Podcast appearances and mentions of Kate Gilmore

The Wickedness of Oz by Kate Gilmore - musicals-obsessed Debbie, takes us on a magical journey and we share her dreams, dreads, her love, and her loss.

Young lovers Nora and Lennon bicker, giggle, sing and chat through their epic problems; travelling one way to Mars; the first Martian baby; moon signs v star sign and what to do about leggy Josie..

Young lovers Nora and Lennon bicker, giggle, sing and chat through their epic problems; travelling one way to Mars; the first Martian baby; moon signs v star sign and what to do about leggy Josie..

In this edition of In the Wings we hear Bosco Hogan, Colin Campbell, Kate Gilmore and Éanna Grogan discussing Nick Midgley's play Bloomsday, recorded this year as part the Ulysses centenary. In The Wings is produced by Kevin Reynolds.

Featuring Charlene McKenna, John D Ruddy, Louise Lewis, Kate Gilmore, David Pearse, Enda Oates, Tara Lynne O'Neill and Helen Norton

Today, medical advances make it possible for a woman to have a baby on behalf of someone else. This has given many people – including many in the LGBTQI community – the exciting possibility of founding a family of their own. But this incredible medical technology raises new questions about rights: how far do reproductive rights go? How do you establish the rights of a parent or citizenship? Who has a right to found a family? In this episode of Entitled, we explore reproduction and bodily autonomy in a changing world. We talk to Kasumi Nakagawa, an expert on surrogacy in Cambodia, and Kate Gilmore, former deputy director of the United Nations High Commissioner for Human Rights.

The Wickedness of Oz written and performed by Kate Gilmore. A day in the life of day-dreaming, musicals-obsessed Debbie, brings you on a journey that is as magical as it is real...

Too often, treating women with respect is seen as a luxury. It is not. Violations of human rights during childbirth are all too common in labor wards, hurting women's chances of surviving pregnancy and childbirth. This episode of White Ribbon Alliance's Brave Voices, Bold Actions podcast explores Article 1 of the Respectful Maternity Care Charter, and the human right to give birth free from harm and ill treatment – one component of the top request from the What Women Want campaign: respectful, dignified care.We hear from Sabina Jankovičová, who bravely shares her birth story and the damage caused by the disrespectful treatment she received at the hands of her healthcare providers, and Kate Gilmore, former UN Deputy High Commissioner for Human Rights, who helps examine how violations of women's rights in childbirth are part of the continuum of violence that women and girls experience throughout their lifetimes. Together, we have the power to destroy the structures that harm women during pregnancy and childbirth!Learn more at www.whiteribbonalliance.org/bravevoicespodcast.

In this conversation, Melissa Pitotti talks with Kate Gilmore the United Nations Deputy High Commissioner for Human Rights. They talk about wellbeing in the UN system and other humanitarian and human rights work, about how Kate sees the connections between personal and political and some tangible ways she has tried, in her role, to do things differently. Kate Gilmore was appointed United Nations Deputy High Commissioner for Human Rights on 1st December 2015. She brings to the position diverse and longstanding experience in strategic leadership and human rights advocacy with the United Nations, government and non-government organisations. Prior to joining OHCHR, Kate was Assistant Secretary General and Deputy Executive Director for Programmes with the United Nations Population Fund (UNFPA). Previously she was National Director of Amnesty International Australia and then Executive Deputy Secretary General of Amnesty International. Kate started her career as a social worker and government policy officer in Australia. She helped establish Australia’s first Centre Against Sexual Assault at Melbourne’s Royal Women’s Hospital and her work over a number of years focused on prevention of violence against women. In Australia, she was granted honorary appointments to provincial and national public policy and law reform processes, including membership of the country’s first National Committee on Violence Against Women. She holds a Bachelor of Arts degree from the University of New England and a Bachelor's degree in Social Work from the University of Melbourne, and has pursued post-graduate studies in social work and community development in Australia. Melissa Pitotti has been working in humanitarian affairs since 2003 wearing different hats: donor, UN member state, multilateral, NGO coalition, independent. She's also a mom, bookworm, and burnout-survivor. She is currently collaborating with Mary Ann on a project being incubated by CHS alliance looking at building care and compassion in aid and in humanitarian work. This episode is part of a special series of conversations entitled – Embodying Change: A series of conversations on care and compassion in Aid and Development curated by Mary Ann Clements and Melissa Pitotti and in partnership with CHS Alliance, Global Fund for Community Foundations, Healing Solidarity and Change Making Women Podcast. This episode was produced and edited by Ziada Abeid and the music was written and performed by Eleanor Brown who you can find at eleanorbrownmusic.com Find out more about ‘Cultivating Care and Compassion in Aid and Development’ an initiative being incubated by CHS Alliance here: https://www.chsalliance.org/get-support/article/compassionate-organisations/

Allison and Gaby give a listener advice on what to do if a married older man hits on you (and you don't want to use violence). They're then joined by the Los Angeles Zoo's Kate Gilmore and lose their primate minds! Later they discuss taking back slurs and using them to feel powerful. This episode is actually wild. Get it?! Primates! Listen to Just Between Us Ad-Free on Forever Dog Plus: http://foreverdogpodcasts.com/plus FOLLOW JUST BETWEEN US: https://www.instagram.com/jbupodcast JUST BETWEEN US IS A FOREVER DOG PODCAST: https://foreverdogpodcasts.com/podcasts/Support this podcast at — https://redcircle.com/just-between-us/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Allison and Gaby give a listener advice on what to do if a married older man hits on you (and you don't want to use violence). They’re then joined by the Los Angeles Zoo’s Kate Gilmore and lose their primate minds! Later they discuss taking back slurs and using them to feel powerful. This episode is actually wild. Get it?! Primates! This episode is sponsored by Brave Not Perfect podcast, Bombas (www.bombas.com/BETWEENUS), and Baze (www.baze.com code: BETWEENUS).

My Dad died 24 years ago this month and my Mum died two years ago in July.  Winter has not been kind to my family.24 years ago my Dad’s death was quite hard to take.  I was young, he was young.  Only two years older than I am now.  With hindsight I know that Dad missed so much by leaving so early.  All his family’s adult acheivements.  The birth of four grand children.My Dad’s death was one of the first amongst my mates so they all turned up and Dad’s wake turned epic.  But my friend’s Dad had died even younger and so my mate gave me a word of advice that I have passed on to everyone because it was bang on.He said call me in a six weeks and I’ll come and help.The point of that was that at the time of a death, the adrenaline kicks in.  There’s a funeral to organise. Photos to be found, coffins bought, making an order of service.  The phone is ringing off the hook with well wishers.  People popping round with frozen meals.  She’s all go.Then there’s the funeral.  Then there’s the slow return to normal habits and patterns.  And then the growing realisation that a certain someone is not there anymore and will never be there and there’s nothing you can do about it.My mate reckons that around 6 to 8 weeks after a death or a traumatic event the victims and survivors are at their lowest but the supporters have moved on. Which is why he makes sure that he reaches out to those grieving a couple of months later.It’s been three months and one week since the Christchurch Mosque Massacre and today the Herald has a New York Times  article where survivors are talking of their growing frustration and anger with the government as they feel ignored and forgottenThe survivors believe that officials simply do not understand the magnitude of the challenges they face: the trauma, the injuries, the inability to financially support themselves. Immigration is acting slowly as injured people try to get family in the country to care for them.Then there’s the continuing slow drip feed of public donations to survivors, partly caused by the fact that many have no comprehension of the sheer number of people affected by the events of March 15. It’s not just the 51 shot dead and the hundred injured, but also their wider families, their financial responsibilities. The number seems to be overwhelming Victim SupportAt the time of massacre New Zealand moved quickly.  Prime Minister Jacinda Ardern said "We feel a huge duty of care to them. We have so much we feel the need to say and to do."Three days later, she announced a ban on military style weapons. This week the government announced $208 million to buy back the guns.The world praised our quick and compassionate reaction but now they’re reading that the victims are being left alone, injured, unemployed and depressed and poor.Kate Gilmore, the United Nations deputy high commissioner for human rights, who visited Christchurch in April, has questioned the government's decision to prioritise gun reform and an inquiry into possible intelligence failures before making it clear to the families how they would be cared for.She’s right on the money. For myself, I would rather the $150 million the government found in the Budget to buy firearms off law abiding owners would have been far better spent looking after the victims. 

Public art is not necessarily static, nor is it necessarily sculptural. Performance is a kind of public art, and one that brings with it a host of other concerns and associations regarding the body and the ways in which a public is engaged. For Public Art Fund artists Kate Gilmore and Xaviera Simmons, performance is inherent to much of the work they do. In this episode, they join filmmaker and activist Paola Mendoza for an intimate discussion about the ways in which they’ve used performance to activate public space in New York City—and the ways in which certain kinds of public action and protest can function as a type of public art too. Learn about the Resistance Revival Chorus: Medium.com/@resistancerevivalchorusSupport the show (https://www.publicartfund.org/support)

A preview of Public Art Works featuring host actor Jeffrey Wright, Ford Foundation President Darren Walker, and artists Hank Willis Thomas, Kate Gilmore, Xaviera Simmons, and Ai Weiwei. Support the show (https://www.publicartfund.org/support)

Muslim youth Asha Abdi talks about growing up at Al-Noor mosque, her insights on the aftermath of the tragedy, and racism in NZ; UN Deputy High Commissioner for Human Rights, Kate Gilmore calls us to action in excerpts from her recent Christchurch speech, and Raowa Haddad from Sydney explains some key aspects of Islamic beliefs regarding grief and recovery.

The deputy high commissioner for human rights at the UN Human Rights Office reflects on the nature of human dignity and discrimination in turbulent times defined by financial inequality and misinformation. Gilmore left the VOICES audience with a call to trail-blaze in a different sense of the word: to speak up, to shine forth. “In times of such uncertainty… the question is: Who are you?” she said. “We’ve got to blaze more brightly.” Sign up for BoF’s Daily Digest newsletter here: http://bit.ly/BoFnews. Ready to become a BoF Professional? For a limited time, enjoy 25% discount on an annual membership, exclusively for podcast listeners. Simply, click here: http://bit.ly/2KoRRBH, select the Annual Package and use code PODCASTPRO at the checkout. For comments, questions, or speaker ideas, please e-mail: podcast@businessoffashion.com.For all sponsorship enquiries, it’s: advertising@businessoffashion.com.

This week Amy & Paul unveil 1933's seminal monster movie King Kong! They ask if this was the first true blockbuster film, discover how the distinctive animal sounds were made, and wonder what Ann sees in Jack Driscoll. Plus: primatologist Kate Gilmore stops by to explain King Kong is not a gorilla! What do you think All About Eve is all about? If you haven't seen it, call the Unspooled voicemail line at 747-666-5824 with your best guesses. Follow us on Twitter @Unspooled, and don’t forget to rate, review & subscribe to us on Apple Podcasts.

One of the brightest stars of her generation, Kate Gilmore can do it all. We talk about breaking into the business, her time at the Gaiety School of Acting and how she turned down TCD to be there, winning awards for both acting and writing, the importance of music in her work and the differences between acting for stage and screen. It’s the Rise Productions: Irish Theatre Podcast, Series 2. Episode 1 – Enjoy!

Settle in with Alie Ward and guest Kate Gilmore, a professional primatologist and lead keeper of the great apes and Old World monkeys at the Los Angeles Zoo. Learn about chimpanzee mating, why zookeepers don't wear FitBits, primate DRAAAMA, the erroneous philosophy behind truck nuts and what happens in the middle the night at the zoo. Also get some good info on primate conservation and how to be a friend to orangutans. Follow Ologies on Twitter @OlogiesPod or Instagram @Ologies For more info, including links on ape conservation, visit alieward.com/ologies Become a patron on Patreon.com/ologies Shirts now available at OlogiesMerch.com Music by Nick Thorburn Mixing and final production by Jason Scardamalia Support the show.

It’s episode number six and Kate Gilmore plays Personality Bingo With Tom Moran. Kate is an actress best known for her work in The Town Is Dead for which she was Irish Times Theatre nominated. Next up for Kate is her Abbey Theatre debut in The Train. Kate Gilmore plays Personality Bingo With Tom Moran Here’s how the […] La entrada Kate Gilmore plays Personality Bingo with Tom Moran se publicó primero en Headstuff.

The Wickedness of Oz written and performed by Kate Gilmore directed by Gorretti Slavin A day in the life of day-dreaming, musicals-obsessed Debbie, brings the listener on a journey that is as magical as it is real.. 

A Picture of Us - Written and performed by Kate Gilmore and Laurence Falconer.

In the Wings from RTÉ Drama on One where theatre practitioners discuss their work in radio and beyond. This week we hear from founding members of The Cup Theatre Company, Kate Gilmore and Laurence Falconer

Bryce & Kate Gilmore