Podcasts about mistress quickly

Episode 170: The dating of the playThe tradition of the queen Elizabeth commissionThe tradition of the connection to the Garter CeremonyThe Question of who played FalstaffA summary of the plotThe early publication history of the play in short quarto editionsThe sources for the playThe very specific location of the playThe character of FalstaffThe way the dominating prose of the play is used to define charactersThe change in Mistress Quickly and her use of languageThe stereotypical comedy of foreigners in Dr Caius and Parson EvansWas the play written for one audience, but then changed to fit another?The play as a city comedy and how Shakespeare subverts the genreThe influence of Queen Elizabeth's position as a female ruler on the playThe later performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Northumberland is persuaded by his wife and Hotspur's widow to betray the rebel cause a second time and flee to Scotland. An extraordinary reality-TV-style scene in the tavern. The prostitute and “drama queen” Doll Tearsheet loves to pick fights with men just as entertainment. She picks a fight with Falstaff, then with Pistol, the braggart soldier, and gets the two men to fight each other. Act 3 opens with the soliloquy of Henry IV: “Uneasy lies the head that wears the crown” in despair of England and of life. --- Support this podcast: https://podcasters.spotify.com/pod/show/michael-dolzani/support

Part 2 mirrors Part 1 but has a harsh, almost naturalistic realism that is quite different and modern-seeming. It takes place immediately after the first part, and a personified Rumour spreads fake news about the outcome of the Battle of Shrewsbury. Northumberland throws away his crutches and decides he isn't sick anymore, now that the battle is over. Falstaff encounters the incorruptible Lord Chief Justice but succeeds yet again in exploiting Mistress Quickly, who loves him maternally and will do anything for him. --- Support this podcast: https://podcasters.spotify.com/pod/show/michael-dolzani/support

Praised for her evocative interpretations of oratorio and opera, Ann McMahon Quintero has filled the 2022/23 season with new works and old favorites. She joins Boston Baroque and Alabama Symphony for Messiah, Charleston Symphony for Prokofiev's Alexander Nevsky Cantata, and performs in the world premiere of Ghosts with San Diego Opera in the role of Yadira. Ms. Quintero was thrilled to join Santa Fe Opera in 2022 in one of her signature roles, Mistress Quickly in Falstaff. Also in the 2021/22 season, she portrayed the titular role in Lizbeth with Opera Orlando and Madame Flora in The Medium with Chelsea Opera, with whom she enjoyed a successful run as the inimitable Julia Child in Lee Hoiby's_ Bon Appétit!_ in June, 2021. Her previous work has included many enjoyable turns with Boston Baroque singing their annual Messiah as well as performances of Mozart's Requiem, Beethoven's Symphony No. 9., M. Haydn's Requiem in c minor, Cornelia in Giulio Cesare, Juditha in Juditha Triumphans, and Storgé in Jephtha. Ms. Quintero also enjoys a rewarding relationship with the Defiant Requiem Foundation, performing their special presentation of the Verdi Requiem in Defiant Requiem: Verdi at Terezín. She has performed the piece with Mo. Murry Sidlin over a dozen times throughout the U.S., sharing the story of Rafael Schächter and the brave artists of Terezín. In addition, she has also performed the piece Hours of Freedom: The Story of the Terezín Composer, a program of music composed at Terezín. What she did over the pandemic: Like everyone, the pandemic left Ann with a wealth of time, so she followed the crowd and turned to baking sourdough and learning to play the ukulele. She also earned her certification as a yoga instructor and did a deep dive into learning more about social justice. Ann also fostered a wonderful pit bull named Ella and will provide more photos than you need upon request. My gratitude goes out to Hannah Boissonneault who edits our Masterclass episodes and to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from The Sybaritic Singer. Let your emerging professionals be part of the podcast! Invite Megan to your studio class for a taping of an episode. Your students ask questions and informative, fun conversation ensues. Special Guest: Ann McMahon Quintero.

Falstaff continues the exchange with Mistress Quickly and the Chief Justice. Prince Hal and Poins return to London. Northumberland decides to flee to Scotland.

Falstaff continues the exchange with Mistress Quickly and the Chief Justice. Prince Hal and Poins return to London. Northumberland decides to flee to Scotland.

In which Grace and I revisit Falstaff, consider the merits of Hal, and delight in Mistress Quickly.

CAST in order of appearance: Amy Meilander as Mistress Quickly, Zoë Goslin as Pistol, Jesse Van Buren as Bardolph, Alexander Lane as Nym, Xdzunúm Danae as Pageboy. Facilitated, edited, and with music composed and performed by Ariana Karp.

CAST in order of appearance: Jesse Van Buren as Bardolph, Alexander Lane as Nym, Zoë Goslin as Pistol, Amy Meilander as Mistress Quickly, Xdzunúm Danae as Pageboy. Facilitated, edited, and with music composed and performed by Ariana Karp.

CAST in order of appearance: Samantha Blinn as Mistress Quickly, Rhoda Bodzin as Beadle, Ellyn Heald as Doll Tear-sheet. Facilitated, edited, and with music composed and performed by Ariana Karp.

CAST in order of appearance: Eric Devlin as Francis, Danielle Reddick as 2nd Drawer, Amber Devlin as Will the 3rd Drawer & Peto, Samantha Blinn as Mistress Quickly, Ellyn Heald as Doll Tearsheet & Poins, Marty Madden as Sir John Falstaff, Mike Marcou as Pistol & Bardolph, Liam Mitchell as Pageboy, Noah Segard as Prince Hal. Facilitated, edited, and with music composed and performed by Ariana Karp.

CAST in order of appearance: Samantha Blinn as Mistress Quickly, Ellyn Heald as Fang, Amber Devlin as Snare, Marty Madden as Sir John Falstaff, Liam Mitchell as Pageboy, Rhoda Bodzin as Lord Chief Justice, Noah Segard as Thomas Gower. Facilitated, edited, and with music composed and performed by Ariana Karp.

CAST in order of appearance: Sam Gilroy as Prince Hal, Alexandra Tatarsky as Poins & 1st Carrier, Nicholas Koy Santillo as Francis, Vintner, & Gadshill, Deborah Davis as Sir John Falstaff, Kelly Strandemo as Peto, Brittany Chandler as Mistress Quickly (the Hostess), Andrew Codispoti as Bardolph, Mitchel Kawash as Sheriff. Facilitated, edited with music composed & performed by Ariana Karp. Traditional fiddle tunes performed by Charlie Hankin.

If you have a story you would like to share please go to https://www.ianpringlevoiceover.com/thats-another-story-told/ where you can find out more.About the guests.Tilly Lunken writes stories, mostly for theatre. She's a graduate of the University of East Anglia's Creative Writing MA and Royal Court and Criterion Writer's Programs. Most recent credits 'World King' (Miniaturists, Arcola); 'Beastly Belle' (Norwich Puppet Theatre). She can be found @theatreofwords on social media or probably lost in a fairytaleFran Burgoyne is an actor and voice artist. She can be heard on Audible reading The Ordshaw series – an urban fantasy series with really great monsters and seriously rude fairies. Recent stage work includes almost playing Girl in Theatre Hullabaloo's Baba Yaga (a covid casualty), Paulina in The Winter's Tale and Mistress Quickly in Henry IV Part 2 (Cambridge Shakespeare Festival), the youngest of The Railway Children and the oldest wife in Communicating Doors (Leatherhead and Swannage rep) and the world's worst tour guide in the ground-breaking immersive show Madhouse Re:Exit (Access All Area's). She can be found on Twitter @franburgoyne

An interview with actor Michele Mais, who is appearing as Mistress Quickly and Ensemble in this season’s productions of "Henry IV, Part One" and "Henry IV, Part Two. Please note this podcast contains some social/political commentary.

Join Allison and Beverlee as they get the inside scoop on the townspeople’s kinks in the Merry Wives of Windsor from the matchmaker and secret-keeper of Windsor, Mistress Quickly! Find more of the hilarious Teresa Lee on Twitter @leresatee

Matt Ball, Patrick Harvey, Samantha Blinn, Chasen Schneider and Ariana Karp work our way through the Third Act of King Henry IV Part I:Hotspur switching between verse and prose in Act III, scene i-what is the significance? Does Glendower’s presence throw him off?The fact that Glendower doesn’t snap at Hotspur demonstrates Hotspur's power as a rallying point for the rebellionGlendower as the Welsh Renaissance man, a fierce Druid with a penchant for poetry and musicShakespeare's satirical demonstration of the chivalric love between Lady Mortimer and Mortimer versus the more down-to-earth, playful relationship between Lady Percy and HotspurWorcester as the most shrewd politician in the rebel camp The directorial challenge of demonstrating the power and threat of the rebels while simultaneously showing the disorder and squabbling within the rebellionShakespeare and the dangers of dividing a kingdomThe majority of the scene between Henry IV and Hal as an explanation of the play Richard II “previously on…”Henry's mistake is that he equates celebrity that Richard II cultivated with the populism that Hal cultivatesThe final straw for Hal is when Henry IV predicts that Hal will join rebel forces as a traitorHal going between disbelief at the power of rumor to anger and grief at the effect it has upon his fatherHal’s vow and the disturbing violence of his promise, perhaps our first glimpse of the power of the future Henry VThe second tavern scene has a much more melancholic tone than the first one, Falstaff is listless and bored until Hal comes back to the tavernThe wonderful confusion and sassiness of Mistress Quickly and her perpetual defensiveness Matthew MacFadyen as Prince Hal and Michael Gambon as Falstaff in National Theatre’s production in 2005.

This episode looks at the rich and complex Henry IV, Part 2 and how the play fits into the trajectory of Shakespeare’s history plays.  Plus, the production’s Mistress Quickly, Kate Skinner talks about being a woman in classical theatre and her approach to her character. Recorded at the Shakespeare Theatre Company by: Hannah Hessel Ratner, […]

Gianna Pederzini (February 10, 1900 - March 12, 1988) was an Italian mezzo-soprano. Pederzini was born in Trento. She studied in Naples with Fernando de Lucia, and made her stage debut in Messina, as Preziosilla, in 1923. She sang widely in Italy, notably as Mignon and Carmen, and made her debut at the Teatro San Carlo in Naples, as Adalgisa, in 1928, and at the Teatro alla Scala in Milan, in 1930. Abroad, she appeared at the Royal Opera House in London in 1931, the Opéra de Paris in 1935, the Teatro Colón in 1938, and the Berlin State Opera in 1941. She defended a wide repertoire, she took part in the 1930s in revivals of rare operas by Rossini and Donizetti, while singing the standard mezzo roles; Azucena, Ulrica, Amneris, Laura, but also a few dramatic soprano roles such as Santuzza and Fedora, etc. In the 1950s, she began concentrating on "character roles" such as the Countess in The Queen of Spades, Mistress Quickly in Falstaff, Madame Flora in The Medium, and took part in the creation of Dialogues of the Carmelites at La Scala, in 1957. She died, aged 88, in Rome. Arias by this superb mezzo from: Trovatore, Carmen, Mignon, Forza, Favorita,F igaro, Italiana, Werther  (65 min.)

Writer and actor Stephen Fry chooses Mistress Quickly's speech from Henry V (Act 2 Sc 3)on the death of Falstaff as the piece of Shakespeare that has influenced him most. Performed by Hattie Morahan. Broadcast on Radio 4.