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3 episodes with Bartlett Sher
2 episodes with Bartlett Sher
3 episodes with Bartlett Sher
2 episodes with Bartlett Sher
2 episodes with Bartlett Sher
2 episodes with Bartlett Sher
2 episodes with Bartlett Sher
5 episodes with Bartlett Sher
2 episodes with Bartlett Sher
The nine-time Tony Award nominee Bartlett Sher has this year directed Robert Downey Jr's Broadway debut and a London revival of Cole Porter's 1948 musical Kiss Me, Kate. Kiss Me, Kate is based upon Shakespeare's The Taming of the Shrew, so how palatable is this controversial musical to a 21st century audience?Also, Wanderings is a new play that delves into the lives of a transgender son and his mother who is living with dementia, and Tracy Letts' Pulitzer Prize-winning play August: Osage County comes to Belvoir St.
“Digital machines are not just remaking stories, they're remaking us.” So says Oscar-winning actor Robert Downey Jr. as the titular character in his Broadway debut, MCNEAL. Kara talks with Downey Jr., Pulitzer Prize-winning playwright Ayad Akhtar and Tony-winning director Bartlett Sher about the play and the thorny questions it raises around truth, lies and power in the AI age. They also discuss who is responsible for creating a new “social contract” around AI. Plus: Kara and Robert get into the Marvel Cinematic Universe and whether Downey is more like Elon Musk as Tony Stark aka Iron Man or in his upcoming role as Dr. Doom. Questions? Comments? Email us at on@voxmedia.com or find Kara on Threads @karaswisher Learn more about your ad choices. Visit podcastchoices.com/adchoices
Today, I'm thrilled to announce my episode with star of stage and screen Allan Corduner, who just finished a run as Hume Cronyn in THE MOTIVE AND THE CUE on the West End. Tune in to hear some of the stories of his legendary career, including crawling on the floor with Barbra Streisand, the unique process of working with Mike Leigh on TOPSY TURVY, how a coffee with Bartlett Sher led to MY FAIR LADY, dealing with technical issues during TITANIC, the antisemitism he faced in the British entertainment world, working with Joseph Papp on SERIOUS MONEY, the actor who died during the table read of YENTL, why he was more impressed by John Gielgud than Laurence Olivier, working with Mike Ockrent on his theater debut, and so much more. You won't want to miss this interview with one of our most charming and delightful stars.
After previously playing Lazar Wolf in Bartlett Sher's acclaimed 2015 Broadway production of Fiddler on the Roof, Adam Dannheisser has returned to the world of Anatevka in Regent's Park Open Air Theatre's production to great acclaim, whilst also making his London theatre debut as Tevye. As a seasoned performer on Broadway, he tells us how Tevye was always a dream role and that Fiddler on the Roof has remained a favourite show of his over the years. Having previously also worked in New York's Delacorte Theatre in Central Park, he also tells us about the joy of getting to put on a show outdoors where you're one with nature with the audience. He praises the direction that Jordan Fein also takes with his reimagining of the classic show, finding new clarity in a show that everybody knows and loves. Indeed, the show has won over critics and audiences for it's stunning presentation of a story of family, tradition and persecution at a time where these themes couldn't feel more relevant.In this brand new interview, Adam Dannheisser tells us about the joy and challenge of playing Tevye, and how he feels really connected to this part today. During the course of our conversation, he also tells us about his love for London and the wonderful change it is from working in the United States. We hear him fondly recall memories of being from a Jewish family and how he is channelling his grandfathers in his portrayal of Tevye. He also has a lot of praise for his fellow cast members, remarking upon their incredible talent as a company whilst also noting their generosity of spirit as a cast. The community feel translates impeccably in this production as audiences watch this uplifting and heartbreaking story unfold in the beautiful Regent's Park Open Air Theatre.Fiddler on the Roof runs until 27th September with tickets available NOW.
One of this summer's most anticipated musical revivals is the brand new production of Kiss Me, Kate at the Barbican Centre in London. The revival, which has been directed by Bartlett Sher stars Stephanie J Block and Adrian Dunbar as well as Charlie Stemp and Georgina Onuorah. Check out the review to find out what Mickey-Jo thought of the production, the Cole Porter score and the performances… • 00:00 | introduction 02:35 | synopsis / material 10:51 | this production 20:21 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Broadway star Stephanie J Block performs So In Love from the new production of Kiss Me Kate, at London's Barbican. Tom talks to her and the Tony Award-winning director Bartlett Sher about creating the musical show within a show, which is based on Shakespeare's The Taming of the Shrew.The BBC's Culture Editor Katie Razzall on what the political parties have included in – and left out of - their manifestos on the Arts and Culture. We also hear from The Lowry's CEO Julia Fawcett and The Times' Chief Culture Editor Richard Morrison about their thoughts on arts education, tax breaks for filmmakers, Arts Council England and economic regeneration. And in Independent Bookshop Week – we hear from Persephone Books in Bath about 25 years of reprinting the work of neglected women writers, mostly from the mid-twentieth century, with recollections of the early days from publishing pioneer Nicola Beauman.Presenter: Tom Sutcliffe Producer: Paula McGrath
THE KING AND I Music by Richard Rodgers | Book & Lyrics by Oscar Hammerstein II | Based on Anna and the King of Siam by Margaret Landon | Original Choreography by Jerome RobbinsWorks Consulted & Reference :The King and I (Original Libretto)Something Wonderful: Rodgers and Hammerstein's Broadway Revolution by Todd S. PurdumMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Hello, Young Lovers" from The King and I (The 2015 Broadway Cast Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Kelli O'Hara, Ted Sperling, Orchestra"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
On this episode, I spoke to Emmy Award-winning and Grammy-nominated composer Jeff Russo about his work on the limited series Ripley. Ripley stars Andrew Scott, Johnny Flynn and Dakota Fanning. Russo's upcoming projects include Nicholas Tomnay's What You Wish For; and FX's series Alien. His music can be heard on shows such as FX's Fargo, for which he received an Emmy in 2017 and three additional nominations; Peacock's Mrs. Davis; HBO Max's Love and Death; Amazon Prime's The Consultant; Showtime Networks' The Man Who Fell to Earth; CBS All Access's Star Trek: Discovery, and Clarice; Paramount +'s Star Trek: Picard and Star Trek: Strange New Worlds; Netflix's The Umbrella Academy; FX's Legion and Snowfall; and more. His film credits include Chiwetel Ejiofor's Rob Peace, which premiered at the 2024 Sundance Film Festival; Bartlett Sher's Oslo, which he co-scored with Zoë Keating and for which he received an Emmy nomination; Paul Dektor's American Dreamer; Sabrina Doyle's Lorelei; Noah Hawley's Lucy in the Sky; Peter Berg's action-thriller film, Mile 22; and Jon Avnet's Three Christs.
Corruption runs at Lincoln Center Theater's Mitzi Newhouse Theater Off-Broadway until April 14. Find out more at www.lct.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org
Today, I'm thrilled to announce the release of my episode with Tony winning actress Celia Keenan- Bolger, who is currently starring in Mother Play at the Helen Hayes Theater. Tune in to hear some of the stories of her legendary career, including what it was like working with Sondheim on her first major job, her long journey with THE LIGHT IN THE PIAZZA, how she got William FInn to write a song for her, how she made the transition between performing in musicals and plays, balancing being a mother with being an actress, what she learned from working with Bartlett Sher and his wife, the role she always wanted to play, the ins and outs of being nominated for a Tony, having Paula Vogel write a play for her, how THE GLASS MENAGERIE overcame her initial skepticism, the joy of performing in PETER AND THE STARCATCHER, and so much more. You won't want to miss this conversation with one of theater's brightest lights.
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Katie was born and raised in Houston, TX. Best known for her role as Glinda the Good in the Broadway production of Wicked, she was also Glinda in the first national touring company of Wicked. Her Broadway debut was as Clara Johnson in The Lincoln Center Theatre's production of The Light in the Piazza directed by Bartlett Sher. Also, as Clara, she appeared in the first national touring production of The Light in the Piazza. Her Broadway credits also include Hannah Campbell in Allegiance and Ellen in Miss Saigon. She will be seen this fall as Beth in Merrily We Roll Along on Broadway following a run earlier this year at NYTW. On camera, she can be seen in roles on CBS' The Good Wife and NCIS: New Orleans, as well as the independent film Maybe There's A Tree. She also performed as Clara in the PBS national broadcast of Live from Lincoln Center: The Light in The Piazza. In regional theatre she is recognized for her role as Cathy Hiatt in The Last Five Years at the Long Wharf Theatre. For this role she was awarded the Connecticut Critics Choice Award for Best Actress in 2014. She was also seen in the East Coast debut of Craig Lucas' play Prayer For My Enemy as Marianne Noone at the Long Wharf Theatre Company directed by Bartlett Sher. Clarke appeared in the staged concert of Parade as Mrs. Phagan conducted by Jason Robert Brown at Lincoln Center. She lives in New York with her husband and family. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Nel 1993, in Norvegia, negoziatori israeliani e palestinesi si incontrano per dei mesi senza che il mondo lo sappia. In questa puntata, tra gli altri, la massima esperta degli Accordi di Oslo e uno dei principali fautori raccontano la genesi, i protagonisti e i retroscena dei negoziati segreti.Di Anna Maria Selini, prodotto da Altreconomia, sound designer Luca Bozzoli.Data di pubblicazione: 1 settembre 2023 (è il primo di otto episodi con uscita settimanale, due episodi in occasione dell'anniversario degli Accordi di Oslo)Fonti:- Clinton Library, Signing of the Israeli-Palestinian Declaration of Principles (1993)- Mor Loushy e Daniel Sivan, The Oslo diaries, 2018- Ahmad Quray (Abu Ala), From Oslo to Jerusalem: the Palestinian story of the secret negotiations, New York, Tauris, 2006- Uri Savir, The process. 1.100 Days That Changed the Middle East, New York, Random House, 1998.- Bartlett Sher, Oslo, 2021- Hilde Henriksen Waage, Norway's Role in the Middle East Peace Talks: Between a Strong State and a Weak Belligerent, Journal of Palestine Studies 34, n. 4, 2005- Hilde Henriksen Waage, Peacemaking Is a Risky Business: Norway's Role in the Peace Process in the Middle East, 1993–96, Oslo, Prio, 2004- Hilde Henriksen Waage, Postscript to Oslo: The Mystery of Norway's Missing Files, Journal of Palestine Studies, Vol. XXXVIII, n. 1, 2008;- Hilde Henriksen Waage, The Minnow and the Whale: Norway and the United States in the Peace Process in the Middle East, 2007.Intervengono (nell'ordine): Eric Salerno, Luisa Morgantini, Yossi Beilin, Hanan Ashrawi, Pierbattista Pizzaballa, Hilde Henriksen Waage.Doppiatori: Luca Galassi, Michela Suglia, Dana Bellosguardo, Duccio Facchini, Luca Bozzoli.
THE BRIDGES OF MADISON COUNTY Book by Marsha Norman | Music & Lyrics by Jason Robert Brown | Based on the novel by Robert James WallerWorks Consulted & Reference :The Bridges of Madison County (Licensing Script) by Marsha Norman & Jason Robert Brown"Tony Award Winning Duo Marsha Norman and Jason Robert Brown Discuss ‘Bridges of Madison County'" in American Theatre by Suzy Evans"Opening the Bridges Vault, Vol. 1" by Jason Robert BrownMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Wondering" from The Bridges of Madison County (Original Broadway Cast Recording) | Music & Lyrics by Jason Robert Brown | Performed by Steven Pasquale"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
[REBROADCAST FROM APRIL 18, 2023] The 1960 musical "Camelot" features a beloved Lerner & Loewe score and won four Tony Awards, but many modern critics agree the book was a bit of a mess. For the 2023 revival, Tony Award-winning director Bartlett Sher turned to Aaron Sorkin for a completely updated book, and to "Hamilton" star Phillipa Soo to star as Queen Guenevere. Sher and Soo join us to discuss "Camelot," which is running at Lincoln Center through July 23.
After playing to sold out performances at the London Palladium in The King and I in 2018, Dean John-Wilson is currently reprising the role of Lun Tha in the current UK Tour. In our interview, Dean talks about the experience rejoining the show after 5 years and the joy of getting to rediscover the character that saw him woo audiences and critics alike in the West End. A seasoned performer with credits on Aladdin, From Here to Eternity and Passion, Dean tells us how this show feels more relevant than ever and how it feels particularly special now being able to tell this story to audiences up and down the country. We also spend some time delving into the legacy of Rodgers & Hammerstein as a renaissance of their work seems to be happening with successful revivals of Oklahoma and South Pacific recently. Dean also tells us about his experience working with Tony winning director Bartlett Sher and shares his reasons for why he thinks this production has been so successful.In this new interview, Dean John-Wilson also opens up about his career as a vocal coach with VCA - a company helped establish in 2015 where he offers coaching sessions to aspiring performers. He remains humble about his career beginnings as he shares his own experiences of how having coaches and mentors in his own career have helped him enhance his mindset. Over the years, he's also developed a reputation for his physical fitness - similarly offering classes to students wanting to lose weight or gain muscle mass. As he now returns to the role of Lun Tha, he stresses how he feels it's important to be able to show people it's possible to be performing full time whilst also running an online business. As the interview closes, he shares his own hopes for the future and continues to encourage aspiring performers to make their dreams a reality by making bold choices.The King and I continues its UK Tour till 2024 before commencing a West End run at Dominion Theatre.
The 1960 musical "Camelot" features a beloved Lerner & Loewe score and won four Tony Awards, but many modern critics agree the book was a bit of a mess. For the 2023 revival, Tony Award-winning director Bartlett Sher turned to Aaron Sorkin for a completely updated book, and to "Hamilton" star Phillipa Soo to star as Queen Guenevere. Sher and Soo join us to discuss "Camelot," which is running now at Lincoln Center.
RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews. This week Vidar was reviewing the Lincoln Center Theater's critically acclaimed, multi-award-winning production of that wonderful musical My Fair Lady at the Birmingham Hippodrome on Saturday 11 March at 2pm with description by professional Audio Describers Julia Grundy and Jonathan Nash. Charlotte Kennedy stars as Eliza Doolittle, Michael D. Xavier as Henry Higgins, and EastEnders' Adam Woodyatt plays the role of Alfred P. Doolittle. They are joined by world famous soprano Lesley Garrett playing Mrs Pearce and John Middleton (Emmerdale) as Colonel Pickering. Directed by Bartlett Sher (acclaimed for the recent Tony Award-winning production of Rodgers & Hammerstein's The King and I), this sublime production features Frederick Loewe's ravishing score and a book and lyrics by Alan Jay Lerner. My Fair Lady includes the classic songs I Could Have Danced All Night, Get Me to the Church on Time, Wouldn't It Be Loverly and The Rain in Spain. My Fair Lady continues on tour throughout the UK and Ireland and more details about venues and dates can be found by visiting the following website - https://myfairladymusical.co.uk (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
It's time for another visit with Midday theater critic, J. Wynn Rousuck, who joins Tom each week with her reviews of Maryland's regional stage. Today she tells us about Tuesday's opening night performance of To Kill A Mockingbird, at Baltimore's Hippodrome Theater. The touring company production is Aaron Sorkin's acclaimed stage adaptation of Harper Lee's Pulitizer Prize-winning novel about racial justice in the Jim Crow South. It's directed by Tony Award-winner Bartlett Sher, and stars Richard Thomas in the role of attorney Atticus Finch, who works to defend a Black man who has been wrongfully accused of raping a White woman. To Kill A Mockingbird continues at The Hippodrome through March 19. Click the play's link for ticketing and showtime information.See omnystudio.com/listener for privacy information.
Today, I am so happy to announce my interview with Steven Skybell, most recently the star of the enormously popular Fiddler Afn Dakh at New World Stages. Tune in to hear some of the stories of his great career, including what he learned from Jason Robards and Colleen Dewhurst, why Tevye is similar to Shakespearean roles, Bartlett Sher's unique approach to the character of Lazar Wolf, working with Joseph Papp on Cafe Crown, how his role in the film The Cradle Will Rock got expanded, why Joel Grey's acting experience makes him a great director, working with Julie Taymor, the show he turned down, and so much more.
Disillusionment with war and how you sue for peace are at the heart of Shaw's drama Arms and the Man, being staged in Richmond this autumn. Whilst in Bath a touring production of Mrs Warren's Profession stars Caroline Quentin and her daughter Rose Quentin as the former prostitute and her disapproving daughter. Anne McElvoy is joined by director Paul Miller, Professor Sos Eltis who has edited Shaw's work and theatre critic and writer Mark Lawson to look at Shaw's ability to construct arguments on stage and the resonances of his plays now. Arms and the Man runs at the Orange Tree Theatre in London directed by Paul Miller from 19 November 2022 – 14 January 2023 Mrs Warren's Profession directed by Anthony Banks runs at the Bath Theatre Royal from 9th - 19th November starring Caroline Quentin and her daughter Rose Quentin as Mrs Warren and her daughter Vivie. It then tours to the Richmond Theatre from 22nd November to 26th November 2022 and goes on to visit theatres including the Chichester Festival Theatre, the Hall for Cornwall, the Yvonne Arnaud in Guilford. My Fair Lady - a production from the Lincoln Centre directed by Bartlett Sher - is at the Cardiff Millennium Centre from November 8th to 26th and it then tours to Edinburgh, Southampton, Sunderland, Bristol, Birmingham and Manchester. Producer: Ruth Watts You can find other Free Thinking conversations about drama past and present including discussions about Moliere, Ibsen, the playwright Rona Munro, John McGrath's Scottish drama, in a collection called Prose, Poetry and Drama https://www.bbc.co.uk/programmes/p047v6vh
Musical Director, Producer and Writer Alex Parker (My Fair Lady / The Light in the Piazza) co-hosts The West End Frame Show!Andrew and Alex discuss Strictly Ballroom (New Wimbledon Theatre, UK Tour) and the WhatsOnStage Awards, as well as the latest news about Wicked casting, The Woman in Black closing, the Nanny McPhee musical and lots more. Alex is currently the musical director for the UK & Ireland tour of My Fair Lady directed by Bartlett Sher.Additionally, Alex is currently producing and musical directing a concert staging of The Light in the Piazza at the Alexandra Palace Theatre on 27th November with an all-star cast including Elena Shaddow, Amara Okereke, Jordan Luke Gage, Rebecca Lock and Amy Di Bartolomeo.Alex made a splash on the theatre scene when he produced and musical directed the London premiere of Stephen Sondheim's Putting It Together at the St James Theatre (now The Other Palace) starring Janie Dee. Most recently he produced and musical directed Wonderful Town at Opera Holland Park, Gypsy starring seven Roses at the Alexandra Palace Theatre, Sunset Boulevard at Alexandra Palace Theatre & Royal Albert Hall and his own musical AmDram at Leicester Curve.Alex has also produced and musical directed A Little Night Music on two occasions, at the Palace Theatre in the West End and Opera Holland Park.Alex was the musical director for Mame at the Hope Mill Theatre, The Color Purple at Leicester Curve and My Left Right Foot for the National Theatre of Scotland. Other shows that he has worked on include Sweet Charity, Barnum, Secret Diary of Adrain Mole, Wonderland, Working, Les Misérables, Stephen Ward, The Pajama Game, Soho Cinders and so much more. The list is endless!The Light in the Piazza is staged at the Alexandra Palace Theatre on 27th November 2022. Visit www.alexandrapalace.com for info and tickets.Hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Bartlett Sher is a Tony Award-winning director who has brought thoughtful, powerful productions to theaters, opera houses, and film. He is the Resident Director at Lincoln Center Theater and one of our greatest storytellers, using the stage to interpret and spotlight stories of American history. He has staged multiple productions at the Kennedy Center, including a tour this summer of his Award-winning adaptation of Harper Lee's Pulitzer Prize-winning To Kill a Mockingbird. Next spring, Sher and writer Aaron Sorkin will debut a revival of the musical Camelot on Broadway. First Lady Jacqueline Kennedy said Camelot was JFK's favorite musical, and after his death, the story of King Arthur and the Knights of the Roundtable came to symbolize the Kennedy administration.
Legendary comics creator Howard Chaykin rejoins the show to celebrate the conclusion of his Time2 opus, soon to be released in The Time2 Omnibus (Image Comics)! We talk about revisiting Time2 after a three-decade hiatus, his original intention for that world, the thrill & sleaze of NYC in his youth, and what he's learned about comics storytelling over the years. We get into the influence of musical theater, jazz, and Cinemascope tableaux on his work, the enlightening experience of Gil Kane's commentary/annotation of the movie Cover Girl, the parallels between fight scenes in superhero comics and people breaking into song in musicals, and how he's carved out a half-century career in mainstream comics while pushing back against the toxicity and fan-expectations of that genre (while also fighting purity culture). We discuss the Bartlett Sher staging of Fiddler on the Roof that left him in tears (& made him cry again when he described it to me), whether he can afford to be happy, the ways he's become more formalist as he came to understand the language & syntax of comics (as he teaches here), the musical he'd love to see, the joy of being an Outmander, why his neighbors still consider him "New Yorker on permanent leave" even though he's been in CA more than half his life, and MUCH more! Follow Howard on Twitter and Instagram (he's not really active on either of them, but does keep a pretty entertaining Substack going) • More info at our site • Support The Virtual Memories Show via Patreon or Paypal
We review two Broadway transfers; The Fisher Centre's Tony Award winning production of Rodgers & Hammerstein's Oklahoma!, currently playing at The Young Vic, and Bartlett Sher's lavish production of Lerner and Loewe's much loved musical My Fair Lady opening this week at The London Coliseum. Two very different productions indeed! Plus we talk Six The Musical Broadway cast recording, Andrew Lloyd Webber's Cinderella closing in the West End, plus a Top Tip of what you should be booking next.-Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License
Volvemos con Rodgers y Hammerstein de los que ya hemos visto “CAROUSEL” y “THE KING AND I“, ahora con otro de sus mega éxitos estrenado en 1949 basado en “Historias del Pacífico Sur” o “Tales of the South Pacific” que dirigido por Joshua Logan como “South Pacific” con la que ganaron 10 Premios Tony, incluyendo el de mejor musical, mejor partitura y mejor libreto además de ser todavía hoy el único musical ganador de los 4 Premios Tony a mejor actriz y actor principal y de reparto, además de hacerse con el Premio Pulitzer. Para que nos sirva de base a este podcast hemos escogido la grabación que hizo el reparto que la estrenó en el Lincoln Center de New York en 2008, dirigida por Bartlett Sher que ganó siete Premios Tony y 5 Drama Desk con Kelli O’Hara (Nellie), Paulo Szot (Emile), Matthew Morrison (Cable), Danny Burstein (BIllis) y Loretta Ables Sayre (Bloody Mary). 00h 00’00” Some enchanted evening – Perry Como 00h 03’25” Presentación 00h 05’42” Cabecera 00h 06’53” Inicio 00h 07’18” Overture 00h 14’48” Dites-moi 00h 16’05” A cockeyed optimistic 00h 17’58” Twin soliloquies 00h 20’55” Some enchanted evening 00h 24’53” Bloody Mary 00h 27’15” There is nothing like a dame 00h 31’33” Mary and Lootellan 00h 33’30” Bali Ha’i 00h 37’07” Cable hears Bali Ha’i 00h 42’07” My girl back home 00h 44’16” I’m gonna wash that man right out of my hair 00h 48’46” Some enchanted evening (Reprise) 00h 51’51” I’m in love with a wonderful guy 00h 55’43” Bali Ha'i (Girls reprise) 00h 57’35” Younger than springtime 01h 01’14” A wonderful guy (Reprise) 01h 02’33” This is how it feels 01h 04’40” Finale Act One 01h 08’46” Entr’acte 01h 12’04” Opening Act Two 01h 14’53” Entrance of Liat 01h 15’59” Happy talk 01h 21’01” Younger than springtime (Reprise) 01h 22’14” Honey bun 01h 26’43” You’ve got to be carefully taught 01h 29’08” This nearly was mine 01h 33’49” After Emile solo 01h 35’06” Communications established 01h 39’12” Communications discontinued 01h 43’26” Honey bun (Reprise) 01h 45’06” Finale ultimo 01h 46’46” Curiosidades 01h 48’02” Loneliness of evening – Mary Martin 01h 51’45” Now it’s the time – Philip Quast & Edward Baker-Dully 01h 57’01” You’ve got to be carefully taught - Harry Connick jr 01h 58’47” You’ve got to be carefully taught - Jason Danieley 02h 00’50” This nearly was mine – Brian Stokes Mitchell 02h 07’08” Exit music
What a special treat it was to sit down with Dr. Arthur Feinsod, Guest Director of Our Town at the Nebraska Repertory Theatre that opens April 13th! Dr. Feinsod has served as Artistic Director for Crossroads Repertory Theatre in Terre Haute, Indiana. He also co-founded and served as Artistic Director for Theatre 7 where he staged plays that included Death of a Salesman in the historic Indiana Theatre. As a Playwright he has written Malcolm's Call, Table 17, Between the Dams and Coming to See Aunt Sophie. He taught theatre at Trinity College in Hartford, and he served as Resident Dramaturg with the Hartford Stage Company for Mark Lamos and Bartlett Sher. Between 2001 and 2021, he was Professor of Theater at the Honors College at Indiana State University (ISU), where he received the Caleb Mills Award for Excellence in Teaching, and the Theodore Dreiser Award for Research and Creativity. His immense talent and experience has brought us to the re-imagination and inclusion of the story of Our Town. And due to his great working relationship with composer, Craig Woerz, we will see this play with Cragi's newly redeveloped score! We are so privileged to speak with him about this production you won't want to miss that opens April 13th and runs until April 24th. Learn about the amazing history and work to bring this play to our great State, and get your tickets today! NEBRASKA REPERTORY THEATRE CONTACT INFO: Website: https://nebraskarep.org/ Facebook: https://www.facebook.com/nebraskarep Instagram: https://www.instagram.com/nebraskarep/ Box Office phone number 402-472-2567. 301 N 12th St, Lincoln, NE 68508 ***** HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!
Set in 1905 in turn of the century New York, Lynn Nottage's play, "Intimate Apparel," tells the story of Esther, an African-American woman who makes her living sewing beautiful corsets and ladies' undergarments. The Lincoln Center Theater opera features music by Ricky Ian Gordon, that forefronts voices ignored by history. Gordon, actress Kearstin Piper Brown (Esther), and director Bartlett Sher join us to talk about the show.
Paulo Szot is an award winning Baritone who has starred in operas & musical theatre productions around the world! Paulo won the Tony, Drama Desk, Outer Critic's Circle & Theater World Awards for his Broadway debut in Lincoln Center's revival of South Pacific, co-starring Tony Award Winner Kelli O'Hara. Currently, Paulo is back on Broadway in the Tony Award Winning revival of Chicago The Musical through November 21 as slick lawyer "Billy Flynn." Paulo is also celebrating his 10-Year Anniversary of performing at Feinstein's/54 Below with a week of concerts. An Enchanted Evening or Una Noche Encantada will play Feinstein's/54 Below November 24-27. Click here for tickets! Connect with Paulo: Website Facebook Twitter Instagram Connect with Feinstein's 54 Below: Website Facebook Twitter Instagram Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, Alex, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Adam Rothenberg Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Paulo: Paulo Szot was born in São Paulo & raised in Ribeirão Pires, Brazil. Paulo studied at the Jagiellonian University in Poland, the country from which his parents had emigrated following World War II. He began singing professionally in 1989 with the Polish National Song & Dance Company Slask. In 1997 he made his operatic debut as Figaro in Il Barbiere di Siviglia in a production of the Theatro Municipal de São Paulo, directed by Enzo Dara & conducted by Luiz Fernando Malheiro. He has gone on to appear with most major opera companies throughout the world in Europe, the United States, Australia & Brazil. Paulo made his Broadway debut in the revival of South Pacific at Lincoln Center Theatre, directed by Bartlett Sher. He won the Tony Award, Drama Desk, Outer Critic's Circle & Theater World Awards for his portrayal, becoming one of a few actors to receive such honors on a Broadway debut. Paulo appeared in a solo concert in the Allen Room at Jazz at Lincoln Center & several times at New York City's prestigious Café Carlyle & Feinstein's/54 Below for a series of critically acclaimed solo performances. He appeared with the New York Philharmonic alongside Liza Minnelli conducted by Marvin Hamlisch & made his Carnegie Hall debut with the New York Pops Orchestra in a program of Lerner & Loewe with Kelli O'Hara. To his native Brazil, Paulo has performed with any of the major orchestras & opera companies including Osesp, TMSP, TMRJ, Teatro São Pedro, Teatro Amazonas, Filarmônica MG, OPES, OMB, OSB, Palácio das Artes, among others. Also, in São Paulo he starred as Henry Higgins in the 2016 revival of My Fair Lady at the Teatro Santander, directed by Jorge Takla. With more than 70 opera productions in his résumé since 1997, Paulo had his Metropolitan Opera debut in 2010 as Kovalyov in The Nose by Dimitri Shostakovich, conducted by Valery Gergiev and directed by William Kentridge. He returned to the Met for the six following seasons as Escamillo in Carmen (2011), Lescaut in Manon (2012), Kovalyov in The Nose (2013), Dr. Falke in Die Fledermaus (2013/14), The Captain in John Adams' The Death of Klinghoffer (2014), Dr. Falke in Die Fledermaus (2015/16). In 2019 Paulo starred in Opera Australia's Evita as Juan Peron in Melbourne opposite Tina Arena as Evita; the Opera di Roma as Count Danilo in Lehar's Merry Widow; appeared with OSESP, in Brazil and returned to the Metropolitan Opera House. Learn more about your ad choices. Visit megaphone.fm/adchoices
It's time to grab a "window seat" and be on your best "model behavior" as hosts Bobby and Kristina discuss 2017's Amélie and 2010's Women on the Verge of a Nervous Breakdown on episode fourteen of My Favorite Flop. ABOUT AMÉLIE Based on the 2001 French film of the same name, Amélie tells the story of a shy waitress who decides to change the lives of those around her for the better while struggling with her own isolation. The musical features music by Daniel Messé, lyrics by Messé and Nathan Tysen, and a book by Craig Lucas. Following out-of-town tryouts at Berkeley Repertory and The Ahmanson, the musical finally opened to mixed reviews on Broadway on April 3, 2017. Despite praise for its cast and design elements, many critics found issue with the score, and the show struggled at the box office. When the show failed to receive any Tony nominations in an extremely competitive season, the show closed on May 21, 2017, after 27 previews and 56 regular performances. A substantially transformed production, with new orchestrations, an expanded repertoire of songs, and new staging in the actor/muso style, opened on the West End in December 2019, at the Other Palace. Critics praised its improvements on the Broadway version, with The Guardian describing it as "a triumph of adaptation" "high on imagination", while The Daily Telegraph lauded the "wonderful, wistful evening" it made. It was nominated for three awards at the 2020 Laurence Olivier Awards: Best New Musical, Best Original Score or New Orchestrations, and Best Actress in a Musical. Original Broadway Cast Phillipa Soo as Amélie Adam Chanler-Berat as Nino Tony Sheldon as Dufayel/Collignon David Andino as Blind Beggar/Garden Gnome/Anchorperson Randy Blair as Hipolito/Rock Star/Belgian Tourist Heath Calvert as Lucien/Adrien Wells/Mysterious Man Alison Cimmet as Amandine/Philomene Savvy Crawford as Young Amélie Manoel Felciano as Raphael/Bretodeau Harriett D. Foy as Suzanne Alyse Alan Louis as Georgette/Sylvie/Collignon's Mother Maria-Christina Oliveras as Gina Paul Whitty as Joseph/Fluffy/Collignon's Father ABOUT WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN Based on the Pedro Almodóvar film of the same name, Women on the Verge of a Nervous Breakdown tells the tale of a group of women in late 20th-century Madrid whose relationships with men lead to a tumultuous 48 hours of love, confusion, and passion. The musical features music and lyrics by David Yazbek and a book by Jeffrey Lane. Following a series of workshops in 2009 featuring Salma Hayek, Jessica Biel, Matthew Morrison and Paulo Szot, Women on the Verge of a Nervous Breakdown opened on Broadway at the Belasco Theatre on November 4, 2010. The production was a limited engagement that was scheduled to end on January 23, 2011, but due to low grosses and ticket sales, closed early on January 2, 2011. At the time of closing, the show had played 30 previews and 69 regular performances. A West End production, also directed by Bartlett Sher and starring Tamsin Greig, Jérôme Pradon, Haydn Gwynne, Anna Skellern, and Willemijn Verkaik opened at the Playhouse Theatre on January 12, 2015 for a 20-week run, and subsequently extended its run, but it was ultimately announced that the production would close on May 23, 2015. Greig and Gwynne were nominated for Best Actress in a Musical and Best Actress in a Supporting Role in a Musical respectively at the 2015 Laurence Olivier Awards. Original Broadway Cast Sherie Rene Scott as Pepa Patti LuPone as Lucia Brian Stokes Mitchell as Ivan Julio Agustin as Ambite De'Adre Aziza as Paulina Laura Benanti as Candela Danny Burstein as Taxi Driver Alma Cuervo as Woman in Cinema/Ivan's Concierge/Magistrate 2 Justin Guarini as Carlos Murphy Guyer as Hector/TV Husband/Magistrate/Chief Inspector Nina Lafarga as Woman at Train/Ana Nikka Graff Lanzarone as Marisa Yanira Marin as Ensemble Sean McCourt as Man in Cinema/Doctor/Detective Vivian Nixon as Ensemble Mary Beth Peil as Pepa's Concierge/TV and Radio Announcer Luis Salgado as Malik Jennifer Sánchez as Cristina Phillip Spaeth as Ensemble Matthew Steffens as Ensemble Charlie Sutton as Man at Train/Telephone Repairman
《發現音樂劇》第四集，發現音樂劇裡的「導演」。導演統御全局，是創作團隊的領袖，劇壇早年習慣將音樂劇的詞曲創作人（有時加上編劇）認定為「作者」，隨著創作觀念逐漸改變，至今「導演」已經是整部劇作中不可或缺的最重要主導勢力。 歷來大師細數不盡，前集所談三位重要編舞家，在創作能量全盛時期也都在舞作之外身兼導演；只導而不舞的名家亦多，舊譯「麥墨連」的魯本馬莫連（Rouben Mamoulian）、約書亞羅根（Joshua Logan）、喬治亞柏特（George Abbott）、哈洛普林斯（Harold Prince）等等，在本集節目中都有介紹；進入21世紀，值得一提的還有長期與紐約林肯中心合作的巴萊薛爾（Bartlett Sher），擅將過往的累積，當成豐富的文化遺產，前輩的藝術歷程對他而言不再是沉重的包袱，而是滋潤的創作養份。 本集節目特別來賓邀請到《發現音樂劇》原創音樂的創作人，同時也是全能打擊樂手、作曲家、編曲家吳沛奕（Allen Wu），分享他在上海迪士尼樂園長期演出的《獅子王》（The Lion King）劇組，置身觀眾席旁側包廂，既是伴奏樂師又是現場表演者的精采經歷，也讓聽眾朋友明白一齣長期上演的商業音樂劇，究竟是怎麼運作的。 節目企劃暨主持／陳煒智（Edwin W. Chen） 特別來賓／吳沛奕（Allen Wu） 節目編輯／曾致堯 行政統籌／沈冠宇 製作執行／金色晨曦 原創作曲／吳沛奕 音樂演出／吳沛奕、人間猫Nekomou、旋律職人林亮宇、陳章健
A Ona Cinema hem comptat amb la col·laboració de l'actriu Rafaela Rivas per parlar sobre el Festival de Málaga, que hem comentat posteriorment nosaltres, amb el Festival de Cannes, i hem fet un recorregut per la filmografia de a David Lynch, que celebra els 20 anys d'una de les seves obres mestres, 'Mulholland Drive'... De la confluència en 2021 dels 100 anys de Luis García Berlanga i Fernando Fernán Gómez, la inauguració de la Mostra FIRE!! de cinema LGTBI, que es podrà gaudir presencialment al Institut Francès de Barcelona i online a Filmin fins el 20 de juny El llargmetratge 'Oslo' de Bartlett Sher amb producció de Steven Spielberg a HBO, la molt recomanable sèrie 'La història de Lisey' de Pablo Larrain basada en la novel·la de Stephen King i protagonitzada per Julianne Moore, l'estrena de la millor pel·lícula de l'edició 2020 del Festival de Sitges, 'Possessor Uncut' de Brandon Cronemberg a Movistar +... I per veure en família, la sèrie 'Sweet Tooth: El niño ciervo' de Jim Mickle a Netflix i el film d'arts marcials 'Xtremo' de Daniel Benmayor, amb un interessant repartiment local i proper (Óscar Jaenada, Alberto Jo Lee, Juan Diego, Nao Albet, Sergio Peris Mencheta...). Ona Cultural - Ona de Sants - cinema - cine - series - estrenes - festivals - ràdio - Jose Angel Rico - Lluís Rueda - Josep Maria Jolis - Laura Clemente
"Is it ever too late to start living? Is it ever too late to find your love? E.C. Myers and Liz Riegel give two very different but oh so compelling answers to this question. Stories read by the fantastic Bradley Robert Parks and introducing Q-Lim with a fantastically moving perfromance Liz Riegel is a queer collage artist, sometimes-beekeeper, and writer who is endlessly inspired by the natural world. Bradley Robert Parks is a writer and sometimes singer, and founded the Brooklyn Speculative Fiction Writers in 2010. His publication credits can be found on his website, bradleyrobertparks.com. He lives in Brooklyn with his husband and one perfect cat, Ms. Magoo. "The Land of the Morning Calm" by E.C. Myers, Read by Q-Lim E.C. Myers was assembled in the U.S. from Korean and German parts and raised by a single mother and the public library in Yonkers, New York. He is the author of six young adult novels, including the Andre Norton Award–winning Fair Coin, The Silence of Six, and RWBY: After the Fall. His short fiction has appeared in numerous magazines and anthologies, most recently A Thousand Beginnings and Endings, Mother of Invention, and Feral Youth, as well as ongoing serials Orphan Black: The Next Chapter and Alternis from Serial Box Publishing. E.C. currently lives with his wife, son, and three doofy pets in Pennsylvania. You can find traces of him all over the internet, but especially at http://ecmyers.net and on Twitter: @ecmyers. Q Lim was born and raised in South Korea, then moved to New York when she was 20 knowing nothing about Musical Theatre except that it was her dream. Q's most known for playing Tuptim on the 1st Broadway National Tour of The King and I, just after finishing her broadway debut in the production at Lincoln Center Theatre directed by a Tony Award winning director, Bartlett Sher. After the tour, she had the privilege of working with a legendary composer Jason Robert Brown on his new musical in the works, Farewell My Concubine. Q has starred as Luisa in The Fantasticks! She was also featured as a soloist in an annual concert of Broadway's Rising Stars at a broadway concert hall, Town Hall and played her favorite Disney princesses; Jasmin, Mulan and Pocahontas on Disney Cruise Line.
Aquesta setmana a Ona Cinema hem entrevistat Ruth Máez, directora i guionista del curtmetratge 'Laia', que té encetada una campanya de verkami per impulsar-lo (el curt s'ha rodat recentment) i està interpretat per Marta Marco, Meritxell Ané i Júlia Jové. Tot seguit, hem comentat la reestrena a la cartellera de pel·lícules mítiques, com 'La escopeta nacional', commemorant el centenari del naixement de Luis Garcia Berlanga, de 'Reservoir dogs', de Quentin Tarantino, la preparació de la 2a part de 'Joker', el rodatge de 'El hombre bueno' de David Trueba amb Jorge Sanz, el llargmetratge 'El año de la furia' de Rafa Russo, amb un magnífic repartiment encapçalat per Alberto Ammann, on intervenen també Maribel Verdú, Martina Gusmán i Miguel Ángel Solá i hem descobert a Joaquin Furriel (en cartell després de passar pel Bcn Film Fest)... Les estrenes del molt entretingut nou film de Zack Snyder, 'Army of the dead' ('Ejército de los muertos') a Netflix, el thriller danès 'Shorta' de Frederik Louis Hviid i Anders Ølholm, a la cartellera, l'original 'Jumbo' de Zoe Wittock, amb Noémie Merlant ('Retrato de una mujer en llamas') a Filmin... El retorn d'uns amics molt famosos amb 'Friends: The Reunion' (HBO), la qualitat de la minisèrie 'Mare of Easttown' de Craig Zobel i Brad Ingelsby amb una gran Kate Winslet, la sèrie documental alemanya 'La historia del Mossad' a Movistar +, la pel·lícula 'Oslo' de Bartlett Sher produida per Steven Spielberg a HBO, i la 2a temporada (que ha trigat a arribar) de 'La guerra de los mundos' de Howard Overman, amb Gabriel Byrne. Ona Cultural - Ona de Sants - cinema - sèries - curtmetratges - llargmetratges - rodatges - estrenes - mecenatge - crowdfunding - Josep Maria Jolis - Lluís Rueda - Laura Clemente - ràdio
Ali Velshi is joined by former Homeland Security Secretary Janet Napolitano, Congresswoman Madeleine Dean, former RNC Chair Michael Steele, former Republican consultant Shermichael Singleton, former U.S. Attorney Joyce Vance, Texas State Rep. Rafael Anchia, Pulitizer Prize-winning science writer Laurie Garrett, president of the Eurasia Group, Ian Bremmer, author and attorney Hannibal B. Johnson, Tony Award-winning director and producer Bartlett Sher, and Arizona Republic reporter Jen Fifield.
Susan Glasser, staff writer for The New Yorker, and Fintan O'Toole, writer for the Irish Times, join Bianna Golodryga to discuss U.S. politics and President Biden's foreign policy challenges. Then director Bartlett Sher talks about how his film “Oslo” brings to life the Israeli-Palestinian peace process and the power of human connection. Our Walter Isaacson speaks to The New York Times opinion editor Kathleen Kingsbury about navigating the changing media landscape in a world of polarization, cancel culture, disinformation. And finally, author John Green explains his book of essays "The Anthropocene Reviewed" and why he aims to write with vulnerability. To learn more about how CNN protects listener privacy, visit cnn.com/privacy
Almost 30 years ago, a Norwegian power couple decided to bring together Palestinian and Israeli officials in Oslo with the aim of reaching a peace treaty. This led to a historic deal signed by the Palestine Liberation Organization and Israel at the White House in 1993. Host Steve Clemons speaks with Bartlett Sher, the director of Oslo, a new HBO drama telling the story of the secret talks. And former Palestinian negotiations adviser Diana Buttu and former Israeli adviser Daniel Levy explain that as long as the ongoing occupation of Palestinian lands comes at “no cost,” the future for both sides is bleak. - Subscribe to our channel: http://aje.io/AJSubscribe - Follow us on Twitter: https://twitter.com/AJEnglish - Find us on Facebook: https://www.facebook.com/aljazeera - Check our website: https://www.aljazeera.com/
Co-stars Ruth Wilson and Andrew Scott and renowned director Bartlett Sher join Washington Post chief film critic Ann Hornaday for a conversation about bringing the film, "Oslo" to life on the big screen.
Play: Straight Out of the ClosetSynopsis: None, so that the twist isn't revealed. Playwright Long Bio: Trish Ayers is an award winning playwright with play readings and productions across the United States and Japan including at Live Girls!, Hedgerow Theatre, Iowa State University, Berea College, and Manhattan Theatre Source. She is resident playwright for Mountain Spirit Puppets and has received three Kentucky Foundation for Women (KFW) grants and was honored to be the recipient of the 2011 Sallie Bingham Award from KFW. She was the founder of Kentucky Women Playwrights Seminar, a ten-year playwriting project.Tim: You may have seen Timothy on tour, in NYC, or perhaps more recently in the comfort of your own home via zoom.Actor Long Bio: Brandy Chapman is an actress and singer from Kentucky, having performed in the United States, Ireland, and Italy. Her experience draws from the teachings of Chekov and Stanislavski, as well as her own independent devising of pieces and projects throughout the past ten years. With an MFA from the National University of Ireland in Galway, she has appeared in several Irish television shows including An Klondike and Jack Taylor (both available on Netflix). Recent stage performances include Harvey and South Pacific. Jacqueline Youm is a Senegalese American actor, lawyer, and French|English|Spanish teacher. She also coaches mediation and negotiation. She thanks her family & friends for continuously listening to her acting wails and tears. Since the pandemic has started, she has produced, directed, and acted in a myriad of plays and monologues, which you can watch on YouTube. Marina Rebecca Chan is a Brooklyn-based performer, playwright (Dramatists Guild member) and producer. A graduate of Columbia University with a Drama & Theatre Arts major and playwriting concentration, Marina went on to conceive and produce the Asian Americans in Theatre: Art and Activism panel discussion series at Asia Society and Barnard College, involving theater scholars and professionals—including Tony Award winners David Henry Hwang and Bartlett Sher—examining issues of diversity, equity and inclusion. Post-series, Marina refocused on her training in singing (she’s a recipient of Columbia’s Dolan Prize for Voice), dance (professional credits include Il Re Pastore in the Mostly Mozart Festival at Lincoln Center, and the Family Matters Series at Dance Theater Workshop) and acting. Marina also completed a rigorous rewrite of her play Elizabeth’s Wonderland, two readings of which (one staged and one on Zoom) she has produced, cast, directed and starred in. Recently, her Covid play Tomorrow, And Tomorrow, And Tomorrow was Zoom produced by Little & Fierce Theatre Company. marinachan.com
Synopsis:A new teacher at Happy Hill Pre-K discovers philosophical differences with an experienced associate: Should the children be taught World Peace or “The Farmer In The Dell?” The dispute escalates, ending as the two discover sisterhood in their common rejection of the minimum-wage child-care jobs.Carrie Wesolowski (Director/Erica) Born and raised in NYC, Carrie is a NYC-based Actor, Director, Host, and Singer who has appeared in international news programs, film, television and Off Broadway/theatre productions. Carrie is a graduate of the Gushee/Anania Studio where she studied with Phil Gushee and Joe Anania. Carrie hosted “Movie Talk Show” from 2014-2018 and served as its Associate Producer, interviewing indie film actors, writers, and directors and giving them a platform for their work. Carrie’s recent credits include directing and playing Destiny in Coni Koepfinger’s SIMON SAYS which was 1 of 11 finalists in Playbill’s VTF Live and was most recently streaming worldwide as part of Manhattan Rep’s STORIES Film Festival. Carrie's most recent project was playing Mandy in Dermalogic as part of Theater for the New City's "On the Air'' series which can still be seen on Theater for the New City's YouTube Channel: https://www.youtube.com/watch?v=J0WP3ZVOAaY&t=355s It's always such a joy for Carrie co-hosting, directing, and acting on AirPlay. Carrie would like to thank the playwright Dean Bevan and the actors who helped bring this to life. Marina Rebecca Chan (Linda) is a Brooklyn-based performer, playwright (Dramatists Guild member) and producer. A graduate of Columbia University with a Drama & Theatre Arts major and playwriting concentration, Marina went on to conceive and produce the Asian Americans in Theatre: Art and Activism panel discussion series at Asia Society and Barnard College, involving theater scholars and professionals—including Tony Award winners David Henry Hwang and Bartlett Sher—examining issues of diversity, equity and inclusion. Post-series, Marina refocused on her training in singing (she’s a recipient of Columbia’s Dolan Prize for Voice), dance (professional credits include Il Re Pastore in the Mostly Mozart Festival at Lincoln Center, and the Family Matters Series at Dance Theater Workshop) and acting. Marina also completed a rigorous rewrite of her play Elizabeth’s Wonderland, two readings of which (one staged and one on Zoom) she has produced, cast, directed and starred in. Currently, she’s in rehearsals for a Zoom staged reading of her play Tomorrow, And Tomorrow, And Tomorrow, set during Covid and produced by the Little & Fierce Theatre Company; you can catch the performance live on YouTube Monday, March 29th at 7 pm. marinachan.comTimothy Regan (Mr Evans) is a graduate of Kean University and worked on several national tours upon graduating. Timothy is a seasoned TV, film, and stage actor and now comes to you via Zoom and other various facetime platforms! https://www.timothy-regan.com/Jacqueline Youm (Mother) is a Senegalese-American actor, lawyer, and French|English|Spanish teacher. She also coaches mediation and negotiation. She thanks her family & friends for continuously listening to her acting screams and tears. Since the pandemic has started, she has produced, directed, and acted in a myriad of plays and monologues, which you can watch here: https://www.youtube.com/watch?v=BMP7Wn5hXuo…Christy Donahue (AirPlay Co-Host) Acting is a lifelong love for Christy, who first stepped onstage at the age of 11. Christy’s acting credits span traditional theater, interactive dinner theater, commercial and film work, and staged readings - in person, online, and via livestream. Favorite credits include Carol Grady in Brooke and Carly, Evy Meara in Neil Simon’s The Gingerbread Lady, Karen in Dinner with Friends, and Annette in God of Carnage.
CHASE BROCK, called “prolific” in The New Yorker and “a showman with an eye to a wide audience” in The New York Times, is a choreographer, director and occasional costume designer working across theater, dance, opera, ballet, TV and video games. From Flat Rock, NC, Brock made his Broadway debut at 16 in the original cast of Susan Stroman’s revival of The Music Man, also appearing on “The Rosie O’Donnell Show” and “The Tony Awards.” At 18, Brock produced a showcase of his own choreography in Michael Bennett’s leg- endary building at 890 Broadway, and at 23, he launched his own dance company. As Artistic Director of The Chase Brock Experience (in residence at Theatre Row on 42nd St), he has commissioned 8 original scores and directed, choreographed and often designed cos- tumes for 31 original works including American Sadness to Gabriel Kahane’s debut album, The Four Seasons to the Vivaldi score and new text by David Zellnik, Mirror Mirror with an original score by Michael John LaChiusa, The Song That I Sing; Or, Meow So Pretty to vintage record- ings by The New Christy Minstrels, The Girl with the Alkaline Eyes with original score and sce- nario by Eric Dietz, and Whoa, Nellie! to Nellie McKay’s album Obligatory Villagers. Broadway choreography: Joe Iconis and Joe Tracz’s Be More Chill (Lyceum Theatre), Bono, The Edge and Julie Taymor’s Spider-Man: Turn off the Dark (Foxwoods Theatre) and Sam Gold’s revival of Inge’s Picnic (Roundabout Theatre Company). International choreography: Disney’s The Hunchback of Notre Dame (North American, German and Japanese companies), Be More Chill (London), Roméo et Juliette (Salzburger Festspiele). Off-Broadway choreography: Disney’s Hercules, Michael John LaChiusa’s First Daughter Suite, Lear deBessonet and Todd Almond’s The Tempest and The Winter’s Tale (The Public Theater), The Wildness (Ars Nova), Gigantic (Vineyard Theatre), The Mysteries (The Flea Theater). Re- gional highlights include directing The Music Man, The Nutcracker (Flat Rock Playhouse) and The Night They Invented Champagne (Westport Country Playhouse) and choreographing the world premieres of Sara Bareilles’s Waitress (American Repertory Theater), Soul: The Stax Mu- sical (Baltimore Center Stage, dir. Kwame Kwei Armah), Daniel Zaitchik’s Darling Grenadine (Goodspeed Musicals) and Be More Chill (Two River Theater). Other highlights include serving as the onscreen theater director for the Fiddler on the Roof episode of Kristin Bell’s “Encore!" (Disney+) and choreography for Bartlett Sher’s production of Gounod’s Roméo et Juliette for The Metropolitan Opera and “Great Performances” (PBS), “Dash & Lily” (Netflix), many works of political satire for “Last Week Tonight with John Oliver” on HBO, the bestselling video game Dance on Broadway (Nintendo Wii, PlayStation Move), sever- al ballets for New York Theatre Ballet and the upcoming film Man & Witch. Brock is the subject of the Emmy-nominated documentary Chasing Dance, and his latest project is the creation of Modern Accord Depot (modernaccorddepot.com), an arts residency space and luxury getaway in a turn-of-the-century Hudson Valley train depot. For more, please visit www.chasebrock.com and www.chasebrockexperience.com Follow @instachasebrock --- Send in a voice message: https://anchor.fm/confessionsofanactress/message Support this podcast: https://anchor.fm/confessionsofanactress/support
This week we celebrate Hunnakah with Rex J Ablett and chat about all of the lessons we can learn from the Jewish masterpiece - Fiddler on the Roof!"Miracle of miracles, indeed: Just when you think you know a classic musical backwards and forwards, along comes director Bartlett Sher to prove otherwise. Just as with his seminal 2008 staging of "South Pacific" (and his less successful, but still laudable version of "The King and I" from earlier this year), Sher's take on "Fiddler on the Roof" feels at once bracingly modern and gloriously old school."https://en.wikipedia.org/wiki/Fiddler_on_the_Roofhttps://en.wikipedia.org/wiki/Fiddler_on_the_Roof_(film)https://www.imdb.com/title/tt0067093/https://www.mtishows.com.au/fiddler-on-the-roofhttps://www.mtishows.com.au/fiddler-on-the-roof-jrhttps://www.rottentomatoes.com/m/fiddler_on_the_roofhttps://en.wikipedia.org/wiki/Sholem_Aleichemhttps://en.wikipedia.org/wiki/JewishLike us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanon.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Support this show http://supporter.acast.com/musicals-taught-me-everything-i-know. See acast.com/privacy for privacy and opt-out information.
Today we’re on the line with stage managers, educators, and authors, Narda E. Alcorn and Lisa Porter where we’re discussing their new book, Stage Management Theory as a Guide to Practice: Cultivating a Creative Approach, their recent HowlRound essay, "We Commit to Anti-Racist Stage Management Education," and what we as designers, creators, stage managers, and industry professionals can do to make anti-racist theatres and entertainment a reality.Narda E. Alcorn is a Professor and Stage Manager who has worked on Broadway, Off-Broadway, regionally, and internationally. In 2019, Narda was appointed Chair of the Stage Management Program at Yale School of Drama. She has been Head of Stage Management for New York University, DePaul University, and State University of New York at Purchase. She received DePaul’s Excellence in Teaching Award in 2015 and The Robert Christen Award for Excellence in Technical Collaboration in 2017.On Broadway, Narda has had collaborations with the Tony-winning directors Kenny Leon, Bartlett Sher, and George C. Wolfe. She premiered four of Pulitzer-Prize winning playwright August Wilson’s Century Cycle plays, and stage managed two Broadway revivals of his work. Her New York and Regional credits include productions with Denzel Washington, Viola Davis, Billy Crystal, Kevin Kline, Annette Bening, Phylicia Rashad, David Schwimmer, and Richard Foreman. Narda was a long-time stage manager on the Broadway production of The Lion King, and she has collaborated with the celebrated MacArthur Fellows, composer George E. Lewis and playwright Tarell Alvin McCraney. She has recently co-published, with Lisa Porter, Stage Management Theory as a Guide to Practice: Cultivating a Creative Approach and the essay We Commit to Anti-Racist Stage Management Education on HowlRound.Lisa Porter is a Professor of Theatre and Dance at the University of California, San Diego, where she has taught since 2005. She is the Head of the MFA in Stage Management, and teaches graduate and undergraduate stage management. She has also developed courses related to creativity, neuroscience, disability, and performance. Lisa has taught in the MFA Stage Management program at Yale School of Drama, and has led international classes in Singapore, Taiwan, and China.Working in diverse venues on six continents, Lisa’s career has included international projects with Laurie Anderson, Mikhail Baryshnikov, Anne Bogart, Hal Hartley, Yo-Yo Ma, Silkroad Ensemble, White Oak Dance Project, and Robert Wilson. She has collaborated extensively on multiple intercultural productions with Singaporean director Ong Keng Sen and TheatreWorks Singapore. Her New York and Regional credits include productions with Christopher Ashley, Charles Busch, Jonathan Demme, Richard Foreman, Doug Hughes, Tina Landau, Kenny Leon, Suzan-Lori Parks, Darko Tresnjak, and Mark Wing-Davey. She has also produced and stage managed non-profit and corporate events since 1996. She has recently co-published, with Narda E. Alcorn, Stage Management Theory as a Guide to Practice: Cultivating a Creative Approach and the essay We Commit to Anti-Racist Stage Management Education on HowlRound.Interested in hearing more from Narda and Lisa? Register for their upcoming USITT Webinar, "Stage Management Theory as a Guide to Practice: Cultivating a Creative Approach" taking place Monday, Oct. 19 @ 7 p.m. EDT. This webinar is free for USITT members and $15 for non-members. Advanced registration is required. Register here: https://secure.usitt.org/NC__Event?id=a0l0b00000Djoy0AAB
Before the pandemic, I sat down with Daniel Jenkins in his apartment to talk about growing up as a self-proclaimed ‘nerd’, a day in the life as an apprentice at the Actors Theatre of Louisville, transitioning to New York and his starring role as Huckleberry Finn in the original Broadway company of BIG RIVER as well as his return to the musical almost twenty years later. We discuss stories from the auditions and processes for BIG, John Doyle’s production of MERRILY WE ROLL ALONG, and STAGE KISS including dancing with Rebecca Taichman, frequent collaborations with Bartlett Sher, as well as our mutual appreciation and admiration for the late Michael Friedman.
SHOWS: South Pacific, The Light In The Piazza, To Kill A Mockingbird There is not a genre that Tony Award winning director Bartlett Sher has not explored in his varied, celebrated career. His directorial credits include the original productions of The Light In The Piazza, Women on the Verge of a Nervous Breakdown, The Bridges of Madison County, Oslo, and To Kill A Mockingbird, as well as acclaimed revivals of Awake and Sing, South Pacific, Joe Turner's Come and Gone, Golden Boy, The King and I, Fiddler on the Roof, and My Fair Lady. Bart pulls back the curtain on his career to discuss how he investigates pre-existing texts, what it was like discovering theatrical mentors, and why the strongest directors are those that explore the world in which they live. Also, Bart shines the spotlight on Kelli O'Hara, Danny Burstein, and Lauren Ambrose! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on the #CKTpodcast, we were SUPER pumped to chat with Tony Award winner Victoria Clark. Victoria has appeared in several Broadway and Off Broadway shows in NY as well as several Broadway touring productions. She's starred in films and T.V. roles and has recently emerged as one of NY's rising directors. Victoria is known throughout the theatre community for her kindness, humility, and extraordinary talent. We're incredibly grateful to welcome our mentor and dear friend to the table. Enjoy
It's Thursday, and time again for a visit with theater critic J. Wynn Rousuck, who regales us each week with her reviews of the region's rich thespian offerings. Today, she spotlights the new touring production of My Fair Lady, now on stage at the Kennedy Center for the Performing Arts in Washington, D.C. The Kennedy Center show launches the national tour for the Lincoln Center Theater production of the much-beloved musical by Alan Jay Lerner (book and lyrics) and Frederick Loewe, who adapted it from George Bernard Shaw's 1913 play and Gabriel Pascal's 1938 film, "Pygmalion." The story of Eliza Doolittle, a Cockney flower girl who takes speech lessons from phoneticist Henry Higgins so that she can pass as a cultured lady, was a major commercial and critical success when it opened on Broadway in 1956. Boasting such enduring songs as “I Could Have Danced All Night,” “The Rain in Spain,” and “Wouldn’t It Be Loverly,” My Fair Lady earned four Tony Awards and set a record at the time for the longest run of any show on Broadway. It was followed by a hit London production, a popular film version, and numerous award-winning revivals. The current touring revival by the Lincoln Center Theater in New York is directed at the Kennedy Center by Bartlett Sher, with music supervision by Ted Sperling and choreography by Christopher Gattelli. The show's 33-member cast is led by Shereen Ahmed as Eliza Doolittle, and Laird Mackintosh and Henry Higgins. My Fair Lady continues at The Kennedy Center in Washington through Sunday, January 19th. For showtimes and ticket information, click here.
Jason Styres (IG:@jasonstyrescsa)(jasonstyrescsa.com) is a casting director whose work is currently represented internationally. He has, in a relatively short time, come to work in every facet of the industry: theatre, film, television, commercials, live events, company consultation, and more. He and his team place an emphasis on creating an environment for teams, producers, and performers to effectively and efficiently put together exemplary groups of collaborative artists in order for a project realize its fullest potential. All the while never sacrificing the humanity of the process.Most recently, he was appointed to the New York board for the Casting Society of America, in addition to being named one of the "industry players you need to know" by Backstage. He cast such projects as the Tony Award Best Musical A Gentleman’s Guide to Love & Murder (Broadway & 1st National Tour, and 2nd National Tour), the hit Off-Broadway comedy Puffs, Or: Seven Increasingly Eventful Years at a Certain School of Magic & Magic, the current national tours of Bartlett Sher’s productions of Fiddler on the Roof and The King & I, Josh Prince’s breakthrough Dance Lab NY (FKA, Broadway Dance Lab), Magic Mike Live in both Las Vegas and London (alongside Channing Tatum & Alison Faulk), Rodgers + Hammerstein's Cinderella (National Tour), Dames at Sea (Broadway), The Lion King (Broadway & National Tour), Irving Berlin’s White Christmas (National Tour), Trip of Love (Off-Broadway), Nice Work If You Can Get It (Broadway), and for over 15 different productions for the prestigious New York City Center Encores! series. He has worked with such directors and choreographers as Darko Tresnjak, Camille A. Brown, Josh Prince, Warren Carlyle, Josh Bergasse, Ruben Santiago-Hudson, Marc Bruni, Casey Nicholaw, Kathleen Marshall, Josh Rhodes, John Doyle, Randy Skinner, and James Lapine — amongst many, many others. Other credits include Hartford Stage, New York Philharmonic, the York Theatre Company, Shakespeare Theatre Company (DC), San Francisco Symphony, Theatre Under the Stars (TUTS), TUTS Underground, Queensbury Theatre, Florida Studio Theatre, and various other theatres. He cast the three-time Emmy nominated production of Carousel (NY Philharmonic/PBS), the smash-hit television show So You Think You Can Dance, and the highly praised HBO documentary Six by Sondheim. Some recent favorite projects include Last Week Tonight with John Oliver, The Prancing Elites Project, and How You Look At It — a brand new dance short by Wendy Seyb, currently gathering awards across the country in various film festivals. He also worked with Nathan Mitchell and Alexander McQueen/Document Journal on their highly lauded immersive project for New York Fashion Week (S/S 2017). His upcoming projects include The Apple Boys (HERE Arts Center), Midnight at the Never Get (York Theatre), a brand new developmental work with Camille A. Brown (in conjunction with the Jerome Robbins Foundation and the Baryshnikov Arts Center), a collaboration with the Astoria Performing Arts Center, the next incarnation of the award-winning show Pedro Pan (previously seen at NYMF and Fringe)... as well as some other exciting new projects yet to be announced.Outside of his normal work in casting, he is a proud supporter/friend of the Cancer Support Community, serving as their casting consultant for their galas and benefits, serves as guest faculty for Broadway Dance Center and the Quest Intensive, as well as several universities and colleges across the nation.
With the Tony Awards just days away, we're gearing up with this special Tony episode of Stage Door Sessions. Interviews with some of the 2019 Tony-nominees including Daniel Fish, Des McAnuff, Bartlett Sher, George C. Wolfe, Harold Wheeler, Todd Sickafoose, David Yazbeck, Robert Horn, and more! Tune in to the Tony Awards live on CBS on June 9 at 8/7c.
The most beloved musical of all time, Lerner & Loewe’s "My Fair Lady" is back on Broadway in a lavish new production from Lincoln Center Theater, the theater that brought you the Tony-winning revivals of "South Pacific" and "The King and I." Directed by Tony winner Bartlett Sher, the stellar cast tells the story of Eliza Doolittle, a young Cockney flower seller, and Henry Higgins, a linguistics professor who is determined to transform her into his idea of a “proper lady.” Christian Dante White and JoAnna Rhinehart came to BUILD to discuss their roles in the play.
It would be hard pressed to find someone who, in the past thirty years, has influenced the development of the American Theatre more than Andre Bishop. For ten years, he was Artistic Director of Playwright's Horizons, which was followed by his current stint as the Artistic Director of Lincoln Center Theatre, which has given the American musical theatre such new works as A New Brain, Parade, Contact, and The Light in The Piazza, as well as revivals of South Pacific, The King & I, and My Fair Lady. Andre pulls back the curtain on his career to discuss how he became the artistic director of Lincoln Center Theater, what it was like cultivating such works as Falsettos, Sunday in the Park with George, and The Heidi Chronicles, and why his biggest goal for LCT has still yet to be achieved! Also, Andre shines the spotlight on Wendy Wasserstein, William Finn, and Bartlett Sher! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 To book a room at Shetler Studios, head on over to: https://www.shetlerstudios.com
Ilana interviewed JASON ROBERT BROWN live on the stage of City Center after the Encore Series Presentation of his song cycle "Songs for a New World" on the day his latest album "How We React and How We Recover" was released. In this intimate conversation Jason talks about being "adopted " by Hal Prince, his longtime collaboration with Daisy Prince, the joy and pain of winning Tony Awards for shows that had closed quickly and how he wrote the title song for his new album on the morning Donald Trump won the election and more.... Jason Robert Brown is the ultimate multi-hyphenate – an equally skilled composer, lyricist, conductor, arranger, orchestrator, director and performer – best known for his dazzling scores to several of the most renowned musicals of his generation, including the generation-defining “The Last Five Years”, his debut song cycle “Songs for a New World”, and the seminal “Parade”, for which he won the 1999 Tony Award for Best Score. JASON ROBERT BROWN has been hailed as “one of Broadway’s smartest and most sophisticated songwriters since Stephen Sondheim” (Philadelphia Inquirer), and his “extraordinary, jubilant theater music” (Chicago Tribune) has been heard all over the world, whether in one of the hundreds of productions of his musicals every year or in his own incendiary live performances. Jason’s score for “The Bridges of Madison County,” a musical adapted with Marsha Norman from the bestselling novel, directed by Bartlett Sher and starring Kelli O’Hara and Steven Pasquale, received two Tony Awards (for Best Score and Orchestrations). “Honeymoon In Vegas,” based on Andrew Bergman’s film, opened on Broadway in 2015 following a triumphant production at Paper Mill Playhouse. His major musicals as composer and lyricist include: “13”, written with Robert Horn and Dan Elish, which began its life in Los Angeles in 2007 and opened on Broadway in 2008; “The Last Five Years”, which was cited as one of Time Magazine’s 10 Best of 2001 and won Drama Desk Awards for Best Music and Best Lyrics; “Parade,” written with Alfred Uhry and directed by Harold Prince, which premiered at Lincoln Center Theatre in 1998, and subsequently won both the Drama Desk and New York Drama Critics’ Circle Awards for Best New Musical, as well as garnering Jason the Tony Award for Original Score; and “Songs for a New World,” a theatrical song cycle directed by Daisy Prince, which played Off-Broadway in 1995, and has since been seen in hundreds of productions around the world. As a soloist or with his band The Caucasian Rhythm Kings, Jason has performed sold-out concerts around the world. His newest collection, “How We React and How We Recover”, was released in June 2018 on Ghostlight Records. His previous solo album, “Wearing Someone Else’s Clothes”, was named one of Amazon.com’s best of 2005, and is available from Sh-K-Boom Records. For the new musical “Prince of Broadway,” a celebration of the career of Harold Prince, Jason was the musical supervisor and arranger. Other recent New York credits as conductor and arranger include “Urban Cowboy the Musical” on Broadway; Oliver Goldstick’s play, “Dinah Was,” directed by David Petrarca, at the Gramercy Theatre and on national tour; and William Finn’s “A New Brain,” directed by Graciela Daniele, at Lincoln Center Theater. Jason has conducted and created arrangements and orchestrations for Liza Minnelli, John Pizzarelli, Tovah Feldshuh, and Laurie Beechman, among many others. Jason studied composition at the Eastman School of Music in Rochester, N.Y., with Samuel Adler, Christopher Rouse, and Joseph Schwantner. He lives with his wife, composer Georgia Stitt, and their daughters in New York City. Jason is a proud member of the Dramatists Guild and the American Federation of Musicians Local 802. Visit him on the web at www.jasonrobertbrown.com.
Anne McElvoy heads to the Palladium theatre in London to interview Bartlett Sher, Tony award-winning director of “The King & I”. They discuss the challenges of reviving a story written in the 1950s – and set in the 1860s – for an audience in 2018. Also, the ways in which Hamilton is not so revolutionary and the limits of colour-blind casting. See acast.com/privacy for privacy and opt-out information.
Anne McElvoy heads to the Palladium theatre in London to interview Bartlett Sher, Tony award-winning director of “The King & I”. They discuss the challenges of reviving a story written in the 1950s – and set in the 1860s – for an audience in 2018. Also, the ways in which Hamilton is not so revolutionary and the limits of colour-blind casting. See acast.com/privacy for privacy and opt-out information.
Bartlett Sher's adaption of The King and I won four Tony Awards during its run on Broadway and is transferring to London this month. The American director was highly praised for his updating of the Rodgers and Hammerstein musical, which is set in 19th century Siam but has been criticised for sexism and orientalism. Bartlett Sher discusses taking on this classic musical for a modern-day audience.Writer and critic Olivia Laing, known for her non-fiction writing about art, sexuality and cities, discusses her debut novel. Crudo is a highly personal 'real time' account of the political and social upheavals taking place across the world during the summer of 2017, told from the dual perspectives of the writer herself and American experimental novelist Kathy Acker.Ahead of the announcement next week of the winner of the £100,000 Art Fund Museum of the Year 2018, we'll be reporting from each of the five shortlisted museums, starting today with The Postal Museum in London, and its famous subterranean Mail Rail, which opened to the public last year.
Seven years ago, it was announced that LAUREN AMBROSE would be playing the coveted role of Fanny Brice in the Bartlett Sher-directed Broadway revival of Funny Girl. Though the production never made it to the Great White Way, Ambrose is now starring in the Sher-helmed hit reincarnation of My Fair Lady at the Vivian Beaumont Theater and is having a loverly time doing so. She's earned a 2018 Tony nomination for her spunky, sparkling performance as Eliza Doolittle. Not unlike the iconic character's transformation, this musical theater milestone is truly a metamorphosis to witness, especially for those that know and love Ambrose from her Emmy-nominated time on HBO's Six Feet Under, the cult classic film Can't Hardly Wait and her past Broadway performances in the plays Awake and Sing! and Exit the King. The classically trained soprano stopped by on Show People with Paul Wontorek to talk about her least favorite haircut of her career, how she's been "threatening" to be in a musical forever and why My Fair Lady feels like the perfect first fit.
From Lincoln Center Theater's stunning revival of "My Fair Lady" are actors Lauren Ambrose, Harry Hadden-Paton, and Allan Corduner, director Bartlett Sher, and LCT Producing Artistic Director André Bishop. NYTimes' Jesse Green and Susan Haskins co-host.
Nominated - Best Director - My Fair Lady
Going to see live theater, Bartlett Sher believes, is a unique experience... one that’s not just entertaining, but also has the power to change your view of the world. Sher is one of the most creative, thought-provoking Broadway directors working today (he directed the 2017 Tony award-winning best play, "Oslo"). Sher talks here about how a childhood trauma steered him toward the stage, and about finding new relevance in classic, beloved musicals like “South Pacific” and “Fiddler on the Roof.” His most recent production is "My Fair Lady."
For this week's episode, we trace The Light in the Piazza's fifty-year journey from its first incarnation as a novella by Elizabeth Spencer to a musical idea handed down through one of musical theater's most prominent families. We follow the musical, written by Adam Guettel and Craig Lucas, as it takes shape at the Sundance Theatre Lab, has its first production at the Intiman Theatre in Seattle, is restructured for the Goodman Theatre in Chicago, before making its way to Broaday at Lincoln Center. The show would be nominated for 13 Tony Awards and win 8 of them. It would make stars of its two leading ladies and go down as one of the most important new works of our time. This episode features brand new interviews with composer Adam Guettel, book writer Craig Lucas, actors Victoria Clark, Kelli O'Hara, and Celia Keenan-Bolger, director Bartlett Sher, and Lincoln Center Artistic Director Andre Bishop
September 13, 1993 is a date that many of a certain age will recognize as the day the OSLO ACCORDS were signed. It was marked by a White House Rose Garden ceremony with President Bill Clinton officiating over a handshake between Israeli Prime Minister Itzak Rabin and Yasser Arafat of the Palestinian Liberation Organization. Papers were signed by both warring parties to set up a framework for peace between the two adversaries. Back then, and still today, the OSLO ACCORDS represent at least a hopeful moment for peace. Although the Oslo Accords didn’t result in a lasting peace between Israel and Palestine, how they came to be at all makes for a fascinating study in the hope for change, the persistence and bravery of negotiators on both sides of a conflict, and, in this case, the dogged determination of two Norwegian peacemakers who drove the whole process. A stage dramatization of the story of OSLO was written by J.T. Rogers and directed by Bartlett Sher. It started modestly in 2016 at a small theater at New York’s Lincoln Center. Later it advanced to the Lincoln Center’s Broadway stage, and went on to win the award for BEST PLAY at 2017’s Tony Awards. Today on Peace Talks Radio, host Paul Ingles talks with both OSLO playwright JT Rogers and director Bartlett Sher about the peacemaking lessons on display in the acclaimed play.
September 13, 1993 is a date that many of a certain age will recognize as the day the OSLO ACCORDS were signed. It was marked by a White House Rose Garden ceremony with President Bill Clinton officiating over a handshake between Israeli Prime Minister Itzak Rabin and Yasser Arafat of the Palestinian Liberation Organization. Papers were signed by both warring parties to set up a framework for peace between the two adversaries. Back then, and still today, the OSLO ACCORDS represent at least a hopeful moment for peace. Although the Oslo Accords didn't result in a lasting peace between Israel and Palestine, how they came to be at all makes for a fascinating study in the hope for change, the persistence and bravery of negotiators on both sides of a conflict, and, in this case, the dogged determination of two Norwegian peacemakers who drove the whole process. A stage dramatization of the story of OSLO was written by J.T. Rogers and directed by Bartlett Sher. It started modestly in 2016 at a small theater at New York's Lincoln Center. Later it advanced to the Lincoln Center's Broadway stage, and went on to win the award for BEST PLAY at 2017's Tony Awards. Today on Peace Talks Radio, host Paul Ingles talks with both OSLO playwright JT Rogers and director Bartlett Sher about the peacemaking lessons on display in the acclaimed play.
"Oslo" playwright J.T. Rogers, director Bartlett Sher, and actors Jennifer Ehle and Jefferson Mays; and "Dear Evan Hansen" librettist Steven Levenson, composer/lyricists Benj Pasek & Justin Paul return to our piano to perform more songs from their career.
On May 2nd, 2016, master directors Rachel Chavkin and Bartlett Sher visited Emerson College and engaged in a conversation about their craft with a group of Boston-based directors. In this one-on-one discussion, Chavkin and Sher speak about the broad spectrum of their work—from preparing for meetings with designers, to the actor-audience relationship, to how space informs their approach on a given piece. Chavkin and Sher also engage in a layered discussion on form as they compare their experiences working in devised theater, in opera, with revivals, on Broadway, and beyond. Listen in to hear more about the work, philosophies, and experiences of these two artists.
Bartlett Sher is an American theatre director. He has been nominated for nine Tony Awards, winning a Tony Award for Best Direction of a Musical as well as a Drama Desk Award for his direction of the 2008 Broadway revival of South Pacific. He served as associate artistic director at Hartford Stage in Connecticut and company director at the Guthrie Theater in Minneapolis. He was artistic director at Intiman Theatre in Seattle and in 2008 was named resident director at Lincoln Center Theater in New York City. Bart took some time out from his rehearsals of the now running Oslo to chat with me about the role of the Director in modern productions and . . . How directing on Broadway wasn’t even in his game plan. How directing a show is like conducting an orchestra. What his rehearsal process is really like (and why it scares choreographers like this one). What he looks for from actors when he’s auditioning. Why it’s hard to find a good producer. Keep up with me: @KenDavenportBway www.theproducersperspective.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Tony and 2x Drama Desk Award Winning Director, Bartlett Sherr, not only talks to me on the red carpet, but I also got a few minutes with him after he won. What an amazing guy he is. I think that I get why people really like him so much. Working with him must be special. Subscribe to the Podcast on Itunes: https://itunes.apple.com/us/podcast/keith-prices-curtain-call/id1114172032?mt=2 About Bartlett Sher: http://www.lct.org/shows/people/bartlett-sher/ Follow @bartlett_sher @kpcurtaincall @comedydaddy on Twitter Like "Keith Price's Curtain Call" on FB
I recently described today's guest, the great Danny Burstein, as a glow worm. On stage, the man, truly, is lit from within. If you've ever seen him in anything,you know what I'm talking about. Whether the role is large or small, passionate or passive, when he's on stage, you can't take your eyes off of him, and you wouldn't want to--he's just magnetic that way. Danny began his career in New York in the early 90s taking a lot of small roles and understudy gigs. Then, a few years on, he made the terrifying decision that actors sometimes do--not to take any work that didn't challenge him artistically and advance him towards a more fulfilling career. Of course, we all know the rest. He went on to earn five Tony Award nominations for his work in such shows as 'The Drowsy Chaperone,' 'South Pacific,' 'Follies,' 'Golden Boy,' and 'Cabaret.' This season he's back on Broadway wowing audiences 8 times a week as Tevye in the stunning Bartlett Sher production of 'Fiddler on the Roof,' currently playing at the Broadway Theater. I know I say this a lot, but it really was an honor to get to sit with this man for forty minutes in his dressing room and talk about his amazing body of work. Enjoy!!!
OK fellow Theater People, you've been asking for this interview for almost as long as the podcast has existed, so we are THRILLED to be bringing you this episode featuring the fabulous Adam Kantor!Adam made his Broadway debut in 2008 as Marc in the closing Broadway company of 'Rent' (grab your tissues when he tells the story of how he learned he'd won the roll) and he went on to replace in the role of Henry in the hit Broadway production of 'Next to Normal.' In 2013, he was cast as Jamie opposite Betsy Wolfe in Second Stage's highly anticipated revival of Jason Robert Brown's 'The Last Five Years.' This season he's back on Broadway in the role of Motel in the Bartlett Sher helmed production of 'Fiddler on the Roof.' We had such a great time chatting in his dressing room surrounded by old family photos and heirlooms that are so meaningful to him--especially as they relate to his work in 'Fiddler,' we'll let him explain that further. Enjoy!
Actor Danny Burstein and director Bartlett Sher discuss the 2015 revival of "Fiddler on the Roof." Plus, our 2004 interview with Fiddler's lyricist Sheldon Harnick, composer Jerry Bock and librettist Joseph Stein. Harnick & Kate Baldwin sing "To Life."
Masters of the Stage Replay re-releases podcasts that seem especially relevant this season. This 2014 podcast features directors Bartlett Sher and Julie Taymor, and is moderated by Anne Bogart.
The beloved 1964 musical "Fiddler on the Roof," with its book by Joseph Stein and score by Jerry Bock and Sheldon Harnick, is back on Broadway this season. Based on writer Sholem Aleichem's Yiddish tales of Tevye the milkman, this new production of "Fiddler" is the show's fifth return to the Great White Way. The role of Tevye was originated by Zero Mostel, played on stage and film by Chaim Topol, and on Broadway by Herschel Bernardi, Theodore Bikel, Leonard Nimoy and Harvey Fierstein, among others. In this production, five-time Tony Award nominee Danny Burstein has the role, and the director is Bartlett Sher, acclaimed for his Rodgers and Hammerstein revivals on Broadway. But do we really need yet another "Fiddler on the Roof?" New York Times theater critic Charles Isherwood explains why we just might. "Fiddler on the Roof" runs through July 3 at the Broadway Theatre.
On April 29, 2014, director Anne Bogart moderated a One-on-One discussion with directors Bartlett Sher and Julie Taymor at New York’s National Opera Center. Listen as they discuss their respective backgrounds, training, and inspirations.
Tony Award-winning director Bartlett Sher explores how a director must search for the play's 'inward sound' when creating theatre.Bartlett Sher has been nominated four times for the Tony Award, winning it in 2009 for the Broadway revival of South Pacific. Sher was previously the Artistic Director at the Intiman Playhouse in Seattle and is now Resident Director at the Lincoln Centre in New York. His recent work in the UK includes the ENO production of Nico Muhly's opera Two Boys.The series is produced by Sasha Yevtushenko.First broadcast in February 2012.
Five of the stage's most talented Directors - Thomas Kail, Moisés Kaufman, Bartlett Sher, Leigh Silverman and Kate Whoriskey - talk about how they work with, and interpret, the author's work; the relationship between directors and designers; managing change as the work evolves; why they feel actors should be more involved in the process; the different approach they take when working with classics as opposed to original works; how they work with casting directors and then work with the various actors and acting techniques; their desire to be a support system for each other; and whether they feel directing can be taught.
Five of the stage's most talented Directors -- Thomas Kail, Moisés Kaufman, Bartlett Sher (who won a Tony for his work on the 2008 revival of South Pacific), Leigh Silverman and Kate Whoriskey -- talk about how they work with, and interpret, the author's work; the relationship between directors and designers; managing change as the work evolves; why they feel actors should be more involved in the process; the different approach they take when working with classics as opposed to original works; how they work with casting directors and then work with the various actors and acting techniques; their desire to be a support system for each other; and whether they feel directing can be taught.
"South Pacific: Then and Now," with Bartlett Sher, director of the 2008 Tony Award-winning revival; Also, an encore of 1999 discussion on South Pacific's 50th anniversary, with actor Don Fellows of the original Broadway company and producer Ted Chapin.
"South Pacific"'s Tony Award-winning set designer Michael Yeargan discusses the visual approach taken for the first Broadway revival of this classic musical, including the negotiation behind the dramatic reveal of the show's orchestra, as well as the lessons he learned about working in the vast space of Lincoln Center's Vivian Beaumont Theatre on both "South Pacific" and "The Light In The Piazza". Yeargan also recalls his introduction to theatre and opera as a youth in Dallas; his studies -- and later his teachings -- at the Yale School of Drama; his early Broadway experiences with Terrence McNally's "Bad Habits" and "The Ritz"; and his sustained collaborations with directors Andrei Serban, Mark Lamos and Bartlett Sher. Original air date - July 11, 2008.
"South Pacific"'s Tony Award-winning set designer Michael Yeargan discusses the visual approach taken for the first Broadway revival of this classic musical, including the negotiation behind the dramatic reveal of the show's orchestra, as well as the lessons he learned about working in the vast space of Lincoln Center's Vivian Beaumont Theatre on both "South Pacific" and "The Light In The Piazza". Yeargan also recalls his introduction to theatre and opera as a youth in Dallas; his studies -- and later his teachings -- at the Yale School of Drama; his early Broadway experiences with Terrence McNally's "Bad Habits" and "The Ritz"; and his sustained collaborations with directors Andrei Serban, Mark Lamos and Bartlett Sher. Original air date - July 11, 2008.
Bartlett Sher, Tony award-winning director of "South Pacific" (Best Revival/ Musical). Also, Jesse Green of "NY Magazine," Michael Musto of "The Village Voice" and Patrick Pacheco of NY1 evaluate the TONY Awards ceremony and the voters' choices.
As "The Light In The Piazza" prepares for its national tour, director Bartlett Sher talks about the experience of living with and working on the show for more than three years, explains his approach to "Awake And Sing" and why he felt it belonged in the same theatre where its premiered 70 years ago, and professes his amazement at the enthusiastic response in the Seattle community to the Intiman Theatre (where Sher is artistic director) receiving the 2006 Regional Theatre Tony Award. Original air date - July 21, 2006.
As "The Light In The Piazza" prepares for its national tour, director Bartlett Sher talks about the experience of living with and working on the show for more than three years, explains his approach to "Awake And Sing" and why he felt it belonged in the same theatre where its premiered 70 years ago, and professes his amazement at the enthusiastic response in the Seattle community to the Intiman Theatre (where Sher is artistic director) receiving the 2006 Regional Theatre Tony Award. Original air date - July 21, 2006.
As "The Light In The Piazza" prepares for its national tour, director Bartlett Sher talks about the experience of living with and working on the show for more than three years, explains his approach to "Awake And Sing" and why he felt it belonged in the same theatre where its premiered 70 years ago, and professes his amazement at the enthusiastic response in the Seattle community to the Intiman Theatre (where Sher is artistic director) receiving the 2006 Regional Theatre Tony Award. Original air date - July 21, 2006.
Making classic work come alive for today's audiences is the topic for directors Anne Bogart, Barbara Gaines, Mark Lamos and Bartlett Sher.
Making classic work come alive for today's audiences is the topic for this panel of directors - Anne Bogart, Barbara Gaines, Mark Lamos and Bartlett Sher, who won a Tony for his work on the 2008 revival of South Pacific.
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