Podcast appearances and mentions of David Hockney

On this episode of Ojai Talk of the Town, we take a sun-dappled stroll through the life and work of Stephanie Hubbard —landscape architect, abstract expressionist, and one of the newest members of the Ojai Studio Artists. Fresh off a prestigious nine-month residency at the Taft Gardens, Stephanie shares how Ojai's wild beauty has rooted itself in her art — and her soul.We talk childhood in the Transcendentalist center of Concord, Massachusetts, apprenticing with a ceramicist painting flowers for Evelyn & Crabtree, and what it was like to work as on-screen talent with the classic show "This Old House." We get into the tangled garden of her creative process, where soil meets soul, and brush meets instinct.Stephanie's story is one of elegant reinvention — from shaping landscapes to letting landscapes shape her. If you like stories about artistic breakthroughs, garden epiphanies, or what happens when a designer trades blueprints for brushstrokes, don't miss this one.We did not talk about when Shohei Ohtani was going to next take the mound, David Hockney's camera obscura or the short-lived Korean Empire.Pull up a seat — or better yet, take us on a walk — and enjoy the view. You can learn more about Stephanie and her work at her artist website, Stephanie-Hubbard.com, or her landscape architectural firm, Site-Creative.com

Das Dokudrama „Stammheim — Zeit des Terrors“ zeigt den Gerichtsprozess gegen die erste Führung der RAF, der Film „Die Quilt-Macher“ besucht Insassen eines Hochsicherheitsgefängisses und in „David Hockney, der Maler des Pop“ erfahren wir mehr über den bekannten Künstler. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/was-laeuft-heute >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-stammheim-zeit-des-terrors-die-quilt-macher-david-hockney-der-maler-des-pop

Das Dokudrama „Stammheim — Zeit des Terrors“ zeigt den Gerichtsprozess gegen die erste Führung der RAF, der Film „Die Quilt-Macher“ besucht Insassen eines Hochsicherheitsgefängisses und in „David Hockney, der Maler des Pop“ erfahren wir mehr über den bekannten Künstler. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/was-laeuft-heute >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-stammheim-zeit-des-terrors-die-quilt-macher-david-hockney-der-maler-des-pop

A exposição "Lembre-se de que não podem cancelar a primavera", de David Hockney, está patente na Fundação Louis Vuitton em Paris. Com mais de 400 obras, cobre 70 anos de criação, dos retratos e piscinas dos anos 60 e 70 às inovações digitais recentes. O investigador e médico Guilherme Queiroz percorre a mostra, oferecendo-nos o seu olhar sobre o percurso artístico do pintor britânico. RFI: A exposição não é apenas uma perspectiva, é também uma celebração da energia deste pintor britânico, um dos maiores pintores contemporâneos, que convida aqui o público a ver o mundo com outros olhos. Esta exposição é sobre tempos; tempo meteorológico, tempo cronológico?Guilherme Queiroz: É curioso, nós tivemos uma retrospectiva grande do David Hockney aqui em Paris, no Centro Pompidou, em 2017. Portanto, já passaram oito anos e, na altura, uma retrospectiva muito mais biográfica, muito mais desse tempo cronológico. Nesse sentido, esta exposição inova mais, no sentido de desconstruir um tempo cronológico para pensar muito mais a pintura e a presença de ocre enquanto tema: Passamos por salas que são completamente temáticas e que não têm medo de misturar anos, técnicas, abordagens, países. Vemos cores, muitas cores, vemos abordagens muito diferentes. Vemos o Yorkshire com a Normandia, vemos os Estados Unidos lado a lado com a carreira muito inicial de Hockney, mas, como dizes, é uma exposição centrada nos últimos 25 anos do artista, que tem, neste momento, se não estou em erro, 87 anos.Hockney acompanha o mundo através da tecnologia?É o que eu acho incrível na obra de Hockney e, principalmente, numa exposição deste calibre na Fundação Louis Vuitton, é que é um artista que não tem medo de arriscar.Não tem medo de experimentar. Eu acho que não tem medo de não ser levado a sério. Para mim, essa liberdade criativa que ele tem e que demonstra sem qualquer pudor. E falo desde as suas primeiras obras e acho que, nisso, a primeira sala que mostra esses primeiros anos é muito clara: desde o início é uma pintura quase que afronta. Até precisamente, e creio que é aquilo que chamará mais a atenção daqueles que visitarão esta exposição, e era algo que já estava presente no Pompidou, mas que aqui é completa: é a presença da pintura digital. Portanto, começamos com algumas experiências no computador, ainda, mas a grande maioria de, não sei se é a maioria das pinturas que nós vemos na exposição, mas existem salas que são exclusivamente compostas por pinturas feitas no iPad, que, como se ouvia na guia a explicar, Hockney costura e já mesmo os seus casacos com bolsos específicos do tamanho do iPad.Bolsos à medida do iPad...À medida do iPad. E, de facto, o iPad é a ferramenta e, lá está, sem nenhum pudor, sem receio dessa experiência e do que são técnicas menores ou técnicas maiores, de utilizar o iPad, que é o sonho dos impressionistas: Que é poder ir para o campo com muito menos do que um cavalete, não sei quantas tintas e uma tela, e é simplesmente o iPad. E ele domina como domina o acrílico ou o óleo em tela, domina o iPad de uma forma inimaginável, acho eu. É muito difícil, às vezes, estar lá e perceber que aquelas são pinturas que não são feitas com pincel e óleo, mas são exclusivamente digitais, conservando o domínio da cor, o domínio da perspectiva e o domínio da paisagem, da mesma forma como fazia há 30, 40 anos.Independentemente de usar um pincel ou um pincel digital, o crepúsculo ou a luminosidade e o jogo que cruza entre os dois, fá-lo em qualquer um dos suportes, que seja uma tela ou uma tela digital?Completamente. E nós comentávamos durante a exposição que, de facto, é de louvar o cuidado que a Fundação Louis Vuitton tem com a iluminação das peças, com a iluminação das salas, com a própria pintura das salas, que cria os ambientes perfeitos. Algumas pinturas, até comentávamos, que parecem retroiluminadas, como nas exposições de fotografia, em que a luz vem de trás das pinturas, porque os brancos e as cores eram tão vibrantes que, de facto, é raro muitas vezes vermos estas obras expostas. Não é só raro ver as obras expostas, mas é raro vê-las expostas desta forma.Há uma das salas que é talvez a mais comentada, ou das mais comentadas, nas reportagens sobre a exposição, e que eu tinha bastante expectativa: é a sala das luas, em que retrata maioritariamente, mais uma vez com o iPad, a lua na paisagem, em que, de repente, saímos de uma sala extremamente luminosa e colorida para uma sala onde reina a luz da lua. E a maneira como isso se faz a nível de construção da exposição é brilhante.Além do facto de, nesta exposição, falarmos da arte da pintura, mas também de música, lembrando que Hockney também fez muito trabalho em ópera......e é surdo. Esse primor visual, em combinação com a música, que ele diz que quer, a certa altura aparece a sua citação, que ele quer que os que vejam a ópera vejam, nos seus cenários e figurinos, a música que está a ser tocada. Isso é muito claro. Há uma sala que é a sala mais dinâmica, e não é interativa, mas é dinâmica e, de certa forma, sim, interativa.Sim, que fala da ópera, é uma experiência extraordinária. E há uma coisa que eu quero apontar: de facto, algo que me chamou a atenção é que havia várias crianças na exposição e as crianças estavam completamente absorvidas pelas pinturas. Há uma parte da exposição que não é uma pintura, é um vídeo que une vários ecrãs e com uma certa desconexão e sincronia, como o Hockney já nos habituou. E havia uma criança que passou, à vontade, uns 15, 20 minutos a olhar completamente embebecida para o quadro, e vimos isso noutras salas. E, de facto, lembra-nos que Hockney quase que restaura ou recupera o nosso olhar inaugural da criança: Quando nós olhamos para as paisagens, quase que recuperamos em nós essa. Essa mirada inaugural das cores, da perspectiva, de como tudo vibra à nossa volta e tudo é maravilhoso. E como ele se despede da exposição. Isto não é um spoiler, mas... é de facto... "sabe-se menos do que nós pensamos".Uma citação de Edvard MunchExactamente. A quem dedica esta última sala, ao pintor norueguês Edvard Munch e a William Blake. Tanto um como o outro sabiam bem que sabemos muito menos do que se pensa. E eu acho que nessa ligação, é essa inocência... não é uma inocência, não é uma inocência genuína pura do olhar...Uma simplicidade.É uma simplicidade. E um grande amor. Sente-se uma grande paixão pelo mundo. Esta ligação muito grande à realidade. Lembram-nos que, de facto, o mundo é muito mais maravilhoso do que nós pensamos, que o conhecimento que temos sobre ele ainda está muito aquém e que há ainda muito mais por descobrir.

Aos 87, David Hockney, um dos artistas britânicos mais influentes dos séculos 20 e 21, continua ativo como nunca. Prova disso é a exposição “David Hockney, 25”, em cartaz na Fundação Louis Vuitton, em Paris, dedicada à sua produção dos últimos 25 anos. Patrícia Moribe, em ParisPela primeira vez no imponente prédio projetado por Frank Gehry, um artista ainda vivo ganha as honras da casa. As filas de entrada são longas, mas uma vez dentro do museu, os visitantes se espalham pelas onze salas em três andares, sem a sensação de acotovelamento diante das obras.São mais de 400 trabalhos expostos, geralmente de grandes proporções, entre pinturas, desenhos, fotografias, colagens, projeções e a sua paixão dos últimos anos – as pinturas feitas no telefone celular e tablet.  “Não se trata de uma retrospectiva, embora apresentemos uma espécie de prelúdio com obras célebres, como a famosa pintura da piscina, A Bigger Splash” (1967), explica Magdalena Gemra, da equipe de curadoria da fundação, entrevistada por Muriel Maloouf, da RFI, referindo-se ao quadro da fase californiana de Hockney, com muita luminosidade e referências à água. Outra pérola dessa época, também na mostra, é “Retrato de um Artista”, de 1972, arrematado em leilão em 2018 por US$ 90 milhões, valor recorde na época para um quadro de um artista ainda em vida.Mas o foco da exposição em Paris, explica Gemra, foi especialmente para as obras dos últimos 25 anos, incluindo quatro anos passados na Normandia, isolado durante a Covid, quando Hockney mergulhou na paisagem local e nos retratos das pessoas próximas a ele.A exposição começa com um grande letreiro de neon na parede: Remember you cannot cancel spring (“Lembre-se de que não se pode cancelar a primavera”), uma frase que Hockney escreveu para um grupo de amigos durante a pandemia, em 2020. “É uma mensagem alegre e esperançosa que queremos transmitir com a exposição. Mesmo diante das tragédias que todos vivemos, a obra de David transmite uma alegria que permanece”, disse Magdalena Gemra.O irrequieto Hockney participou ativamente de todas as etapas da montagem da exposição, passando pelas cores das paredes, até o catálogo. A equipe da fundação o visitou várias vezes em seu ateliê em Londres e o artista veio a Paris três vezes, sempre acompanhado de familiares e amigos.Sempre rebeldeDavid Hockney nasceu em 9 de julho de 1937, em Bradford, Inglaterra. Estudou na Royal Academy of Arts e foi apontado como um dos pioneiros da arte pop na Grã-Bretanha. Mudou-se nos anos 1960 para Los Angeles, também com temporadas em Londres e Paris.Na virada do século, ele voltou seus olhos e paletas para a Yorkshire natal, retratando o que via e sentia com aquarelas e óleos.Hockney sempre explorou técnicas diferentes, das tintas, passando pela foto, até a imagem digital, na qual virou referência.Influência“Em 2010, eu vi na Fundação Pierre Bergé e Yves Saint Laurent, em Paris, seus primeiros desenhos feitos no iPhone e fiquei muito impressionado”, diz o artista visual Fernando Barata, radicado em Paris e que também trabalha com imagens digitais. “Enquanto muitos artistas pop usavam a tecnologia como comentário sobre a cultura de massa e reprodução, mecânica, Hockney a incorporou em seu processo criativo. Para ele, um iPad não é apenas uma referência cultural, mas um suporte legítimo, um novo meio expressivo que merece a mesma seriedade da pintura tradicional”, apontou o artista. “Foi uma verdadeira alavanca para meus primeiros trabalhos digitais em iPad. A difusão instantânea das obras digitais criou um novo paradigma que desafia o modelo tradicional de galerias, marchands e leilões. Essa democratização dos meios de distribuição transformou a relação entre artistas e público, permitindo conexões diretas sem os intermediários tradicionais de sistema artístico”, diz Fernando Barata.A exposição também traz as paisagens grandiosas da natureza americana e muitos retratos, principalmente de amigos e pessoas próximas, como o companheiro e braço-direito Jean-Pierre Gonçalves de Lima. O rebelde Hockney chegou a recusar uma condecoração e uma encomenda para pintar o retrato da rainha Elizabeth II.Na última sala, imersiva, suas criações para óperas passeiam pelas paredes. Os visitantes podem ficar onde quiserem, mas os locais mais disputados são as almofadas espalhadas pelo chão.Homossexual assumido e fumante inveterado, sempre com roupas coloridas e um sorriso no rosto, Hockney não para de se reinventar."David Hockney 25" fica em cartaz na Fundação Louis Vuitton, em Paris, até 31 de agosto de 2025. 

In the wake of President Trump's proposed film tariffs, Jake Kanter, International Investigations Editor at Deadline, discusses what the impact could be for the British film industry.Last week Moorcroft became the latest heritage ceramic company to close its doors in Stoke-On-Trent. Emma Bridgewater, founder of the eponymous ceramics company, and Alasdair Brooks from Re-Form Heritage, discuss the decline of pottery in The Potteries.A new genre-bending production of Hamlet created in collaboration with Thom Yorke from Radiohead has just opened at Factory International in Manchester. Co-directors Christine Jones and Steven Hoggett discuss their vision for Hamlet Hail to the Thief. When it opened in 2000, The Lowry in Salford was one of the many beneficiaries of cultural infrastructure funding from the Millennium Commission. Twenty five years on, its CEO, Julia Fawcett, joins Front Row to discuss the significance of this national funding programme.David Hockney and Vincent van Gogh have had the immersive art treatment. Now the National Portrait Gallery is using this approach for its collection in a new exhibition, Stories Brought To Life, that has just opened in MediaCity, Salford Quays. Art critic Laura Robertson gives her thoughts.Presenter: Nick Ahad Producer: Ekene Akalawu

Les œuvres du peintre David Hockney sont exposées à la Fondation Louis Vuitton jusqu'au 1er septembre 2025. Ecoutez Laissez-vous tenter - Première avec Le Service Culture du 22 avril 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Mr. Turner director Mike Leigh, art historian Charlotte Mullins and senior curator at Tate Amy Concannon join Tom Sutcliffe to celebrate the life and work of JMW Turner, as we approach the 250th anniversary of his birth. Also in this edition, David Hockney on Turner's skill as an artist, Alvaro Barrington talks about his continuing influence on artists today, and Tom goes to the conservation studio at Tate Britain to see what's being done to protect Turner's bequest and look after his fragile and damaged works.Producer: Claire Bartleet Presenter: Tom Sutcliffe

In dieser Folge wird's nostalgisch, persönlich und herrlich absurd: Es geht um echte 90er-Kids, Osterbräuche, vegane Apfelstreusel von Penny, Künstlerscheiße in Dosen (wortwörtlich!) und den leidenschaftlichen Vergleich von Kunsthaar und Echthaarpinseln. Außerdem gibt's eine neue Künstlerin der Woche und jede Menge ehrliche Rants über Influencer, Instagram und das Leben als wandelnde Werbung. Natürlich alles wie immer mit einer Prise Selbstironie und einem Hauch Rotz am Kragen.Künstler der Woche: https://www.instagram.com/katmenschikhttps://www.instagram.com/yulia_brodskaya_artyulia?igsh=MTYxbHV0aW1xdGF0eQ==Wir das sind:Isabella :⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/_paperieur_/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PaperClub:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://steadyhq.com/de/paperclub/about⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marvin:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/gustavson_illustration/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Gustavson Onlineshop:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://gustavson.store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠00:00 - Einstieg mit Disclaimer & Osterstimmung03:01 - 90er-Jahre-Rant & Generationen-Streit17:00 - Supermarktvergleich & vegane Geheimtipps25:00 - David Hockney, Paris & Reisepläne34:00 - Kunstpinsel: Echt- vs. Kunsthaar46:00 - Künstlerin der Woche & skurrile Kunstfakten58:00 - Kommentare, Kunstmarkt & letzte Worte

durée : 00:11:41 - L'invité de 7h50 du week-end - L'écrivaine Catherine Cusset est l'autrice du roman "Vie de David Hockney", qui vient de reparaître dans une version magnifique, illustrée, avec de nombreuses œuvres du peintre, en marge de l'exposition à la Fondation Louis Vuitton à Paris.

Celebramos el Día del Libro recorriendo librerías, clubes de lectura y otras iniciativas literarias en diferentes puntos de España. Hablamos con libreros, que hacen mucho más que vender libros. El arte, como la literatura, también es un ejercicio de memoria colectiva, como nos muestran el Guggenheim Bilbao y David Hockney en París

durée : 02:59:28 - Le 6/9 - par : Ali Baddou, Marion L'hour, Benjamin Dussy, Mathilde Khlat, Elodie Royer - Aujourd'hui dans le 6/9, nous recevons à 7h50 l'écrivaine Catherine Cusset, à l'occasion de l'exposition “David Hockney 25” jusqu'au 31 août à la Fondation Louis Vuitton à Paris, et à 8h20, Bertrand Prevost, professeur d'histoire de l'art, auteur de “L'élégance animale” (Minuit). - réalisé par : Marie MéRIER

När får man säga glad påsk? När man vill, tycker anarkistiska Susanna. Varför är borgerliga väljare så gnälliga, undrar Rebecca Weidmo Uvell. Kanske för att de är borgerliga? Det för oss in på ett resonemang om folkpartisters sätt att vara. Katarina Barrlings doktorsavhandling fortfarande guld i sådana ärenden. Den skamlöse Axel, f'låt, Alex Schulman förklarar att klimatministern är skamlös. David Hockney har storutställning i Paris. Svenska klädtillverkaren Appletrees samarbetar med Marie-Louise Ekman. Är det till modet konstnärer söker sig nu. DN vurmar för klimataktivistiska tjänstemän — ingen tycks längre ha en aning om vikten av oväldiga statstjänare. Och nu har vetenskapen slagit fast att hundar, precis som allt annat roligt, är dåliga för miljön. John le Carrés son har skrivit en riktigt bra bok i pappas anda. Sämre är att korna inte ska få gå ut längre. Vårbudgeten inte så het, men finansministerns nya, glamourflickiga glasögon är det. Kvinnorna runt Trump, å andra sidan, ser ut som porrstjärnor. Horace Engdahl gråter när han ser Gift vid första ögonkastet. Det är sådant, och porrdockor, som Svenskans kultur ägnar sig åt efter Peter Luthersson. Och Göteborgs styre har begått brott, men inte tjänstefel — hur hänger det ihop? Become a member at https://plus.acast.com/s/hakeliuspopova. Hosted on Acast. See acast.com/privacy for more information.

A new exhibition in Paris is shining a light on the rich cultural history of Gaza, with artwork and artefacts which tell the story of the Palestinian enclave's unique melting pot. Featuring classical sculpture, ancient mosaics and archaeological finds, the Arab World Institute hopes that "Saved Treasures from Gaza" will paint a more complete picture of the region's history as a commercial crossroads between Asia and Africa. Meanwhile, Katy Perry's stardom reaches new heights as the American pop star joins the all-female team participating in the Blue Origin flight into space. We also check out the largest show of David Hockney's artwork ever assembled, as the Louis Vuitton Foundation in Paris celebrates his 70-year career. Plus a family-friendly exhibition takes visitors through a century of Disney's movie magic.

Maggie O'Farrell is the author of nine novels. Her debut, After You'd Gone, was published 25 years ago this year and won the Betty Trask Prize in 2001. Her 2010 book The Hand That First Held Mine won the Costa Novel Award; and Hamnet, her hugely acclaimed and bestselling story of the death of Shakespeare's son, won the 2020 Women's Prize for fiction. Maggie O'Farrell has also written a memoir; I Am, I Am, I Am: Seventeen Brushes with Death. Maggie tells John Wilson about some of her creative influences including the Finnish writer Tove Jansson, whose book Moominland Midwinter she first read at the age of eight when she was ill in bed, suffering from encephalitis. The poet Michael Donaghy gave Maggie valuable writing advice when she attended his poetry workshops at City University and inspired her with his recitations of poetry from memory. Maggie also reveals how seeing a David Hockney photomontages called The Scrabble Game hugely influenced the way she constructs narrative and time-frame in her novels.Producer: Edwina Pitman

durée : 00:16:57 - Les Midis de Culture - par : Marie Labory - Nos critiques discutent de l'exposition "David Hockney, 25 'Do remember they can't cancel the spring'" à la Fondation Louis Vuitton, centrée sur les 25 dernières années du travail de l'artiste britannique et sur la place de la nature dans son œuvre. - réalisation : Laurence Malonda - invités : Philippe Azoury Journaliste, critique et auteur; Sally Bonn Maître de conférence en esthétique à l'Université Picardie Jules Verne, auteure, critique d'art et commissaire d'exposition.

durée : 00:27:09 - Les Midis de Culture - par : Marie Labory - Au menu du débat critique, deux expositions : "David Hockney, 25 'Do remember they can't cancel the spring'" à la Fondation Louis Vuitton et "L'art est dans la rue" au Musée d'Orsay. - réalisation : Laurence Malonda - invités : Philippe Azoury Journaliste, critique et auteur; Sally Bonn Maître de conférence en esthétique à l'Université Picardie Jules Verne, auteure, critique d'art et commissaire d'exposition.

Sur fond de crise humanitaire à Gaza, Emmanuel Macron affiche son entente avec le président égyptien Al-Sissi La Corée du Sud mise sur le scrutin présidentiel anticipé pour mettre un terme à la crise politique Le poisson-ballon, ennemi public n°1 en Méditerranée En vue de sa rénovation, le Centre Pompidou entreprend le déménagement de sa collection David Hockney est mis à l'honneur dans une rétrospective incontournable

Wayne Sleep was once called "the finest virtuoso ballet dancer the Royal Ballet has ever produced" by the founder of the company, Ninette de Valois. In this episode, Wayne tells Gyles his remarkable story - raised by his single mother in Plymouth and Hartlepool, Wayne overcame poverty and his short stature to become one of the most well known and successful British ballet dancers of all time. It's a fairytale that includes David Hockney, Rudolph Nureyev and Princess Diana, and much more besides. Thank you to Wayne for your time, wit and energy. Enjoy this. Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:06:35 - Les liens qui unissent David Hockney et la musique - par : Sofia Anastasio - Jusqu'au 31 août, une immense exposition rassemble plus de 400 œuvres du peintre britannique David Hockney. On peut y plonger dans ses piscines californiennes, ses paysages normands, mais aussi les décors qu'il a conçus pour l'opéra. Quels liens unissent David Hockney à la musique ? Reportage.

durée : 00:03:23 - Un monde connecté - par : Thomas Baumgartner - Alors qu'une grande exposition lui est consacrée à Paris à la Fondation Louis-Vuitton, évoquons la dernière période du peintre britannique David Hockney. Depuis 20 ans, il utilise les outils numériques pour peindre paysages et portraits.

Our film critic Ben Croll takes Dheepthika Laurent through the films in competition for the Palme d'Or at the Cannes Film Festival next month. He also talks about Tom Cruise's latest "Mission Impossible" film, which will premiere at the festival; Wes Anderson's latest feature and Robert de Niro, who will receive an honorary award. In other news: we take you through the storied history of the Grand Rex cinema, which was recently voted the most beautiful in the world. Plus: Paris's Fondation Louis Vuitton hosts the biggest retrospective ever dedicated to British icon David Hockney.

Hundreds of people were inside the Jet Set nightclub in the Dominican Republic's capital, Santo Domingo, when the roof collapsed. Also: major David Hockney art exhibition opens in Paris.

Hilary Tiscione"Setole"Polidoro Editorewww.alessandropolidoroeditore.itDopo il successo di Liquefatto, Hilary Tiscione torna in libreria il 12 aprile nella collana Interzona con Setole, un romanzo dalla lingua fenomenica e vorticosa.Dentro una dimenticata villa con piscina, in un tempo e luogo sospesi come in un quadro di David Hockney, si muovono vite disastrose e illuminanti, quelle di Mira, Lena, Rocco e Cino.  Nel cuore tormentoso della grande casa, la quale pulsa di disastri e incontri, gli abitanti sembrano non appartenere a se stessi e al mondo fuori, appartengono solo alle loro stanze, ai tetti e al giardino, che a dispetto della loro immobilità, pullula di vita. In questo spazio mosse dall'aria e dal fato, galleggiano le esistenze di una ragazzina lolitiana mai stufa di vivere, una donna oppressa dalle pillole e dal peso delle indecisioni e di altri personaggi che gravitano intorno alla lussuosa villa. Poi, c'è un uomo lontano, eppure incastonato, come un emblema che si accartoccia su sé stesso mai perdendo la forza simbolica, nelle esistenze di tutti loro. Il suo nome è Al.Un romanzo che sembra richiamare il ritmo masticato, filosofico e acidamente lirico di Nabokov, di Ellis e di Manganelli. Setole vuole rinnovare la poetica cinematografica delle solitudini avanzata da un film cult come Il giardino delle vergini suicide di Sofia Coppola."Setole" proposto da Filippo Bologna al Premio Strega 2025 con la seguente motivazione:«Come nelle celebri tele di David Hockney o nell'indimenticabile film di Jacques Deray con Alain Delon, anche in questa storia c'è una piscina. Con l'acqua a volte limpida, a volte torbida, increspata di piccole onde. Proprio come i sentimenti di Lena, adolescente inquieta confinata in una villa su un'isola delle Hawaii, sospesa nel tempo immobile di un'estate senza fine. E attorno a questa piscina, sotto un sole stordente che si abbatte sul polveroso cantiere della dépendance e sul lussureggiante giardino, si muovono presenze sfuggenti, ombre riflesse sul fondale, indecise se tuffarsi o meno nella vasca senza fondo delle loro vite. Sono Lena, prigioniera dei turbamenti ormonali e del febbricitante languore estivo; Mira, madre depressa e femme fatale sfiorita che annega il suo malessere tra sonniferi e alcol; Cino, giardiniere tuttofare che regge sulle spalle l'eroismo silenzioso della sopportazione; e Rocco, giovane e atletico manovale che diventa il vertice di un conturbante triangolo del desiderio. Su questa Itaca dei Tropici aleggia l'assenza onnipresente di Al, musicista e compagno di Mira, padre di Lena, Ulisse smarrito, che ha dimenticato la rotta di casa e forse non farà mai ritorno alla sua reggia. Setole è un romanzo dall'atmosfera ipnotica, che avvolge da subito il lettore tra le sue spire narrative. Con una struttura compatta e incalzante, scandita in trentuno capitoli – tanti quanti i giorni di agosto – e una voce capace di captare ogni minima vibrazione dell'animo di un'adolescente, Hilary Tiscione dimostra una sensibilità di scrittura rara. Attraverso un uso del dialogo asciutto e percussivo, di chiara ispirazione cinematografica, e uno stile visivo e sensoriale, denso di immagini poetiche, l'autrice crea un efficacissimo montaggio, che alterna accelerazioni improvvise e dilatati ralenti. Tra campiture pittoriche fatte di esplosioni di luce e violenti tagli d'ombra, e una vibrante playlist che diventa colonna sonora dell'abbandono, della delusione e del tradimento, Setole si impone come un romanzo originalissimo e pop, capace di distinguersi per personalità e stile nel panorama della letteratura contemporanea.»Hilary Tiscione (1987) è nata a Genova e vive a Milano. Si è laureata in Lettere e Filosofia all'Università Cattolica del Sacro Cuore. Ha scritto per il Magazine 8 e mezzo e per la rivista online LongTake. Scrive per La Ragione. I suoi racconti sono apparsi su Nazione Indiana, Il Primo Amore, Minima&Moralia e Altri Animali. Lavora all'Università IULM di Milano; è coordinatrice del Master in Sceneggiatura della sede di Roma. Produttore esecutivo del docufilm “Vorrei sparire senza morire – Un racconto di Pupi Avati” selezionato alle Giornate degli Autori nella 78esima edizione della Mostra del cinema di Venezia. Nel 2021 ha pubblicato il suo primo romanzo, Liquefatto (Polidoro Editore) e il saggio narrativo Se Rose gli facesse spazio, Jack si salverebbe? (Bietti).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Aujourd'hui, Éléonore Lemaire, Charles Consigny et Didier Giraud débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

Plusieurs débats au cœur de l'actualité, les Grandes gueules ont le choix, en débattre ou non : France/Algérie, ça va mieux ? David Hockney dans le métro, la cigarette de la discorde !

PRESS REVIEW – Thursday, April 3: There's disbelief, anger and scepticism in the international press after US President Donald Trump announces tariffs hikes on the US's international trade partners. Also: fury continues after the deaths of 15 aid workers in Gaza last month, which the UN now blames on Israeli forces. Plus: Paris's Fondation Louis Vuitton will honour British artist David Hockney in a new exhibition – but a cigarette on his exhibition poster has put him at odds with Paris metro authorities! Trump's tariffs are dominating the headlines in the world's press. After much anticipation by the US president himself, the tariff hikes will affect all of the US's international trading partners. The British tabloid Daily Mirror headlines with: "Trading Blows". It notes that nations are poised to retaliate after Trump announced the sweeping new tariffs. Britain will get a 10 percent hike. The EU, meanwhile, will see a 20 percent increase on its products entering the US, much to the alarm of Belgian daily Le Soir. The daily simply goes with "Trade Wars" on its front page. Here in France, Le Figaro evokes the world's shock at the tariffs, with the editor suggesting a battery of sanctions against US tech groups as a first measure of retaliation. The left-wing paper Libération notes that with these new tariffs, Trump has massacred the world trade system that's been in place since the end of World War II. The paper warns that the move will reinforce the possibility of a recession in the US.The Wall Street Journal says these new tariffs send a strong message: that globalisation is over. However, the business daily warns that bringing manufacturing back to America is no easy feat. After all, the US is geared towards advanced technology and it doesn't have the domestic supplies of basic materials that are produced overseas much more cheaply.Countries like China will be the among the hardest hit. The pro-government China Daily calls it the US tariffs' tantrum. It adds that the tariffs are "an undersea earthquake that will create a tsunami of turbulence and trouble for the world. All this in the vain hope of regaining lost pre-eminence." There's anger, too, in Australia. An opinion writer for the Sydney Morning Herald calls it "Trump's dumb war that just got dumber". Australian cartoonist Glen Le Lievre sees it as "Looney Tariffs". Trump is illustrated signing off as Porky Pig, warning "That's not all Folks!"In other news, outrage continues over the deaths of 15 aid workers from the Red Crescent who the UN says were executed by Israeli forces. The Palestinian Red Crescent Society, of whom eight members were killed, say the 15 bodies recovered earlier this week showed gunshot wounds. One paramedic was found with their hands and feet bound. The New York Times notes that the UN, which is typically cautious about assigning blame, has openly blamed Israel for the deaths. Israeli authorities say a majority of those killed were Palestinian militants. The British left-wing socialist website Morning Star deplores the lack of international outrage around the deaths and around Palestine. It says the world is in a state of lawlessness. The paper reminds us that it's been one year since the killing of seven World Central Kitchen staff, who were all foreign citizens. Israel was not sanctioned by the UN or world powers and so it keeps on killing aid workers.Finally: a new David Hockney exhibition is set to be one of the highlights of the Paris art scene this spring, but he's at odds with the city's metro authorities! The biggest exhibition dedicated to Hockney will be held at the Fondation Louis Vuitton next week, with 400 works in 11 rooms. But in the Paris metro, you wouldn't know it. A poster containing a photograph of Hockney holding a self-portrait cannot be used to promote his exhibition. The reason? He is holding a cigarette in the photograph. In ludicrous reasoning that can only be French, authorities say they have no issue with him holding a cigarette in the painting, only in the photograph. Hockney has famously championed cigarettes. Les Gauloises have truly fallen out of favour in the French capital, it appears!You can catch our press review every morning on France 24 at 7:20am and 9:20am (Paris time), from Monday to Friday.

En avant-première de la grande exposition « David Hockney 25 » à la Fondation Louis Vuitton, libre évocation de l'univers esthétique d'un artiste touche-à-tout. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

L'exposition David Hockney à la Fondation Louis Vuitton commence le 9 avrilMention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:46:20 - La 20e heure - par : Eva Bester - À deux semaines d'intervalle, la romancière Catherine Cusset publie deux livres complémentaires : un essai très personnel sur Marcel Proust et une édition illustrée de son roman "Vie de David Hockney". Deux créateurs fascinés par le temps, celui de l'écriture et celui de la peinture.

Wat biedt energie, troost, plezier, bezinning? Een goed gesprek aan tafel, met veel muziek. Elke zondag van 18:00 - 20:00 uur op NPO Klassiek. Hans den Hartog Jager is kunstcriticus, schrijver en curator, Hij studeerde Nederlands en kunstgeschiedenis en kijkt met een nieuwsgierige en kritische blik naar de wereld om zich heen. Hij scheef monografieën over onder andere Vincent van Gogh, Andy Warhol en David Hockney. Hij debuteerde in 2003 met de roman Zelf God worden, waarin zijn fascinaties voor kunst, kijken en interpretatie bij elkaar komen. Hij publiceerde essays en interviews en stelt als curator ook tentoonstellingen samen. Zijn culturele landschap voert onder andere langs het werk van een voor hem ondergewaardeerde schilder, een videoclip waar je naar blijft kijken en een opera van Monteverdi.

La muerte es un tema del que nunca se quiere hablar, tratamos de vivir dándole la espalda a lo inevitable, pero ¿cuál era la relación con la muerte hace cinco siglos?, ¿ha cambiado mucho en el último siglo? Para descubrirlo, escucharemos a unos protagonistas que han trascendido a la muerte, los de las obras «Retrato de Giovanna degli Albizzi Tornabuoni» de Domenico Ghirlandaio (siglo XV) y «En memoria de Ceccino Brasi» de David Hockney (siglo XX), que nos ayudan a entender cómo se convivía con la muerte en el tiempo en el que fueron retratados. Junto a ellos, contaremos con María Eugenia Alonso, conservadora de pintura antigua del Museo Nacional Thyssen Bornemisza y con la colaboración del filósofo Alejandro G. J. Peña, autor del ensayo ‘El arte de vivir la muerte'.

Artists know how much of a grind it is to be an artist. So when we see artists exploring and evolving like today's guest Shanneil Clarke we can appreciate the amount of effort that goes into it. Shanneil is out in these art streets, doing shows and building an audience with paintings featuring his unique Black figures. We talk about the essence of his style, the neck pieces, the gold, etc. and the inspiration behind his work. Shanneil talks about his Jamaican roots, how he vibes with collectors and the collab project he did recently with your boy, JBarber. Great incite into a young artist you can get follow on his journey. Right here on the Noize! Listen, subscribe, and share!Episode 198 topics include:grinding in the art streetssymbolism of hairbreaking down Shanneil's style: neck pieces, gold, backgroundslife experiences living in Jamaicainfluence of Black cartoon characters in Shanneil's artcollaborative prints with JBarberexploring materialsconnecting with collectorsShanneil Clarke artist statement:Art has always been my ultimate form of self-expression, a passion that has fueled me throughout my life. Born in Montego Bay, Jamaica, I spent my youth there before migrating to Pennsylvania in 2000. It was in the vibrant artistic environment of Philadelphia that I found inspiration in street art and historical murals. My art journey began during my time at Springfield High School, where I explored multiple mediums and discovered the joy of creating through various projects. After a brief hiatus, I rediscovered my love for art in 2008, particularly using oil-based medium, which reignited my creative energy. Each body of my work draws inspiration from both history and everyday experiences, crafted to evoke subjective interpretations in the viewer. I firmly believe that art is universal and shaped by each individual's life journey. As an introspective figurative artist, I incorporate natural motifs and floral fabric patterns to express communication and determination in the figures' pursuit of a better life. Each stroke of paint exudes boldness, confidence, and strength, aiming to inspire those who encounter my art. I draw inspiration from a multitude of artists, including Dali, Kevin Williams, Charly Palmer, David Hockney, Basquiat, and Amy Sherald, while also embracing techniques from different eras, like gold leaf and textures. Since moving to Atlanta, Georgia, in 2018, I have become actively engaged in the local art community, showcasing my work in various galleries, such as Mint Gallery and Future Dead Artist Gallery. Notably, in 2022, I was featured in an Exhibition sponsored by Amazon Prime during Art Basel Miami. My ultimate goal is to touch hearts and minds with my art, leaving a lasting positive impression on fellow art enthusiasts and inspiring others to express their own passion and creativity. See more: Shanneil Clarke IG @artbys.clarkeFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

For the 35th episode of "Reading the Art World," host Megan Fox Kelly speaks with influential art dealer Michael Findlay about his captivating memoir, "Portrait of the Art Dealer as a Young Man," published by Prestel.This vibrant conversation takes listeners back to New York's electric downtown art scene of the 1960s and 70s, where Findlay directed one of SoHo's first galleries and launched exhibitions for artists now considered icons. With charm and wit, Findlay shares candid stories of his rise in the art world, recounting encounters with Andy Warhol, David Hockney, Jasper Johns, Robert Rauschenberg, and other creative forces that defined an era when appreciation for art outweighed its investment potential.Moving beyond nostalgia, Findlay provides sharp insights into how the art world transformed from the experimental downtown scene to today's global market. Through vivid anecdotes about The Chelsea Hotel, Max's Kansas City, and Studio 54, he recreates a New York where creative experimentation flourished without today's commercial pressures.Whether you're fascinated by cultural history, the evolution of the art market, or simply love a good story, Findlay's irreverent, honest perspective offers a fresh look at a pivotal moment when art dealers, artists, and collectors converged to create lasting cultural change.ABOUT THE AUTHOR One of the earliest dealers in SoHo, Michael Findlay showcased artists including John Baldessari, Joseph Beuys, and Hannah Wilke. Named Head of Impressionist and Modern Paintings at Christie's in 1984, he later became its International Director of Fine Arts. Since 2000 he has been a director at Acquavella Galleries, New York, which in recent years has held major exhibitions of important Impressionist, modern, and contemporary masters. His other books include “The Value of Art" and “Seeing Slowly – Looking At Modern Art.”PURCHASE THE BOOKhttps://www.penguinrandomhouse.com/books/746815/portrait-of-the-art-dealer-as-a-young-man-by-michael-findlay/ SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Music by Bob Golden

Send us a textEpisode 177David Hockney has spent a lifetime looking. At people, at landscapes, at the way light bounces off water, at the possibilities of paint, pencil, and pixels. Few artists have ever been so restless, so endlessly curious. And yet, his journey—the journey that took him from a working-class childhood in Bradford to the sun-drenched swimming pools of California and back to the wild, rolling landscapes of Yorkshire—is one of both movement and return.This is not just the story of an artist. It is the story of a boy sketching on the streets of post-war England, dreaming of a world bigger than the one he was born into. It is the story of a student in 1960s London, pushing against the limits of what art could be. It is the story of a man who found creative freedom in Los Angeles, who captured love and longing in bold, clean lines, and who, even after heartbreak and loss, never stopped painting, never stopped seeing.His work is instantly recognizable—bright, playful, alive—but beneath the color is a deeper truth: a man who has spent decades obsessing over how we look at the world. And in doing so, he has changed the way we see it.This is the story of David Hockney.Support the showInsta@justpassingthroughpodcastContact:justpassingthroughpodcast@gmail.com

Wayne Sleep, Ben Miller, Rosalind Eleazar and Lou Conran join Stuart Maconie for this week's Loose Ends, with music from The Lottery Winners.Dance icon Wayne Sleep waltzes in to tell us stories of his life - all detailed in his new autobiography, Just Different. Tales of his friendships with Princess Diana, Freddie Mercury, David Hockney and fellow ballet legend Rudolph Nureyev intermingle with insights into his working-class upbringing and the difficulties of trying to make it as the shortest principal dancer ever to get into the Royal Ballet. Told he would always have to spin twice as fast and jump twice as high to succeed, Stuart hears all about the trials, tribulations and backstage gossip that make up Wayne's world. With notable appearances in Slow Horses, Howards End, Rellik and the Personal History Of David Copperfield, as well as striding such prestigious stages as the Royal Court and the National Theatre, Rosalind Eleazar is set to return to the small screen this New Year. Starring in the Netflix production of Harlan Coben's Missing You, filmed across the north west of England, she's here to tell us all about her new role as Detective Kat Donovan. Award-winning comedian and writer Lou Conran has been storming stages up and down the country since 2005 with her innate brand of sharp wit and honest and open humour. 2025 will see her twenty year anniversary as a performer and off the back of a sold out UK tour, she's about to embark on a tour of New Zealand, and joins Stuart to tell us about the year ahead. The actor and comedian Ben Miller is of course known for The Armstrong & Miller Show, the Johnny English and Paddington films, Death in Paradise, Bridgerton - but over recent years has turned his hand to writing children's books. From his Elf series to the recent The Night I Met Father Christmas, he joins Stuart to talk about his new character – Robin Hood…aged 10¾. And we'll hear all about his new TV series Austin which will be on our screens in 2025. Robbie Williams, Noel Gallagher, Boy George, Shaun Ryder and Frank Turner are just some of the huge names The Lottery Winners have in their phonebook. Formed in the mining town of Leigh 15 years ago, The Lottery Winners set out to work the UK gig circuit and perfect their now acclaimed stagecraft. And it all paid off when their last album went to No.1 in the UK. Their fourth original album KOKO is due out in February with a tour closely following…and another one with Robbie Williams following that! They join Loose Ends to play two songs - Superpower and Worry. Presenter: Stuart Maconie Producer: Elizabeth Foster Production Co-ordinator: Lydia Depledge-Miller

Yayoi Kusama dominates the art world from her home, a psychiatric facility in Japan. Today, why she's on a career high.    Find out more about The Front podcast here. You can read about this story and more on The Australian's website or on The Australian's app. This episode of The Front is presented by Claire Harvey and produced and edited by Jasper Leak. Our team includes Kristen Amiet, Lia Tsamoglou, Tiffany Dimmack, Joshua Burton and Stephanie Coombes. Original music is by Jasper Leak.  See omnystudio.com/listener for privacy information.

Join Tamara for an interview with photographer Bailey Davidson, a Milledgeville native who lived in NYC as an aspiring actor for a few years, before returning to Georgia in the late 90s to pursue his MFA in Photography at SCAD.  Since graduating, Bailey has built his freelance career in all aspects of professional commercial and editorial photography, working with a wide range of clients, including Savannah Music Festival, Wine Enthusiast Magazine, and The London Observer. This past spring he opened a studio in City Market - go visit him and his 20 years' worth of Savannah photos there!  Check out Bailey's work and follow him here:  https://www.facebook.com/BaileyDavidsonPhotography  https://baileydavidson.com/  Topics in their chat include: Bailey's indie movie he acted in, called "Bringing Down Dejonga" (this was the ending title after all! I found out online. --Tamara); how while in NYC he started taking headshots for his fellow actors and gradually took more and more photos, getting into art shows, and drifting from acting to photography; how he first heard of SCAD because his parents happened to meet the Poetters on a cruise; his Flannery O'Connor tie-ins of having grown up in Milledgeville and then living in the garden apartment of her childhood home as his first Savannah apartment; his practice immediately post-grad of shooting weddings and family portraits, to support himself as he built up his clients for commercial and editorial shoots; his show at the JEA last year that was a continuation of his MFP thesis show, "Bailey's Acres," all Holga pinhole camera work; the nostalgia of taking photos with an analog/film camera and then being surprised by the images once you pick up your developed photos; his Storyboards website where he displays his series of photos that combine to tell a story, influenced by David Hockney and Robert Rauschenberg; his photography books "Seasons of Savannah," "Savannah Past and Present," and "Milledgeville Then and Now;" recently getting published in the fine art mag "Black & White Magazine;" and his advice to students and young photographers to just shoot shoot shoot as there's no substitute for practicing your craft.   Tune in and get all the details!

"New possibilities for storytelling are emerging faster than at any other time in history," says film producer Mark Grimmer. With an immersive approach to art exhibitions, he shares several multidisciplinary projects — including a kaleidoscopic exhibit of David Bowie's world-changing career and a luminous, interactive show that brings visitors inside the paintings of David Hockney — and shows what's possible when ideas collide.

STILL PUSHING THE BOUNDARIES. Sir Norman Rosenthal celebrated his 80th birthday on November 8th 2024. ​A curator and art historian, he was Exhibitions Officer at Brighton Museum and Art Gallery, a curator at the Institute of Contemporary Arts and for many years Exhibitions Secretary at the Royal Academy in London. Recently he curated Georg Baselitz: The Last Decade at the Sabancı Museum in Istanbul. His Roberto Matta 1911-2002 opened at Ca' Pesaro, Venice on October 25th 2024, and he is curating David Hockney's April 2025 exhibition at Fondation Louis Vuitton, Paris. "Art is a complex story, and one has to pick out the great artists who have their own vision of the world." "I always liked to do things with other people." "I'm very proud to be having a dialogue with David Hockney"

For three decades, British photographer and filmmaker Chris Floyd has "Been privileged to photograph people who are the best in the World at what they do. Whether it's Stephen Hawking, Paul McCartney or David Hockney, these people have defined the era in which we live." Today, I walk in Oxfordshire with this humble powerhouse of British photography whose work has appeared in some of the world's most highly respected publications, including Vogue, Vanity Fair, The New York Times Magazine and The Sunday Times Magazine, among others. We talk about how saying YES at important moments in his life has unlocked doors to people and experiences he might never have experienced if he'd followed an expected path into accountancy. Also today, one of the most revealing answers to the question of WHY, with stories about photographing the Royal Family and 'our' Superman. There's news about Scotland 2025, plus the assignment for November set by Lynn Fraser and Jacquie Matechuk. Links to all guests and features will be on the showpage, my sincere thanks to MPB who sponsor this show and the Extra Milers without whom we wouldn't be walking each week. WHY: A Sketchbook of Life is available here.

Welcome back to Print Market News, your weekly roundup of everything happening in the print world - fast and focused!   This week, in the world of prints and editions we bring you the very best of market insights, Andy Warhol's Cowboys and Indians collection is a new trending series, an Arrival of Spring print by David Hockney sets a new record at Christie's, The UBS Art Basel Global survey reveals an increase performance in prints and multiples and more.

"New possibilities for storytelling are emerging faster than at any other time in history," says film producer Mark Grimmer. With an immersive approach to art exhibitions, he shares several multidisciplinary projects — including a kaleidoscopic exhibit of David Bowie's world-changing career and a luminous, interactive show that brings visitors inside the paintings of David Hockney — and shows what's possible when ideas collide.

"New possibilities for storytelling are emerging faster than at any other time in history," says film producer Mark Grimmer. With an immersive approach to art exhibitions, he shares several multidisciplinary projects — including a kaleidoscopic exhibit of David Bowie's world-changing career and a luminous, interactive show that brings visitors inside the paintings of David Hockney — and shows what's possible when ideas collide.

"New possibilities for storytelling are emerging faster than at any other time in history," says film producer Mark Grimmer. With an immersive approach to art exhibitions, he shares several multidisciplinary projects — including a kaleidoscopic exhibit of David Bowie's world-changing career and a luminous, interactive show that brings visitors inside the paintings of David Hockney — and shows what's possible when ideas collide.

A Bigger Splash (1974) / The Mill & The Cross (2011) This week we're living the lives of artists as we dive in to David Hockney's bad breakup and join Pieter Bruegel the Elder's procession

Hans den Hartog Jager is schrijver en kunstcriticus. Hij schreef verschillende boeken, waaronder monografieën over David Hockney en Andy Warhol. Daarnaast was Den Hartog Jager werkzaam voor Artforum International en publiceert hij wekelijks kunstbeschouwingen in NRC. Zijn boek ‘Revolutie in het paradijs: een nieuwe kijk op nieuwe kunst' is een verzameling van die stukken. Het schetst daarmee een tijdsbeeld van de kunsten in een periode van grote verandering. Femke van der laan gaat met Hans den Hartog Jager in gesprek.

Artist, pioneer, and mentor, Peter Layton is one of the founding fathers of British Studio Glass. He discovered the art form while teaching ceramics in the US in the mid-1960s and has played a major part in elevating glass from an industrial medium to a highly collectable art form. Most importantly, he gave it a home in the UK. This month, London Glassblowing presents Glass Heaven, an exhibition uniting two exceptional glass artists: Layton and Tim Rawlinson. The show opened August 2 and will run through September 1, 2024. Representing the next generation of glass talent, Rawlinson combines innovative approach and vibrant compositions to offer a fresh perspective, challenging conventional boundaries and resonating with today's artistic landscape. Layton, a veteran in the glass world, has captivated audiences for decades with his bold, expressive works. His 50-year journey from the studio's beginnings on the Thames to international acclaim highlights his role in elevating glass art.  Born in Prague in 1937, Layton is one of Europe's pre-eminent glass designers. He has directly influenced several of his country's leading glassmakers and inspired many more. Arriving in England in 1939, there he began his education. While at grammar school, he met another boy who had also won the attention of his art teacher – his name was David Hockney. Layton attended Bradford Art College, then went to London's Central School of Art and Design, to specialize in ceramics, where he was taught by several of the most respected potters of the time.  On graduating, Layton was offered a teaching job in Iowa University's Ceramics Department. Once in the US, in 1966, he participated in one of the first experimental glass workshops with Harvey Littleton and was bewitched by the immediacy and spontaneity of hot glass. He went on to expand his connections and friendships on this side of the pond to include participating in a Los Angeles exhibition with Marvin Lipofsky, a San Francisco show with pop artist Mel Ramos, and an exhibition at The Art Institute of Chicago with Viola Frey. Back in Britain, in 1969 Layton helped Sam Herman build the first furnace at the Glasshouse in Covent Garden, and he subsequently established his own small glass studio at Morar in the Highlands of Scotland, a Glass Department at Hornsey College of Art (Middlesex University) and, in 1976, the London Glassblowing Workshop in an old towage works on the Thames at Rotherhithe. In 2009 Layton's London Glassblowing Studio and Gallery moved to much larger premises in Bermondsey. Since its opening, London Glassblowing has nurtured and produced some of the world's leading glass artists, including (most recently) Elliot Walker of Netflix Blown Away fame. Layton's colorful and painterly works of glass art can be found in numerous public and private collections, both at home and abroad, including the Victoria and Albert Museum and the Fitzwilliam Museum, Cambridge. He has exhibited widely both nationally and internationally, receiving an Honorary Doctorate from the University of Bradford for his contribution to arts and crafts in Britain. Layton is also the founder of the Contemporary Glass Society, which is Britain's foremost organization supporting and championing the work of glass artists, both established and new. A vigorous proponent of glassblowing as an art form, Layton has authored several books, become an Honorary Liveryman of the Worshipful Company of Glass Sellers, an Honorary life member of the Contemporary Glass Society as well as been given the Freedom of the City of London.  Layton has always taken inspiration from his environment, natural or manmade: a stone wall on a snowy day, the London skyline, or works by great painters. From a mere detail, a flash of a Klimt orange or a slick of oil on the Thames, he creates painterly works with a masterly use of color. The artist is inspired by whatever is around him. For example, during the winter of 2009, the heavy snow turned his long commute by train into an intriguing black and white world full of movement and texture, shaping his recent Glacier series. He has also created a number of conceptual pieces that reflect his specific concerns with issues such as ecology, religion and racial conflict. Layton says: “A fellow artist recently described a piece that I had made for her by saying, ‘…it's as though it holds all my travels in light.' Lovely compliments like that spur me on. You never, ever create the perfect piece of glass and there are always new ideas, techniques and challenges to master. Glass is such an underrated medium – there is a fluidity and uncertainty about it that I choose to embrace rather than overcome. Every piece is an adventure.”  From October 8 – 13, 2024, PAD London returns to the iconic Berkeley Square in Mayfair, where London Glassblowing will be showcasing an extraordinary selection of work from their talented makers alongside designers and galleries from over 20 countries worldwide. To coincide with PAD and Le Verre, London Glassblowing is offering a series of exclusive events, providing a unique opportunity to explore and learn more about the captivating medium of glass. For more information visit https://londonglassblowing.co.uk/blogs/exhibitions/pad-london  

The swimming pool: Laurie Taylor explores its iconic role in our culture, as well as its unspoken rules, routines and rituals. Piotr Florczyk, forming swimming champion and Assistant Professor of Global Literary Studies at the University of Washington, considers the allure of an azure pool and its place in our cultural imagination, from the Hollywood movie, Sunset Boulevard, to David Hockney's pool paintings. He also asks 'who has access to the pool' and charts North America's shifting attitudes towards race and recreation which turned public bathing into an explosive issue, one leading to violence, segregation and the flight to white suburbia. What is the future of the pool given water shortages and climate change? Also, Susie Scott, Professor of Sociology at the University of Sussex analyses the unspoken social norms which govern swimmers behaviour, including a respect for personal space, a shared disapproval for the 'hairy torpedo' and the firm refusal to notice 'the elephant in the room' - the fact that we are nearly naked. Producer: Jayne Egerton