Podcasts about Gogh

durée : 00:04:10 - Une semaine dans leurs vies - Etienne et Sarah éduquent un jeune chiot qui deviendra peut-être, après une formation exigeante un chien guide. Van Gogh ne doit presque jamais rester seul. Sarah l'emmène donc chaque jour au travail ; pour le plus grand plaisir de la plupart de ses collègues. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:26 - Une semaine dans leurs vies - Suite de notre feuilleton, une semaine dans la vie d'une "famille d'accueil" d'un futur chien guide d'aveugle. Un rôle bénévole qui réclame un vrai investissement pour Sarah et Etienne, jeunes trentenaires. Comme ce midi avec Sarah qui familiarise Van Gogh aux transports en commun. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Gijs wil dingen leuk vinden die hij niet leuk vindt en Teun voelt zich gedwongen om ergens naartoe te willen waar hij niet heen wil; we hebben weer heel wat te verhapstukken. Verder was een van ons underwhelmed op de A10 en de ander boos thuis. Wat is nou het goede om te doen? Hanneke verheugt zich op het ziekenhuis, liggend in een bed waar mensen op Crocs zorgend om haar heen draven. We sluiten af met een artiest waar Gijs nooit meer naartoe wil.

durée : 00:04:20 - Une semaine dans leurs vies - A Pantin, Etienne et Sarah ont accueilli bénévolement Van Gogh, un jeune labrador. Dans 10 mois, il fera son entrée à l'Ecole de chiens guides de Paris. Avant cela, le couple a pour mission de l'éduquer et de lui apprendre un certain nombre de bases pour préparer son entrée à l'école. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

A woman drove her SUV down a bike path trying to catch a teen on an E-bike to tell him to slow down...a man sat on a piece of Vicent van Gogh artwork and ruined it...and a man blew up a casino toilet as he was being thrown out for attempted theft!

Ein Bild im Stil von van Gogh — kein Problem! Mit KI lassen sich Kunst imitieren oder Fälschungen enttarnen. Auch für das wissenschaftliche Arbeiten mit KI ist Kreativität gefragt. >> Artikel zum Nachlesen: https://detektor.fm/wissen/ach-mensch-tristan-weddingen-digitale-kunst

Ein Bild im Stil von van Gogh — kein Problem! Mit KI lassen sich Kunst imitieren oder Fälschungen enttarnen. Auch für das wissenschaftliche Arbeiten mit KI ist Kreativität gefragt. >> Artikel zum Nachlesen: https://detektor.fm/wissen/ach-mensch-tristan-weddingen-digitale-kunst

Ein Bild im Stil von van Gogh — kein Problem! Mit KI lassen sich Kunst imitieren oder Fälschungen enttarnen. Auch für das wissenschaftliche Arbeiten mit KI ist Kreativität gefragt. >> Artikel zum Nachlesen: https://detektor.fm/wissen/ach-mensch-tristan-weddingen-digitale-kunst

Bu bölümde Yıldızlı Gece ve Ayçiçekleri gibi başyapıtların ardındaki tutkuyu, o unutulmaz kulağını kesme hikayesini ve pes etmeyen ruhuyla Vincent van Gogh'u konuşuyoruz. Başarısızlıklarla dolu yolculuğunda hayallerini gerçekleştirmek için neler yaptı, neler yaşadı ve tüm zorluklara rağmen nasıl hepimize ilham veren bir sanatçı haline geldi? Hadi gelin, bugünkü Ben Saati'nizde bu büyüleyici hikayeye kulak verin.

Zarzekałam się, że Vincent van Gogh nigdy nie zostanie bohaterem mojego podcastu. Niesłusznie. Miałam ochotę na nostalgiczną opowieść i przypomniałam sobie o jego "Sypialni w Arles". Dowiecie się:- kto stoi za współczesną sławą Vincenta van Gogha,- o jego znajomości z Paulem Gauguinem,- gdzie Vincent spędził swój najbardziej płodny okres w twórczości,- i co łączy go z zespołem The Beatles.❤️ Otulina o sztuce powstaje dzięki wsparciu Patronek i Patronów w serwisie Patronite. Bez Was tworzenie tego podcastu nie byłoby możliwe. Jeśli chcesz dołączyć do tego zacnego grona, zajrzyj tutaj: ⁠https://patronite.pl/otulina_o_sztuce⁠ ❤️⁠ 

The Bible is full of stories about God working astounding miracles in people’s lives. We need to remember, however, that He is still in the business of touching lives. Mark Ellis is a storyteller who shares those modern-day miracles. From an astronaut’s transformative encounter with Jesus on the moon, to Vincent van Gogh’s unappreciated journey with Christ, Mark has devoted himself to sharing accounts of God revealing himself in the lives of ordinary people in divine interventions that span, cultures, backgrounds, and circumstances. He manages a website on his God Reports, and has gathered many of those stories together. His latest published book is When Kingdom Light Shines. Click here to learn more about God Reports: https://www.godreports.com/ Original air date: June 5, 2025.See omnystudio.com/listener for privacy information.

We're delighted to be joined by Rhiannon Gogh, SEND finance expert, mum to a boy with complex autism, trainer, presenter and award winning Financial Advisor. Rhiannon talks us through all the things we need to think about (even if it's difficult!) and helps explain terms like trustees, with informed, positive and helpful advice. You can find more about Rhiannon and her work at  Carers Academy and SENDA. Rhiannon's Book is available for order Planning With Love: A Guide to Wills and Trusts for Parents of Children With Special Needs Thanks to the lovely folk at Jiraffe for sponsoring this week's episode. You can find more about them and their work here. We'd love to hear from you – we love sharing stories, we love hearing how things are going, the good, the bad, the snotty-crying ugly. You can leave a message with us in a number of ways: Firstly you can leave a message using speakpipe here: SpeakpipeTSWU  (Please note calls need to be limited to 90 seconds) You can send us a voice note from your phone to our email address at tswupodcast@gmail.com Or, if the thought of hearing your own voice gives you ‘the ick', then send us an email to tswupodcast@gmail.com Whatever way you choose to get in touch, we really want to hear your thoughts, views, musings, rants and confessions (we love a confession!) . Thanks for listening and being a part of our podcast community -It would make our day if you could like, follow and review the podcast wherever you listen.  We're so happy that The Skies We're Under is a free, independent podcast. Any sponsorship received is used to cover the costs of the production of episodes and compensate our valuable guests for their time. The hosts provide their time and efforts for free. They do, however, appreciate any offers of caffeination to keep them going – you can buy them a cuppa here…   Follow us on Instagram @BornatRightTime. Head to www.bornattherighttime.com to find a parent workshop or CPD-certified training for practitioners in communication, collaboration and personalised care with parents/carers.

Nous sommes au milieu de l'année 1885. Les membres du groupe artistique d'avant-garde « Les XX », créé deux ans plus tôt, à Bruxelles, ont décidé d'élire de nouveaux candidats. Il s'agit de remplacer deux des membres fondateurs, Frans Simons, démissionnaire, car certaines de ses toiles ont été refusées par le Salon organisé par le groupe, et Théodore Verstraete, trop épris d'indépendance. « Les XX » choisissent Félicien Rops et Anna Boch. Si la postérité du premier a bien traversé les années, il faut un peu chercher pour trouver trace de celle … de la femme. Anna Boch, fille d'entrepreneur en faïencerie, artiste polyvalente, peintre de talent, comme son frère Eugène, passionnée par la nature qui lui sert de fil rouge dans sa quête de lumière et de couleur. Collectionneuse et mécène avertie, elle a réuni l'une des plus fameuses collections de son temps, c'est elle qui achète le seul tableau vendu par van Gogh de son vivant. Elle reste la seule femme membre du cercle des « XX », et aussi de « La Libre esthétique » qui lui succède, mais ne se contente pas d'y faire figuration : elle est considérée par ses confrères sur un pied d'égalité. Anna Boch veut faire carrière, à l'instar d'une autre artiste belge de la même époque, Marguerite Van de Wiele, autrice aujourd'hui bien oubliée. Van de Wiele qui, dans son roman Fleurs de civilisation » mettant en scène une jeune artiste bruxelloise, écrit : « (…) la femme de talent (…) est un être fâcheux, plus phénoménal encore que l'homme-artiste, car, déformée comme lui dans son existence normale, elle l'est jusque dans le rôle que notre société assigne aux individus de son sexe et, à en jouer un autre, elle perdra bientôt physiquement et moralement tout ce qui constitue la particularité féminine ; les amazones n'auraient pu être ni épouses, ni mères. C'est ce qui arrive fatalement pour nos modernes femmes peintres, statuaires, musiciennes, écrivaines … ». Alors, comment Anna Boch, artiste et mécène, s'est-elle débrouillée pour exister ? Invitée : Virginie Devillez, docteure en histoire de l'Université libre de Bruxelles. Sujets traités : Anna Boch, mécène, peintre, impressionnistes,Frans Simons, Théodore Verstraete, Marguerite Van de Wiele, féminine, musicienne, écrivaine,Félicien Rops Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

DOCS tipt de nieuwe podcast Onaantastbaar, je hoort aflevering 1 'Welkom thuis'. Veel oud-medewerkers van de NMO herinneren zich de eerste ontmoeting met omroepdirecteur Frank William. Hij is charmant, onorthodox en hij maakt grapjes over de islam. Onder zijn leiding krijgen de makers alle ruimte om taboes te doorbreken en beruchte islam-critici uit te nodigen, zoals Ayaan Hirsi Ali en Theo van Gogh. Maar Williams onorthodoxe stijl heeft een keerzijde. Gaandeweg maken de medewerkers kennis met zijn grillige karakter en grensoverschrijdend gedrag.  Onaantastbaar is een 9-delige podcast van Jair Stein, Jan Maarten Deurvorst en Huda Rais voor de NTR en NPO Radio 1. Eindredactie Ottoline Rijks, muziek Daan Hofman, mixage Arno Peeters, stemacteur Lotte van Gaalen. Illustratie: Odilo Girod De serie is tot stand gekomen met hulp van het NPO-fonds, het Fonds Bijzondere Journalistieke Projecten en de Stichting Democratie en Media. Aflevering 2 en 3 zijn te vinden in je podcastapp. Wil je de gehele serie al beluisteren? Download dan gratis de app van NPO Luister. Heb je meer informatie over deze zaak of wil je reageren op wat je hebt gehoord, stuur dan een mail naar: onaantastbaar@ntr.nl DOCS is de documentaire podcast van de publieke omroep onder eindredactie van NTR en VPRO. Presentatie: Dija Kabba Meer informatie: 2doc.nl/docs, vragen of reacties kun je sturen naar: docs@ntr.nl  Nog een luistertip: Bouta's laatste zet https://npo.nl/luister/podcasts/1190-boutas-laatste-zet-argos-series

DOCS tipt de nieuwe podcast Onaantastbaar, je hoort aflevering 1 'Welkom thuis'. Veel oud-medewerkers van de NMO herinneren zich de eerste ontmoeting met omroepdirecteur Frank William. Hij is charmant, onorthodox en hij maakt grapjes over de islam. Onder zijn leiding krijgen de makers alle ruimte om taboes te doorbreken en beruchte islam-critici uit te nodigen, zoals Ayaan Hirsi Ali en Theo van Gogh. Maar Williams onorthodoxe stijl heeft een keerzijde. Gaandeweg maken de medewerkers kennis met zijn grillige karakter en grensoverschrijdend gedrag.  Onaantastbaar is een 9-delige podcast van Jair Stein, Jan Maarten Deurvorst en Huda Rais voor de NTR en NPO Radio 1. Eindredactie Ottoline Rijks, muziek Daan Hofman, mixage Arno Peeters, stemacteur Lotte van Gaalen. Illustratie: Odilo Girod De serie is tot stand gekomen met hulp van het NPO-fonds, het Fonds Bijzondere Journalistieke Projecten en de Stichting Democratie en Media. Aflevering 2 en 3 zijn te vinden in je podcastapp. Wil je de gehele serie al beluisteren? Download dan gratis de app van NPO Luister. Heb je meer informatie over deze zaak of wil je reageren op wat je hebt gehoord, stuur dan een mail naar: onaantastbaar@ntr.nl DOCS is de documentaire podcast van de publieke omroep onder eindredactie van NTR en VPRO. Presentatie: Dija Kabba Meer informatie: 2doc.nl/docs, vragen of reacties kun je sturen naar: docs@ntr.nl  Nog een luistertip: Bouta's laatste zet https://npo.nl/luister/podcasts/1190-boutas-laatste-zet-argos-series

Sibylle Hallberg zum Thema Biographie, Vincent van Gogh, Folge 3 von 3

Najpogodniejsza z barw, synonim optymizmu, słońca, ciepła i czułości. Czcili go malarze Vincent van Gogh i Paul Gauguin, a mieszkańcy francuskiej miejscowości Roussillon pokochali na tyle, że wszystkie okoliczne domy pomalowali wydobywaną nieopodal miasta musztardowożółtą ochrą. To w końcu ton, który budzi, rozpogadza, dodaje energii. Czemu więc wciąż tak mało go na ulicach i w szafach? Może to kwestia jego zadziorności, łatki trudnego w komunikacji z innymi kolorami? Oto przewodnik, z czym łączyć żółte dodatki i ubrania w sezonie wiosna-lato 2025. Autorka: Pola Dąbrowska Artykuł przeczytasz pod adresem: https://www.vogue.pl/a/w-stylizacji-kolor-zolty-doda-energii-z-jakimi-kolorami-nosic-zolte-dodatki-i-ubrania-latem-2025-na-polskich-ulicach

Sibylle Hallberg zum Thema Biographie, Vincent van Gogh, Folge 2 von 3.

55 procent van de Nederlandse moslims heeft in de afgelopen 5 jaar discriminatie ervaren, zo bleek uit EU-onderzoek naar onze grondrechten. Van beledigingen op straat en het aftrekken van hoofdbedekking tot structurele uitsluiting op de arbeidsmarkt. Ook recent Nederlands onderzoek wees op de ontwrichtende maatschappelijke gevolgen van moslimdiscriminatie. Hoe kunnen we moslimdiscriminatie tegengaan? We gaan in gesprek met Amsterdamse wethouder Touria Meliani, docent burgerschap Bilal Ben Abdelkarim, bestuurslid bij Collectief Jonge Moslims Sana Koulij, advocaat en arabist Maurits Berger, journalist en radio- en tv-presentator Naeeda Aurangzeb, promovendus aan Universiteit Leiden Omer Karaca en met moderator Kashif Amin.Aan het begin van deze eeuw leidden grote gebeurtenissen – waaronder de aanslag op de Twin Towers en de moord op Theo van Gogh – ertoe dat moslims als ‘De Ander' werden gezien. De afgelopen twintig jaar is moslimdiscriminatie steeds zichtbaarder geworden. De verkiezingswinst van de PVV heeft islamhaat verder genormaliseerd in de politiek, en de oorlog in Gaza legt extra druk op de verhoudingen binnen onze samenleving. Dat heeft niet alleen gevolgen voor moslims, maar voor de samenleving als geheel. Hoe doorbreken we de vicieuze cirkel van racisme, uitsluiting en polarisatie? En hoe beïnvloedt de constante stroom aan uitsluiting islamitische Nederlanders?Programmamaker: Rokhaya SeckModerator: Kashif AminMede mogelijk gemaakt door Vfonds.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Ein Monet oder ein van Gogh, alte Grabbeigaben der Ägypter, wertvoller Schmuck oder ausgestorbene Dinosaurier - im Museum lässt sich so allerhand bestaunen. Jede Stadt hat diese großen Kunsthäuser, manchmal sogar kleine Orte ihre eigenen Heimatmuseen. Der heutige Internationale Museumstag erinnert Autor Marcus Leitschuh aus der documenta-Stadt Kassel aber vor allem daran, dass es Werte gibt, die nicht in Vitrinen ausgestellt werden können und auch nie ausgestopft ins Museum wandern dürften.

Join Nathan Oliver as he delves into John chapter 4the story of Jesus and the woman at the wellto explore a faith that truly impacts our daily lives. Discover how faith is thinking, deeply personal, and actively lived out. If you're seeking a faith that goes beyond Sunday and meets you where you are, this message offers refreshing insights. To catch up on the latest sermons from Deep Creek, go to iTunes, Spotify ordeepcreekanglican.comand check out the website for more info about whats happening. We are a welcoming and growing multigenerational church in Doncaster East in Melbourne with refreshing faith in Jesus Christ. We think that looks like being life-giving to the believer, surprising to the world, and strengthening to the weary and doubting. Transcription Bible Reading: John 4:4-45 This morning's reading is taken from the Gospel of John, beginning at verse chapter four, verse four. Now he had to go through Samaria. So he came to a town in Samaria called Saco, near the plot of ground Jacob had given to his son Joseph. Jacob's well was there. And Jesus, tired as he was from the journey, sat down by the well. It was about noon when a Samaritan woman came to draw water. Jesus said to her, Will you give me a drink? His disciples had gone into the town to buy food. The Samaritan woman said to him, you are a Jew and I am a Samaritan woman. How can you ask me for a drink? For Jews do not associate with Samaritans. Jesus answered her, if you knew the gift of God and who it is that asked you for a drink, you would have asked him, and he would have given you living water. Sir, the woman said, you have nothing to draw with, and the well is deep. Where can you get this living water? Are you greater than our father Jacob, who gave us the well and drank from it himself, as did also his sons and his livestock? Jesus answered, everyone who drinks this water will be thirsty again, but whoever drinks the water I give them will never thirst. Indeed, the water I give them will become in them a spring of water welling up to eternal life. The woman said to him, sir, give me this water, so that I won't get thirsty, and have to keep coming here to draw water. He told her, go call your husband and come back. I have no husband, she replied. Jesus said to her, you are right when you say you have no husband. The fact is, you have had five husbands and the man you now have is not your husband. What you have just said is quite true. Sir, the woman said, I can see you are a prophet. Our ancestors worshiped on this mountain. But the Jews claim that the place where we must worship is in Jerusalem. Woman Jesus replied, believe me, a time is coming when you will worship the father neither on this mountain nor in Jerusalem. You Samaritans worship what you do not know. We worship what we do know, for salvation is from the Jews. Yet a time is coming and has now come when the true worshipers will worship the father in the spirit and in truth, for they are the kind of worshipers the father seeks. God is spirit, and his worshipers must worship in the spirit and in truth. The woman said, I know that the Messiah called Christ is coming. When he comes, we will explain everything to us. Then Jesus said, I, the one speaking to you, I am he. Just then his disciples returned and were surprised to find him talking with a woman. But no one asked, what do you want? Or why are you talking with her? When leaving her water jar, the woman went back to the town and said to the people, come see a man who told me everything I ever did. Could this be the Messiah? They came out of the town and made their way toward him. Meanwhile, his disciples urged him, Rabbi, eat something. But he said to them, I have food to eat that you know nothing about. Then his disciples said to each other, could someone have brought him food? My food, said Jesus, is to do the will of him who sent me and to finish his work. Don't you have a saying? It's still four months until harvest, I tell you. Open your eyes and look at the fields. They are ripe for the harvest. Even now, the one who reaps draws a wage and harvests a crop for eternal life. So that the sower and the reaper may be glad together. Thus the saying one sows and another reaps is true. I sent you to reap what you have not worked for. Others have done the hard work and you have reaped the benefits of their labor. Many of the Samaritans from that town believed in him because of the woman's testimony. He told me everything I ever did. So when the Samaritans came to him, they urged him to stay with them. And he stayed two days. And because of this words, many more became believers. They said to the woman, we no longer believe just because of what you said. Now we have heard for ourselves, and we know that this man really is the Savior of the world. This is the Word of God. Opening Remarks Happy Mother's Day, I suppose. I don't know if that's a good introduction. It's too much of me. That's the first thing. But, And I'm here again. You know, Amy said a quiet life, not on a stage. I'm sorry about that. Thank you. That was. Pedram, you made us look way better than we are. That was good. I'm proud of Amy. and I love hearing her share her heart, too. So it's good. And, you know, before I begin, I'm going to pray. Father, thank you for your Grace. And free love. I love that line. That, you are greater. then, then our failures. So, God, I pray now that we would see your goodness this morning by your Holy Spirit. Would you make that clear to us? In your name we pray. Amen. So, Yeah. Like, I don't know how many people, would have known us before the video on the screen just now. we have been part of Deep Creek for about 12 months or so. you might know us. You might know us as, the family with the noisiest baby. Or you might know us as the family that's always late. which is fair. I didn't know there was music at the start until today. So this is the earliest we've turned up on a Sunday, so it was a good habit for us to begin. It's good. it's really good to be here and a good opportunity. Thank you for having me share with you this morning. My background is in church leadership, and, but it's been a couple of years since I've preached the until 8:00 this morning, and it was okay. so, you know, appreciate you, Grace and me having lots of nerves. I'm more nervous after the video than I was before. but I'm also nervous just just through the week. Thinking about this passage. I appreciate the Bible reading this morning. That was a long one. I'm sorry. and we're not going to go through it verse by verse if you wanted, though. open a Bible or have it in front of you. The text is going to jump around a little bit. but I'm nervous because, thinking about this passage and just actually applying it to my own heart. It's a big thing. there's a lot. There's a lot for us to think about. We're talking about everyday faith and how our faith makes a difference for us on the daily. Right. That's a big thing. And I think in my reflections this week, I'm feeling that very personally. And there's a there's a bunch that we can take out from this interaction that Jesus has, with the woman at the well. And so, what I want to look at, are three things about, I think, what this lady learned and definitely what we can learn about faith in everyday life. I want to look at how, our faith is a thinking faith, a personal faith and an act of faith. Just also want to clarify that when I. When I say faith, I mean faith in God. We're going to shorthand that today. we often in today's day and age, we talk about faith quite broad and quite generally, faith can mean that I just have general hope. have faith in myself. I have faith that we can get through. But definitely what we're talking about this morning is faith in everyday life is faith in God. The difference that he makes when we put our hope and trust in him? Okay, so thinking faith, personal faith and living faith. Faith in God is a Thinking Faith So the first one. Faith in God is a thinking faith. Okay, now, we read the passage, and one of the things that you'll notice at the start, or maybe I'll give words to you for that is there's six verses of context, six, six verses, just to set the story up. Now, the reason that's interesting to me is because you don't get that in every passage. I wish we did, but we don't. Often you'll get maybe one line, maybe one word, maybe just a really brief intro to what's happening. Maybe sometimes there's none. But here we get six whole verses on context, and so we need to learn from that and take well, the setting actually must be quite important. And it is. We need to know that the setting is significant to the people of Samaria. This is a Samaritan woman at the well. The setting where they are in Samaria is important. I like the way that the the passage was read this morning for us. It said Jesus had to go through this place, and it's sort of like, well, why else would he if he didn't have to? He probably wouldn't. And that's the case. Jews and Samaritans were not the best of friends. This was a time where where you came from determined significantly. What you believed today might not be that different, but it was very much the case in this time. Judea and sorry, Judea and Samaria were at this stage politically the same. They were both under the same Roman rule, technically within the same sort of like, country, I suppose. But historically, Samaria stood out. If you go back to one Kings, you'll see that there was a point in Israel's history where Samaria was made the capital of the northern Kingdom. Why that's significant is because when the Assyrian empire came in and took over Israel, they went for Samaria. They went for that city. It was strategically the smartest thing to do. And one of the ways that they defeated that city was to take all of the prominent Israelites out of it and put their own people in. Right. And so the people who influenced culture the most were now gone, and it was mixed in with the new Assyrian flavor. It became this sort of dual culture. And they changed. They mingled everything. They, they, they, they shared each other. They learned new recipes from each other and their background and their cultures. They they whatever. They watched each other's movies. I don't know how you learn someone else's culture, but they they sort of mixed everything up, including intermarrying and including borrowing from each other's religious perspective. So much so that Samaria kind of adapted this alt alt alternative version of the Hebrew faith. It's it's alt Jew Judaism, that's what it is. And, They sort of during this phase, they sort of like only focused in on the first five books of the Bible of the law. That's how they interpreted everything in Samaria. And so, the Jews actually had a further breadth to draw from, to understand God's Word, but it was just reduced. And because it was reduced to those five chapters or, sorry, five books of the Bible, the literal implications of that meant that they thought that the place where you worshiped God was in this specific setting on Mount Gerizim. And it was so important to them that they actually built a rival temple there. And that's. Does that make sense? Now, as you think about the conversation Jesus was having with this woman. And and he's saying, you believe this. And she's saying, well, we believe this. And you. And what about where you worship, right? That's why it's because of this, this background. And it was such a rivalry that was built between the two 200 years after that temple was built. There was an uprising by certain, Jewish people, and they destroyed their temple, the Samaritan temple. And that was 200 years before this story took place. This is a rivalry that is both historical and religious, and it's centered at the location where we're reading this story. Add something to the text. It adds something. Jacob's well was there, and Jesus finds himself there, and there's no one else there except this one lady, the Samaritan woman. And here we have a Jew and a Samaritan, and they begin to talk. If you need further confirmation of the rivalry, just look at verse nine where it says, the Samaritan woman said to him, You're a Jew. I'm a Samaritan woman. How can you ask me for a drink? And here it is, just there for you. For Jews do not associate with Samaritans. Clear as day. And yet they did associate. And it doesn't seem heated either. There is a reasonable exchange. And in the end, the woman Jesus is speaking with seemingly expresses faith in God the way that Jesus was talking about it. And by the end of the passage, we see she's a believer. Through this conversation. This is a powerful conversation. A reasonable exchange of thoughts and ideas took place, and it led to something very significant happening. It's not a normal conversation because Jesus uses all sorts of vivid imagery about water and, you know, water that doesn't run out. It's very metaphorical, right? I don't know. I don't know if you would if you would find that frustrating or not. Talking with someone who's speaking in metaphors and hey, the wind is a bit of, I don't know, I don't even want to pretend like I can do that. But she doesn't know what Jesus means. But that's kind of the point. He says something, she clarifies. Jesus doubles down on his claims. She questions, how does that fit with my beliefs? Even the part Jesus miraculously knows her family history. She changes the topic and Jesus lets her, doesn't pull it back and say no, no, no, no. It's a very even conversation. Jesus gives room for the penny to drop. Because, you know, she needs to think this through. Even when the location question is brought up in verse 20, she says, but what about where you worship and where we worship? It's different. Jesus says, believe me. A time is coming when you will worship the father, neither on this mountain or in Jerusalem. A time is coming and has now come when the true worshipers will worship the father in spirit and in truth, for they are the kind of worshipers the father seeks. God is spirit, and his worshipers must worship in the spirit and in truth. In other words, Jesus says to her, where? Think about it. Think about it. Think about who God is and what he's like. Maybe think about how big he is, how great he is. Do you really think he cares which side of the hill you worship on? There is a coming time where none of that will matter. Not from your side or from my side. No, no, no. He cares about your heart. And you might say, well, why bother with all of that, right? We saw in the passage there was a moment he pulled the husband trick out, and he. And like, that was pretty impressive. Like like he pulled out the thing. He had no knowledge of that beforehand. He just says it like, why bother with all the interaction? Just do that again. She was on the ropes. Get her over the line now. Right. You could even say, why are we even reading this at all? If Jesus is like this, that people like do the the miracle trick on me, you know, and I'll believe 100% no gaps at all. Right? And the reason why he doesn't just zap us into faith is because faith requires thinking. I don't think you can have faith without thinking. Is that good news for you this morning? You can't have faith without thinking. Which I think that's good news, because I think there is a perception out there that Christians are people who have switched their brains off, and the people who think would never believe what we believe or what a Christian believes. But I don't think it can work like that to have faith in God who we can't see. We have to acknowledge that you can't prove God's existence, and at the same time, you can't disprove his existence either. So that puts the whole thing in a bit of a dilemma. Either side of that equation, you are going to have to stand on faith one way or the other. I do believe it or I don't believe it. Both are faith standpoints. You can't prove it either way. So the question becomes you have to what? What can you live with from that position of faith that you take? Whichever one is what has the least issues for you? And so you have to think about that. What am I content to live with? One person says God can't be real because there's so much pain and suffering. Another person says the pain and suffering led me to God. Do you see what I'm saying? This week, as I was hanging out with a friend at the pub, we were talking about politics because I'm a boring person now and have grown up conversations. We were talking about politics and everything that's wrong in the world. And he got really agitated about one specific thing. I'm not going to say it's too divisive. Don't even ask me about it. but, it was. Are you Team Naga or Brookie? Which one? And we said, I'm not going to go into it. No no, no. Three people are on social media. Okay, okay. No no, no, it was something else more global than that. And, and he he was super agitated. Right. And I was thinking to myself, how do I even help my friend? What's my role here? And so I had this strange idea to ask him a question. Okay, that's fair enough. I agree with you. It's bad. But where do you get peace from now? But what will bring you peace? How are you going to live with that? And what I really want to say was, because if you intellectualize issues and push them aside because they're too much, then you have to acknowledge that the only way to do that by is by faith that nothing matters ultimately. If if you intellectualize it and then say, well, I can't deal with it, I just have to push it aside. Well, then the only way to do that, really is the faith that nothing really matters in the end. But it does matter to my friend. It does, obviously it does. See, faith comes from thinking, and thinking leads to faith. Don't just leave it there. Think. Be a thoughtful person. Think. Think about what? Why is it that when you see a beautiful sunset, it does something in you? But why? Why so much art based on the things around the world that we would describe as beautiful? Why do photographers take pictures of things that's done? Why? Why do we like it when we see it? Think about these things. What is it? And then what's the next question after that? You got to think. Remember Jesus on the road to Emmaus talking with the disciples. And he said, guys, remember, this is what the Bible said, this and this and this. Put it together. Think about it. Remember Jesus when he taught on worry and he's lying to the people he was speaking to. He was you of little faith. Why? Because. Just think about it. Look at the lilies of the field. Look at the sparrows. They eat their feel right. Don't worry. Think about that. Think this faith is a thinking faith. Faith in God requires thinking. Faith in God is also Personal Faith in God is also personal. We need to accept faith in God, which means we need to let it in. Sometimes that's hard because the personal stuff we feel can run pretty deep and it's real stuff. And actually, that's what I want to talk about, the real stuff, where it is personal. It was very personal for this lady, at least in three ways. She had three. She she had she had hurdles to get over. Firstly, she was a Samaritan. Secondly, she was female. And thirdly, she had a personal history that was difficult. The fact that she's a Samaritan, I've already covered a bunch of that. It wasn't just a racial division, it was a religious division. Certain associations with the Samaritan would have made a Jew ritually unclean. In fact, the verse is in so verse nine where it says, For Jews don't associate with Samaritans. The Greek is a bit dubious there, and is often used to sort of like translate a different way, which would say for Jews and Samaritans don't share, don't share the same dish. Right. And yet Jesus pursues her. He jumps that hurdle. Secondly, she's female. Everything of note in regard to a Samaritan background of the woman would be intensified by the fact of her being female. There's a bit of a pause in the story when the disciples catch up with Jesus and see him chatting with a woman, right? Remember that bit at the end? And I think it says they were surprised. Huh? What are you doing? Jesus is you at a lady? And it says. But no one said anything. The implication being, normally they might write. She wasn't supposed to be chatting with him. In fact, there was a traditional law created in the oral tradition that declared all Samaritan women were unclean from birth. It just really shouldn't have been doing this. And yet, if you flick back just one chapter to John three, you know, for God so loved the world that he gave. Right? That and this chapter are eerily similar. It's Jesus speaking with one person, having a deep and meaningful about all the big things of life. Except in that instance, it was a man, a powerful, educated, religious Jewish man. And he treats what's what. What is so stark about the two passages is he treats them both identically. Jesus shows this lady the same dignity and respect as anyone else. He jumps that hurdle. And then it's the private life that Jesus is talking about needs. Using water as a metaphor, anyone who would drink the water that I could offer them, they'll never be thirsty again. And she hasn't really got it right. And so Jesus changes the topic and addresses something in her life. Go tell your husband. Go tell your husband. Which she says, well, I don't have a husband. Jesus knew that. But what she said wasn't entirely true. Jesus clarifies that he knew that too. Now, it's not the whole picture. You've had five husbands. The man you're with now currently is not your husband. And yet, here's the key. Jesus doesn't rub it in her face. He commends her honest answer. And then he reveals the full story. There's no doubt this woman would have experienced stigma in her day. And at no point does Jesus embarrass her. Tease her. Mock her. Look down on her. And neither does he condone her situation. But he doesn't treat her unfairly. Instead, the offer to her is the same to you. And I have faith in God from exactly where you are, exactly where you are. I don't know about you, but like, so often I think I'm like, in order to even have faith in God, I'm supposed to be at a certain standard, even when I pray. I'm not honest all the time because I'm. And I pretend like like God. Like I could schmooze him over to think that I'm actually worthy. You know what I'm saying? Do you relate to that at all? But it's it's the gaps in our life that are that show us where we need God. It's personal, it's deep, it's real. But it has to come from those gaps. I've been getting into, becoming cultured in the last couple of years and learning about art history. I'm grown up now, and I can have conversations with other grown ups, too. And so I'm just I just want to impress people that I know stuff about art. That's all it really is. No, but I find it fascinating. I've loved this guy's writing called Russ Ramsey. he tells the most beautiful stories about famous, art, events throughout history. Right. And as I was reading the passage this week, it made me think of one particular story about Van Gogh. van Gogh. here he is. Vincent van Gogh. People would know him mainly for two things. The starry night painting. And let me test the second thing. How else? What's famous about Van Gogh? It's not. He cut his ear off. All right. There you go. It's exactly what I thought. So that's true, except the lead up to the event where he cut his ear off. Lots of people don't know that. And it's pretty, pretty powerful, actually. maybe you be the judge. Anyway. so the reason that came to be. Let me tell you the story. Right? It's a true story. Van Gogh was desperate as an artist to be in community with other people. he was he was a very, passionate guy, I suppose is a good way of saying it. And he was desperate to be in a community of artists and, always wanted to, like, do art and better himself, become the greatest artist he could ever be. Right? never really had it. Never really found that community. his brother was an art dealer. And so through the work that he did, he connected with some other artists, including, Paul Gauguin, who was like someone that Van Gogh looked up to. Right. And so, through that connection with his brother, they actually got to know each other a little bit, and he slipped the invitation and say, would you ever consider coming and living in France with me? Go again? After some deliberation, said I will on a trial period. Right. But we won't know each other. We don't know each other. How are we going to get to know each other? We can't find each other on Facebook yet, so I don't even know what you look like, right? So through their letter exchanges, they said, well, let's paint a self-portrait of ourselves as a way of introduction and mail it in the mail. I like this better than social media. And and then they said, how about we also attach like, like a literary thing, like a, like expression to it so that we can get each other where we're at. Right? And so they did. and so can we have the next slide up. This is Gauguin painted a picture of himself. He painted himself in the image like he presented himself as Jean Valjean from, Les Mis. Which I think is pretty bold. so he's a hero. He's what he's saying, right? And this is what he wrote in the letter. It is the face of an outlaw, ill clad and powerful, like Jean Valjean. That's fun to say. With an inner nobility and gentleness. The faces flush, the eyes accented, and the surrounding colors of a furnace fire. This is to represent the volcanic flames that animate the soul of the artist. The girlish background, with its childlike flowers, is there to attest to our artistic purity. As for this Jean Valjean, whom society has oppressed, cast out, is he not equally the symbol of contemporary Impressionist painters and endowing him with my features? I offer you as well an image of myself, a portrait of all the wretched victims of society. So he writes and says, I'm a hero. I'm representing all the all the outcasts out there and. And that's that's why I do what I do. Van Gogh presented himself in the sort of like nature of a Japanese monk. Right. He was really influenced by Japanese culture. He loved that. You'veseen some of his famous paintings. You can see that. and, so he got his idea from the, you know, the book that became Madame Butterfly, right? The opera, which is about French soldiers stationed off the coast of Japan. He was, you know, sort of like that. He was into that. And this is what he wrote in his letter. If we study Japanese art, we see a man who's undoubtedly wise, philosophic and intelligent, who spends his time doing what he studies a single blade of grass, but the blade of grass leads him to draw every plant. And then the seasons, the wide aspects of the countryside, then animals, then the human figure. Come now. Isn't it almost a true religion which these simple Japanese people teach us, who live in nature as though they themselves were flowers? Now, here's the thing. Like, he's he's like none of these. Neither of the guys were like, what? They said they were right. They weren't. Came from a super broken. He'd just been kicked out by his family. He couldn't make any money. He was a failed stockbroker, and he really just needed a place to live. And he cast himself as his hero. And then, like, sorry, it's troubling history of Van Gogh, but he was he was a troubled man. He was deeply anxious. Deeply. He struggled with self-doubt significantly. And yet they present each other as like, hey, this is this. It sounds like it's going to be a great community. And they did produce some good work, but they could only stick it out for 63 days. They argued bitterly every day. They were so like they had such different views. And so. And it actually ended in one boozy beef up one night when they were drinking in a cafe, discussing where art should come from in the artist's eyes. Right. And it says, the cafe owner said, like Van Gogh threw his absinthe across the room, and then he went up to his apartment. He got a razor to come back, and his intention was to kill Gauguin. He got a few steps away from him and then freaked out when Gauguin turned around and he just ran off and he ran up to his apartment, which is where the next thing he did was cut his ear off. What a tragic tale. What? What a tragic story. And the thing is about that Russ Ramsey, who I mentioned before, who writes about these things, what he says in this particular section is that to truly know someone. To truly know someone is to know their pain, is to know the gaps in their life, to know their area of need. That's how you know someone, not by their aspirational self, but by their actual self, when maybe even no one's looking. And then he points out that when you look at Jesus's ministry, that's in fact how you know anyone that Jesus related to. Think about all the people that Jesus ministered to. That we know them by their deficit. That's how we know them. Blind Bartimaeus. We know that the woman who was bleeding, we know the child who, like, was only sleeping like, you know what I'm saying? Like everyone that Jesus ministered to. It was at the point of need. It was the gaps in their life that actually made Jesus good news for them. And look at what Jesus is saying in this passage, verse 13 and 14. It says, everyone who drinks this water will be thirsty again, but whoever drinks the water I give them will never thirst. Indeed, the water I given will be coming them a spring of water welling up to eternal life. The gaps in your life, in other words, the things you ache for, the things that have hurt you, the things that make you broken, the things that put you at a distance from God do not preclude you from faith in God. In fact, it's the opposite. The prerequisite for faith is thirst. Jesus isn't saying it's bad to want things, or to desire things, or to to be broken or anything like that. He's saying that if you put your faith in those things, though, that if only my job was better, if only I had more money, if only I had if whatever. Your if only statement is that if you put your faith in those things, you will be left wanting. There is nothing big enough to contain the dreams of your heart, the daily lives that you live. There is nothing big enough to contain it other than the one who made you. That's what he's saying. Because he knows he's the only one he can hold us. Our hopes and dreams, our hearts hurts and our fears. He's the only one big enough who can handle that. He's the only one. Therefore, he's the only one who we could really, truly have faith in that can meet us where we're at. Do you see Jesus at the cross and what he's doing? He he goes to the cross for our sin, right? And he pays the penalty. He gets rid of the gap between us and God. The things that cause the hurt, the things that cause the act. He he deals with that. But do you notice what happens that kind of like the climactic moment, the moment where Jesus breathed his last, everything goes black. And then what happened in the temple? The holy place, the place where God resided. The place where he dwelt, the place that was the most special dwelling of him in earth at all, was protected by a thick curtain. And at the moment Jesus died and passed cross that thorn for us. It tore into, because nothing could keep his holiness away from our own holiness. Nothing could keep his love away from us. And so he says, no, it's not. You show me how good you are and then you earn it. I'm coming to you in love so that you can respond to me in faith. It's your thirst for all things is the prerequisite for faith in Jesus. And in doing these things, Jesus validates those aches. He validates the hurts. He validates the gaps in your life and says, yes, it was intended to be different. And one day all those things will be realized in him. If faith is not personal, I don't think it's worth it. So, friends, I ask you in love today. Where are the gaps in your life? These are the spaces where God wants to have wants us to have hope and trust and faith in him. This is what this is the conversation he's having at the well with this woman. And he is the very gift himself that he offers for it to happen. It's good news. So where are the gaps in your life? These are the spaces where our faith comes from, needs to come from, not the bits where you got to work out. Faith in God is a Living Faith The third thing leads from that, and it's that faith in God is a living faith. Once we have faith in God, then what? I'm going to be short here, so don't worry. So it's going along well. Let's look at the woman at the well. Can we read verse 28 to 30? It's like she hears and then she goes. She receives that. She leaves her jar there. People like talk symbolically like that. She's she's given up her mechanism to keep drawing from the physical water because she's received from Jesus. I don't know if that's what is actually going on or not. She just might have forgotten a jar, I don't know, but either way, like, she's gone and she's like, she's acting. She's like and telling people, guys, you'll never believe I just spoke to this. Man. He knew everything. He's. He's got to be the one. He's got to be. She did something. She acted. I love it, I love it how it says at the end. We no longer believe just because of what you said. Now we have heard for ourselves. You see, they're going through the process. We're thinking. We're applying it to ourselves. And now we believe. And so now we are in response. Yeah. There's two ways you need to respond to God in faith. If you believe it's true. Faith. I've been thinking about what faith is and you can sum it up as belief. You can sum it up as just what you think. I don't know, but one thing I think the Bible describes faith as is responding to what you know is true about who God is. Right. Which then helps us identify how we need to have faith in him. What do you know is true about God? Do you know that God is the most generous being in all the universe? Well, then, what does that say about how you use your resources, your finances, your time, your energy, keeping to yourself? Like, how could you if you know what God's like? What about how God welcomes strangers? Well, then who gets to eat at your table? How many times? This is for me too. How many times do people get to sit at your table who don't share the same surname as you? What does it mean to make new friends? Isn't that what God's like? I'm not saying you have to do it that way. But what do you know about God to be true? And then how do you live? What about that? That he will return one day to judge the living and the dead? Okay, so where do you cut corners? What are the small gaps in your life that you can offer to him in faith and trust him in those spaces? The second thing that we can see here is that faith is for ourselves to to live out. But then it's for the benefit of others, too. That's what happened. A whole community of people came to faith in Jesus because one woman responded. In my role, I raised money for churches during the week. That's what I do. and it means I get to go and speak with lots of wonderful people. And I had a meeting not long ago with, with a big, foundation that is not from a Christian or any sort of religious background, and they'd never worked with an organization that was a faith organization. And I didn't know that until we met. And but I just approached it the same way I normally would. and so we just met for coffee and had a really good time, and it was just lovely. It was so, so much fun. And we kind of got carried away and just having a good time having coffee together. That's sort of my life. But, And then she sort of caught herself unnoticed. She caught herself and went, oh yeah, I've got to ask that question. And she, I could tell, like her face dropped a bit and she said it was like she had this important question that she needed to check before we passed the test, you know, and she said, but what do you say about the fact that, churches already have loads of money, that churches are rich? I said, you should see my church. No, I said, that joke worked better this morning. and I said, well, yeah, institutionally, I can see that's true. But the reality is, every church that I know, they're in it because they believe it and nothing else, that they're writing off their own steam. They're pushing as hard as they can with every resource that they've got. And I just had happened to have come from a meeting where I met with someone who was leading a church, and in their congregation, they told me that there's a number of instances, serious instances, and one of them was domestic violence. And so he had actually invited a woman to come live with his family. And that's what had happened. And so I relayed that to this person. I said he's not doing it because he has to. This is out of hours work. He believes this is what to do. This is how to live by faith, because this is the way that God has treated him. And then it looks like that. And she said, I need to figure out how I can tell this to the people at my work, because we need to figure out how to make that more common. And then she indicated that she wanted to just to talk more about how this was real. Do you see? Do you see how it works? Faith that you think through then becomes real for you personally and you live out is compelling. It's beautiful. It's just like the good news that Jesus shared with us. Would you consider what it might look like to be a person of faith in God? And what that would look like for your life? Think it through. Personalize it. Let it get in the gaps and then live it. Concluding Prayer Let me pray. Father God, thank you for your grace. May we live humbly in response to it. Amen.

Joan Fernandez is a former senior marketing executive and general partner of the financial powerhouse Edward Jones. In 2018, she retired from a 30+ year career to be a full-time writer. Since leaving the corporate world, she's become a member of the Historical Novel Society, the Author's Guild, and the Women's Fiction Writers Association (WFWA). In April 2020, she founded a Historical Fiction affinity group within WFWA that grew from a handful of people to nearly two hundred authors. Her debut novel, Saving Vincent: A Novel of Jo van Gogh, has just come out — and I had the great privilege of coaching Joan at two points in her long process of writing this book so I had a front row seat to the deep work she did to bring this story to life. Writing about a real person has some particular challenges, and we get into that here.I'm so excited to share our conversation today.Links from the Pod:Historical Novel Societythe Authors GuildWomen's Fiction Writers Association (WFWA)Top Five Regrets of the Dying, Bronnie WareFind Joan at www.joanfernandezauthor.com, or on IG at @joanfernandezauthorWriters and readers! KJ, here. If you love #AmWriting—and I know you do—and especially if you love the regular segment at the end of most episodes where we talk about what we've been reading, you will also love my weekly #AmReading— find it at kjdellantonia.com or kjda.substack.com or by clicking on my name on Substack, if you do that kind of thing. Your #tbr won't be sorry but also: DID YOU KNOW SARINA BOWEN's LATEST BOOK IS OUT NEXT WEEK? That means if you preorder NOW—next week you gets to do a happy dance! Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she's a mess. She knows that stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she's out of ice cream and she's sick of romcoms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. Instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect.Digital books at: Amazon | Nook | Apple Books | Kobo | Google Play | Audible Physical books at: Bookshop.org | Amazon | Barnes & Noble | Indigo | More paperback links here! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Op 9 november 2024 stond de in 2009 overleden Hongaarse prostituee Betty Szabo weer in een raam op de Amsterdamse Wallen: althans,  een hologram van Betty stond weer in een raam. En dit hologram vroeg gedurende  10 dagen aan het voorbijgaande publiek om haar te helpen haar moordenaar te vinden. In de nacht van 19 op 20 februari 2009 werd de pas 19-jarige Betty door tientallen messteken om het leven gebracht. Haar buurmeisjes, die die nacht ook werkzaam waren op de Amsterdamse Wallen, troffen haar die nacht levenloos aan in haar peeskamer.Ton Uiterwijk, in 2009 projectleider bij de Amsterdamse recherche, kreeg tijdens zijn piket een telefoontje:  " er is een vrouw vermoord op de Wallen en je moet onmidddelijk komen". Enige maanden later kreeg Ton zelfs de leiding over het onderzoek naar de moordenaar van Betty. Die moordenaar werd toen niet gevonden en het onderzoek bloedde langzaam dood. Het werd een cold case die jaren op de plank lag. Totdat vorig jaar de Amsterdamse recherche besloot om nog één keer alles uit de kast te halen om de zaak op te lossen. Daarbij maakten ze onder meer gebruik van een hologram, een bewegend beeld in een raam op de Amsterdamse wallen gebaseerd op Betty.In deze aflevering van het vijfde seizoen van Blauw Geboren praat Marijke de Jager met Anne Dreijer, tactisch coördinator cold case, en Benjamin van Gogh, coördinator opsporingscommunicatie, over de moord op Betty Szabo en de inzet van een internationale mediacampagne met behulp van een hologram. Waarom werd de zaak van Betty weer opgepakt?  En waarom koos men voor een hologram? Hoe maak je een hologram en wat heeft het hologram nu opgeleverd? En Ton Uiterwijk, inmiddels met pensioen maar nog steeds Blauw Geboren,  vertelt over dat eerste onderzoek en waarom het toen niet lukte om de moordenaar te vinden.Voor achtergrondinformatie over Blauw Geboren en unieke beelden:Instagram: @blauwgeborenSamenstelling en presentatie: Marijke de JagerMontage en mixage: Mano BartenArtwork: Rob WestendorpMet dank aan Opsporing Verzocht. Kijk op you tube naar de speciale aflevering over de cold case Betty Szabo. Blauw Geboren is een uitgave van Bureau Communicatie van de Nationale Politie Eenheid Amsterdamcontact: bureau communicatie: blauwgeboren.communicatie.amsterdam@politie.nlof blauwgeboren@gmail.com

In the wake of President Trump's proposed film tariffs, Jake Kanter, International Investigations Editor at Deadline, discusses what the impact could be for the British film industry.Last week Moorcroft became the latest heritage ceramic company to close its doors in Stoke-On-Trent. Emma Bridgewater, founder of the eponymous ceramics company, and Alasdair Brooks from Re-Form Heritage, discuss the decline of pottery in The Potteries.A new genre-bending production of Hamlet created in collaboration with Thom Yorke from Radiohead has just opened at Factory International in Manchester. Co-directors Christine Jones and Steven Hoggett discuss their vision for Hamlet Hail to the Thief. When it opened in 2000, The Lowry in Salford was one of the many beneficiaries of cultural infrastructure funding from the Millennium Commission. Twenty five years on, its CEO, Julia Fawcett, joins Front Row to discuss the significance of this national funding programme.David Hockney and Vincent van Gogh have had the immersive art treatment. Now the National Portrait Gallery is using this approach for its collection in a new exhibition, Stories Brought To Life, that has just opened in MediaCity, Salford Quays. Art critic Laura Robertson gives her thoughts.Presenter: Nick Ahad Producer: Ekene Akalawu

A Sunday morning sermon by Pastor Brett Deal. Have you ever heard a great song or watched an incredible movie then afterwards learned the inspiration for it, and it made it all the more powerful? Years ago, Elise and I were in a little art shop in a mall. Among all the large and impressive art for sale, there was a fairly small oil replica of Vincent van Gogh's Sunflowers. So simple. Flowers in a vase. I walked out with that little framed painting for my office. Later I learned Van Gogh painted the original to display in a room to show his gratefulness for his friend, Paul Gauguin, who was moving in with him. The painting was more than just vibrant impasto colors of liberal oil paint. The paint was more than just a still life of top-heavy sunflowers. The painting was friendship, closeness, gratitude. Psalm 102 is a powerful song we can sing in the valley. It is a song of suffering held deeply in the heart of the singer. Not wanting this to be missed, the compilers of Israel's song book kept a short superscript before the lyrics. It is one of a kind. The superscript of 102 is the only one in Psalms which, according to Rolf Jacobson “describes a psalm as intended for a particular instance in a person's life.” Psalm 102 is Van Gogh's sunflower with the backstory of gratitude. This fifth penitential psalm is at first glance a moving song of sorrow and shadow. It is does not hide its suffering. But holding gently the superscript at the beginning brings a deeper resonance: “A prayer of an afflicted person who has grown weak and pours out a lament before the Lord.” There is a backstory. There is an affliction that has left the voice parched and in pain. This lament is sung from the little remaining, the last drops of oil in the widow's jar, the rasping voice of the thirsty soul. Like the sunflowers, it is a song for someone…and that someone is divine. He is enthroned on high. He is God Almighty. He is the eternal Father, merciful and compassionate. He is the Sovereign King, who builds and rebuilds. He is the Lord who hears our prayers sung in the darkness and responds with the radiance of hope.

This week's discussion features Judah Thomas, David LaManna, Lenny Selgado, Ben Cossette, and Mike McHugh. Edited by: Tim NicholsonJoin us for our study of the one chapter in the Book of Jude. Ben kicks us off by asking the question about Jesus' half brothers. This evolves into how catholic priests became gatekeepers of scripture and creating interpretations like the Virgin Mary. We then end up in Vincent van Gogh territory where he actually began to make God's Word more accessible to the common man and why the gatekeepers of this time did not like this.Lenny then brings it back to Jude verse 3 and the importance of vigilance, contend for the Faith. The group then shares the importance of trusting what is being taught, but to then verify.David shifts the topic to rescuing brothers and sisters from the lake of fire. Hate the sin, but love the sinner. Mike shares about being lost in the world, but having zero clue that he was actually lost. Judah brings it full circle by sharing the actual catholic interpretation of the Virgin Mary and how they have added things to the Bible and declared by various popes as dogma.Enoch, Elijah and Jesus being the only three Biblical bodily resurrections. So so much more and what an amazing conversation!!Enjoy and have a blessed day.For more information visit: www.thrive.churchIf you would like to give financially you can do so here: www.thrive.church/give/If you need prayer email us at prayer@thrive.churchThis is a presentation of Thrive.Church©All Rights Reserved

Yvette's stay at the Pont Royal Hotel, a former “writer's residence” turned hotel and later expanded to its impressive destination status, was enhanced by her opportunity to interview the general manager, Frederic Legallois.    The hotel is located on the Left Bank of the Seine River, where artists and intellectuals of the early and mid-20th century held court on café terraces in Saint-Germain-des-Prés. This neighborhood is a postcard-perfect vision of Paris: a grand, boutique-filled boulevard; café terraces practically made for people-watching; former residences turned into hotels; antique shops and bookstores spilling out on cobblestoned squares.    Yvette enjoyed the hotel staff's attentiveness to quality service, the art on display and the jazz performance in the hotel's well-appointed bar and lounge. The hotel's proximity to museums and gardens allowed Yvette to enjoy the beautifully manicured Jardin du Luxembourg, which dates back 400 years, and the Musee d'Orsay.   The Musee d'Orsay, which was originally established with loans from the Louvre, now claims the largest collection of impressionist and post-impressionist art in the world. Taking over a former Beaux-Arts railway station along the Seine River, this Museum holds masterpieces, which Yvette had an opportunity to enjoy, like Vincent van Gogh's “The Starry Night” and Edouard Manet's “The Luncheon on the Grass” and a very special find for Yvette, the American artist's James McNeill Whistler's “Whistler Mother.”

In this first episode of the new series of A brush with…, Ben Luke talks to the painter Celia Paul about her influences—including writers as well as contemporary and historic artists—and the cultural experiences that have shaped her life and work. Paul was born in 1959 in Trivandrum, India, and now lives in London. She makes intense yet ruminative paintings of people close to her, the spaces in which she lives and works, and landscapes of poignant significance. Her paintings are made from life but are pregnant with memory, poetry and emotion, which she imbues in her distinctive painterly language. Her art possesses a rare tranquillity in which one perceives deep feeling; Paul wrote in her memoir that her paintings are “so private and personal that there's almost a ‘Keep Out' sign in front of them”. At once a singular figure yet also connected to strands of recent and historic figurative painting in Britain, she has been admired widely throughout her career but only recently been recognised as a major figure in British art of the past 40 years. She discusses the fact that she began painting before she knew about art, but when she was introduced to Old and Modern Masters, she discovered El Greco and Paul Cezanne, who remain important to her today. She also reflects on the compassion in Rembrandt and Vincent van Gogh, the stillness and scale of Agnes Martin and the elementary power of the novels of the Brontë sisters. She also describes her response in painting to the artists of the School of London, including Lucian Freud, with whom she was once in a relationship, and Frank Auerbach.Celia Paul: Colony of Ghosts, Victoria Miro, London, until 17 April 2025. Celia Paul: Works 1975–2025, published by MACK, £150 (hb) Hosted on Acast. See acast.com/privacy for more information.

Recorded March 4, 2025 In a story depicted in oil painted animation, a young man comes to the last hometown of painter Vincent van Gogh to deliver the troubled artist's final letter and ends up investigating his final days there. – From IMDB Email Eric or Joe. Time – 51:59 min. / File Size – … Continue reading

When Winnie Wong first saw Dafen Oil Painting Village in 2006, it was nothing like she'd imagined. The Chinese village was known for mass producing copies of Western art. She'd read about it in The New York Times, which described a kind of compound where thousands of artists painted replicas of famous artworks, like da Vinci's Mona Lisa or van Gogh's Starry Night, for European and U.S. hotels and condos.“We had an expectation, which was that there would be this giant factory,” said Wong, a professor of rhetoric at UC Berkeley. “And in this factory, there would be these painters working in an assembly line fashion: One person would paint the rocks, and one person would paint the trees, and one person would paint the sky.”But when she arrived in the small gated village, what she saw surprised her. In 2013, she published van Gogh on Demand: China and the Readymade, a book about her six years of research in Dafen and how it forever changed the way she thinks about art and authenticity and the nature of creativity.See more artwork and photos of Dafen from 2015, when Wong and architecture professor Margaret Crawford took a group of graduate students on a 14-day trip to the Pearl River Delta region to study urban art villages.Listen to the episode, read the transcript and see more photos on UC Berkeley News (news.berkeley.edu/podcasts).Music by Blue Dot Sessions.Photo by José Joaquin Figueroa.This year on Berkeley Voices, we're exploring the theme of transformation. In eight episodes, we explore how transformation — of ideas, of research, of perspective — shows up in the work that happens every day at UC Berkeley. New episodes come out on the last Monday of each month, from October through May.See all episodes of the series. Hosted on Acast. See acast.com/privacy for more information.

Vincent van Gogh, el famoso pintor, – un cartero

When her husband died, Jo was left with a small child, no job, not much money, and a lot of canvases that weren't worth very much. It was the effort of a lifetime, but Jo transformed van Gogh's artwork from something few people wanted to an international sensation. If you're listening before the end of March, 2025 there's still time to get in on the Women's History Month Giveaway. Take a look at Patreon or my website below to show your support for women's history. Visit the website (herhalfofhistory.com) for sources, transcripts, and pictures. Support the show on my Patreon page for bonus episodes, polls, and a general feeling of self-satisfaction. Or make a one-time donation on Buy Me a Coffee. Join Into History for a community of ad-free history podcasts plus bonus content. Visit Evergreen Podcasts to listen to more great shows. Follow me on Threads or Instagram as Her Half of History. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of Motivational Sundays with Kevin and Friends explores the power of small, consistent steps in achieving greatness. Hosted by Kevin Mclemore, the discussion is inspired by Vincent van Gogh's quote: “Great things are done by a series of small things brought together.” Panelists share personal stories, cultural wisdom, and professional insights on perseverance, patience, and momentum in life and success. From artistic inspiration to business achievements, from faith-based resilience to community upliftment, this episode is a testament to the strength of small efforts leading to massive breakthroughs.

Wat biedt energie, troost, plezier, bezinning? Een goed gesprek aan tafel, met veel muziek. Elke zondag van 18:00 - 20:00 uur op NPO Klassiek. Hans den Hartog Jager is kunstcriticus, schrijver en curator, Hij studeerde Nederlands en kunstgeschiedenis en kijkt met een nieuwsgierige en kritische blik naar de wereld om zich heen. Hij scheef monografieën over onder andere Vincent van Gogh, Andy Warhol en David Hockney. Hij debuteerde in 2003 met de roman Zelf God worden, waarin zijn fascinaties voor kunst, kijken en interpretatie bij elkaar komen. Hij publiceerde essays en interviews en stelt als curator ook tentoonstellingen samen. Zijn culturele landschap voert onder andere langs het werk van een voor hem ondergewaardeerde schilder, een videoclip waar je naar blijft kijken en een opera van Monteverdi.

Vincent van Gogh is one of history's best known artists, but he wasn't during his own lifetime. His rise to fame came slowly through the efforts of the woman who inherited the vast majority of his paintings. Jo van Gogh-Bonger was a Dutch girl who considered herself not very well educated about art, and yet she managed to weave her way through the art world and bring us Vincent's exquisite beauty. If you're listening before the end of March, 2025 there's still time to get in on the Women's History Month Giveaway. Take a look at Patreon or my website below to show your support for women's history. Visit the website (herhalfofhistory.com) for sources, transcripts, and pictures. Support the show on my Patreon page for bonus episodes, polls, and a general feeling of self-satisfaction. Or make a one-time donation on Buy Me a Coffee. Join Into History for a community of ad-free history podcasts plus bonus content. Visit Evergreen Podcasts to listen to more great shows. Follow me on Threads or Instagram as Her Half of History. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:27:38 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, des expositions : "Sigmar Polke, Sous les pavés, la terre" à la Fondation Van Gogh d'Arles et "Anita Molinero - Plastic Butcher" au MAC - Musée d'art contemporain de la ville de Marseille. - réalisation : Laurence Malonda, Marie Plaçais - invités : Corinne Rondeau Maître de conférences en esthétique et sciences de l'art à l'Université de Nîmes et critique d'art; Sally Bonn Maître de conférence en esthétique à l'Université Picardie Jules Verne, auteure, critique d'art et commissaire d'exposition.

Margherita Loy"Tutto ciò che resta"Postfazione di Dario VoltoliniHopefulmonster Edizioniwww.hopefulmonster.netSi può dire che la lingua madre di Margherita Loy sia direttamente l'italiano letterario. In questi tre nuovi racconti gli elementi portanti sono la possibilità della scrittura di essere semplice ma di aprire improvvise complessità, il gioco dei richiami tra il passato e il presente, la tensione tra la scena narrata e quella vista che si liquefà nel vissuto della parola, la rarefazione che è evocata con termini nitidi e precisi, i riverberi di infinite letture abitate da sempre, refoli bassaniani, il pensiero che gioca con le parole. E soprattutto la presenza dell'oggetto emblematico che catalizza verso sé le storie perdute e ne rende disponibile la narrazione.Abbiamo tre gioielli in questa raccolta. Ciascuno racchiude un mondo, conserva relazioni e affetti, vite irripetibili. Ma la loro essenza di gioielli riverbera su mondi, relazioni, affetti e vite il pregio del valore delle loro pietre, dell'oro, delle perle.Margherita Loy è una narratrice che nutre un personale rispetto nei confronti delle storie che racconta. Questo è un dato caratteriale che permea la sua prosa e la impreziosisce, sebbene la scrittrice mantenga con cura affilato il rasoio e appuntito il bulino al cospetto dei dolori e delle sofferenze. Margherita Loyo è nata a Roma nel 1959 e da molti anni vive nella campagna lucchese. Ha condotto programmi sui libri per l'emittente Videomusic, programmi culturali su Rai Radio Tre, tradotto libri per Astrolabio-Ubaldini Editore e pubblicato racconti sulla rivista “Paragone Letteratura” e nell'antologia Parole apparecchiate (2011) edita da Trasciatti Editore. Ha inventato libri d'arte per bambini per Gallucci Editore: La cameretta di van Gogh (2015, 2023); Magritte. Questo non è un libro (2021); Pop al pomodoro (2021). Per Zona Franca Edizioni ha pubblicato la raccolta di racconti V.O.L.A., Vino, olio, latte e acqua (2013), per Atlantide Edizioni i romanzi Una storia ungherese (2018), La dinastia dei dolori (2020) e Dio a me ha dato la collina (2022), mentre per l'editore Barta è uscito nel 2023 il romanzo Delia o mattino di giugno. Attualmente tiene un blog di letteratura e arte su “Il Fatto Quotidiano”.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

My guest today on the Online for Authors podcast is Janis Daly, author of the book The Path Beneath Her Feet and creator of #31titleswomeninhistory, along with four additional authors from the list.   The compiled list of historical fiction represents thirty-one titles to read, discover, learn, and celebrate women who've made history, individually or collectively. Their achievements languish in the shadows, awaiting authors to write their stories and readers to embrace them.   According to Janis, developing the list wasn't easy because there are far more books than she could include. But this is how she made her final decision:   Had to be historical fiction Had to be written by a woman Looked for diversity in authors – cultural, type of publishing, and name recognition Looked for diversity in the subject – cultural, setting, field of recognition Ratings on Goodreads   Here is the list of books Janis has included for the 31 days of March in 2025: Akmaral by Judith Lindbergh - Amazon Warrior Women, Ancient History Asia American Daughters by Piper Huguley - Progressive political daughters and friends, Alice Roosevelt, Portia Washington, early 1900s America Can't We Be Friends by Denny S. Byce & Eliza Knight - Entertainers Ella Fitzgerald, Marilyn Monroe, 1950s America Circling the Sun by Paula McLain - Aviator Beryl Markham, 1920s Africa The Dark Lady's Mask by Mary Sharratt - Writer Aemilia Bassano Lanier, late 1500s England Daughters of Green Mountain Gap by Teri M. Brown - Women Healers of Rural America, late 1800s North Carolina Finding Margaret Fuller by Allison Pataki - Philosopher & Women's Rights Activist Margaret Fuller, mid 1800s Massachusetts & Italy Harlem Rhapsody by Victoria Christopher Murray - Writer & Editor Jessie Redmond Fauset, 1920s New York Hild by Nicola Griffin - St. Hild of Whitby, Dark Ages England Illuminating Darwin by Jill George - Writer, Editor & Anthropologist Arabella Buckley, mid/late 1800s England The Invincible Miss Cust by Penny Haw - Veterinarian Aleen Cust, late 1800s Great Britain Katharine, the Wright Sister by Tracey Enerson Wood - Aviator Advisor & Business Manager Katharine Wright, early 1900s Ohio Katharine's Remarkable Road Trip by Gail Ward Olmsted - Civil War Nurse & Educator Katharine Prescott Wormeley, early 1900s New England Lady Flyer by Heather B. Moore - Aviator Nancy Harkness Love - World War II United States The Last Twelve Miles by Erika Robuck - Codebreaker Elizebeth Smith Friedman, 1920s Washington DC / Florida Lily of the Nile by Stephanie Dray - Princess Selene of Egypt, First Century BC, Rome Madame Pommery by Rebecca Rosenberg - Jeanne Alexandrine Pommery, mid/late 1800s France Mademoiselle Eiffel by Aimie K. Runyan - Claire Eiffel, late 1800s France The Mesmerist by Caroline Woods - Social activist Abby Swift Mendenhall, late 1800s Minnesota Miss Morgan's Book Brigade by Janet Skeslien Charles - Librarian Jessie “Kit” Carson, World War I France A Pair of Wings by Carole Hopson - Aviator Bessie Coleman, 1920s Chicago / France / Germany The Path Beneath Her Feet by Janis Robinson Daly - American Women's Hospitals, 1930s/40s United States The Queens of Crime by Marie Benedict - Mystery Writer Dorothy Sayers, 1930s London Saving Vincent by Joan Fernandez - Art Curator and Seller Jo van Gogh, 1890s Paris Scandalous Women by Gill Paul - Romance Writers Jackie Collins, Jacqueline Susann, 1960s New York & London The Secret War of Julia Child by Diana R. Chambers - Espionage Agent Julia McWilliams Child, World War II Asia Solitary Walker by N. J. Mastro - Mary Wollstonecraft Sunflower Sisters by Martha Hall Kelly - Nurse & Abolitionist Georgeanna Woolsey, Civil War United States The Vow by Jude Berman - Artist Angelica Kauffman, 1700s Italy The Women by Kristin Hannah - Vietnam War Nurses, 1960s/1970s Women of the Post by Joshunda Sanders - Women's Army Corps First Black Unit & Major Charity Adams Earley, World War II   To learn more, head over to: https://janisrdaly.com/women-in-history-2025/   For your chance to win one of these amazing books, fill out this survey: https://us20.list-manage.com/survey?u=a032c3f5608248aaa0896e0d3&id=acbb9b45d9&attribution=false   Subscribe to Online for Authors to learn about more great books! https://www.youtube.com/@onlineforauthors?sub_confirmation=1   Join the Novels N Latte Book Club community to discuss this and other books with like-minded readers: https://www.facebook.com/groups/3576519880426290   Teri M Brown, Author and Podcast Host: https://www.terimbrown.com FB: @TeriMBrownAuthor IG: @terimbrown_author X: @terimbrown1   #janisdaly #31titleswomeninhistory #womenshistorymonth #terimbrownauthor #authorpodcast #onlineforauthors #characterdriven #researchjunkie #awardwinningauthor #podcasthost #podcast #readerpodcast #bookpodcast #writerpodcast #author #books #goodreads #bookclub #fiction #writer #bookreview *As an Amazon Associate I earn from qualifying purchases.

Lots of healthy disagreement in this week's THAT WAS THE WEEK tech show with Keith Teare. We debate the impact of AI on coding jobs, with Keith suggesting that while traditional coding skills may become less important, system architecture and AI guidance skills will be crucial to maintaining the value of human labor. We also discuss the rise of early-stage unicorns, military-tech AI start-ups, and disagree strongly on the status of billionaires, with Keith arguing that it's “not hard” to be a billionaire in Silicon Valley today. Here are the five KEEN ON takeaways from today's conversation:* Divergent Market and Valley Sentiment: While the stock market is having its worst performance since Trump's inauguration, Silicon Valley remains optimistic, particularly about AI. Keith argues there's no short-term correlation between Silicon Valley sentiment and market performance.* Evolution of Tech Skills: The rise of AI is changing the nature of technical skills needed in startups. Keith suggests that traditional coding skills are becoming less crucial, while the ability to architect systems and guide AI is becoming more important. He notes that universities are already adapting their computer science programs to include AI.* Rise of Efficient Startups: AI is enabling lean startups to do more with fewer people. Keith uses his own company Signal Rank as an example, noting they've built a complex system with just five people, two of whom are coders, highlighting a shift in how startups can be built efficiently.* Military-Tech Convergence: There's a growing trend of Silicon Valley companies entering the defense sector, exemplified by Saronic raising $600 million for autonomous warships. This represents a broader shift in how military technology is being developed and funded through private companies.* Debate about Wealth Creation: The conversation concludes with a debate about wealth accumulation, sparked by Robert Reich's controversial X post about billionaires. Keith argues that technology's global reach and distribution capabilities have made it easier than ever to build valuable companies, with Andrew strongly disputing the idea that becoming a billionaire is "not that hard."That Was The Week - February 22, 2025With Andrew Keen and Keith TeareAndrew Keen: Hello everybody. It is Saturday, February the 22nd, 2025. The last Saturday in February, the last Saturday we're going to do That Was The Week tech roundup. It's been an odd week. On the one hand, the stocks notched the worst week since Trump's inauguration six weeks ago. It's been a long six weeks. According to the Financial Times, the geopolitical rupture, which of course has been caused by Trump, has sparked a quiet market rebellion. Niall Ferguson had an interesting piece in today's Wall Street Journal about the demise of the United States because of its massive debt, and Elon Musk has been continuing to make a public fool of himself this week, waving a chainsaw and pretending to be an Argentine politician, which I'm not sure reflects that well on him. However, in spite of all that bad news, Keith Teare's That Was The Week newsletter is actually very optimistic. Unicorns are back, according to Keith, and we have an image, of course, created by AI of these imaginary beasts horses with horns. Keith is joining us, as always, from Palo Alto, the home of optimism. Keith, do you think it's coincidental that suddenly everyone is optimistic again in Silicon Valley whilst the market is sliding to those two things in an odd way, kind of go together?Keith Teare: There's no correlation between Silicon Valley and the markets at all in any day to day sense. There's long term correlation, but not short term. Silicon Valley is having a moment because of AI, and Grok Three was launched this week. Crunchbase launched its new AI driven data platform, and the CEO declared that historical data is dead, meaning only future predictive data is any good anymore.Andrew Keen: And historical data being dead. The future is predictive intelligence. What does that mean?Keith Teare: He means that it's now possible, because of AI, to see patterns and trends and predict them. Just knowing the past is not the point anymore. Obviously it's stretching a point. You still need the history from the past to see the trends. But he's saying the needle has turned from looking backwards to predicting the future because of data. That's true in biology as well. There's a massive arc this week announced a new model that understands DNA and can predict the likelihood of solving diseases.Andrew Keen: Your editorial this week, Keith, is quite personal. You know that as the person in charge of Signal Rank, your startup, AI has been remarkably helpful in it. You refer in the editorial to an interesting piece in the New York Times about how AI is changing Silicon Valley build startups like your own Signal. What does your experience at Signal Rank tell us about the future of startups?Keith Teare: Signal Rank is five people. Two of us have coding skills. We've raised $5 million ever to spend on building Signal. All the other money we raised is to invest in companies. That article is focusing on the fact that it's almost like the Lean Startup story from the early 2000s, except it's true this time, because the most expensive thing in a startup is people. And the one thing you need less of is people. That's a massive shift. Of course, if you're building large language models, the opposite is true, because the most expensive thing is GPUs, which you pay Nvidia for. And that's super expensive. But everything else that's sitting on top of that is getting faster, cheaper and better.Andrew Keen: You also refer to a New York Times piece about how AI is prompting an evolution, not an extinction for coders. Your son's a coder, in a sense, you're a coder. Ultimately, one and I was at this thing with Tim Draper a couple of weeks ago where he was talking about companies, billion dollar companies built and managed by single people won't ultimately make most coders extinct. Maybe not all. But when founders like yourselves simply become coders and you won't have the need for other help.Keith Teare: I make the point in an editorial that I didn't write a single line of code, but I've built a very complex system with lots of AI agents working together and delivering results for users. Learning to code is going to be a low requirement. A very high requirement is learning to architect and guide the AI because the AI can code, but it can't imagine systems to build or know when it got it right or when it got it wrong. The skill base is going to shift to what normally would be the domain of a product manager who has coding skills and can understand what's happening and can understand what it can ask for and what it can't ask for. But coding itself, learning Python, learning JavaScript or Java? Probably less essential.Andrew Keen: So what happens to kids like your son who just graduated and now works in Silicon Valley as a coder?Keith Teare: He'll still be needed for some time. In his company, they're not allowed to use AI yet. It's a little bit like dying skills always protect themselves until they can't. Engineers that are defensive or companies that are defensive about using AI are going to fall behind a little bit. But eventually everyone gets there because it's just a better way of doing things.Andrew Keen: You're an innovator and instinctive in terms of innovation. But are people going to start going to college and doing majors and working with AI rather than learning how to code? Will computer science be really about how to ask the right questions and ask it to do the correct things?Keith Teare: Yes, but to do that you need to understand systems architecture. My youngest son just got an offer from my old university in the UK, Kent, and it's for a course called Computer Science and Artificial Intelligence, so they're already evolving the courses to teach the new skills. I think it's going to be imperative if you can talk to a machine and you can imagine what you want it to build. Imagine you could describe to a machine the website you'd really like for Keen on America, and it would build it, and then you'd look at what it built and say, no, I didn't mean that, I meant this. It gives you massive power to produce things.Andrew Keen: And I think it's also true with writers. I'm not a coder. But the thing with AI is it's not designed to replicate human writing. It's designed to answer questions and organize ideas in ways that are instant as opposed to taking hours or days for humans. So it's similar in that sense. Meanwhile, let's go back to your unicorns. It's all coming out of Crunchbase that your wife works for. She writes for it. And what is Crunchbase telling us this week about quote unquote minting early stage startups? Are unicorns back in fashion? We haven't talked about unicorns for about a year. We talk about them every week.Keith Teare: The rates of unicorn production declined massively from 2021 onwards and reached the bottom last year.Andrew Keen: While the market was strong and now it's falling and unicorns are back.Keith Teare: This article is specifically about early stage unicorns. These are unicorns that become unicorns at a series A or a series B round. They're raising very large sums of money. The top six series A raises this week all raised more than $50 million.Andrew Keen: And the average valuation I guess early round has jumped to 3.3 billion. But doesn't the unicorn term become slightly absurd if you're raising hundreds of millions of dollars? It's given that you're going to be a unicorn. But does that really mean anything?Keith Teare: If you try to put it into a rational framework, the amount of money put into a company and the valuation is determined by supply and demand and likely outcomes. Investors who are writing these checks are making a calculation of what this company will be worth in the next five to ten years. They're writing checks appropriate to a gain of at least ten times that money. They're projecting into the future a likely outcome from writing the checks and the competition to invest in these companies is so intense that the checks get bigger earlier. Obviously that creates risk. The risk is that you're making the call too early and you're going to be wrong in your predictions. The upside is that you know you're right and you'll be smiling all the way to the bank. That's just the nature of any technology transfer.Andrew Keen: Is this different from any other hysteria boom? Just the numbers are larger. Is this different from the dot-com boom where huge amounts of money were poured in? Most companies failed. Some succeeded, like Amazon or like web 2.0, or like social media or like crypto.Keith Teare: It's very similar. It's more like the gold rush because there really was gold. There really is gold. Even in the dot-com boom, the asset class of venture capital did very well. Individual investments failed, but the asset class as a whole did very well. When you allocate to a tech boom like AI really is and the AI boom is real, there's real value being produced and real change in human experience that's going to generate lots of money. Placing those bets at the asset class level makes sense. Individual investments is a totally different story.Andrew Keen: You also refer to Hunter Walk, who is a very smart guy. He said, you have to assume every company will have access to the same LLMs and voices. The challenge then is to build a company that thrives despite this reality. Given the commodification of AI and all these platforms from xAI to OpenAI to Anthropic AI to Google Gemini, that are basically now all the same. We're seeing this commodification of LLMs. Doesn't that point to a weakness in this AI hysteria?Keith Teare: You have to distinguish between LLMs, reasoning agents and agents that can do things. This week, Grok Three was launched. It's very good, by the way. But it's only a little bit better than all the others. So it didn't get the attention that say deepfaked.Andrew Keen: And next week someone will come out with something else that will be a little better. And as this race continues, the differences between the products will become less and less.Keith Teare: But for you and me, that's fantastic. You use Anthropic, I use Perplexity, I use Claude, we're basically getting free intelligence to do work.Andrew Keen: I wonder whether in that sense it's rather like the early days of the internet where we got a lot of stuff for free, and then everyone woke up and started charging. I mean, we are paying. I pay my $20 a month to Anthropic. You pay your monthly fees, but it's still pretty small amounts of money.Keith Teare: OpenAI now has 400 million daily active users and is making billions of dollars.Andrew Keen: I hope so because it's raised tens of billions of dollars.Keith Teare: But that is the game. Think of the Andrew Keen world. You wouldn't want to constrain yourself to investing almost nothing and making almost nothing. You want to invest as much as possible as long as you know you can make more than that back.Andrew Keen: On the unicorn front, you've been at this rodeo before many times. You're about as experienced as it gets. Are you taking these arguments about unicorns seriously, or should we be taking them like unicorns themselves with a pinch of salt?Keith Teare: When you build startups, the valuation of the startup is not even in your mind as a variable. You're just building whatever your vision is and it costs money to build it. So you're raising money. You sell shares in your company at the highest price you possibly can. It's good news if you're a unicorn from the point of view of the company you're building. Founders don't really think about valuations as much as they think about how much money they need and what they're going to do with it. Normal people read the headlines and think that Silicon Valley is awash with irrationality. It isn't really true.Andrew Keen: Well, you're providing us with those headlines. One of the other pieces you linked to this week is from the FT about Silicon Valley fighting EU tech rules with backing from Trump. Most of the news this week has been about Trump outside technology. It's Trump changing the rules in terms of big tech and particularly Europe and tariffs completely.Keith Teare: Coinbase announced yesterday that the SEC has withdrawn its lawsuit against Coinbase. That's the latest little indication of the trend. There are rumors that Ripple, which was also subject to an SEC case, will have that case withdrawn. The Trump administration does not want to stand in the way of big tech or little tech for that matter, and it sees Europe, rightly so, as a bit of a backwater. The zeitgeist is changing. Even in Europe, the innovators are fairly pro the Trump message even if they're not pro Trump. The need to innovate and relax constraints.Andrew Keen: The German economy now seems to be in crisis or German culture is in crisis. But they probably left it too late. The horse or the unicorns, so to speak, has left the barn here, hasn't it?Keith Teare: Apple yesterday announced that it's turning off encryption in Europe, in the UK now, not the whole of Europe, because the UK asked for a backdoor. So now UK users of the iPhone have no security on their phones because Apple, rather than comply with a backdoor, would turn the whole security layer off. That's going to be a bit of a trend. The governments trying to control tech, especially if they're snooping on their citizens. Tech is not going to bend over and agree with them anymore. And Trump is going in the opposite direction. He's not trying to get them to do back doors.Andrew Keen: The interview of the week, my interview was with Tim Wu, who was perhaps the most influential critic of monopoly Big Tech in the Biden administration. He has an interesting new piece out on decentralizing capitalism. With the help of Claude, we came away with five points from my conversation with Wu. It's all about decentralizing capitalism, getting away from monopoly capitalism, which I think he sees in companies like Google and Facebook and even OpenAI. I know you're not a big fan of regulation, but do you think Wu has a point? He's in favor of decentralizing capitalism. He's not against the market. He's in favor of innovation.Keith Teare: What does he mean? Because you could frame that as being nation states that are too centralized or you could frame it that big tech is too centralized. How does he frame it?Andrew Keen: He frames it as capitalism lends itself to a winner take all economy. He goes over the argument that America has always been a more innovative and wealthier society when you attack the monopolies, whether it's the oil monopolies, the railroads, pharma. And the same needs to be done now to unleash creativity, to unleash guys like yourself. One of your close friends, Lina Khan, was on MSNBC this week, talking about what she calls an anti-monopoly hunger in America. I'm not sure whether that's an exaggeration, but certainly there is an anti-monopoly feeling, both on both sides of the aisle. It's one of the few things that unite Democrats and Republicans, isn't it?Keith Teare: No, I disagree. The zeitgeist is exactly the opposite. The desire to control, especially big tech is nonexistent. The Democrats live in their own bubble world on MSNBC, and they really don't know how normal people think. Most people think Google's awesome. They think Amazon is awesome. They like using AI. More and more people are using it.Andrew Keen: You can like using AI and not be in favor of monopolies. That's two different subjects.Keith Teare: Normal people don't even use the word monopoly. It's not a word in the normal lexicon. It's a purely political word, used only in the circles of the Democratic Party that have this kind of Stalinist influence. The word state monopoly capitalism came out of Stalin.Andrew Keen: But I think you need to read Wu's piece on decentralizing capitalism, because he's as much a critic of Stalinism and centralization as you. He uses models from postwar East Asia, particularly Taiwan, and of course, the Danish model to talk about reforming the US. So what would you advise guys like Wu to be arguing? Should they just throw in their chips with Donald Trump and say you're right?Keith Teare: Where I would agree with them, and this is the common thread where we can agree, is capitalism has the tendency to create what I think of as greater socialization. You get bigger and bigger units, more interconnected. The interconnected piece is super important. It's not just that they're big, they're interconnected and that tends to be global. There's a globalizing tendency within capitalism. As you globalize and you socialize production, small individual industries tend to go by the wayside. Artisan industries. All of that is true. But you don't fix that by trying to break it up. The real social good is that the human race increasingly becomes interconnected and interdependent. That's a good thing. What's wrong is the private ownership of the wealth that it produces.Andrew Keen: Last week we talked about Alva van Gogh's critique of Vance's Paris speech, although he agreed with it in part. This week, you connect with Albert's humanist vision for AI. The speech at the Paris AI summit he would have given. What is Albert's vision?Keith Teare: It's a little bit 1960s cumbayah-ish. I am one of those, so I agree with him. But it's basically saying that AI is a tool for humanity, not a tool against humanity. And he makes the case for that. He doesn't say there are no safety risks, but he minimizes safety risks and places human good first, which I think does correlate to Tim Vance. It's an opportunity to be taken, not a safety risk. So I think he's kind of on the same page as Vance, to be honest.Andrew Keen: Whenever anyone uses the word humanist, it always makes me slightly skeptical. I'm not entirely sure what it means. I mean, who's anti-humanist except for a few Marxist philosophers in Paris? Meanwhile, lots of other tech news. Microsoft announced what it sees as a breakthrough in quantum. Is that right, Keith?Keith Teare: You and I probably are not clever enough to know, but I think we are safe. The answer is yes. That headline says they've created a new state of matter, and that pertains to something called a topological qubit, which is a qubit that can be programmable. And they're so tiny and there's so many of them that a quantum computer can do calculations at much greater scale, much faster than anything before. And they claim to have reduced this new state of matter down into a chip that can be plugged into a computer, an electrical computer, not a quantum computer, and can run. And the claim is that that will accelerate quantum computing by decades, to the point where there are promising programs that mean something within five years. And so that's a new timeline from Microsoft.Andrew Keen: I think quantum is like we're going to talk about it and talk about it and talk about it, and everyone will be skeptical. Some people will say it's for real, and then suddenly something will come along, the equivalent of OpenAI or ChatGPT and quantum, and it will be real. But that certainly isn't this week. Meanwhile, your startup of the week is exactly what you've been talking about. A unicorn Saronic, which raised this week $600 million to mass produce autonomous warships. It's another example of how Silicon Valley and the Pentagon and the defense industry seem to be becoming one. Tell us about Saronic.Keith Teare: Saronic is part of that trend for Silicon Valley and military spending to converge. The same investors in Saronic are also in Anduril and some of the other companies we talked about from time to time, space as well. So it's symptomatic of two things. The first is militarized investment coming out of Silicon Valley, and the second is the valuations. I should disclose, by the way, that Signal Rank owns shares in Saronic. So this was good news for us this week.Andrew Keen: Or at least your investors own shares. It's interesting that this week Palantir also has done very well for the first few weeks of 2025. But it also crashed. This is a very frothy market, tech military startups isn't it?Keith Teare: I wouldn't say crashed. It's up like 200%. If you're an investor in Palantir and you've been holding, you wouldn't be too upset by this pullback. The world we're living in, and I'm not a fan of this by any means, but military investment by private companies selling to governments is going to be a rising trend because governments can't really innovate the military. They're so stuck with old fashioned views of what conflict might look like. It's interesting that even Musk and DOGE this week and Trump announced they're going to try to reduce the U.S. military budget by 10% annually.Andrew Keen: And they've seen some cuts. And I think when historians look back, the rise of companies like Saronic, the DOGE initiative, and the behavior which I'm like most people, I think rather critical of, of pulling back from Ukraine, they're all going to be part of the same narrative. Something is profoundly changing here on the military industrial, but the military political from the US's involvement in the world and the technological piece of this.Finally, post of the week and it comes back to the conversation you and I were just having about Tim Wu. Robert Reich, a well-known MSNBC type who was in the Clinton administration, posted that there are basically five ways to accumulate $1 billion: profiting from a monopoly, insider trading, political payoffs, fraud and inheritance. And Brad Gerstner, amongst others, was horrified with this. He said it was such a terrible, bitter and sad take on America. I'm assuming you're in the Gerstner camp, Keith.Keith Teare: I am, but that isn't why I posted it. I posted it because I wanted to focus on the absolute chasm between the democratic intellectual elite and the rest of us. Robert Reich almost is saying that you have to be a criminal to get rich. And that isn't how most people think.Andrew Keen: The American dream, right? But I, being a great fan of Reich, think he is the dinosaur of dinosaurs, but he isn't saying that. He's talking about being a billionaire. That's not being rich. So you have to distinguish.Keith Teare: This might be shocking to the listeners and maybe even to you, but it isn't that hard to become a billionaire if you do the right things these days, because 4 billion people on Earth are consuming technology outputs at increasing rates and paying for that. Being a billionaire is like what used to be being a millionaire. And it's only going up.Andrew Keen: I've got my title of this week's show Keith. "Keith Teare says it's not that hard to be a billionaire." How close are you to being a billionaire?Keith Teare: I've been very close twice in my career.Andrew Keen: No you haven't. When?Keith Teare: Absolutely have. Both RealNames and Easynet were valued at well over $1 billion.Andrew Keen: Yeah, but you didn't own the whole thing.Keith Teare: I owned a lot. And by the way, it was early in the life of the companies, and that was in 1994 and 1999. In 2025, those would be small outcomes. Today's outcomes, getting a company to be worth $1 billion happens early. That early stage unicorns point happens early.Andrew Keen: But let's be clear as well. What Reich is talking about is not billionaires. And as I said, I'm not particularly sympathetic to what he's saying either. But he's talking about real billionaires, people with $1 billion in the bank or with investors.Keith Teare: Let's just ask this question. Look back at what Reich says, and let's answer a few questions. Where would the brothers who run Stripe fit on that list? They're worth much more than $1 billion. They're not anywhere on that list. Where is Musk on that list? Where is Bezos on that list? Where are the founders of Google on that list?Andrew Keen: No, I agree with you. I think that he's wrong to say there are basically five ways to accumulate $1 billion: profiting from monopoly, insider trading, political payoffs, fraud and inheritance. You're absolutely right. But my disagreement with you is it's still incredibly hard to be a billionaire. How many billionaires are there in the US?Keith Teare: Of course it's hard.Andrew Keen: But you just said it was not that hard to be a billionaire.Keith Teare: Let me tell you what I mean by that. It's the easiest it's ever been, and it's going to get easier.Andrew Keen: Or it's easiest it's ever been because of inflation.Keith Teare: No, because of the scale of distribution networks and the revenues that come back from them. It used to be super hard. When I did Easynet, we had to put floppy disks on the front of magazines to distribute our software. When I did my most recent startups, you put an app in two app stores, and it's in the whole world the next day. And so the flow of money that comes from the ease of distribution of software to people who can pay for it if they like it, has completely changed the dynamics.Andrew Keen: I take your point. But coming back to this issue, how do you consider wealth? Who is rich? How much do you have to earn?Keith Teare: I think rich is totally subjective from your point of view. I thought I was rich when I didn't have credit card debt back in the day.Andrew Keen: Meaningless term, then. It's just entirely subjective.Keith Teare: Yes, but you can build the pyramid of wealth in terms of a smaller number of people at the top with very large amounts of wealth and go down to the bottom where lots of people have nothing. And that pyramid will change its shape and the scale at different levels through history, usually in a positive direction. That's one of the results of the socialization of production and the coming together of the human race into a single GDP growth. There's never been a period in human history recently where that pie or pyramid hasn't improved in both scale and distribution.Andrew Keen: As a bit frothy Keith, your new middle name is Keith "It's not that hard to be a billionaire" Teare. But coming back to Reich, I do agree with you. I think his approach is absurdly negative and reactionary, and the idea that you can't become a billionaire unless you're basically cheating, unless you're an inside trader or fraudulent or inherit money from someone else. He couldn't be more wrong on that, given, as you say, the Stripe guys, the Google guys, the Amazon people, even Musk. I'm no great fan of his but he didn't cheat to become a billionaire.Keith Teare: And you've got to believe, and this is why I put it in, that what he's saying is received wisdom in the minds of people like Lina Khan and Elizabeth Warren.Andrew Keen: That you're going to pick on your friend Lina Khan and Tim Wu as well. Wu teaches at Columbia. I wonder what Wu would say about that. I wonder whether Wu would argue that in a decentralized capitalism, it would be possible to be a billionaire. I'd have to get him back on the show to talk about that. Would we want a society, Keith? A decentralized capitalism where nobody was a millionaire, where the wealthiest people were worth 50 or $100 million?Keith Teare: No, I think the nightmare scenario for the future is that as production socializes and globalizes, a very small number of people control the wealth. But I think that's the right place to discuss how does the wealth get distributed to everyone? So you uplift human life, not just a few individuals, but I don't think you achieve that by trying to break up monopolies.Andrew Keen: The point is, it's not even breaking up monopolies. Reich's point is that one way to get $1 billion is to profit from monopoly. But the Google people, it's back to Peter Thiel's argument. Any entrepreneur wants to be a monopoly, that's the nature of doing startups. You want to win and winning becomes a monopoly, right? For better or worse. Google didn't start as a monopoly. Maybe it is one now because it's successful.Keith Teare: That's correct. If everyone was a failure, there'd be no monopolies. It's only success that creates market power and monopolies. It's a little bit like the word fascist. It's become a swear word to describe anything big. And fascist has become a swear word to describe anyone you disagree with. The truth is, these words mean things. Monopolies do get built. Google isn't one, in my opinion. And when they do, there's usually benefits that people are enjoying, which is why they're successful. And the key is how do you transition the world from massively concentrated private wealth to widely distributed aggregate wealth?Andrew Keen: And that's not about breaking up companies.Keith Teare: No, it's about distributing wealth, not breaking up companies.Andrew Keen: Also with Reich, there are lots of politically responsible or politically liberal billionaires. Reed Hoffman comes to mind. We talked about him last week. Finally, and this comes back to your point, Gerstner had another interesting post this week. He said the DOGE dividend could be a massive, game-changing legacy for Trump. Just one day of DOGE savings, apparently - this is what they claim, who knows whether they're really saving it - $3.7 billion could fund a private investment account with $1,000 for each child born in America. With just a little added per year, this could grow to $200,000 by age 30. Do you think Trump needs to do something radical on this front because he's not getting a great deal of good press on DOGE? A lot of people are losing their jobs every day. There are heart-rending stories of laid-off people. And it's not the billionaires losing their jobs. They're being fired by the billionaires. It's people working at poorly paid jobs in the first place. So does he need to do something with all the money he's supposed to have saved? Maybe in terms of a sovereign wealth fund or something more innovative?Keith Teare: What Gerstner is talking about there is about the distribution of wealth. It's one example of it. I think it's unlikely that Trump has the DNA to really follow through on anything like that. I don't think Donald Trump has any kind of social awareness at all about uplifting everybody. I do think there are people that do think like that. Sam Altman is one of them, and Reed Hoffman may be another, where the question of if there is abundance, how does everyone benefit from it? That's a real question. Gerstner's idea is not terrible, but I think it's a macro idea. There's a much bigger conversation needed than how to deploy the DOGE savings.Andrew Keen: I agree with you. And I think that I also agree with you on the Reich front that his kind of thinking, which is purely negative, is pointless. And what's missing on the progressive side amongst Democrats are creative, innovative thinking about the redistribution of wealth, rather than just taxing the rich or making it illegal to be a billionaire.Keith Teare: Yes.Andrew Keen: Well, we're in agreement, Keith.Keith Teare: Shocking.Andrew Keen: Shocking agreement. Although we disagree, I think it is still hard to be a billionaire. One thing I can guarantee is I've never been close and I never will be a billionaire. You say you've been close. What are the chances in the next few years, Keith, that you're going to be a billionaire from Signal Rank?Keith Teare: Don't even think about it. I think about what Signal Rank can do for everyone else. And if it does well, I'll do well.Andrew Keen: Go on bro. If it does well, I hope you'll pay me for this show. Keith Teare, publisher of That Was The Week. The man who argues that it's not that hard to be a millionaire. It's still a little hard, Keith, but we will be back next week to talk more billionaires, unicorns, AI, and everything else in the world of tech. Have a great week and we'll be back at this time next week. Thanks, Keith.Keith Teare: Bye. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In 2022, Just Stop Oil protestors threw tomato soup on a Van Gogh painting in London. The world collectively gasped, but some UK lawmakers responded by supporting fewer investments in new oil projects. On this episode, meet one of those soup-throwers, and hear from two other people who have been part of creative protests: a spokesperson from an anti-circumcision group that wears all white with giant, red splotches on the groin area; and a woman who organized a college campus protest featuring thousands of sex toys to rally against Texas gun laws. GUESTS: Anna Holland: Member of Just Stop Oil, a nonviolent civil resistance group demanding that the UK Government stop licensing all new oil, gas and coal projects. In 2022, alongside Phoebe Plummer, they threw tomato soup onto Vincent van Gogh's "Sunflowers" painting in London's National Gallery Harry Guiremand: Spokesperson for the anti-circumcision group, Bloodstained Men and Their Friends. They protest wearing all white with red splotches of paint over their groin Jessica Jin: Organizer of Cocks Not Glocks, protesting Texas laws that allow concealed handguns on college campuses, while openly carrying sex toys is a Class C misdemeanor Support the show: https://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

In de nieuwste aflevering van de kunstreeks nemen we je mee op een unieke natuurwandeling door het Van Gogh Museum. In deze speciale editie van 'Kunst in de Kijker' richten we ons op schilderijen waarin vooral de natuur centraal staat. Vincent heeft relatief weinig vogels geschilderd alhoewel hij wel in hun nestjes geïnteresseerd was. Toch weet Arjan twee kraanvogels in een van zijn werken te spotten. Samen ontdekken we hoe bijzonder Vincent van Gogh de natuur vastlegde en hoe ontroerend zijn verhaal is. In vogelvlucht (pun intended) nemen we jullie mee door het leven van Vincent en laat Gisbert, die ongekend groot fan is, zien waarom hij niet voor niets de status heeft bereikt van aller grootste schilder ooit. Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Love is in the air—along with some art history! In this episode of We Saved You a Spot, we're diving into all things Valentine's Day and Galentine's Day, from sweet traditions to celebrating friendship. Plus, we take a surprising turn into the world of Vincent van Gogh—because nothing says romance like a little post-impressionist passion (and maybe an ear or two?). Tune in for laughs, insights, and a whole lot of heart!

Jonah Falke is schrijver en kunstenaar. Falke maakte naam als kunstschilder en als frontman van de band Villa Zeno. In 2016 verscheen zijn debuutroman ‘Bontebrug', gevolgd door titels als ‘De mooiste vrouw van de wereld', ‘Dagboek uit Zundert' en ‘De geschiedenis van mijn sok'. Voor ‘Dagboek uit Zundert' verbleef Falke op de geboortegrond van Vincent van Gogh en maakte hij verschillende schilderijen. In zijn nieuwste boek, getiteld ‘Bible Belt', probeert Falke als ongelovige door te dringen tot het dagelijks leven in de Bible Belt. Daarvoor bezoekt hij kerkdiensten, studiedagen, gevangenissen en uitvaarten en logeert hij bij een gereformeerd gezin in Zeeland. Femke van der Laan gaat met Jonah Falke in gesprek.

It’s Friday, once again time for a look at Colorado’s literary landscape. This week Sun writer and editor Kevin Simpson chats with an author whose latest work of historical fiction applies an interesting twist to the death of artist Vincent van Gogh.See omnystudio.com/listener for privacy information.

Le 29 juillet 1890, le peintre néerlandais Vincent Van Gogh (1853-1890) meurt à Auvers-sur-Oise, deux jours après s'être tiré un coup de revolver dans la poitrine. Ce suicide, comme le train de vie du célèbre peintre, contribue à alimenter le mythe de l'artiste maudit qui, aujourd'hui encore, entoure sa figure. Pour déconstruire cette légende tenace, Virginie Girod reçoit Wouter van der Veen. Historien de l'art, grand spécialiste de la vie et de l'oeuvre de Vincent Van Gogh, il est secrétaire général et directeur scientifique de l'Institut Van-Gogh.

Taking control. We don't have a lot of it, but a chance to  take a breath, make changes and continue to push for changes. Even though we have 30 days, let's not take our foot off the gas.  In case you're interested - Kenny's Linkedin post is here: https://www.linkedin.com/posts/kennyvannucci_buycanadian-shopcanadian-supportcanadian-activity-7291664605431402496-goGh?utm_source=share&utm_medium=member_desktop&rcm=ACoAAAHLzV0B66Ny63xfoPTffiJK3tQ6g2ZDISM  

Stupid News 1-31-2025 6am …Nintendo lost a Trademark Fight over Super Mario ..Sugar Boo don't do this …$15 Million Dollar van Gogh painting purchased for $50 Bucks at a yard sale

“Great things are done by a series of small things done together” – Vincent van Gogh. In other words, we must create a system of small tasks and habits and string them together to achieve sustainable results quickly.    What sales system do you use, if you have one at all? I just had a conversation with someone about sales from a mindset perspective.  No judgment: salespeople face an inner game, and our mindset or inner dialog can be a catalyst or a log jam for sales success.   So, in addition to mindset, all salespeople need to create a tangible, duplicatable sales system that can be taught and repeated so we can better predict sales results, our return on time, and money spent on sales activities.   YouTube: https://youtu.be/Ta5GG4o1apk   About Connie Whitman: Known for her high-energy, passionate, heart-centered, and enthusiastic approach to sales, teaching, and coaching, Connie Whitman has been the CEO of Changing the Sales Game for 25+ years, helping business owners, leaders, and sales teams build powerhouse organizations.   Connie is a four-time #1 International Best-Selling author, including her book ESP (Easy Sales Process): 7-Steps to Sales Success, speaker, and podcast host.  Her inspired teaching, transformational tools, and content ensure business owners and salespeople grow their revenue streams through enhanced communication skills. She is thrilled to share inspiring content on her international podcasts “Changing the Sales Game” and “Enlightenment of Change.”   How to Get In Touch with Connie Whitman: Email:  connie@changingthesalesgame.com Website:  https://changingthesalesgame.com Communication Style Assessment (CSA)™:  https://changingthesalesgame.com/communication-style-assessment/   Stalk me online! LinkTree: https://linktr.ee/conniewhitman   Subscribe to the Enlightenment of Change podcast on your favorite podcast streaming service or YouTube.  New episodes are posted every week. Listen to Connie dive into new sales and business topics or problems you may have.  

Legerleider en oud-president van Suriname Bouterse overleden | Schrijversechtpaar Lize Spit en Rob van Essen over hun vak en hun leven samen | Vader Job en zoon Jaap Cohen over Theo van Gogh

Después de escribir un libro sobre el pequeño Vincent van Gogh, galardonado como mejor libro infantil en 2021, y otro sobre la niña Sor Juana, el actor y cuenta-cuentos Mario Iván Martínez comentó en Aristegui que se dio a la tarea de abordar la infancia de Francisco Gabilondo Soler, de cuya obra es embajador desde Learn more about your ad choices. Visit podcastchoices.com/adchoices