Podcasts about peril

911 calls related to mental health are the most likely to involve police use of force. A new book offers a blueprint for a 911 redesign that could save lives.Guests:Rebecca Neusteter, Executive Director, University of Chicago Health Lab; Author of “911, What's Your Emergency? The Promise and Peril of Crisis Response”Ed Gonzalez, Sheriff, Harris County, TexasLearn more: Read the full reporting and explore additional resources on our website.Want more Tradeoffs? Join more than 5,500 readers who trust Tradeoffs for clear, deeply reported health policy insights. Sign up for our free weekly newsletter.Tradeoffs helps you cut through the noise with clear, deeply reported journalism on the forces driving health care's toughest choices — reporting you won't find anywhere else. If our work helps you stay informed, support it with a donation today.This episode was produced by Christine Herman, edited by Ryan Levi and Dan Gorenstein, and mixed by Andrew Parrella and Cedric Wilson.The Tradeoffs theme song was composed by Ty Citerman. Additional music this episode from Blue Dot Sessions and Epidemic Sound.Tradeoffs reporting for this story was supported, in part, by the Sozosei Foundation.Thanks to all our listeners who help to support our work, including Daniel Woflson, Misha Fotoohi, Susan Carrel, Ellise Verheyen, Harold Pollack and David Asher. Hosted on Acast. See acast.com/privacy for more information.

Axios CEO and co-founder Jim VandeHei has spent more than a year using AI obsessively, finding it remarkably useful for writing and thinking. Yet he is deeply concerned about AI's risks and the failure of leaders to prepare for the huge challenges created by AI. Join host David Sandalow as he and VandeHei discuss these topics and VandeHei's new book, Simplify, which offers practical advice on how to clarify priorities in a chaotic time. Learn more about your ad choices. Visit megaphone.fm/adchoices

Axios CEO and co-founder Jim VandeHei has spent more than a year using AI obsessively, finding it remarkably useful for writing and thinking. Yet he is deeply concerned about AI's risks and the failure of leaders to prepare for the huge challenges created by AI. Join host David Sandalow as he and VandeHei discuss these topics and VandeHei's new book, Simplify, which offers practical advice on how to clarify priorities in a chaotic time. Learn more about your ad choices. Visit megaphone.fm/adchoices

A movie actress worn down by a lifetime of asthma puts her hand in a bald doctor's and agrees to let him remove her head, on his promise that a prettier one is on the way.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Beheading” (September 20, 1978) ***WD00:46:46.654 = CBC Nightfall, “Willoughby Obsession” (September 05, 1980)01:14:40.820 = Nightmare, “The Leech” (April 07, 1954)01:37:20.592 = Song, “The Leech” (based on the Nightmare episode) by Static Wax01:40:07.933 = Obsession, “Cry Vengeance” (May 05, 1952) ***WD02:10:24.576 = Origin of Superstition, “Two Walker” (1935) ***WD02:23:04.029 = Pat Novak For Hire, “Rita Malloy” (April 23, 1949)02:52:43.186 = Peril, “Squeeze Play” (1953) ***WD03:16:26.722 = Mystery Playhouse, “Lady In Morgue” (May 15, 1945) ***WD03:40:09.104 = Philip Morris Playhouse, “Night Has A Thousand Eyes” (August 19, 1953) ***WD04:04:47.576 = Price of Fear, “William And Mary” (September 08, 1973) ***WD04:32:19.384 = Quiet Please, “The Other Side Of The Stars” (May 08, 1949)05:01:42.559 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0773

Corey is back and ready for another Boromir conversation! Tonight we consider Boromir's long-awaited resistance to the Lothlorien plan. Join us on the Signum University Discord server: / discord

What is up—Understory Bard here, Wade Skalsky. This is the Creative Peril Podcast, a rebrand of the show I've already been making for hundreds of episodes, because creativity isn't start-stop-new-thing; it's staying in process and evolving what came before. Creative brains work differently—people call it neurodivergence now; I just call it creative. That difference isn't a curse to mask with distraction. It's a gift in an information economy where you can produce and distribute from a garage bunker without a line of gatekeepers. Production glitches included. My aim here is simple: share what I've learned the hard way, plus conversations with people who've figured out how to thrive, so you can spend more time in your zone of genius—going into the understory for ideas and bringing them back. Beauty still matters. Process still matters. If you're listening, I believe in your ability to create. Welcome.

Rev. Cyril A. Stevens – Sermon 0241A recorded on November 2, 1980 teaching from Acts 8:1-13 – Persecution, Power, and Peril. Pastor Cyril A. Stevens outlines the divine movement of the early church by contrasting the themes of persecution, power, and peril. He argues that God used the martyrdom of Stephen as a necessary catalyst to scatter the…

For more than thirty years, Edwidge Danticat has written about the experiences of Haitians and Haitian Americans in fiction, memoir, and journalism. In The New Yorker, she has covered the ways in which the Trump Administration has targeted Haitian immigrants with lies and threats of deportation. In a new novel about a Miami real-estate broker, called “Dèy”—which means “grief” or “mourning” in Haitian Creole—Danticat considers the meaning of home “when home may not want you,” and when violence in Haiti may preclude returning there. She speaks with the New Yorker staff writer Doreen St. Félix about the novel, and what the revocation of Temporary Protected Status for Haitians means for the large Haitian American community. Further reading:“The Great Delegalization,” by Dara Lind“The World Cup and the Changing Psyche of the Haitian Diaspora,” by Doreen St. Félix“Miami's Haitian Community Braces for Deportations,” by Edwidge Danticat“The Haiti That Still Dreams,” by Edwidge Danticat New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In today's episode Nick talks about College Football W1, Sherrill Putting Her People In Peril, Racer Saves Racer, Florida Man Beaten, A Croc Attack, Liberal Judges and Navy SEAL Mine Sweep! WATCH THE FULL SHOW LIVE & FREE at 6pm ET only on Rumble! https://rumble.com/thenickdipaoloshow/ TOUR DATES, SOCIALS, PERSONAL VIDEOS, STREAM ALL MY COMEDY SPECIALS! https://www.nickdip.com/ MERCH - GRAB A MUG, TSHIRT, HOODIE, STICKERS AND MORE! https://shop.nickdip.com/

Scott Kurashige, interdisciplinary scholar who was a  longtime collaborator of the late philosopher Grace Lee Boggs; he's just out with the book American Peril: the violent history of anti-asian racism [originally recorded in May 2026] The post Scott Kurashige on American Peril [rebroadcast] appeared first on KPFA.

Rev. Dr. Jeremy Vaccaro | Modern Service | Revelation 17:3-183 Then the angel carried me away in the Spirit into a wilderness. There I saw a woman sitting on a scarlet beast that was covered with blasphemous names and had seven heads and ten horns. 4 The woman was dressed in purple and scarlet, and was glittering with gold, precious stones and pearls. She held a golden cup in her hand, filled with abominable things and the filth of her adulteries. 5 The name written on her forehead was a mystery:babylon the greatthe mother of prostitutesand of the abominations of the earth.6 I saw that the woman was drunk with the blood of God's holy people, the blood of those who bore testimony to Jesus.When I saw her, I was greatly astonished. 7 Then the angel said to me: “Why are you astonished? I will explain to you the mystery of the woman and of the beast she rides, which has the seven heads and ten horns. 8 The beast, which you saw, once was, now is not, and yet will come up out of the Abyss and go to its destruction. The inhabitants of the earth whose names have not been written in the book of life from the creation of the world will be astonished when they see the beast, because it once was, now is not, and yet will come.9 “This calls for a mind with wisdom. The seven heads are seven hills on which the woman sits. 10 They are also seven kings. Five have fallen, one is, the other has not yet come; but when he does come, he must remain for only a little while. 11 The beast who once was, and now is not, is an eighth king. He belongs to the seven and is going to his destruction.12 “The ten horns you saw are ten kings who have not yet received a kingdom, but who for one hour will receive authority as kings along with the beast. 13 They have one purpose and will give their power and authority to the beast. 14 They will wage war against the Lamb, but the Lamb will triumph over them because he is Lord of lords and King of kings—and with him will be his called, chosen and faithful followers.”15 Then the angel said to me, “The waters you saw, where the prostitute sits, are peoples, multitudes, nations and languages. 16 The beast and the ten horns you saw will hate the prostitute. They will bring her to ruin and leave her naked; they will eat her flesh and burn her with fire. 17 For God has put it into their hearts to accomplish his purpose by agreeing to hand over to the beast their royal authority, until God's words are fulfilled. 18 The woman you saw is the great city that rules over the kings of the earth.”

What if the hardship you're facing is not God abandoning you, but God lovingly getting your attention? As Nebuchadnezzar's pride brings him judgment, the Lord doesn't stop at humbling him. Instead, He restores the once evil king and leads him into righteousness. For so many of us, that story is all too familiar. Join us as we explore how God's warnings, correction, and grace turn us back to the light when we drift away from Him.

Today we will be looking at the book of Hebrews (SUNDAY 09/06/26) Today's Sermon will look at Hebrews 10:25-31 "The Peril of Playing Christian"

A cash-strapped couple inherits Great Aunt Hester's country manor on one sole condition: her cat, Saladin, lives out its days there in the style to which it's accustomed, and the new master of the house has no patience for a pampered pet.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Cross Fire” (August 21, 1978) ***WD00:46:44.221 = Peril, “Sidewalk Empire” (1953) ***WD01:10:02.717 = Mystery Playhouse, “Cask of Amontillado” (April 24, 1945) ***WD01:38:57.010 = Philip Morris Playhouse, “Amazing Dr. Clitterhouse” (September 18, 1951)02:08:59.394 = Price of Fear, “To My Dear Saladin” (June 06, 1983) ***WD02:38:17.909 = Quiet Please, “Dark Gray Magic” (May 01, 1949) ***WD03:07:49.740 = Radio City Playhouse, “Twas The Night Before Christmas” (December 25, 1949)03:37:07.621 = Max Haines, “Arthur Gusy” (mid 1940s)04:00:58.139 = Sam Spade, “Wheel of Life Caper” (July 11, 1948) ***WD04:30:18.915 = The Sealed Book, “Ghost Makers” (June 10, 1945)04:59:48.346 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0764

Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsBibliographyCurses, Blessings, and Ritual HarmCannon, Walter B. “‘Voodoo' Death.” American Anthropologist 44, no. 2 (1942): 169–181.Faraone, Christopher A. Ancient Greek Love Magic. Cambridge, MA: Harvard University Press, 1999.Gager, John G., ed. Curse Tablets and Binding Spells from the Ancient World. New York: Oxford University Press, 1992.Graf, Fritz. Magic in the Ancient World. Translated by Franklin Philip. Cambridge, MA: Harvard University Press, 1997.Ogden, Daniel. Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds: A Sourcebook. 2nd ed. New York: Oxford University Press, 2009.Stratton, Kimberly B., and Dayna S. Kalleres, eds. Daughters of Hecate: Women and Magic in the Ancient World. New York: Oxford University Press, 2014.Tambiah, Stanley Jeyaraja. “The Magical Power of Words.” Man 3, no. 2 (1968): 175–208.Placebo, Nocebo, and Medical CommunicationBarsky, Arthur J., Ralph Saintfort, Malcolm P. Rogers, and Jonathan F. Borus. “Nonspecific Medication Side Effects and the Nocebo Phenomenon.” JAMA 287, no. 5 (2002): 622–627.Benedetti, Fabrizio. Placebo Effects: Understanding the Mechanisms in Health and Disease. Oxford: Oxford University Press, 2009.Benedetti, Fabrizio, Marina Lanotte, Lorella Lopiano, and Luana Colloca. “When Words Are Painful: Unraveling the Mechanisms of the Nocebo Effect.” Neuroscience 147, no. 2 (2007): 260–271.Colloca, Luana, and Fabrizio Benedetti. “Nocebo Hyperalgesia: How Anxiety Is Turned into Pain.” Current Opinion in Anaesthesiology 20, no. 5 (2007): 435–439.Colloca, Luana, and Damien Finniss. “Nocebo Effects, Patient–Clinician Communication, and Therapeutic Outcomes.” JAMA 307, no. 6 (2012): 567–568.Colloca, Luana, and Franklin G. Miller. “The Nocebo Effect and Its Relevance for Clinical Practice.” Psychosomatic Medicine 73, no. 7 (2011): 598–603.Enck, Paul, Fabrizio Benedetti, and Manfred Schedlowski. “New Insights into the Placebo and Nocebo Responses.” Neuron 59, no. 2 (2008): 195–206.Häuser, Winfried, Ernil Hansen, and Paul Enck. “Nocebo Phenomena in Medicine: Their Relevance in Everyday Clinical Practice.” Deutsches Ärzteblatt International 109, no. 26 (2012): 459–465.Inner Speech and DevelopmentFernyhough, Charles. The Voices Within: The History and Science of How We Talk to Ourselves. New York: Basic Books, 2016.Vygotsky, Lev S. Thought and Language. Revised and expanded ed. Edited and translated by Alex Kozulin. Cambridge, MA: MIT Press, 1986.Winsler, Adam, Charles Fernyhough, and Ignacio Montero, eds. Private Speech, Executive Functioning, and the Development of Verbal Self-Regulation. Cambridge: Cambridge University Press, 2009.Rumination and Repetitive Negative ThinkingBrosschot, Jos F., Bart Verkuil, and Julian F. Thayer. “Conscious and Unconscious Perseverative Cognition: Is a Large Part of Prolonged Physiological Activity Due to Unconscious Stress?” Journal of Psychosomatic Research 69, no. 4 (2010): 407–416.Ehring, Thomas, and Edward R. Watkins. “Repetitive Negative Thinking as a Transdiagnostic Process.” International Journal of Cognitive Therapy 1, no. 3 (2008): 192–205.Nolen-Hoeksema, Susan. “Responses to Depression and Their Effects on the Duration of Depressive Episodes.” Journal of Abnormal Psychology 100, no. 4 (1991): 569–582.Nolen-Hoeksema, Susan, Blair E. Wisco, and Sonja Lyubomirsky. “Rethinking Rumination.” Perspectives on Psychological Science 3, no. 5 (2008): 400–424.Smith, Jeannette M., and Lauren B. Alloy. “A Roadmap to Rumination: A Review of the Definition, Assessment, and Conceptualization of This Multifaceted Construct.” Clinical Psychology Review 29, no. 2 (2009): 116–128.Treynor, Wendy, Richard Gonzalez, and Susan Nolen-Hoeksema. “Rumination Reconsidered: A Psychometric Analysis.” Cognitive Therapy and Research 27, no. 3 (2003): 247–259.Watkins, Edward R. “Constructive and Unconstructive Repetitive Thought.” Psychological Bulletin 134, no. 2 (2008): 163–206.Watkins, Edward R. Rumination-Focused Cognitive-Behavioral Therapy for Depression. New York: Guilford Press, 2016.Self-Talk and PerformanceHardy, James. “Speaking Clearly: A Critical Review of the Self-Talk Literature.” Psychology of Sport and Exercise 7, no. 1 (2006): 81–97.Hatzigeorgiadis, Antonis, Nikos Zourbanos, Evangelos Galanis, and Yiannis Theodorakis. “Self-Talk and Sports Performance: A Meta-Analysis.” Perspectives on Psychological Science 6, no. 4 (2011): 348–356.Theodorakis, Yiannis, Antonis Hatzigeorgiadis, and Nikos Zourbanos. “Cognition: Self-Talk and Performance.” In The Oxford Handbook of Sport and Performance Psychology, edited by Shane M. Murphy. New York: Oxford University Press, 2012.Affect Labeling, Emotion, and LanguageBarrett, Lisa Feldman. “Solving the Emotion Paradox: Categorization and the Experience of Emotion.” Personality and Social Psychology Review 10, no. 1 (2006): 20–46.Lieberman, Matthew D., Naomi I. Eisenberger, Molly J. Crockett, Sabrina M. Tom, Jennifer H. Pfeifer, and Baldwin M. Way. “Putting Feelings into Words: Affect Labeling Disrupts Amygdala Activity in Response to Affective Stimuli.” Psychological Science 18, no. 5 (2007): 421–428.Lindquist, Kristen A., Lisa Feldman Barrett, Eliza Bliss-Moreau, and James A. Russell. “Language and the Perception of Emotion.” Emotion 6, no. 1 (2006): 125–138.Torre, Jared B., and Matthew D. Lieberman. “Putting Feelings into Words: Affect Labeling as Implicit Emotion Regulation.” Emotion Review 10, no. 2 (2018): 116–124.Self-Distancing and Reflective ProcessingAyduk, Özlem, and Ethan Kross. “From a Distance: Implications of Spontaneous Self-Distancing for Adaptive Self-Reflection.” Journal of Personality and Social Psychology 98, no. 5 (2010): 809–829.Kross, Ethan, and Özlem Ayduk. “Making Meaning out of Negative Experiences by Self-Distancing.” Current Directions in Psychological Science 20, no. 3 (2011): 187–191.Kross, Ethan, Özlem Ayduk, and Walter Mischel. “When Asking ‘Why' Does Not Hurt: Distinguishing Rumination from Reflective Processing of Negative Emotions.” Psychological Science 16, no. 9 (2005): 709–715.Kross, Ethan, Emma Bruehlman-Senecal, Jiyoung Park, Aleah Burson, Adrienne Dougherty, Holly Shablack, Ryan Bremner, Jason Moser, and Özlem Ayduk. “Self-Talk as a Regulatory Mechanism: How You Do It Matters.” Journal of Personality and Social Psychology 106, no. 2 (2014): 304–324.Moser, Jason S., Adrienne Dougherty, Whitney I. Mattson, Benjamin Katz, Tim P. Moran, Darwin Guevarra, Hannah Shablack, et al. “Third-Person Self-Talk Facilitates Emotion Regulation Without Engaging Cognitive Control: Converging Evidence from ERP and fMRI.” Scientific Reports 7 (2017): 4519.Affirmation and Counter-IncantationCascio, Christopher N., Matthew B. O'Donnell, Francis J. Tinney Jr., Matthew D. Lieberman, Shelley E. Taylor, Victor J. Strecher, and Emily B. Falk. “Self-Affirmation Activates Brain Systems Associated with Self-Related Processing and Reward and Is Reinforced by Future Orientation.” Social Cognitive and Affective Neuroscience 11, no. 4 (2016): 621–629.Cohen, Geoffrey L., and David K. Sherman. “The Psychology of Change: Self-Affirmation and Social Psychological Intervention.” Annual Review of Psychology 65 (2014): 333–371.Wood, Joanne V., W. Q. Elaine Perunovic, and John W. Lee. “Positive Self-Statements: Power for Some, Peril for Others.” Psychological Science 20, no. 7 (2009): 860–866.Implementation Intentions and ActionGollwitzer, Peter M. “Implementation Intentions: Strong Effects of Simple Plans.” American Psychologist 54, no. 7 (1999): 493–503.Gollwitzer, Peter M., and Veronika Brandstätter. “Implementation Intentions and Effective Goal Pursuit.” Journal of Personality and Social Psychology 73, no. 1 (1997): 186–199.Gollwitzer, Peter M., and Paschal Sheeran. “Implementation Intentions and Goal Achievement: A Meta-Analysis of Effects and Processes.” Advances in Experimental Social Psychology 38 (2006): 69–119.Schweiger Gallo, Inge, Andreas Keil, Kathleen C. McCulloch, Brigitte Rockstroh, and Peter M. Gollwitzer. “Strategic Automation of Emotion Regulation.” Journal of Personality and Social Psychology 96, no. 1 (2009): 11–31.Ritual, Identity, and Psychological FormationBell, Catherine. Ritual Theory, Ritual Practice. New York: Oxford University Press, 1992.Hobson, Nicholas M., Juliana Schroeder, Jane L. Risen, Dimitris Xygalatas, and Michael Inzlicht. “The Psychology of Rituals: An Integrative Review and Process-Based Framework.” Personality and Social Psychology Review 22, no. 3 (2018): 260–284.Rappaport, Roy A. Ritual and Religion in the Making of Humanity. Cambridge: Cambridge University Press, 1999.Xygalatas, Dimitris. Ritual: How Seemingly Senseless Acts Make Life Worth Living. New York: Little, Brown Spark, 2022.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. 

Jim Baitte is here to finish a movie... The island of Pincer Point is here to finish him!Andy Conduit-Turner is joined by The Peril At Pincer Point directors Jake Kuhn and Noah Stratton-Twine to discuss the surreal British comedy horror film which has its English premiere at FrightFest in London on Monday 31st August (tomorrow)!Jim Baitte is a layabout sound designer desperate to prove himself working on a new horror flick from the tyrannical B-movie director P.W. Griffin. Accused of lacking vision and creative courage, Jim is sent to the remote island where the film was shot to capture a sound powerful enough to elevate the film's finale.Once there, eerie local fables surface regarding a soul-sucking ghostly sea captain and his spectral crew. As Jim entangles himself further into the bizarre prophecy, recording the legend might just cost him more than his career.https://frightfest.co.uk/LondoN2026/https://frightfest.co.uk/LondoN2026/the-peril-at-pincer-point.htmlwww.horrorhangout.co.ukPodcast - https://fanlink.tv/horrorhangoutPatreon - https://www.patreon.com/horrorhangoutFacebook - https://www.facebook.com/horrorhangoutpodcastX - https://x.com/horror_hangout_TikTok - https://www.tiktok.com/@horrorhangoutpodcastInstagram - https://www.instagram.com/horrorhangoutpodcastThreads - https://www.threads.com/@horrorhangoutpodcastIMDB - https://www.imdb.com/title/tt29623213/Andy - https://instagram.com/andyctwrites/Jake - https://www.instagram.com/jakelakuhn/Noah - http://instagram.com/nhoast/Audio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

Journalist Kimon de Greef joins Chris Clarke to discuss his new book, The Ego Trip: Psychedelic Toads, a Trail of Deaths, and the Guru Who Peddled Transcendence. The Sonoran Desert toad (Incilius alvarius) spends most of the year underground, emerging to breed during summer rainstorms. It is also the only animal known to produce 5-MeO-DMT, an extraordinarily powerful psychedelic compound, in its defensive secretions. That biological curiosity has made the toad the center of a global psychedelic industry. Chris and Kimon discuss how Sonoran toad secretions changed from a little-known psychedelic tool into an international spiritual commodity; how outsiders profit from romanticized ideas about Indigenous tradition; and what the resulting trade means for the toads, the people hired to collect them, and communities living amid poverty and cartel violence. They also examine parallels with the commercial appropriation and poaching of white sage, and consider an uncomfortable contradiction: people seeking healing, transcendence and communion with nature may be supporting a supply chain built on wildlife exploitation, misinformation and harm. Content Note This episode contains discussion of drug use, addiction, death, animal mistreatment and abusive psychedelic practices. It is not intended as medical advice or encouragement to use 5-MeO-DMT or any other controlled substance. About Kimon de Greef Kimon de Greef is a South African journalist whose work has appeared in The New Yorker, The New York Times, The Guardian, National Geographic, Guernica and other publications. He has a master’s degree in conservation biology from the University of Cape Town and a master’s degree in journalism from New York University. Much of his reporting concerns wildlife trafficking, illicit economies and the complicated relationships between human desire and the natural world. Kimon de Greef’s website Kimon on Instagram Buy The Ego Trip through Bookshop.org Publisher’s page for The Ego Trip In this episode The remarkable monsoon-dependent life of the Sonoran Desert toad What 5-MeO-DMT is, and why “toad licking” is both inaccurate and dangerous How Octavio Rettig helped popularize toad-derived 5-MeO-DMT Claims that toad smoking is an ancient Comcáac/Seri tradition Psychedelic tourism, cultural appropriation and spiritual marketing The economic realities behind supposedly “responsibly sourced” toad secretions Toad collection, repeated “milking,” displacement and disease transmission Why synthetic 5-MeO-DMT removes the need to exploit wild toads Parallels between the toad trade and the international market for poached white sage What scientists know and don't know about the toad’s population status The difficulty of conducting conservation research in cartel-controlled areas Why a potentially profound experience can still leave a trail of real-world harm Selected timestamps 00:02:07 — How Kimon found the story 00:03:52 — Sonoran Desert toad natural history 00:06:20 — 5-MeO-DMT and the toad’s defensive secretions 00:08:47 — Octavio Rettig and the rise of “toad medicine” 00:11:34 — The Comcáac community and claims of recovered tradition 00:14:50 — Is there evidence of ancestral toad use? 00:20:15 — Psychedelic tourism and its consequences 00:22:30 — Seri ironwood carving and the creation of “tradition” 00:30:10 — The parallel with white sage 00:34:59 — Toad-derived versus synthetic 5-MeO-DMT 00:38:44 — Inside the toad-secretion supply chain 00:44:35 — What is happening to wild toad populations? 00:50:27 — Psychedelic experience, reporting and ethical distance Further reading and resources Kimon de Greef’s original New Yorker investigation, “The Pied Piper of Psychedelic Toads” De Greef on the collection trade, “The Psychedelic Toad Milkers” High Country News, “A Hallucinogenic Toad in Peril” Sonoran Desert Toad Fund, supporting research and conservation throughout the species’ range Tucson Herpetological Society, whose president Robert Villa has worked extensively on the toad’s conservation Sonoran Desert toad species account from AmphibiaWeb U.S. Fish and Wildlife Service, Sonoran Desert toad species profile PLOS One, “Diet and Chemical Defenses of the Sonoran Desert Toad” California Native Plant Society, White Sage Protection Become a desert defender!: https://90milesfromneedles.com/donateSee omnystudio.com/listener for privacy information.

Donate (no account necessary) | Subscribe (account required) Join Bryan Dean Wright, former CIA Operations Officer, as he dives into today's top stories shaping America and the world. In this episode of The Wright Report, Bryan breaks down Meta's massive $18 billion settlement over claims it deliberately hooked kids on social media, including new daily time limits, overnight blackouts, and tougher age verification rules. Bryan covers the State Department's terrorism designation on an Italian tech collective that provided encrypted infrastructure to Antifa, Hamas, and the IRGC, a push by Rep. Anna Paulina Luna to force social media influencers to disclose foreign cash, and Senator Josh Hawley's growing rebellion against his own party's embrace of AI and data centers. He also breaks down a combative Fox News interview with Michigan Senate candidate Abdul El-Sayed on Sharia law, defunding police, and trans medicine for kids. Plus, Bryan covers a horrific glacier collapse and flash flood in Nepal, new confirmation that Iranian strikes have killed CIA officers and destroyed intelligence facilities, China's new Arctic shipping route skirting the Middle East war, and a new Louisiana phosphate plant aimed at cutting America's fertilizer dependence on China. "And you shall know the truth, and the truth shall make you free." - John 8:32   Keywords: Wright Report, Bryan Dean Wright, Meta, social media settlement, kids online safety, Antifa, terrorism designation, Josh Hawley, AI regulation, data centers, Abdul El-Sayed, Michigan Senate, Sharia law, Hillary Clinton, Nepal flood, CIA, Iran, IRGC, China, Arctic shipping, phosphate, Louisiana

It's always a good time when Chris Condon and Jacob Phillips find their way back on the show. It's especially grand when they're back to chat about That Texas Blood, and it's even better when they come guns blazing with the new Hell Comes to Allison Ranch relaunch and news of an upcoming television adaptation. FOC for the new series is this upcoming Monday. Get on your Bat-phone, and get your local comic shop on the line. Here's your chance to jump on the That Texas Blood chuckwagon. That Texas Blood: Hell Comes to Allison Ranch begins in 2003. America has just invaded Iraq. Sheriff Joe Bob wants his son to witness the history on TV, but the teen just wants some alone time with his Xbox. An argument is brewing, but then the call comes in. War is on their doorstep; the Allison Ranch, a local institution, is apparently coming under heavy fire. Sheriff Joe Bob and Deputy Wilson investigate. Things get rough. It's been four years since the previous That Texas Blood storyline. While Chris Condon and Jacob Phillips have never been busier, they've been itching to return to the title that solidified their reputation. We discuss what That Texas Bloodoffers them that no other story does. We explore how this series reflects our current moment and how genre tropes guide their characters toward revelation. During our introduction, we also discuss the sudden closing of Meanwhile…Coffee in Herndon, Virginia. It's where we founded our in-person Comic Book Club, which has become a staple in our creative pursuits. We encourage others to form their own Comic Book Clubs, and we announce where the next iteration of our Comic Book Club will meet in September. That Texas Blood: Hell Comes to Allison Ranch will hit shops on September 23rd, courtesy of Image Comics. It's written by Chris Condon, illustrated by Jacob Phillips, with color assists by Pip Martin, and lettered by Hassan Otsmane-Elhaou. Follow Chris Condon on Bluesky. Follow Jacob Phillips on Blue Sky and Instagram. Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Subscribe to the CBCC Newsletter Meanwhile...Coffee Announces its Closure Previously on CBCC: Chris Condon and Jacob Phillips on The Peril of the Brutal Dark Previously on CBCC: Chris Condon and Jacob Phillips on The Enfield Gang Massacre Previously on CBCC: Chris Condon and Jacob Phillips on a Holly Jolly That Texas Blood Previously on CBCC: Matthew Rosenberg on We're Taking Everyone Down With Us Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors Glinda and the Wicked Witch finally get their romance. Vampire Snow White and Werewolf Belle must fight the evil queen, while exes-to-lovers, Sleeping Beauty and Alice, try to escape a Nightmare version of Wonderland. Kat and Phil at Lifeline Comics have been building a Kickstarter empire with their Mature Fairy Tale Universe for years…did we also mention they are queer? Well, now they are all colliding in a special Big 2-style event. Nothing will be the same. Head to Kickstarter for Fairy Tale Wars #1, which sees the popular series The Beast and Snow, Nightmare in Wonderland, and The Witches of Oz crossover for a first-of-its-kind comics event. I Love Apocalyptic Zombie Misfits! is the wild new original graphic novel from Doug Wagner and Daniel Hillyard, the twisted minds behind Plastic, Vinyl, Plush, and the current hit Image book, Narco. Imagine a post-apocalyptic world where Heaven and Hell are at war, a nerd wakes up trapped in the body of a supernatural slasher, and his only allies include a roller derby angel, a possessed truck...and immortal murder chickens. Critics are already calling it wildly creative, wonderfully weird, and an absolute blast. Back the Kickstarter for an oversized deluxe hardcover, exclusive editions, art prints, and even the Murder Chickens Card Game, available only during the campaign. If you love horror, dark comedy, and comics that break every rule, head to Kickstarter and search I Love Apocalyptic Zombie Misfits! before the campaign disappears! This August, the 2000 AD Sci-Fi Special is here to make it a nuclear Summer! This 48-page Summer Special features five self-contained stories featuring Judge Dredd, Strontium Dog, Judge Death and Stickleback – the King of Crime! Never read 2000 AD before? This is a great way to jump on board and try out The Galaxy's Greatest Comic. With a cover by Liam Sharp and stories from a galaxy of reality-warping creators, this is all-out sci-fi with an anarchic edge. And the best news is? It's available through Lunar – so you'll be able to order it through your LCS! It's the ultimate apocalyptic beach read – so make sure you pick up the 2000 AD Sci-Fi Special this month!

‘You underestimated Dolly Parton at your peril.' Author of ‘What Would Dolly Do?' Suzan Holder reflects on the life of the iconic country singer, who has passed away at the age of 80. Hosted on Acast. See acast.com/privacy for more information.

An old television set starts picking up broadcasts from years that haven't happened yet, and what the couple watching sees convinces them that some futures are worth killing to prevent.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Further You Go, The Less You Know” (July 20, 1978) ***WD00:44:53.980 = CBC Nightfall, “Future Fear” (August 15, 1980) ***WD01:09:30.588 = Nightmare, “Chance of a Ghost” (March 31, 1945) ***WD01:31:33.891 = Obsession, “The Peacock Screen” (February 25, 1951)01:54:31.492 = Origin of Superstition, “Whistling In The Dressing Room” (1935)02:08:31.407 = Pat Novak For Hire, “Sam Tolliver” (April 09, 1949)02:37:47.861 = Peril, “Showdown” (1953) ***WD03:03:59.094 = Mystery Playhouse, “Yours Truly, Jack The Ripper” (February 27, 1945)03:32:00.687 = Philip Morris Playhouse, “Murder Needs An Artist” (May 06, 1950) ***WD03:58:35.619 = Price of Fear, “The Ninth Removal” (April 20, 1974)04:27:06.867 = Ellery Queen, “Nikki Reporter – Suspect” (March 05, 1947) ***WD04:52:45.869 = Strange Adventure, “Death Wears Spurs” (1945) ***WD04:56:02.016 = Tales of the Frightened, “Call at Midnight” (1957)05:00:48.213 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0754

Welcome to the Saltbox Church Podcast. We desire to lead people to become fully surrendered disciples of Jesus. On our channel, you'll learn how to read and understand the truths of the Bible from Pastor Michael Mattis and other members of our teaching team. You can expect to walk away with a deeper understanding of the things of God, but challenged to live a surrendered life. We cover topics such as the will of God, mental health, women in leadership, Christianity vs. other faith traditions and many other in-depth studies of scripture. -------------------------------- -------------------------------- CONNECT: LinkTree ► https://linktr.ee/saltboxchurch Website ► http://www.SaltboxChurch.com Podcast ► https://podcasts.apple.com/us/podcast... Instagram ► https://www.instagram.com/saltboxchurch/ Facebook ► https://www.facebook.com/saltboxchurch/ Yellow Truck Coffee Co. ► https://www.yellowtruckcoffeeco.com/ --------------------------------

Cold plunges and cold water swimming are increasingly popular, with big benefit claims being made on social media. But is submerging yourself in frigid water actually good for you? Claire Concannon joins a team of researchers at the 2026 New Zealand and Oceania Ice Swimming Championships in Alexandra as they try to get some better data about both the risks and potential benefits. Sign up to the Our Changing World monthly newsletter for episode backstories, science analysis and more.IN THIS EPISODE:(00:00) Introduction – the rise of cold water swimming.(01:06) The 2026 New Zealand and Oceania Ice Swimming Championships in Alexandra.(02:00) Competitor Susan Sherwen on why she ice swims.(05:10) How researchers track swimmers' core temperature, stroke rate and perceptions of cold.(07:30) Prof Jim Cotter on cold shock, hypothermia and afterdrop.(12:00) The recovery room – Steven and Susan after their swim.(17:30) Potential benefits and what the research says.(20:30) Blood samples and looking for brain health proteins.(23:40) Potential mental health benefits…Go to this episode on rnz.co.nz for more details

War Room Dollar In Peril? Long-Term Treasury Yields Surge, Bond Market Flashes Warning, As US Debt Crosses $40 Trillion Threshold… PLUS, U.S. Military Establishes Stealth Corridor Through Hormuz

172 days in and still no clear path out of the war with Iran. Plus, Minnesota Democratic Attorney General Keith Ellison joins to discuss why he's suing Republican Texas Governor Greg Abbott.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 2016, Danish politician Ida Auken described the year 2030 as a happy place to live: no car, no house, no appliances, no privacy, and a living room lent out for business meetings whenever she steps away. Joe Grabowski and Grettelyn Darkey read Ida Auken's essay beside G.K. Chesterton, who had already named the bargain nearly a century before it was offered—that privacy is the mark of property, and that a people stripped of both are being fitted for a hive instead of a home.  In This Episode: Why G.K. Chesterton tied privacy to property, and why he said the Englishman's castle was too often hardly even a house The bees, the beavers, and G.K. Chesterton's fundamental principle of private property How Auken's 2030 city matches the servile state that G.K. Chesterton and Hilaire Belloc warned about The one thing absent from a utopia built on shared living rooms: marriage, children, family Why "having nothing and possessing all things" means the opposite of what socialism offers Resources Mentioned: Ida Auken, "Welcome to 2030. I own nothing, have no privacy, and life has never been better" (World Economic Forum, 2016) G.K. Chesterton, "Prohibition and Property" (The New Witness, October 7, 1921) G.K. Chesterton, "The Real Nature of Property (Again)" (The Illustrated London News, February 16, 1924) G.K. Chesterton, "More About Divorce" (The Illustrated London News, September 2, 1922) G.K. Chesterton, "The Peril of the Impersonal" (G.K.'s Weekly, November 9, 1929) Chapters: 00:00: Welcome 02:38: Ida Auken's 2030 04:24: A living room used for business meetings 06:22: The people left outside the city 08:05: "No real privacy" 11:57: Renting by another name 13:49: G.K. Chesterton: privacy is like property 17:36: The hive and the home 21:19: The servile state 25:55: Bees, beavers, and the neglected commons 28:42: Divorce, marriage, and the telling pronoun 35:58: Having nothing and possessing all things FOLLOW US Instagram Facebook X SUPPORT Donate Shop Produced by Saint Kolbe Studios

Speciality of the House: Sbirro's has no menu, no sign and no interest in new customers, and the handful of men who eat there have taken a solemn oath never to speak of the one dish that keeps them coming back.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “A Matter of Faith” (June 21, 1978) ***WD00:45:51.326 = Obsession, “Ebb Tide” (October 01, 1951) ***WD01:14:46.759 = Origin of Superstition, “Black Cat” (1935) ***WD01:28:25.308 = Pat Novak For Hire, “Father Leahy Joe Feldman” (April 02, 1949)01:57:11.365 = Peril, “Mask of Hate” (1953) ***WD02:21:19.624 = Mystery Playhouse, “Letter” (December 26, 1944) ***WD(LQ)02:43:57.936 = Philip Morris Playhouse, “Four Hours to Kill” (May 13, 1949) ***WD(LQ)03:12:47.766 = The Price of Fear, “Speciality Of The House” (April 13, 1974) ***WD03:41:18.848 = Adventures of Ellery Queen, “One Diamond” (May 06, 1948)04:10:28.639 = Quiet Please, “Dialogue For A Tragedy” (April 10, 1949) ***WD04:40:22.415 = Radio City Playhouse, “Sibling” (December 11, 1949) ***WD05:08:43.222 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0745

Jennie Nash hosts a #amwriting podcast BookLab with guest Kathleen Barber, author of Truth Be Told and newly released Sisterhood Above All (co-written with Amayah Shaienne), and discusses Barber's range across thrillers and romance, her character-first approach, and how RushTok inspired an authentic sorority-rush thriller featuring Madison, Shay, and Ava as tensions escalate and someone dies. They define RushTok as viral TikTok coverage of University of Alabama sorority recruitment and note its broad international fascination. In the BookLab, they evaluate three first-page submissions by asking “Would we turn the page?” They praise Heather's Trust Me for strong voice, vivid Austin setting, and an intriguing problem hook, with minor notes about genre context. They decline Odeon Omega due to unearned logistics and too much dialogue despite an intriguing title/advert. They find Empty Spaces compellingly written but confusing from too many names and unclear stakes, suggesting more interiority and clarity.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Connect with KathleenVisit Kathleen's website to find her books and more: https://www.kathleenbarber.comTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. This is a book lab session where we answer the most important question about your first pages.Would we pick up the book? Would we turn the page? Today, I have a really special guest with me. I have Kathleen Barber here, who is so many things. She's the author of Truth Be Told, which was adapted as a series on Apple TV, Follow Me, Both Things Are True, and just brand new, like it came out four days ago, Sisterhood Above All, with, I'm gonna try her name, Amaya Chen?How do you-Barbara: Yeah. Uh, um, yeah. That's, that's very close. I think it's Amaya Chen.Jennie: Okay. Yeah. Uh, so we're gonna hear about that in a minute. Um, I haven't, I haven't cracked it open yet, but I'm so [00:01:00] excited for it. Um, Kathleen's also an Author Accelerator certified book coach and a former attorney, and she lives in Washington, DC with her family.So welcome, Kathleen.Barbara: Thank you so much for having me. I'm really excited to be here.Jennie: So I watched your unboxing the other day. It was so fun, and I didn't realize that we had scheduled this right on top of, like the actual- Oh ... launch of your book.Barbara: No, that, that's okay. It's, it's great. Um, it gives me something to think about that's not just, like, spiraling.Like, is anybody gonna read my book? Is anybody gonna like it? Um, so it gives me something else to focus on.Jennie: Well, it's so interesting you say that because I think of you as this really seasoned pro and, you know, it's been really interesting for me to watch your career because you've written some really different kinds of books.You did a ... Well, your first book was obviously a big thriller and a huge success, and at one point, you pivoted to romance, and now you're doing ... Well, I, I saw that book list [00:02:00] called Sisterhood Above All, a soapy thriller Yes. Yes ... which is such a great description, and you did it with a collaborator. So you just seem interested in story to me.Barbara: I, I am. Yeah. I'm always very ... I always start a story with the characters. Um, and so then their story kind of spirals out from there. Um, yeah, so I, my last book that came out before this one was, was a rom-com. Um, and I was really nervous when I started writing it. I was like, “How am I going to write this when I've been writing suspense and thrillers before?”And it turns out that, like, at the heart of it, stories are stories, and people are people, and, you know, in a romance, happy things happen. In a thriller, bad things happen, but things still happen.Jennie: Amazing. So give us the overview of the brand new book, ‘cause it's, it's really juicy.Barbara: Yeah. Yeah, so I'm really excited about it.Um, Sisterhood Above All is a thriller set during sorority rush, and so it follows three different [00:03:00] women who are involved there. There's Madison, who is the president of what's she perceives as to be the coolest sorority on campus, so she's kind of the gatekeeper, and there's Shay, who is the president of a rival sorority and trying to shake, shake up the Greek institutions, and then there's Ava, who is a potential new member.She's going through rush. She's desperate to join Madison's sorority, um, and she might be a little too desperate. Uh, so you know, it's a thriller. Bad things happen. Somebody dies, um, you know, and things kind of spiral out, spiral out of control.Jennie: But tell us about the collaboration, ‘cause it's- Yeah ... so interesting how that came about and how it went and-Barbara: Yeah.You know, it was, it was a lot of fun. Um, I, like many writers, write alone, and I had never really considered collaborating with anybody before, um, but- But when I was kind of talking about this, I, I'd been pitching my agent a sorority themed thriller for a while. [00:04:00] Um, and at one point when, when Rush Talk was getting really big a couple summers ago, she was like, “This is the moment.This, you should write this book, but I think that in order to make it feel more authentic, we should bring in somebody who's living this in this moment.” Um, so one of her colleagues found Amaya, who, um, was up until very, very recently an active member of a sorority at the University of Alabama, and brought us together.And Amaya and I got along right away, and we both had kind of the same vision for what we wanted the book to be, and so collaborating with her was, was a lot of fun in a way that I had been nervous that it wouldn't be. But it was, it was a really good time, and I'm really, really proud of the book.Jennie: So for those who don't know or weren't following, can you tell us what Rush Talk-Barbara: YeahwasJennie: or isBarbara: or- Yeah ... shall be? Yes, yes, yes. So, um, so if you're gonna join a sorority, um, you go through, you go through recruitment and which is very slangily [00:05:00] called rush. Um, and so on TikTok a few years ago, um, people started sharing about their experiences during sorority rush, but specifically, uh, during sorority rush at the University of Alabama.Um, and it really took on a life of its own, like people were watching it like it was, you know, a television program. Uh, they made a documentary about it, which, you know, I'll, I will let you make your own conclusions about the documentary. Um, but people just got really, really into it, and people... And it was kind of appealing to people who had gone through sorority rush at some point, were thinking about going through a sorority rush, or who were just invested in, you know, watching people have these kind of outlandish experiences and, and share them.So, um, itJennie: was a lot of fun. My understanding was that it got very, very popular in other countries?Barbara: I- it's definitely... [00:06:00] Yeah. You know, um- So sorority, some, some sororities are international. Not, not all of them are. Um, but by and large, when they say international, they mean that there are chapters in Canada, not that, like, there are chapters in, you know, like Europe or, or other countries.And so it just, it's something that is so unique and so, like, uniquely about, like, this type of college experience that I think it's been really interesting to people in lots of different places.Jennie: Yeah, yeah. Fascinating. So obviously the book has been out, like, mere hours here. But, um, how does it feel? Are you, are you- It's excitingyou said you were excited and proud and- SoBarbara: exciting. Yeah. I'm, I'm, I'm really, really proud of the book. I love it. I mean, I know everybody, like, loves their own books, but I do. I truly, like, love this book, and I just really hope that the readers do too.Jennie: You know, it's not true that everybody loves their book.I, I was dying to have somebody on the podcast who will never come on the podcast. But I- Yeah ... I heard a story about somebody who [00:07:00] got a seven-figure deal for a book that they really didn't actually love, and then- Oh, no ... they, they wrote it. It came out, and then when they had to co- come time to do the publicity, they just dreaded it.They, it was like a, just they did it for the money. They got the money, and then didn't, didn't wanna talk about it, like felt sort of ashamed about it. And I was like, “Oh, please, come talk about that.” But of course they, they won't. So...Barbara: That's wild. Isn't that wild? That's wild. Yeah. I just, I just can't even imagine how that would feel.Um, I mean...Jennie: I know. Well, I, uh, the cover of this, um, of this new book, Sisterhood Above All, is- is really cool too. So we will link to it in the show notes, and everyone can go read it and check it out, and, um, Kathleen's other books, I've read them all, and you have such range and, um, like I said, [00:08:00] interesting stories.So with that, let's get to our, our Book Lab entries. We just always wanna start by thanking those who submitted. It's not easy to do this, to put your stuff out there with no context and no ability to talk back or anything and have random s- people on the internet, you know, talk about your stuff. So really appreciate the, the risk-taking of doing that, and we do this in order to help us all get better and, and learn, you know, what works and, and, um, for your own self or your own writing, what, what you want it to be.So what we're gonna do, as always, is I'm gonna read the entry, and then we're gonna ask ourselves, would we turn the page? So, um, the first entry is Fiction and it is, uh, author's name is [00:09:00] Heather and the name of the work is Trust Me. So here we goI can't tell you whether it's the Johnny Cash mural, clusters of candles nestled into every corner of the long stone bar, or the smoky scent of Palo Santo that tucks Austin into my head the first night. Maybe it's the unexpected jazz trio on a Tuesday in a town built for blues, country, and rock, or it could be the two cowboys deep in conversation at a table in the back of the bar.I'll later, I'll later learn that making a hot Austin guy a cowboy because of his hat, faded jeans, and scuffed boots is the same as labing- labeling a frat bro in a hoodie and sweats an athlete. It's just how they dress. I can tell you I like the looks of Austin men a hell of a lot better, especially that wide silver belt buckle that dresses up the whole package in a bow.It's going [00:10:00] on nine PM when I arrive at Whistlers in East Austin, and the bartender hands, hands me a peach-colored mezcal craft cocktail. Fresh juice, pungent herbs, and the smoky sister to tequila are the perfect salve after what's transpired since my flight landed from New York two hours earlier. I follow the snake tattoo on his foreha- forearm as the bartender shakes another cocktail for the couple next to me.Damn, he's hot, too. The crowd starts to pick up, and I signal Snake Tattoo for another before I lose his attention for good. The warm agave liquor spreads through my bones, and I start to relax. Maybe this isn't the disaster I think it is. Maybe I can actually pull it off. I glance around at the mostly twenty and thirty-something crowd angling for spots at the bar.The women wear short dresses and long hair. The men, well, those jeans are something, along with their finely cut biceps and well-placed tattoos. Can't help but glance over at those cowboys again and get a warm smile in [00:11:00] return. Easy, girl. Back to business. I have a problem, and this second mezcal is going to help me solve it.All right. What do you think? What was your first impression?Barbara: I really enjoyed that. I would definitely turn the page there. I, I feel like there was, like, a really strong sense of, sense of place, and I, in particular, I really enjoyed the, the first line, not only because it gives us that sense of place, but it, because it also then tells us something about the narrator and how she perceives the world around her in that first line.Jennie: Yeah, and, and there's a good m- a, a good question at hand here, which is what's she doing here?Barbara: Mm-hmm.Jennie: She's come from New York. We get that. It's a little unclear how, how old she is, ‘cause she's referencing other people's ages, but not her own, so we, we don't really know what's happening or what, what's, what's about.[00:12:00] Um, I mean, I thought the writ-Barbara: Well, IJennie: agree. Yeah. I thought the writing was great. It sort of tripped along-Barbara: Mm ...Jennie: um, nicely. IBarbara: like at the end where... I'm sorry. I didn't mean to step on you. No,Jennie: no, go. Yeah. I like atBarbara: the end, I like at the end where, um, she says she has a problem, and the second mezcal is gonna help her solve it.I thought that was really interesting, ‘cause I, it piqued my interest, made me wanna know what the problem is, but it's also kind of funny. Like, the mezcal's probably not gonna help you solve your problem, but it's like...Jennie: Yeah. No, it's so true. I was longing for a little bit more of a sense of what's happening here.I mean, this could be any kind of story at this point. It could be she could be a spy. She could be an assassin. She could be trying to get a guy back. Like, we, there's really no sense of what the story's gonna be. I always like that on the first page. What about you?Barbara: Yeah. I, I agree with you. I, it, it could, it could go in any direction.I kind of [00:13:00] sense from the tone that it's, you know, it's going to be something, uh- Well, I guess I don't know. You know, honestly. Now, now that I'm looking at it again and thinking about it, um, you're right, it could be... The, the problem that she has could be a thriller problem, or it could be a romantic problem, since she's kind of made, made comments about the different men.I think that was a hint to me that it might be a romantic problem that she's having, but I actually don't know.Jennie: Yeah. The, the- obviously she's clocking all the hot guys in this bar, which tells us something, either about her or what she's up to. We don't know. Um, but yeah, it's, um, really good detail, like the, you mentioned that first line, and I liked the line about her sh- the self-awareness about, you know, she calls him a cowboy and then she says, you know, sort of like, “Oh, right, that's not really fair.”Mm-hmm. “We don't know.” [00:14:00] You know, that, I thought that was, made me think- Yeah ... this character's gonna know themselves.Barbara: Mm-hmm. Yeah. I agree with that. I, I also really enjoyed the kind of specificity that she uses in the descriptions, like when she talks about, you know, the, the cocktail that she's drinking, and the tattoo on the bartender's arm.Like, I just felt like those details really made the story come alive for me. So that, like, even if I didn't exactly know where we were going, I could, I could picture where we were.Jennie: Yeah. Yeah. That's really well said. Well, we like this. I think I would, I would turn the page.Barbara: I would, I would too, yeah. Mm-hmm.Jennie: We would turn the page. Um, I mean, the only notes I think for me would be, I mean, it's always so tricky, because if we were picking this book up, the title, Trust Me, doesn't really tell us anything, but the cover would.Outro: Mm-hmm.Jennie: The vibe of the cover would. We'd have a little more context for where we were and [00:15:00] what this was about, and that would probably help with the issue that, that I have, which is, well, what kind of book is this?We don't know. Um, and you know, now that I'm thinking of it, we don't even know whe- where we are in time. Um, I'm, I'm assuming modern day, but I don't know why I assumed that. It, maybe it's not. So maybe just a tiny bit more of a sense of- Uh, context for the reader. Mm-hmm. But that's my only note. L- do you have any notes?Barbara: Yeah. You know, I honestly don't think that I, I have any additional notes. I mean, I, I really enjoyed this selection, and I would definitely keep reading here.Jennie: Well, Heather, that's high praise, soBarbara: Yeah, I, I usually have ideas. I usually have notes but I don't.Jennie: Yeah, that's, uh, that's g- a good one for us to start with, and very fun, I hope, for you to hear that from Kathleen.All right, let's [00:16:00] go to our, our next one. This is fiction. It's called Odeon Omega, um, and the author is ... Well, the, the, um, it's coming across as, um, Sound Smith, but who knows what that is? So, um, Odeon Omega, they will know who they are, for sure. All right, here we go. “The grand O-O opening continues all month long at your new entertainment destination, the one and only, first of its kind on this or any other coast, the all-new, all-excitement Odeon Omega.‘Gah!' Emmy shrieked from the bathroom. ‘You can turn the TV volume down now, Seth. We're done.' Seth was still lying in bed, his naked body mostly covered with Emmy's cream-colored, satiny soft sheets. He chuckled while reaching for the remote. ‘I wasn't the one who turned it up.' ‘I know that. I have to [00:17:00] turn the TV way up like that, though.It's the only way to drown out the neighbors. The walls in this place are so damn thin, and they're always banging on them, disturbing me when I'm trying to have sex.' ‘Those b******s,' Seth chuckled. ‘I'm saying, I like ... I'm saying, like, what am I supposed to do? Not f**k? Hey, that is so not an option,' Seth p- Seth pressed the mute button, then went back to lying on his back, his hands behind his head.Another noise startled him, this one coming from Emmy's phone. A toneless version of Girls Just Wanna Have Fun blared from Emmy's clutch purse. ‘Turn that off, too,' Emmy shouted from the bathroom. ‘That's my mother's ringtone. I don't feel like talking to her right now.' Seth rolled over to the nightstand and opened her clutch and found the button to silence Emmy's phone.He lingered on the image of Emmy's mother. ‘Wow, Emmy, you and your mom could pass for sisters, easy.' ‘Ew, don't tell me that,' Emmy said. ‘Tell her that, but not me. Bet you're already imagining yourself in a threesome with her and me, [00:18:00] aren't you?' ‘Huh, what's that?' Seth was distracted by Emmy's driver's license in the clutch's interior pocket.He slid it out of the pocket and read what he assumed was Emmy's birth name. ‘Myrtle? What? Your re- your real name is Myrtle?' Emmy stepped out of the bathroom, still naked from their lovemaking, with a sky blue-colored towel clenched between her legs.”That's a vibe.Barbara: It is. It is, yeah. I mean, opening, uh, opening in the aftermath of sex is a, is a bold choice. I'll be honest, I don't feel like I have very much context for what's happening here. Um, it seems like Emmy and Seth don't know each other veryJennie: well. I got that sense, too. I got that sense, too, and that the sex that she has this system for turning up the TV has been for other people.Barbara: Mm-hmm. [00:19:00] Yeah. On, on that note, though, I did kind of have, uh, a fundamental disbelief about the setup that was giving me a stumbling block when I was reading this, just because it didn't seem to make a lot of sense to me that she would turn up the television to distract herself from the neighbors, when I would think that that would be more distracting or, you know, just use music or...And I didn't really understand why she would be explaining it to him after the fact instead of in the moment. Um, that felt like it was perhaps just put there for the reader,Jennie: so that we could be distracted. Yeah, it was a little explainy, a little... Yeah, like a, um, we use that term info dump, and an info dump doesn't have to be a whole scene.It can just be a line like that where I, I didn't buy it either that she would actually say that to him now. Mm-hmm. If... He probably would've said, “Why are you turning the TV on?”Barbara: Right.Jennie: Earlier.Barbara: Yeah. Yeah, [00:20:00] yeah, and it seemed like that would be the conversation that would have before we got to this moment. So that was something that, that I struggled with a bit.Jennie: I also didn't believe, it felt like, uh, unearned that he's pulling this license out of her purse. I could see, I could see that he might have seen something on her phone if he's turning her phone off. But-Barbara: Mm-hmm ...Jennie: to, to actually then see... I kept, like I was trying to think through the logistics. Like, okay, see one of those little slidey things inside a purse, but you can't see- Mmthe driver's license. Like, why would he reach in and pull it out? It felt like the author wanted us to get to this moment where- Mm-hmm ... Seth got this information.Barbara: Mm-hmm. Yeah.Jennie: It, yeah, it felt unearned to me.Barbara: Yeah. I, I agree, especially because it doesn't seem like Seth knows her very well, obviously. Then for him to be [00:21:00] digging around in her clutch purse felt- Untrue to the situation, um, unless something else was going on that we don't hear about.Jennie: Yeah, yeah. Um, this... When I said, like, “Well, this is a vibe,” this character has a, a tone or a style or sense about, like a sort of swagger about- Mm-hmm ... her that interests me. Um, I happen to be in the middle... I'm behind everybody else, but I'm in the middle of reading Yesteryear. Oh. Have you read-Barbara: Oh. Yes, yes.Jennie: Don't tell me what ha- I, I- Don't tell me ...Barbara: I w- I won't. I was also late to it, and everybody was trying to tell me about it, and I was just constantly walking around going, “No spoilers, no spoilers.” Yeah.Jennie: But the, that character has, has such a brashness- Mm-hmm ... of point of view and opinion in both, um, both parts of the story there, and there's something about this character that rem- reminds me of that.[00:22:00] There's like a, I don't know, um, a, just a brashness. S- And I, I've been enjoying that protagonist- Mm-hmm ... the Yesteryear protagonist, just ‘cause it's unusual. I've read a tiny bit, and I know people are saying, “Oh, she is so unlikable,” but there's just something of a character that's so owning their, um-Barbara: Mm-hmmJennie: way, and this woman's ownership of, of her sexuality, I guess, I, I thought was- Hmm ... interesting.Barbara: Yeah. No, I, I, I know what you mean, and I, I, I am intrigued by her as a character because, I mean, again, here she, she seems to have kind of an interesting setup in a, an apartment building that has thin walls, um, has this system of turning up her television, um, but not with Seth before.So, you know, it seems like she's had several partners back to this, this space. Um, but she seems very, very confident and, like you said, kind of swaggery [00:23:00] with him. Um, so yeah, I, I am intrigued to know more about, like, who she is and what makes her that way. Um...Jennie: Yeah. Uh, for me, probably not enough to turn the page.Um-Barbara: Not for, not for me either. I-Jennie: Yeah. And, and I have to say that the thing that intrigues me the most about this whole thing is that the title of this book is Odeon Omega, and that's the random, um- I think that's the random show on TVBarbara: Yeah,Jennie: the- Am I ma- am IBarbara: making that up? No, no, no, that, that, that's the first line.It's, um, it sounds like it's maybe like a commercial. I was kind of envisioning it from the way that it was spelled out as, you know, kind of like, uh, oh, the way that like a, a carnival or like a car salesman is like, “The grand o- o- opening.” Yeah, yeah, yeah, yeah. You know, that's kind of how I was envisioning it.Um, so I, I didn't, I did enjoy s- seeing that right up front, um, [00:24:00] but I wanted more context to understand what it was, because without that, I, I don't know what that line means. Um-Jennie: And that just the author's choice, like, okay, the TV's on f- for a random reason- Mm-hmm ... or for her systematic sex reason, and, and she's hearing this show opening, and then that's the title of the book.Like, something about this, I, I thought of it as a, yeah, like a carnival or a show or something- Mm-hmm ... a theme park, um, that there's g- that's gonna become central to the story. It's kind of an interesting way of putting that in in, and presumably- Mm ... it will come back, um- Yeah ... in an important way. But I, I was intrigued by that most of all, actually.Barbara: Yeah. No, same, especially because that's the moment that Emmy says, “Turn the volume down.” So I was, uh, so it made it seem, to me at least, that there was something about that particular advertisement that she [00:25:00] was reacting to, and I wanted to know what that was.Jennie: Well, that's a really great point, and I think if we were to give this writer some guidance- Um, it might be to make more of that.Mm. If the character reacts more to that. Like, in, you know, that she can't hear it or that it's upsets her in a particular way, or she gives us some information or context about that so that we, I don't know, I guess we need to be more grounded in, in what's happening.Barbara: Yeah. And I also just feel like that would give us a little bit more s- because it, that's right there in the title, so it's obviously gonna be important to the story.And so like that would give us a little bit of curiosity about what it is and would propel us to try and understand why she's reacting the way that she is. Um-Jennie: Yeah. And just from a technical [00:26:00] standpoint, I'm looking at this entry, it's almost all dialogue.Barbara: Mm-hmm.Jennie: Which I think is hard on a, an opening page.Uh, don't you? I think-Barbara: I, I do. I, I would really have liked to see a little bit more interiority from Emmy here to kind of, I don't know, understand how she feels, not only about that advertisement, but about, about Seth. Like, did she li- does she like Seth, or is he just like a guy, you know? Um, I just wanted to know a little bit more about how she, who I'm presuming is the protagonist, is experiencing this scene.Jennie: Yeah. Um, yeah, there was even a moment when I thought, “Is she selling sex?” Mm-hmm. Is, is that... Is she a sex worker? Um, you know- True ... so too many questions about what's, what's happening here, which I think could be solved by, um, balancing out the dialogue, um, w- with some other information. [00:27:00] Mm-hmm. Um, yeah, I mean, I'm, um, I'm hoping that this character gets a story that we want, we want to read ‘cause I'm intrigued.Barbara: Yeah. Same. Same.Jennie: Yeah. All right. We have one more that we're going to, um, read. Do you wanna read this one? From your little, “Oh, oh, oh,” opening- ... I was like, “Oh, maybe you're a good narrator. I'm not.”Barbara: Sure. Sure. I'll, I'll read it. Um, so this one is called Empty Spaces. Um, it's fiction. I'm not entirely certain who the author is, unless I'm missing that in the spreadsheet.It looks like perhaps it starts with a T. Um, but here, here is the submission. “April 1st, 1995. ‘Please, please, please,' Corey sputtered, gripping the black receiver with both hands while the operator relayed her [00:28:00] request. ‘Person-to-person call for Tess. Will you accept the charges?' ‘No, she's asleep.' Corey knew her mother was at the beige phone on the kitchen wall a thousand miles away.Then her father's voice in the background. ‘Honey, let the girl talk to her dau-...' And dial tone. Corey slammed the receiver back into its cradle. ‘What the f**k?' She missed. Her knuckles scraped the chrome holder, and she unleashed her fury on the edge of the black payphone. ‘F**k, f**k, f*****g f****r.' The rain that had been collecting in the roo- in the rim of the payphone box was shaken loose by her tantrum and cascaded down inside the collar of her flay- flight jacket.Well, Charlie's flight jacket. ‘Skipper,' came Top's quiet baritone from behind her. ‘We're ready to roll.' ‘Thanks, Top.' Corey accepted the styrofoam cup of coffee he handed her, then sloshed her way to the lead truck, Arlo trotting at her heels. She hoisted herself up into the passenger side of the rig. Arlo curled up beside her and dug his head into her lap.Why did her mother have to be such a [00:29:00] little b***h? And on this night. Was it too much to expect her to remember that it was Charlie's birthday? No, Maria remembered. She was the one who kept a file of birthday cards, organized by month and paper clipped to envelopes, neatly stamped and addressed to the recipient.But nobody sends a birthday card to a dead person.” After a few minutes, Top started his status report. “Got word from the 24-hour man. The lot they gave us was too small and underwater. He put up a fuss and got us moved to the football field at the high school.” Corey took a sip. “It'll be nice to have a dry lot.Daisy's got that one nail that looks a little soft.” She fiddled with the radio, settling on a country station, what else was there, and yawned. “Where are we headed tonight?” And that is it.Jennie: Wow, well, author T., uh, Wood, what a treat to have Kathleen Barber read your, read your stuff like that. Gee, you, you sounded amazing.You sounded like you'd written that. That was so cool. Do you- I, uh- ... narrate your own books?Barbara: I, I do not, but I have [00:30:00] small children, and I read aloud every night.Jennie: Do you do the voices?Barbara: Oh, yes, I definitely do the voices.Jennie: Do you do all of them, like, in aBarbara: very- I do all of them.Jennie: You do?Barbara: Yeah, yeah. My, my kids were really into the Wings of Fire series, so I've read all of those books, and there are many, many dragons, and they all have different voices, and if I do not remember the different voice, my children will be like, “Mommy, that's not what Peril sounds like,” and then I'll have to remember and try again,Jennie: so.Take notes? Do you have, do you have a guide? Do you just remember? Um,Barbara: no, I just, I just try and remember.Jennie: Oh,Barbara: my. I should take notes, but I'm not that organized. I just go off.Jennie: That, that's amazing. That's amazing. Um, just while we're talking about it, is there audio already for the new book, for, uh, Sisterhood Above All?Barbara: There, there is. There is, yeah. Um, I recently got, uh, got a peek at it, and I am very, very excited. We have a different [00:31:00] narrator for each of the POV characters, and they are all fantastic. Super excited.Jennie: Amazing. All right, so back to this, back to this work. Um, I thought this was great. Uh, did you, did you, how did you feel reading it?Barbara: I, I, I enjoyed reading it. Um, when, when I was, when I was reading it the first time, I, I found myself getting stopped a few times because I felt like there were a lot of names, and I was confused. Um, you know, it's, it's in- I don't feel like an author needs to spell out for me who every single character is on the first page at all.Um, it just felt like in a small amount of time, there were a lot of names that I felt like I was trying to keep track of, and that was a bit confusing for me. Slowed me down a little bit.Jennie: I agree with that. Actually, the first time that I read it And [00:32:00] admittedly, I was scanning these really fast the first time I read it, but there, there's something to that, how things hit your head.But I thought that, um, I thought Daisy was a horse because I was like the one nail that looks a little soft, like is who, what- Yeah ... where would that matter that we need to be on grass? And, and, and then I was like, “Wait, who even is Daisy?” So I got stuck on that- Yeah ... for sure. And, um, and then the, um, there's a nickname that I think the main...I think Corey, the, the other character calls her Skipper, so I was confused by that. Right. So it, yeah. Yeah. Are those some of the things that you mean?Barbara: Yeah. The, those was... And I was also just a little confused when I first started reading that it starts out with person to person call for Tess, and then we're talking about her mother.And I, I thought at first that her mother was [00:33:00] named Tess, and that, and that the operator was trying to reach her, and that her mother was simply not, simply not wanting to talk even though she was by the phone. But then later on I realized that her mother is actually named Maria, and that Tess must be somebody else.Um, I think Corey's daughter, but I didn't, I didn't catch that on first reading. I had to read it again to be able to understand that.Jennie: Yeah. So there, there is a lot going on for sure. When I said that I thought it was great, I- I'm, I'm hoping that this character's some kind of trucker just because that's cool, and, um, it, it seemed like we have some tension both in whatever's happening around...You know, like, they have a 24-hour man. They're... Uh, so there's something afoot. Like, there's a pr- a project or something afoot that feels like it's not gonna go well or something's gonna [00:34:00] happen there. Um, and I also, you know, now we have the thing with the, well, we learn I think it's the mom. But, um, th- there- Yeahwere enough elements of intrigue, like, what's, what's going on here, what's gonna happen, that I... And I thought it was well-written.Barbara: Yeah. No, and I, one of the things that I really enjoyed was the way, the, the descriptions of what the, what the scenery looks like with the, with like the weather. So like there's, there's the rain, um, there's another line about how when they're like getting into the truck that like the lot is underwater, so I'm kind of like envisioning...I actually don't know what time of day it is, but for some reason I'm envisioning it being a little bit darker, but that might just be because of, of the rain that's happening. Maybe that's what's making me think that it's, it's a little bit darker outside, but I'm like envisioning the, the rain, and they're getting into the rig.But I, I didn't get that she was a truck driver. I, I, I think maybe... But I, but I, [00:35:00] I don't know. I don't know. I thought that maybe she was some sort of- Some sort of, like, news person. But I don't... ‘Cause I don't actually, I don't actually know what a 24-hour man is, so I think that might have... Okay. Yeah. No, I don't know.I was just like... So I, so I didn't know. Um, but I was, I was curious to know... Yeah. I was gonna say, I was curious to know why she was making this call to her mother at this moment, and why she was so desperate for her mother to answer the phone at this moment. Um, so yeah, th- those were, those are questions that I had.Jennie: Usually, back in the day, which this was, um, will you accept the charges was something you did when you had no money.Barbara: Mm-hmm.Jennie: You know, you would call home or wherever and, ‘cause you didn't have money to make a call, so the operator would place the call and ask the [00:36:00] person to accept the charges. Mm-hmm. And normally you would do that with somebody who knows you have, you're having a problem, or, you know.So, like, this is a very particular moment that led me to believe that she didn't, she didn't even have money for a call. So- Mm-hmm ... I don't know why I placed her as a trucker. Like, she climbed into the- Oh, okay ... the rig. She s- she sloshed her way to the lead truck. She's fiddling with the radio station. Like, what, where we headed?Yeah. Like, we're just on a job. I totally made her a truckerBarbara: and I- Yeah. No, no, no. I, well, I think maybe the reason I thought maybe she wasn't was because there were all these other... Because, like, Top is there, and the, it's, it's a lead truck, and she's, she's getting into the passenger side. And there's also a, a, a dog, I assume.I assume Arlo's a dog. I suppose it could be some other sort of animal that's, that's with her, but I, I assume Arlo's a dog. Um- Well,Jennie: so this is actually a really great [00:37:00] conversation for anybody listening, and particularly for this author. You can see that if you confuse your reader They're gonna spend their time with these kinds of questions.Like, is the mother Tess or is it Corey? Is this woman a trucker or not? Is... You know, and those are not the kind of questions you want to be leaving your reader with. Those are-Barbara: Yeah ...Jennie: um, I don't know w- how we would describe them, almost logistics. They're,Barbara: they're more like de- yeah, yeah, exactly. ‘Cause I mean, they're, I, I, I enjoy getting a good question at the start of reading something, you know?Like, you know, I mean, for example, it's, it's really interesting that Corey made what seems to be a collect call, and they didn't just not answer it. They answered it, and then hung up on her, which feels, like, very purposeful. And so, like, I'm very, I'm very curious about that relationship. I'm curious about the fact that, that Charlie is, is dead, um, and [00:38:00] who Charlie is to the, to the narrator.These are things that, like, have piqued my curiosity, and I would like to learn more about, um, would inspire me to read more, to learn more about those things. Uh, but then those other things that we were talking about, like, well, like, who is this? W- what kind of animal is Daisy? Like, what are, where are they actually going?Like, what, what is, what is the goal here? What, what is the deal about the, the lot and the, and the football field? The, w- what are we gonna do here? Those are questions that, that slowed me down, and made me less likely to want to keep reading.Jennie: Yeah. I loved that line, “But nobody sends a birthday card to a dead person.”Barbara: Yeah.Jennie: And I, I'm thinking- Really poignant ... that that's the center of this story, you know, s- who, who was Charlie? I think you said that. Mm-hmm. Was-Barbara: Mm-hmm.Jennie: And ‘cause she's got the jacket.Barbara: Yeah.Jennie: She's got Charlie's jacket, so- That, that'sBarbara: true, and sh- and she's wearing it, I think. [00:39:00]Jennie: Yeah, and, and so- I mean, I suppose Charlie could be a child if this person is older.Barbara: Yeah.Jennie: Like, you know, um, but y- I ... So I had this weird reaction to this, which is I thought it was fun, and maybe that was you reading it. I thought, I thought the writing was great, but I wouldn't turn the page. I'd be frustrated. You know, if, if there was another book or another story that was, um, didn't make me work so hard- Mmto figure out where I was or what was happening, I would choose that over this. So it's a weird combination for me of great job, but it's a no for me.Barbara: Yeah,Jennie: that- What about you?Barbara: That's, that's how I felt. There, there were a lot of elements here that I think are, that are intriguing and that if presented slightly differently would make me want to turn the page.But as, as it is right now, I, I would not. [00:40:00]Jennie: I agree with that. I think it feels close. Mm-hmm. Um, so how could we give this person some direction for, um- Yeah ... well, you talked about all the names, and I don't think the solution is ID all these names.Barbara: Right.Jennie: Mm-hmm. That's gonna be clunky. Or ID all these people. Um-Barbara: Yeah.I, I think for, for me personally, what I think would help was if we were to get a bit more of a peek inside the nar- inside Corey's head, so we could understand from her perspective why it's important that she's making this call, like, what the goal is with the truck. Um, if we just saw it a little bit more from her view and got to know a little bit more of the information that she already holds in her head, I think that would go a long way to making the story feel more accessible to the reader.Jennie: That's really well said, and [00:41:00] hopefully that helps the writer for your next pass to, to think about. But I- there's something, there's something good I think here going on. Mm-hmm. And, uh, I have the same, um, comment that I had earlier. I, I wanna know what kind of story I'm in, and I'm s- and I'm not sure. We were talking about sorting out these relationships and what's happening with the field and the truck and then the weather and all that, but again, is thisThere's no sense of what kind of story this is going to be. And, um, I, I always want a little more. And, and the title is Empty Spaces, which doesn't help, um- Yeah ... point us to that. I hear that. So just a little more, um, of a sense of what world are we? What, what problem do we have? What world are we in? Um, you know, and even just that last bit where the character turns the radio station on and yawns, “Where are we headed [00:42:00] tonight?”It- there's, there's not an urgency of It's, s- nobody's running from anything. There's no- Right ... threat, uh,except for the mom who won't answer the call.Barbara: Yeah, yeah.Jennie: Yeah. Um, so a little, a little more of a sense of what's at stake. Um, I know, we always are asking so much on a first page, but- I know ...Barbara: uh. I know, but e- you know, it's, there are so many things to read, you know, from, like agents, editors, readers, all have so many things to choose from, and so it's just so important to nail that first page, you know?Jennie: How many times do you rewrite your first pages?Barbara: Oh my gosh, so many times. So many times. Yeah. Yeah, well, um, ‘cause usually I write the first page, and then I write the rest of the book, and then I'm like, “Oh, like, the rest of the book does something different. I need to go back and, like, make this first page...”Also, I do, I often do the thing that I think a lot of writers do, which is, [00:43:00] once you've written a little bit further, you realize that, like, you've started at the wrong spot. Um, I mean, the, one of, one of the things that helps me when I, when I think to do it is to use one of the exercises that's in, that's in your work, where you, where you start what, you, you write the beginning and the ending before you even start anything.Um, and I, I, when I remember to do that the right way, that really, definitely helps me. Um, but I don't always remember to do that, and so I have, like, partway in, and then I'm like, “Wait, no, the first page.” So,Jennie: it's- Well, that, yeah, that's a, um, a step in the blueprint for a book book. Um, it's a good one, for sure.Uh, well, thank you so much for joining me for, for this, Kathleen, and congratulations on the new book. Um, for everyone listening, go check out, you can find everything at KathleenBarber.com. And, um, you can find Sisterhood Above All, which is brand new and just out and sounds like so much [00:44:00] fun. I, it's on my TBR, TBR.Yay. I just can't read, I just can't read thrillers at night. I get too scared. So,Barbara: um-Jennie: That'sBarbara: fair. That's fair ...Jennie: I, I have to wait till I'm, like, on a plane or, um, you know, somewhere where I'm reading during the day. Yeah. Is this one, is this one l- scary scary?Barbara: I mean, it's, it's not, like, scary scary. It's, it's not, like, uh- It's, it's not like there's someone who's out there to kill you for reasons that you cannot control.You know what I mean? Like, it's like- Yeah, yeah ... it would be scary to the people inside the book, but it should not be scary to you. ButJennie: I understand how- Well, we don't need to reas- We don't need to reassure me because people love these, love these- Yeah ... and, uh, what a fun, fun setting and setup for- Thank youa thriller. It's, it's exciting. Thanks. So can't wait to see how, how the world receives it. And- Mm ... um, I always hate to say this to somebody whose book just came out, but can't wait to see what you do next. [00:45:00]Barbara: Don't worry, I'm already writingJennie: stuff. Oh, yeah. Do you, ooh, do you wanna, do you wanna tell or no?Barbara: I, I do not, just ‘cause I get really superstitious about it, but, um, but I have something that I'm working on that I'm excited about, so you know, we'll see how it goes.Jennie: I love it. Well, thank you for joining us for Book Life, Jennifer.Barbara: Thanks for having me. That was a lot of fun.Jennie: For our listeners, let's get back to work and finish what matters most.Outro: The hashtag amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their [00:46:00] work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Ben has returned from his annual pilgrimage to the Mile Of Music festival and has good things to report. Meanwhile, MP has some complaints about that "other" music festival. The boys talk about the new releases from Slow Fiction and Cinema Stare, and present a playlist of ten brand new indie rock tracks that won't gut your staff or try to sell you water.EPISODE PLAYLIST:BODEGA, "Weather Me"Porch Light, "Under"Swapmeet, "Seeds"Tough Cookie, "Mercy!"Bloome, "Bows & Daisies"Fudge, "What About Me"Man/Woman/Chainsaw, "The Thing"waltzerr, "Ciggy B"Mallory Hawk, "Caretaker"Honest Work, "The Final Prose"Dopamine, "Crash"Women in Peril, "No Fun"BONUS TRACK: Mallory Hawk, "Rabbit Hole"Links to stuff we talked about:Check out the new Slow Fiction album "dollhouse"Check out the new Cinema Stare EP "Stink"Visit Infinite Spin records in St. LouisGet tickets to the Eric Bachmann house show tourCities added to the map this episode:Prague, CzechiaWilmington, North Carolina

In our search to bring real information and horse racing history and insights regarding the current spring mess, as the Preakness and the state of Maryland go to war with the big boys at Churchill, NYRA and Fox reagrding the perilous future of the Triple Crown and its significance to the sport, we turn to lifer track man and journalist Randy Moss to educate us and present the reality of the industry. The post NBC horse racing insider Randy Moss educates Nestor about Preakness future and Triple Crown in peril first appeared on Baltimore Positive WNST.

The Wabanaki-Acadian old-growth forest is endangered — only one per cent of its old growth is left. The ancient forest, which stretches from parts of the Maritimes and Southern Quebec down into several New England states, is now comprised largely of newer forests, already cut down and logged, over and over. IDEAS explores the rare beauty of 300-year-old trees and astounding biodiversity before it's gone.*This episode originally aired on aired on June 11, 2024.Guests in this podcast:Peter Romkey is a naturalist, forest ranger and former executive director of the K.C. Irving Environmental Science Centre at Acadia University. He is retired and living on the south shore of Nova Scotia.Joan Maloof is an ecologist and the founder of the Old-Growth Forest Network, which works to preserve, protect, and promote America's few remaining stands of old-growth forests. She is the author of several books, including: Nature's Temples: A Natural History of Old-Growth Forests. Maloof lives in Maryland.Ursula Johnson is a renowned multidisciplinary artist. She won the 2017 Sobey Art Award. Johnson is a member of the Eskasoni Mi'kmaw Nation on Cape Breton Island (Unama'ki in Mi'kmaq). She also works for Parks Canada as the Mi'kmaq Relations Advisor for the mainland Nova Scotia field unit. She lives in southwestern Nova Scotia.

Sam talks to scholar and activist Dr. Scott Kurashige, author of the new book American Peril: The Violent History of Anti-Asian Racism. "This is a must-read book to understand the multifaceted history of anti-Asian violence not only as individual attacks but through the context of war, militarism, imperialism, capitalist exploitation, and the postindustrial urban crisis. Through captivating storytelling, Kurashige uses his decades of knowledge as scholar and activist to resist the violence of erasure of Asian American activism and of anti-Asian racism itself.” —Diane C. Fujino, author of Heartbeat of Struggle: The Revolutionary Life of Yuri KochiyamaLearn more about the book here and follow Dr. Kurashige's work at scottkurashige.com.It's hard to keep up with the fascism that is unfolding as the Trump MAGA regime and party bid to consolidate a new form of governance atop the United States. Here are just three of the important recent developments in the accelerating Trump fascist assault on humanity.... Catch up with Paul Street's weekly column. Text REFUSE to 855-755-1314 or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sign up online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, follow @RefuseFascism on social media (@RefuseFashizm on TikTok) and our YouTube channel: @Refuse_Fascism.Support:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to Refuse Fascism on Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/refusefascism⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠donate.refusefascism.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Venmo: Refuse-Fascism⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy merch (Big Cartel)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy merch (Fourth Wall)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Music for this episode: Penny the Snitch by Ikebe Shakedown

Kathleen O’Toole, associate vice president for K-12 Education at Hillsdale College, and Robert Pondiscio discuss his Atlanta Classical Academy commencement speech, the value of learning together in a community, and the promise and perils of AI in education. Robert Pondiscio is a senior fellow at the American Enterprise Institute (AEI) and an affiliate of AEI’s James Q. Wilson Program in K–12 Education Studies, where he focuses on K–12 education, curriculum, teaching, school choice, and charter schooling.See omnystudio.com/listener for privacy information.

Episode 77: Featuring Julie Gondzar, Director of Development, Greater Portland Landmarks On this episode of The Boulos Beat, Greg Boulos sits down with Julie Gondzar, Director of Development at Greater Portland Landmarks, to discuss her passion for historic preservation, and the importance of protecting Portland's architectural legacy while embracing thoughtful growth. Greg and Julie discuss the balance between preserving Portland's historic character and meeting the demands of modern development, the importance of educating the public about preservation, and Greater Portland Landmarks' initiatives to engage the next generation of advocates. Julie concludes by sharing the organization's vision for the future, including a fresh approach to its longstanding "Places in Peril" program.

DISCLAIMER: This week's sermon topic is rated PG-13.  The Bible is full of great children's stories, and then there are some that should never make it on the kids book shelf.  The story of Sodom and Gomorrah would be one of those. But the author of Jude uses that story not to shock us, but to caution us of what happens when we allow, and even normalize, moral corruption and perversion in our lives and communities.  The story may be unfamiliar, and even uncomfortable, but it's often in these stories we see the depth of God's grace and power. The heartbeat of Church on the Rock is to help people discover how they can LOVE God and LOVE one another, LIVE with passion, purpose and freedom, and LEAD others to this same experience in Jesus. We simply say, “helping others Love, Live, and Lead in Jesus". Commit to your "One More": https://onemoreak.com Let's Connect here: https://churchak.ccbchurch.com/goto/forms/84/responses/new Learn more about us at https://churchak.org If you enjoyed our teaching and would like to donate to our ministries go here: https://pushpay.com/g/churchak?src=hpp

This week, we'll hear about something called the Premonitions Bureau, and about an ancient fossil that reveals more about man's best friend. Then... do you hate mosquitos? We'll hear from an expert in defense of the blood-sucking insects. Finally, we'll get the scoop about why connecting to free Wi-Fi when you're out of town might be putting you in danger.

This week, we'll hear about something called the Premonitions Bureau, and about an ancient fossil that reveals more about man's best friend. Then... do you hate mosquitos? We'll hear from an expert in defense of the blood-sucking insects. Finally, we'll get the scoop about why connecting to free Wi-Fi when you're out of town might be putting you in danger.

This week, we'll hear about something called the Premonitions Bureau, and about an ancient fossil that reveals more about man's best friend. Then... do you hate mosquitos? We'll hear from an expert in defense of the blood-sucking insects. Finally, we'll get the scoop about why connecting to free Wi-Fi when you're out of town might be putting you in danger.

This week, we'll hear about something called the Premonitions Bureau, and about an ancient fossil that reveals more about man's best friend. Then... do you hate mosquitos? We'll hear from an expert in defense of the blood-sucking insects. Finally, we'll get the scoop about why connecting to free Wi-Fi when you're out of town might be putting you in danger.

This week, we'll hear about something called the Premonitions Bureau, and about an ancient fossil that reveals more about man's best friend. Then... do you hate mosquitos? We'll hear from an expert in defense of the blood-sucking insects. Finally, we'll get the scoop about why connecting to free Wi-Fi when you're out of town might be putting you in danger.

This week, we'll hear about something called the Premonitions Bureau, and about an ancient fossil that reveals more about man's best friend. Then... do you hate mosquitos? We'll hear from an expert in defense of the blood-sucking insects. Finally, we'll get the scoop about why connecting to free Wi-Fi when you're out of town might be putting you in danger.

A Marine pilot vanished over the Atlantic in 1945 with no wreckage, no body, and no explanation — and more than thirty years later, forty people would swear he was still alive.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Window to Oblivion” (May 23, 1978) 00:44:05.587 = Mysterious Traveler, “The Visiting Corpse” (January 09, 1944)01:12:38.749 = CBC Nightfall, “The Telltale Heart” (August 01, 1980)01:40:47.122 = Obsession, “Solitary Genius” (July 30, 1951) ***WD (LQ)02:04:08.135 = Origin of Superstition, “Knock On Wood” (1935) ***WD02:17:51.431 = Pat Novak For Hire, “Joe Candono Blackmail Pictures” (March 27, 1949)02:49:57.789 = Peril, “Man Against The City/Purple Death” (1953) ***WD03:11:08.909 = Mystery Playhouse, “Man In Velvet Hat” (December 19, 1944) ***WD03:39:06.839 = Philip Morris Playhouse, “Leona's Room” (February 25, 1949)04:07:58.182 = Price of Fear, “Soul Music” (October 27, 1973) ***WD04:36:05.849 = Adventures of Ellery Queen, “Three Frogs” (April 29, 1948) ***WD05:04:54.373 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0736

In this episode of Stephanie Miller's Happy Hour Podcast, Stephanie dives into the chaos of the current political landscape, where absurdity reigns supreme. Join her as she hilariously dissects the latest antics of Judge Jeanine Pirro, who seems to be in hot water after a dramatic exit from her office. With a mix of sharp commentary and side-splitting banter, Stephanie navigates the fallout from the Trump administration's mass layoffs at the Department of Health and Human Services, which threaten public health initiatives just as we face another pandemic wave. Joined by her witty co-hosts, they explore everything from Trump's latest delusions to the bizarre world of political reparations. Expect a rollercoaster of laughs, insights, and a much-needed sanity check as we confront the ongoing madness of our times. Don't miss this wild ride!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We start with a divided Federal Reserve's decision on interest rates and how Wall Street is reacting. Dr. Anthony Fauci could be in trouble after repeatedly pleading the Fifth. A key Republican holdout is threatening to tank Todd Blanche's nomination for attorney general tomorrow. We'll hear another round of emotional testimony in a Massachusetts mom's triple-murder trial. Plus, the soccer world is furious about a controversial plan from FIFA. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Six strangers board a night train crawling through the worst winter in years — a divorced businessman, a runaway couple, a wealthy man running out of time, and an elderly woman being shipped off by her own family — each quietly hoping this trip might be the one that changes everything, for better or worse.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Journey To Somewhere” (May 04, 1978) ***WD00:44:26.457 = Molle Mystery Theater, “Killer Come Back To Me” (May 17, 1946)01:13:35.047 = Mr. Keen, “The Leaping Dog” (April 13, 1944) ***WD01:42:41.788 = Murder at Midnight, “The Man With The Black Beard” (May 08, 1950) ***WD02:08:37.327 = The Black Museum, “The Tan Shoe” (January 15, 1952)02:33:18.183 = Mysterious Traveler, “The Green Plague” (June 17, 1952)03:00:29.228 = CBC Nightfall, “Hands Off” (July 25, 1980)03:27:14.184 = Obsession, “Clinging Hate” (May 14, 1951) ***WD03:49:55.235 = Origin of Superstition, “Kissing Under Mistletoe” (1935) ***WD04:04:07.297 = Pat Novak For Hire, “Rory Malone” (March 20, 1949)04:33:03.187 = Peril, “Lucky Lady” (1953) ***WD04:58:54.597 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0727

There is a threat of eating a lot of ham should this nonsense continue. And no one should ever joke about that. It's a week of endings. So many endings. Honestly, it might be to many endings. Intrigued yet? Then play on. Note: Time codes are estimates due to dynamic ad insertion by the distributor. Running Time: 01:15:11 Pick of the Week:00:02:37 - Swamp Thing #91 (1989 4) Comics:00:16:46 - Action Comics #110000:26:51 - The Amazing Spider-Man #997 (33)00:34:31 - Dark Knights of Steel II Special: Heir to the Sea00:41:55 - Narco #500:44:21 - Usagi Yojimbo: Kaitō '84 #500:47:00 - Imperial Guardians #500:48:48 - Wonder Man #500:53:39 - The Peril of the Brutal Dark: An Ezra Cain Mystery #600:55:17 - A Quiet Place: Storm Warning #5 Patron Pick:00:57:44 - Terminal #1 Patron Thanks:01:07:26 - John Burton Brought To You By: iFanboy Patrons – Become one today for as little as $3/month! Or join for a full year and get a discount! You can also make a one time donation of any amount! iFanboy T-Shirts and Merch – Show your iFanboy pride with a t-shirt or other great merchandise on Threadless! We've got TWENTY THREE designs! Music:"Left to Right (iFanboy Theme)"Josh Flanagan Learn more about your ad choices. Visit megaphone.fm/adchoices

A film crew arrives at Wicklow Manor to shoot on location, where a centuries-old legend says a mandrake's shriek lures the heartbroken to their deaths from the tower — and within a day of filming, two men fall.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, ”Shriek of the Mandrake” (April 13, 1978) ***WDZ00:46:51.627 = Peril, “Last Man” (1953) ***WD01:13:31.419= Mystery Playhouse, “Fifty Candles” (July 25, 1944) ***WD (LQ)01:43:17.831 = Price of Fear, “Out of the Mouths” (June 20, 1983)02:10:43.064 = Adventures of Ellery Queen, “Man In The Street” (December 04, 1947) ***WD02:39:53.920 = Quiet Please, “Dark Rosaleen” (March 13, 1949)03:09:16.689 = Radio City Playhouse, “Deception” (November 20, 1949) ***WD03:37:20.995 = Suspense, “Cat – Audition Episode” (October 21, 1946) ***WD03:53:18.121 = Sam Spade, “Convertible Caper” (June 15, 1947) ***WD04:16:34.427 = The Sealed Book, “Accusing Corpse” (April 29, 1945)04:46:03.073 = The Shadow, “The Gibbering Thing” (September 26, 1943)05:14:27.773 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0719