Podcasts about Shrew

Welcome, friends!Why do we LOVE female rage when it's on a screen, hanging in a museum, or packaged into the perfect TikTok edit, yet become deeply uncomfortable when real women get angry?In this episode, we explore the aesthetics of female rage, from the pressure to remain beautiful and agreeable to the racial stereotypes and double standards that shape how women's anger is perceived. We look at what happens when women swallow their anger, what happens when they finally explode, and why female fury can become so compelling when it's transformed into art, literature and pop culture. And what if rage isn't always an explosion? Sometimes, it simply says: ENOUGH.Are. You. Ready?****************Sources & Further Reading:Brescoll, Victoria L., and Eric Luis Uhlmann. "Can an Angry Woman Get Ahead? Status Conferral, Gender, and Expression of Emotion in the Workplace." Psychological Science, Vol. 19, No. 3, 2008, pp. 268-275.Cahill, Cathleen D. "Gertrude Simmons Bonnin (Zitkala-Ša): Advocate for the 'Indian Vote.'" National Park Service.Davidson, Helen. "'Repugnant, Racist': News Corp Cartoon on Serena Williams Condemned." The Guardian, September 11, 2018.Epstein, Rebecca, Jamilia J. Blake, and Thalia González. Girlhood Interrupted: The Erasure of Black Girls' Childhood. Georgetown Law Center on Poverty and Inequality, 2017.Ferris State University, Jim Crow Museum of Racist Imagery. "The Sapphire Caricature."Folger Shakespeare Library. William Shakespeare, Macbeth.Folger Shakespeare Library. William Shakespeare, The Taming of the Shrew.Hajela, Deepti. "Serena Williams' Treatment at U.S. Open Resonates Among Black Women." PBS NewsHour / Associated Press, September 11, 2018.Hess, Ursula, Reginald B. Adams Jr., Karl Grammer, and Robert E. Kleck. "Face Gender and Emotion Expression: Are Angry Women More Like Men?" Journal of Vision, Vol. 9, No. 12, 2009.Jack, Dana Crowley, and Diana Dill. "The Silencing the Self Scale: Schemas of Intimacy Associated With Depression in Women." Psychology of Women Quarterly, Vol. 16, No. 1, 1992, pp. 97-106.Library of Congress. "Ida B. Wells-Barnett Holds Her Ground." Shall Not Be Denied: Women Fight for the Vote.National Museum of African American History and Culture. "Popular and Pervasive Stereotypes of African Americans."National Park Service. "A Noble Endeavor: Ida B. Wells-Barnett and Suffrage."National Women's History Museum. "Elizabeth Packard."O'Leary, Ann. "Stress, Emotion, and Human Immune Function." Psychological Bulletin, Vol. 108, No. 3, 1990, pp. 363-382.Renna, Megan E., et al. "A Systematic Review of Associations Between Emotion Regulation Characteristics and Inflammation." Neuroscience & Biobehavioral Reviews, 2023.BBC Sport. "US Open 2018: Serena Williams Accuses Umpire of Sexism After Outbursts in Final." September 9, 2018.BBC Sport. "US Open 2018: Serena Williams' Claims of Sexism Backed by WTA." September 10, 2018.Uffizi Galleries / Google Arts & Culture. "Artemisia Gentileschi's Judith in the Uffizi."Zumwalt, Dominique. "Suppressed Rage and Autoimmune Disorders in Women." SonderMind, April 18, 2025, updated April 10, 2026.****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music

It's Tuesday which means there's a new Hallmark movie to review! ABOUT NOTHING BUT LOVE A TV director returns to her theater roots for a Shakespeare festival and runs into an old flame, rekindling a merry war of wits in this modern retelling of "Much Ado About Nothing." AIR DATE & NETWORK FOR NOTHING BUT LOVE August 29, 2026 | Hallmark CAST & CREW OF NOTHING BUT LOVE Director: Shamim Sarif Writers: Ramona Barckert, Neal Dodson, William Shakespeare Cast: Ashley Williams as Bea Bishop Niall Matter as Benny Gersten BRAN'S MOVIE SYNOPSIS It's time for the Summer Shakespeare Festival and Bea Bishop has arrived ahead of the show she's directing - The Taming of the Shrew. She is pumped, or should I say WAS pumped until she finds out Benny, a popular actor, is going to be the love interest for the play. She's not thrilled because clearly they have a history. Her mom is the one who runs the festival but she's going to retire. Bea says that SHE wants to take it over and her mom is thrilled. The cast gets together for the first time for pizza that Benny brings. Benny meets his leading lady for the first time. Her name is Hannah and it's clear that Hannah has a thing for another guy in the play, Clay. When Benny sees them, he tells Bea to make Clay the lead instead, which she does. Bea finds out that there are some more hoops to leap through before the board approves her to be the new director of the festival. Apparently, there's a buyer interested in purchasing the festival. If the play isn't a success, they need to sell. SO THE STAKES ARE HIGH! She tells Benny about this and they agree to a peace treaty to work together to save the festival. So turns out, Benny was right about Clay and Hannah....a little too right. Bea and Benny follow them into town and see them kiss big ones! Bea is worried that this isn't going to be great for the play - it's going to distract them. So Bea goes to talk to her about it and Hannah is like we're falling in love. Bea is like it's not real love, it's festival love. Hannah disagrees. Bea says this happened to her once - she fell for Benny during their play together and got a bad review, calling her distracted. That's why she ultimately became a director. She tells Hannah if all you're thinking about is how much you're in love with Clay, it's going to affect your performance. Benny ends up having the same conversation with Clay. Hannah and Clay decide they should try to get Bea and Benny together. It gives us a couple of great scenes. Benny and Bea end up getting coffee together and talk through some changes they want to make to the play and then they're getting ready to talk about their feelings but they get interrupted. They begin to wonder if splitting Hannah and Clay up is doing more harm than good. There's a party where everyone is in Shakespearean garb and Bea and Benny try to reverse what they've done and get Hannah and Clay back together, but they end up slow dancing together in the process. The next day, Benny asks if she wants to go for a bite. She's like did you say date? And he's like no I said bite, but yes a date please. She says yes. And they tell each other that they like and love each other via crayon on the table. The SPARKS are flying. On the walk home, they both talk about how they overheard the other actors talking about how they are into each other. IT WAS ALL A BIG TRICK?! This is quite the misunderstanding and she's like well thank goodness we didn't kiss! This argument gets interrupted with a text - Hannah is leaving. She can't handle the pressure of saving this festival. So they all agree it would be best if Benny and Bea took over the lead roles and it's going great! But THEN she hears that Benny told Clay that whoever takes over running the festival has impossibly large shoes to fill. She's like you don't think I can do it! He realizes he done goofed. He needs to figure out a way to show her that not only does he believe she can run this festival, but show her that the love wasn't a trick. He runs to the airport to stop Hannah from leaving and get her to come back and do the show, which she does! The play is going great. The run is sold out. Bea goes to talk to her mom backstage and her mom tells her that her only regret in doing this is that she only focused on her job, not her heart. She encourages her to be sure she tends to her heart. The show is a SMASH hit! After the show, she finds out that they don't need to sell. The board approves of Bea running the festival moving forward! She goes to find Benny. She asks how he got Hannah to come back, and he says "I told her that all she needs to know is that Bea believes in you. When I know that Bea believes in me, I feel like I can do anything." He says I also knew I couldn't play this role with you because I wouldn't be able to hide my feelings for you. She says I wanna be with you and I wanna run this festival with you. She says kiss me you fool and kiss they do, followed by a spin and dip! Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

About This Episode: Sharry Flett has spent 34 seasons at the Shaw Festival - long enough to have watched the company evolve through three artistic directors, raise a daughter who appeared on its stages, and welcome back former students she once coached as the people now directing her. In this conversation with host Phil Rickaby, Sharry reflects on what keeps drawing her back to Niagara-on-the-Lake, and what it felt like to walk into rehearsals for Wind in the Willows and find Fiona Sauder, André Morin, and fight director Jack Davidson Rennie - all artists she had mentored at George Brown College, now in positions of leadership. This episode explores: What it was like for Sharry to be directed by three former students she had coached at George Brown College; and how she navigated that full-circle moment Playing Rat in Wind in the Willows: how the original Kenneth Grahame book shaped her approach to the character Why performing for children demands complete honesty and commitment; and how that discipline serves actors in any room The Shaw Festival under three artistic directors: Christopher Newton, Jackie Maxwell, and Tim Carroll, and how the ensemble ethos has remained constant through each Sharry's path from medicine to music to theatre, including the moment picking up a flute sent electricity through her arm The importance of teaching; and what Sharry gains from students when she brings Shaw's language alive in the room And much more! Guest: Sharry Flett SHAW 2026: Funny Girl, The Wind in the Willows; 34th season. FOR THE SHAW: Anything Goes, May I Have The Pleasure?, My Fair Lady, The Secret Garden, The Apple Cart, The Clearing, The Doctor's Dilemma, Everybody, Cyrano de Bergerac, Man and Superman, Me and My Girl, Uncle Vanya, The Philadelphia Story, Enchanted April, Lady Windermere's Fan, Come Back Little Sheba, Maria Severa, Age of Arousal, Sunday in the Park with George, The Little Foxes, Getting Married, The Magic Fire, Major Barbara, The Autumn Garden, Floyd Collins, Misalliance, Rebecca, Joy, The Seagull, Hedda Gabler, Berkeley Square. (Selected Credits) ELSEWHERE: leading roles in theatres across Canada, including Katherine in The Taming of the Shrew, Miranda in The Tempest, Stratford Festival. FILM/TELEVISION: Grey Gardens, Shades of Black, Full House with Sharry Flett, Jane of Lantern Hill. AWARDS: Gemini nominations (best actress), War Brides and Suicide Murders, CBC; Paul Reynolds award, Shaw Festival; Tyrone Guthrie award, Stratford Festival. TEACHING: Shaw Festival, National Theatre School, George Brown Theatre School, Queen's University, University of Toronto, Brock University. Subscribe & Follow:

What Shakespeare, Jane Austen, and Midlife Women Can Teach Us About Self-Worth.   While attending the Oregon Shakespeare Festival, I found myself reflecting on two classic stories—The Taming of the Shrew and Emma. Although these stories were written centuries apart, they both revolved around a familiar question that many women still ask today: What is my value if I'm not in a relationship? In this episode, I explore how generations of women have been taught—often without realizing it—to tie their worth to whether someone chooses them. Together, we'll examine where these beliefs come from, why they still affect us in midlife, and how we can finally write a new story. Because your worth has never depended on being chosen. It has always belonged to you. In This Episode We Discuss: The surprising connection between Shakespeare, Jane Austen, and modern women Why so many of us unconsciously tie our worth to relationships How culture quietly teaches women that being chosen equals being valuable Why intimacy begins with the relationship you have with yourself The difference between being desired and being worthy How choosing yourself creates healthier relationships Questions to help you rewrite the stories you've inherited about love, value, and intimacy

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It really is ‘Too Darn Hot!' so a perfect time for a pod about the 1953 film ‘Kiss Me Kate' starring Katherine Grayson, Howard Keel and Ann Miller. Inspired by Shakespeare's ‘The Taming of the Shrew' this Cole Porter musical tells the story of a divorced couple brought back together to star in a play. So Brush up your Shakespeare and tune in!

For the latests Whisper in the Wings from Stage Whisper, we welcomed on the founder/director Karsten Otto, to talk about his upcoming production Shakespeare Entirely's Taming of the Shrew. This fantastic version of the classic Shakespearean work, made for fantastic conversation. So be sure that you tune in and turn out for this fantastic show!Small Boat and Kotto Productions Presents:Shakespeare Entirely's Taming of the ShrewJuly 9th-August 2nd @ La MaMaTickets and more information are available at eventbrite.comAnd be sure to follow Karsten to stay up to date on all his upcoming projects and productions: @kotto_@kottopro_

Merriam-Webster's Word of the Day for June 30, 2026 is: bereft • bih-REFT • adjective To be bereft is to be deprived or robbed of something, or to lack something that you need, want, or expect. Bereft is also used as a synonym of bereaved. // They appear to be completely bereft of new ideas. See the entry > Examples: "... this morning when I was going out to play in the gardens, I went to put on my favorite baseball cap since the sun was hot and, being bereft of my own natural covering, I wished to avoid a sun-scorched scalp." — Dick Brooks, The Daily Gazette (Schenectady, New York), 7 May 2026 Did you know? In Old English, the verb berēafian meant "to deprive of something." The modern equivalent (and descendant) of berēafian is bereave, a verb used to say that one has deprived or stripped someone of something, often suddenly and unexpectedly, and sometimes by force. Bereft comes from the past participle of bereave; Shakespeare uses the participle in The Merchant of Venice, when Bassanio tells Portia, "Madam, you have bereft me of all words." But by Shakespeare's day bereft was also being used as an adjective. The Bard uses it in The Taming of the Shrew, as a newly obedient and docile Katharina declares, "A woman mov'd is like a fountain troubled—muddy, … thick, bereft of beauty."

Rachel Chavkin received the 2019 Tony Award, Drama Desk Award, and Outer Critics Circle Award for Best Director of a Musical for Anaïs Mitchell's Hadestown. She is a director, writer, and dramaturg, as well as the founding Artistic Director of Brooklyn-based ensemble the TEAM (theteamplays.org), an internationally renowned experimental company whose consensus-driven collaborative process was the subject of the documentary The TEAM Makes a Play (directed by Emmy winner Paulette Douglas). Additional selected: Dave Malloy's Natasha, Pierre, & The Great Comet of 1812 (Broadway featuring Denée Benton & Josh Groban); Carson Kreitzer and Matt Gould's Lempicka (Williamstown); Caryl Churchill's Light Shining in Buckinghamshire (New York Theatre Workshop), Marco Ramirez's The Royale (Old Globe, Lincoln Center); Bess Wohl's Small Mouth Sounds (Ars Nova, Off-Broadway, National Tour); Sarah Gancher's I'll Get You Back Again (Round House); and multiple collaborations with Taylor Mac, including The Lily's Revenge, Act 2 (HERE). In addition to her awards for Hadestown, Chavkin is a recipient of a Tony Award nomination for Best Direction of a Musical, three Obie Awards, a Drama Desk Award, multiple Lortel Award nominations, two Doris Duke Impact Award nominations, and the 2017 Smithsonian Award for Ingenuity along with Dave Malloy. Her first film, Remind Me, was an official selection of the Venice and Beverly Hills Film Festivals. Feature film  - Hadestown and Shrew's Nest (Paramount). Proud NYTW Usual Suspect and Member SDC. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In Shakespeare's play, A Midsummer Night's Dream, Puck has a line that says "And now they never meet in grove or green, By fountain clear, or spangled starlight sheen..." In Taming of the Shrew, Petruchio uses this term again saying, "What stars do spangle heaven with such beauty..." In a similar description again from Midsummer, Lysander says "Fair Helena, who more engilds the night Than all you fiery oes and eyes of light." If you're not familiar with Engilding the night, that's a word that means "to make bright…often referring to a golden light." It's been around since the 15th century, but what all of these references have in common is they are talking about making something shiny, and in Shakespeare's England the best way to make something look like it glittered was to attach what's called a "spangle" or an "Oe" spelled "oe." Essentially, these were early modern sequins. Some surviving examples of 17th century spangles were discovered in Jamestown, Virginia, and are housed inside the collections at Jamestown Rediscovery, which jointly manages Historic Jamestowne alongside the National Park Service. One of the curators involved in that project, Janene Johnston, is here with us today to explain how spangles worked, the history of the ones they found in Virginia, and what the surviving artifacts reveal about how spangles were used in Shakespeare's lifetime. 

In the film 10 Things I Hate About You, Katarina Stratford gets an assignment to rewrite Shakespeare’s Sonnet 141. Her poem that perfectly pays tribute to the play The Taming of the Shrew while perfectly illustrating the complex emotions that come with teen relationships. This episode is an excerpt from a recent livestream over on my YouTube channel. You can find the full livestream here:

Send us Fan MailToday's episode is my conversation about the 1930 film Min and Bill I'm joined by Maria Banson who writes the The Brunello Bombshell newsletter, and we talk about the interesting family dynamics at play in this film, an incredible (and Oscar worthy) performance from Marie Dressler in the lead role, and the second half of the film that flies by once the action really gets going. You can watch Min and Bill on YouTube, Tubi, or Amazon Prime or pick up a physical copy for your collection and be sure to check out Maria's newsletter.Other films mentioned in this episode include:The Big House directed by George HillThe Champ directed by King VidorTugboat Annie directed by Mervyn LeRoyThe Tragedy of Macbeth directed by Joel CoenNomadland directed by Chloé ZhaoThe Taming of the Shrew directed by Sam TaylorMorocco directed by Josef von SternbergHoliday directed by Edward H. GriffithA Free Soul directed by Clarence BrownCimarron directed by Wesley RugglesOther referenced topics:Call My Agent! (series)Dark Star by Lorna MoonSteve Kopian on unseenfilms.comDavid writing on simbasible.comSupport the show

10 Things I Hate About You was an instant teen classic, adapting Shakespeare’s play The Taming of the Shrew for a 90’s audience. The film’s title comes from a bit of bad but sweet teen poetry written by the shrew herself, Kat Stratford. Julia Stiles’ moving reading of her character’s reinterpretation of the poem is the emotional peak of the film, showing us how love finds a way through even the thorniest paths. Let’s take a look at Sonnet 141 by William Shakespeare as well as Kat’s poem, which is oddly named because she seems to hate more than 10 things about Patrick Verona. Do your own version of this homework assignment! I would love to read your own re-write of Sonnet 141.

Heath Ledger's breakout Hollywood role is something different to what it might appear. Hark! A modern retelling of The Taming of the Shrew, wherein a shrewd and sharp-tongued maiden must be courted ere her gentle sister may pursue love's sweet embrace. A roguish young man, paid in secret coin, doth woo the fierce Katarina with unexpected sincerity, and love blooms where trickery first planted its seed. Yet when deception is laid bare, hearts are rent asunder — until repentance and a most earnest sonnet restore what folly nearly destroyed.

In Romeo and Juliet, Juliet declares "Thou know'st the mask of night is on my face, Else would a maiden blush bepaint my cheek" Katharina in Taming of the SHrew talks about painting your face, and Timon of Athens makes a connection between painting and your face saying "wear them, betray with them: whore still; Paint till a horse may mire upon your face, A pox of wrinkles!" And of course, Hamlet has the most famous facial disguise quote when he says "God has given you one face but you make yourself another." All of these references underpin what we know about cosmetics and facial care in Shakespeare's England. Famously, Queen Elizabeth herself kept her face quite decadently forever striving after that porcelain skinned ideal that was a hallmark of the Elizabethan Era. But what did women use to take care of their faces in the Elizabethan era, and in a. Culture where people like Hamlet were suspicious of women who disguised their true form, how was makeup received? Was it something normal and every day, or were there instances when applying makeup, or perhaps even the wrong makeup, could get someone into trouble? To find out more and explore the intricate and complex world of makeup, cosmetics, and facial care for women of Shakespeare's lifetime, we're delighted to welcome historian and author of Beauty and Cosmetics, 1550–1950, Sarah Jane Downing to the show this week. She's here to take us behind the makeup counters of Tudor women and share with us what we might there.

Welcome to the wild! Charming guest Landree Fleming joins us for an all natural improvised musical much better than Shakespeare's original, complete with shrewd shrews, sick scientists, and a ravenous revolution. La la la! Landree Fleming (She/Her) is a Chicago-based actor, director, and improviser. Catch her most Tuesdays in TMI at the Annoyance Theatre. She's performed at the Paramount Theatre, American Theater Company, Marriott Theatre, Drury Lane Theatre, Porchlight Music Theatre, Griffin Theatre, and Theatre at the Center. She's directed at Paramount Theatre, Marriott Theatre, Metropolis Theatre, Theo Ubique, Roosevelt University, and North Central College! She stars in the Dungeons & Dragons TV show Encounter Party from Hasbro, Wizards of the Coast, and eOne, currently streaming on Plex, Freevee, and Roku, an adaptation of her podcast with the same name. She's appeared on Chicago P.D. and Chicago Med, and recently directed Modern Gentleman at About Face Theatre. Rep: Stewart Talent IG: @landreerfleming Cast: Lily Ludwig, Austin Packard, Landree Fleming Music Director: Sam Scheidler Drums: Chris Ditton Charm Scene is performed entirely by humans in sunny Chicago, IL. For more on the podcast, follow us @CharmScenePod on Instagram, visit us online at charmscenepod.podbean.com, or email us at CharmScenePod@gmail.com. In listening to this show, we hope you continue to support live human art wherever you find it. Stay charming!

The Daily Quiz - Art and Literature Today's Questions: Question 1: Which author wrote 'Salome'? Question 2: Which book contains the character 'Lily Bart'? Question 3: Which author wrote 'Solaris'? Question 4: In which book does 'Tuor' appear? Question 5: The painting "Mona Lisa" by Leonardo da Vinci is a part of which art movement? Question 6: Which artistic movement of the late eighteenth to mid-nineteenth century focused on emotion over reason, and on spontaneous expression. Question 7: Which author wrote 'The Taming of the Shrew'? Question 8: Which author wrote 'The Dead Zone'? Question 9: The painting "View of Toledo" by El Greco is a part of which art movement? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Choice Classic Radio presents Columbia Workshop, which aired from 1936 to 1943, and again from 1946 to 1947. Today we bring to you the episode titled “Taming of the Shrew.” Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

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Enlightenment is attainable by anyone, but sometimes students feelunworthy of realising it themselves. As the story of the monkCulapanthaka illustrates, you do not have to be clever to examine lifeclosely. Everyone's situation is unique and contains all the lessonsthey need to learn about suffering and its cessation. As we see moreand more that the unsatisfactory nature of life is fundamentallyirresolvable, the more we are able to let go of craving for it to bedifferent and, hence, the less we suffer.Paul Harris is the Spiritual Head and principal meditation teacher at the House of Inner Tranquillity.This talk was given in February 2014

Most movies treat mental health like a plot twist—something dramatic, visible, and easily explained. But real depression and anxiety don't work that way, and filmmaker Olivia Nash is determined to flip the script and show a more realistic portrayal. In this episode, host Gabe Howard sits down with the actor, writer, and director of the indie film “Hi.” to tease out what it really means to portray mental health authentically on screen. The conversation goes beyond the film itself, diving into the realities of mental health in Hollywood, how Nash fostered open conversations on set, and what it takes to center people over productivity in an industry that rarely slows down. Why You Should Listen Discover how Nash's personal experience with depression and anxiety changed her storytelling — and why that matters for audiences Hear how Hollywood's most common mental health tropes can do real harm, even when intentions are good Understand why functioning, successful people are often the most misunderstood when it comes to mental health Understand why authentic representation in pop culture can be life-changing for viewers If you're tired of seeing mental health reduced to stereotypes, or you've ever been told you “can't be depressed” because you're functioning, this episode offers a refreshing, validating perspective you won't want to miss.“Mental health isn't a plot twist—it's just part of who people are.”~Olivia Nash, Hollywood Actor and Director Olivia Nash is a multifaceted creative professional with extensive experience in acting,producing, directing, and production design. Based in Austin, TX, she has worked on awide array of projects across film, television, theater, commercials, music video, andowns the film production company, Fox Adrift Productions. Her versatility and passionfor storytelling shine through her collaborations with esteemed production companieslike Taylor Butler Productions, Fox Adrift Productions, Reed Street Films, David BittnerProductions, and Skeptical Optimist Productions. As a Producer/Director, Olivia has helmed projects such as Toby (won for Best FemaleDirector at Palm Beach Shorts, Best Dramedy at Georgia Shorts Film Festival, and BestNarrative Short Film at Austin Under The Stars), Hi., and El Delirio. Her expertise inProduction Design is evident in works like The Gold Lament, Goodwill, Constellation,and The Last Pedal. In the commercial space, she has served as Art Director for HHSTraining Videos. She has also brought her creative vision to music videos, includingCobblestone Streets and Unknown to You. Olivia's acting credits span leading roles in films such as Hickory, Hi., Meteor, and FGAas well as theater performances in productions like The Taming of the Shrew,Cinderella, and Booby Trap where she won best supporting actress. Her training inon-camera workshops, musical theater, and dance further complements her on-screenand stage presence. With a distinctive aesthetic and expertise in styles like Boho Decor, Dystopian, CottageCore, Bloom Core, Dark Academia, and Fantasy, Olivia is skilled at crafting immersiveand evocative worlds. Her dedication to her craft and her ability to adapt to diversecreative challenges compliments her mission to bring to life stories that relate to thehuman condition, while allowing us to escape into a world of beauty. Our host, Gabe Howard, is an award-winning writer and speaker who lives with bipolar disorder. He is the author of the popular book, "Mental Illness is an Asshole and other Observations," available from Amazon; signed copies are also available directly from the author. Gabe is also the host of the "Inside Bipolar" podcast with Dr. Nicole Washington. Gabe makes his home in the suburbs of Columbus, Ohio. He lives with his supportive wife, Kendall, and a Miniature Schnauzer dog that he never wanted, but now can't imagine life without. To book Gabe for your next event or learn more about him, please visit gabehoward.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Round 1: Voting will be open from Monday (3/16) until Monday (3/23) ***Vote Now!***Round 2: Voting will be open from Monday (3/23) until Saturday (3/30)Round 3: The first semi-final round will be Monday (3/30) until Wednesday (4/1); the second semi-final round will be Thursday (4/2) until Saturday (4/4)Round 4 (the final): Voting will be open from Monday (4/6) until Monday (4/13)In this special bonus episode, Fr. Wesley Walker and Dr. Junius Johnson pivot from their usual textual analysis to the “Battle of the Books.” Harnessing the competitive energy of March Madness, they set out to seed the last twelve books discussed on the podcast into a tournament bracket, where the ultimate winner will be decided by listener votes. The seeding process is guided by two primary criteria: the quasi-objective historical influence of the text and the quasi-subjective literary or theological quality of the work. The books included in the tournament are: * Lilith by George MacDonald* Billy Budd, Sailor by Herman Melville* Proslogion by Anselm* The Taming of the Shrew by William Shakespeare* Frankenstein by Mary Shelley* The Aeneid by Virgil* Peter Pan by J.M. Barrie* The Federalist Papers* The Journey of the Mind to God by Bonaventure* Love in the Ruins by Walker Percy* The Castle of Otranto by Horace Walpole* The Communist Manifesto by Karl Marx and Friedrich Engels Get full access to The Classical Mind at www.theclassicalmind.com/subscribe

Folks, we talked so much about this action-packed episode that we had to break it up into 2 parts! So today, we're back in Walnut Grove for Part 2 of the Season 6 finale, but only the first hour of the recap, because let's face it—we spent a full day analyzing Laura, Almanzo, Nellie, and Percival's love sagas. Next week will will finish the episode, officially!But today, Laura is busy helping Mary and Adam open the new blind school, all while trying to ignore her feelings for Almanzo. Meanwhile, Almanzo secretly works extra jobs to cover the school rent. And of course, a “saloon girl sighting” (Pamela's favorite character) almost sends Laura spiraling, and sparks a conversation with our hosts about sex and sexuality in the Prairie days.Meanwhile, Nellie and Percival's story is cooking up (pun intended!). Percival's strict training regimen is actually starting to work on Nellie, softening her attitude in a very "Taming of the Shrew" way. But it makes us ask...Is Nellie a submissive? Do short men have more masculine energy? It's giving Kermit and Piggy vibes, people!We laugh, swoon, and debate every glance, tearful scene (without actual tears? Where's the glycerin when you need it!), and prairie misstep—from Almanzo overworking himself into illness to Nellie's gradual change—making this hour full of classic Walnut Grove tomfoolery and romantic confusion.Next week, we'll finish Part 2 of Part 2, talk ice baths, dodge balls to the face, and nice Jewish husbands. You won't want to miss it!Then join us on Patreon, where we chat about Valentine's Day and Pamela shares the epic story of the annual LIW Dinner Party she attended!Links and Resources:Haven't signed up for Patreon yet? Get more behind the scenes info and fun conversation we can't do on the podcast...PATREON: https://www.patreon.com/LittleHousePodcastwww.LittleHouse50Podcast.com to connect with our hosts and link to their websites.www.LivinOnaPrairieTV.com  Check out the award-winning series created by Pamela Bob, with special guest stars Alison Arngrim and Charlotte Stewart.Prairie Legacy Productions - the place to go for info about all new Little House events!To learn more about Little House on the Prairie, Visit www.littlehouseontheprairie.comFacebook/Instagram/TikTok:Dean Butler @officialdeanbutlerAlison Arngrim @alisonarngrimPamela Bob @thepamelabob, @prairietvSocial Media Team: Joy Correa and Christine Nunez https://www.paclanticcreative.com/Producer: Tony Sweetwww.ubngo.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/little-house-on-the-prairie-50th-anniversary-podcast--6055242/support.

Anyone who was in the LevFin market in 2022 may remember banks using term loan As to fill the financing gap when rising interest rates disrupted the syndicated loan market. That instrument has made a comeback — except this time, the TLA is no longer a back-up, but a tool to get larger financings done.In this episode, Cloud 9fin deputy LevFin editor Sasha Padbidri sat down with reporter Yiwen Lu and senior reporter Sunny Oh, to discuss the resurgence of the so-called pro-rata market.We broke down the key features of TLAs, how banks use them to differentiate themselves from direct lenders, and the evolving lender base of TLAs. We also discussed how it played out in recent jumbo buyouts, including Hologic.Have any questions? Send us a note at podcast@9fin.com. You can also check out our feature on TLA here. Thanks for listening!

"I hate the way you're always right. I hate it when you lie. I hate it when you make me laugh, even worse when you make me cry." In the latest episode of AT THE MOVIES IN THE 90s, your host A. J. Black is joined by new guest, horror podcaster of THE HORROR AND HER, Emma Arneil, to take a look at the 1999 adaptation of Shakespeare's The Taming of the Shrew, 10 Things I Hate About You. Starring a retinue of future stars such as Heath Ledger, Julia Stiles and Joseph Gordon-Levitt, this modern re-working of one of the Bard's great comedies adds 90s riot girl energy and teen heartthrob vibes, but does it remain down with the kids? We try to find out... Host / Editor A. J. Black Guest Emma Arneil Producer Mark McManus Find the podcast on Linktr.ee: https://linktr.ee/atthemoviesinthe90s Support the Film Stories podcast network on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/simonbrew⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: @filmstories Facebook/Instagram/Threads: Film Stories Website: www.filmstories.co.uk Title music: 'I Am Changing' by Isaac Elliott (c) epidemicsound.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Wildtalk Podcast, we talk to Ryan Soulard and Pat Brickel about a long habitat project wrapping up at Fish Point. We follow that up with a chat about the snow goose, before diving into the tiny world of the least shrew. Episode Hosts: Rachel Lincoln and Eric HilliardProducer/editor: Eric HilliardAll things habitatFish Point State Wildlife AreaAll things feathersSnow gooseSnow goose ID sheetMichigan.gov/WaterfowlWetland WonderseBirdAll things furNorth American Least shrewQuestions or comments about the show? Contact the DNR Wildlife Division at 517-284-9453 (WILD) or email dnr-wildlife@michigan.gov.

THE CLASSIC UPDATE OF SHAKESPEARE'S TAMING OF THE SHREW!! 10 Things I Hate About You Full Reaction Watch Along: ⁠  / thereelrejects  ⁠ Gift Someone (Or Yourself) A Stranger Things RR Tee! ⁠https://shorturl.at/hekk2⁠ Vecna: The Mind Slayer tee by @G9DESIGN & Dr. Stranger Things tee by @SASAMIIKU — perfect for hardcore fans & collectors alike Greg & Aaron trip the light ROMANTIC as they reunite for a 10 Things I Hate About You Reaction, Recap, Analysis, Breakdown, & Spoiler Review! Aaron Alexander & Gregory Alba dive into the sharp, romantic, endlessly quotable teen classic that helped define a generation of 90s/early-2000s cinema. Join Aaron & Greg as they revisit Gil Junger's modern retelling of Shakespeare's The Taming of the Shrew, starring Heath Ledger (The Dark Knight, A Knight's Tale) in his breakout role as the rebellious and charming Patrick Verona, and Julia Stiles (Save the Last Dance, Dexter) as fiercely independent Kat Stratford. The film also features Joseph Gordon-Levitt (Inception, Looper) as Cameron, Larisa Oleynik (The Secret World of Alex Mack) as Bianca, and David Krumholtz (The Santa Clause, Numb3rs) and Allison Janney (I, Tonya, The West Wing) in unforgettable supporting roles. Aaron & Greg break down the film's most iconic and beloved moments: Patrick's legendary “Can't Take My Eyes Off You” serenade on the bleachers, Kat's emotional reading of the poem that gives the movie its name, Bianca punching Joey Donner in the face, Cameron's sweet-but-awkward attempts to win Bianca's heart, and the Stratford family's hilariously strict house rules. They explore how the film blends whip-smart humor, heartfelt coming-of-age storytelling, and timeless themes of trust, identity, and self-expression — all wrapped in peak 90s energy and one of the greatest high-school soundtracks of all time. Follow Aaron On Instagram: ⁠https://www.instagram.com/therealaaronalexander/?hl=en⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

THE CLASSIC UPDATE OF SHAKESPEARE'S TAMING OF THE SHREW!! 10 Things I Hate About You Full Reaction Watch Along:   / thereelrejects   Gift Someone (Or Yourself) A Stranger Things RR Tee! https://shorturl.at/hekk2 Vecna: The Mind Slayer tee by @G9DESIGN & Dr. Stranger Things tee by @SASAMIIKU — perfect for hardcore fans & collectors alike Greg & Aaron trip the light ROMANTIC as they reunite for a 10 Things I Hate About You Reaction, Recap, Analysis, Breakdown, & Spoiler Review! Aaron Alexander & Gregory Alba dive into the sharp, romantic, endlessly quotable teen classic that helped define a generation of 90s/early-2000s cinema. Join Aaron & Greg as they revisit Gil Junger's modern retelling of Shakespeare's The Taming of the Shrew, starring Heath Ledger (The Dark Knight, A Knight's Tale) in his breakout role as the rebellious and charming Patrick Verona, and Julia Stiles (Save the Last Dance, Dexter) as fiercely independent Kat Stratford. The film also features Joseph Gordon-Levitt (Inception, Looper) as Cameron, Larisa Oleynik (The Secret World of Alex Mack) as Bianca, and David Krumholtz (The Santa Clause, Numb3rs) and Allison Janney (I, Tonya, The West Wing) in unforgettable supporting roles. Aaron & Greg break down the film's most iconic and beloved moments: Patrick's legendary “Can't Take My Eyes Off You” serenade on the bleachers, Kat's emotional reading of the poem that gives the movie its name, Bianca punching Joey Donner in the face, Cameron's sweet-but-awkward attempts to win Bianca's heart, and the Stratford family's hilariously strict house rules. They explore how the film blends whip-smart humor, heartfelt coming-of-age storytelling, and timeless themes of trust, identity, and self-expression — all wrapped in peak 90s energy and one of the greatest high-school soundtracks of all time. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Nikita Johal (Now That's What I Call A Musical / The Taming of the Shrew) co-hosts The West End Frame Show!Andrew and Nikita discuss Paddington (Savoy Theatre), The Line Of Beauty (Almedia Theatre) and The Mousetrap's 73rd Birthday Performance (St Martins Theatre) as well as the latest news about Wicked spin-offs, Kimberly Akimbo's UK premiere, The Stage magazine, casting for American Psycho and lots more.Nikita is starring as Wendy in Peter Pan: A New Pantomime Adventure at the Greenwich Theatre. Last year she recorded an episode of In The Frame whilst playing Young Gemma in Now That's What I Call A Musical on tour.Nikita's theatre credits include: Mandy and understudy Malika & Gold in Frankie Goes To Bollywood (UK Tour / Southbank Centre), Bianca/Curtis in The Taming of the Shrew (Shakespeare In The Squares), The World Goes Round (Yvonne Arnaud Theatre), Princess Caraboo in Princess Caraboo (Finborough Theatre), Yonah in Children Of Eden (Union Theatre), Wendla inSpring Awakening (Hope Mill Theatre), Laputa in The Snow Queen (The Everyman, Liverpool), Selma Karamy in Broken Wings, (Theatre Royal Haymarket, The Other Palace & Beittidine Festival, Lebanon), Princess Aurora in Sleeping Beauty (Watford Palace Theatre), Princess Jasmine in Aladdin (Newbury Corn Exchange), Lily/Ladybird in What The Ladybird Heard (The Palace, West End & UK Tour), Understudy Neera/Bollywood Ensemble in Migrations (Welsh National Opera UK Tour), Asma/Kelly in The Wife Of Willesden (The Kiln & Boston/New York), Princess Katherine/Gower/Costable in Henry V & The Franklyn in The Canterbury Tales (Guildford Shakespeare Company), Maud in The Invincibles (Queens Theatre Hornchurch & The New Wolsey) and Fairy Sugarsnap in Jack & The Beanstalk (Evolution Pantomimes).Peter Pan: A New Pantomime Adventure runs at the Greenwich Theatre until 11th January 2026. Please visit www.greenwichtheatre.org.uk for info and tickets. Follow Nikita on Instagram: @nikitajohal This podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Australia's last native shrew has been officially declared extinct, and it's a sobering reminder of how human actions ripple through ecosystems. Also For months, eerie scenes have haunted South Australia's beaches dead sea creatures, foam-covered waters, and residents with breathing problems. Now, scientists have found the surprising culprit. A little-known algal species unleashing a powerful neurotoxin. But what triggered this deadly bloom and could it happen elsewhere? All to discuss with Dr Ruth Freeman Director of Research for Society For Research Ireland.With thanks to Repak.

Episode 195 Last time I completed my review of ‘Hamlet', although it is probably wrong to say that one's thoughts on Hamlet are ever complete. I am not alone in finding that every time I see the play, and it is I think, as it is for many, the Shakespeare play I have seen most often, I find something new in it to think on. To complete this quartet of episodes on the play we have the second part of my conversation with Colin David Reese about the play and in this segment, which is much shorter than the previous conversation, we focussed on the character of Polonius, although as you will near Colin also brought in other thoughts generated by the play and his knowledge of other Shakespeare plays. I certainly was not expecting to hear about ‘The Taming of the Shrew' in the context of this conversation, but I'm glad we went there and it just illustrates how any Shakespeare conversation can lead you to all sorts of places. Before we get to Colin's thoughts, I thought I would share with you some of the views of the play and Polonius from critics and commentators from the past. This is, of course, a tiny selection given the vast amount that has been written about Hamlet, but they are pieces that I have come across and found particularly interesting. If this piques your interest in Shakespeare criticism through time I have produced a series on that very subject for members on Patreon where I traced criticism and praise for Shakespeare from the praise poems in the First Folio to the 19th century romantics. To find out more about that just pop over to the website or to patreon.com.John DrydenSamuel JonsonSamuel Taylor ColeridgeWilliam HazlittA C BradleyColin Dave Reese on PoloniusColin's Website and access to ‘Shakespeare Unbound: A Gift to the Future': https://shakespeareunbound.orgSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

 Join hosts J.D. Barker, Christine Daigle, Jena Brown, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about a new fund for literary arts organizations, James Patterson's podcast, and how to read a book and feed a neighbor. Then, stick around for a chat with Orson Scott Card!Orson Scott Card is the author of the novels Ender's Game, Ender's Shadow, and Speaker for the Dead, which are widely read by adults and younger readers. His most recent series, the young adult Pathfinder series (Pathfinder, Ruins, Visitors), the fantasy Mithermages series (Lost Gate, Gate Thief, Gatefather) and the Side Step series (Wakers, Reawakening) are taking readers in new directions.Besides these and other science fiction novels, Card writes contemporary fantasy (Magic Street, Enchantment, Lost Boys), biblical novels (Stone Tables, Sarah), the American frontier fantasy series The Tales of Alvin Maker (beginning with Seventh Son), poetry (An Open Book), and many plays and scripts, including his "freshened" Shakespeare scripts for Romeo & Juliet, The Taming of the Shrew, and The Merchant of Venice.Card was born in Washington and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Card currently lives in Greensboro, North Carolina, with his wife, Kristine Allen Card. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us a textStorytelling is a key part of persuading in court. In this Beat the Prosecution episode, Fairfax criminal lawyer Jonathan Katz interviews one of his favorite storytellers, Danny Schnitzlein,  who penned The Monster Who Ate My Peas, which was the centerpiece of hundreds of bedtime stories told to Jon's son. Danny gives a fascinating look at his storytelling process, the key elements to a great story, and his continued connection with his inner child that enables his addressing fear and humor. Jon Katz  includes addressing the feeling aspect of stories, the healing potential in stories, and the benefit of storytelling for transporting the audience into the circle of the story in the present moment. Check out Danny's books The Monster Who Ate My Peas, Gnu and Shrew, The Monster Who Did My Math, and Monster Street. This episode also is available on YouTube and Apple podcasts. This podcast with Fairfax, Virginia criminal / DUI lawyer Jon Katz is playable on all devices at podcast.BeatTheProsecution.com. For more information, visit https://KatzJustice.com or contact us at info@KatzJustice.com, 703-383-1100 (calling), or 571-406-7268 (text). If you like what you hear on our Beat the Prosecution podcast, please take a moment to post a review at our Apple podcasts page (with stars only, or else also with a comment) at https://podcasts.apple.com/us/podcast/beat-the-prosecution/id1721413675

Join hosts J.D. Barker, Christine Daigle, Jena Brown, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about a new fund for literary arts organizations, James Patterson's podcast, and how to read a book and feed a neighbor. Then, stick around for a chat with Orson Scott Card!Orson Scott Card is the author of the novels Ender's Game, Ender's Shadow, and Speaker for the Dead, which are widely read by adults and younger readers. His most recent series, the young adult Pathfinder series (Pathfinder, Ruins, Visitors), the fantasy Mithermages series (Lost Gate, Gate Thief, Gatefather) and the Side Step series (Wakers, Reawakening) are taking readers in new directions.Besides these and other science fiction novels, Card writes contemporary fantasy (Magic Street, Enchantment, Lost Boys), biblical novels (Stone Tables, Sarah), the American frontier fantasy series The Tales of Alvin Maker (beginning with Seventh Son), poetry (An Open Book), and many plays and scripts, including his "freshened" Shakespeare scripts for Romeo & Juliet, The Taming of the Shrew, and The Merchant of Venice.Card was born in Washington and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Card currently lives in Greensboro, North Carolina, with his wife, Kristine Allen Card.

A new week means new questions! Hope you have fun with these!Which Great Lake shares its name with a Canadian Province?In the legend of King Arthur, which of Arthur's knights accepts a challenge from the "Green Knight"?What is unique physically about Manx cats?Which state has the shortest coastline?What is the longest passenger railway train in the world?Uketsu, the mysterious Japanese author and Youtube Star, has had two popular books released that start with the word "Strange", name both of them, 5 points each.What Canadian band composed "The History of Everything" also known as "The theme song for The Big Bang Theory"?Daniel Peter, was able to use condensed milk, which was recently created by his friend Henri Nestle, along with a few other ingredients to produce the first solidified version of what?Which musical, that involves the production of a musical version of William Shakespeare's The Taming of the Shrew, had a production in 2000 that set the record for most tony nominations for a musical revival?Who was the first baseball player in MLB history to record 50 home runs and 50 stolen bases in a season and was unanimously named the 2024 National League MVP?This disco queen Works Hard for the Money to get this airy combination of egg whites and sugar that forms the outer layer of a Baked Alaska.Which model and hostess has become well known for her over the top halloween costumes, including being a giant worm, Fiona from Shrek, and Jessica Rabbit?James Lipton, the host of Inside the Actors Studio, was married to Kedakai Turner Lipton, who was the model for which character on the cover of the boardgame Clue?What is the only sea without any coasts, meaning it has no land boundaries?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

In this episode of The Classical Mind, we take on Shakespeare's most provocative comedy, The Taming of the Shrew. Junius and Wesley dig into the play's strange structure—from the unclosed frame of Christopher Sly to the unsettling symmetry between performance and identity. What does it mean that the “prologue” is itself a play? And how does that affect the way we read Katherina's transformation—or her apparent submission?Along the way, we explore the tension between romantic idealism and pragmatic marriage, trace the medieval roots of love as both commerce and devotion, and consider how Shakespeare's comedy holds the contradictions of his culture up to the mirror. We talk about mimesis, medieval “speculum” thinking, and why comedy works best when it exposes absurdity rather than preaches morality.The result is part literary diagnosis, part philosophical reflection: a conversation about performance, freedom, and what it means to find truth in the masks we wear.Endnotes Get full access to The Classical Mind at www.theclassicalmind.com/subscribe

Description Returning guests Lena English and Tayler Iverson join Joe to discuss the 1999 film 10 Things I Hate About You. Based on Shakespeare’s The Taming of the Shrew, this film moves the plot to an American high school in … Continue reading →

Molly, Alan, and Max revisit The Taming of the Shrew... but in the form of a high school romance!

Today's story is said to be the basis for Shakespeare's play, the Taming of the Shrew. Now let's take an express subway ride to storyland, and get started. A king…

An elephant shrew is mistaken for a creature that is much, much bigger. Written especially for this podcast by Alice. If you enjoyed this story, please do leave us a review.  And, if you'd like to suggest an animal for a future Animal Tales story, you can do so by emailing podcast@animaltales.uk. We would love to hear from you.  Animal Tales Books!Collections of Animal Tales children's stories are available to buy exclusively at Amazon. Simply search for Animal Tales Short Stories or follow this link: https://www.amazon.co.uk/dp/B0CLJQZ9C9?binding=paperback&ref=dbs_dp_sirpi Become a PREMIUM SubscriberYou can now enjoy Animal Tales by becoming a Premium Subscriber. This gets you:All episodes in our catalogue advert freeBonus Premium-only episodes (one per week) which will never be used on the main podcastWe guarantee to use one of your animal suggestions in a storyYou can sign up through Apple Podcasts or through Supercast and there are both monthly and yearly plans available.   Discover a brand new story every Monday, Wednesday and Friday – just for you!  You can find more Animal Tales at https://www.spreaker.com/show/animal-tales-the-kids-story-podcast A Note About The AdvertsIn order to allow us to make these stories we offer a premium subscription and run adverts. The adverts are not chosen by us, but played automatically depending on the platform you listen through (Apple Podcasts, Spotify, etc) and the country you live in. The adverts may even be different if you listen to the story twice.  We have had a handful of instances where an advert has played that is not suitable for a family audience, despite the podcast clearly being labelled for children. If you're concerned about an advert you hear, please contact the platform you are listening to directly. Spotify, in particular, has proven problematic in the past, for both inappropriate adverts and the volume at which the adverts play. If you find this happening, please let Spotify know via their Facebook customer care page.  As creators, we want your child's experience to be a pleasurable one. Running adverts is necessary to allow us to operate, but please do consider the premium subscription service as an alternative – it's advert free.A Note About The AdvertsIn order to allow us to make these stories we offer a premium subscription and run adverts. The adverts are not chosen by us, but played automatically depending on the platform you listen through (Apple Podcasts, Spotify, etc) and the country you live in. The adverts may even be different if you listen to the story twice.We have had a handful of instances where an advert has played that is not suitable for a family audience, despite the podcast clearly being labelled for children. If you're concerned about an advert you hear, please contact the platform you are listening to directly. Spotify, in particular, has proven problematic in the past, for both inappropriate adverts and the volume at which the adverts play. If you find this happening, please let Spotify know via their Facebook customer care page. As creators, we want your child's experience to be a pleasurable one. Running adverts is necessary to allow us to operate, but please do consider the premium subscription service as an alternative – it's advert free.

Moonlighting: "Atomic Shakespeare"We're revisiting this early episode of Gimmicks from 2023 with new commentary! First, David talks about remembering -- and forgetting -- Moonlighting, while Derek rightfully credits this Gimmicks episode as finally delivering this groundbreaking series onto a streaming platform.Then, we present the original episode where Kevin Cafferty (Best Stuff in the World, Gleaming the Tube) cometh to discuss the most famous (and expensive) episode of the classic 80s fourth-wall-breaking romcom starring Cybill Shepard and Bruce Willis -- their ambitious, cartoonish Elizabethan parody of The Taming of the Shrew done fully in iambic pentameter!Find more from Kevin:Best Stuff in the World Podcast | Gleaming the Tube⁠ | ⁠Kevin on Bluesky: ⁠⁠@kevshindig⁠⁠A proud part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tip us on Ko-Fi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Gimmicks Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gimmickspodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠ ⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠ ⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Disco Tears" by Raven⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Creative Commons Attribution 3.0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Episode Sources: ⁠⁠⁠⁠Moonlighting: An Oral History by Scott Ryan⁠ | ⁠Variety's excerpt from the oral history

The hero shrew of Congo possesses an extraordinary spine that can withstand a full-grown person standing on it, yet remains flexible enough for the animal to turn completely around in tight spaces. This remarkable backbone defies evolutionary explanations with its unique interlocking vertebrae and specialized muscles found nowhere else in nature. Scientists have struggled to explain how such complex engineering could arise through gradual evolution. Despite discovering what they claim is an evolutionary intermediate, researchers still cannot identify the specific behavior that would drive such dramatic spinal modifications. The Mangbetu people have long marveled at this creature's incredible strength, but modern science continues to search for answers about its origins and purpose.

Works ReferencedWilliam Shakespeare - Taming of the Shrew, Act IV, Scene 1, the character Petruchio says:“This is the way to kill a wife with kindness; And thus I'll curb her mad and headstrong humour.”Spurgeon, Charles Haddon. The Kindness of God Leading to Repentance. Commentary on Romans 2:4. In The New Park Street Pulpit, Vol. 6. London: Passmore & Alabaster, 1860.The kindness of God leads us to repentance. It is not the thunder that softens, but the sun. It is not the law that melts, but the love.Adam Grant on KindnessOne of the most reliable ways to improve our mental health is to help others. After being randomly assigned to do just 3 acts of kindness a week, people felt significantly less depressed, anxious, and lonely. Lifting others up elevates us too. Giving shows us that we matter.https://x.com/adammgrant/status/1871601199910420591?s=61&t=I4ij8eKOHUgedR_RITMhXwScripture ReferencedRomans 12:19-21[19] Beloved, never avenge yourselves, but leave it to the wrath of God, for it is written, “Vengeance is mine, I will repay, says the Lord.” [20] To the contrary, “if your enemy is hungry, feed him; if he is thirsty, give him something to drink; for by so doing you will heap burning coals on his head.” [21] Do not be overcome by evil, but overcome evil with good.Matthew 7:12 “So whatever you wish that others would do to you, do also to them, for this is the Law and the Prophets. God is KindRomans 11:22[22] Note then the kindness and the severity of God: severity toward those who have fallen, but God's kindness to you, provided you continue in his kindness. Otherwise you too will be cut off.Love demonstrated! God is Kind to Us in the GospelEphesians 2:7-10[7] so that in the coming ages he might show the immeasurable riches of his grace in kindness toward us in Christ Jesus. [8] For by grace you have been saved through faith. And this is not your own doing; it is the gift of God, [9] not a result of works, so that no one may boast. [10] For we are his workmanship, created in Christ Jesus for good works, which God prepared beforehand, that we should walk in them.Titus 3:4-7[4] But when the goodness and loving kindness of God our Savior appeared, [5] he saved us, not because of works done by us in righteousness, but according to his own mercy, by the washing of regeneration and renewal of the Holy Spirit, [6] whom he poured out on us richly through Jesus Christ our Savior, [7] so that being justified by his grace we might become heirs according to the hope of eternal life.Romans 2:4[4] Or do you presume on the riches of his kindness and forbearance and patience, not knowing that God's kindness is meant to lead you to repentance?Go and Do Likewise Luke 6:35-36[35] But love your enemies, and do good, and lend, expecting nothing in return, and your reward will be great, and you will be sons of the Most High, for he is kind to the ungrateful and the evil. [36] Be merciful, even as your Father is merciful.Philippians 4:14[14] Yet it was kind of you to share my trouble.Acts 28:1-2 - Paul on Malta[1] After we were brought safely through, we then learned that the island was called Malta. [2] The native people showed us unusual kindness, for they kindled a fire and welcomed us all, because it had begun to rain and was cold.We Become More Like Jesus Galatians 5:22-23[22] But the fruit of the Spirit is love, joy, peace, patience, kindness, goodness, faithfulness, [23] gentleness, self-control; against such things there is no law.1 Corinthians 13:4-7[4] Love is patient and kind; love does not envy or boast; it is not arrogant [5] or rude. It does not insist on its own way; it is not irritable or resentful; [6] it does not rejoice at wrongdoing, but rejoices with the truth. [7] Love bears all things, believes all things, hopes all things, endures all things.2 Timothy 2:24-25[24] And the Lord's servant must not be quarrelsome but kind to everyone, able to teach, patiently enduring evil, [25] correcting his opponents with gentleness. God may perhaps grant them repentance leading to a knowledge of the truth,

You will live forever. And you will never be alone…as long as you're listening to us fancying a brain lick, nailing non-relatives, regrettably identifying with Nash, pissing wickedly, joshin' guys, biologically challenging a pervert, referencing “♫♫ diarrhea ♫♫ diarrhea ♫♫,” getting secret words in a notebook, smelling like booze, wetting a pig trough at sloppin' time, rejecting klan slogans, consulting a magic mirror, readin' self helpin' books, talking a bit about Lunar Remastered, shattering magic with a primal scream, and replacing cunnilingus with karaoke. She can't sing or dance worth beans. 00:00:00 Intro 00:02:17 Meryod Woods 00:06:01 Meryod Pre-Bridge Incident 00:11:28 Meryod Bridge Collapse 00:19:53 Meryod Bar 00:24:53 Meryod Harmony Scene 00:27:46 Meryod Indoors 00:34:35 Luner Remastered Update 00:38:44 Plaster Mel 00:46:36 Real Net 00:51:00 Outro Patreon: patreon.com/retroam Bluesky: @retrogradeamnesia.bsky.social YouTube: www.youtube.com/@RetrogradeAmnesia E-Mail: podcast@retrogradeamnesia.com Website: www.retrogradeamnesia.com  

Book Vs. Movie: 10 Things I Hate About YouThe Taming of the Shrew & the 1999 Heath Ledger Film10 Things I Hate About You (1999) is a modern adaptation of William Shakespeare's The Taming of the Shrew, reimagining the story in a high school setting. In both works, the plot revolves around two sisters—one desirable and another perceived as problematic. In The Taming of the Shrew, the younger, more attractive Bianca cannot marry until her older, strong-willed sister, Katherina, finds a husband. Similarly, in 10 Things I Hate About You, Bianca Stratford can only date if her rebellious, sharp-tongued sister, Kat, does too. The character of Petruchio in Shakespeare's play, who is hired to "tame" Katherina and make her marriageable, is mirrored in Patrick Verona (Heath Ledger), who is paid to date Kat (Julia Stiles) so that Bianca can start dating.Despite the initial financial motivation, Petruchio and Patrick develop genuine feelings for their partners. While The Taming of the Shrew ends with Katherina seemingly submitting to societal expectations, 10 Things I Hate About You gives Kat more agency. She remains independent but opens up to love, showing a more modern and feminist take on Shakespeare's story. Between the play & the film--which did we prefer? Listen to find out! In this ep, the Margos discuss:The teen comedies of the late 1990s  The work of Heath LedgerThe differences between the play and movieThe cast includes Julia Stiles (Kat), Heath Ledger (Patrick Verona), Joseph Gordon-Levitt (Cameron James), Larisa Oleynik (Bianca), Larry Miller (Walter Stratford), Andrew Keegan (Joey Donner), David Krumholtz (Michael Eckman), Daryl “Chill” Mitchell (Mr. Morgan), Susan May Pratt (Mandella), Alison Janey (Ms. Perky), David Leisure (Mr. Chapin), Gabriele Union (Chastity Church), Letters to Cleo, and Save Ferris. Clips Featured:“Hey there, Girlie!”10 Things I Hate About You (1999 trailer)“You see that girl?”“Rock bar scene”“Kat dances”“Can't Take My Eyes Off of You”“The poem scene”“Bianca beat down scene.”Music: Letters to Cleo; I Want You to Want Me Follow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

How do Shakespeare's timeless themes translate to the South Asian diaspora? Could the man from Stratford himself be reimagined as a meddling auntie? Novelist Nisha Sharma's If Shakespeare Were an Auntie trilogy takes on this challenge, taking inspiration from The Taming of the Shrew, Much Ado About Nothing, and Twelfth Night to create contemporary romance novels set in the vibrant, close-knit world of the South Asian community. Sharma's books explore love, identity, and social norms through characters navigating family expectations and community dynamics. These playful and poignant adaptations highlight Shakespeare's enduring relevance while addressing modern issues like gender expectations and cultural identity. This episode explores Sharma's creative process, her lifelong love for Shakespeare, and her approach to blending the playwright's timeless themes with modern romance. From chaotic weddings to sharp banter, her novels reflect the humor and humanity of Shakespeare's work while offering fresh perspectives for today's readers. Nisha Sharma is the critically acclaimed author of YA and adult contemporary romances including My So-Called Bollywood Life, Radha and Jai's Recipe for Romance, The Singh Family Trilogy, and the If Shakespeare was an Auntie series. Her books have been included in best-of lists by the New York Times, the Washington Post, Cosmopolitan, Entertainment Weekly, and more. She lives in Pennsylvania with her Alaskan husband, her cat Lizzie Bennett, and her dogs Nancey Drew and Madeline. From the Shakespeare Unlimited podcast. Published January 28, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the Executive Producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

Vanessa Zoltan and Hannah McGregor meet at Padua High School to record this week's episode of Hot and Bothered, all about 10 Things I Hate About You – our first movie in our high school adaptations series. This week we discuss Kat's feminism, why Shakespeare is in 'the canon,' and the American high school formula. We finish the episode with an interview with Rebecca Hixon about her scholarship on Taming of the Shrew adaptations. ---If we give you butterflies, consider supporting us on Patreon! On Patreon have more great romance content including a bonus close scene analysis with Vanessa and Hannah. Hosted on Acast. See acast.com/privacy for more information.

The theatre kids have escaped and got the cheerleader and the jock to act out some Shakespeare. Let Rocket Money help you reach your financial goals faster. Get Rocket Money today at http://RocketMoney.com/SMOSHMOUTH 0:00 Intro 10:36 Football Intermission 13:46 The Taming of the Shrew cold read SUBSCRIBE: https://smo.sh/Sub2SmoshCast WEAR OUR JOKES: https://smosh.com WHO YOU SEE Shayne Topp // https://www.instagram.com/shaynetopp/ Amanda Lehan-Canto // https://www.instagram.com/filmingamanda/ Chanse McCrary // https://www.instagram.com/phatchanse/ Angela Giarratana // https://www.instagram.com/angelagiovanagiarratana/ WHO YOU DON'T SEE (usually) Director: Selina Garcia Editor: Andre Gardere Producer: Amanda Lehan-Canto, Shayne Topp, Selina Garcia Production Designer: Cassie Vance Art Director: Erin Kuschner Assistant Art Director: Josie Bellerby Art Coordinator: Alex Aguilar Prop Assistant: Courtney Chapman Wardrobe Assistant: Elizabeth Park Audio Mixer: Scott Neff Audio Mixer: Jose Perez A2 Utility: Dina Ramli Director of Photography: Brennan Iketani Camera Operator: James Hull Camera Operator: Eric Wann Assistant Director: Alexcina Figueroa Executive Vice President of Production: Amanda Barnes Production Manager: Alexcina Figueroa Production Coordinator: Zianne Hoover Operations & Production Coordinator: Oliver Wehlander Production Assistant: Ovsana Tsaturian Post Production Manager: Luke Baker DIT/Lead AE: Matt Duran IT: Tim Baker Director of Design: Brittany Hobbs Graphic Designers: Ness Cardano, Monica Ravitch Senior Manager, Channel & Strategy: Lizzy Jones Channel Operations Coordinator: Audrey Carganilla Director of Social Media: Erica Noboa Social Creative Producer: Peter Ditzler, Tommy Bowe Merchandising Manager: Mallory Myers Social Media Coordinator: Kim Wilborn Talent Coordinator: Selina Garcia Operations PA: Katie Fink Operations PA: Jordanne Guidry CEO: Alessandra Catanese EVP of Programming: Kiana Parker Coordinator Producer of Programming: Marcus Munguia Executive Coordinator: Rachel Collis OTHER SMOSHES: Smosh: https://smo.sh/Sub2Smosh Smosh Pit: https://smo.sh/Sub2SmoshPit Smosh Games: https://smo.sh/Sub2SmoshGames El Smosh (Spanish Dub): https://smo.sh/Sub2ElSmosh FOLLOW US: TikTok: https://smo.sh/TikTok Snapchat: http://smo.sh/OnSnapchat Instagram: https://instagram.com/smosh Facebook: https://facebook.com/smosh Learn more about your ad choices. Visit megaphone.fm/adchoices

The theatre kids have escaped and got the cheerleader and the jock to act out some Shakespeare. Let Rocket Money help you reach your financial goals faster. Get Rocket Money today at http://RocketMoney.com/SMOSHMOUTH 0:00 Intro 10:36 Football Intermission 13:46 The Taming of the Shrew cold read SUBSCRIBE: https://smo.sh/Sub2SmoshCast WEAR OUR JOKES: https://smosh.com WHO YOU SEE Shayne Topp // https://www.instagram.com/shaynetopp/ Amanda Lehan-Canto // https://www.instagram.com/filmingamanda/ Chanse McCrary // https://www.instagram.com/phatchanse/ Angela Giarratana // https://www.instagram.com/angelagiovanagiarratana/ WHO YOU DON'T SEE (usually) Director: Selina Garcia Editor: Andre Gardere Producer: Amanda Lehan-Canto, Shayne Topp, Selina Garcia Production Designer: Cassie Vance Art Director: Erin Kuschner Assistant Art Director: Josie Bellerby Art Coordinator: Alex Aguilar Prop Assistant: Courtney Chapman Wardrobe Assistant: Elizabeth Park Audio Mixer: Scott Neff Audio Mixer: Jose Perez A2 Utility: Dina Ramli Director of Photography: Brennan Iketani Camera Operator: James Hull Camera Operator: Eric Wann Assistant Director: Alexcina Figueroa Executive Vice President of Production: Amanda Barnes Production Manager: Alexcina Figueroa Production Coordinator: Zianne Hoover Operations & Production Coordinator: Oliver Wehlander Production Assistant: Ovsana Tsaturian Post Production Manager: Luke Baker DIT/Lead AE: Matt Duran IT: Tim Baker Director of Design: Brittany Hobbs Graphic Designers: Ness Cardano, Monica Ravitch Senior Manager, Channel & Strategy: Lizzy Jones Channel Operations Coordinator: Audrey Carganilla Director of Social Media: Erica Noboa Social Creative Producer: Peter Ditzler, Tommy Bowe Merchandising Manager: Mallory Myers Social Media Coordinator: Kim Wilborn Talent Coordinator: Selina Garcia Operations PA: Katie Fink Operations PA: Jordanne Guidry CEO: Alessandra Catanese EVP of Programming: Kiana Parker Coordinator Producer of Programming: Marcus Munguia Executive Coordinator: Rachel Collis OTHER SMOSHES: Smosh: https://smo.sh/Sub2Smosh Smosh Pit: https://smo.sh/Sub2SmoshPit Smosh Games: https://smo.sh/Sub2SmoshGames El Smosh (Spanish Dub): https://smo.sh/Sub2ElSmosh FOLLOW US: TikTok: https://smo.sh/TikTok Snapchat: http://smo.sh/OnSnapchat Instagram: https://instagram.com/smosh Facebook: https://facebook.com/smosh Learn more about your ad choices. Visit megaphone.fm/adchoices