Podcasts about playthe

Josh, Dustin, and Raul begin the episode with a little post-championship Knicks talk before taking a close look at Duke's stacked, versatile frontcourt for the 2026-27 season. Topics include:Patrick Ngongba as the most important player on next year's teamHow many minutes Ngongba can realistically be expected to playThe need for Ngongba to get more shot attemptsDrew Scharnowski playing the "Maliq Brown role" off the benchThe importance of the vertical gravity Scharnowski can provideWhether Cam Williams should be expected to startWhy Williams might actually be underratedJoaquim Boumtje-Boumtje's movement shootingThe battle for minutes between Boumtje-Boumtje and WilliamsThe incredible job Scheyer did to assemble this roster

Episode 221:Last time I took you into the world of the court masque with the help of Kristen Macdermott who, I think you will agree, painted a very detailed picture of that very particular theatrical form and the way the Stuart court embraced it. As we heard, masques were often written by playwrights and performed by actors who also wrote for and performed in the public playhouse, so it's no surprise that a few plays feature masques. We have already encountered short masques in ‘Much Ado About Nothing' and ‘Timon of Athens', with the best known example from ‘The Tempest' still to come and Shakespeare's next offering ‘Anthony and Cleopatra' would, you might think, have been another opportunity to include a masque featuring exotic characters to add to the glamorous setting. In fact, Shakespeare chose not to include a masque specifically, but we can see that he uses the attributes of the masque throughout the play.Masque elements used in ‘Antony and Cleopatra'The dating of the playThe early print history of the playThe sources for the playThe different style of the play from it's near neighboursA brief synopsis of the playHow the main characters and the political story and love story are balanced in the playThe hyperbolic language used in the playThe character of AntonyEquals and opposites in the play and how Antony deals with themThe character of OctaviusThe character of CleopatraThe death of CleopatraAntony and Cleopatra as a Stuart period playA short word on the history of criticism of the playThe later performance history of the play Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetpYou can find an advertisement free version of the latest podcast episodes by joining on Patreon at the lowest paid tier level – that's for just £1 per month. Hosted on Acast. See acast.com/privacy for more information.

Send us Fan Mail97% of adults have sexual fantasies. Less than a third ever act on them. The fear is almost never accurate — and in this episode, we're closing the gap between what you want and what you actually do.I'll be honest: role play has always given me the ick. So I brought in Emma Velicski — romance author and founder of Saturday Box, the company turning kink and role play into a game you can actually play with your partner — to figure out why so many of us freeze, and how to finally get started.We get into:What role play actually is (it's broader than you think)The real reason couples who want to try it never doWhy it feels like a performance — and how to turn it back into playThe "cheap knockoff" fear nobody names out loudExactly how to start tonight, no costume requiredFind Emma and Saturday Box at https://saturdaybox.com/ Join in my 365 Days of Orgasms Journey Here: https://talksexwithannette.com/365-days-of-orgasms/Watch 365 Days Playlist on YouTube: https://www.youtube.com/watch?v=b2D5TFyt2Q8&list=PL9sLRET3FJyVns_2_wXvOoGrBeHyU1DDp

What if the pressure you feel in your business isn't actually coming from the work itself, but from the way you've learned to relate to it?In this episode of the Aligned & Prosperous Podcast, Deborah Stellingwerff explores the difference between building your business from pressure versus building it from play, curiosity, creativity, and leadership.This isn't about being irresponsible or avoiding discipline. It's about recognizing how many high achievers unconsciously turn everything into performance, perfectionism, and emotional heaviness, and how that pressure slowly disconnects them from their best work, their confidence, and their joy.Inside this episode, Deb shares:Why so many entrepreneurs lose their sense of playThe hidden connection between pressure, overthinking, and burnoutHow performance mode impacts communication, sales, and leadershipWhy curiosity creates better conversations and better resultsThe mindset shifts that help business feel lighter, cleaner, and more sustainablePractical questions to help you reconnect with creativity, trust, and aligned actionIf you've been successful on paper but secretly exhausted by the pressure of constantly “getting it right,” this episode will feel like a deep exhale.Because sustainable success isn't created through force.It's created through alignment, leadership, emotional resilience, and intentional action.To learn more about Deborah's coaching programs, speaking, and the Aligned & Prosperous Leaders Community, visit Deborah Stellingwerff Official Website

Episode 218:Last time I looked at the first part of ‘King Lear' from the opening scene where Lear makes his disastrous decision to split his kingdom between his children, through to the renowned scene where the ex-king and his fool are caught in a raging storm on the moor and saved only by the loyalty of Kent. On the way I looked at the deliciously evil Edmund, the poor judgement of his father Gloucester, and the scheming of Lear's oldest daughter Goneril. Now I will complete this look at the play and discuss it's place as a very Jacobean play addressing the concerns of its time when King James was working hard at an attempt to unite his disparate kingdom. The role, character and purpose of the FoolThe mock trial sceneThe blinding of GloucesterThe character and cruelty of ReganEdgar and Gloucester on the cliffs at DoverHope before tragedy as Lear and Cordelia are reunitedA family dispute as the heart of the playWhy Lear resonates so strongly with audiencesThe sense of ‘no place' in the playKing Lear as a message for King James The significance of the non-Christian setting of the playThe play as a tragedy and a history playA brief view of the later critical and performance history of the playA small selection of ‘King Lear' on filmSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetpYou can find an advertisement free version of the latest podcast episodes by joining on Patreon at the lowest paid tier level – that's for just £1 per month. Hosted on Acast. See acast.com/privacy for more information.

Episode 217:‘King Lear', the play that is now often regarded as Shakespeare's finest and deepest work is most often compared to the other two great tragedies of this period in Shakespeare's writing, ‘Hamlet' and ‘Othello', and of course there are thematic comparisons that can be made with those plays, but it has to be pointed out that ‘King Lear' is also a very different play in tone and structure. Whether we rate ‘King Lear' as Shakespeare's best play or not it is a play that has deeply affected audiences and critics through the centuries and I can only imagine the mark it leaves on actors who take on the main roles. Sadly, what we lack is much detail about initial reactions to the play.The early performance and publishing history of the playThe influences and sources for the playThe opening scene of the play and the abandonment of the natural orderThe questions of judgement and miscommunication in the playThe character of GonerilEdmund as one of Shakespeare's truly evil charactersKent as the voice of reason and loyaltyLear and the Fool in the stormLear's moral awakeningSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetpYou can find an advertisement free version of the latest podcast episodes by joining on Patreon at the lowest paid tier level – that's for just £1 per month. Hosted on Acast. See acast.com/privacy for more information.

This one is special. Wem and I got to sit down with Dr Wendy Russell, independent play researcher, senior research fellow at the University of Gloucestershire, and 50 years into a career that started on an adventure playground apprenticeship in the 1970s. I came away from this conversation needing to go for a long walk and think about everything.The first half covers Wendy's work on spatial justice for children, the politics of public space, and what it would actually mean to have a statutory play sufficiency duty in England. We talk about what play sufficiency means in practice, why Wales has led the way, and why politicians keep defaulting to playgrounds when the picture is so much bigger than that.The second half goes deeper, into the relational capability approach to playing and being well that Wendy has developed with Mike Barkley and Ben Tawil of Ludicology. Drawing on Henri Lefebvre's production of space, Karen Barad's concept of intra-action, and the relational turn across academic disciplines, Wendy patiently walked Wem and me through a genuinely paradigm-shifting way of thinking about children, play, agency and wellbeing.By the end, the playwork principles themselves come under scrutiny. The idea of play as "freely chosen and personally directed" gets unpicked in a way that I'm still sitting with.Strap in. Press rewind as many times as you need. See you on the other side.In this episodeHow Wendy moved from adventure playground apprentice to academic researcher across 50 years in play and playworkThe politics of space and what spatial justice for children actually meansWhy falling road casualty statistics for children hide a much more troubling storyPlay sufficiency as a principle, what it is, what Wales has done with it, and why England feels like it's at a genuine policy moment right nowThe tension between play's intrinsic value and what funders and politicians actually want to measureWhy post-occupancy evaluation of housing developments almost never happens, and what Diana Bournat's research tells us when it doesHow repositioning a ball games area changes the way girls move across an entire spaceThe relational capability approach to playing and being well, resources, opportunities, and the conditions that allow children to playThe relational turn across academic disciplines and what it means to move away from the individual, atomised childKaren Barad's concept of intra-action and why "interaction" doesn't quite capture itWhat all of this means for forest school practice, the wind, the branch, the ants, and usFollowing an object across a play session as a practitioner reflective tool (I am absolutely trying this)Why "freely chosen and personally directed" is a useful definition and also, it turns out, a deeply adult-centric oneLinks and resourcesWendy Russell's publications, University of Gloucestershire research repository (search "Wendy Russell Gloucestershire") or via her LinkedIn profile [add link]Playing and Being Well, the Play Wales commissioned research review: playwales.org.ukPlay Wales: playwales.org.ukPlay England: playengland.org.ukLudicology, Mike Barkley and Ben Tawil: ludicology.comUNCRC General Comment 17 on Article 31, children's right to playHenri Lefebvre, The Production of SpaceKaren Barad, concept of intra-actionTim Gill, children's independent mobility and road space design: timgill.netComing up at Children of the ForestPedagogy Immersion Weekend, 15 and 16 August 2026, Devon. If you're already qualified and you want to have the kind of conversation we've just had, this is the place. Tickets and nearby accommodation listings at children-of-the-forest.comLevel 3 Forest School Leader Training, Sunday cohort and intensive holiday block formats. Details and booking on the website.Send us a voice noteGot thoughts on this episode? There's a button on the website where you can record us a voice note directly from your phone. We genuinely love getting them.

Episode 215:Last time Ben Jonson regained his stride in the public theatre with his comedy ‘Volpone', an at moments sparkling satire of greed and avarice. Just about the only parallel I can draw between this and Shakespeare's next offering, ‘Timon of Athens', is that the study of greed appears in both, but they are very different plays in tone, character and intent. Shakespeare not only continued in his recent sombre mood but deepened it significantly with this play. When reading around the play in preparation for this episode on more than one occasion I saw the play cited as Shakespeare's least popular play, it is certainly one that is rarely performed and there are many questions about the ‘whys and hows' of its creation, so buckle up, this might well be more than a little challenging.The early performance and print history of the playThe source material for the playThe possible co-authorship of the playA brief synopsis of the plotThe structure of the playThe character of TimonIssues with explaining Timon's behaviourTimon's railing against Athens and mankindTimon's discovery of buried goldTimon's deathThe character of AlcibiadesThe play as a satire of wealth rather than a tragedyThe later performance historySome of the critical assessments of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetpYou can find an advertisement free version of the latest podcast episodes by joining on Patreon at the lowest paid tier level – that's for just £1 per month. Hosted on Acast. See acast.com/privacy for more information.

Episode 213:In the spring of 1606, a new Ben Jonson play premiered, not on this occasion at the Blackfriars theatre performed by one of the child companies, but at the Globe and performed by the King's Men. The reasons for why Jonson sold his play to the King's Men are not completely clear. Having a play performed by the Kings Men was, of course, prestigious in itself, and some of his early plays had been performed by the Lord Chamberlin's Men, but up to this point for his most recent plays Johnson had seemed to prefer using the child companies. It may be that the Children of the Queens Revels were wary of another Jonson play after the problems that ‘Eastward Ho' had caused for the playwrights, or perhaps Johnson himself felt it would be wise to distance himself from that association and switching to the adult company was a way of doing that. Perhaps Jonson had seen the writing on the wall for the Children of the Queens Revels after they had got into trouble for a production of a play by John Day called ‘The Isle of Gulls'. The dating and first performance of the playThe slow demise of the Children of the Queen's RevelsEarly performances of the playA brief synopsis of the playThe prologue and the argumentThe city comedy elements in the playWhat the setting of the play meant to the English audienceThe methods by which Jonson created the Venetian settingThe purpose of the subplot featuring three English touristsThe beast fable elements in the playDeception and the influence of the gunpowder plot on the playThe satire of greed as the driving theme of the playClass conflict in the play and it's moralistic endingThe later performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetpYou can find an advertisement free version of the latest podcast episodes by joining on Patreon at the lowest paid tier level – that's for just £1 per month. Hosted on Acast. See acast.com/privacy for more information.

Episode 211:Through the last few episodes on Shakespeare's plays, we seem to have seen a playwright in a serious mood, even when he was writing comedies. ‘Twelfth Night' and ‘Measure For Measure' are often referred to as having an autumnal tone, something serious underlying the comedy and of course we also have the even darker worlds of the tragedies of ‘Hamlet' and ‘Othello'. The next play we come to from Shakespeare fits well into this group, but I choose my words carefully there because I can't say for sure that ‘All's Well That Ends Well' was his ‘next' play after ‘Measure For Measure' as the dating of this comedy is difficult.The dating of the playThe sources for the playA brief summary of the plotHow Shakespeare subverts the original folk tale into a comedyIrony in the playThe two sides of the character of HelenWhat does Helen see in Bertram?The role reversal between Helen and BertramThe character of BertramThe bed trickThe character of ParolasSome examples of criticism of the playThe performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetpYou can find an advertisement free version of the latest podcast episodes by joining on Patreon at the lowest paid tier level – that's for just £1 per month. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Content Amplified, host Ben Ard sits down with Frank Pasquine, Marketing Director at DoubleVerify and author of the newly released novel The Prince of New York. Frank has spent nearly 20 years in marketing across ad tech, entertainment, and agencies, but publishing his own book forced him to see content strategy from an entirely new angle.Frank shares the story of how he went from studying economics at Fordham to screenwriting at NYU, nearly beat Gossip Girl to the punch with a pilot at William Morris, and eventually built a full marketing career while holding onto that creative spark. Now he's applying everything he's learned in B2B to promote his debut novel as a one-person team with a personal savings budget.The conversation gets into the reality of marketing your own product versus marketing someone else's, the surprising fragmentation of platforms when you're the one spending every dollar, and why in-person activations combined with digital amplification have been his most effective strategy on both sides.What you'll learn in this episode:What changes when the product you're marketing is your ownHow a screenwriting background shapes a content marketing careerWhy in-person activation plus digital amplification is the highest-performing content playThe 100-day playbook Frank recommends before launching any side projectHow to approach TikTok, Instagram, and BookTok as a first-time authorWhy freedom to experiment is the biggest advantage solo creators have over corporate teamsFind The Prince of New York on Amazon or search for Frank Pasquine. Connect with Frank on LinkedIn.Text us what you think about this episode!

Send us Fan MailThe hardest part of running a community association right now is that the bills are getting bigger while the margin for error is getting smaller. Insurance costs keep climbing, buildings are aging, milestone inspections and reserve funding expectations persist, and boards are being asked to approve projects that can cost millions of dollars. So how do you fund critical repairs without triggering financial chaos for owners or inviting fraud and mismanagement? In this week's episode of Take It To The Board, host Donna DiMaggio Berger sits down with Meghan Hallinan, Executive Vice President and Managing Director of National HOA and Property Management Banking at BankUnited, to get a lender's view of community association financing. Donna and Meghan walk through how community association loans really work when there is no physical collateral, why incoming assessments and the community's financial track record matter so much, and what red flags can stop a deal in its tracks. They also explain why banks look beyond a single project and want to understand your reserve study, your upcoming capital plan, and whether your owners can absorb the budgetary increase.  They also dig into the operational side: draw schedules on construction-style funding, the role of project managers and inspections, and how boards can avoid common breakdowns when leadership changes mid-project. Then Donna and Meghan shift to risk and controls, including the difference between a term loan and a line of credit for HOAs on balanced budgets, how litigation can affect lending decisions, what to know about the Fannie Mae's “blacklist,” and the fraud prevention tools every association should treat as non-negotiable, including positive pay and ACH controls.  If you serve on a board, manage communities, or advise associations, this conversation will help you build a realistic financing plan and protect your funds at the same time. Conversation Highlights:How banks' views of community associations have shifted—and what's driving the changeWhat lenders evaluate first—before the numbers even come into playThe biggest misconceptions boards have about borrowing—and why they matterCommon deal breakers: delinquencies, underfunded reserves, governance issues, and deferred maintenanceThe Fannie Mae Blacklist explained—and what it really means for your communityLoan vs. line of credit: how to choose the right financing toolWhy reserve funding is under increased scrutiny—and how it impacts borrowingWhat a “financially responsible” board looks like from a lender's perspectiveThe most common fraud red flags banks are seeing in community associationsInternal controls every association should have—and where boards often fall shortHow banks can partner with associations to help prevent fraudNon-negotiable best practices to safeguard association fundsWhat boards should be doing now to become more attractive borrowersThe mindset shift every board needs when it comes to financial decision-makingRelated Links:Podcast: Show Me the Money: Investment Strategies with Michael Coady and Kenny Polcari of Slatestone WealthOnline Class: Budgeting & ReservesResource: 5 Ways HOAs Can Prevent Financial Fraud

Episode 207 Whereas the larger-than-life characters in ‘Othello' left us with no moral ambiguities, but plenty of questions about the nature of the outsider and society's attitude towards those who are different. Shakespeare's next offering, ‘Measure for Measure' was a very different piece with few of those certainties.The dating and earliest performance of the playThe early print history of the playChanges made by Thomas MiddletonThe source material for the playA brief synopsis of the playComedy of Tragicomedy?Issues with the structure of the playJustice and mercyThe premise of the play examinedHow the characters avoid easy categorisationThe role of the dukeThe role of IsabellaThe role of AngeloThe role of LucioThe ending of the play and Isabella's response to the dukeThe mixed critical response to the playThe later performance history of the playMeasure for Measure on filmSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Lenore Skenazy, author of Free-Range Kids, has been sounding the alarm for years: in our effort to protect our children, we may actually be holding them back.In this conversation, we dive into what's happened to childhood over the past few decades, why independence is declining, why parents feel more pressure than ever to supervise and structure everything, and what it's costing our kids.From helicopter parenting and “bulldozer” parenting to overscheduled calendars and screen heavy childhoods, we unpack how modern parenting norms may be limiting the very skills our kids need to thrive.This episode isn't about judgment. It's about perspective, and practical ways to raise capable, confident, independent kids in a culture that often pushes the opposite.In this episode, we discuss:The message behind Free-Range Kids and why it still matters todayThe essential skills children need to grow into independent, resilient adultsWhy modern parenting culture often discourages independenceThe downsides of helicopter parenting and bulldozer parentingHow overprotection can increase anxiety in childrenWhy mixed-age play and community matter more than we realizeWhether kids actually prefer structured activities, screens, or unstructured playThe power of giving kids real responsibilityWhat the Let Grow movement is and how it helps families foster independenceIf you've ever wondered whether you're hovering too much… or worried that giving your child more freedom feels risky in today's world… this episode will challenge and encourage you in the best way.Raising independent kids doesn't mean being uninvolved. It means gradually stepping back so they can step forward.----------------------------------------------------------------------------IMPORTANT LINKS•✨ Join our Mom Club on Patreon HERE ✨

Episode 205:Last time Ben Jonson's retelling of a slice of Roman Imperial history failed to impress at the Globe theatre. As an actor in that play Shakespeare had first-hand experience of the way the audience in the theatre could turn on the poet and the players alike, but it is difficult to think that his confidence in his own work was much dented by the experience. His next play ‘The Tragedy of Othello, The Moor of Venice' is, I would say, brim full of the confidence of an experienced playwright who knew that his play would both entertain on several levels and provoke much thought in the audience.The dating and first performance of the playThe early publication history of the playDetails from a performance in 1610The source material for the playThe structure of the playThe significance of Venice and CyprusThe structural balances in the playThe poetry and imagery in the playThe use of language as a dramatic techniqueThe urgency of the opening of the playThe character of Iago and how he manipulates his victimsThe character of BrabantioWhat the Elizabethan audience might have thought of a ‘moor'Queen Elizabeth's attitude to immigrants from AfricaHow Shakespeare handled the racial aspects of the playThe character of Micheal CassioSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

In Colossians 4:2–6, Paul calls believers to devote themselves to prayer, live wisely, and let their conversations be full of grace. Even while in prison, Paul doesn't ask for relief—he asks for open doors to share the good news of Jesus.In this message from our Freely Given series, we explore:• How our identity in Christ shapes our words• Why generosity includes what we say• The difference between correction and curiosity• How to live as good news wherever we work, live, and playThe gospel changes more than our future, it transforms our present. When we remember who we are in Jesus, we begin to speak life instead of death and become witnesses of His grace in everyday moments.

Episode 203: We now stay in the world of the Elizabethan interpretation of classical history and myth with Ben Jonson's next play ‘Sejanus His Fall'. Rooted more firmly in history than myth Jonson's play uses the story of a power struggle motivated by personal ambition to look at the nature of power, justice and politics. This was quite evidently dangerous ground for a playwright already known for his clashes with the authorities, but it was not just that commentary of contemporary politics that got Jonson into trouble with this play. A brief word on the unfinished tragedy ‘Mortimer His Fall'The ‘argument' of the play and some thoughts on what the play might have beenThe early performance history of ‘Sejanus His Fall'The possible co-author of the playThe early reception of the playThe background to the poor reception of the playA synopsis of the playThe ban on satires and historiesThe translations of Tacitus and complications with EssexHow John Heyward's problems with censorship influence the playThe play as a commentary on Elizabethan societyQuestions of the control of power in the playQuestions of the application of justice in the playThe motivations of SejanusThe aesthetic issues with the playHow Jonson mixed comedy and tragedy in the playThe influence of Marlowe on the verse in the playJonson censured for the playThe later performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

This listening task is designed for real-life listening, not test listening.The goal is:When you hear the sentence,The meaning shows up immediatelyWithout effort, translation, or delayYou are allowed to listen while:WalkingCookingCleaningDrivingDoing daily routinesThis is intentional.If you prefer, you can:SitLie downDo nothingJust let it playThe audio is on loop, so repetition is expected.Doing nothing is fine — this is not wasting time.It does not matter what you are doing.It only matters what happens when you hear the sentence.Ask yourself every time:If yes → goodIf no → keep listeningThere is no required number of times.Some students need:10 times20 times50 times or moreThis is normal.The rule is simple:You are done only if:You can miss a word or twoAnd still fully get the pointWithout needing to focus or translateIf you must “pay attention” to understand,the meaning is not stable yet.Listening comes before speaking.Speaking is used to test whether listening stability is real.If listening is shallow,speaking will always feel slow and forced.Listening Instructions｜Availability Training (Spotify)PurposeHow to Listen✅ You may listen while doing other things✅ You may also listen without doing anythingWhat Matters (Very Important)“Did the meaning appear immediately?”No Fixed NumberStop only when meaning is automatic.Key Indicator of CompletionTransition to Speaking Homework

PurposeThis listening task is designed for real-life listening, not test listening.The goal is:When you hear the sentence,The meaning shows up immediatelyWithout effort, translation, or delayYou are allowed to listen while:WalkingCookingCleaningDrivingDoing daily routinesThis is intentional.If you prefer, you can:SitLie downDo nothingJust let it playThe audio is on loop, so repetition is expected.Doing nothing is fine — this is not wasting time.It does not matter what you are doing.It only matters what happens when you hear the sentence.Ask yourself every time:If yes → goodIf no → keep listeningThere is no required number of times.Some students need:10 times20 times50 times or moreThis is normal.The rule is simple:You are done only if:You can miss a word or twoAnd still fully get the pointWithout needing to focus or translateIf you must “pay attention” to understand,the meaning is not stable yet.Listening comes before speaking.Speaking is used to test whether listening stability is real.If listening is shallow,speaking will always feel slow and forced.This is not about effort.This is about availability.If meaning appears automatically,the training worked.How to Listen✅ You may listen while doing other things✅ You may also listen without doing anythingWhat Matters (Very Important)“Did the meaning appear immediately?”No Fixed NumberStop only when meaning is automatic.Key Indicator of CompletionTransition to Speaking HomeworkFinal Reminder

Podcast: Today with ISSSourceEpisode: Safety Services Provide an AnswerPub date: 2026-01-22Get Podcast Transcript →powered by Listen411 - fast audio-to-text and summarizationWe are going through an advancing digital age, no one can deny that. Data is coming at workers from all directions. There is great knowledge in that data, but who has the time to sort through it, after all, we have to keep making product and keep the process moving safe and sound. For safety and functional safety, manufacturers need to manage data and be able to identify trends to understand all levels of risk. That is where safety services can come into playThe podcast and artwork embedded on this page are from Gregory Hale, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.

Episode 201‘Troilus and Cressida', is a challenging piece by pretty much everybody's estimation. Although it is no surprise that Shakespeare looked to the Homeric tales for his next inspiration which part of that story he chose to dramatize perhaps is and what he chose to do with it has perplexed commentators ever since. Ambiguous is the word most often used, but ultimately opinions range through ‘failure' to ‘misunderstood' to ‘modernistic', and just about everything else in-between. The early print history and dating of the playThe confusion caused by the two quarto versions and the First Folio versionThe source material for the playA brief synopsis of the play‘Troilus and Cressida' as a ‘problem play'The PrologueThe play as an ensemble pieceThe ignoble nature of the characters in the playCassandra as the voice of truthTroilus and his view of CressidaIs there a parallel with Romeo and Juliet?The portrayal of Achilles and HectorUlysses and the ‘great chain of being' argumentWas the play written for the Inns of Court?Pandarus and the bitter ending to the play explainedThe critical reception of the playThe performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 199: The line I have used for the title of today's episode is spoken by Feste the fool, a central character in ‘Twelfth Night'. Fools have already played significant roles in Shakespeare's previous plays and as you will hear there are possible connections between them and Feste, but significant as he is, and fools will be in forthcoming Shakespeare plays, there is so much more to Twelfth Night than just that one character. It is a play where other Shakespearean comedic characteristics also feature – identical twins, empowered and quick-witted women, variants on the braggart soldier character, and an exotic, virtually mystical, setting, spring to mind. If ever there was a comedy where Shakespeare was completely in his stride then this, for me, is the one.The early performance history of the playThe dating of the playThe early print history of the playThe sources for the playThe establishing of social roles in the playThe positions of the knights Sir Toby and Sir AndrewThe role of Feste, the fool.The impact of Feste's songsFeste as a portrait of Thomas NasheThe centrality of Malvolio to the themes of the playFeste's sung epilogue to the playLove, desire and infatuation in the playThe play as a knowingly theatrical storyThe performance history of the playSome of the critical reaction to the play Link to Rachel Aanstad's ‘A Bawdy Twelfth Night' for UK customers:https://www.amazon.co.uk/Encyclopedia-Dramaturgical-Shakespearean-Encyclopedias-Handbooks/dp/B0BT2DZGTK/ref=sr_1_1Link to Rachel Aanstad's ‘A Bawdy Twelfth Night' for US customers:https://www.amazon.com/Encyclopedia-Dramaturgical-Shakespearean-Encyclopedias-Handbooks/dp/B0BT2DZGTK/ref=sr_1_1Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 198:As Ben Jonson was writing ‘The Poetaster' in 1601 the Elizabethan age was drawing to a close. Elizabeth would live until March 1603, but by 1601 any hope of a natural heir was long past and her court and councillors were playing a waiting game and with different degrees of secrecy were trying to manipulate the situation over the accession to their own advantage. Jonson, I'm sure, had an eye and an ear on those politics, but the comedy he was writing was more concerned with the politics of the theatre than those in the court. In the previous episode on ‘Cynthia's Revels' and in my episodes on Thomas Dekker, that you can still find on the podcast archive, I have touched on ‘the war of the poets' and this episode on ‘The Poetaster' will bring these matters to a close. Although it's not essential you might find listening to those earlier episodes useful, if you have not done so already, before listening to this one.The early performance of the play and it's place in the ‘war of the poets'The print history of the playThe theme of the role of the poetA short synopsis of the playThe caricature of John MarstonThe Poetaster and SatiromastixThe feud as fuelled by the rivalry between playing troupesThe poet as councillor and companion to the monarchThe exposing of the poetastersThe change in titleReference to the Essex rebellionThe attempted censoring of the playThe epilogueThe end of the ‘Poetomachia'Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Unveiling the Shadows: A Dive into the World of "Spotlight on the Duchess"This conversation revolves around the thrilling adventures of The Shadow, focusing on a murder mystery that unfolds in a play. The characters, including Lamont Cranston and Margot Lane, navigate through real-life inspirations for the play's plot, leading to a series of murders that mirror the drama on stage. The investigation reveals deeper connections between the characters and the crimes, culminating in a dramatic confrontation and resolution.In the dimly lit corners of a low-class saloon, where cigarette smoke weaves through the air, a tale of mystery and intrigue unfolds. "Spotlight on the Duchess," an episode from the classic series "The Shadow," takes us on a journey through the minds of characters who blur the lines between reality and fiction.The Enigmatic ShadowAt the heart of this drama is Lamont Cranston, a wealthy young man who, years ago in the Orient, learned the hypnotic power to cloud men's minds. Known as "The Shadow," Cranston aids the forces of law and order, his identity known only to his companion, Margot Lane. This episode delves into the complexities of human nature, exploring themes of jealousy, ambition, and the relentless pursuit of the spotlight.A Play Within a PlayThe narrative cleverly intertwines a play written by Jonathan Drake with real-life events, blurring the boundaries between the stage and reality. As characters from the play mirror those in the saloon, the line between fiction and reality becomes increasingly tenuous. The Duchess, a character inspired by a real-life counterpart, embodies the desperation and longing for recognition that drives the plot forward.A Tale of Intrigue and SuspenseAs the story unfolds, the audience is drawn into a web of deceit and murder. The play's characters come to life, each with their own motives and secrets. The saloon becomes a stage where the drama of life and death plays out, leaving the audience questioning the nature of reality itself."Spotlight on the Duchess" is a testament to the enduring allure of mystery and the human fascination with the unknown. It challenges us to consider the shadows within ourselves and the lengths we might go to in pursuit of our desires. As the episode concludes, we are left with a lingering sense of intrigue, eager to uncover the next chapter in the saga of "The Shadow."Subscribe now to explore more tales from the shadows and uncover the mysteries that lie within.TakeawaysThe Shadow is a character who fights against evil.The play's characters are inspired by real-life individuals.Murder can stem from jealousy and the desire for attention.The investigation reveals connections between the play and real murders.The Duchess is a pivotal character in the unfolding drama.Real-life events can mirror fictional narratives in unexpected ways.The Shadow uses disguise and cunning to uncover the truth.The theme of crime and punishment is central to the story.The resolution highlights the consequences of actions taken out of spite.The narrative emphasizes that crime ultimately does not pay.The Shadow, murder mystery, crime drama, Lamont Cranston, Margot Lane, play adaptation, suspense, detective story, character analysis, real-life events

Episode 196:The origins of the play written for the court and the Children of the Chaple playing companyWhy this type of play is a fit for the child playing troupesThe print history of the playA brief synopsis of the playMyth, Satire and Masque - the complexities with getting an understanding of the playThe minor role of plot compared to words and music in the playThe performance style of the boy playing companies compared to the adult companiesThe verbal sketching of characters as part of the satiric intentThe play as part of the battle of the poetsUnpicking the satiric portraits in the playThe introduction of the PoetasterThe masque and it's role in the playJonson's coded support for the Earl of Essex in the playEarly responses to the play and the longer historical viewLink to European Review of History Podcast:https://podcasts.apple.com/gb/podcast/european-review-of-history-podcast/id1695812614Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

It's time for the now traditional end-of-season postbag episode of The British Food History Podcast, where I (attempt to) answer your questions, read out your comments and mull over your queries. Several photos and illustrations are mentioned in this episode: to see them, visit the accompanying blog post on British Food: A History: www.britishfoodhistory.comI'll be disappearing for a couple of months, unless of course, you are a monthly subscriber, where there will be a bonus episode coming up for you to listen to via the website: Keeping Food Traditions Alive with Tom Parker Bowles, which was recorded live at the Serve it Forth Food History Festival on 18 October.Remember: Fruit Pig are sponsoring the 9th season of the podcast. Visit their website www.fruitpig.co.uk to learn more about them, their journey, to find your local stockist and access their online shop.If you can, support the podcast and blogs by becoming a £3 monthly subscriber, and unlock lots of premium content, including bonus blog posts and recipes, access to the easter eggs and the secret podcast, or treat me to a one-off virtual pint or coffee: click here.This episode was mixed and engineered by Thomas Ntinas of the Delicious Legacy podcast.The accompanying blog post with imagesThings mentioned in today's episodeBook your place at the Serve it Forth Spooky Christmas Special on 11th of DecemberBBC article World black pudding championship throwers take aimLinny's Kitchen Facebook pageThe Ginger PigBillingsgate MarketBBC article about the Denby Dale pie playThe seaside town of MorecombeBooks discussed or mentioned in today's episodeBilton, S. Fool's Gold: A History of British Saffron. (Prospect Books, 2022).Thomas, J. & Schultz, C. How to Mix Drinks, Or, The Bon-Vivant's Companion. (Dick & Fitzgerald, 1862).Bilton, S. Much Ado About Cooking: Delicious Shakespearean Feasts for Every Occasion. (Headline, 2025)Buttery, N. Knead to Know: A History of Baking. (Icon Books, 2024).Previous pertinent podcast episodesBlack & White Pudding with Matthew Cockin & Grant Harper

Episode 194: Last time I left things hanging for Hamlet as, having seen the ghost of his father and resolved on revenge, he had seen his planning go awry as he mistakenly killed the old councillor Polonius while he hid behind a wall hanging. We have seen his daughter Ophelia begin her descent into madness, school friends Rosencrantz and Guildenstern become embroiled in Hamlet's feigned madness and Claudius prompted into a desire to pray, having seen the players perform a piece that replicated his actions in the matter of his brother's murder. That quick summary in no way does the play any sort of justice so please do listen to the previous two episodes on ‘Hamlet', my look at the first half of the play and my conversation with Colin David Reese about the language in the play, if you have not done so already. I'll be here waiting for you when you get back.Continuing a summary of the play picking up from the murder of Polonius, with Hamlet leaving and dragging the body behind him.The Character of GertrudeThe female characters and the players who portrayed themThe rise of boy playing troupes reflected in ‘Hamlet'The political position of Claudius in the Danish nationThe character of Osric and his role in the playThe themes of death and decay The character and actions of HamletHamlet as a tragic heroThe graveyard sceneA brief overview of the performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Want to use real estate to cut your tax bill? In this episode I'm joined by CPA Nate Sosa to break down the real tax advantages of owning real estate, especially for business owners and high-income earners. You'll learn:The difference between active and passive real estate tax treatmentWhen real estate losses can (and can't) offset your W-2 or business incomeHow depreciation, bonus depreciation, and cost segregation workWhy short-term rentals can be a powerful (but tricky) tax playThe truth about depreciation recapture and what to plan forHow to time real estate investments in high-income years to legally save thousands----✅ Financial planning for 30-50 year old entrepreneurs: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.allstreetwealth.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠✅ My personal blog & newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.thomaskopelman.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Disclaimer: None of this should be seen as financial advice. It is just for informational purposes.

Episode 192:And so, we come to perhaps the biggest challenge in all of Shakespeare's work, ‘The Tragedy of Hamlet Prince of Denmark'. Over the next two episodes and a special guest episode I hope I can get close to doing this monumental play justice.The dating of the play and the complication of the ‘ur-Hamlet'The early print history of the play and the three versionsThe possible sources for the playThe opening of the playThe character and significance of FortinbrasThe character of PoloniusThe ghost of Hamlet's father and the responsibility of revengeThe position and character of OpheliaOphelia and the meaning of flowersRosencrantz and Guildenstern – appearances and honestyThe players and their play as an insight to acting genres and techniques of the timeThe success of ‘The Murger of Gonzago'The centrality and irony of Claudius at prayerHamlet, Gertrude and the ghostPart two of this review of ‘Hamlet' will follow as episode 194 (season 6 episode 81) Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 190:'Julius Caesar' has proved to be one of Shakespeare's most malleable plays through the centuries as it's political narrative has been applied to just about every period of history since it was first performed, either in the moment or retrospectively. In most people's estimation it is one of Shakespeare's truly great plays, but that does not mean that there is always a consensus of opinion over the details of the plot or the motivations of the main characters, but by now that is pretty much what we have come to expect from Shakespeare.The dating of the playThe early performance history of the playThe publication history of the playThe sources for the playA brief synopsis of the playWhy did Shakespeare choose to write about Roman history?The play as Ceasar's tragedyThe play as the tragedy of BrutusAnthony as the playboy and political strategistThe role of words, letters and misunderstandings in the playThe death of Cinna the poetThe later performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Send us a textJulie Stewart and Scott Stewart, award-winning creators behind global children's shows for Disney, Netflix, and Sesame Workshop, co-founded Nurture with serial entrepreneur Roger Egan, former CEO of RedMart, and learning expert Musa Roshdy, a Minerva University alum and advisor at Transcend Network, to build future-ready skills through immersive play.

Episode 188:Following on from the last episode before the run of summer guest conversations we take a sharp swerve from ‘Henry V' to ‘As You Like It'. Although we cannot be quite sure about the chronology in which Shakespeare wrote his plays, or how much the writing of one crossed over with the writing of another, whatever the precise order it is pretty clear that Shakespeare could move freely between the History and Comedy genres and within those how he was always pushing at the edges of the forms and conventions of the theatre and playwrighting to see what could work on stage and with language. ‘As You Like It' is no exception to that. The Dating of the playThe sources for the playThe possible first performance dateA brief synopsis of the playThe use of poetry and prose in the playThe play as part of the ‘Pastoral' genreThe location of the play and influence of the forestThe character of JacquesThe character of RosalindThe character of TouchstoneThe ending, Hyman, and the masqueA summary of the performance history of the playThe epilogueSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

At the EUVC Summit 2025, the stage belonged to a voice shaped by geopolitics, defense, and the future of industrial innovation: Sebastian von Ribbentrop, Managing Partner at Join Capital.Sebastian took us on a journey—one that started in Berlin in 2017 with a cornerstone commitment from Eiser Capital, and has since expanded to NATO, Ukraine, and beyond.Not Just Startups. Not Just Capital.Join was born when European engineers left corporates like Siemens and Airbus to build their own ventures—but weren't getting funded.Sebastian and his team stepped in. Today, with 148 LPs (90% from across Europe's industrial heartlands), Join has become a backbone for the builders reimagining enterprise and defense.The paradigm shift became undeniable in 2023, when the NATO Innovation Fund wrote its largest ticket into Join Fund II. It wasn't just capital—it was a mandate to help reshape defense and industrialization.A New Industrial MomentFrom Washington's NATO anniversary to trips into Ukraine, Sebastian's message was clear: the defense supply chain has transformed.It is now:FastTargetedSmartAnd while Europe faces inefficiencies (43 different tanks vs. one Abrams in the U.S.), it also faces a massive market opportunity.Billions at PlayThe scale is unprecedented:€200 billion from Ursula von der Leyen into defense & infrastructure€500+ billion from Germany's new chancellor, Matz$500 billion floated by Trump over the next five yearsThese aren't subsidies—they're revenues. Offset programs that give companies the ability to build products, not just pitch ideas.DARPA, Dual Use & the Technology RaceSebastian reminded the room: shocks create breakthroughs. Sputnik birthed DARPA, which still deploys $4 billion annually into challenges.Now, the race is on—dual-use technology, export restrictions, inexpensive smart radar systems taking down next-gen jets.Europe, he argued, must catch up. But it has the chance to lead.“Geopolitics,” he quoted Kissinger, “is 100% personal.” And Europe must take responsibility—urgently.Leadership With TeethSebastian's talk wasn't about abstractions. It was about:How wars reshape supply chains overnightHow NATO's backing changes venture capitalHow Europe can seize its industrial and defense momentBecause leadership in this decade won't be written in press releases. It will be written in supply chains, radar systems, and the speed of capital deployment.Congratulations to Sebastian von Ribbentrop and Join Capital—for reminding the ecosystem that industrial innovation isn't just defense spending. It's Europe's opportunity to lead in a world being reshaped, fast.

Struggling with hormone imbalances, restless sleep, or unexplained fatigue? Women everywhere are being told their labs are “fine,” even when their bodies are clearly asking for help. If you've ever felt that way, this episode brings clarity, hope, and practical tools for women's health, nervous system regulation, self-connection, and metabolic health.In this episode I'm joined by Dr. Nasha Winters, pioneer in integrative oncology and co-author of The Metabolic Approach to Cancer (our recent Book Nook pick). With decades of experience, she shows how getting to the root cause can transform not only cancer prevention but also hormonal health, metabolism, and overall wellbeing.What you'll discover in this conversation:Why “more hormones” isn't always the answer, and what else could be at playThe key signals that throw women out of balance and how to start restoring themHow mitochondria influence hormones and energy more than most of us realizeThe overlooked role of everyday toxins in food, products, and clothingSimple, realistic steps to bring your body back into balance without overwhelmThis is about listening to your body, reclaiming your health, and finding confidence in your own intuition. If you've ever felt dismissed, confused, or stuck in your health journey, this episode will help you take the next step forward.Resources:The Metabolic Approach to Cancer by Dr. Nasha Winters: https://amzn.to/42nnCW6 Book Suggestion: Venus on Fire, Mars on Ice: Hormonal Balance - The Key to Life, Love and Energy: https://amzn.to/463FMwe IMMH25: Revolutionising Mental Health Care with Integrative Medicine: https://www.immh.org/immh-2025/ Join our community of women reconnecting with ourselves through books and sisterhood: https://beehive.drmelissasonners.com/book-nookFollow Dr. Melissa:▶︎ YouTube▶︎ Facebook▶︎ Instagram▶︎ TikTok▶︎ Website

Or A Cast of Squirrels and OttersJoin us as we journey through Superman's live-action legacy — from Kirk Alyn to David Corenswet!How comics, animation, and radio shaped (or failed to shape) his on-screen portrayalsWhy audiences embraced some Supermen and rejected others, and the socioeconomic forces at playThe impact of evolving technology on bringing the Last Son of Krypton to lifeWhy Superman always shines brightest in the darkest of timesListener stories: Who was your first Superman?...and yes, we also talk about Dean Cain being a dick.Join Our Riotous DC Debauch!Site: https://dconscreen.comStore: https://bit.ly/DCoStorePatreon: https://patreon.com/dconscreenApple: http://bit.ly/DCoSReviewSpotify: http://bit.ly/DCSCREENSpreaker: https://bit.ly/DCoSSpreakerSubscribe to David C. Roberson's Substack

Episode 182:Although it feels like a while since Shakespeare had produced a history play, we must remember that all the plays I have discussed so far were written and played in a very compressed timescale. If we take Henry 6th part 1 as being from 1591 then eight years and eighteen plays later, we get to Henry 5th.The sources for the playThe dating of the playThe printing history of the playThe early performance history of the playA brief synopsis of the playA play that works on several levelsThe central role of the ChorusThe multiple linguistic registers in the playThe conclusion of Henry's character arcThe different aspects to Henry's characterHenry's meditations on the responsibilities of kingshipThe supporting characters – the soldiersPrincess Katerine and her English lessonThe demise of PistolThe later performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

I spoke with ATP & WTA Coach, Dan Kiernan, in Cincinnati about life as a professional coach, doubles drills, practice sets, and more. This episode will help you rethink how you practice.Dan works with multiple players on different teams, not uncommon for doubles coaches, so you'll get insights into what his day-to-day responsibilities look like.Dan's daily schedule can involve up to 7-8 hours of court time, plus meetings, court bookings, academy management (Soto Tennis Academy), podcasts, and moreHow practice courts are reserved at tournamentsPractice drills focus on offensive and defensive positioning rather than neutral playThe "overhead drill" helps players master both offensive overheads and defensive lobsThe amount of practice time dedicated to serving and returning will be jaw-dropping for club players to hearPractice sets serve different purposes depending on team needs and tournament contextI love the topic of game development and practicing with a purpose, and I'm always learning from coaches like Dan. Dabrowski and Routliffe are in the semifinals in Cincinnati, which you can watch on Tennis Channel Plus.Previous Episodes with Dan Kiernan:Dan Kiernan Interview: GROWTH, Coaching ATP Doubles, Aggressive vs Consistent Returns, & an Illegal Volley Drill - April 5, 2023Coach Dan Kiernan Interview at the WTA Finals - November 5, 2023Coach Dan Kiernan Shares Stories from the WTA Finals, 2nd Set Adjustments, Positive Mindset, & More - November 20, 2024Doubles Special: Problems, Solutions, & the Future of the Pro Doubles Tour with Dan Kiernan - March 27, 2025Learn more about Dan & follow:Dan's Podcast - Control the Controllables | Twitter | InstagramSoto Tennis Academy | Twitter ----- **Join the #1 Doubles Strategy Newsletter for Club Tennis Players** New doubles strategy lessons weekly straight to your inbox **Become a Tennis Tribe Member**Tennis Tribe Members get access to premium video lessons, a monthly member-only webinar, doubles strategy Ebooks & Courses, exclusive discounts on tennis gear, and more. Learn More & Sign Up Here **Other Free Doubles Content** Serve Strategy Cheatsheet Return Strategy Cheatsheet Serve Strategy 101 - Video Course

Episode 180:Much Ado About Nothing remains one of the more popular comedies where the characters of Benedick and Beatrice are usually thought of as the leading characters, but this play is much more of an ensemble piece than might be usually remembered.The dating of the playThe print history of the playEarly performances of the playThe sources for the playThe significance of the titleA Synopsis of the playThe views of the male character, all soldiers, in the playThe pairings of Hero and Claudio and Beatrice and BenedickMargaret and her views on marriageCommunication and miscommunicationThe changes Shakespeare made to his sourcesPublic honour and public shamingPride and pridefulnessDogberry and the watchWhy didn't Shakespeare dramatize the fooling of Claudio?Reality and imagination in the play‘Much Ado About Nothing's relationship with ‘The Taming of the Shrew'The performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 178:Ben Jonson's humours play 'Every Man in His Humour' was a big success and Jonson chose to name his next comedy in a very similar way, just substituting ‘in' for ‘out', no doubt to capitalise on the success of the earlier play by letting the public know that this was going to be a play in a very similar vein, and although there are no points where the plots or characters cross over during the plays the humour and satire are similar. However, there are also some significant differences between the two plays with the latter offering being more complex structurally and even less reliant on a plot that it's predecessor.The early performance history of the play and it's receptionThe dating of the playThe early print history of the playThe amendments in the first folio versionA Synopsis of the plotThe framing deviceMacalente the malcontentCarlo Buffone and the drinking gameSogliardo the stoogeDelerio and FalaceFastidious Brisk, his wardrobe and FungosoThe strange inclusion of Sordidio, the miserly farmerPuntovolo, his wife, his dog and his catThe fate of Puntovolo's dogThe language style of the playThe Italian setting of the playThe war of the theatresWhy was the play less successful than it's predecessor?Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Get ready for a no-nonsense breakdown of all things Open Championship as the BestBall Roundtable crew previews this year's event at Royal Portrush. The guys dive into the essentials—schedule changes, picks, weather, and what makes the Open truly unique.Early morning “coffee golf” rituals and the special appeal of Open Championship viewingTalking tournament props, betting the field vs. favorites, and which dark horses might contendWhat makes Royal Portrush a stand-out course and which holes could decide the championshipWeather predictions, links course challenges, and how conditions impact playThe crew's thoughts on future scheduling, dream golf trips, and their winners' picksDon't miss this direct, informative roundtable covering everything hardcore golf fans care about heading into the Open.BestBall Links:•https://BestBall.com•https://linktr.ee/BestBall•https://bestball.substack.com - Subscribe to Par 3 Thursdays!Friends of BestBall:•B. Draddy - https://www.bdraddy.com - Enter "BESTBALL20" for 20% off your order•Zero Restriction - https://www.zerorestriction.com - Enter "BESTBALL20" for 20% off your order•Fairway & Greene - https://www.fairwayandgreene.com - Enter "BESTBALL20" for 20% off your order•Arccos Golf - https://bit.ly/4gXNDQi - Get 15% off your order•The Stack System - https://www.thestacksystem.com/discount/BestBall - Get 10% off your order•Western Birch - https://westernbirch.com - Enter "BESTBALL" in the shipping cart for a free gift with your order. Interested in becoming a sponsor of The Hole Story Podcast? Email info@bestball.com.

Episode 176:In ‘Every Man In His Humour' Jonson pays a debt to Roman comedy, but also shows us, in an almost fully formed way, his very own style. This is not the biting satire of many of his plays, but something a little gentler in that he is not taking aim at specific people and certainly not at the court, as he was to do later. ‘Every Man in His Humour' is a city comedy with it's large cast of London characters and it is they, as a group, who are Jonson's target on this occasion. The early performance history of the playThe printing history of the playThe differences between the quarto and folio versions of the playThe London setting of and as a character in the playA synopsis of the playThe complexity of the plot structureThe effect of ‘humours' on characterThe comedic characters based on Roman comic charactersAn analysis of the prologueBrainworm the instigator of deceptionEdward Knowell the portrait of a London StudentOld Knowell as a sympathetic fatherMathew the poet and butt of the jokeBobadil the braggart soldierKitely the jealous husbandThe later performance history of the playThe use of prose in the play Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

What if you stopped waiting for the perfect time and just gave yourself permission to go for it—to pivot, to be seen, and to build a business that actually fits your life? In this episode, I chat with Kieryn Wang, founder of AlmostConsulting, about evolving in both business and life.We talk about building a career in unconventional industries (cannabis, sex tech & alcohol)and learning to stop following the rules that no one actually wrote. Kieryn shares how networking, travel, and community helped reignite her spark—and why letting yourself play in business might be the smartest thing you can do.If you've ever felt stuck, unsure about your next step, or afraid to pivot—this one's for you.In this episode:Saying yes to unexpected opportunities (even when they're unconventional)What happens when your business no longer fits your lifeHow to reignite your creativity when you've been coastingLetting go of perfectionism and allowing space for playThe power of community, coaching, and doing the inner workWhy you don't need anyone's permission—but here's some if you need it anywayAction Steps:Visualize Your Ideal Day: Start with your dream daily routine—what do you want life to feel like?Explore Possibilities: Look at how others live and work. Get inspired by people doing things differently.Give Yourself Permission: Write it down, say it out loud, believe it: You're allowed to pivot, evolve, and create the business and life you truly want.Connect with Kieryn:Website: https://www.almostconsulting.comInstagram: https://www.instagram.com/almostconsulting Connect with me, Hayleigh Hayhurst:Steal my Podcast Launch Checklist for free: ⁠https://www.espressopodcastproduction.com/⁠checklist⁠Website: https://www.espressopodcastproduction.com/YouTube: https://www.youtube.com/@EspressoPodcastProductionInstagram: https://www.instagram.com/espressopodcastproduction/TikTok:  https://www.tiktok.com/@espressopodproductionMusic: John Kiernan. www.johnkiernanmusic.comProduced by Espresso Podcast Production:  https://www.espressopodcastproduction.com/Join the Conversation: What did you think of this episode? Share your thoughts and key takeaways with me on social media using the hashtag #EmployeeToBoss. If you enjoyed this episode, please leave a review and share it with your network.

This week on Thrive Beyond Size, we're lightening things up with a more personal, vulnerable episode. Michelle shares how her intuitive eating journey unexpectedly led her into the world of tarot cards, moon rituals, crystals, and meditation—and why she now embraces practices she once would've rolled her eyes at.Far from being flighty or irrational, these “woo woo” practices helped her anchor into her body, slow down, and reconnect with a part of herself that had been buried beneath the hustle of medicine, productivity, and diet culture.In this episode, you'll hear:The surprising story of a Buffy the Vampire Slayer tarot deck that started it allWhy slowing down was the most powerful shift in Michelle's healingHow intuitive eating helped her reclaim a sense of spirituality and playThe feedback loop between spiritual connection and body trustSpecific practices Michelle uses to stay grounded in her body (yes, including Reiki for her dog!)Whether you're curious about spiritual practices or simply want a fresh perspective on what healing can look like, this episode invites you to explore what might be waiting in the space you create when you slow down.Reflection prompts at the end to help you connect with your own intuitionJoin the conversation: What's your version of “woo woo that works”? Let me know! Email Michelle at michelle@wayzahealth.comCheck out Dr Tubman's signature course, Nourish Yourself: Body+Mind: https://wayzahealth.com/nourish-yourself-body-mind/

In this very juicy and educational episode, sexologist Alexa Andre (@sexwithalexa) gets in bed with Jamie Joy, a queer, trans certified sex educator and full-blown fisting aficionado. We dive deep (literally and figuratively) into the world of fisting, from how to prep and practice it safely to the surprising aftercare and emotional intensity it can carry.We also discuss:How to prep for fisting (from hygiene to headspace)Differences between vaginal and anal fistingSafety tips, including glove use, nails, and douchingWhy fisting is more emotional and intimate than you'd thinkWhat to do if you're curious about trying itDebunking myths about poop, pain, and gay panicThe role of breath, communication, and pleasure in anal playThe stigma around anal play—especially for straight menJamie's favorite techniques and their own mold of their fist (yes, really!You can check out more of Jamie's work here!

Episode 174:Ben Jonson's erliest play. Here we have the bricklayer's son trying to make his way in the theatre and with the court. Until James came to the throne, he was pretty unsuccessful in the latter and as far as we can tell more of less from the off his life writing for the public theatre was controversial. I recounted the events surrounding Johnson and Nashe's play ‘The Isle of Dogs' as part of Jonson's life story and ‘The Case Is Altered' probably pre-dates those events. What we can be sure of is that by 1597, the most likely date for ‘The Case Is Altered' Jonson was working for Pembroke's Men and that they probably performed the play in May or June that year.The complications of the printing history of the playThe origins of the titleJonson borrows from Plautus to create a romantic comedyThe satire of Anthony MundayA brief summary of both strands of the plotThe structural issues with the play and purely comic scenesThe theory of the HumorsThe character of Count FernezeThe character of Jacques the miserThe concealment of the goldThe slight characters of the three female rolesSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Jodi Bondi Norgaard joins us to discuss her groundbreaking journey turning a simple idea into a national conversation about gender stereotypes and inclusive product design.If you've ever wondered how childhood toys shape future confidence, careers, or self-image — this episode offers deep insight. Jodi's experience founding Go! Go! Sports Girls and writing More Than a Doll positions her as a leading voice in gender equality activism and socially responsible entrepreneurship.For parents, educators, and founders alike, Jodi shares:How to combat gender stereotypes in everyday choicesWhy sports dolls for girls matter more than we realizeHow DEI initiatives must include early representation in media and productsReal-world examples of empowering girls through playThe challenges of disrupting an industry resistant to changeWhat it takes to foster leadership in young girls from the ground upWhether you're searching for ways to raise confident daughters or build a mission-driven brand, this episode offers clear solutions, practical wisdom, and empowering takeaways.

Episode 172:The dating of the playThe early publication history of the playThe sources for the playA synopsis of the playA play that explores language and it's limitsThe opening sceneConstable DullThe central ‘reveal' scene and it's poetryThe character and behaviour of CostardThe longest word in the Shakespeare cannonThe pageant of the nine worthiesThe character of JacquenettaShakespeare's parody and homage to previous literary formsThe meaning of the title of the playThe concept of ‘the academy' and comparisons with Elizabeth's courtThe critical reception of the playThe performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 170: The dating of the playThe tradition of the queen Elizabeth commissionThe tradition of the connection to the Garter CeremonyThe Question of who played FalstaffA summary of the plotThe early publication history of the play in short quarto editionsThe sources for the playThe very specific location of the playThe character of FalstaffThe way the dominating prose of the play is used to define charactersThe change in Mistress Quickly and her use of languageThe stereotypical comedy of foreigners in Dr Caius and Parson EvansWas the play written for one audience, but then changed to fit another?The play as a city comedy and how Shakespeare subverts the genreThe influence of Queen Elizabeth's position as a female ruler on the playThe later performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 168:Although Shakespeare's completion of the events of Henry IV's reign is very much a continuation of the story from part one it is a play with a very different vibe. The vigour of the battle scenes and the exuberance of prince Hal and Falstaff's relationship are replaced in part two with a more sombre and elegiac tone. The effects of old age and the passing to time hang over the play and even at its ending, where the coronation of Henry V could have been treated as a big party full of hope, it is the final rejection of Falstaff that dominates as once again Shakespeare provides an ending that many would have found surprising.The dating of the playThe early publishing history of the playThe early performance history of the playShakespeare's sources for the playA Synopsis of the plotHow the play functions without much dramatic actionWas the play a hurriedly written sequel?Foreshadowing and references to historyThe presence of the king and his illness in the playThe nature of the comedy in the playThe final split with FalstaffFalstaff the dangerous conmanThe Justices Shallow and SilenceMistress Quickly and the other comic charactersThe EpilogueSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.