Podcasts about Barbican

For the British writer and cultural critic Olivia Laing, restoring and tending to their backyard garden has prompted complex questions of power, community, and mystery, concepts that they beautifully excavate in their latest book, the fascinating and mind-expanding The Garden Against Time: In Search of a Common Paradise. Whether in their nonfiction works, including the critically acclaimed The Lonely City (2016), their art and culture writing and criticism (2020's Funny Weather: ​​Art in an Emergency), or their novels (2018's Crudo and the forthcoming The Silver Book, out this November), Laing turns an incisive eye to examining what it will take for people—our “temporal selves,” as they put it—to forgo loneliness and isolation, reconnect with nature and one another, and flourish on a planet in crisis.On this episode, recorded in their apartment at the Barbican in London, Laing explores gardening and writing's symbiotic relationship; the act of rebelling against a reactive culture by embracing slowness; and the importance of imagining, in vivid detail, the kinds of utopias we could one day very well live in.Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes:Olivia Laing[4:35] The Barbican[7:39] “The Garden Against Time” (2024)[7:53] Mark Rumary[9:08] Notcutts[14:08] “The Lonely City: Adventures in the Art of Being Alone” (2016)[16:07] Jhumpa Lahiri[18:41] Piet Oudolf[19:21] Middleton Place[19:21] The Sackler family[22:54] “Modern Nature” (1991)[24:07] “Paradise Lost” (1667)[25:40] “The Secret Garden” (1911)[25:40] “Tom's Midnight Garden” (1958)[29:29] “The Garden” (1681)[30:29] “Everybody: A Book About Freedom” (2021) [35:07] “The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma” (2014)[39:57] David Wojnarowicz's "Magic Box"[39:57] Ana Mendieta[40:51] Agnes Martin[43:08] “Funny Weather: ​​Art in an Emergency” (2020) [45:29] “Crudo” (2018) [48:20] “A Dance to the Music of Time” (1951–1975) [50:29] “The Silver Book” (2025)[52:48] Federico Fellini[52:48] Pier Paolo Pasolini[55:17] “News from Nowhere” (1890) 

Hailing from Cork, Ireland, songwriters Cathal Coughlan and Sean O'Hagan formed the band Microdisney in 1980. After relocating to London in 1983, the band recorded six Peel Sessions for BBC Radio and released their debut album for Rough Trade called 'Everybody Is Fantastic'. This week's guest, musician, filmmaker, podcaster and radio host Alexei Shishkin, joins us to discuss the band and that record. The duo's combination of lushly orchestrated pop paired with wryly poetic, at times biting lyrics were right up Alexei's musical alley, and we're here for it! Songs discussed in this episode: Dear Rosemary - Microdisney; Disco Elysium, Tiki Taka - Alexei Shishkin; Palm Of My Hand - The Pale Fountains; Horse Overboard - Microdisney; Pack Yr Romantic Mind - Stereolab; Blues For Ceausescu - The Fatima Mansions; McCardle Brown - Sean O'Hagan; Idea, A Few Kisses, Escalator In The Rain - Microdisney; Half A Person - The Smiths; Dolly (Live, Barbican sessions 2018), Dolly - Microdisney; The King Of Rock 'N' Roll - Prefab Sprout; Dreaming Drains, I'll Be A Gentleman, Moon, Sun, Sleepless, Come On Over and Cry, This Liberal Love, Before Famine, Everybody Is Dead, Everybody Is Dead (Peel session) - Microdisney; Ode To Carl Dennis - Alexei Shishkin

Secret filming by the BBC's Panorama programme last night revealed evidence of racism, misogyny and officers revelling in the use of force at one of London's busiest police stations. Panorama's evidence suggests that a toxic culture still exists inside the Met and that racist and misogynistic attitudes haven't been eliminated but have been driven underground. Anita Rani speaks to Matt Jukes, Deputy Commissioner of the Metropolitan Police.The secrets we keep reflect the conventions, taboos and laws of the outside world, and women have traditionally had the bigger burden of secrets, often unable to reveal things that could get them or others judged, in society or by law. Anita talks to Juliet Nicolson about her new book The Book of Revelations which explores secrets through social history, her own family and many case studies she spoke to. The conservationist and primatologist Dame Jane Goodall died yesterday, aged 91. According to the Jane Goodall Institute, she died of natural causes in California where she was staying as part of a speaking tour in the US. There has been tributes from around the world. Joining me Anita to remember this ground-breaking conservationist who revolutionised the study of great apes is wildlife biologist, National Geographic Explorer and President of the Wildlife Trust, Liz Bonnin, and Jillian Miller who is the director of the Gorilla Organisation who work to save gorillas from extinction.From gowns buried underground to transforming fabrics with melted bandages, fashion has a history of exploring the aesthetics of dirt and decay. A new exhibition at the Barbican, Dirty Looks, explores 50 years of designers from Vivienne Westwood to Alexander McQueen, who used dirt and distress to make statements about luxury, beauty, class and the environment. The exhibition also looks at waste as fashion is now one of the most polluting industries in the world. Anita is joined by the exhibition's curator, Karen Van Godtsenhoven, and artist and designer, Michaela Stark, whose work challenges ideas of imperfection.Presenter: Anita Rani Producer: Rebecca Myatt

Send us a textMy guest on the podcast this week is the completely wonderful Bibi Lynch.Bibi is a journalist, writer, broadcaster, podcaster and live event host. She's had columns in GQ, Red, New Woman and Grazia; written for most of the Nationals (currently the Guardian, The Independent, The Times and Metro); presented radio shows and interview series for BBC Radio London, BBC Radio Sussex and Soho Radio; co-hosted metro.co.uk's Good Sex Bad Sex pod and fronted the Let's Get Frank podcast — where she dated people called Frank. As well as her writing and broadcast work, she hosts panels and interviews — at Saatchi, The Hoxton, the Barbican and, with her Dirty Talk series, at the Groucho Club in Soho. She co-wrote Graham Norton's ITV late-nite comedy quiz, Carnal Knowledge; she created WHIPs (Women who are Hot, Intelligent and in their Prime – or Primark if times are tough); and HuffPost voted her one of the ‘50 Funniest Women on Twitter'. #RIP. (She is currently tracking the other 49 down.) She's a World Childless Week ambassador and a Storyhouse Childless contributor. In this conversation, Bibi and I delve into — among other things — the societal stigma associated with singlehood and childlessness, the grief that comes with not having children, the importance of community, reframing the societal narrative, hidden homelessness, and the vitriol that she has received off the back of her writing about childlessness. We also talk about Bibi's exciting future plans, the joy and fulfillment that can be found in embracing life's unexpected paths, and the power of shifting your mindset.04:24 Bibi's Background and Career06:49 The Challenges and Joys of Adult Friendships12:40 Aging and Confidence: WHIPs26:07 The Reality of Being Single and Childless42:05 Facing Grief and Public Scrutiny44:17 Unexpected Hate Mail45:31 Accusations of Misogyny46:38 The Struggles of Being Childless48:48 Hidden Homelessness and Resilience55:34 Finding Stability and Reframing Life57:56 Future Aspirations and Success Redefined01:07:19 Navigating the Dating World01:10:23 Final Thoughts and Words of WisdomFollow Bibi on Instagram: https://www.instagram.com/bibilynch/?hl=enCheck out Bibi's website: https://bibilynch.com/Support the showOrder my book, SHINY HAPPY SINGLES (UK) / THRIVE SOLO (US & Canada) at: https://www.lucymeggeson.com/book Download my FREE PDF 'The Top 10 Answers To The Most Irritating Questions That Single People Get Asked On The Regular...& How To (Devilishly) Respond'? Go to: https://www.lucymeggeson.com/questions Join the waitlist for my membership, Thrive Solo: https://www.lucymeggeson.com/thrivesolo Check out my YouTube Channel: https://www.youtube.com/@thrivesolowithlucymeggeson Interested in my 1-1 Coaching? Work with me HERE: https://www.lucymeggeson.com/workwithme Join my private Facebook Group: https://www.facebook.com/groups/1870817913309222/?ref=share Follow me on Instagram: https://www.instagram.com/thrivesolowithlucymeggeson/ Email me: lucy@lucymeggeson.com And thank you so much for listening!

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. This episode I have an interview with Christopher Chung who plays Roddy Ho on SLOW HORSES. We talk about this season and how Roddy is living his best life. Christopher goes into how the collaboration with the many different … Continue reading Barbican Station – Christopher Chung Interview

Find all previous and future episodes listed here or in your podcast app under "Barbican Station”. This episode I have an interview with Christopher Chung who plays Roddy Ho on SLOW HORSES. We talk about this season and how Roddy is living his best life. Christopher goes into how the collaboration with the many different … Continue reading Barbican Station – Christopher Chung Interview

This week for Fashun, Penelope Noir talks about Dirty Looks: Desire and Decay in Fashion a show currently on at the Barbican in London. Penelope Noir and Milly chat about grubby clothing and what it has to say about fashion on the whole. Whakarongo mai nei!

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. Welcome back as we return to look at season 5 of SLOW HORSES. This season is an adaptation of the Mick Herron novel London Rules. I'm pleased to welcome back Scott Hardy from the SpyHards podcast to the show. … Continue reading Barbican Station – Season 5 Episode 1 – Recap

Find all previous and future episodes listed here or in your podcast app under "Barbican Station”. Welcome back as we return to look at season 5 of SLOW HORSES. This season is an adaptation of the Mick Herron novel London Rules. I'm pleased to welcome back Scott Hardy from the SpyHards podcast to the show. … Continue reading Barbican Station – Season 5 Episode 1 – Recap

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.It was a delight to chat with vocalist, violinist and composer Alice Zawadski. She was awarded Jazz Vocalist of the Year at the 2025 Jazz FM awards and I saw her perform at Watford Jazz Junction in May and at the Barbican in June. As we spoke recently, she's preparing for her appearance at the K-Music Festival 2025 with Korean ensemble Hilgeum. As well as discussing aspects of her music in general, we also spoke about the time she spent in South Korea as part of this latest collaboration.Thanks to Alice for allowing me to use clips from her latest album - Za Gorami -  alongside our conversation. That album features Fred Thomas on piano and Misha Mullov-Abbado on bass, who I interviewed back in August. We also touched on Alice's work with bassist Daniel Casimir, who I interviewed while at Love Supreme in July.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

In our third episode of The Rise of A24 series, we are covering Kogonada's quiet meditation on familial AI, After Yang (2022) alongside the wondrous Late Spring (1949) by Yasujiro Ozu. Special Guest - Lillian Crawford is a freelance writer covering film and culture for publications including Sight & Sound, BBC Culture, The Guardian, Times Literary Supplement. In addition to her writing, Lillian is a prolific programmer and curator, including for the BFI, the Barbican, the Garden Cinema, and the Edinburgh International Film Festival. Dan is unable to hide his adoration Kogonada's debut film Columbus (2017). It currently ranks 7th on his best films of the 21st Century (so far) List. His follow-up, After Yang, is a more murkier affair. Set in a future where robots have become immediate family members, Kogonada attempts to humanize and ground sci-fi in a hazy emotional uncanny valley. Are we supposed to feel for the AI as we would a human or are we just mirroring our own subjective experiences onto an avatar? Rather than providing answers, the film drifts between aching grief, transcendent love, and non-dystopic visions of the future.Yasujiro Ozu is clearly a massive influence on Kogonada, and it is easy to see why with his film Late Spring (1949), a gorgeous melodrama about a daughter growing apart from her father. The film probably shares more with Kogonada's Columbus in its interplay between emotion and the natural world. Ozu is able to conjure the most hidden and profound emotions from his actors and the story. At the same time, he crafts a meticulous narrative that continues to propel forward even as the external drama remains subtle. A true masterpiece of filmmaking.

Recorded live at Greenbelt Festival 2025! Amber Massie-Blomfield's book 'Acts of Resistance' is about the power of art to make a better world. Covering 10 stories of political and protest art from history, this chat takes a deep dive into art & activism and how everything from Blue Peter to Beckett inspired social change. Amber is formerly Executive Director of Complicité and Camden People's Theatre, she has worked for clients including Actors Touring Company, tiata fahodzi, Barbican, Pro Helvetia, English PEN, Free Word Centre and China Plate. She is a fellow of the Royal Society of the Arts, and as an activist, she has been involved with Writers Rebel and Extinction Rebellion.

If two people could combat our growing urban disconnection, it is Adam White and Andrée Davies of Davies White Limited. I met them at our first Biophilic Design Conference at the Barbican, and immediately warmed to their infectious passion for better landscape design. Design which helps reimagine spaces from playgrounds to hospitals through a beautiful and playful biophilic lens, pulling on our emotional responses to nature. They construct, if you will, beautiful narratives of human-nature coexistence. Instead of viewing landscapes as static backdrops, they help encourage us to understand them as dynamic, living systems that actively shape human experience and ecological health. I think it's the creativity I love most about their work. The balance of science, planning and artistry. Their approach is rooted in a deep understanding of ecological systems and human psychology. With projects ranging from micro-forest playgrounds to hospital gardens, each is designed to restore our biophilic fundamental relationship with the natural world. Take their recent West London micro-forest playground project. By densely planting trees and creating intricate ecological landscapes, they're not merely designing a play area, but constructing a living classroom. The project embodies their core belief: that understanding nature begins with immersive, tactile experiences. Those of us who live and breathe biophilic design, this philosophy aligns with scientific research. Studies consistently demonstrate that exposure to natural environments reduces stress, enhances cognitive function, and promotes emotional well-being. Adam himself references Florence Williams' "The Nature Fix", which explores how nature can make us "happier, healthier, and more creative". Also, their approach supports the positive economic argument for biophilic design. Their pocket park project in London demonstrated that nature-rich spaces can increase property values and biodiversity simultaneously. Plus, a collaboration with Anglian Water explored how housing developments could integrate resilient, nature-focused landscapes, and they are advocating a new “Resilient Garden” rating, which like the EPC rating on a house, could add value to a property if reported along with a house sale. I think this is a brilliant idea. It will get real estate developers and property owners totally thinking differently about their homes and land. This "resilient garden and landscape accreditation scheme" would be an ecological equivalent to energy ratings for buildings. This could revolutionise how we value and integrate natural systems into our built environment Policy is slowly catching up. The introduction of a Natural History GCSE this September (which they both, along with others, including Mary Colwell I interviewed a couple of years back) represents a significant milestone. "If children don't understand nature, they won't appreciate it, and if they don't appreciate it, they won't protect it," Adam recalls Sir David Attenborough telling him – a statement that has become a guiding principle for their work. "We don't stop playing because we grow old. We grow old because we stop playing," Adam reminds us, and their hospital design interventions are creative, beautiful and indeed playful. By creating gardens with living elements like water pumps, rabbits, and carefully selected native plants, they transform clinical spaces into healing ecosystems. These actively support patient recovery. As climate change accelerates, landscape architecture becomes a critical tool for resilience. Their designs are also adaptive systems that can mitigate environmental challenges while supporting human and ecological well-being. What I love about their work is that they challenge the notion that sustainable design is prohibitively expensive. By using creative, low-cost interventions like raised planting containers and willow pods, they demonstrate that ecological design can be accessible and scalable. I have to call out one specific example of climate resilience from their work, and that is at Nene Park Trust in Cambridgeshire. They used swales to manage water collection during heavy rainfall. These swales are designed to be both functional and interactive, with bridges and stepping stones that children can use to cross them. Their conscious approach to help with water management through strategically designed swales, planting of resilient vegetation that can thrive in changing conditions and creating a playful landscape that serves both ecological and recreational purposes really deserves visiting and using as an exemplar of best practice. They've been working with the park trust for 15 years, and when they revisited the site recently, they were impressed by how the planting had thrived in conditions that might typically challenge other landscapes. Andrée shared that we need a better understanding "nature's time" - recognising that landscapes develop and improve over years, with plants establishing and becoming more robust over time. This approach is inherently climate-resilient, as it focuses on creating adaptable, living systems rather than static, rigid designs. As the next generation of designers emerges – armed with natural history education and a deep ecological consciousness – we hope we can anticipate even more transformative approaches to landscape design. The message is clear. Design is not about creating spaces for humans but creating spaces with humans as PART of a complex, interconnected ecological system. Biophilic landscape architecture is a powerful tool for healing our disconnection from the natural world.RHS Back to Nature - Design Engagement - https://www.davieswhite.co.uk/nature-play-workshop Davies White Ltd Landscape Architects - https://www.davieswhite.co.uk/ If you like this, please subscribe!Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Biophilic Design Conference www.biophilicdesignconference.comCredits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsnhttps://www.linkedin.com/company/journalofbiophilicdesign/https://www.instagram.com/journalofbiophilicdesign

This week, George Berridge instructs Lucy and Alex on the noble art of oenophilia; and Lucy takes in a trio of musicals.'Who's Afraid of Romanée-Conti: A shortcut to drinking great wines', by Dan Keeling'One Thousand Vines: A new way to understand wine', by Pascaline Peltier'Good Night, Oscar', by Doug Wright, Barbican, until September 21'Top Hat', by Irving Berlin, Chichester Festival Theatre, until September 6'Brigadoon', by Alan Lerner and Frederick Loewe, adapted by Rona Munro, Regent's Park Open Air Theatre, until September 20Produced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

West End star Rosalie Craig will be returning to the stage this summer to appear alongside Sean Hayes in the London transfer of Good Night, Oscar, now playing at the Barbican Theatre. We sat down to have a virtual chat about the show, why it fits the Barbican so well and how for Craig, it's something of a homecoming. Beyond that, she also pined for an actor-musician version of Company – perhaps reuniting with her former co-star, and clarinet-playing friend, Jonathan Bailey... Hosted on Acast. See acast.com/privacy for more information.

Tom Sutcliffe speaks to Sean Hayes, best known for his role as Jack in Will and Grace. Now he's playing pianist Oscar Levant in Broadway hit Good Night Oscar, which has just opened at the Barbican in London.Dmitri Shostakovich wrote his Symphony No 5 under massive pressure, having been denounced by Stalin the year before during the great purge of 1936. The success of Symphony No 5 saved his career, and now it's being performed from memory by the Aurora Orchestra for the BBC Proms. Nicholas Collon, Conductor of the Aurora Orchestra and Professor Marina Frolovo-Walker discuss.K-Pop Demon Hunters has just become the most successful animation ever on Netflix, and the show's music, by a fictional band, has made it to number one in charts both sides of the Atlantic. The BBC's Julie Yoonnyung Lee tells us about the surprising trend of 2025.Two playwrights on the Edinburgh fringe are putting white supremacy under the spotlight: Priyanka Shetty's #Charlottesville, and Gabriel Jason Dean's play Rift. Both draw on the personal experiences of their writers. Priyanka and Gabriel join us on the line from Edinburgh.

Harriet is a writer, producer and performer for stage, screen and radio.The Spectator said of her debut play THE LISTENING ROOM “You emerge with your consciousness altered, your conception of human beings elevated and amplified”. THE LISTENING ROOM transferred from the Old Red Lion to Stratford East and has since been performed at the National Theatre, The Lowry, Theatre Clwyd, Northern Stage and in prisons & psychiatric institutions across the UK. A radio adaptation was created with BBC Radio 4 and nominated for an ARIA in 2020.Harriet's most recent radio drama THE OTHER TCHAIKOVSKY was shortlisted for a BBC Audio Drama Award in 2021 & a 90 minute film adaptation is now in development with BBC2.Harriet's first solo show OUTPATIENT premiered at the Edinburgh Festival in 2024 and won the Summerhall Lustrum Award for Unforgettable Theatre.Harriet is currently developing a number of projects for stage and screen. She runs a theatre company, Crowded Room, with whom she was shortlisted for the Oxford Samuel Beckett Theatre Trust Award at the Barbican.(This bio courtesy of Independent Talent - https://www.independenttalent.com/writers/harriet-madeley/) Harriet and I discuss how theatre can be so profound and impactful by asking questions that many are scared or uncomfortable to ask. Such as, how does it feel when you're hit by a life-threatening illness and how does it feel knowing you're going to die?Her recent show “Outpatient”, which I was lucky to see at the Park Theatre a few weeks ago, tackles these big questions. We meet character “Olive” an aspiring journalist who is struck down with PSC (Primary Sclerosing Cholangitis) a terrible illness for which there is no cure and could end her life either in 10 years or in 10 days. Based on Harriet's own battle with the same illness, the play is a semi-autobiographical commentary on what life is like living with a disease you don't know about and what it'll be like for your loved ones when you're gone. Harriet is so open and honest, talking about her love for truthful theatre, her journey with the play through the festival circuit and in London as well as her own personal journey with PSC. Thank you so much again Harriet for being so open and being so generous with my questions and of course for your art! I hope you all have the opportunity to catch this play in the future. Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning 

Welcome to the CSCEN Conference Rewind podcast, bringing you the most compelling conversations from the Civil Service Climate & Environment Network Conference, March 2025. Each episode dives deeper with the speakers who inspired us at the event.Episode DescriptionIn this episode of Climate Conversations, we continue our exploration of key themes from the CSCEN Conference with Rob St John. We discuss the role of art in environmental practice and expand on their thought-provoking session that captivated conference attendees.Guest BioRob St John is an artist and writer with work shown/heard at the Tate Modern, The Barbican, The British Museum, Tramway Glasgow, The Royal Geographical Society, Edinburgh Festival Fringe, and many others . At the CSCEN Conference, he presented on how art can be embedded into environmental practice. More info can be found on his website: about – rob st johnConnect With Us· Join the conversation: environment.network@energysecurity.gov.uk· CSCEN website: https://www.civilserviceenvironmentnetwork.org/· Follow us on LinkedIn: https://www.linkedin.com/company/civil-service-environment-network/Produced by the Civil Service Climate & Environment Network, March 2025

Send us your thoughts! Fini joins Rob Cope to chat about her 5th studio album, Last Night of the World. Fini Bearman is a singer-songwriter, multi-instrumentalist & composer who has built an impressive profile on the UK Jazz scene as both an imaginative and expressive soloist and as a side-woman. She tours regularly across Europe and notable performances include Ronnie Scotts, The Sage Gateshead, The Barbican, The A-Trane (Berlin), Cafe Mercedes Jazz (Valencia), Manzioli (Izola, Slovenia) and Dizzys (Jazz at the Lincoln Center, New York). Festival highlights include the London Jazz Festival, Manchester Jazz Festival, Berlin Jazz Festival,  'Jazz Voices' in Lithuania and 'Voicingers' in Poland.Fini has been supported by the Arts Council & Musicians Benevolent Fund and has been nominated for awards including London Jazz Singer of the Year (Global Music Foundation).Support the show

The good people at Barbican have blessed me with an opportunity to cover a portion of their month-long programme called "Rebel Radio": "the sound of resistance and reinvention across this month-long celebration of pirate radio and its lasting impact on music, culture and community."In the final part, I take in the last talk, simply named "Where Are All The House Parties?", hosted by BBC Radio 1Xtra's Richie Brave with panellists DJ Alex Rita, Writer/Director Caleb Femi & DJ Lynda Rosenior-Patten. I give thoughts minutes after the talk itself and overall thoughts about the past few weeks.I also get into the last screening of the programme "Airwaves of Rebellion: Youth, Identity, and the Fight for Community Radio" which showed another clip from a BBC coverage on Pirate Radio via their series "Radio Nights", an episode of one of the first shows directed at Black British audiences, aptly named "Ebony" and a Channel 4 Doc called "Black and White Pirate Show, the latter of which featured an introduction from Producer of the show Rob Burkitt.Thanks to Barbican Centre for letting me get a taste of Rebel Radio and allowing me to cover the talks in the way I wanted.Thank you for listening! If you want to contribute to the show, whether it be sending me questions or voicing your opinion in any way, peep the contact links below and I'll respond accordingly. Let me know "What's Good?"Rate & ReviewE-Mail: the5thelelmentpub@gmail.comTwitter & IG: @The5thElementUKWebsite: https://the5thelement.co.ukPhotography: https://www.crt.photographyMusic: "Better Days To Come" By Floppy CircusChillHop MusicOther Podcasts Under The 5EPN:Diggin' In The Digits5EPN RadioBlack Women Watch...In Search of SauceThe Beauty Of Independence 

With the podcast half-way through its tenth year it is a privilege to welcome back a former contributor to the show - read his piece on Clueless for The New Statesman that coincided with his previous appearance on the show - and long-time champion of The Cinematologists, Ryan Gilbey. Ryan's return is to promote and discuss his new book, the astoundingly good, It Used to be Witches: Under the Spell of Queer Cinema, published this month (June 2025) by Faber. Around the release date, I (Neil) sat down in Cinema 1 at the Barbican in London to discuss the book, the form(s) of Queer Cinema, Ryan's journey with his sexuality and how cinema is entwined and implicated, being a film obsessive, and the comfort of lists. It was a profound privilege to sit with an old friend to talk about his amazing work and this art form that we both love so much.  Around this conversation, Dario and I discuss Queer representation and the cinema as a transgressive space, ownership and authorship of texts, and the way that the cinema space affects not only the viewing of a film but in this case, the experience of talking about film. Finally, we talk about the film End of the Century (Castro, 2019, Argentina) - I mistakenly describe it as a Spanish film in the episode, apologies - the film that accompanied my visit to the Barbican to see Ryan, and also the film that magically ends his transcendent and moving book. This episode of The Cinematologists is dedicated to Barney Gilbey. ——— Visit our Patreon at www.patreon.com/cinematologists ——— You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast, so please do that if you enjoy the show. ——— Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

It's Glastonbury weekend, and we're back with the Big Questions.Not a sentence we expected to be saying on No Tags, but we kick off by talking about Will Smith – specifically his recent appearance with London streamer du jour DJ AG. The Fresh Prince is in the middle of a generationally cringe promo run and we've been wanting to discuss AG's streams for a while now, so these two forces colliding over a dubstep remix of the Men in Black theme felt like the perfect opportunity.If you're looking for something more high-brow, well, you still have to get through Tom's full review of the Cooper's Hill Cheese Roll – aka Final Destination: Cotswolds. Once we're through that, it's onto higher ground, debriefing recent experiences at Polyphonic Eating with Yu Su, Warp Records' ‘happening' at The Barbican and a No Tags night out at Corsica for Hodge and Peverelist. Music writers who still go to clubs? Perish the thought!We always say it, but if you like what we're doing on No Tags, please do rate and subscribe on your podcast app of choice – or better yet, leave us a review. This stuff really does help. And if you're really into what we're doing, please consider subscribing to our paid tier for £5 per month. Get full access to No Tags at notagspodcast.substack.com/subscribe

The good people at Barbican have blessed me with an opportunity to cover a portion of their month-long programme called "Rebel Radio": "the sound of resistance and reinvention across this month-long celebration of pirate radio and its lasting impact on music, culture and community."In Part Two, we hit the 2nd Talk with Artist, Writer & DJ Elijah talking to Founder of RinseFM, Geeneus about his career that spans the height of Pirate Radio, the inception of the likes of Jungle, Grime, Drum&Bass etc. and obviously the steady rise of Rinse. On the backend we talk to DJ, Curator, Interior Designer (amongst other things) Shari McLawrence about the talk and many things related and unrelated to the talk. One of my favourite conversations to date.Thank you for listening! If you want to contribute to the show, whether it be sending me questions or voicing your opinion in any way, peep the contact links below and I'll respond accordingly. Let me know "What's Good?"Rate & ReviewE-Mail: the5thelelmentpub@gmail.comTwitter & IG: @The5thElementUKWebsite: https://the5thelement.co.ukPhotography: https://www.crt.photographyMusic: "Better Days To Come" By Floppy CircusChillHop MusicOther Podcasts Under The 5EPN:Diggin' In The Digits5EPN RadioBlack Women Watch...In Search of SauceThe Beauty Of Independence 

In this episode, we speak with Alona Pardo, Director of the Arts Council Collection in the UK and formerly curator at the Barbican Art Gallery in London, where she worked for 15 years. With a curatorial focus on photography and film, Alona shares insights from her exceptional career, reflecting on the exhibitions she has led — from Masculinities: Liberation through Photography to RE/SISTERS: A Lens on Gender and Ecology, and The Infinite Woman. We explore her approach to building meaningful, socially engaged exhibitions, her collaborations with international institutions and artists, and her evolving role as a curator working across both public collections and contemporary art contexts. Alona also offers invaluable advice to photographers and curators navigating the changing landscape of visual culture.00:02:45 – Alona Pardo introduces her background and curatorial journey 00:07:20 – From art school to the Barbican: early career steps 00:10:45 – Curating Masculinities: origins, scope and impact 00:16:30 – Working on Claudia Andujar: The Yanomami Struggle and activist photography 00:21:00 – How RE/SISTERS took shape and why gender and ecology matter 00:25:30 – Building exhibitions around research and archives 00:30:10 – Managing large-scale shows and collaborating with artists 00:35:40 – On curation as interpretation and storytelling 00:40:20 – Advice to photographers looking to collaborate with institutions 00:47:00 – Curating internationally: audiences, networks, responsibilities 00:53:10 – The shifting role of curators in public institutions 01:00:00 – Balancing personal vision with institutional missions 01:05:25 – Her transition to leading the Arts Council Collection and future perspectivesLink to my questionnaire to help you reflect on your artistic career: https://bit.ly/carriereartistiqueMy website: https://marinelefort.fr/To subscribe to the podcast newsletter: https://bit.ly/lesvoixdelaphotonewsletterPodcast website: https://lesvoixdelaphoto.fr/You can also follow the podcast on Instagram, Facebook, and LinkedIn @lesvoixdelaphotoLes Voix de la Photo is a podcast produced and hosted by Marine Lefort. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In March 2025 we made a series of recordings in and around the Barbican Centre, with the idea of those sounds being folded back into the Observatory Station sound installation, so that the sounds of the Barbican itself become part of the stories being told by sound from around the world.  This recording is a walkthrough of some of the exterior concrete tunnels and walkways that make up this brutalist masterpiece - footsteps, various mysterious drones, and the sounds of assorted passers-by.  Recorded by Cities and Memory. 

"I chose to work with a recording made at the Barbican centre in London.  This complex has fascinated me for many years, and I have always been curious to seek out new nooks and crannies there. I took my curiosity about the place into how I approached the work.  "The rhythmic footsteps are the core motif of the piece, even though they are not the most dominant sonic aspect, they are the anchor point from which to depart and return to.  "The footsteps are sometimes regular and at other times at odd with themselves when I have looped and doubled up aspects of the field recording. Both this tension in the footstep rhythm and my choice and creation of sounds and shape were guided with the controversy around the Barbican itself. Some people have a lot of love for the place, and others call it the ugliest building in London, and this is interesting to me, from an anthroplogical point of view.  "What makes us fond of, or repelled by a place, a building, an area? What resonates or repels us? I have tried to find some sonic treasures and occasionally taken something to the edge of discomfort, as a reference to this sense of conflicting tastes, subjectivity and beauty in the eye of the beholder."  Corridors at the Barbican Centre, London reimagined by Suzi Lamb.

In March 2025 we made a series of recordings in and around the Barbican Centre, with the idea of those sounds being folded back into the Observatory Station sound installation, so that the sounds of the Barbican itself become part of the stories being told by sound from around the world.  A sound walk starting at Gilbert Bridge, which leads into the Barbican above various water features and fountains. The hiss of flowing water is amplified by the brick and concrete surrounding us, and we continue into the Barbican Centre, listening to alien-sounding door beeps, the busy-ness of the lifts and people entering and leaving.  Recorded by Cities and Memory. 

The good people at Barbican have blessed me with an opportunity to cover a portion of their month-long programme called "Rebel Radio": "the sound of resistance and reinvention across this month-long celebration of pirate radio and its lasting impact on music, culture and community."For the first of three parts, I recap one of three talks they have and one of three film screenings. The talk is called "Rebel Archivist" featuring Oral Historian Dr. Aleema Gray, Writer Aniefiok Ekpoudom and Photographer Eddie Otchere. I then recap a screening called "Breaking the Silence: Pirate Radio, Black Media, and Voices of Resistance" which was an outstanding shift between two TV documentaries and two excerpts of two more docs, all to paint a picture in how TV covered Pirate Radio and the Black Arts.Thank you for listening! If you want to contribute to the show, whether it be sending me questions or voicing your opinion in any way, peep the contact links below and I'll respond accordingly. Let me know "What's Good?"Rate & ReviewE-Mail: the5thelelmentpub@gmail.comTwitter & IG: @The5thElementUKWebsite: https://the5thelement.co.ukPhotography: https://www.crt.photographyMusic: "Better Days To Come" By Floppy CircusChillHop MusicOther Podcasts Under The 5EPN:Diggin' In The Digits5EPN RadioBlack Women Watch...In Search of SauceThe Beauty Of Independence 

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.The sun was shining and children were playing as I interviewed vocalist Becca Wilkins in London's Finsbury Park just a few days before the launch of her album Reverie. It was a delight to bump into Becca (and her drummer Billy Pod, who I interviewed in 2022) last night at the Barbican, and we followed up this live chat about her album and all things musical and creative.Thanks to Becca for allowing me to share clips from Reverie alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Show Notes: Tanya Selvaratnam shares her journey from high school to present day. She moved to New York after graduating and worked at Columbia Law School's Center for Chinese Legal Studies. She also assisted Anna Deavere Smith on her show “Twilight: Los Angeles, 1992” about the LA riots. Tanya went back to Harvard for graduate school, studying Chinese language and the history of law. An Adventure in Theatre  After her father passed away, she returned to New York, where she was working on the Beijing Women's Conference. Wandering the streets one day, she came across The Performing Garage with a poster on the wall for a show by the Wooster Group. On a whim, she slipped a note on the door offering to help in any capacity and was taken on as an intern. Before long, she was asked to come to rehearsals, and, despite having no intentions of becoming a performer, this led to her performing with the Wooster Group. She toured all over the world with them and with other companies like the Builders Association. On Becoming a Film Producer Currently, Tanya writes books and makes movies. She also advises various organizations, foundations, and corporations. She recently started advising the Open Future Lab in Vienna, Austria. She has also worked as a producer, which began when she worked at the Ms. Foundation for Women, on what was then called "Take Our Daughters to Work Day" as well as the Gloria awards. She also worked with Jed Weintrob, whom she had met at Harvard when she was in his production of “Dracula.” In the late 90s, Jed asked her to produce a movie he was writing at the time. It went on to premiere at Sundance and then the Berlinale in 2002. This led to more work as a producer, and Tanya is still currently producing.  The Connection between Event Organizer and Film Producer Tanya shares her experiences in organizing events since high school. While at Phillips Academy Andover, she was the head of the South Asian Students Association and served on the divestment committee during apartheid days. She organized events like readings of poetry, essays, and performances to raise awareness about activism and advocacy. After college, she also organized events for the youth tent at the Women's Conference in China, where she performed a piece called "Wet Sari Syndrome," which was a take on Bollywood movies. Tanya learned the craft of producing films directly from her friend and trusted colleague, Jed. She was willing to work hard, focusing on tasks such as finding locations, cleaning up the set, and figuring out what needed to happen to make the film come together. Tanya was able to tap into her resources and connections to make shoots possible and be attentive to Jed's vision. Dealing with Difficult Times The conversation turns to her experience with bullying and harassment, which she has faced in various situations. She deals with this by focusing on her tasks and work. Tanya goes to Portland to write and escape from these situations, as it provides a safe space to escape the pressures of life. She also talks about her two books, The Big Lie: Motherhood, Feminism, and the Reality of the Biological Clock, which grew out of her own struggles with fertility and Assume Nothing: A Story of Intimate Violence. When dealing with fertility issues, Tanya was shocked at the amount of misinformation surrounding fertility awareness. She talks about the problems with sex education in America and how the book changed when she was diagnosed with two types of cancer. In her second book, she shares her experiences of being entrapped in an abusive relationship with former Attorney General Eric Schneiderman. She explains why she was motivated to write the book and why she went into hiding after her story first became public. Working with Cultural Institutions Tanya has also worked on cultural events around the world, such as at the Rubell Museum in Miami, the Women's Conference in China, with Anna Deavere Smith and the Wooster Group. She has collaborated with major institutions and museums, such as the Brooklyn Academy of Music, Barbican in London, and Victoria Theatre in Singapore. She toured to 62 cities all over the world in a space of 12 years. She's also worked with the Sundance Film Festival and the New York Film Festival. She talks about The Federation, an organization that aims to show how art unites people and keeps cultural borders open. She recently worked with Carrie Mae Weems at the Torino book fair in Italy.  Co-directing and Producing a Documentary Short Tanya co-directed and produced a 13-minute documentary short called Love to the Max, which was acquired by the New Yorker magazine and recently nominated for an Emmy Award for Outstanding Documentary Short. The film was inspired by the mother of Max Briggle, who was targeted for loving and supporting her trans kid. Tanya was inspired to make the film after Max Briggle's mother reached out to a women's listserv for help because she'd been approached by child protection services. Tanya has also been working with Catherine Gund for 17 years, producing a film called Paint Me a Road Out of Here, which is about the interconnected journeys of artists Faith Ringgold and Mary Baxter. She is also working on a new book called Love Me and Leave Me, which is about adventures through intimate pleasure and intimacy in many forms. Influential Harvard Professors and Courses Tanya initially thought she would study science at Harvard but found the large classes to be lacking in intimacy. She became interested in Chinese history and legal history, taking classes with visiting scholars and professors like Chang Weijen, William Alford, Professor Kuhn, and Professor Bol; Caroline Reeves, a graduate student, helped her decide what to explore for her thesis. Timestamps: 05:38: Transition to Producing and Social Justice Work  13:22: Challenges and Learning in the Film Industry  20:28: Personal Struggles and Advocacy  34:07: Work with Museums and Cultural Institutions  37:11: Future Projects and Reflections  41:10: Harvard Experiences and Influences  Links: Website: Tanyaturnsup.com LinkedIn: https://www.linkedin.com/in/tanyaauthor/ Featured Non-profit: The featured non-profit of this episode of The 92 Report is recommended by Olu  Ajilore, class of ‘92, who reports: “The featured nonprofit of this episode of The 92 report is the American Foundation for Suicide Prevention, or AFSP. AFSP is a volunteer organization that supports those affected by suicide through research, education and advocacy. I've worked with our local chapter of AFSP raising funds with their annual out of the darkness walks, and I'm proud to serve on the Scientific Council for AFSP. You can learn more about their work@afsp.org.”   To learn more about their work, visit: afsp.org      

On this week's episode of Local Legends, the very last episode of Series 6, Martin is joined around the campfire by award-winning storyteller, performer, author, poet, lyricist, and very nice man, Hugh Lupton!Hugh's career spans over 40 years, both in terms of his solo projects and his partnerships with other artists, writers, musicians, illustrators and performers.As we discussed on Monday's episode, there is a sense in which Hugh is the golden thread that binds together modern British storytelling and several folk traditions, with his glimmer and shine helping to guide the oral tradition into the 21st century.He has, of course, toured both nationally and internationally, and has performed at the RSC, the National Theatre, and the Barbican. His repertoire ranges from Greek epics to the Grimms Fairy Tales, from Norse and Celtic myth to East Anglian folk-tales, and from the Great War to John Clare.Plus, in addition to his award-winning songwriting work, he has also written several excellent books, including Norfolk Folk Tales. You can learn more about Hugh and his work on his website, https://hughlupton.co.uk/, and do check the Diary section - he gets about, so do try to go and see him!For now though, let's gather in close around the Three Ravens campfire, have a sip of whatever's in your nut brown bowl, and listen in, to a chat about the life and work of perhaps the most influential storyteller alive today, the county of Norfolk, and tales such as the Peddlar of Swaffham, Black Shuck, those of fenland folk hero Tom Hickathrift, and so much more, with a true Local Legend: Hugh Lupton!Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Hosted on Acast. See acast.com/privacy for more information.

It's the season 3 finale!   With the Machine Cult's plans finally thwarted, our heroes are reconvened. But an unexpected guest brings something even more unexpected with them… Links Transcript:  https://docs.google.com/document/d/11bUiN3gMdtpwa1uG_KoX9rAIy24oFgpbrCeSfvDeAB0/edit?usp=sharing All music is royalty-free, and courtesy of Pixabay: https://pixabay.com/music/ and Slipstream https://slip.stream/ https://freesound.org/ Email TheLoneAdv@gmail.com BlueSky: @theloneadventurer.bsky.social Podbean https://theloneadventurer.podbean.com/ Blog https://carlillustration.wordpress.com/ Ironsworn: Sundered Isles: https://www.drivethrurpg.com/en/product/477033/sundered-isles-expansion-for-ironsworn-starforged Pocketforge online tool: https://pocketforge.rockpaperstory.com/ Perchance TLA random event oracle: https://perchance.org/tla-randomevent Perchance TLA ritual generator:https://perchance.org/tla-tatters-ritual-generator Perchance TLA Mythic 2e GME  https://perchance.org/tla-mythic2e Perchance TLA OCEANIC NPC generator https://perchance.org/tla-oceanic-npc Perchance TLA OCEANIC NPC behaviour oracle https://perchance.org/tla-oceanic-behaviour Legend of the Bones https://legendofthebones.podbean.com/   Mechanics Scene 0 & 1 Chaos Factor 7 Scene Description: Mina and Tatters heal and take stock Scene Test: The scene is Altered: Remove An Object and Add A Character Object: The Dead Reckoning? 505/50 yes Character: Lord Tortemus? 505/50 no NPC roll (19 options): Setarra Convergence ritual fails Doomspire activation halted? (Likely) Yes Doomspire activation reversed? (unlikely) No Does Mara recognise Mina & co? (50/50) No Does she recognise her name? (Likely) Yes Is Mina in control of Barbican? (Likely) Exceptional yes: Heal move (using Sidekick): Miss Pay the Price: she's stuck in there, and without her mind, her body is dying (that's the Exceptional Yes!)   Scene 2 Chaos Factor 8 Scene Description: Avoid getting dismembered by the demon Scene Test: The scene is Altered: Reduce/Remove An Activity Demonic aggression? (50/50) Yes What does Setarra want? Triumphant, Quiet He has what he wants: Tatters' body Did he offer her the Spider in exchange? (Likely) Yes Anyone else? (50/50) Yes (the Web) Scene 3 Chaos Factor 7 Scene Description: Taking Stock at the Monastery of Thrice Blessed Ankhra Scene Test: The scene starts as expected. The Convergence Ritual: foiled The Failing Ward: foiled The Activation of the Doomspires: foiled Can Mina's body be placed in status? (Likely) Yes Setarra's bid for freedom: failed Current Ominous Forces Civil War in Kyras Crater Sallow Trace The Bombardment of Tanth Blue Flight Note: Mina didn't share the secret of disabling infernal powder  The Unseen's Grand Plan Mina Valerian Head to the house of whispers & Alexis Setarra on the Loose Mara Spider Restore Mina to her body Cadmus

Ben Luke talks to Huma Bhabha about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Bhabha was born in 1962 in Karachi, Pakistan, and has been based in the US since 1981—she now lives in Poughkeepsie, New York state. She has achieved a profoundly individual figurative sculptural language, exploring the rich history of her medium while also looking to the future. Informed by ancient monuments, Modernist sculpture and an array of other artforms, Huma employs various sculptural traditions—from modelling with clay, to carving, to found-object assemblage—to create figures that are monumental yet vulnerable, otherworldly yet rooted in the vicissitudes of contemporary geopolitics. Alongside her sculptures, Huma has made similarly powerful work in two-dimensions, particularly in combinations of drawing and collage. She reflects on the early and ongoing impact of Rembrandt on her work, her fascination with Pablo Picasso and Robert Smithson, the influence of the writing of Amy Goodman and Roberto Bolaño and how she has responded to the films of Jean-Luc Godard and Jean Negulesco. She also gives insight into her life in the studio and answers our usual questions, including: what is art for?Huma Bhabha—Encounters: Giacometti, Barbican, London, until 10 Aug; Huma Bhabha: Distant Star, 13 June-26 July. Hosted on Acast. See acast.com/privacy for more information.

Hoppen, Franziska www.deutschlandfunk.de, Corso

Field trip time! No permission slip needed. This week I'm sharing my recent tour of the Barbican Estate in London. In this episode we're going to cover: How the US and UK approach to housing supply differed during the mid-century. What that means for our national philosophies on homeownership. Why these differing approaches led to such vastly different landscapes, economic patterns, and modes of transit in each country.Find the full show notes plus all the bits and bobs at https://www.midmod-midwest.com/2105.Want us to create your mid-century master plan? Apply here to get on my calendar for a Discovery Call! Get Ready to Remodel, my course that teaches you to DIY a great plan for your mid mod remodel! Schedule a 30-minute Zoom consult with me. We'll dig into an issue or do a comprehensive mid century house audit.

Kathleen MarshallKathleen began her Broadway career as an assistant to her brother Rob, the choreographer of Kiss of the Spider Woman, in 1993. The two also collaborated on She Loves Me, Damn Yankees , Victor/Victoria and Seussical. She was the artistic director for the Encores! series of staged musical revivals from 1996 through 2000. During that time, she choreographed The Boys from Syracuse, Li'l Abner and Call Me Madam and she directed and choreographed Babes in Arms and Wonderful Town.She also directed and choreographed the Broadway revival of Grease.  I was fortunate enough to catch the Encores! production of Wonderful Town when it transferred to Broadway.Kathleen was also the director and choreographer of the Broadway revival of Pajama Game which opened in February 2006 and which was the Broadway acting debut of Harry Connick Jr.  I'm happy to report I was there too!More pertinent, Kathleen directed and choreographed a Broadway revival of Cole Porter's Anything Goes in 2011, with Sutton Foster as Reno Sweeney.  The show ran at London's Barbican Centre in 2021 and was recorded for television (BBC) by Ross MacGibbon, later picked up by PBS in America.  Kathleen's production is as close to perfect as can be. In fact, she won the Laurence Olivier Award for Best Theatre Choreographer. Stephen RidleyIn 2021 Steve joined Kathleen as music supervisor and music director of Anything Goes at the Barbican.  He was also music supervisor of Oklahoma! at Wyndham's Theatre.  Steve conducted the highly-acclaimed Broadway transfers of The King and I at The London Palladium and the Dominion Theatre and An American in Paris at the Dominion Theatre, and he was the music director of the Olivier Award winning revival of Ken Ludwig's Crazy for You at the Novello Theatre.  He later was music supervisor of Kiss me, Kate at the Barbican, now being shown on PBS throughout the U.S.Steve is a music director, conductor and pianist based in London. He was born in Middlesbrough and is a graduate of the Royal College of Music. I'm thrilled that he joined us for this exciting episode!

CEO of HUB, Robert Sloss, has been an entrepreneur in property and development for over 25 years. During this time, Robert has created a series of real estate investment and development platforms, primarily in the residential and office sectors. Robert has a passion for vibrant urban living and the need for the built environment to reflect changing human demand. As a result, HUB was one of the first developers to recognise that changing UK work practices would drive the need to repurpose redundant office buildings, for living uses. Robert co-founded HUB in 2012, and over time it has become a leading UK BTR-led residential developer, with more than 9,600 homes completed or under development across the UK. A pioneer of both BTR and co-living in the UK, HUB continues to deliver industry-leading developments, including the award-winning Queen's Quarter in Croydon; One Maidenhead, a major mixed-use regeneration scheme in Maidenhead town centre; and the Yardhouse co-living scheme at Wood Lane. HUB's adaptive reuse strategy, in line with its commitment to urban regeneration and sustainability, continues to bear fruit. As well as Cornerstone in the Barbican, the first co-living planning consent in the City of London, HUB has Assemblies in Minories, which it hopes will be the City's second co-living consent. HUB believes that co-living is particularly well suited to the City, with its long working hours and significant transitory, international workforce. 

This episode of How To Fail was recorded in front of a live audience at London's Barbican Theatre. Sally Phillips has appeared in a string of the most influential and hilarious comedy series of all time - from Smack The Pony, Miranda, The Thick of It and Veep. Not forgetting, of course, her star turn as Bridget Jones's best friend, Shazza, in the hugely popular movie franchise.  Alongside her professional success, Phillips has also been an important voice in the neurodivergent community. Her eldest son, Olly, has Down syndrome and Sally is a tireless campaigner for disability rights. So why, then, does she never feel she's made it as a ‘serious' actress? And why is she so obsessed with Clown School? And - pressing question - why have she and Colin Firth never been a thing? Over on Failing with Friends, Sally answers questions from the live audience at the Barbican: they discuss red and green flags in partners, and what Hugh Grant is REALLY like and whether Sally and Renée Zellweger really are friends or whether she might just be making it up? To hear Sally tackling your failures join our community of subscribers here: https://howtofail.supportingcast.fm/#content Have something to share of your own? I'd love to hear from you! Click here to get in touch: howtofailpod.com

Mini-podcast about an event on this day in working class history.Our work is only possible because of support from you, our listeners on patreon. If you appreciate our work, please join us and access exclusive content and benefits at patreon.com/workingclasshistory.See all of our anniversaries each day, alongside sources and maps on the On This Day section of our Stories app: stories.workingclasshistory.com/date/todayBrowse all Stories by Date here on the Date index: https://stories.workingclasshistory.com/dateCheck out our Map of historical Stories: https://map.workingclasshistory.comCheck out books, posters, clothing and more in our online store, here: https://shop.workingclasshistory.comIf you enjoy this podcast, make sure to check out our flagship longform podcast, Working Class History.  AcknowledgementsWritten and edited by Working Class History.Theme music by Ricardo Araya. Check out his YouTube channel at youtube.com/@peptoattack

In March 2025 we made a series of recordings in and around the Barbican Centre, with the idea of those sounds being folded back into the Observatory Station sound installation, so that the sounds of the Barbican itself become part of the stories being told by sound from around the world.  In this recording, we ride the lifts inside the Barbican Centre, taking a close listen to the announcements, closing and opening doors and lift mechanisms inside this brutalist wonder. At the end of the recording we emerge into a very busy cocktail bar, to the sounds of early evening merriment.  Recorded by Cities and Memory. 

The Huns get stuck into their ghost walk around the Barbican (ty to gorge Matt Gedge from funlondontours.com), discuss the screening of The Monkey Movie and we learn about Hannah's Great Fall. We end with a nice rant about serving staff. Want some ghost stories? Thought so -Story 1 "The Uber Driver" narrated big S about the woman in the red suit...Story 2The crawl space and the mad twat Giggles narrated by Hannah Story 3 An uncanny story read by Big S - Have you heard of the term "synchronicities"? Story 4The woman petting something unusual in her lap. Go on gurl. Narrated by Hannah.COW (CreepoftheWeek)- this week is a gorjey wholesome tale from Aimee, thank you hun!! Very much similar to HannahNecklace mystery vibes! Read by B.S.We finish off with some chaos hypnosis. Love you huns, have a great week xoxoJOIN OUR PATREON! EXTRA bonus episodes AND a monthly ghost hunt for just £4.50! Or £6 for AD-FREE EPS and weekly AGONY HUNS! We'll solve your problems huns! Sign up here:www.patreon.com/GhostHuns

Find all previous and future episodes listed here or in your podcast app under “Barbican Station”. In this episode we discuss Mick Herron's second novel in the Oxford series, The Last Voice You Hear, with prolific author, Antony Johnston. We start with some spoiler free discussion of the book before getting into the novel's take … Continue reading Barbican Station – The Last Voice You Hear by Mick Herron – Explored

We find out how to design a dance venue from the inside out at Sadler’s Wells East in London. Also in the UK capital, we immerse ourselves in ‘Masterpieces of the Iranian New Wave’ at the Barbican. Plus, art and architecture at Provence’s Château La Coste. See omnystudio.com/listener for privacy information.

We visit two new exhibitions in London by two very different US artists. First, we’ll hear from the curator of the UK’s first Noah Davis exhibition. The glorious, sweeping show at the Barbican serves as a worthy tribute to the late, great painter. Then: we’ll hear from high-spirited octogenarian Joseph Kosuth, whose show at Sprüth Magers features works from his six decades spent as a pioneer of conceptual and installation art.See omnystudio.com/listener for privacy information.

Jane and Fi are knackered after their Barbican performance and have a newfound respect for those who 'tread the boards.' They chat Nytol, barrister outfits, and the birds and the bees. Plus, crime writer Elly Griffiths discusses her new book, 'The Frozen People'. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

This episode goes everywhere—from low-grade spuddage and go-to bras to holiday riff-raff, frivolous TV, and rainbow lasagnes. Enjoy! Plus, the voice of Come Dine with Me, Dave Lamb, joins us to celebrate 20 years of the show. There won't be a podcast episode tomorrow as Jane and Fi are off for their Barbican show. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Join us for a thought-provoking conversation with Amber Massie-Blomfield, author of Acts of Resistance: The Power of Art to Create a Better World. This conversation, recorded in store, dives into the profound role art plays in times of crisis. Amber shares stories of artists who defied oppressive regimes, like Claude Cahun's surrealist resistance in Nazi-occupied Jersey and Susan Sontag's production of Waiting for Godot during the siege of Sarajevo. We explore how art inspires activism, questions societal norms, and fosters collective resilience. From daring theatrical productions to sunflower-lined streets, Amber reveals art's transformative potential to unite and inspire. Whether you're an artist, activist, or curious thinker, this episode challenges the notion that art is “just” entertainment and posits it as a force for meaningful change.Buy Acts of Resistance: https://www.shakespeareandcompany.com/books/acts-of-resistance*Amber Massie-Blomfield's first book, Twenty Theatres to See Before You Die, was published by Penned in the Margins in May 2018, and received the Society of Authors' Michael Meyer Award. Formerly executive director of internationally renowned theatre company Complicité, she has also worked as an arts producer with companies including Camden People's Theatre, Barbican, Actors Touring Company, tiata fahodzi, and English PEN. She lives in Brixton. Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Contemporary artist Karanjit Panesar recasts stories of migrant labourers from Punjab working in British industrial foundries, exploring constructs of memory, and national myths in metal, through his film installation, Furnace Fruit (2024). Karanjit Panesar: Furnace Fruit runs at Leeds Art Gallery until 15 June 2025, the second Collections in Dialogue co-commission between Leeds Art Gallery and the British Library in London. Find more from Bradford Industrial Museum through Bradford 2025, UK City of Culture. For more about artifice and film, hear Pamela Phatsimo Sunstrum at their exhibition, It Will End in Tears (2024), at the Barbican in London: pod.link/1533637675/episode/6e9a8b8725e8864bc4950f259ea89310 And read my article, in gowithYamo: gowithyamo.com/blog/pamela-phatsimo-sunstrum-barbican For more about Ibrahim Mahama's 2024 exhibition at Fruitmarket in Edinburgh, drawing from archives to reconstruct railway lines, and mineral extraction in West Africa, hear the artist's episode about Sekondi Locomotive Workshop (2024): pod.link/1533637675/episode/ed0be49d016ce665c1663202091ce224 For more about Pakistani and South Asian diasporic communities in Birmingham, and domestic labour in the Midlands and ‘Black Country', listen to artist Osman Yousefzada on Queer Feet (2023) at Charleston in Firle: pod.link/1533637675/episode/6ca95c67d24936cff9d2d478f4450cf2 And read my article, in gowithYamo: gowithyamo.com/blog/osman-yousefzada-at-charleston-in-firle PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: ⁠⁠instagram.com/empirelinespodcast⁠⁠ And Twitter: ⁠⁠twitter.com/jelsofron/status/1306563558063271936⁠⁠ Support EMPIRE LINES on Patreon: ⁠⁠patreon.com/empirelines

What vegetables could I grown that aren't native to the UK? Are there any punk-ish plants that thrive in a hot and humid room? Which plant would make a great building structure? Peter Gibbs and a team of gardening experts explore the various locations of the beautifully brutalist Barbican Centre in London, all while digging into the GQT postbag to answer your gardening conundrums.Joining Peter are ethnobotanist James Wong, garden designer Juliet Sargeant and Head Gardener Matthew Pottage. Leading them around various locations is the Barbican Centre's Head Gardener Marta Lowcewicz.Producer: Bethany Hocken Assistant Producer: Rahnee Prescod Executive Producer: Carly MaileA Somethin' Else production for BBC Radio 4

Did the great explorers lie? What did Fi really get for her O-Levels? Will Jane be stood up at the Barbican? All the big questions are answered today...Plus, Former Editor-in-Chief of Good Housekeeping magazine Lindsay Nicholson discusses her memoir 'Perfect Bound'. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.