and powerful connections to elevate your business.ACT NOW – secure your spot and transform your journey today! Visit innovabiz.co/flywheel and get ready to experience the power of transformation.VideoThanks for reading Innovabiz Substack! This post is public so feel free to share it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit innovabiz.substack.com/subscribe

Episode 167 - Make it Yourself: Success as an Indie Creator In this episode of the Faith and Family Filmmakers podcast, Matt Chastain interviews Kristen Collier, an animator who transitioned from a career in literature to animation during the pandemic lockdown. Kristen shares her journey of self-learning animation to bring her husband's characters to life, discussing the challenges, successes, and the creation of their children's cartoons, including a collaboration with prominent actors like Corbin Bernson. The discussion highlights the importance of independent innovation in the film industry. They emphasize the value of perseverance, learning new skills, and making things happen instead of waiting to be discovered.Highlights Include:Kristen's Journey to AnimationEarly Animation ProjectsChallenges and Learning CurvesMichigan Christian Filmmakers and Creative Motion NetworkCreating Roku ChannelsDeveloping Benny the BarnacleAnimation Techniques and SoftwareOvercoming Imposter SyndromeAdvice for Independent CreatorsBio:Kristen Collier has a B.A. in English Literature. She learned animation during the lockdown at age 51 and now has cartoons that have major distribution and are on streaming platforms. Her first love is books, and so she's most excited these days about her supernatural thriller, "King of Glory," a Peretti-esque love story about the Second Coming.Kristen's Links:https://www.collieranimationstudio.com/https://www.amazon.com/King-Glory-Kristen-Collier-ebook/dp/B00AKFOL2Ihttps://www.instagram.com/collieranimationstudio/https://www.facebook.com/profile.php?id=61556786981441Editing by Michael RothFaith and Family Filmmakers Bootcamp: https://www.faffassociation.com/filmmakers-bootcampFAFF Association Online Meetups: https://faffassociation.com/#faff-meetingsScreenwriters Retreat - Mexico: https://www.faffassociation.com/writers-retreatJaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God: https://www.amazon.com/dp/B0D9R7XS9VProducers Mentorship Program https://www.faffassociation.com/vip-producers-mentorshipThe Faith & Family Filmmakers podcast helps filmmakers who share a Christian worldview stay in touch, informed, and inspired. Releasing new episodes every week, we interview experts from varying fields of filmmaking; from screenwriters, actors, directors, and producers, to film scorers, talent agents, and distributors. It is produced and hosted by Geoffrey Whitt and Jaclyn Whitt , and is brought to you by the Faith & Family Filmmakers Association Support Faith & Family Filmmakers Our mission is...

English literature no longer makes the top ten of A-level subject choices. English departments at universities are regularly closing. Studies show dramatic drops in literacy and reading, particularly amongst teenagers. Today we're asking: is English literature dying?The New Statesman's deputy editor Will Lloyd is joined by the New Statesman's new culture editor Tanjil Rashid and columnist and critic James Marriott.READEnglish literature's last stand - James Marriott Hosted on Acast. See acast.com/privacy for more information.

Episode 177:For today's guest episode it is a warm welcome for Kay Daly to the podcast. In our conversation Kay took the opportunity to give an overview of Shakespeare's world view as seen through his earlier plays and particularly the comedies. As you will hear we strayed a little into some later plays, but Kay's thoughts seemed particularly useful at this point as we are about to move away from the earliest plays and move onto new and very different experiments in comedy. I hope you enjoy the conversation and find useful as a kind of summary of what I have covered so far on the podcast in respect to Shakespeare.Kay Daly is a writer, novelist, book and theatre reviewer, teacher, and public humanities advocate. Since earning her Ph.D. in English Literature from Northwestern University, she has written for a variety of publications and organizations including The Chicago Review of Books, TimeOut Chicago, the Metropolitan Opera, WNET New York Public Media, The Library of Virginia's blog UnCommonwealth, Dramatics Magazine, and Centerstage Chicago. She also teaches adult enrichment courses focusing on arts and humanities at the Newberry Library in Chicago. Her debut novel ‘Wilton House', based on the life of 17th-century writer Lady Mary Wroth, will be published by Regal House Publishing in 2027.Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Send us a textRoslyn Bernstein is the author of four books: Boardwalk Stories, a collection of 14 fictional tales set from 1950 to 1970; the co-author with the architect Shael Shapiro of Illegal Living: 80 Wooster Street and the Evolution of SoHo; Engaging Art: Essays and Interviews from Around the Globe, a collection of 60 of her online avant-garde art pieces; and most recently, a novel, The Girl Who Counted Numbers.Since the 1980s, she has been reporting from around the globe for such print publications as the New York Times, Newsday, the Village Voice, New York Magazine, Parents, and the Columbia Journalism Review. She has also reported for various online publications including Medium, Tablet, Huffington Post, and Guernica, focusing primarily on cultural reporting and contemporary art, with in-depth interviews with artists, curators, and gallerists.Currently, Professor Emerita in the Department of  Journalism and the Writing Professions at Baruch College of the City University of New York (CUNY), she taught journalism and creative writing classes from 1974-2016. A devoted teacher, she served as an advisor to Ticker, the college newspaper and established Dollars and $ense, the Baruch College business magazine. During her time at Baruch, she served as the director of the Journalism Program and was the Founding Director of the Sidney Harman Writer-in-Residence Program, a residency that has brought over 30 distinguished poets, playwrights, critics, and journalists to campus to teach intensive classes for gifted students. Prof. Bernstein is a recipient of the College's Distinguished Awards for Teaching and Service.Before coming to Baruch, she worked at Esquire and attended graduate school. She holds a Bachelors Degree from Brandeis University and aMasters and Ph.D in English Literature from New York University Graduate School of Arts and Sciences. https://www.roslynbernstein.com/Creator/Host: Tammy TakaishiAudio Engineer: Alex Repetti Visit the Self-Care Institute at https://www.selfcareinstitute.com/ Support the showVisit www.creativepeacemeal.com to leave a review, fan voicemail, and more!Insta @creative_peacemeal_podcastFB @creativepeacemealpodRedbubble CPPodcast.redbubble.comCreative Peacemeal READING list here Donate to AhHa!Broadway here! Donate to New Normal Rep here! Interested in the Self-Care Institute with Dr. Ami Kunimura? Click here Interested in Corrie Legge's content planner? Click here to order!

Do you know what a Squire did? Was a Merchant as fancy as he sounds?Gone Medieval continues our week of pilgrimage as Matt Lewis is joined by Professor Robert Mayer Lee to explore the diverse jobs and social status' of the pilgrims in Geoffrey Chaucer's Canterbury Tales.They discuss how Chaucer's work reflects the fluidity and complexities of social mobility in 14th century England and the motivations and messages behind these timeless stories.More:Geoffrey Chaucer, Father of English Literaturehttps://open.spotify.com/episode/3TMGrNTfPS5wwOqspKNfK3How to Dress in the Middle Ages https://open.spotify.com/episode/7JOjrPdijf3VD2eT9iCrgSGone Medieval is presented by Matt Lewis. It was edited by Amy Haddow, the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

John Niven is a Scottish author and screenwriter known for his darkly comic, satirical novels. Born in Ayrshire in 1966, he studied English Literature at the University of Glasgow before spending a decade in the music industry. This experience inspired his breakout novel, Kill Your Friends (2008), a biting satire of the late-1990s music business. The book earned widespread acclaim for its brutal honesty and sharp wit, and was later adapted into a film for which Niven co-wrote the screenplay. His other works include The Amateurs, The Second Coming, Straight White Male, and O Brother, showcasing his distinctive blend of humour, cynicism, and moral insight. In addition to novels, Niven has written for film and journalism, often exploring themes of fame, failure, and modern hypocrisy. Known for his outspoken political views, Niven remains a provocative and influential voice in contemporary British literature and culture.

Today, Taiwan is caught in the crosshairs of two imperial rivals: the US and China. This is nothing new for the island nation, which has been a battleground for competing empires for centuries, but what is new is the critical role Taiwan plays in the 21st-century world economy. For example, Taiwan manufacturers 90% of the world's most advanced microchips—the key component in everything from consumer electronics to the US military's F-35 fighter jets. In this episode of Solidarity Without Exception, co-host Ashley Smith speaks with Brian Hioe, journalist and editor of New Bloom magazine, about the history of Taiwanese struggles for self-determination, the country's position in the contemporary US-China rivalry, the increasing threat of imperial war, and the urgency of building solidarity among working-class people in Taiwan, the US, and China.Guests:Brian Hioe is a freelance journalist, translator, and one of the founding editors of New Bloom, an online magazine featuring radical perspectives on Taiwan and the Asia-Pacific. A New York native and Taiwanese-American, Hioe has an MA in East Asian Languages and Cultures from Columbia University and graduated from New York University with majors in History, East Asian Studies, and English Literature. He was Democracy and Human Rights Service Fellow at the Taiwan Foundation for Democracy from 2017 to 2018 and is currently a Non-Resident Fellow at the University of Nottingham's Taiwan Studies Programme, as well as board member of the Taiwan Foreign Correspondents' Club.Additional resources:New Bloom website, Facebook page, X page, and InstagramEli Friedman, Kevin Lin, Rosa Liu, & Ashley Smith, Haymarket Books, China in Global Capitalism: Building International Solidarity Against Imperial RivalryBrian J. Chen, Boston Review, “Semiconductor Island: The colonial making of Taiwan's chip supremacy”Credits:Pre-Production: Ashley SmithStdio Production / Post-Production: TRNNHelp us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Sign up for our newsletterFollow us on BlueskyLike us on FacebookFollow us on TwitterDonate to support this podcast

"I kept thinking, 'Okay. What does God want me to do for others? What am I offering others? What am I giving to others?' And again and again, the things I felt called to do or make or create or tend would literally refresh me."— Christie PurifoyToday's Episode: This episode is an absolute joy! We're so grateful to Christie Purifoy for sharing her wise insights into generous living and openhanded receiving. Christie is an author, teacher, and gardener. On today's episode she tells stories and shares biblical truths about God's abundance and our calling to cultivate spacious places not only to share them with others but to actually receive them as a blessing for ourselves.This month's memory verse: “A generous person will prosper; whoever refreshes others will be refreshed.” — Proverbs 11:25Today's guest: Christie Purifoy is a writer and gardener who loves to grow flowers and community. She is the author of six books, including two spiritual memoirs and a recently completed trilogy of gift books with essays and photographs celebrating the gardening life. Her latest book, A House to Call Home: Creating Places That Will Comfort and Care For Us, will launch in February 2026. Christie earned a PhD in English Literature from the University of Chicago but eventually traded the classroom for an old Pennsylvania farmhouse called Maplehurst where she lives with her husband and four children. You can find Christie on Instagram (@christiepurifoy) and on Substack where she writes a regular newsletter on home, garden, and the ancient church called A Spacious Place.Support Our Show: We love reading your comments! AND they help other people find our show. Please let us know what you think by leaving a review.Links from today's show: ChristyPurifoy.comOn Magic and Miracles by Marian A. JacobsEveryday Gospel by Paul David TrippAnxious No More Necklace Dwell Differently Bible Study membership. Support the showFollow Natalie & Vera at DwellDifferently.com and @dwelldifferenly.

This episode contains explicit language and themesWe're revelling in the Canterbury Tales this week; who else to kick things off with a bang than the scandalous Wife of Bath?Dr. Eleanor Janega is joined by Dr. Hetta Howes to celebrate Chaucer's scandalous and witty Wife of Bath, as they explore her five marriages, defiance of medieval norms, and her unapologetically bold voice. Together they unravel the rich details of her prologue and tale, filled with humour, controversy, and groundbreaking challenges to gender roles. Romp through one of literature's most unforgettable tales and characters.More:Medieval Writers, Extraordinary Womenhttps://open.spotify.com/episode/2axC5tQ8weR8tfb9ZwQJbKGeoffrey Chaucer, Father of English Literaturehttps://open.spotify.com/episode/3TMGrNTfPS5wwOqspKNfK3Gone Medieval is presented by Dr. Eleanor Janega. It was edited by Amy Haddow, the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

On June 29, Eden will be hosting a webinar to speak in detail about the vision for this project. In order to register please click here or email info@edenbeitshemesh.com to find out more.In this episode of the 18Forty Podcast, David Bashevkin moderates a debate between Rabbi Itamar Rosensweig and Rabbi Yitzchak Blau on whether morality exists independently of Judaism. This is a recording of a live event hosted at Young Israel of Teaneck on May 4. In this episode we discuss: What does it mean for God to be good, and who defines the “good” in the first place? Do Torah Jews base their values on halacha, or something else?Should we make any changes to halachic and moral education in the Jewish community? Tune in to hear a conversation about how halacha and morality bring order and prioritization to our chaotic and confusing lives. Debate begins at 10:57.Rabbi Itamar Rosensweig is a professor of Jewish law and jurisprudence at Yeshiva University, a rabbinic judge and chaver beit din at the Beth Din of America, and the rav of the Shtiebel of Lower Merion. He holds a secondary appointment as an assistant professor of philosophy at Yeshiva College and serves as the chair of Jewish studies at the Sy Syms School of Business. He received his semikha, Yoreh Yoreh and Yadin Yadin, from RIETS, where he was a fellow of the Wexner Kollel Elyon and editor-in-chief of the Beit Yitzchak Journal of Talmudic and Halakhic Studies.Rabbi Yitzchak Blau is the author of Fresh Fruit & Vintage Wine: Ethics and Wisdom of the Aggada and is Tradition's associate editor. He has taught at Yeshivat Hamivtar, Yeshivat Shvilei Hatorah, and the Yeshivah of Flatbush and currently also teaches at Midreshet Lindenbaum. Rabbi Blau has a BA in English Literature from YU, an MA in Medieval Jewish History from Revel, and semikha from RIETS. Rabbi Blau lives in Alon Shevut with his wife and four children.References:The Lion, the Witch and the Wardrobe by C. S. LewisMere Christianity by C. S. LewisFresh Fruit & Vintage Wine: Ethics and Wisdom of the Aggada by Yitzchak BlauHaEmunot veHaDeot by Saadia GaonReligion And Morality by Avi Sagi and Daniel StatmanPlato's EuthyphroGenesis 9The Brothers Karamazov by Fyodor DostoevskyEight Chapters by Maimonides Halakhic Man by Rabbi Joseph B. SoloveitchikA Theory of Justice by John RawlsFor more 18Forty:NEWSLETTER: 18forty.org/joinCALL: (212) 582-1840EMAIL: info@18forty.orgWEBSITE: 18forty.orgIG: @18fortyX: @18_fortyWhatsApp: join hereBecome a supporter of this podcast: https://www.spreaker.com/podcast/18forty-podcast--4344730/support.

Katie is joined by Dr. Mohammad Marandi, professor of English Literature and Orientalism at the University of Tehran to talk about the Iran, Israel, Resistance, media bias and more. Then Katie talks to Mouin Rabbani about Palestine. For the full discussion, please join us on Patreon at - https://www.patreon.com/posts/patreon-full-dr-131864383 Note: This broadcast was recorded Thursday July 19th, 2025 **Please support The Katie Halper Show ** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - / thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: https://x.com/kthalps Follow Katie on Instagram / kthalps