Podcasts about Barbican

The exhibition Project a Black Planet: The Art and Culture of Panafrica began its life at the Art Institute of Chicago before travelling to Museu d'art contemporani de Barcelona (Macba) in Barcelona and now to the Barbican in London, in each case changing in relation to the particular circumstances of its location. One of the show's curators is Elvira Dyangani Ose, the director of the Barcelona museum, and Ben Luke speaks to her about the show. Among the books shortlisted for the Women's Prize for Non-Fiction in the UK, which was awarded this week, is Daisy Fancourt's Art Cure: The Science of How the Arts Transform Our Health. Ben discusses her research and how it can be implemented. And this episode's Work of the Week is Sculpture with Colour (Oval Form) Pale Blue and Red (1943), by Barbara Hepworth. It features in Hepworth in Colour, a new exhibition at the Courtauld Gallery in London, and The Art Newspaper's digital editor, Alexander Morrison, speaks to the show's curator, Alexandra Gerstein, about the work.Project a Black Planet: The Art and Culture of Panafrica, Barbican Art Gallery, until 6 September. To find out more about the wider events across the Barbican visit the centre's website.Daisy Fancourt: Art Cure: The Science of How the Arts Transform Our Health, US: Celadon Books, $28.99; UK: Cornerstone Press, £22.Hepworth in Colour, Courtauld Gallery, London, 12 June-6 September Hosted on Acast. See acast.com/privacy for more information.

Samira Ahmed talks to Daft Punk's Thomas Bangalter about their new album MirageEkow Eshun, writer and broadcaster, and Polly Savage, Lecturer in the Art History of Africa at SOAS, University of London, discuss an exhibition of Pan African art at the Barbican, Project a Black PlanetFront Row introduces its AHRC/BBC New Generation Thinker for 2026, Genevieve Robyn Arkle, who is a Lecturer in Music History at King's College LondonAnd Opera director David Pountney on John Taverner's last opera Krishna, performed as a world premiere at Grange Park OperaProducer: Eliane Glaser

Tom Sutcliffe is joined by writer Alexander Larman and critic Arifa Akbar to discuss:A new production of High Society, Cole Porter's musical showcase at London's Barbican, starring Call the Midwife's Helen George in the role of the amorously vexed Long Island socialite Tracy Lord who finds her heart pulled in every which direction. Also starring Freddie Fox and Felicity Kendal.The film Savage House starring Richard E. Grant and Claire Foy, a dark satire telling a cautionary tale of greed and social climbing, set against the backdrop of 18th century England, a Pox outbreak and Jacobite Uprising. And Fiona Mozley's new book about memory, Awake Awake, in which protagonist Mary is struggling to decipher whether her recollections are fact or fiction. We also speak to the CEO of Arts Council England about their new direction.

A new revival of the Cole Porter scored musical HIGH SOCIETY has opened at the Barbican in London.The production, which is based on the movie musical of the same name, is one of the largest stagings in the show's history and seems to seek to rival Anything Goes for joyous, all-dancing scale.Check out what Mickey-Jo thought of the show, having seen 3 other productions in the past, and whether it works on this large scale...check out Mickey-Jo's substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:35 | overview / material11:17 | performances16:19 | creative choices22:24 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

This week I went to see Rickie Lee Jones at the Barbican in London. It wasn't a concert in the usual sense. It felt more like being invited into somebody's world for a couple of hours, a world built from jazz clubs, late-night conversations, drifting highways, poetry, memory and beautifully fractured songs.Jones has always occupied her own corner of American music. Too jazzy for straightforward rock, too literary for pop, too restless to stay in one place stylistically. From the extraordinary run of albums that began with Rickie Lee Jones and Pirates, through to the experimental material later in her career, she's remained an artist who follows instinct rather than expectation. In this episode we're discussing the Barbican performance and why Jones still feels like such a singular presence decades into her career.In this episode I am in discussion with Dr. Andrew Webber.https://www.facebook.com/share/1F15mx4ea3/https://buymeacoffee.com/lownoiseWhy buy me a coffee?Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).

Now for a roundup of accessible arts events as RNIB Connect Radio's Toby Davey catches up with Jess Beal from VocalEyes, the national audio description charity providing access to the arts for blind and partially sighted people to share some of the accessible events that are featured in their regular email newsletter.Audio described shows and events included:Mean Girls - Thursday 28 May, 7.30pm, Hull New TheatreThe Producers - Saturday 30 may, 7.30pm, Garrick Theatre, LondonKiss of the Spider Woman - Friday 5 June, 7.45pm, Mayflower Theatre, SouthamptonWaitress - Saturday 13 June, 2.30pm, wales Millennium Centre, CardiffCole Porter's High Society - Saturday 20 June, 2.30pm, Barbican centre, LondonTo find out more about these and other up-coming described arts events as well as details on how to sign up to the regular VocalEyes What's On email newsletter do visit - https://vocaleyes.co.uk(Image shows the VocalEyes logo. A speech bubble with 'VOCALEYES' written in bold black letters next to it)

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. In this episode we discuss Mick Herron’s latest in the Slough House series, Clown Town, with guest Sam Leith. We talk about Herron and Wind in the Willows, whether he’s diving into Richard Osman territory, and that shocking turn of events at the end of the book. Plus how to deal with Herron’s dry wit when interviewing him, poetry’s influence on Herron’s writing and pondering the end of the Slough House series. All that and more in this episode! Sam’s writing at The Spectator – https://spectator.com/writer/sam-leith/?edition=us Sam’s Substack – https://samleith.substack.com/ Sam’s book The Haunted Wood – https://oneworld-publications.com/work/the-haunted-wood/ Sam’s podcast The Spectator’s The Book Club – https://spectator.com/podcasts/book-club/?edition=us Follow the latest news about the upcoming AppleTV adaption here. For more on the slow horses, click here. Track down the real Slough House here.

Find all previous and future episodes listed here or in your podcast app under "Barbican Station". In this episode we discuss Mick Herron's latest in the Slough House series, Clown Town, with guest Sam Leith. We talk about Herron and Wind in the Willows, whether he's diving into Richard Osman territory, and that shocking turn … Continue reading Barbican Station – Clown Town by Mick Herron – Explored

Childhood epilepsy, medical treatment, and the power of a mother and son working together. Filmmaker Emma Matthews and her son Louis Petit have created a new film, along with his father Chris Petit. D is for Distance focuses on Louis's own experience of severe, drug‑resistant epilepsy. He suffered hundreds of seizures, frightening drug withdrawals and years of uncertainty — until they travelled to the Netherlands to get medical cannabis. Their film opens today at the British Film Institute in London. Emma and Louis join Anita Rani, along with Professor Finbar O'Callaghan from the Epilepsy Research Institute.The sale of second hand clothing is forecast to rise this year to £217bn globally. Here in the UK it's estimated the market has grown to more than £7bn, and nearly one in four fashion transactions. So why are women turning to resale sites like Vinted and Depop? Consumer expert Kate Hardcastle, founder of Insight With Passion, tells us where this growth is coming from and discusses future trends. Composer Tansy Davies tells Anita about The Passion of Mary Magdelene, which has just premiered at The Barbican in London and will be broadcast on BBC Radio 3 on Saturday 4 April at 10.30pm. The piece tells the story of the crucifixion through Jesus's most important female follower and the first person to witness the resurrection. Tansy talks about why she wanted to focus on Mary and examines the conflicting views about Mary Magdalene.In her new book Herlands, BBC global reporter Megha Mohan explores the history of women-led communities both physically and virtually, from co-housing for older women in Paris to the controversial feminist online trolls of South Korea. Megha travelled around the globe to hear from the women who created and care for these communities, which offer refuge, resilience, and connection to the land. Producer: Melanie Abbott Editor: Sarah Crawley

On this day, 3 April 1967 construction firm Myton, assisted by the police and the construction workers' union National Federation of Building Trades Operatives, attempted to bring in a scab workforce to replace unofficial strikers who were demanding reinstatement of victimised worker activists on the Barbican site in London. The strikers had been out for 6 months, and were threatened with expulsion from their union (which would also cost them jobs in closed shop sites). A union official who tried to support the workers was sacked by the union. Still the workers held out for over 7 more months against the employers, the unions and the police but were eventually forced to give in. More information and sources: https://stories.workingclasshistory.com/article/10152/myton-buses-in-barbican-scabsOur work is only possible because of support from you, our listeners on patreon. If you appreciate our work, please join us and access exclusive content and benefits at patreon.com/workingclasshistory.See all of our anniversaries each day, alongside sources and maps on the On This Day section of our Stories app: stories.workingclasshistory.com/date/todayBrowse all Stories by Date here on the Date index: https://stories.workingclasshistory.com/dateCheck out our Map of historical Stories: https://map.workingclasshistory.comCheck out books, posters, clothing and more in our online store, here: https://shop.workingclasshistory.comIf you enjoy this podcast, make sure to check out our flagship longform podcast, Working Class History

In Episode 55, Ella chats with Michael Beek: writer, journalist, and Director of the London Soundtrack Festival. Michael has worked in and around film and TV music for more than twenty years, interviewing some of the industry's most important composers, writing album sleeve notes for major labels and programme notes for the likes of the BBC Proms and the Royal Albert Hall. He was previously BBC Music Magazine's Reviews Editor and Editor of musicfromthemovies.com. Ahead of his first London Soundtrack Festival - now in its second year - he talks about 'accidentally' building a career from his greatest passion, meeting and interviewing John Williams, the flourishing of film music concerts, and mistakes that still make him cringe many years later...The London Soundtrack Festival is the capital's very first festival dedicated to celebrating the music of film, TV and games. Running from 9-12 April, this year's festival takes place in the city's biggest cultural venues - the Barbican, Cadogan Hall, Central Hall Westminster - with a fantastic line-up of talent including David Arnold, Rachel Portman, John Lunn and Julian Nott.-------------------London Soundtrack Festival 2026-------------------Follow The Classical Circuit on InstagramDid you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*No offence taken if not.--------------------Music: François Couperin - Le Tic-Toc-Choc ou Les MaillotinsPerformed by Daniel Lebhardt--------------------The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart). Hosted on Acast. See acast.com/privacy for more information.

You may have heard the phrase 'third place' being used more often as the world started opening up post-pandemic. People were craving somewhere that was neither their home or work, but still a place to focus social connection. But the Barbican, in London, was WAY ahead of its time. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This hour long mix comprises of field recordings made on and around Spring Equinoxes of various years. It takes you down through the Northern Hemisphere – from my sitting room in East London to a cottage balcony in the tropical  forests of Borneo. Listen for Slovenian jackals, Polish moor frogs, a Himalayan shepherd herding sheep, a hippopotamus getting ready for the night in Sierra Leone and choirs of birds singing across the globe. It was only in researching for this show that I realised the equinox actually refers not to a whole day but a single moment in time, when the sun faces directly over the equator, granting the entire globe with roughly equal length days and nights around it. I was captivated by this idea of a single moment of equilibrium and the impossibility of capturing that – which is much like the experience of listening itself, always dissolving as soon as you try to catch hold. And the equinox moment itself is both something of a physical reality, and pure idea, constructed entirely by an imaginary line humans have drawn and named the equator. Again, this paradox seems to resonate with the act of field recording, which both records a physical reality of a time and place through the sound waves that are imprinted through a microphone, but also creates a totally new and artificial object of its own. Whilst lines of longitude go from east to west and determine clock time, lines of latitude go from North to South and determine climate, with the suns rays becoming more intense the further south we go. Whilst enjoying one of the first sunny days we've had in London (where I am) in a long time, I decided to structure this mix along lines of latitude, moving from North to South through the Northern Hemisphere. I wonder if listeners will be able to feel the sun's intensity increasing through their ears. It was a privilege to shape these extraordinary sounds into a journey. Whilst making it I found myself contemplating the equinox as a time of both stillness and motion, sameness and divergence, meeting and departure – and I invite you to listen into this space of contradiction with me. Anna Clock is a composer, sound artist and researcher. Their practice is rooted in live acts of listening and challenging audiences to listen to each other, and their world, in new ways. They play the cello and also cut hair. They are currently pursuing an AHRC-funded Collaborative Doctoral Award with the Science Museum and Royal Holloway University exploring quantum aurality and how we listen to outer space.  Recent works have been heard in Barbican, Royal Court Theatre, Wellcome Collection, The Albany, 100 years Gallery (UK), Project Arts Centre, Gate Theatre (IRL), Times Square Arts, Irish Arts Centre (USA) Dresden Staatschauspiel, Staatstheater Mainz (GER), CIRKO (FIN) and on Radio 4, Radio 3, Resonance FM and RTE Lyric radio. Playlist: [01:19-03:45] A mysterious voice memo at the piano (me) [03:45-05:20] Bartlett park (me) | UK [05:20-07:16] Dawn's Chorus: Mating Calls of Moor Frogs at Sunrise: Jakub Orzecki | Poland [07:16-10:11] Howling Jackals: Jan Brelih | Slovenia [10:11-12:01] Wood Frogs at the Library: Mike Bullock | USA [12:01-15:10] Dawn Chorus in the Early Days of Spring: Enis Çakar | Türkiye [15:10-20:05] Incoming Tide at Gold Bluffs Beach: Kelly Rafuse | USA [20:05 -25:45] Snowfall in Himalayas: Jan Brelih | India [25:45-31:59] Soft Dawn Chorus in the Jungles of Nepal: George Vlad | Nepal [30:22-35:37] Himalaya Forest Valley: Jan Brelih | India [35:37-40:36] Himalayan Shepherd: Jan Brelih | India [40:36-45:33] Dawn Chorus at Mora River: Giselle Ragoonanan | Trinidad and Tobago [45:33-48:07] Busy Dawn Chorus in the Savannah: Sounding Wild | Sierra Leone [48:07-49:38] Gentle Wind at Dusk in the Savannah: Sounding Wild | Sierra Leone [49:30-51:42] Hippopotamus Preparing for the Night: Sounding Wild | Sierra Leone [51:42-52:24] Nocturnal Pulse: Usun Apau Ancient Forest: Jan Brelih | Malaysia [52:24-53:51] Night Walk in Rainforest Discovery Center: Gina Lo | Malaysia [53:51-58:05] Bornean Anura: Gina Lo | Malaysia

“It's not until you're leading an ensemble that you really figure out how to make the music happen and how to motivate the people around you. It's humbling in a lot of ways, and it's so gratifying. As a conductor, you're providing the framework for musicians to do their best work. Both in the way that you structure rehearsal and the gestures that you are showing the music through, you're creating a scaffolding, inviting people in, and collaborating together. Ideally, you're creating a situation where everybody has ownership of the musical process and the musical result as well.”Grant Gershon currently celebrates his 25th season as the Kiki and David Gindler Artistic Director of the Los Angeles Master Chorale, which he has turned into the "best-by-far major chorus in America” (Los Angeles Times). Earlier in 2026, Grant and the Chorale were honored to receive their second Grammy™ Award for Best Choral Performance, and they have been nominated 3 times in the last 5 years in this category. In 2025 the Chorale was featured on the Academy Awards ceremony, broadcast to over 19 million viewers around the world.A champion of new music, Grant led the world premiere of John Adams' Girls of the Golden West at the San Francisco Opera. He also conducted its European premier at the Dutch National Opera. As Resident Conductor of LA Opera, Grant conducted the West Coast premiere of Philip Glass's Satyagraha, and he led the world premiere of Daniel Catán's Il Postino, subsequently released on Sony Classical Records.Among the highpoints of his tenure with the LA Master Chorale, he twice opened the famed Salzburg Festival—with Orlando di Lasso's Lagrime di San Pietro in 2019 and Heinrich Schütz' Music to Accompany a Departure in 2023. He and the Chorale also performed these works to enormous acclaim in London, Paris, Montreal, Toronto, Chicago and New Zealand.Grant's discography with the Chorale includes recordings of music by Billy Childs, Nico Muhly, Henrik Gorecki, David Lang, and Steve Reich. He has also led the Chorale in performances for motion picture soundtracks, including, at the request of John Williams, Star Wars: The Last Jedi and The Rise of Skywalker.In New York, Grant has appeared at Carnegie Hall, Alice Tully Hall and Trinity Wall Street. Other major appearances include performances at the Ravinia, Aspen, Edinburgh, Helsinki, Salzburg, and Vienna festivals; Teatro Colon in Buenos Aries, the Barbican in London and the Paris Philharmonie. He has worked closely with numerous legendary conductors, including Claudio Abbado, Pierre Boulez, Gustavo Dudamel, Zubin Mehta, Simon Rattle, and his mentor, Esa-Pekka Salonen.To get in touch with Grant, you can email him at ggershon@lamasterchorale.org or find him on Instagram (@the_gershmeister).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

My guest today doesn't really need an introduction. Elizabeth Gilbert is many things - an internationally bestselling author of the global phenomenon, Eat Pray Love, a Time 100 most influential person, a speaker and a teacher, with millions of online followers. But she is also, to put it in her own words, a ‘human permission slip', the woman who told an entire generation of women it was OK to do whatever they needed to do, to travel for the sake of travelling. EPL sold millions of copies worldwide, was translated into 46 languages and the movie adaptation, starring Julia Roberts, grossed $200 million at the box office. Liz went on to write two bestselling novels (The Signature of all Things and City of Girls), the creativity book Big Magic (which has a permanent place on my shelf) and three more memoirs.  Her latest, All The Way To The River, caused a media furore when it was published, in large part because of the candour with which Liz spoke about her own addictions - to love, sex, and control - and her relationship with her best friend, Rayya Elias who became her lover when Rayya was diagnosed with cancer. Liz joined me, on the 20th anniversary of Eat Pray Love to talk about it's life changing impact, the responsibility to take risks and the crucial importance of financial independence. We also discussed radical ageing, public shaming, walking away from the idea of the great love story, developing a sober dating plan, what women really want and why we all just want to be swamp witches! A quick note for British fans: Liz will be at the Barbican on Monday March 2nd, to get tickets go to https://www.barbican.org.uk/whats-on/2026/event/an-evening-with-elizabeth-gilbert-all-the-way-to-the-river * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, including All the way to the river by Elizabeth Gilbert as well as the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode of the Seven Figure Consultant Podcast, we're doing something a bit different! My guest Sharath Jeevan, Founder of The Generational Success Lab at Oxford's Said Business School, is interviewing me as we approach the one-year anniversary of my book 'Too Much'. If you've ever felt like your ambition was 'too much' for the world around you, or if you left corporate because you needed a bigger playing field to run on, this conversation is for you. Sharath and I explore how I went from a rebellious teenager who wanted to be a rock star to building a seven-figure consulting business that finally gives me the container I need.  We talk about the corporate exit, the early days of celebrating £3,000 months, and what it really takes to build a business around your zone of genius rather than what you think you're 'supposed' to do.  This is a candid conversation about legacy, ambition and what happens when you finally stop trying to fit into someone else's version of success. In This Episode:  [00:01:33] How Jessica's early ambition and 'too much-ness' shaped her path - and why entrepreneurship became the only container that could hold her [00:05:16] The violin, physics homework, and parental expectations: navigating the gap between what your family wanted and who you actually are [00:10:22] The corporate years at Sony and the moment Jessica realized she'd rather be made redundant than stay - and what came next [00:17:50] Building a £3,000/month business from the attic and how Jessica's husband became her biggest supporter [00:22:49] The pivot moment: when Jessica stopped trying to 'follow the business plan' and started listening to what clients actually needed [00:27:14] Getting past comparisonitis and imposter syndrome and why one client sale fixes most business problems [00:29:34] Reflecting on the book 'Too Much', writing as legacy work, and what's next Key Takeaways:  Entrepreneurship was the only container big enough: If you've always felt restless in corporate, it's not because you're broken. You just need a playing field where you can run as fast as you want without hitting a ceiling. The power of low-volume, high-ticket consulting: One client sale can fix most business problems. Five clients can fix almost everything. This is why we build businesses where you're not making 500 sales just to stay afloat. Your ambition isn't the problem. The context is: Jessica spent years being told she was 'too much'. The breakthrough came when she stopped trying to fit into someone else's version of success and built a business aligned with her actual genius. Quotes:  "Entrepreneurship has been the only thing that I found, the only container that can actually hold me, that doesn't make me feel kind of trapped or restricted and gives me a big playing field where I can run as fast as I want." - Jessica Fearnley "I always try and go with the path of least resistance, keeping the bar as low as it can possibly be, because then it's like, I may as well have a go. And you know, more often than not it goes well and it works." - Jessica Fearnley "I'm really passionate about how we can be intentional about our legacy. You've done that very consciously and deliberately, and I'm very passionate about how we can all try and find that whatever way makes sense for us in our lives as well." - Sharath Jeevan Useful Links Sharath Follow Sharath on LinkedIn Sharath's Website: intrinsic-labs.com Episode 112: Encouraging Yourself to Make a Bigger Impact with Sharath Jeevan Jessica: Buy Jessica's book, Too Much, on Amazon Get in touch with Jessica to discuss your consulting business Leave a rating and review for the Seven Figure Consultant Podcast Connect with Jessica on LinkedIn Guest Bio Sharath is focused on helping Leaders across sectors futureproof success and build intentional legacy, with clients ranging from L'Oreal to the Barbican to the NHS. He's established the Generational Success Lab at Oxford University's Said Business School, where he's exploring how generations can collaborate better to shape a better world. He's the author of two acclaimed leadership books, "Intrinsic" and "Inflection". Sharath is exploring the questions of generational transition through a forthcoming novel and comedy show.

Das Barbican Quartet gehört zu den spannendsten Stimmen der Kammermusikszene und stellt ihr neues Album "Lux Intus" vor.

En 1966, en la ciudad de São Paulo, los hermanos Dias Batista, Arnaldo y Sergio, se unieron a Rita Lee para formar el grupo Os Mutantes. En 1999, con la publicación del recopilatorio 'The best of Mutantes. Everything is possible', por el sello Luaka Bop de David Byrne, el mundo anglosajón (Beck, Kurt Cobain...) descubrió con asombro (y con retraso) la creatividad de aquellos brasileños psicodélicos. Les recordamos con grabaciones de los años sesenta y setenta de 'Ando meio desligado', 'Ave, Lucifer', 'Panis et circenses', 'Baby', 'Fuga nº II', 'A minha menina', 'Bat macumba', 'Technicolor', 'Le premier bonheur du jour', 'I feel a little spaced out', 'Vida de cachorro' y 'Balada do louco'. Y en el concierto que los volvió a reunir, hace veinte años, en el Barbican de Londres, pero sin Rita Lee -cantó con los hermanos Zelia Duncan- en 'Balada do louco', 'Fuga nº II' y 'Le premier bonheur du jour'. Escuchar audio

To commemorate the centenary of electronic music pioneer Daphne Oram on 31 December 2025, Caro C explores Oram's lasting influence in a conversation with Sarah Angliss and Ian Stonehouse. The episode continues with Shiva Feshareki and James Bulley discussing their Proms performance of Still Point, Oram's innovative orchestral work from 1948 that integrated electronic sound and live manipulation.Chapters00:00 - IntroductionSarah Angliss & Ian Stonehouse02:15 - Composer, Inventor and the Radiophonic Workshop06:42 - Inspired by the sound-houses of Francis Bacon11:34 - Working In Frequency, Not Pitch13:01 - Tower Folly and the Oramics Machine16:09 - Working With Post-War Equipment22:12 - Insights and Inspiration from the Archives26:56 - Top Musical Selections From the ArchiveShiva Feshareki & James Bulley32:57 - A Proms Performance Of Still Point37:55 - The Daphne Oram Archive and Goldsmiths41:12 - Creating A Historically Accurate Performance45:22 - Following The Written Instructions53:27 - Creating An Updated ScoreSee also:https://www.soundonsound.com/people/graham-wrench-story-daphne-orams-optical-synthesizerhttps://www.soundonsound.com/people/story-bbc-radiophonic-workshopDaphne Oram BiogDaphne Oram (1925–2003) was a pioneering British composer and inventor, and one of the founders of the BBC Radiophonic Workshop. A trailblazer in electronic music, she developed the Oramics system, a groundbreaking method of composing sound by drawing directly onto film, allowing pitch, timbre and dynamics to be controlled visually rather than through traditional notation. Her work fundamentally reshaped ideas about how music could be created, laying the foundations for electronic composition, sound synthesis and experimental music practices that continue to influence composers, producers and sound designers today.Website: www.daphneoram.orgSarah Angliss BiogSarah Angliss is an Ivor Novello Award-winning composer, performer, and instrument designer working across film, theatre, and live performance in Europe and North America. Her work includes the electroacoustic score for Romola Garai's Amulet and the opera Giant, which combines baroque instruments with electronics and DIY music machines. Drawing on European folk, cybernetics, and electroacoustic engineering, her music explores inventive sound design. Sarah has received the Visionary Award from the Ivors Academy (2021) and a Paul Hamlyn Award for Composers (2018). She's recently joined the Augmented Instruments Lab at Imperial College, London, for researching lost alternative design strategies dormant in forgotten electronic musical instruments.Website: www.sarahangliss.comInstagram: @sarah_anglissIan Stonehouse BiogIan Stonehouse is an archivist, researcher and performer working in the Electronic Music Studios and Special Collections at Goldsmiths, University of London, with the archives of composers Daphne Oram, Lily Greenham and Hugh Davies. He has lectured in Sonic Art for over 30 years and was Head of the Electronic Music Studios at Goldsmiths from 2004-2019. Most recently he's been a research consultant and instrument maker for projects including Lily Greenham: An Art of Living at Badischer Kunstverein in Karlsruhe, Germany (2024), the Science Museum's Time Loops concert series with composer Gavin Bryars and the group Icebreaker (2024-25), Ensemble Contrechamps' Daphne Oram: An Individual Note concert at the Auditorium Ansermet in Geneva (2025), Nonclassical's Vari/ations: An Ode to Oram event at the Barbican in London (2025) and as part of an ensemble celebrating the legacy of experimental group Gentle Fire at Cafe Oto in London (2026).Bandcamp: ianstonehouse.bandcamp.comInstagram: @soonheisatuneShiva Feshareki Biog A doctoral composition graduate from the Royal College of Music, Shiva Feshareki is an Ivor Novello award-winning British-Iranian composer and turntablist, working at the intersection of contemporary-classical and electronic music. She has performed internationally in concert halls, galleries, and raves, including the BBC Proms, Southbank Centre, Barbican, Konzerthaus Berlin, Mutek Montreal, and Amsterdam Dance Event, collaborating with ensembles such as the BBC Singers, London Contemporary Orchestra, Ensemble Modern, and Vienna Radio Symphony Orchestra.Website: studiofeshareki.comInstagram: @shivafesharekiX - @shivafesharekiJames Bulley BiogJames Bulley is an artist and musician working with sound across installation, performance, immersive audio, film, theatre, and public art. His work has been presented internationally in galleries, concert halls, and public spaces. Projects include the world-premiere performance of Daphne Oram's Still Point at the BBC Proms, alongside collaborations with artists, filmmakers, and institutions including Marshmallow Laser Feast, the National Trust, Opera North, and the BBC.Website: jamesbulley.comInstagram: @jjbulleyCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.Website: carocsound.comX: @carocsoundInstagram: @carocsoundFacebook: www.facebook.com/carocsoundCatch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

After reported rumours, it has now been confirmed that a major new revival of the musical SUNDAY IN THE PARK WITH GEORGE will open at the Barbican in London in Summer 2027.The musical, which won the Pulitzer Prize for Drama in 1985, was written by Stephen Sondheim and James Lapine, and will star Wicked stars Jonathan Bailey and Ariana Grande.In this theatrical news recap, Mickey-Jo is sharing all of the information that has been announced so far as well as his thoughts on this upcoming production, and who deserves the chance to see it...•00:00 | introduction 02:11 | production details09:18 | cast + creatives 17:26 | tickets / final thoughtsAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

With tracks from Tigerbalm & Farafi, Toomy Disco, Ninetoes, Sam Ruffillo & Fimiani Feat. Gianni D'uomo, Simion vs. MD X-Spress, Thierry Tomas, RSS Disco & Amount, Coburn, Johannes Albert, Lis Sarroca, Vinny Villbass, Them, Technasia, Dee Gorgeous, Dukwa, Black Eyes, Lopezhouse, Ichisan, Franck Roger, Rockers Hi-Fi, Instruments Of Rapture, Marvin Dash. Contact: dj@ribeaud.ch.

Contemporary artist Jumana Emil Abboud respirits water sources from Palestine to Wales, drawing on folklore, oral storytelling, and memories of dispossession and resistance, in her ongoing series of collaborative workshops and performances, The Water Diviners (2020-).Jumana Emil Abboud's exhibition is at Mostyn in Llandudno until 22 February 2026.Artes Mundi 11 continues at venues across Wales until 1 March 2026, with the winner announced at the National Museum Cardiff on 15 January 2026.For more from Mostyn, hear artist ⁠Taloi Havini⁠, winner of Artes Mundi 10, on the connections between extractive industries in the Pacific Islands and Wales. and their work documenting the environmental damage caused by colonial, and patriarchal, relations with land, in Habitat (2017): pod.link/1533637675/episode/e30bd079e3b389a1d7e68f5e2937a797And contemporary and performance artist ⁠Paul Maheke⁠, as he moves between France, Congo, and Canada, and explores the ‘archive of their body' through drawing and dance, in Taboo Durag (2021): ⁠pod.link/1533637675/episode/56020e3b6ddd4b59c15296540a140bd1 ⁠Read into Alia Farid's embroidered tapestry series Elsewhere (2023), at Chisenhale in London, and the Henie Onstad Kunstsenter in Oslo, in recessed.space: recessed.space/00232-Alia-Farid-at-Henie-Onstad-KunstsenterFor more from curator Rachel Dedman, listen to the episode about an UNRWA Dress from Ramallah, Palestine (1930s)⁠: pod.link/1533637675/episode/92c34d07be80fe43a8e328705a7d80cbAnd read into the exhibition, Material Power: Palestinian Embroidery, at Kettle's Yard in Cambridge and the Whitworth in Manchester, in gowithYamo: gowithyamo.com/blog/textiles-in-cambridge-palestinian-embroidery-at-kettles-yardFor more from Siren Songs: Water as told by Artists at the Villa Medici in Rome (2025), read about Yannis Maniatakos and Zeljko Kujundzic, in gowithYamo: gowithyamo.com/blog/men-at-sea-yannis-maniatakos-and-zeljko-kujundzicAnd on water as archive, history, and method, listen to curator Eleanor Nairne on Julianknxx's Chorus in Rememory of Flight (2023) at the Barbican, and Professor Paul Gilroy, on The Black Atlantic (1993-Now) in Plymouth.PRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠⁠⁠instagram.com/empirelinespodcast⁠⁠⁠Support EMPIRE LINES on Patreon: ⁠⁠⁠patreon.com/empirelines

In this special episode, author, curator, and archaelogist Dan Hicks joins EMPIRE LINES live, to trace the origins of contemporary conflicts over art, history, memory, and colonialism, through their book, Every Monument Will Fall (2025).This episode was recorded live at Curio at Common Ground in Oxford in October 2025. Find all the information in the first Instagram post: instagram.com/p/DN0R3hN2ExOEvery Monument Will Fall: A Story of Remembering and Forgetting by Dan Hicks is published by Penguin, and available in all good bookshops and online.Hear artist Pio Abad on Giolo's Lament (2023) at the Ashmolean Museum in Oxford: pod.link/1533637675/episode/1e7df6b20f9c99aae3e4df96f50913cfRead about Ali Cherri's 2025 exhibitions, How I Am Monument at the Baltic Centre for Contemporary Art in Gateshead, and Vingt-quatre fantômes par seconde (Twenty-four Ghosts Per Second) at the Bourse de Commerce in Paris, in the Burlington Contemporary: contemporary.burlington.org.uk/articles/articles/ali-cherriFor more about Octavia Butler, hear artist Pamela Phatsimo Sunstrum on It Will End in Tears (2024), at the Barbican in London: pod.link/1533637675/episode/6e9a8b8725e8864bc4950f259ea89310And read about the exhibition, in gowithYamo: gowithyamo.com/blog/pamela-phatsimo-sunstrum-barbicanPRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠⁠instagram.com/empirelinespodcast⁠⁠Support EMPIRE LINES on Patreon: ⁠⁠patreon.com/empirelines

In this week's Gramophone Podcast we remember Alfred Brendel, one of the most significant and much-loved musical figures of age, in the company of his son, the cellist Adrian Brendel, who takes Editor Martin Cullingford around the pianist's library and studio and reflects on what his books, art and belongings tell us about him. He also talks about a very special event on January 5, at the Barbican in London, at which fellow artists and friends of Alfred Brendel will gather for a remarkable evening of music, to celebrate his life and also raise money for a cause very close to his heart.

You might know the star of Rivals for his revealing role in the hit Disney+ show, but did you know about his dramatic allium allergy?! I thought not. Alex Hassell might be best known for his portrayal of the dashing bounder, Rupert Campbell-Black in the Emmy-Award winning TV adaptation of Jilly Cooper's Rivals but his career spans the Royal Shakespeare Company, a leading role opposite Anya Taylor-Joy in The Miniaturist, HBO's His Dark Materials and co-founding the pioneering Factory Theatre Company. In this conversation, Alex reflects on the role therapy and his marriage have played in weathering early-career rejection. We talk about his struggle with self-confidence, his unlikely 'failure' to get into trouble and the rebellious streak that defined his youth - including that time he took acid at Alton Towers. Plus: having to spray tan his own private parts. This episode was recorded live at the Barbican earlier this year. ✨ IN THIS EPISODE: 00:00 Intro 03:17 Season Two of Rivals 04:35 The Challenges of Acting 05:28 Therapy and Self-Reflection 11:17 Overcoming Self-Doubt 13:31 School Experiences and Bullying 20:13 The Factory Theater Company 23:31 Reflecting on Early Career Challenges 23:57 The Onion Allergy Struggle 28:16 Balancing Historical Accuracy and Sensitivity in 'Rivals' 29:30 The Pressure to Be Good 33:12 Family Influence and Personal Growth 40:57 The Actor's Vulnerability and Connection

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. We are here to recap episode 8 the season finale of the show Down Cemetery Road. We talk all about this season ender. Bus frustrations! Multiple gun standoffs! Church fires! Plus we discuss all those endings, Chekhov’s grenade and … Caps for Sale? Finally, will we see a season two and what could it look like? All that and more in this episode! Fehinti’s TED Talk “How to find your voice for climate action” – https://www.ted.com/talks/fehinti_balogun_how_to_find_your_voice_for_climate_action Fehinti’s other TED Talk “A Letter to My Brother: Overcoming Powerlessness in a Complex World” – https://youtu.be/-RumkQQ0Gpw?si=PVnRFj4BvIezOGT5 Keir Graff's Website – https://keirgraff.com/ Sign up for Keir's newsletter – https://keirgraff.com/newsletter/ The Filmographer's Podcast – https://filmographerspodcast.com/ The Filmographer’s Podcast Patreon – https://www.patreon.com/cw/TheFilmographersPodcast Keir on the Fine Arts Building – https://www.newcity.com/2023/10/30/enduring-art-after-125-years-the-fine-arts-building-is-defiantly-unmodernized-and-ready-for-its-next-act/

Dave Hendon looks back at a dramatic UK Championship final, delves into Mark Selby's character, gives a history of the 'triple crown' and hears from listeners about the Barbican, pocket sizes and a new campaign to stop chalk disappearing. Email us at snookerscenepodcast@mail.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, Ceri speaks the extraordinary Memo Akten — artist, researcher, computer scientist. For more than a decade, he has worked with emerging technologies, AI, Big Data, and our Collective Consciousness as scraped and shaped by the internet, to explore consciousness, perception, ecology and the politics of our techno-lifestyles. He won the Golden Nica at Prix Ars Electronica, became Google's first artist-in-residence in their Artists & Machine Intelligence programme, and has exhibited at the Venice Biennale, Tribeca, the Barbican, ACMI, Mori Art Museum, and the Academy Museum in LA. His collaborations span U2, Lenny Kravitz, Depeche Mode, Max Cooper, Richard Dawkins, Google, Apple and McLaren. KEY TAKEAWAYS Technology is never neutral. It shapes us as much as we shape it. Memo reminds us that behind every dataset is a culture, behind every model is a worldview, and behind every technological leap is a chain of ecological, political and emotional consequences. The world can only meet your ideas if you let them out of hiding. Memo's story is a masterclass in releasing the work before you feel ready. If you are wrestling your way through a project remember - the destination is just the documentary still. Gathering the threads that eventually become something whole is where the real art is. BEST MOMENTS “We can use technology to understand ourselves more deeply, to pay attention to the world more carefully, and to ask bigger, braver questions.” “I very rarely begin a project with an end goal of this is what it should look like, in mind. I usually begin with this is how I want it to behave.” AN UNMISSABLE OFFER If the art world feels confusing, you're not imagining it. Most artists are guessing their way through it and staying stuck far longer than they need to. Inside the Ceri Hand Coaching Membership, you get straight answers and real support. Each week, I run live sessions where you can bring any problem and I'll help you cut through it fast — creative blocks, pitches, pricing, all of it. You'll get coaching with me, the chance to host or attend a virtual studio visit, portfolio reviews, monthly art world experts, and a community who genuinely get it. It's the kind of guidance most artists wish they'd had years ago. Right now, you can join or gift a full year for £99, our only discount of the year, available until the first of January. Join the Membership, or gift it to someone who needs it. We'll get there faster together. Just click here: cerihand.com/membership. EPISODE RESOURCES https://www.memo.tv https://www.instagram.com/memo_akten HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Artworld Network Self Study Course Our self-study video course, 'Unlock Your Artworld Network', offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com ** This Podcast has been brought to you by Disruptive Media https://disruptivemedia.co.uk/

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. I’ve got a special Down Cemetery Road interview episode for you. I was lucky enough to get some time with both Fehinti Balogun who plays Amos and Darren Boyd who plays C. I thought both were really fascinating conversations and I think you’ll enjoy them. Fehinti’s TED Talk “How to find your voice for climate action” – https://www.ted.com/talks/fehinti_balogun_how_to_find_your_voice_for_climate_action Fehinti’s other TED Talk “A Letter to My Brother: Overcoming Powerlessness in a Complex World” – https://youtu.be/-RumkQQ0Gpw?si=PVnRFj4BvIezOGT5 Darren’s show SPY – https://www.justwatch.com/us/tv-show/spy-2011

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. We are here to recap episode 7 of the show Down Cemetery Road. I welcome Matthew Bradford back to the show. We talk about whether Amos is more Jason Bourne or Michael Meyers. Plus we discuss those great locations, minor character moments, cliffjumpers and cliffhangers. Finally, what’s going to happen next episode? All that and more in this episode!

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. We are here to recap episode 6 of the show Down Cemetery Road. We talk about the joys of train travel, boat travel and helicopter travel. Plus we discuss why this episode would not be sponsored by the Scottish Tourism Board and playing Bananagrams. Finally, did the end of the episode have an epically successful needle drop? All that and more in this episode! SNL Irish American Skit – https://www.youtube.com/watch?v=xzlMME_sekI Keir Graff's Website – https://keirgraff.com/ Sign up for Keir's newsletter – https://keirgraff.com/newsletter/ The Filmographer's Podcast – https://filmographerspodcast.com/ The Filmographer’s Podcast Patreon – https://www.patreon.com/cw/TheFilmographersPodcast Keir on the Fine Arts Building – https://www.newcity.com/2023/10/30/enduring-art-after-125-years-the-fine-arts-building-is-defiantly-unmodernized-and-ready-for-its-next-act/

Idag ska vi ägna oss åt ett litet, men laddat, plagg, förklädet. Som blivit lite av en vattendelare. Lyssna på alla avsnitt i Sveriges Radios app. Det har länge fungerat som ett okontroversiellt skydd för smuts och stänk på olika arbetsplatser, inte minst på restauranger. Men under senare tid har förkläden även dykt i sociala medier där de bärs av unga kvinnor som lajvar traditionella hemmafruar, ”så kallade ”tradwives”. Kvinnor som sköter för hushållet, medan mannen står för försörjningen.Förklädet har även börjat synas på catwalken. Flera olika modemärken, som The Row, Hermès, Phoebe Philo och Dior har alla lekt med förklädet och dess former, den senaste tidenMen nyligen tog det italienska märket Miu Miu ledningen genom att under sin visning av modet för våren och sommaren 2026 klä alla sina modeller i olika typer av just förkläden.Genom historien har förklädet förekommit i många olika modeller, färger och former, men de har också haft olika funktioner. Reportage med dräkthistorikern Toni Lewenhaupt som berättar om förklädet historia. När förklädet inte gör gästspel på modehusens runways, så hör det oftast hemma i – just det – restaurangköken. Bland skärbrädor, knivar, ugnar och eld driver kocken Niklas Ekstedt flera krogar i Stockholm och har sedan länge varit ögonvittne till förklädets utveckling som statusmarkör. Vi tar också en titt på just det som förklädet ska skydda oss från smutsen. En aktuell utställning i London på kulturcentret Barbican skärskådar den komplicerade relationen mellan just mode och smuts, vi ringer upp curatorn Karen Van Godtsenhoven.

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. The links to donate to Literally Healing are tinyurl.com/teame25 for the amazon wishlist of books and tinyurl.com/giveteame for a monetary donation. We are here to recap episode 5 of the show Down Cemetery Road. I'm joined by computer expert Gary. We talk about cool PI cars, train stations and the importance of a nice bath. Plus we discuss brute force, sql injections and spidering, oh my! Finally, we talk about Sarah the outlaw. All that and more in this episode!

(Full episode for paid subscribers on Substack.)I have been lucky enough to interview Liz Gilbert multiple times over the years. First almost ten years ago now, when I launched my podcast Ctrl Alt Delete in 2016. We spoke on Skype, the audio was tinny, it was the early days of podcasting, I was in my mid-twenties recording from my spare box-room in my old Hackney flat. I remember how magical it felt to be speaking with a woman I admired so much. I was invited to her book launch luncheon for Big Magic in London members' club and I sat with journalists ten years older than me. I interviewed Liz again in 2019, when I was writing my first novel Olive, and her brilliant novel City of Girls was published. I went to the Bloomsbury offices on a bright sunny day, walking through Bedford Square Gardens with a t-shirt that said Sigourney Weaver on it.In April last year, I had the honour of introducing Liz on stage in front of thousands of people at the Barbican as part of her UK tour, and I got to attend one of her sold-out creativity workshops. As readers, we get to see all her different eras. During our conversation, we call the writing life ‘living out loud' and ‘learning in public.' For many Millennial women like me, Liz has been an unapologetic symbol of living a creative life, leaning into solitude, travel, adventure—and quite frankly: doing whatever you want with your one wild and precious life.Before All the Way to the River came out this year—her new memoir all about her all-consuming relationship with her late partner Rayya Elias—I was lucky enough to read an early copy in proof form. I was absolutely glued to it, pretty much ignoring my husband for two days, totally immersed in Liz's world. I love Liz's novels for this reason, they're big and expansive, an intricately built world to escape into, and I love this about Liz's non-fiction too—she lets us into the full truth of what's been going on in her life and shows us around. She did it in Eat Pray Love, Committed, and now this new book. It takes courage to say: Actually, you know what, I'm still a work in progress—and aren't we all? She says life is full of ‘good guesses' and it suggests that we should all have compassion for our past selves who were trying to figure out all of this *points around*. We don't have to tie up our stories in pretty packages. We don't have to be ‘consumed' easily. We don't have to have our personal stories confused with ‘giving advice' or being a guru. We live in ever-changing lives and worlds. Life is messy—and so are the memoirs that follow. “I'll see you in ten years with the next memoir. We'll see what happens after this.” — Elizabeth GilbertI loved interviewing Liz again this week, about our books, writing fiction vs non-fiction, ‘cooking' our writing before publishing it, and why we do what we do. I also asked her for some friendly advice as my own memoir A Year of Nothing publishes in January. I hope you enjoy the conversation (and how progressively dark my office gets over the recording lol, it was 4pm in the UK i.e. winter hours!) xoxoxoTimestamps during our conversation:00:00 - An introvert on tour06:00 - All The Way To The River and how it was born08:00 - Journalling vs ‘cooked' writing10:00 - How would Eat Pray Love look in 2025?13:00 - Self-help vs memoir16:00 - Having respect for your readers18:30 - The myth of the ‘guru'20:00 - The fear of publishing a memoir23:00 - Dealing with judgment or criticism25:00 - The reason why we write books27:00 - When a memoir demands to be written30:00 - Writing the book you want to read34:00 - Choosing which form to write in37:00 - Fiction vs non-fiction 40:00 - Creativity and divinity 44:00 - “Success” isn't enough47:00 - A darkness retreat50:00 - Martha Beck advice54:00 - What's next for Liz 56:00 - US vs UK audiences1:00 - Where do we write?1:05 - Alone vs lonely1:07 - Women and invisibility 1:13 - The end! More on similiar topics: This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thehyphen.substack.com/subscribe

Keaton Henson is an English musician, composer, and visual artist known for his hauntingly emotional songs and fragile voice. Despite his success, Henson rarely performs live due to severe anxiety and stage fright, which has become a defining part of his story. His debut album Dear… (2010) brought him widespread acclaim for its raw honesty, followed by Birthdays (2013) and Kindly Now (2016), which cemented his reputation as one of Britain's most distinctive singer-songwriters. His orchestral work Six Lethargies was performed by the Royal Liverpool Philharmonic Orchestra at the Barbican, and his album Monument (2020) was praised for its moving exploration of loss. Alongside his music, he is also a talented illustrator and poet, known for blending art and emotion in all his work. His latest album Parader is out on 21st November .Keaton Henson is our guest in episode 543 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .For Keaton Henson's videos, books, music and more, visit - https://keatonhenson.com .Keaton's music on Spotify - https://open.spotify.com/artist/6GFfu1alUSrL7qazImC160?si=pZINSBFvQcmjJY7qu4mKIg .Keaton's music on Apple Music - https://music.apple.com/us/artist/keaton-henson/318147460 .Follow Keaton Henson on Instagram: @keatonhenson .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast, get all episodes ad-free and a bonus episode every Wednesday of "My Time Capsule The Debrief', please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. We are here to recap episode 4 of the show Down Cemetery Road. We talk about the pluses and minuses of juggling, whether Amos and Axel grew up as theater kids and proper neighbor etiquette. Plus we discuss nosey … Continue reading Barbican Station – Down Cemetery Road Season 1 Episode 4 – Recap

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. We are here to recap episode 3 of the show Down Cemetery Road. We talk about whether assassins make the best handymen, proper crime scene clean up and the best way to view CCTV. Plus we discuss dinners with … Continue reading Barbican Station – Down Cemetery Road Season 1 Episode 3 – Recap

In her latest novel, One Aladdin Two Lamps, the writer Jeanette Winterson takes inspiration from the legendary story of Shahrazad in One Thousand and One Nights. But she calls on the reader to look again at stories we think we know, unpick how fiction works, and have the courage to challenge and change the narrative.The saxophonist and presenter Soweto Kinch will perform his new album, Soundtrack to the Apocalypse, with the London Symphony Orchestra (at the Barbican, London, on Friday 14th November), combining British jazz, hip-hop and orchestral music. This is the finale of his acclaimed trilogy of politically charged, genre-defying works that tell different stories of the past, present and future. The former MP Rory Stewart spent nearly a decade in Britain's most rural constituency, Penrith and Borders, and wrote a column for a local newspaper. In Middleland: Dispatches from the Borders he's collected together these fragmentary moments from rural life and local politics to capture a wide-ranging portrait of life and stories from the Cumbrian countryside. Producer: Katy Hickman Assistant Producer: Natalia Fernandez

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. This episode I have an interview with Nick Mohammed who plays Mayor Jaffrey on SLOW HORSES. We talk about his playing a politician on show and why we're interested in spies behaving badly. Plus what's it like joining the … Continue reading Barbican Station – Nick Mohammed Interview and Season 5 wrap-up

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. We are here to recap all the action in the new series Down Cemetery Road based on the book by Mick Herron. I'm pleased to welcome back Keir Graff to talk all the action and changes from the book … Continue reading Barbican Station – Down Cemetery Road Season 1 Episode 1 and 2 – Recap

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. Welcome back as we look at season finale of season 5 of SLOW HORSES. I'm pleased to welcome back Matthew Bradford to the show for his traditional role of clean up man on the finale episode of the season. … Continue reading Barbican Station – Season 5 Episode 6 – Recap

Are you watching Blue Lights? If not, why not? On this episode is one of the stars of the Belfast-based cop drama. She's a star of stage and screen at the peak of her acting prowess. You may have seen her as Sherlock' Holmes' evil sister in Sherlock alongside Benedict Cumberbatch or starring opposite Suranne Jones in Doctor Foster. If you're really lucky you may have even seen her break-out theatre role as Ophelia in Hamlet at London's Barbican. Sian rarely does podcast interviews - so what an honour to share a couple of glasses of wine and a really lovely chat about the confidence gained from early drama classes, the women who've reached down to help her on her journey, and the illness that nearly ended her career before it really began. Sit back, grab whatever drink you fancy and enjoy! Hosted on Acast. See acast.com/privacy for more information.

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. This episode I have an interview with Hiba Bennani who plays Tara on SLOW HORSES. We talk about this season and the surprising turn we see in episode 5. Plus how she integrated into the cast and that nightclub … Continue reading Barbican Station – Hiba Bennani Interview

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. Welcome back as we look at season 5 episode 5 of SLOW HORSES. I'm pleased to welcome author and podcaster Keir Graff to the show to talk through this penultimate episode of the season. We talk about track suits, … Continue reading Barbican Station – Season 5 Episode 5 – Recap

We're back at Woof Fest with a Jennifer Coolidge lookalike. Geoff name drops to a 12-year-old. Plus Jackson Lamb, Ho, Standish, Tavener, et al, and more mentions of our time spent at the Barbican. Did we mention we stayed in the Barbican? Write to us: fuckoff@firecrotchandnormcore.comFund our closets (we can't tell you how much we're about to spend on closets, but it's heartbreaking) patreon.com/theyliketowatchEdited by Annabel Port who is a young gun on the TikTok now! Check her out: https://bit.ly/4n8Xhlv Hosted on Acast. See acast.com/privacy for more information.

Of the 7,000 languages estimated to exist, half will have disappeared by the end of this century. That's the stark warning from the Director of the Endangered Languages Archive, Mandana Seyfeddinipur. The evolution of languages, and their rise and fall, is part of human history, but the speed at which this is happening today is unprecedented. Mandana will be appearing at the inaugural Voiced: The Festival for Endangered Languages at the Barbican in October. A sense of loss also runs through Sverker Sörlin's love letter to snow. The professor of Environmental History in Stockholm writes about the infinite variety of water formulations, frozen in air, in ‘Snö: A History' (translated by Elizabeth DeNoma), and his fears about the vanishing white landscapes of his youth.In the Arctic the transformation from frozen desert into an international waterway is gathering pace. Klaus Dodds is Professor of Geopolitics at Royal Holloway, University of London and with co-author Mia Bennett sets out the fight and the future of the Arctic in ‘Unfrozen'. While territorial contest and resource exploitation is causing tensions within the region, there is also potential for new ways of working, from Indigenous governance to subsea technologies.Producer: Katy Hickman Assistant Producer: Natalia Fernandez

For the British writer and cultural critic Olivia Laing, restoring and tending to their backyard garden has prompted complex questions of power, community, and mystery, concepts that they beautifully excavate in their latest book, the fascinating and mind-expanding The Garden Against Time: In Search of a Common Paradise. Whether in their nonfiction works, including the critically acclaimed The Lonely City (2016), their art and culture writing and criticism (2020's Funny Weather: ​​Art in an Emergency), or their novels (2018's Crudo and the forthcoming The Silver Book, out this November), Laing turns an incisive eye to examining what it will take for people—our “temporal selves,” as they put it—to forgo loneliness and isolation, reconnect with nature and one another, and flourish on a planet in crisis.On this episode, recorded in their apartment at the Barbican in London, Laing explores gardening and writing's symbiotic relationship; the act of rebelling against a reactive culture by embracing slowness; and the importance of imagining, in vivid detail, the kinds of utopias we could one day very well live in.Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes:Olivia Laing[4:35] The Barbican[7:39] “The Garden Against Time” (2024)[7:53] Mark Rumary[9:08] Notcutts[14:08] “The Lonely City: Adventures in the Art of Being Alone” (2016)[16:07] Jhumpa Lahiri[18:41] Piet Oudolf[19:21] Middleton Place[19:21] The Sackler family[22:54] “Modern Nature” (1991)[24:07] “Paradise Lost” (1667)[25:40] “The Secret Garden” (1911)[25:40] “Tom's Midnight Garden” (1958)[29:29] “The Garden” (1681)[30:29] “Everybody: A Book About Freedom” (2021) [35:07] “The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma” (2014)[39:57] David Wojnarowicz's "Magic Box"[39:57] Ana Mendieta[40:51] Agnes Martin[43:08] “Funny Weather: ​​Art in an Emergency” (2020) [45:29] “Crudo” (2018) [48:20] “A Dance to the Music of Time” (1951–1975) [50:29] “The Silver Book” (2025)[52:48] Federico Fellini[52:48] Pier Paolo Pasolini[55:17] “News from Nowhere” (1890) 

Hailing from Cork, Ireland, songwriters Cathal Coughlan and Sean O'Hagan formed the band Microdisney in 1980. After relocating to London in 1983, the band recorded six Peel Sessions for BBC Radio and released their debut album for Rough Trade called 'Everybody Is Fantastic'. This week's guest, musician, filmmaker, podcaster and radio host Alexei Shishkin, joins us to discuss the band and that record. The duo's combination of lushly orchestrated pop paired with wryly poetic, at times biting lyrics were right up Alexei's musical alley, and we're here for it! Songs discussed in this episode: Dear Rosemary - Microdisney; Disco Elysium, Tiki Taka - Alexei Shishkin; Palm Of My Hand - The Pale Fountains; Horse Overboard - Microdisney; Pack Yr Romantic Mind - Stereolab; Blues For Ceausescu - The Fatima Mansions; McCardle Brown - Sean O'Hagan; Idea, A Few Kisses, Escalator In The Rain - Microdisney; Half A Person - The Smiths; Dolly (Live, Barbican sessions 2018), Dolly - Microdisney; The King Of Rock 'N' Roll - Prefab Sprout; Dreaming Drains, I'll Be A Gentleman, Moon, Sun, Sleepless, Come On Over and Cry, This Liberal Love, Before Famine, Everybody Is Dead, Everybody Is Dead (Peel session) - Microdisney; Ode To Carl Dennis - Alexei Shishkin

Secret filming by the BBC's Panorama programme last night revealed evidence of racism, misogyny and officers revelling in the use of force at one of London's busiest police stations. Panorama's evidence suggests that a toxic culture still exists inside the Met and that racist and misogynistic attitudes haven't been eliminated but have been driven underground. Anita Rani speaks to Matt Jukes, Deputy Commissioner of the Metropolitan Police.The secrets we keep reflect the conventions, taboos and laws of the outside world, and women have traditionally had the bigger burden of secrets, often unable to reveal things that could get them or others judged, in society or by law. Anita talks to Juliet Nicolson about her new book The Book of Revelations which explores secrets through social history, her own family and many case studies she spoke to. The conservationist and primatologist Dame Jane Goodall died yesterday, aged 91. According to the Jane Goodall Institute, she died of natural causes in California where she was staying as part of a speaking tour in the US. There has been tributes from around the world. Joining me Anita to remember this ground-breaking conservationist who revolutionised the study of great apes is wildlife biologist, National Geographic Explorer and President of the Wildlife Trust, Liz Bonnin, and Jillian Miller who is the director of the Gorilla Organisation who work to save gorillas from extinction.From gowns buried underground to transforming fabrics with melted bandages, fashion has a history of exploring the aesthetics of dirt and decay. A new exhibition at the Barbican, Dirty Looks, explores 50 years of designers from Vivienne Westwood to Alexander McQueen, who used dirt and distress to make statements about luxury, beauty, class and the environment. The exhibition also looks at waste as fashion is now one of the most polluting industries in the world. Anita is joined by the exhibition's curator, Karen Van Godtsenhoven, and artist and designer, Michaela Stark, whose work challenges ideas of imperfection.Presenter: Anita Rani Producer: Rebecca Myatt

Send us a textMy guest on the podcast this week is the completely wonderful Bibi Lynch.Bibi is a journalist, writer, broadcaster, podcaster and live event host. She's had columns in GQ, Red, New Woman and Grazia; written for most of the Nationals (currently the Guardian, The Independent, The Times and Metro); presented radio shows and interview series for BBC Radio London, BBC Radio Sussex and Soho Radio; co-hosted metro.co.uk's Good Sex Bad Sex pod and fronted the Let's Get Frank podcast — where she dated people called Frank. As well as her writing and broadcast work, she hosts panels and interviews — at Saatchi, The Hoxton, the Barbican and, with her Dirty Talk series, at the Groucho Club in Soho. She co-wrote Graham Norton's ITV late-nite comedy quiz, Carnal Knowledge; she created WHIPs (Women who are Hot, Intelligent and in their Prime – or Primark if times are tough); and HuffPost voted her one of the ‘50 Funniest Women on Twitter'. #RIP. (She is currently tracking the other 49 down.) She's a World Childless Week ambassador and a Storyhouse Childless contributor. In this conversation, Bibi and I delve into — among other things — the societal stigma associated with singlehood and childlessness, the grief that comes with not having children, the importance of community, reframing the societal narrative, hidden homelessness, and the vitriol that she has received off the back of her writing about childlessness. We also talk about Bibi's exciting future plans, the joy and fulfillment that can be found in embracing life's unexpected paths, and the power of shifting your mindset.04:24 Bibi's Background and Career06:49 The Challenges and Joys of Adult Friendships12:40 Aging and Confidence: WHIPs26:07 The Reality of Being Single and Childless42:05 Facing Grief and Public Scrutiny44:17 Unexpected Hate Mail45:31 Accusations of Misogyny46:38 The Struggles of Being Childless48:48 Hidden Homelessness and Resilience55:34 Finding Stability and Reframing Life57:56 Future Aspirations and Success Redefined01:07:19 Navigating the Dating World01:10:23 Final Thoughts and Words of WisdomFollow Bibi on Instagram: https://www.instagram.com/bibilynch/?hl=enCheck out Bibi's website: https://bibilynch.com/Support the showOrder my book, SHINY HAPPY SINGLES (UK) / THRIVE SOLO (US & Canada) at: https://www.lucymeggeson.com/book Download my FREE PDF 'The Top 10 Answers To The Most Irritating Questions That Single People Get Asked On The Regular...& How To (Devilishly) Respond'? Go to: https://www.lucymeggeson.com/questions Join the waitlist for my membership, Thrive Solo: https://www.lucymeggeson.com/thrivesolo Check out my YouTube Channel: https://www.youtube.com/@thrivesolowithlucymeggeson Interested in my 1-1 Coaching? Work with me HERE: https://www.lucymeggeson.com/workwithme Join my private Facebook Group: https://www.facebook.com/groups/1870817913309222/?ref=share Follow me on Instagram: https://www.instagram.com/thrivesolowithlucymeggeson/ Email me: lucy@lucymeggeson.com And thank you so much for listening!