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5 episodes with Fitzwilliam Museum
4 episodes with Fitzwilliam Museum
2 episodes with Fitzwilliam Museum
2 episodes with Fitzwilliam Museum
2 episodes with Fitzwilliam Museum
2 episodes with Fitzwilliam Museum
2 episodes with Fitzwilliam Museum
2 episodes with Fitzwilliam Museum
2 episodes with Fitzwilliam Museum
Cambridge United have launched a special-edition fourth shirt for Black History Month, created with the Fitzwilliam Museum and Romsey Mill. The kit will debut against Bromley at the Cledara Abbey […]
A new exhibition at the Fitzwilliam Museum in Cambridge, UK, called Made in Ancient Egypt, reveals untold stories of the people behind a host of remarkable objects, and the technology and techniques they used. The Art Newspaper's digital editor, Alexander Morrison visits the museum to take a tour with the curator, Helen Strudwick. One of the great revelations of the past two decades in scholarship about women artists is Michaelina Wautier, the Baroque painter active in what is now Belgium in the middle of the 17th century. The largest ever exhibition of Wautier's work opened this week at the Kunsthistorisches Museum in Vienna, and travels to the Royal Academy of Arts in London next year. Ben Luke speaks to the art historian who rediscovered this extraordinary painter, Katlijne Van der Stighelen, who has also co-edited the catalogue of the Vienna show. And this episode's Work of the Week is Robert Rauschenberg's Bed (1955), one of the most important works of US art of the post-war period. It features in the exhibition Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, which this week arrives at the Museum Ludwig in Cologne. We speak to Yilmaz Dziewior, the co-curator of the exhibition.Made in Ancient Egypt, Fitzwilliam Museum, Cambridge, UK, 3 October-2 April 2026Michaelina Wautier, Painter, Kunsthistorisches Museum, Vienna30 September-22 February 2026; Royal Academy of Arts, London27 March – 21 June 2026.Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, Museum Ludwig, Cologne, Germany,3 October-11 January 2026Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available.https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.
James H. Marrow gave a public talk on “Iconographic Disjunction in the Ruskin Psalter/Hours: A Flemish Illuminated Manuscript of ca. 1470–80,” on 23 July 2025, as part of Rare Book School's 2025 Summer Lecture Series. You can watch the full recording of the lecture on YouTube at https://youtu.be/LxIPOQ6ehss?feature=shared.
I have danced around the story of Mary Tudor, oldest daughter of Henry VIII, for far too long. It's finally time to recognize Mary with her own episode, the perfect story to wrap up Women's History Month. This is a tragic story. The lot cast upon Mary was often cruel and unjust, her life marred by trauma and heartache. But it's also a story of triumph, an underdog rising up, overcoming insurmountable challenges to claim her rightful place as England's first ever queen regnant. Despite being villainized by history ever since, cast as "Bloody Mary," the stuff of childhood urban legends and sleepover games, Mary was no more evil than her father and brother who came before her or her sister, Elizabeth I, who came after her. So what happened? Why has the myth of "Bloody Mary" persisted for so long and who was Mary Tudor, Queen Mary I, really? Let's fix that. Support the show! Join the Patreon (patreon.com/historyfixpodcast)Buy some merchBuy Me a CoffeeVenmo @Shea-LaFountaineSources: Royal Museums Greenwich "Why is Mary I Known As 'Bloody Mary?'"History Extra "The lost heirs of Henry VIII"Smithsonian Magazine "The Myth of Bloody Mary"History.com "What Inspired Queen 'Bloody' Mary's Gruesome Nickname?"The Fitzwilliam Museum "Mary Tudor"Tudor Extra "The Illness, Death, and Burial of Mary I"Wikipedia "Mary I of England"Wikipedia "The Education of a Christian Woman"Shoot me a message! Persons of InterestFrom murderers to money launderers, thieves to thugs – police officers from the...Listen on: Apple Podcasts Spotify
durée : 01:49:02 - Les Grandes Traversées - par : Amaury Chardeau - "Très rapidement, il est tombé dans l'oubli, jusqu'à ce qu'on le réveille, comme Blanche-Neige, par un baiser. Cinquante ans plus tard, le monde reconnait enfin le grand penseur qu'il fut" David Lagercrantz - réalisation : Yvon Croizier - invités : Laurent Lemire Journaliste; Andrew Hodges Mathématicien et auteur, en 1983, de la première biographie d'Alan Turing; Anastasia Christophilopoulou Conservatrice au Fitzwilliam Museum de Cambridge; Dermot Turing Juriste et expert en histoire du décodage, neveu d'Alan Turing; Arnaud Delalande Écrivain et scénariste; Jonathan Swinton Chercheur en histoire des mathématiques et des théories biologiques à Manchester; David Lagercrantz Écrivain; Nadine (le prénom a été modifié) Historienne à la DGSE; Pierre Mounier-Kuhn Historien, chercheur au CNRS et à l'Université Paris-Sorbonne; James Sumner Historien des technologies à l'université de Manchester; Bill Burgwinkle Professeur de littérature française au King's College de Cambridge; Jean Lassègue Philosophe et épistémologue, chargé de recherche CNRS et membre statutaire du LIAS (LInguistique Anthropologique et Sociolinguistique).; Jean-Gabriel Ganascia Professeur d'informatique à la faculté des sciences de Sorbonne Université et membre senior de l'Institut Universitaire de France; Cédric Villani Mathématicien français et ancien député, médaillé Fields en 2010; Olivier Bousquet Directeur de recherches en Intelligence Artificielle chez Google; Gérard Berry Informaticien, Professeur au Collège de France, membre de l'Académie des sciences; Siri Hustvedt Écrivaine et essayiste; Jean-François Peyret Metteur en scène; Eva Navarro-Lopez Chercheuse en informatique à Manchester; Rodolphe Burger Compositeur, guitariste et chanteur français
durée : 01:49:02 - Les Grandes Traversées - par : Amaury Chardeau - En 1939, la guerre vient d'éclater et Alan Turing, jeune mathématicien britannique sorti de Cambridge, rejoint Bletchley Park où, dans le plus grand secret, les Britanniques tentent de percer les communications ennemies. - réalisation : Yvon Croizier - invités : François Kersaudy Historien; Bruno Fuligni Historien et essayiste; Andrew Hodges Mathématicien et auteur, en 1983, de la première biographie d'Alan Turing; Jean Lassègue Philosophe et épistémologue, chargé de recherche CNRS et membre statutaire du LIAS (LInguistique Anthropologique et Sociolinguistique).; Arnaud Delalande Écrivain et scénariste; Cédric Villani Mathématicien français et ancien député, médaillé Fields en 2010; Pierre Mounier-Kuhn Historien, chercheur au CNRS et à l'Université Paris-Sorbonne; David Kenyon Historien à Bletchley Park; Anastasia Christophilopoulou Conservatrice au Fitzwilliam Museum de Cambridge; Dermot Turing Juriste et expert en histoire du décodage, neveu d'Alan Turing; Nadine (le prénom a été modifié) Historienne à la DGSE; Elliot (le prénom a été modifié) Cryptanalyste à la DGSE
durée : 01:49:02 - Les Grandes Traversées - par : Amaury Chardeau - En 1945, après son apport décisif dans le cassage des codes de l'Enigma allemande pendant la guerre, Turing poursuit ses travaux sur les machines et contribue à la naissance de l'informatique. Retour aux origines d'une intelligence hors-normes. - réalisation : Yvon Croizier - invités : Cédric Villani Mathématicien français et ancien député, médaillé Fields en 2010; Andrew Hodges Mathématicien et auteur, en 1983, de la première biographie d'Alan Turing; Anastasia Christophilopoulou Conservatrice au Fitzwilliam Museum de Cambridge; Jean Lassègue Philosophe et épistémologue, chargé de recherche CNRS et membre statutaire du LIAS (LInguistique Anthropologique et Sociolinguistique).; Laurent Lemire Journaliste; Jean-Gabriel Ganascia Professeur d'informatique à la faculté des sciences de Sorbonne Université et membre senior de l'Institut Universitaire de France; Gérard Berry Informaticien, Professeur au Collège de France, membre de l'Académie des sciences; Pierre Mounier-Kuhn Historien, chercheur au CNRS et à l'Université Paris-Sorbonne; Bill Burgwinkle Professeur de littérature française au King's College de Cambridge; James Sumner Historien des technologies à l'université de Manchester
This series of conversations with art educators expand on the ideas presented by Visualise: The Runnymede Trust and Freelands Foundation 2024 report on Race & Inclusion in Secondary School Art Education. In this episode 'Visualise the Future' we are joined by Carey Robinson, Deputy Director, Learning and Public Programmes at The Fitzwilliam Museum in Cambridge. She has formerly held strategic, curatorial, and creative producer roles at leading cultural institutions including Tate, the Institute of Contemporary Arts, the South London Gallery, and The Courtauld. Carey and I reflect and expand on the reports recommendations for the future and imagine a new direction for art education in the U.K. Carey's referenced the following resources in our conversation:Anti-Racism Framework for Initial Teacher Training/Educationhttps://indd.adobe.com/view/ffcc4fdd-e948-41fc-bb21-fca9e82b6b91 Centre for Creative Explorations (Dr Clare Stanhope)https://centreforcreativeexplorations.weebly.com/ Dr Claire Stewart-Hall (constructions of race in education)https://www.leedsbeckett.ac.uk/staff/associate-staff/claire-stewart-hall/ Centre for Race, Education and Decoloniality (CRED)https://www.leedsbeckett.ac.uk/research/centre-for-race-education-and-decoloniality/ My Primary School is at the Museumhttps://www.kcl.ac.uk/cultural/resources/reports/161107-primary-at-museum-report-stage-7-visual-interactive.pdf https://paradigmproject.co.uk/Read the report Freelands Foundation Visualise report here. Executive producer and host Lou MensahShade Podcast InstagramShade Podcast WebsiteMusic King Henry IV original composition for Shade Podcast by Brian JacksonEdit & Mix by Tess DavidsonEditorial support Dale Berning SawaPodcast design Joel Antoine-WilkinsonShade Art Review Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.
Simon Bertin goes on a tour of the Fitzwilliam Museum and talks to artist Glenn Ligon on his thought-provoking show All over the Place. We sample some new poem recitals […]
On this week's Haunting Season-themed Local Legends episode, the second of four, Martin gathers round the Three Ravens campfire with the acclaimed actor, art historian, and expert in classic ghost stories Robert Lloyd Parry.In case you've not heard of him, since 2005 Rob has been engaged in "The M.R. James Project," a set of performances where Rob, dressed and in character as 'The Father of the Modern Ghost Story,' performs James' terrifying tales to much acclaim, including from the likes of The Times and Sunday Times, The Washington Post, The Guardian, The Fortean Times, The Spectator, and The New Yorker, who said of the M.R. James Project, “Lloyd Parry's mastery of the role is itself an act of possession.”That's not to say Rob is a one trick pony – far from it. He read Classics at Oxford, completed his MA in Greek and Roman Art History at The University of London's Courtauld Institute of Art, and, as an art historian and museum interpreter, he researches and writes websites, audio and multimedia guides, apps, books, and guides for leading museums, galleries and heritage sites including the likes of The British Museum, Tate Britain, The National Gallery, The Fitzwilliam Museum, Royal Academy, and many, many more. In this interview, we focus in on M.R. James and classic ghost stories, discussing writers like Algernon Blackwood, H.G. Wells, H.P. Lovecraft, Charles Dickens, Arthur Conan Doyle, Oscar Wilde, and many others. What makes them so brilliant, and which of their tales would Rob recommend? Moreover, what made M.R. James such a special, singular writer whose influence on weird fiction is probably greater than any writer of the last 200 years?Gather close around the Three Ravens campfire as we get into it, and if you would like to see Rob live (an experience which highly recommend) do visit his theatre company's website and check his upcoming dates at https://www.nunkie.co.uk/scheduleOtherwise, we'll be back on Monday with our third trio of Haunting Season original ghost stories for 2024. So, see you then. We'll be the ones hiding in the shadows... The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
How did tea become Britain's national drink? Its story begins in China, where it was first popularised during the Han and Tang dynasties - but it first made its mark in London's coffee houses on 30th September, 1658, when it was advertised to the public in a ‘newsbook', marketing the exotic beverage as "an excellent and by all physicians approved China drink". However, British tea importers faced stiff competition from the beer industry, which wasn't thrilled about losing customers to this new sector. Breweries even spread rumours that tea was bad for your health in a bid to retain their market share. Yet, once Portuguese princess Catherine of Braganza married Charles II in 1662, the Royal family's much-publicised fondness for a cuppa brought it out of the coffeehouses and into homes, where it became a genteel, domestic drink. In this episode, Arion, Rebecca and Olly trace the history of England's infatuation with tea, from Pitt The Younger's association with the ‘tea tax', to shops like Twinings springing up across the country, cementing the drink's place in British society… Further Reading: • ‘Tea' (The Fitzwilliam Museum, Cambridge): https://fitzmuseum.cam.ac.uk/explore-our-collection/highlights/context/stories-and-histories/tea • ‘The history of tea' (The National Trust): https://www.nationaltrust.org.uk/discover/history/the-history-of-tea • ‘Tea: Helen & Olly's Great British Questions' (Answer Me This!, 2010): https://www.youtube.com/watch?v=_8tGlGvn3N0 Love the show? Support us! Join
This week: the Fitzwilliam Museum in Cambridge, UK, has invited the US artist Glenn Ligon to explore its history and collections, and his interventions are revealed this week. Ben Luke goes to Cambridge to talk to Ligon about the project. Few artists' lives prompt as much discussion as that of Paul Gauguin, and a new biography of the French artist by Sue Prideaux has just been published. We talk to Sue about the book. And this episode's Work of the Week is the piece that has just been unveiled on the Fourth Plinth in Trafalgar Square. Mil Veces un Instante or (A Thousand Times in an Instant) by Teresa Margolles is made up of plaster casts of the faces of 726 trans, non-binary, and gender non-conforming people. Ekow Eshun, the chair of the group that commissions the projects for the Fourth Plinth, speaks to our associate digital editor, Alexander Morrison, about the work.Glenn Ligon: All Over The Place, Fitzwilliam Museum, Cambridge, UK, until 2 March 2025. Distinguishing Piss from Rain: Writings and Interviews by Glenn Ligon, Hauser & Wirth Publishers, £32 or $38. Untitled (America/Me), High Line, New York, until November 2024. Listen to our in-depth interview, A brush with… Glenn Ligon from 18 August 2021.Wild Thing: A Life of Paul Gauguin, by Sue Prideaux, Faber, £30; published in the US next year, by WW Norton, $39.99.Teresa Margolles: Mil Veces un Instante (A Thousand Times in an Instant), Fourth Plinth, Trafalgar Square, until 2026.Subscription offer: you can get the perfect start to the new academic year with 50% off a student subscription to The Art Newspaper—that's £28, or the equivalent in your currency, for one year. Visit theartnewspaper.com to find out more. Hosted on Acast. See acast.com/privacy for more information.
Artist, pioneer, and mentor, Peter Layton is one of the founding fathers of British Studio Glass. He discovered the art form while teaching ceramics in the US in the mid-1960s and has played a major part in elevating glass from an industrial medium to a highly collectable art form. Most importantly, he gave it a home in the UK. This month, London Glassblowing presents Glass Heaven, an exhibition uniting two exceptional glass artists: Layton and Tim Rawlinson. The show opened August 2 and will run through September 1, 2024. Representing the next generation of glass talent, Rawlinson combines innovative approach and vibrant compositions to offer a fresh perspective, challenging conventional boundaries and resonating with today's artistic landscape. Layton, a veteran in the glass world, has captivated audiences for decades with his bold, expressive works. His 50-year journey from the studio's beginnings on the Thames to international acclaim highlights his role in elevating glass art. Born in Prague in 1937, Layton is one of Europe's pre-eminent glass designers. He has directly influenced several of his country's leading glassmakers and inspired many more. Arriving in England in 1939, there he began his education. While at grammar school, he met another boy who had also won the attention of his art teacher – his name was David Hockney. Layton attended Bradford Art College, then went to London's Central School of Art and Design, to specialize in ceramics, where he was taught by several of the most respected potters of the time. On graduating, Layton was offered a teaching job in Iowa University's Ceramics Department. Once in the US, in 1966, he participated in one of the first experimental glass workshops with Harvey Littleton and was bewitched by the immediacy and spontaneity of hot glass. He went on to expand his connections and friendships on this side of the pond to include participating in a Los Angeles exhibition with Marvin Lipofsky, a San Francisco show with pop artist Mel Ramos, and an exhibition at The Art Institute of Chicago with Viola Frey. Back in Britain, in 1969 Layton helped Sam Herman build the first furnace at the Glasshouse in Covent Garden, and he subsequently established his own small glass studio at Morar in the Highlands of Scotland, a Glass Department at Hornsey College of Art (Middlesex University) and, in 1976, the London Glassblowing Workshop in an old towage works on the Thames at Rotherhithe. In 2009 Layton's London Glassblowing Studio and Gallery moved to much larger premises in Bermondsey. Since its opening, London Glassblowing has nurtured and produced some of the world's leading glass artists, including (most recently) Elliot Walker of Netflix Blown Away fame. Layton's colorful and painterly works of glass art can be found in numerous public and private collections, both at home and abroad, including the Victoria and Albert Museum and the Fitzwilliam Museum, Cambridge. He has exhibited widely both nationally and internationally, receiving an Honorary Doctorate from the University of Bradford for his contribution to arts and crafts in Britain. Layton is also the founder of the Contemporary Glass Society, which is Britain's foremost organization supporting and championing the work of glass artists, both established and new. A vigorous proponent of glassblowing as an art form, Layton has authored several books, become an Honorary Liveryman of the Worshipful Company of Glass Sellers, an Honorary life member of the Contemporary Glass Society as well as been given the Freedom of the City of London. Layton has always taken inspiration from his environment, natural or manmade: a stone wall on a snowy day, the London skyline, or works by great painters. From a mere detail, a flash of a Klimt orange or a slick of oil on the Thames, he creates painterly works with a masterly use of color. The artist is inspired by whatever is around him. For example, during the winter of 2009, the heavy snow turned his long commute by train into an intriguing black and white world full of movement and texture, shaping his recent Glacier series. He has also created a number of conceptual pieces that reflect his specific concerns with issues such as ecology, religion and racial conflict. Layton says: “A fellow artist recently described a piece that I had made for her by saying, ‘…it's as though it holds all my travels in light.' Lovely compliments like that spur me on. You never, ever create the perfect piece of glass and there are always new ideas, techniques and challenges to master. Glass is such an underrated medium – there is a fluidity and uncertainty about it that I choose to embrace rather than overcome. Every piece is an adventure.” From October 8 – 13, 2024, PAD London returns to the iconic Berkeley Square in Mayfair, where London Glassblowing will be showcasing an extraordinary selection of work from their talented makers alongside designers and galleries from over 20 countries worldwide. To coincide with PAD and Le Verre, London Glassblowing is offering a series of exclusive events, providing a unique opportunity to explore and learn more about the captivating medium of glass. For more information visit https://londonglassblowing.co.uk/blogs/exhibitions/pad-london
Samira discusses the perilous situation facing arts sponsorship in the UK, amid growing protests and campaigns, with leading figures from the worlds of arts and finance. As literary and music festivals have been engulfed in sponsorship rows this summer, resulting in many severing ties with major donors such as the investment firm Baillie Gifford. what are the implications for the future of arts funding?She is joined by Peter Bazalgette, Chair of the Board of Directors of the Baillie Gifford Prize for Non Fiction. David Ross, co-founder of Carphone Warehouse, founder of Nevill Holt Opera Festival and Chair of the National Portrait Gallery. Julia Fawcett, Chief Executive of The Lowry in Salford. Author and journalist John Kampfner. Luke Syson, Director of The Fitzwilliam Museum in Cambridge. City Financier Malcolm Le May. Presenter: Samira Ahmed Producer: Timothy Prosser
Writer actor Ryan Sampson and actor Danny Dyer on their new sky comedy series Mr Bigstuff which explores the relationship between two brothers and masculinity .Pete Bellotte is one of the world's greatest songwriters. With a catalogue of over 500 songs he is best known for his work with Donna Summer and Giorgio Moroder. Earlier this year he won a Grammy after the 1977 song “I Feel Love” was inducted into the Grammy Hall of Fame.As an exhibition on Paris 1924: Sport, Art and the Body opens at the Fitzwilliam Museum in Cambridge, the exhibition's co-curator and classicist Caroline Vout and the art historian Lynda Nead join Tom to talk about the Olympics, high-performing bodies, and the interplay between art and sport. Presenter: Tom Sutcliffe Producer: Corinna Jones
This week we've partnered with the Fitzwilliam Museum to take on the internet's renewed interest in all things literary. Inspired by the museum's rehang, where one portion of the Interiors gallery depicts women reading throughout the years, Ione and Gina talk through the oxymoronic literary it girl trend, the insidious nature of BookTok and the historical triumphs involved in female literacy. Support our work and become a Polyester Podcast member
Adi Toch is one of the world's most fascinating metal artists, who over the years has buried her pieces for months on end before digging them up, and even made them react to sound. She has also taken part in collaborations with furniture makers and glass artists. Adi has work in the permanent collections of the V&A, The Fitzwilliam Museum in Cambridge, Ulster Museum in Northern Ireland, and the Jewish Museum in New York. She won a Wallpaper Magazine Design Award in 2017, and in that same year was a finalist of the Loewe Craft Prize. She has also exhibited around the world from the FOG Design + Art fair in San Francisco with Sarah Myerscough Gallery to Make Hauser & Wirth in Somerset.In this episode we talk about: her extraordinary studio and sharing with two other leading metal artists; the relationships she has with different metals; her creative process and her use of ‘ghosts'; why the pandemic was hugely creative; her fascination with mirrors; how metal communicates through sound and ‘screams'; burying her pieces for months; growing up in Jerusalem; getting rejected initially from design school; and how the Gaza crisis has impacted on her identity. We're delighted that this episode has been sponsored by the wonderful Sarah Myerscough Gallery. Established in 1998, the gallery represents a distinguished group of contemporary craft and design artists, specialising in material-led processes with a focus on wood and natural materials. It also curates a fascinating programme of exhibitions. To find out more go to: www.sarahmyerscough.comSupport the Show.
Simon Bertin visits the Fitzwilliam Museum where Venus and Mars by Sandro Botticelli is on display courtesy of the National Gallery.
New signage at the Fitzwilliam Museum in Britain warns viewers about how pictures of the English countryside might lead to nationalism, which is the “darker side” of landscape imagery. Read the article at Homefront Crusade.
Ten Cambridgeshire residents have chosen twenty objects from the permanent collection at the Fitzwilliam Museum to present a new display curated by local people, Tensions of Belonging: Connecting Cambridge. Julian […]
In this episode of Object Matters host Dr Craig Barker is joined by Dr Anastasia Christophilopoulou, an archaeologist and curator at the Fitzwilliam Museum in Cambridge and the 2023 Sir Charles Nicholson Lecturer. Together they discuss the Being An Islander project and associated Islanders: The Making of the Mediterranean exhibition at the Fitzwilliam Museum, as well as Anastasia's archaeological interests in material culture in island environments, including Crete, Sardinia and Cyprus, where they discuss an Archaic period cult sanctuary site called Salamis Toumba. Guest: Dr Anastasia Christophilopoulou is Curator of Greece, Rome and Cyprus at the Department of Antiquities of the Fitzwilliam Museum. She is responsible for research and exhibition projects and permanent displays in the fields of Greek, Cypriot and Roman collections of the museum. Anastasia gained her PhD in Classical Archaeology at the Faculty of Classics, University of Cambridge (2008) and was a postdoctoral researcher at the Topoi Excellence Cluster, Freie Universität Berlin (2009-2010), prior to joining the Fitzwilliam Museum. She served as leader of the 4-year research project ‘Being an Islander': Art and Identity of the large Mediterranean Islands, (2019-2023) which aimed to critically re-examine the concept of island life through material culture. In 2023 she visited the University of Sydney as the Chau Chak Wing Museum's Sir Charles Nicholson Lecturer. Follow Anastasia on X: @AChristophilop1 Host: Dr Craig Barker, Head of Public Engagement, Chau Chak Wing Museum and Director, Paphos Theatre Archaeological Excavations. Follow @DrCraig_B on X and Instagram. Objects details: Fragmentary human head, terracotta, Salamis Toumba, Cyprus, Cypro-Archaic, 750-475 BC. Donated by the Museum of Classical Archaeology, University of Cambridge 1947 [NM47.388]
Curator Dorothy Price outlines the figures of Claudette Johnson, a founder member of the Black British Art Movement (Blk Art Group), and one of the first ‘post-colonials' practicing in Wolverhampton, Birmingham, and the Midlands from the 1980s to now. Ever so-slightly-larger than-life, Claudette Johnson's drawings of Black figures reflect the status of their artist. A founding member of the Black British Arts Movement or BLK Art Group in the 1980s, she was a leading figure in a politically-charged creative community - called the first ‘post-colonials' by Stuart Hall, for being born and raised in Britain. Johnson worked closely with fellow ‘post-Windrush' contemporaries include Eddie Chambers and Keith Piper, Ingrid Pollard and Maud Sulter, Marlene Smith and Lubaina Himid - but her work has been relatively underrepresented. As the artist's first public monographic exhibition opens in London, curator Dorothy Price talks about her practice in the Wolverhampton Young Black Artists Group - which predated the YBAs - and formative speech in the First National Black Arts Conference in 1982. Dorothy shares personal insights from the groundbreaking ICA exhibition, The Thin Black Line, and Claudette's complex position as a Black European artist of African and Caribbean descent. Drawing on the Courtauld's permanent collection, we see the artist's work with African masks, sculptures, and conventional representations of Black women, challenging the colonial foundations of Western European modernism, and reappropriating the ‘Primitivism' of the likes of Pablo Picasso and Paul Gauguin to state her place in art history. We also discuss her contemporary practice, and how the history of the Black British Arts Movement can decentre the contemporary ‘Brixtonisation' of the singular Black experience, drawing attention to cities in Wolverhampton, Birmingham, and the Midlands. Claudette Johnson: Presence runs at the Courtauld Gallery in London until 14 January 2023. For more, you can read my article. For more about Keith Piper, hear curators Jake Subryan Richards and Vicky Avery on Black Atlantic: Power, People, Resistance (2023) at the Fitzwilliam Museum on EMPIRE LINES: pod.link/1533637675/episode/a5271ae2bc8c85116db581918412eda2 For more on Ingrid Pollard, hear the artist on Carbon Slowly Turning (2022) at the Turner Contemporary on EMPIRE LINES: pod.link/1533637675/episode/e00996c8caff991ad6da78b4d73da7e4 For more about the ‘Brixtonisation' of the Black British experience, listen to artist Johny Pitts on Home is Not A Place (2021-Now) at The Photographers' Gallery on EMPIRE LINES: pod.link/1533637675/episode/70fd7f9adfd2e5e30b91dc77ee811613 For more on Hurvin Anderson, hear Hepworth Wakefield curator Isabella Maidment on his Barbershop (2006-2023) series on EMPIRE LINES: pod.link/1533637675/episode/5cfb7ddb525098a8e8da837fcace8068 Recommended reading: On Lubaina Himid: gowithyamo.com/blog/the-revolutionary-act-of-walking-in-the-city On Maud Sulter: gowithyamo.com/blog/reclaiming-visual-culture-black-venus-at-somerset-house On Sonia Boyce: gowithyamo.com/blog/feeling-her-way-sonia-boyces-noisy-exhibition On Life Between Islands at Tate Britain: artmag.co.uk/the-caribbean-condensed-life-between-islands-at-the-tate-britain/ WITH: Professor Dorothy Price, Professor of Modern and Contemporary Art and Critical Race Art History at The Courtauld, London. She is also Editor of Art History, journal of the Association for Art History, and founder of the Tate/Paul Mellon Centre's British Art Network subgroup on Black British Art. Dorothy is the co-curator of Presence. ART: ‘And I Have My Own Business in This Skin, Claudette Johnson (1982)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines
Simon Bertin visits the new Fitzwilliam Museum exhibition that asks us to consider what makes a family today, and the impact our families have on us, through the eyes of […]
Curators Jake Subryan Richards and Vicky Avery locate Cambridge within the transatlantic slave trade, connecting global commodities and local consumption, historic and contemporary art, to reveal how five hundred years of colonial resistance constructed new cultures, known as the Black Atlantic. Between 1400 and 1900, European empires colonised much of the Americas, transporting over 12.5 million people to these colonies from Africa as slaves. It's a history often recounted as something singular, concluded in the past - detached as happening ‘then, and over there' - else told from the perspective of imperial powers. But in their resistance of colonial slavery, people also produced new cultures that continue to shape our present. Black Atlantic, a new exhibition at Cambridge's Fitzwilliam Museum, reconnects the institution's collection, university, and city more widely with these global histories. Installed within the Founder's Galleries, part-funded by the profits from the transatlantic slave trade, it builds on the ‘grandeur and smugness' of the Fitzwilliam's architecture - an intervention which asks whether it is possible to decolonise museums, as imperial infrastructures. Co-curators Jake Subryan Richards and Vicky Avery consider contrasts and continuities between historic and modern works, with contemporary Black artists like Barbara Walker and Keith Piper, Alberta Whittle and Donald Locke commenting on visibility, racism, and colourism, and how visual representations of Black people have shifted over time. Vicky smashes stereotypes about abolitionism, ceramics, and popular culture, from the UK's largest pro-slavery punch bowl, to Jacqueline Bishop's new Wedgwood dinner set. Plus, with a botanical painting from a Caribbean plantation - one of the first signed works by a Black artist of a Black subject - we travel between environments in West Africa, North and South America, and Europe, finding examples of exploitation, agency, and self-liberation - and pathways to future ‘repair'. Black Atlantic: Power, People, Resistance runs at the Fitzwilliam Museum in Cambridge until 7 January 2024, the first in a series of exhibitions and gallery interventions planned until 2026. For more on the South Sea Bubble, listen to Dr. Helen Paul on The Luxborough Gallery on Fire (c. 18th Century): https://pod.link/1533637675/episode/c02b6b82097b9ce34d193c771f772152 Part of EMPIRE LINES at 90, exploring the legacies of the transatlantic slave trade through contemporary art. WITH: Dr. Jake Subryan Richards, Assistant Professor of International History at the London School of Economics and Political Science. Dr. Victoria Avery, Keeper of European Sculpture and Decorative Arts at the Fitzwilliam Museum. They are co-curators of Black Atlantic: Power, People, Resistance. ART: ‘The Coloureds' Codex, Keith Piper (2023); Vanishing Point 25 (Costanzi), Barbara Walker (2021); Breadfruit Tree, John Tyley (1793-1800); History of the Dinner Table, Jacqueline Bishop (2021)'. IMAGE: Installation View. SOUNDS: Jacqueline Bishop: History at the Dinner Table. Produced by Storya.co. With special thanks to the Paul Mellon Centre for Studies in British Art. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines
Presenter Samira Ahmed is joined by the broadcaster and Chair of Judges Reeta Chakrabarti to announce the shortlist of the 2023 BBC National Short Story Awards with Cambridge University. Front Row will interview each of the shortlisted authors in the coming weeks, ahead of hosting the award ceremony live from the BBC Radio Theatre on 26th September. Norwegian soprano Lise Davidsen has been described as possessing “a once-in-a-generation-voice.” Samira spoke to her between performances as Elizabeth of Valois in Verdi's Don Carlo at the Royal Opera House, looking ahead to her starring role in the Last Night of the Proms at the Royal Albert Hall and the BBC on Saturday. Our reviewers Alayo Akinkugbe, art historian and founder of the Instagram platform A Black History of Art, and Amon Warmann, Contributing Editor of Empire magazine and co-host of the Fade To Black podcast review the exhibition “Black Atlantic: Power, People, Resistance” at the Fitzwilliam Museum in Cambridge, which asks questions about Cambridge's role in the trade of enslaved people and how related objects and artworks have influenced our history and perspectives. We also review “Past Lives” from South Korean director Celine Song, about two childhood friends, Nora and Hae Sung, who are separated when Nora's family emigrates from South Korea. Two decades later, with Nora married to an American, they are reunited in New York for a week as they consider what might have been and perhaps still could be. Presenter: Samira Ahmed Producer: Corinna Jones NSSA Shortlist 00:57 Fitzwilliam Museum review 03:57 Naomi Wood 13:25 Past Lives review 21:14 Lise Davidsen 30:02
We meet renowned British painter and artist David Remfry MBE RA RWS, to discuss curating/coordinating this year's RA Summer Exhibition, working with watercolour, more than 5 decades of art making, and what it was like to live in New York's iconic Hotel Chelsea for 20 years!!!Remfry's Summer Exhibition 2023 explores the theme Only Connect, taken from the famous quote in Howards End by E.M. Forster. Among the 1,614 featured works you will find towering sculptures by the late Phyllida Barlow RA, Richard Malone's dramatic mobile installation in the Wohl Central Hall, and a witty painting by comedian Joe Lycett. Plus pieces by Tracey Emin RA, Hew Locke RA, Barbara Walker RA, Gavin Turk, Lindsey Mendick, Caroline Walker and much, much more.Remfry was born in Worthing, UK, in 1942. His family moved to Hull and he studied Art and Printmaking at the Hull College of Art. He currently lives and works in London. Early solo exhibitions include Ferens Art Gallery, Hull in 1974 and Folkestone Art Gallery, Kent in 1976. Since 1973 he has exhibited regularly at galleries and museums across the UK, Europe and the USA. He is perhaps best known for his large-scale watercolours of dancers; his series of drawings and watercolours of his neighbours and friends at the Hotel Chelsea New York City where he lived from 1995-2016, and his commission by designer Stella McCartney to produce a series of drawings for the launch of her fashion house and for Absolut Vodka.Over the past five decades his work has been exhibited in galleries and museums worldwide, including Boca Raton Museum of Art, Florida; MoMA PS1 Contemporary Art Center, New York; the Victoria & Albert Museum, London; the Fitzwilliam Museum, Cambridge; Pallant House Gallery, Chichester; and the DeLand Museum of Art, Florida. In 2014 he was commissioned by Fortnum & Mason, London, to create a series of watercolours which is now on permanent display in Piccadilly, and he was commissioned to paint Sir John Gielgud for the National Portrait Gallery, London, which also acquired for their collection his portrait of Jean Muir.Remfry was elected a member of the Royal Watercolour Society in 1987. In 2001 he was awarded an MBE for services to British Art in America, in 2006 he was elected a Member of the Royal Academy of Arts and, in 2007, he was invited to receive Honorary Doctorate of Arts by the University of Lincoln. He was awarded the Hugh Casson Drawing Prize at the 2010 Royal Academy Summer Exhibition and, in 2016, was appointed Professor of Drawing at the Royal Academy Schools.His work is included in museum permanent collections including the Bass Museum of Art, Florida; Boca Raton Museum of Art, Florida; the British Museum, London; the Contemporary Art Society, London; the Fitzwilliam Museum, Cambridge; MIMA, Middlesborough; the National Portrait Gallery, London; New Orleans Museum of Art, Louisiana; the Royal Academy of Arts, London; the Royal Watercolour Society, London; and the Victoria & Albert Museum, London.A retrospective of Remfry's work, curated by Dr Gerardine Mulcahy-Parker, is planned for 2025 at Beverley Art Gallery, East Riding.Follow @David_Remfry_RA on InstagramVisit his official website: www.davidremfry.com/Visit the RA Summer Exhibition until 20th August 2023: www.royalacademy.org.uk/exhibition/summer-exhibition-2023 Hosted on Acast. See acast.com/privacy for more information.
Canaletto rose to fame painting remarkable views of Venice. He became especially popular with wealthy tourists, who commissioned his paintings as souvenirs of their travels. Research: Constable, William G.. "Canaletto". Encyclopedia Britannica, 14 Oct. 2022, https://www.britannica.com/biography/Canaletto Britannica, The Editors of Encyclopaedia. "War of the Austrian Succession". Encyclopedia Britannica, 3 Mar. 2023, https://www.britannica.com/event/War-of-the-Austrian-Succession Binion, A., & Barton, L. Canaletto. Grove Art Online.Retrieved 17 Apr. 2023, from https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000013627 “The Stonemason's Yard.” The National Gallery. https://www.nationalgallery.org.uk/paintings/canaletto-the-stonemasons-yard “London: Interior of the Rotunda at Ranelagh.” The National Gallery. https://www.nationalgallery.org.uk/paintings/canaletto-london-interior-of-the-rotunda-at-ranelagh “Canaletto's Drawings.” Royal Collection Trust. https://www.rct.uk/collection/themes/exhibitions/canaletto-in-venice/the-queens-gallery-palace-of-holyroodhouse/canalettos-drawings Baetjer, Katherine and J.G. Links. “Canaletto.” Metropolitan Museum of Art, New York. Harry N. Abrams, Inc. 1989. Accessed through The Met: Watson Library Digital Collections. https://libmma.contentdm.oclc.org/digital/collection/p15324coll10/id/49280 “Imaginary View of Venice.” The Met. https://www.metmuseum.org/art/collection/search/335287#:~:text=It%20was%20in%20these%20years,representing%20actual%20sites%2C%20others%20imaginary. Erkelens, C. J. (2020). Perspective on Canaletto's Paintings of Piazza San Marco in Venice, Art & Perception, 8(1), 49-67. doi: https://doi.org/10.1163/22134913-20191131 “Canaletto.” The Art Story. https://www.theartstory.org/artist/canaletto/ “Canaletto.” National Gallery of Art. https://www.nga.gov/collection/artist-info.1080.html?artistId=1080&pageNumber=1 “Piazzo San Marco.” The Met. https://www.metmuseum.org/art/collection/search/435839 “Architectural Capriccio.” https://www.themorgan.org/collection/drawings/141078 “Owen McSwiney.” The Fitzwilliam Museum. https://fitzmuseum.cam.ac.uk/objects-and-artworks/highlights/context/patrons-donors-collectors/owen-mcswiny See omnystudio.com/listener for privacy information.
In this episode, I am joined by archaeologist Anastasia Christophilopilou, curator of Cyprus, Greece and Rome at the Fitzwilliam Museum, Cambridge. She is currently leading the 4-year research project ‘Being an Islander': Art and Identity of the large Mediterranean Islands, aiming to critically re-examine the concept of island life through material culture. Anastasia tells me all about the project's current exhibition on display at the Fitzwilliam Museum, displaying archaeological finds and artworks from the islands of Cyprus, Sardinia and Crete. We also discuss the importance of island life in shaping Cypriot identity, and what ancient study and archaeology can tell us about present day Cyprus. Get involved in the conversation on Instagram/Twitter @roottovinepod, and don't forget to subscribe so you never miss an episode!
Simon Bertin invites Classics Professor Paul Cartledge to talk on the Parthenon marbles and secret talks over returning them to Greece that may eventually impact on the Fitzwilliam Museum; exhibition […]
Shrouded in mystery, the Nuragic culture was an enigmatic Bronze Age Civilisation that lived on the Mediterranean island of Sardinia. With their name deriving from the Island's iconic fortress-like Nuraghe monument - they have not only defined Bronze Age history, but even the very land from which they originated. But why were the Nuragic so obsessed with building these fortresses, and what can we learn from them?In this episode, Tristan is joined by Fitzwilliam Museum curator, Dr Anastasia Christophilopoulou, to unravel the mysteries of ancient Sardinia. The builders of the nuraghes left no written records, but new discoveries have shed light on the civilisation and its people. So who what can we learn from the archaeology, and is it possible to find out where they went?Anastasia is the curator of the new Fitzwilliam Museum exhibit Islanders: The Making of the Mediterranean. We've teamed up with Collette to provide our North American History Hit Subscribers with the opportunity to join Tristan on a trip to Rome and the Amalfi Coast. You'll spend 3 days exploring all Rome has to offer and then a further 3 days soaking up the history of the Amalfi coast. Follow this link to find out more. History Hit subscribers will save $50 to $100 per person per tour. Senior Producer was Elena Guthrie. The Assistant Producer was Annie Coloe. Edited by Aidan Lonergan. Hosted on Acast. See acast.com/privacy for more information.
In this episode of Object Matters host Dr Craig Barker is joined by Egyptologists and archaeologists Dr Melanie Pitkin and Pauline Stanton to discuss stelae and what they can tell us about ancient Egyptian society. Focusing on a stele (NMR.53) donated by collection founder Sir Charles Nicholson, they discuss the function, manufacture and meaning of stelae for ancient Egyptians. This stele features an image of the deceased Ahmose is sitting on a chair with offerings presented to him by his "brother" Ahmose. Behind the latter stands a woman called Ipdjuju who could either be the his wife or the daughter of the deceased. It is an insight into how Egyptians wanted to be remembered. Together they also discuss the current interdisciplinary Egyptian Stelae Project run out of the Chau Chak Wing Museum which has been generously supported by the Centre for Ancient Cultures, Heritage and the Environment (CACHE) at Macquarie University, and explain how important these objects are. Guests: Dr Melanie Pitkin is the Senior Curator of the Nicholson Collection at the Chau Chak Wing Museum. She holds a PhD in Egyptology from Macquarie University and a Masters in Museum Studies from the University of Sydney. Prior to joining the Chau Chak Wing Museum, she worked at the Fitzwilliam Museum and the Powerhouse Museum. Pauline Stanton is a doctoral researcher at Macquarie University. She teaches ancient Egyptian languages at Macquarie and Monash Universities. Follow Melanie on Twitter at @melanie_misr Follow Pauline on Twitter at @pauline03373392 Host: Dr Craig Barker, Head of Public Engagement, Chau Chak Wing Museum and Director, Paphos Theatre Archaeological Excavations. Follow @DrCraig_B on Twitter and Instagram. Object details: limestone stele, Thebes, Egypt, 18th Dynasty (1550 BC - 1295 BC). Donated by Sir Charles Nicholson, 1860 [NMR.53]
Kandace Chimbiri (writing as K.N. Chimbiri) started as a self-published author.She didn't grow up wanting to be a writer. However, she was greatly disturbed by the lack of diversity in children's books, particularly in Black history. In 2009, Kandace set up her own one-woman publishing house to address this inequity. Over the next decade, she researched, wrote, published and distributed four Black history books for children from her spare bedroom.She has also worked with museums on children's trails, workshops, outreach projects and tours. In 2013 she was part of the community committee for the Origins of the Afro Comb, 6,000 Years Of Art and Culture exhibition at the Fitzwilliam Museum in Cambridge.In 2020 Kandace signed a three-book deal with Scholastic, which included a reprint of The Story of Windrush.Kandace joined Nikki Gamble to talk about her experience as a publisher and writer - and to explain the background to her most recent book, The Story of Britain's Black Airmen.About The Story of Britain's Black AirmenExplore the fascinating, rarely-heard stories of Black airmen during the First and Second World Wars. The Story of Britain's Black Airmen celebrates the inspiring contributions of people of African descent to British aviation. From pilots to ground crew, and with tales from across the globe, the story of Britain's Black airmen is an important part of the history of flying.By aiming for the skies, many helped bring about changes that are still making our world a better place. Includes inspirational key figures such as Cy Grant, Errol Barrow, Sam King and John Henry Smythe With full-colour illustration by Grenadian illustrator Elizabeth LanderThank you for listening. If you enjoyed this podcast, please support us by subscribing to our channel. And if you are interested in the books we have featured, purchasing from our online bookshop Bestbooksforschools.comIn the Reading Corner is presented by Nikki Gamble, Director of Just Imagine. It is produced by Alison Hughes.Follow us on Youtube for more author events YouTube.com/@nikkigamble1For general news and updates, follow us on Twitter @imaginecentreFull details about the range of services we provide can be found on our website www.justimagine.co.uk
CHAMPION OF THE REMARKABLE. Luke Syson is Director and Marlay Curator of the Fitzwilliam Museum at Cambridge University since 2019. From antiquity to the present day, the Fitzwilliam houses a world-renowned collection of over half a million beautiful works of art, masterpiece paintings and historical artefacts.
Hannah French is in Cambridge exploring links between Handel and the city...which he never visited! She's joined by The Fitzwilliam Museum's Dr Suzanne Reynolds, Handel aficionado Dr Ruth Smith and Emeritus Professor Iain Fenlon to look at a number of treasured items of Handel memorabilia. She'll also be chatting to Cambridge Handel Opera Company's Julian Perkins ahead of their forthcoming production of Tamerlano.
Multi award winning actor Mark Rylance on his latest film The Phantom of the Open, a warm hearted comedy about Maurice Flitcroft, a crane operator at the shipyard in Barrow-in-Furness who managed to gain entry to the 1976 British Open qualifying, despite never playing a round of golf before. The Phantom of the Open is in cinemas from March 18th. Mark also talks to Samira about reprising his celebrated role as Johnny ‘Rooster‘ Byron in Jez Butterworth's award winning play Jerusalem. The Unboxed Festival that kicked off in Paisley earlier this month had a rave review here on Front Row. Unboxed had its origins in Theresa May's premiership as a cultural celebration to mark a new post Brexit era for the UK. Now a concise new report by the Commons Digital, Culture, Media and Sport Select Committee of MPs has delivered what can only be described as a scathing criticism of the project, and the government's whole approach to Major cultural and sporting events. We talk to the Committee's Conservative Chair, Julian Knight MP. David Hockney has always been fascinated by the role of new technologies in enabling artists to achieve their vision. Now, a new exhibition exploring his merging of science and art is being shown at the Fitzwilliam Museum in Cambridge. Tahmima Anam and Rachel Campbell-Johnston join us to review it. And the Grimms fairy stories of the tech start up age: We review two drama series of entrepreneurs flying high and falling to earth: We Crash about the founders of We Work, starring Jared Leto and Anne Hathaway, and The Drop Out starring Amanda Seyfried about the Theranos scandal.
As a trained scientist prior to creating with glass, Amanda Simmons is fascinated by how our world works and how it can be fixed. Inspired by subjects as diverse as the physics of our expanding universe or how drugs function on a molecular level, the artist has been discovering new ways to explore the properties of mass, heat, time and gravity in the creation of 3D vessel forms. Intense color and patterns result when opaque glass powders react to light, varying in translucency as the form elongates during the firing process. Works are finished using many coldworking processes to shape and mark the glass including sandblasting, hand lapping, diamond point and wheel engraving. Simmons states: “My practice as a glass artist has become a conduit to further learning by making objects in a material whose language I understand, addressing subjects that interest me in the natural world. Our achievements as a species are impressive but equally frustrating in the cycles of social and environmental injustice, from which we never seem to learn. I want to investigate these cyclic routes and the lessons unlearnt, incorporating this narrative into my work, cultivating and inspiring change in a positive and visual method.” Originally trained in biomedical sciences (pharmacology) and clinical sciences, Simmons became interested in glass in 2002 after a stained glass course with Ray Bradley and then pursued a postgraduate in Glass and Architecture from Central St. Martins College of Art and Design, London, in 2004. Following a recent two-week residency at Lyth Arts Centre in Caithness, the artist began exploring the continuing research of the Flow Country and its massive capacity to store carbon in the many layers of peat. Working from watercolor prints inspired by the patterns and colors of the land and sky, she produced some of her largest gravity formed glassworks to date for her first solo exhibition Outer Spaces, held July 2017 at The Scottish Gallery in Edinburgh. Simmons' Dahlia Universe series, kilnformed solstice platters, were selected for exhibition in the 2019 British Glass Biennale. Creating work that often examines natural world contrasts, the artist kiln formed platters signifying the changes in season with the thought of our universe expanding like a growing flower. The works investigate whether we could use the biological theory of convergence to explain how our universe was made. Another series, Southern Hemispheres, was inspired by three months travelling and working in Australia. These pieces represent the first small-scale investigations of the resilient Australian native botanicals, posing the question: Do the survival techniques of these plants relate to our current crises in environmental and political situations? Creating work from her studio in Dumfries & Galloway, Scotland, since 2005, Simmons is the winner of The Gold Award from ORIGIN 2010: The London Craft Fair and finalist in Bullseye Glass Company's Emerge 2012. United States and UK exhibitions include Craft Scotland 2013 and SOFA Chicago. Most recently, Contemporary Applied Arts exhibited Simmons glass art in their material-focused exhibition COLLECT: The International Art Fair for Modern Craft and Design. Her work can be found in public collections including: The Fitzwilliam Museum, Cambridge, England; National Museum of Scotland, Edinburgh, Scotland; Perth Museum and Art Gallery, Perth, Scotland; and Ernsting Stiftung Glass Museum, Germany. An important part of Simmons' practice is to educate and mentor, a way to pass on the skills developed over 19 years of kiln forming glass. Her 60-minute Master Class Video, available on Bullseye Glass Co.'s website, shares the full process by which she creates her tall vessels. She says: “I enjoy mentoring students starting out in their careers with glass, including business advice, professional development, and a range of glass techniques.”
“Sur le motif“ Peindre en plein air 1780 1870à la Fondation Custodia, Parisdu 3 décembre 2021 au 3 avril 2022Interview de Alice-Anne Tod, ancienne conservatrice en formation à la Fondation Custodia et auteure des notices des œuvres du catalogue en ligne,par Anne-Frédérique Fer, à Paris, le 2 décembre 2021, durée 23'05.© FranceFineArt.Communiqué de presseCommissariat :Ger Luijten, directeur de la Fondation Custodia, Collection Frits Lugt, ParisMary Morton, conservatrice et cheffe du département des peintures françaises de la National Gallery of Art de WashingtonJane Munro, conservatrice du département des peintures, dessins et estampes du Fitzwilliam Museum de CambridgeCette exposition , qui réunit plus de cent cinquante études à l'huile appartenant à la Fondation Custodia à Paris, à la National Gallery of Art de Washington, au Fitzwilliam Museum de Cambridge et à une collection particulière, propose une nouvelle approche de la peinture de plein air en Europe entre 1780 et 1870.La pratique est, certes, attestée dès avant le début de cette période. Les expériences italiennes de Claude Lorrain (1600-1682) évoquées par son biographe et le remarquable ensemble d'oeuvres de François Desportes (1661–1743) conservé à Sèvres en témoignent. Ce n'est toutefois qu'à partir de la fin du XVIIIe siècle que l'usage de l'esquisse à l'huile en plein air fit partie intégrante de la formation des paysagistes européens. À la croisée de la peinture et du dessin, ces études de petit format étaient généralement exécutées sur papier. Peintes rapidement sur le motif, elles avaient pour objectif d'exercer l'oeil et la main à saisir les fugitifs effets de lumière et de couleur. Parfois terminées ultérieurement en atelier, elles n'étaient toutefois pas conçues comme des oeuvres finies destinées à être exposées ou vendues. Elles constituaient pour l'artiste de précieuses références sur lesquelles il se basait pour donner à ses travaux plus formels fraîcheur et immédiateté.L'esquisse de plein air à l'huile, sur papier ou sur toile, fut adoptée par des artistes originaires de l'Europe entière, et au-delà. Le visiteur trouvera donc dans l'exposition des oeuvres de Pierre-Henri de Valenciennes, Achille-Etna Michallon, Camille Corot, Rosa Bonheur, John Constable, Joseph Mallord William Turner, Christoffer Wilhelm Eckersberg, Johan Thomas Lundbye, Vilhelm Kyhn, Johann Martin von Rohden, Carl Blechen et bien d'autres encore. Le parcours n'est ni chronologique, ni organisé par écoles, mais se structure autour des motifs abordés : arbres, rochers, l'eau sous ses multiples formes, volcans, ciels, toits, Rome et la Campagne romaine, Capri. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.
Russell & Robert meet artists Jim Partridge and Liz Walmsley, who have worked together designing and making furniture and other functional woodwork for over 30 years. The scope of their work ranges from the small and domestic to monumental outdoor pieces. By the time the partnership began Jim had already established a reputation for his vessels and small scale furniture.Initially they worked on outdoor projects, building public seats, footbridges, and shelters. They have always said that their intention was to make “work with a strong but quiet presence in the landscape”. This statement remains true, even though they have broadened that landscape to include built environments. Projects include an altar for Christ Church Cathedral in Oxford, seats for Compton Verney Art Gallery, RHS Wisley and Warwick University, furniture for Ruthin Crafts Centre, a bridge in North Wales and the large Ridgeons seat in CB1 Cambridge and, more recently a series of work for the Harley Gallery at Welbeck, Nottinghamshire which involved a redesign of the reception area, seating for inside and outside the new gallery to house the Portland collection, and outdoor cafe furniture.Alongside their site-specific commissioned work their studio furniture, much of which is carved from blocks of green oak, often scorched and polished to a lustrous black finish, regularly appears in exhibitions and is in public collections across the world, including the V&A in London, the Fitzwilliam Museum in Cambridge and Manchester Art Gallery. The work has twice been shortlisted for the Jerwood Furniture prize. In 2019 their work was selected as one of 29 finalists from a field of over 2,500 international entries for the Loewe Craft Prize and exhibited in Tokyo, Japan. More information at Loewe Craft prize 2019This autumn there is work in the 'Signature in Wood' exhibition at the Sarah Myerscough Fine Art gallery and in the 'On the Table' exhibition at Oxford Ceramics Gallery.'On The Table' exhibition runs 22nd December 2021 at Oxford Ceramics Gallery. Follows @OxfordCeramicsGallery and their official website is: www.oxfordceramics.comJim and Liz's website is at: www.jplw.co.uk"Jim Partridge and Liz Walmsley treat wood in a way it deserves, not with a finely turned perfection, but with a strong sense of the material's true vigour, retaining that elemental simplicity you find in lengths of raw timber, and in the essential life of the grain. Their various sculptural bowls (Partridge's individual work), seats, benches and bridges are not only bold pieces of concentrated form, but carry a semblance of ritual, a sense of directness and simplicity found too in tribal or early European artefacts. But the language is confidently modern, the work as at home with contemporary architecture as in the broader British landscape from which it springs and with which it so skilfully merges. Born in Leeds in 1953, Partridge attended the John Makepeace School at Parnham House. For many years Jim and Liz have been based in Shropshire." (Bio written by David Whiting). See acast.com/privacy for privacy and opt-out information.
Gold and horses! 2,500 years ago, in the area of the Great Steppe that is now Eastern Kazakhstan, an extraordinary ancient Scythian culture reigned supreme. They were called the Saka, renowned for their skill as horse archers and for their elaborate elite burials. Ancient Persian and Greek sources labelled them a barbaric, nomadic people – a scourge on the ‘civilised' world. But new archaeological discoveries from East Kazakhstan are revealing a very different picture. A picture that highlights how the Saka were a highly-sophisticated ancient society. A culture that boasted complex settlements, expert craftsmen, extensive trade routes and more, alongside their equine mastery and their staggering wealth. Now, for a limited time only, you can see some of these newly-discovered artefacts at the Fitzwilliam Museum in Cambridge. The exhibition is called ‘Gold of the Great Steppe'. Running from 28th September 2021 to 30th January 2022, it is the first exhibition about this ancient culture ever to be shown in the UK. To find out more about the exhibition and what these newly-discovered artefacts are revealing about the Saka, Tristan headed up to Cambridge to interview Dr Rebecca Roberts, associated curator of ‘Gold of the Great Steppe'.Gold of the Great Steppe Exhibition: https://www.fitzmuseum.cam.ac.uk/visit-us/exhibitions/gold-of-the-great-steppe See acast.com/privacy for privacy and opt-out information.
On this episode of the PastCast, two curators from the Fitzwilliam Museum in Cambridge discuss its recently opened exhibition, Gold and the Great Steppe. The exhibition looks at the history of the Saka, a nomadic people from Eastern Kazakhstan who lived around 2,500 years ago. To accompany the exhibition, curators Rebecca Roberts and Saltanat Amir have written an article in the latest issue of Minerva magazine, which comes out in the UK on 21 October. You can also read it online at The Past website. Rebecca and Saltanat spoke with PastCast presenter, Calum Henderson. The Past brings together the most exciting stories and the very best writing from the realms of history, archaeology, heritage, and the ancient world. You can subscribe to The Past today for just £7.99. If you enjoyed this podcast, please consider liking it, subscribing, and sharing it around.
Welcome to Connecting Communities – an AKADi Magazine series that profiles Ghanaians making transformative change in their communities.This is an extract from a MisBeee Writes blogpost about the history of Black hair read by poet La PoEsi. The afrocomb dates back 6000 years, and engenders extraordinary symbolism, encompasses culture, politics and identity. This review is based on an exhibition curated by Sally-Ann Ashton at the Fitzwilliam Museum, Cambridge. AKADi Magazine is a digital publication connecting Ghanaians in Ghana and the Diaspora (https://www.akadimagazine.com) and blog MisBeee Writes (https://msbwrites.co.uk). Follow us here: https://linktr.ee/AKADiMag And join our Podcast Club to access exclusive and early release content and discounts here: https://ko-fi.com/akadimagazineThe music in this episode is made exclusively for AKADi Magazine by Kyekyeku and the Superopongstarz and is called 'Life No Dey Easy'.AKADi Magazine is a digital publication connecting Ghanaians in Ghana and the Diaspora, visit us at www.akadimagazine.com and www.msbwrites.co.uk for all your community news.
The Windrush Generation includes anyone who immigrated to Britain from the Caribbean between 1948-1973. After WWII, large parts of Britain were in desperate need of rebuilding, so the UK actively invited immigration from Commonwealth nations. https://windrushfoundation.comKandace Chimbiri is the author of black history books for children; Secrets of the Afro Comb,6,000 Years of Art and Culture, The Story of Early Ancient Egypt, Step Back in Time to Ancient Kush and The Story of the Windrush, a tribute to the Windrush Generation pioneers. Kandace was born in London, England in 1968 to parents from Barbados. Motivated by a desire to help improve both children's literacy as well as their knowledge of history, Kandace founded her small publishing house Golden Destiny Ltd in 2009. Golden Destiny specialises in non-fiction titles for children, in particular Black history before mass enslavement. She has worked with the V&A on Contemporary Kushite Kings and Queens (part of the Staying Power project in 2011), the Fitzwilliam Museum in Cambridge on the Origins of the Afro Comb (2013) and with the Petrie Museum of Egyptian Archaeology on the Fusion of Worlds (2014). She has given talks for adults and for children on African history as well as tours on African Artefacts in the British Museum, the Petrie Museum of Egyptian Archaeology and the V&A. Her talks and workshops for adults include:• Ancient Warrior Queens of the Sudan (for Black History Walks)• Nefertiti: a Black icon?• African Artefacts in European Museums• Female Rulers of the Ancient Nile Valley Her talks, museum trails and workshops for children include Great Lives of Ancient Africa (museum mystery hunt), 6,000 years of African combs, Why doesn't everyone have African hair? and Kushite crowns. She has also delivered Black history sessions for children at the Barbados Museum (2012). She appeared in the documentary, Nubian Spirit: The African Legacy of the Ancient Nile Valley.Links to all my work is here: https://linktr.ee/HEAPP Podcast socials: Twitter -@historyeapp Instagram - HistoryEmporiumPalsPodcast Facebook Page -@HistoryEmporium Email -historyandpals@gmail.com Support a budding podcaster... Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
The Windrush Generation includes anyone who immigrated to Britain from the Caribbean between 1948-1973. After WWII, large parts of Britain were in desperate need of rebuilding, so the UK actively invited immigration from Commonwealth nations. https://windrushfoundation.comKandace Chimbiri is the author of black history books for children; Secrets of the Afro Comb,6,000 Years of Art and Culture, The Story of Early Ancient Egypt, Step Back in Time to Ancient Kush and The Story of the Windrush, a tribute to the Windrush Generation pioneers. Kandace was born in London, England in 1968 to parents from Barbados. Motivated by a desire to help improve both children's literacy as well as their knowledge of history, Kandace founded her small publishing house Golden Destiny Ltd in 2009. Golden Destiny specialises in non-fiction titles for children, in particular Black history before mass enslavement. She has worked with the V&A on Contemporary Kushite Kings and Queens (part of the Staying Power project in 2011), the Fitzwilliam Museum in Cambridge on the Origins of the Afro Comb (2013) and with the Petrie Museum of Egyptian Archaeology on the Fusion of Worlds (2014). She has given talks for adults and for children on African history as well as tours on African Artefacts in the British Museum, the Petrie Museum of Egyptian Archaeology and the V&A. Her talks and workshops for adults include:• Ancient Warrior Queens of the Sudan (for Black History Walks)• Nefertiti: a Black icon?• African Artefacts in European Museums• Female Rulers of the Ancient Nile Valley Her talks, museum trails and workshops for children include Great Lives of Ancient Africa (museum mystery hunt), 6,000 years of African combs, Why doesn't everyone have African hair? and Kushite crowns. She has also delivered Black history sessions for children at the Barbados Museum (2012). She appeared in the documentary, Nubian Spirit: The African Legacy of the Ancient Nile Valley.Links to all my work is here: https://linktr.ee/HEAPP Podcast socials: Twitter -@historyeapp Instagram - HistoryEmporiumPalsPodcast Facebook Page -@HistoryEmporium Email -historyandpals@gmail.com Support a budding podcaster... See acast.com/privacy for privacy and opt-out information.
The Windrush Generation includes anyone who immigrated to Britain from the Caribbean between 1948-1973. After WWII, large parts of Britain were in desperate need of rebuilding, so the UK actively invited immigration from Commonwealth nations. https://windrushfoundation.comKandace Chimbiri is the author of black history books for children; Secrets of the Afro Comb,6,000 Years of Art and Culture, The Story of Early Ancient Egypt, Step Back in Time to Ancient Kush and The Story of the Windrush, a tribute to the Windrush Generation pioneers. Kandace was born in London, England in 1968 to parents from Barbados. Motivated by a desire to help improve both children's literacy as well as their knowledge of history, Kandace founded her small publishing house Golden Destiny Ltd in 2009. Golden Destiny specialises in non-fiction titles for children, in particular Black history before mass enslavement. She has worked with the V&A on Contemporary Kushite Kings and Queens (part of the Staying Power project in 2011), the Fitzwilliam Museum in Cambridge on the Origins of the Afro Comb (2013) and with the Petrie Museum of Egyptian Archaeology on the Fusion of Worlds (2014). She has given talks for adults and for children on African history as well as tours on African Artefacts in the British Museum, the Petrie Museum of Egyptian Archaeology and the V&A. Her talks and workshops for adults include:• Ancient Warrior Queens of the Sudan (for Black History Walks)• Nefertiti: a Black icon?• African Artefacts in European Museums• Female Rulers of the Ancient Nile Valley Her talks, museum trails and workshops for children include Great Lives of Ancient Africa (museum mystery hunt), 6,000 years of African combs, Why doesn't everyone have African hair? and Kushite crowns. She has also delivered Black history sessions for children at the Barbados Museum (2012). She appeared in the documentary, Nubian Spirit: The African Legacy of the Ancient Nile Valley.Links to all my work is here: https://linktr.ee/HEAPP Podcast socials: Twitter -@historyeapp Instagram - HistoryEmporiumPalsPodcast Facebook Page -@HistoryEmporium Email -historyandpals@gmail.com Support a budding podcaster... Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
We get philosophical about gap filling and loss compensation in various conservation disciplines: why do we do it and how far do we take it? Kloe interviews Ellie Sweetnam about disruptive conservation and boldly coloured fills, and Jenny reviews 'Pottery and Porcelain Restoration' by Roger Hawkins. Also join us for a tipple at the Benchwork Bar, and an emotional Dear Jane with a guest contribution from Nerys Rudder. 00:01:14 So is it gap filling or loss compensation, guys? 00:11:34 Does emotion come into play? 00:15:20 Interview with Ellie Sweetnam 00:28:19 Visibility and ethics 00:34:58 Techniques and materials 00:39:51 Damage as something good 00:45:48 Can we enjoy repairs? 00:49:08 Review: 'Pottery and Porcelain Restoration - A Practical Guide' 00:54:05 Dear Jane 01:05:31 Comments, questions, and corrections 01:06:03 Benchwork Bar: Pulp Fill Show Notes: - 'Are Attic Vases Archaeological?' by Rozeik, Dawson and Wrapson: https://www.tandfonline.com/doi/abs/10.1179/sic.2010.55.Supplement-2.24 - 'Thinking outside the box: the re-conservation of a ceramic Clazomenian sarcophagus in the Fitzwilliam Museum, Cambridge' by Christina Rozeik: https://www.tandfonline.com/doi/abs/10.1080/19455224.2011.557000 - Crap Taxidermy: https://crappytaxidermy.com/ - Kintsugi: https://en.wikipedia.org/wiki/Kintsugi - Museums Are Not Neutral: https://artstuffmatters.wordpress.com/museums-are-not-neutral/ - Painting of The Bronte Sisters: https://www.npg.org.uk/collections/search/portrait/mw00797/The-Bront-Sisters-Anne-Bront-Emily-Bront-Charlotte-Bront - Visible mending: https://en.wikipedia.org/wiki/Sashiko - Pottery and Porcelain Restoration - A Practical Guide: https://www.amazon.co.uk/Pottery-Porcelain-Restoration-Practical-Guide/dp/1785006754/ - Full statement by Nerys Rudder: https://thecword.show/podcast/Your_Memories_are_Short_and_You_Havent_Been_Listening%20.pdf - Being Black in the Arts and Heritage Sector by Ashleigh Brown: https://icon.org.uk/news/being-black-in-the-arts-and-heritage-sector-paper-conservator-ashleigh-brown-offers-a - Thread from Museum Detox: https://threadreaderapp.com/thread/1268230499098603521.html - Michelle Silverthorn: https://twitter.com/inwithmichelle - Black Lives Matter: https://blacklivesmatter.com/ - Go follow Amanda Richards for more conservation cocktails: https://twitter.com/ConserveItAll Support us on Patreon! http://www.patreon.com/thecword Hosted by Jenny Mathiasson, Kloe Rumsey, and Christina Rozeik. Intro and outro music by DDmyzik used under a Creative Commons Attribution license. Made available under a Creative Commons Attribution-NonCommercial 4.0 International license. A Wooden Dice production, 2020.
We revisit the topic of emerging professionals and ponder when a conservator is a conservator. We talk to Julie Dawson and Edward Cheese from the Fitzwilliam Museum about hiring, interview tips, and what employers really want. Our agony aunt addresses a student question in Dear Jane, and we air some issues around acknowledging conservators in exhibitions, the role of directors, and the job market in the comments section. 00:00:44 News in brief 00:01:39 Revisiting the topic 00:02:21 How quickly we forget! 00:07:11 The trouble with staying flexible later in your career 00:09:40 Maternity and being working mothers 00:10:58 Imposter syndrome 00:13:09 When is a conservator no longer a conservator? 00:17:15 Training, CPD, and the emerging conservator 00:26:33 Networking doesn't have to be frightening 00:32:43 Interview with Julie Dawson and Edward Cheese 01:00:48 Dear Jane: What should a student bring to university? 01:03:43 Comments, questions, corrections: credits, directors, and jobs 01:10:36 Marie's stats on job hunting 01:15:46 Patreon shout-out! Show Notes: - ICON's first Twitter conference: https://icon.org.uk/events/icons-twitter-conference - ICON triennial conference - save the date: https://icon.org.uk/news/icon-heads-to-belfast-for-2019-international-triennial-conference - UKEMP Hub: https://ukemp.com/ For more on The C Word please follow us on Twitter @thecwordpodcast, email us on thecwordpodcast@gmail.com, or subscribe via our website, http://thecword.show Support us on Patreon! https://www.patreon.com/thecword Hosted by Jenny Mathiasson, Kloe Rumsey, and Christina Rozeik. Intro and outro music by DDmyzik used under a Creative Commons Attribution license. Additional sound effects and music by Calum Robertson. Made available under a Creative Commons Attribution-NonCommercial 4.0 International license. A Wooden Dice production, 2017.
Niall Ferguson talks to Philip Dodd about a less hierarchical history. Jane Munro looks at Degas's depictions of the human body. Sarah Lamb describes dancing MacMillan's ballets. The Square and the Tower: Networks, hierarchies and the struggle for global power by Niall Ferguson is out now. Degas - A Passion for Perfection runs at the Fitzwilliam Museum in Cambridge until January 14th 2018. Jane Munro has edited a catalogue containing essays to mark the centenary of Degas's death which is published by Yale University Press. Kenneth MacMillan - A National Celebration - featuring 6 ballet companies from across Britain - takes place at the Royal Opera House between October 18th and November 1st. Producer: Robyn Read
Medieval illuminated manuscripts are our key to European art for hundreds of years but also to political and social movements. Christopher de Hamel, keeper of possibly the oldest gospel in the Latin world, talks to Matthew about the stories these books can tell beyond their glowing illustrations. We also visit Colour: The Art and Science of Illuminated Manuscripts, currently glowing at Cambridge's Fitzwilliam Museum; Kylie Murray, expert on Scottish medieval literature and a New Generation Thinker, reviews the exhibition. Emma Donoghue author of 'Room' is back with a new novel and another child in claustrophobic setting. This room is an earth-floored room in mid-19th century Ireland, where a Florence Nightingale-trained nurse and 'The Wonder', a devout Irish girl, are locked in a potentially fatal battle over whether the girl is, as she claims, being fed by manna from heaven. Inspired by a historical phenomenon, 'the fasting girls', Donoghue's novel takes place on the battlefield between the forces of Victorian scientific rationalism and traditional religious belief Plus Dennis Duncan on the story of Boris Vian and a post-war best-seller in France - I Spit On Your Graves . Emma Donoghue's novel is called The Wonder. Meetings with Remarkable Manuscripts is by Christopher de Hamel - who has worked for Sothebys and is Fellow and librarian at Corpus Christi College Cambridge. The Fitzwilliam Museum in Cambridge is marking its first 200 year 1816 to 2016 with an exhibition called COLOUR: The Art and Science of Illuminated Manuscripts. It runs until 30th December 2016 and includes on display the Macclesfield Psalter, an alchemical scroll, a duchess' wedding gift, and the ABC of a five-year old princess.
Bourne is back. But 14 years since Matt Damon starred in The Bourne Identity, does the franchise still thrill in a world of super-hackers and government surveillance? Antonia Quirke joins John Wilson to review Jason Bourne.The Man Booker prize long list was announced today. Critics Alex Clarke and Toby Lichtig consider this year's runners and riders.The Fitzwilliam Museum in Cambridge is celebrating its bicentenary with an exhibition displaying 150 illuminated manuscripts from its collection, ranging from prayer books of European royalty to alchemical scrolls. John travels to Cambridge to find out more. Presidential hopefuls have long known of the power of a good pop tune when it comes to firing up a crowd. So what's scoring the Trump and Clinton rallies, and what does it say about their respective campaigns? American columnist, Katie Puckrik dons her headphones.
Mike Leigh discusses his film about Turner. Steve Connor and Matthew Sweet discuss an exhibition at the Fitzwilliam Museum in Cambridge which brings together 180 paintings and models to explore the way mannequins have been used by artists - from a technical tool to a fetishised object. And New Generation Thinker Naomi Paxton discusses Guy Fawkes traditions.
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