Podcasts about playthe

Episode 170: The dating of the playThe tradition of the queen Elizabeth commissionThe tradition of the connection to the Garter CeremonyThe Question of who played FalstaffA summary of the plotThe early publication history of the play in short quarto editionsThe sources for the playThe very specific location of the playThe character of FalstaffThe way the dominating prose of the play is used to define charactersThe change in Mistress Quickly and her use of languageThe stereotypical comedy of foreigners in Dr Caius and Parson EvansWas the play written for one audience, but then changed to fit another?The play as a city comedy and how Shakespeare subverts the genreThe influence of Queen Elizabeth's position as a female ruler on the playThe later performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 168:Although Shakespeare's completion of the events of Henry IV's reign is very much a continuation of the story from part one it is a play with a very different vibe. The vigour of the battle scenes and the exuberance of prince Hal and Falstaff's relationship are replaced in part two with a more sombre and elegiac tone. The effects of old age and the passing to time hang over the play and even at its ending, where the coronation of Henry V could have been treated as a big party full of hope, it is the final rejection of Falstaff that dominates as once again Shakespeare provides an ending that many would have found surprising.The dating of the playThe early publishing history of the playThe early performance history of the playShakespeare's sources for the playA Synopsis of the plotHow the play functions without much dramatic actionWas the play a hurriedly written sequel?Foreshadowing and references to historyThe presence of the king and his illness in the playThe nature of the comedy in the playThe final split with FalstaffFalstaff the dangerous conmanThe Justices Shallow and SilenceMistress Quickly and the other comic charactersThe EpilogueSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 166:As with 'Richard II' 'Henry IV part 1' handles some complex English history as it examines the relationships between the King, his son and the powerful Percy family. After the deposition of Richard II Henry ruled for fourteen years until his death. Having ended 'Richard II' with Henry's accession to the throne and Richard's death in prison Shakespeare opens this play just a few years later, but with a vision of a tired king and a country dissatisfied with his rule. The setting for the playA brief synopsis of the playThe dating of the playThe early performance history of the playThe publication history of the playThe sources for the playThe balance of history and comedyThe historical accuracy of the playThe play as an examination of the father/son relationshipThe character of Hotspur as a medieval knightThe portrayal of Glendower as a mystic leaderThe role of the aristocratic ladiesPrince Hal as a new sort of leaderFalstaff, ruler of his own sort of court and a king of everymanThe historical figure of Sir John OldcastleThe later performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 164Fate, as in Romeo and Juliet, plays a large part in ‘The Merchant of Venice', as do deep seated grudges, but these are more societal than familial. We are still in Italy, but no longer in close knit Verona, but mercantile and outward looking Venice. As Shakespeare wrote this play London was becoming orientated around increasing global trade and English trading ships were regularly making their way to Venice as a major trading hub, so perhaps it is no surprise that Venice, with its eyes on commerce and profit, was a suitably exotic setting for this tale of greed, love and a clash of cultures. The dating of the playThe printed history of the playThe sources of the play including earlier theatrical ‘Jew' playsA brief outline of the plotThe different views of the character of Shylock – stereotype or sympatheticThe Jewish experience in Elizabethan LondonThe comic elements of the playThe character of AntonioPortia's role in the playPortia's ‘mercy' speechThe performance history of the play Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Anthony England, Director of Innovation at Pymble Ladies' College, discusses a bold grassroots initiative to reclaim childhood from the grip of digital addiction. With screen time skyrocketing and mental health declining, Anthony and his team took action—rolling out over 800 custom-managed smartphones designed to grow with students, limit harmful content, and foster real-world connection.Pymble has chosen a new and courageous path—one that protects wellbeing while preparing students to thrive in a complex digital world.At the centre of this conversation is the Pymble Wise Phone Initiative, launching in 2025. This school-wide program will provide a wiser mobile phone choice to students in Years 4 to 8, replacing traditional smartphones with custom-managed devices that grow with the child. Designed to be boring by design—but brilliant in impact—these phones limit harmful content while enabling connection, safety, and gradual digital independence.We dive into:Why they created affordable, safe phones that don't steal attentionHow a $5 alarm clock and a Wi-Fi timer can transform home tech habitsThe ripple effects: more sleep, stronger friendships, time for hobbies and outdoor playThe digital licence approach: like P-plates for phones, helping students earn responsibilityHow joy is being restored—through go-karts, bikes, and parent-child pledges to live life wellThis initiative is not about restriction—it's about protection and empowerment. By uniting the school and home in a shared mission, Pymble is creating a spring-free trampoline for digital life—a safe ecosystem where children can grow stronger, not more stressed.✨ “We are choosing a new and courageous path to make the world a better place for our girls.” – Pymble Ladies' College

Episode 162In today's episode I look at Shakespeare's early tragedy and one of his enduringly popular plays ‘Romeo and Juliet'.The dating of the playThe early printings of the play in quarto editionsThe origins of the story and Shakespeare's direct sourcesThe opening chorusViolence and the hand of fate underlying the actionThe opening brawl and the threat of violence to womenThe calming voice of women in the playRomeo as a Petrarchan heroJuliet as an innovative character who drives the plotRomeo and Juliet's shared sonnetThe motivations of Friar Lawrence and Juliet's nurseA brief performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Play isn't just for children! It's a secret weapon for creativity, problem-solving, and resilience. But somewhere along the way, many of us started treating it like a luxury rather than a necessity. In this episode, we're flipping that narrative. We'll explore why play matters in leadership and life, uncover the science behind it, and dive into Stuart Brown's play personalities, because yes, you have one! And if you've ever Googled ‘adult play'… well, you might have found more than you bargained for!! So, let's get into it, because what if play wasn't something tomake time for, but something that made time better?Stuart Brown: Play: How it Shapes the Brain, Opens the Imagination, and Invigorates the Soul | Amazon.co.ukStuart Brown: Play is more than just fun | TED TalkThe Importance of Play for Adults - National Institute for PlayThe 8 Play Personalities that illustrate how we have funDr Stuart Brown on The 7 Properties of Play | Human PerformanceCan We Actually Develop Leadership Through Play? | Psychology TodayWhat is LEGO® SERIOUS PLAY®? | Official LEGO® Shop CC |Official LEGO® Shop US

Episode 160A synopsis of the playThe sources and dating of the playThe problems with a historical drama in verseThe historical accuracy of the playKing John as neither a hero nor anti-heroPhilip the bastard as a central character in the playThe theme of self-identity and changing fortune in the playBlanche as a representation of innocence manipulatedQueen Eleanor as the power behind the throneConstance in grief and, maybe, madness, but eloquentMovement towards the personal in the second half of the playThe confusion over the character of HubertThe fate of the king as a metaphor for EnglandThe performance history of the playLink to the silent film from 1899 of the death of king Johnhttps://www.youtube.com/watch?v=7lWn99STB1oSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 158Picking up the journey through Shakespeare's plays with 'Richard II'A brief summary of the playThe early performance history of the playThe early print history of the playThe variations in the quarto editions concerning the deposition sceneThe sources for the playThe role of the play in the Essex rebellionThe historical accuracy of the playThe dramatic arcs travelled by Richard and BolingbrokeThe political represented in the personal through the female rolesThe significant role of minor charactersHow verse is used in the play to distinguish the noble charactersThe question of the divine right of kings and how it affects Richard's characterThe end of the play, Bolingbroke's regrets, and how we might feel about themThe later performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

If you're raising kids and dogs under the same roof, you know there's never a dull moment—especially when your little one discovers the dog's water bowl. While this might seem like harmless toddler curiosity, there are some safety concerns you'll want to keep in mind, both for your child and your dog. In today's episode, I'll discuss why kids are drawn to dog water bowls, the potential risks involved, and how to redirect that curiosity into safe, fun water play opportunities. So, grab a cup of coffee—or water!—and let's get into it.Why Are Kids Drawn to Dog Water Bowls?Exploration and sensory playThe appeal of "forbidden" objects.They want to "help" you to water the plants or wash the floor. If the dog can move their bowl, so can the toddler.Safety Concerns with Dog Water BowlsDrowning - possible in as little as an inch or two of waterSlipping hazards around spilled waterRisk of a dog resource guarding the bowl and then chasing, lunging or snapping at or biting the childHow to Respond When Your Toddler Plays in the Dog's Water BowlGentle redirection strategies: How to approach the situation without scolding.Tips for staying calm and modeling appropriate interactions.Using baby gates or barriers to limit access to the dog's feeding area.Creating a designated space for your dog's water and food that's out of reach of small children.Encouraging "Legal and Approved"  Water Play for KidsEasy and fun water play alternatives: Sensory bins with water and toys.Water tables for outdoor or indoor use.Bath time activities that mimic the experience of splashing in a bowl.Teaching boundaries: Helping kids learn the difference between their toys and the dog's resources.Related Product Suggestions for Parents of Toddlers and DogsNo splash dog water bowl.Hanging water bowls for crates or kennelsWater table for toddlers 1.5 years old and up.Bath toys for curious toddlersWatering can for childrenWashable, non-slip reusable potty pads, ideal for putting under a water table to absorb spills and splashesSupportive resources for parents with dogsI have a handout for parents about how to manage toddlers playing in the dog water bowl. Members of The Pooch Parenting Society get a handout every month - and this one is on the calendar to be delivered soon. If you found this podcast helpful, I offer ongoing, affordable support. Join the Club! The Pooch Parenting Society is the only membership of it's kind - offering compassionate EXPERT and relatable advice FOR parents with dogs from a certified professional dog trainer, family dog mediator, mom and credentialed teacher. You don't have to go through this parentiThank you for listening! Want to learn more about Pooch Parenting and how we can help you? If you enjoyed this episode, please rate and review on Apple Podcasts. Worried about Growling? Get my free guide: ABC's of Growling: https://poochparenting.net/abcs-of-growling/ Looking for QUICK answers to your dog and child questions? Just ask and my custom tool will give you the answer: www.poochparenting.net/askpoochparenting

Simplify and Scale with 50% OFF My POS System-Of-Choice: https://discover.wellnessliving.com/playcafeacademyWelcome back play makers! I'm excited to bring you another insightful recorded coaching call today with Meghan Hopkins, co-owner of Jungle Jamz Play Cafe. At the time of this recording, Jungle Jamz had been open for just over 3 months. In this episode, we cover:Strategies for booking more summer birthday partiesTips for increasing café sales during parties and eventsUsing email marketing and blogging to boost bookingsBest practices for Facebook and Google adsHow to utilize testimonials effectivelyWeighing the pros and cons of paid events vs. free activities during open playThe joys (or lackthereof!) of bringing your kiddos to workand MUCH more!Whether you're aiming to boost your summer bookings, increase café sales, or improve your marketing efforts, Meghan's insights and Michele's expert coaching will provide you with valuable strategies to implement in your own play cafe. Join our Play Makers Society community on Facebook to share your thoughts and questions. Don't miss out on future episodes! Subscribe to our podcast on Apple Podcasts, Spotify, or your favorite podcast platform.Jungle Jamz Website: https://www.junglejamzplaycafe.com/Jungle Jamz IG: https://www.instagram.com/junglejamz_playcafe/Jungle Jamz Tik Tok: https://www.tiktok.com/@meghan_hopkinsOTHER RESOURCES:Play Cafe Academy & Play Makers Society: http://bit.ly/3HES7fDGetting Started YouTube Playlist: https://www.youtube.com/watch?v=HfYkEnvPJdo&list=PLKNxpFOU7ITc6BrH_EHl4DuHqWqdUoTZUWhat's Working 2025 Guide: http://bit.ly/3GwXQASPlay Cafe Academy & Play Makers Socity: http://bit.ly/3HES7fDFund Your Indoor Play Business: http://bit.ly/38KbYbzCourses & Consulting: http://bit.ly/3N7bPAIIndoor Playground Business Courses: https://bit.ly/37yCxACMichele's Instagram: https://bit.ly/3Ia4PTKMichele's Website: https://www.michelecaruana.comYouTube Channel: https://bit.ly/3JDkSe7FREE 14-DAY Active Campaign Trial: https://bit.ly/3rjp5bPETSY Template Shop: https://bit.ly/40RF5D4Recession Prep Playlist: https://www.michelecaruana.com/recessionprepPlay Cafe Academy & Play Makers Society: http://bit.ly/3HES7fDQuestions and Support: Support@michelecaruana.com Simplify and Scale with 50% OFF My POS System-Of-Choice: https://discover.wellnessliving.com/playcafeacademy

Episode 151Having finished with Ben Jonson's biography we can now go back in time just a little to work through Shakespeare's and Jonson's plays in more detail. By the early 1590s was then the man of the theatrical moment, no longer the young upstart, but the proven playmaker and ‘A Midsummer Night's Dream' surely did nothing but enhance that reputation and it has been popular ever since.A brief synopsis of the playThe dating of the playSuggested settings for the play as a wedding celebrationThe sources for the playBiblical influencesPublication of the playThe central themes of the playThe darker elements of the playTheseus and Hippolyta and the setting of the playThe blindness of desire and passionThe question of the nature of attractionThe four lovers as exemplars of romantic loveThe significance of the play within the playThe role of the rude mechanicalsHow the play within the play tells us something about theatre practice at the timeBarriers to love – including a wallA brief performance history of the playLinks to ‘A Midsummer Night's Dream: An Illustrated Handbook and Encyclopaedia' by Rachel Aanstad:UK link: https://www.amazon.co.uk/Midsummer-Nights-Illustrated-Handbook-Encyclopedia/dp/B09PKSTL1S/ref=sr_1_2US link : https://www.amazon.com/Midsummer-Nights-Illustrated-Handbook-Encyclopedia/dp/B09PKSTL1S/ref=sr_1_2Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Outgoing Rear Window editor Myriam Robin tells us about the megalomaniac trying to solve Australia’s housing crisis, the column’s biggest scoop and the rebellion underway at the country’s most exclusive clubs.This podcast is sponsored by Aussie Broadband. Further reading:Peter V’landys bogged down in a multibillion-dollar property playThe influential CEO of Racing NSW is staring down allegations aired confidentially by purported whistleblowers to a parliamentary inquiry.Gina Rinehart lobbies NGA to remove portrait Being Australia’s richest resident comes with some perks. Who knew said benefits included a network of flunkies who will bombard a national institution over a painting you don’t like?Who’s in (and out) at the Australian Club Who coughs up the hefty annual membership fee at Sydney’s Australian Club on Macquarie Street? Why, we’re so glad you asked.See omnystudio.com/listener for privacy information.

The Vampire Council Podcast: Season 6, Episode 9 – Come Out and PlayThe vampires get blamed for a murder at a meeting of all the New York vampires and must find a way back to the safety of Staten Island.The LeaguePodcast 'Vampire Council' dives into Season 6, Episode 9 of 'What We Do in the Shadows,' titled 'Come Out and Play.' Hosts Matt Dursin and N. Ferno cover a night packed with vampire gang brawls, neon-soaked subway encounters, and unexpected family reunions. The episode starts with the vampires at an awards event that spirals into chaos. Guillermo and his cousin Miguel join forces against barista vampires. Nadja defends her independence fiercely, and Nandor awkwardly pursues The Guide. The Baron's grand declaration to conquer the New World sets the stage for a thrilling season finale, featuring a memorable cameo from Alexander Skarsgård. To which movie is this episode most 'familiar'? The Warriors, Return of the Living Dead, or Mad Max? Let us know at Bat at vampcouncil.com!Don't forget to like, subscribe, and "BAT"!00:00 Introduction and Vampire School Rivalries01:18 The Warriors and Punk Rock04:28 Family34:41 Brain Scramblies38:06 Gizmo's Van Helsing Blood46:10 Thunderdome46:20 Send us your Bats!MORE - WE BOUGHT A WEBSITE!vampcouncil.comhttp://www.leaguepodcast.com/vampcouncilhttp://vampcouncil.com/facebookhttp://spotify.vampcouncil.comhttp://vampcouncil.com/podcasthttp://vampcouncil.com

Episode 139:Last time ‘Two Gentlemen of Verona' gave us a look at second comedy from Shakespeare's early phase as a playwright. As you heard certain elements in the plotting of the play and execution of its denouement make it problematic, but nevertheless it showed early promise. The lyrical nature of much of the language used in that play is quite typical of the earliest comedies and it is probably not coincidental that this was around the time that Shakespeare was writing his long lyrical poem ‘Venus and Adonis', so we might assume that his mindset at the time was that of a lyrical poet, and maybe we see that influence still in his probable next work, the much more accomplished play ‘The Comedy of Errors', which has remained one of the more popular Shakespeare comedies since its first performance. The Source for the play and changes Shakespeare made to itThe original text of the playThe dating and earliest performances of the playFoul PapersThe setting as a Roman street with three housesA Synopsis of the playThe serious and long opening exposition.The importance of a dramatic opening sceneSocial commentary in the playAdriana as a well-developed character for a light-hearted farceAntipholus of Ephesus as an unpleasant character, but toned down from the source materialAntipholus of Syracuse as a more sympathetic characterThe punishment of the Dromio twinsThe view of authority in the playThe problems with the plot (if we take it too seriously)The soliloquies of Antipholus of SyracuseLuciana and the expression of the value of traditionWhat should we read into the very ending of the play?Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Ben Peters, co-manager of the IFSL Evenlode Global Income fund, explains the fund's focus on total returns and growing income streams. He shares how certain sectors, including consumer goods, healthcare, and information technology, provide resilient investment opportunities. We also touch on the effects of geopolitics and the long-term potential of artificial intelligence. The interview finishes with Ben's views on navigating market volatility, maintaining conviction during underperformance, and finding hidden value in high-quality companies.What's covered in this episode: What makes the IFSL Evenlode Global Income fund different from its peers?Views on market volatilityHow geopolitics come into playThe appeal of the consumer goods sector Why healthcare is a good “defensive” optionA Microsoft case studyThe investment potential of artificial intelligence Investing through a difficult periodStaying true to fundamentalsOutlook for global equity income in 2025 More about the fund: IFSL Evenlode Global Income fund aims to emulate the success of the IFSL Evenlode Income fund, while benefiting from a wider global remit. The managers are not afraid to be radically different from their benchmark, which we applaud, along with their long-term focus. We also like the fund's objective to grow the dividend in the future.Learn more on fundcalibre.comPlease remember, we've been discussing individual companies to bring investing to life for you. It's not a recommendation to buy or sell. The fund may or may not still hold these companies at the time of listening. Elite Ratings are based on FundCalibre's research methodology and are the opinion of FundCalibre's research team only.

Episode 138:Over the course of speaking about English Renaissance Plays and Shakespeare I have had cause to mention the play ‘A Knack to Know a Knave' several times. Most latterly because it is thought to include references to ‘The Taming of the Shrew' and ‘Titus Andronicus' and prior to that, in the season on the Early Renaissance Theatre it had a mention as one of the plays performed at the Rose Playhouse as recorded in Henslowe's Diary. Having been reminded of it while writing about the early Shakespeare plays I thought that it deserved a little time in the spotlight on it's own as it gives us a little snapshot of the plays, and particularly comedies other than Shakespeare and Jonson, that was circulating at the time of the earliest of Shakespeare's plays. So, here is a little interlude of an episode all about ‘A Knack to Know a Knave'.A quick word on ‘Shakespeare's Borrowed Feathers' by Darren Feebury-Jones, which is published in October 2024 and on Henry Porter and his possible involvement with ‘Dr Faustus'.The performances of ‘A Knack to Know a Knave' as reported in Henslowe's DiaryThe mystery of the low takings for repeated performances in a second run of the playThe printed quarto edition of the playA summary of the plotThe (possibly) missing parts of the play, including Kempe's extemporisingHow the fools of Gotham folk tale is worked into the playThe allusions to other plays in the textThe final lines of the playIf you would like to read the text of A Knack to Know a Knave, you can find it on google books here Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Have we forgotten how to play? Applied play theorist, strategist, and consultant Minna Taylor, certainly thinks so!As an actor and theatrical voice coach in a past life, Minna has made it her life's purpose to invite creative expression, deliberate play, and the power of surrender into people's lives. She now helps organisations to excel in the infinite game of work, showing them that play is not the pursuit of frivolity, but the spaciousness to think, to create, to adapt, and exist with ease.Minna brings beautiful, articulate thoughts, intelligence and effervescence to some big ideas: from psychedelics to psychological safety, the industrial revolution, to decentralising your ego. What a joy to speak with her!Find out about:The multi-layered notions of play - and its misconceptionsWhy play is both the absence of control and the opposite of performanceThe need for play in the corporate worldWhy we must dismantle belief systems in society to make space for playThe importance of embedding learning into an organisation with integrity and intentDon't miss the next episode: subscribe to the show with your favourite podcast player.And download the free 1-page summary, so you can always have the key points of this episode to hand.Links:Watch the video recording of this episode on YouTube.Connect to Minna Taylor:LinkedinWebsiteSupport the show**Click here to navigate through all episodes via this interactive podcast map.**Are you inspired by our podcast guests and crave a taste of masterfully facilitated workshops? Join the NeverDoneBefore Facilitation Festival. **If you enjoy the show, consider a one-off donation and contribute to the ongoing costs of running the podcast.

Episode 137:The dating of the playPrinting in the First FolioThe sources for the play and the nature of the textA brief synopsis of the playThe major themes of the playHow the status and youth of Valentine and Proteus helps to understand their actions in the playThe role of Speed and how the play features the embryo of Shakespearean wordplayThe role and values of Lance, and Crab the dog, as a comparison to ProteusSome well-regarded verse from the playDifferent readings of the theme of loveThe problematic rape and forgiveness sceneThe play as a courtly romanceThe play as a parody of past cultural normsIs the text more corrupt than is generally thought?How our understanding of male relationships at the time might affect our view of the playThe performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 135:Is Shakespeare's early tragedy more than just a gore-fest?The first performance of the play, maybeThe three playing troupes involved with the playIs the play a collaboration with George Peele?The popularity of violence in playsThe sources for the playA brief summary of the playThe establishing of characters in the first actThe justifications for Titus' desire for revengeThe role of young LuciusThe flaw in Titus' character that leads to tragedyFamily life as represented in the playThe contrasts drawn between Lavinia and TamoraThe portrayal of fatherhood in the playThe use of Ovid's ‘Metamorphosis'Shakespeare's use of personification, borrowed from medieval morality playsThe extreme violence in the playThe Peacham DrawingSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 133: The complications with dating the play and it's relationship with a similar Elizabethan playThe sources for the playA short summary of the playThe Christopher Sly framing deviceSwitching of roles in the playThe disguise motifThe motivations of the leading charactersThe implication of the falconry images in the playThe Elizabethan idea of a proper wife and correct behaviourSimilarities with Elizabethan ‘wife taming' balladsThe play as an inheritor of Roman comedyThe protagonists as stock charactersKatherine's imbalance of the humoursAre Petruchio and Katherine a matched couple?Do the three marriages resolve the play?Does the play make a serious point about gender relationships in Elizabethan England?The ‘difficult' final speech by KatherineSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 131: Richard 3rd: ‘And Thus I Clothe My Naked Villainy.'Shakespeare dramatises the life of the last Plantagenet king and create one of theatre's most spectacular villains. The dating of the playThe quarto editions of the playWhen is a history play a tragedy, or not?The sources of the playThe influence of SenecaOther contemporary versions of the Richard 3rd story.The centrality of the character of RichardA brief plot summaryThe boldness of Richard's actionsRichard as prologue and then guide in the playLady Anne and her reaction to Richard's proposalThe influence of Marlowe on Richard 3rdThe role of the female characters in the playHow should we view the presence of Margaret in the play?The curses and prophecy of MargaretHow deformity and old age can be seen to link Richard and MargaretRichard afflicted by guiltThe theatricality of the playDoes our liking for Richard affect the morality of the playWhat the lay can tell us about players and changes in Tudor societySupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 129:A brief recap on the dating and sources of the playA brief synopsis of the playThe problem of multiple battlefield scenes and the depiction of violenceHow language in the play is used to underline the changing fortunes of the two sides.The depth of strong characterisation in the playWarwick, the would-be kingmakerHenry as an early humanistFathers and sons at war with each otherThe revenge motive running through the playA brief recap on the role and character of MargaretThe development of the character of RichardThe question of the extent if Richard's deformityDid the play resonate with the contemporary audience?Support the podcast at:www.thehistoryofeuropeantheatre.comwww.ko-fi.com/thoetpwww.patreon.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Episode 127:A recap of Henry VI part one and the potential involvement of Christopher MarloweA word on methods of authorship attribution in the context of Shakespeare and MarloweThe dating and sources of the playA synopsis of Henry VI part twoThe characterisation of the War of the RosesThe decline of England mapped out in the playThe main characters in the playThe weakness of the king as portrayed in the playThe powerplay between Gloucester, York and MargaretMargaret as a central character in the playThe use of language to define different charactersThe contrast between Henry and MargaretThe Jack Cade rebellion and the utopia of a classless societyGloucester and the view of justice-based governmentHow the world depicted in the play might have been viewed by the first audiencesThe historical accuracy of the playThe arrival of Richard, future king, on stageThe performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.ko-fi.com/thoetpwww.patreon.com/thoetpThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Book Vs. Movie: Suddenly, Last SummerThe 1958 Play Vs.The 1959 MovieSuddenly Last Summer is a 1959 film based on the play by Tennessee Williams, adapted for the screen by Gore Vidal and Williams himself. Directed by Joseph L. Mankiewicz, the film stars Elizabeth Taylor, Katharine Hepburn, and Montgomery Clift. The plot revolves around a wealthy widow, Mrs. Violet Venable (played by Hepburn), who seeks to lobotomize her niece, Catherine Holly (played by Taylor), to prevent her from revealing the truth about her son's death. Montgomery Clift plays Dr. John Cukrowicz, a neurosurgeon who is drawn into the family's dark and twisted secrets.The film is notable for its intense performances and its exploration of themes such as mental illness, family secrets, and repressed sexuality. It received several Academy Award nominations, including Best Actress for Hepburn and Taylor.Which did we (the Margos) prefer? Have a listen to find out. In this ep, the Margos discuss:The backstory of the playThe life of Tennessee Williams.   The 1959 Movie Cast: Katherine Hepburn (Vi,) Elizabeth Taylor (Cathy Holly,) Montgomery Clift (Dr. John Cukowicz,) Albert Dekker (Dr. Lawrence J. Hockstader,) Mercedes McCambridge (Grace Holly,) Gary Raymond (George Holly,) Mavis Villiers (Miss Foxhill,) Patricia Marmont (Nurse Benson,) Jean Young (Sister Felicity,) and Maria Brtineva as Lucy. Clips used:“Vi and Cathy Face Off”Suddenly Last Summer (1959 trailer) Dr. John meets ViCathy, her brother George, and SIL GraceCathy describes Sebastian's death. Suddenly Last Summer music by Buxton Orr Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog  https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: Suddenly, Last SummerThe 1958 Play Vs.The 1959 MovieSuddenly Last Summer is a 1959 film based on the play by Tennessee Williams, adapted for the screen by Gore Vidal and Williams himself. Directed by Joseph L. Mankiewicz, the film stars Elizabeth Taylor, Katharine Hepburn, and Montgomery Clift. The plot revolves around a wealthy widow, Mrs. Violet Venable (played by Hepburn), who seeks to lobotomize her niece, Catherine Holly (played by Taylor), to prevent her from revealing the truth about her son's death. Montgomery Clift plays Dr. John Cukrowicz, a neurosurgeon who is drawn into the family's dark and twisted secrets.The film is notable for its intense performances and its exploration of themes such as mental illness, family secrets, and repressed sexuality. It received several Academy Award nominations, including Best Actress for Hepburn and Taylor.Which did we (the Margos) prefer? Have a listen to find out. In this ep, the Margos discuss:The backstory of the playThe life of Tennessee Williams.   The 1959 Movie Cast: Katherine Hepburn (Vi,) Elizabeth Taylor (Cathy Holly,) Montgomery Clift (Dr. John Cukowicz,) Albert Dekker (Dr. Lawrence J. Hockstader,) Mercedes McCambridge (Grace Holly,) Gary Raymond (George Holly,) Mavis Villiers (Miss Foxhill,) Patricia Marmont (Nurse Benson,) Jean Young (Sister Felicity,) and Maria Brtineva as Lucy. Clips used:“Vi and Cathy Face Off”Suddenly Last Summer (1959 trailer) Dr. John meets ViCathy, her brother George, and SIL GraceCathy describes Sebastian's death. Suddenly Last Summer music by Buxton Orr Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog  https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Charts and Graphs for Episode 56Send a screenshot of you following the podcast and having listened to this episode to 'attackingchamp@gmail.com' in order to be entered into our Euro 2024 Match Ball Giveaway. Entries close at 19:00 BST on 14th July. SummaryIn this episode of the Attacking the Championship podcast, Tom Butterfield and David Bromley discuss England's performance in the semi-final against the Netherlands. They analyse the team's improved playing style, including more positive and confident play, smart passes, and progressive runs. They also discuss the controversial penalty decision. In this conversation, Tom and David discuss the performance of Harry Kane in the England national team. They analyze his role and effectiveness in the team, as well as the potential impact of other players in the squad. They also discuss the upcoming final against Spain and share their predictions for the match.KeywordsEngland, performance, playing style, smart passes, progressive runs, penalty decision, Harry Kane, Harry Kane, England national team, performance, role, effectiveness, squad, final, Spain, predictionsTakeawaysEngland showed an improved playing style in the semi-final, with more positive and confident playThe team made more smart passes and progressive runs, which helped break through the Dutch defenseThe controversial penalty decision raised questions about the interpretation of fouls and dangerous playThe role of Harry Kane in the team was discussed, with confusion about his positioning and involvement in the game Harry Kane's performance in the England national team has been a topic of discussion, with questions about his role and effectiveness.The team's performance as a whole has influenced Kane's performance, with his effectiveness depending on the support and runners around him.The upcoming final against Spain presents a challenge for England, and the team's approach and lineup will be crucial.England has a strong squad with talented players who can match up against Spain's players.The outcome of the final is uncertain, but both Tom and David hope for an entertaining and competitive match.Useful LinksX (Twitter) - @champattackYoutube ChannelThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Episode 125:A detailed look at the first Shakespearean history play 'Henry 6th part 1'The problems with dating 1 Henry VIHow much of the play did Shakespeare write?The relationship of the play to parts 2 and 3The sources of the playA brief summary of the playThe play in relation to other history plays of the timeCriticism of the battle scenesThe theme of the loss of the English Empire and the end of chivalryThe portrayal of Joan and the FrenchThe portrayal of the English aristocracyProblems with the structure of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.ko-fi.com/thoetpwww.patreon.com/thoetpThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

What do you do if you love pain, impact play, discipline, CBT, and/or bondage but you can't have marks on your body?  How do you hide the marks when you love being on the receiving end of the S/m dynamic?That's the topic today and it's the result of a listener question to the previous episodes about many aspects of pain play.Topics include:Training for a submissive versus a kinky scene with a pain slutThe role of stress positions to enhance kinky scenesPhysical pain, mental pain and the role of an intense mindfuckThe role of suffering in submission to a beautiful Femdom MistressOf course, there is always a lot of emphasis on the role of communication in BDSM. The ladies talk about BDSM negotiation, what to ask your Mistress and why it's important that you answer her questions honestly (so she can plan the play effectively).This is BDSM education:Thuddy versus stingy impact playThe role of warmup in impact playHow bondage affects the skin for CBT Electrosex and what to look for an a tens unit for kinky usesWax play and safety concernsTemperature play and a wicked use of ice waterThe importance of aftercareThese creative Femdoms talk about workarounds for those who crave S/m pain but need to keep this part hidden.Remember if you hear something in the podcast and you have a followup question, send an email.Olivia AT enchantrixempire.comErika AT enchantrixempire.comMs Olivia's blog: https://www.experiencedmistress.com/Ms Erika's blog:  https://intelligentphonefantasy.com/

Chosen for Deception - Goddess of Destruction Website: http://www.battle4freedom.comNetwork: https://www.mojo50.comStreaming: https://www.rumble.com/Battle4FreedomAladdinComing to America 2Romans 9:21Or has the potter no right to make from a given lump of clay this pot for honorable use and that one for dishonorable?Lilith Meme with Chosenhttps://www.facebook.com/photo/?fbid=954531956674476&set=a.498986105562399Hazbin Hotelhttps://www.imdb.com/title/tt7216636/https://www.youtube.com/watch?v=QXoS8lJPWPk&t=659sLilith: Adam's First Wife Erased From History Because She Insisted On Gender Equalityhttps://www.imdb.com/title/tt3501632/Thor Ragnorokhttps://www.dailymail.co.uk/yourmoney/consumer/article-13328599/ALICE-experts-sound-alarm-financial-trend.htmlAre you an 'ALICE'? Experts sound the alarm over concerning financial trendAn 'ALICE' does not qualify for government aid but cannot cover daily costsAround 29 percent of US households are ALICE, according to latest datahttps://www.dailymail.co.uk/news/article-13332685/new-york-city-youth-soccer-game-canceled-migrants.htmlYouth soccer game is canceled after horde of migrants refuse to leave field in NYC - even when COPS turn up - as parents reveal how their children are now too afraid to playThe crisis reared its ugly head at the Manhattan Kickers last week, as their scheduled game was stopped due to the migrants using a public park The migrants used profanity toward their coach and refused to move even when police cameAfter producing a permit, the game had been delayed long enough that kids and parents no longer felt safe https://www.dailymail.co.uk/news/article-13332499/Pennsylvania-girl-trans-student-attacks-girl.htmlGirl who warned teachers about trans female student, 13, with 'hit list' bravely calls them out as she reveals in horrifying detail how attacker beat her friend with a Stanley cup while screaming 'I'm gonna murder you'

https://www.patreon.com/isyanderandkoda You already know how to please the Machine Gods at this point so thank you so much. And make your voices heard for which faction you would like to see next! -Isyander Everything below is for the omnissiah. But like, you can read it if you want. Just a synopsis of the video you're watching. Comprehensive Guide to the World of Warframe: An In-depth Look at Gameplay and LoreWelcome to the thrilling universe of Warframe, a game that has not only captured the imaginations of millions worldwide but has also established a rich tapestry of lore and an exciting gameplay experience. Whether you are a new player or a seasoned veteran, this guide will delve deep into the world of Warframes, their abilities, and the intricate lore surrounding them.Introduction to WarframeWarframe is a third-person shooter game that combines elements of action, RPG, and cooperative multiplayer. It is set in a futuristic, sci-fi universe where players take on the role of Tenno, ancient warriors who have awoken from centuries of cryosleep to find themselves at war with different factions.The Origin of WarframesAt the heart of the game are the Warframes—powerful suits of armor that provide unique abilities to their wearers. The first Warframe introduced in both the game and the lore is Excalibur, known for its balanced abilities and straightforward combat style. Excalibur's powers range from the offensive "Slash Dash" to the defensive "Radial Javelin," showcasing its versatility.Following Excalibur, we explore other Warframes like Volt, Mag, Trinity, Ember, and more. Each Warframe comes with a distinct set of abilities that cater to various play styles, from fast-paced and aggressive to strategic and supportive.Lore and BackstoryWarframe's lore is deeply intertwined with its gameplay. The story unfolds through quests, cinematics, and in-game events, revealing the origins of the Tenno and the Warframes, as well as the history of the Solar System. Players learn about the Orokin Empire, the Sentients they fought, and the ongoing conflict with factions like the Grineer and Corpus.Gameplay MechanicsWarframe stands out for its fast-paced, parkour-style movement and deep customization options. Players can equip their Warframes with a range of weapons and mods to enhance their abilities, tailoring their loadouts to their preferred tactics. The game also features a dynamic mission system, offering a variety of objectives and challenges that can be tackled solo or with a squad.Community and Co-op PlayThe community aspect of Warframe is robust, with a focus on cooperative play. Clans and alliances can be formed, allowing players to build their own space stations and participate in large-scale cooperative missions. Events and updates are regularly added, providing fresh content and keeping the community engaged.TIMESTAMPS —— ——————————  TAGSWarframe, Tenno, Excalibur, Volt, Mag, Trinity, Ember, Orokin, Grineer, Corpus, Digital Extremes, cooperative multiplayer, RPG, third-person shooter, lore, game mechanics, community.————————————Opinions expressed in this video are solely those of Isyander & Koda and in no way reflect the views or opinions of Games Workshop Ltd.Artwork throughout this video is used for educational purposes. if you see your artwork and would like an art credit, message me.Support the show

Andrei Kuzmenko put on a show this as the Flames new look line combos seem to have sparked some chemistry between Kuzmenko, Marty Pospisil, & Nazem Kadri this week. Today we're breaking down where the Flames are at heading into the tank...errrr...stretch drive.On today's agenda:How Kuzy could be a very valuable piece for this team moving forwardBreaking down what we've seen from the new line combos (loving that Connor Zary, Matt Coronato connection so far)Looking at Brayden Pachal, Joel Hanley, and Daniil Miromanov's strong playThe surprisingly impactful season of Martin PospisilTij Iginla talkSee you in the Dome. Go Flames Go!In the Dome is brought to you by Ooodle Noodle! Check out their locations in Beacon Hill and on 17th Avenue or order online at OodleNoodle.ca Hosted on Acast. See acast.com/privacy for more information.

In this episode, I talk about why boring small tasks are where the wins happen, being okay with mundane tasks, how the compound effect works and Darren Hardy's book the Compound Effect, why small choices matter, creating sustainable momentum, shaping your destiny, consistency over intensity and more!Follow me on Instagram @mattgottesmanJump on my weekly texts for the soul here 480-530-7352My writing mattgottesman.substack.com RESOURCES:Fulfill the most important 5 Hobbies You'll Ever Need… Resources to Create, Earn, Learn & BuildCreate more clarity around… Time, Energy, Money, Creativity, Work, Rest & PlayThe recommended reading list you didn't know you needed (Art, Spirituality, Happiness, Philosophy, Building Wealth, Entrepreneurship, Relationships & Other Memos I wish were more mainstream.Get the Write, Design, Build: Content Creator Studio & OS - Growing the niche of you, your audience, reach, voice, passion & incomeNeed MORE focus? - Here's our FREE Goal Planning Workshop: 1-page templates for focus, priorities & defining clear, actionable next stepsNeed a CREW to run with? Join our Build 1 Thing Creator Community (Weekly Live Coaching & Monthly Workshops) - Get unstuck, avoid burnout, hack habits, create & execute fluidly… accountability & growth group for artists, creatives and entrepreneurs.OTHER RELATED EPISODES:You Need These 5 Hobbies That Will Change Your Entire LifeApple: https://apple.co/48MKPAFSpotify: https://spoti.fi/3wRonc9

In this episode, I talk about cultivating more peace in our lives, understanding what makes us genuinely happy, excerpts from Naval Ravikant's book, The Almanack, moving away from relying on external pleasures to creating more internal peace, not playing status games but infinite wealth games and more!Follow me on Instagram @mattgottesmanJump on my weekly texts for the soul here 480-530-7352My writing mattgottesman.substack.com RESOURCES:Create more clarity around… Time, Energy, Money, Creativity, Work, Rest & PlayThe recommended reading list you didn't know you needed (Art, Spirituality, Happiness, Philosophy, Building Wealth, Entrepreneurship, Relationships & Other Memos I wish were more mainstream.Get the Write, Design, Build: Content Creator Studio & OS - Growing the niche of you, your audience, reach, voice, passion & incomeNeed MORE focus? - Here's our FREE Goal Planning Workshop: 1-page templates for focus, priorities & defining clear, actionable next stepsNeed a CREW to run with? Join our Build 1 Thing Creator Community (Weekly Live Coaching & Monthly Workshops) - Get unstuck, avoid burnout, hack habits, create & execute fluidly… accountability & growth group for artists, creatives and entrepreneurs.OTHER RELATED EPISODES:Your First Success With Your Idea Will Be What You Create, Not Who Approves ItApple: https://apple.co/3wDCMc5Spotify: https://spoti.fi/3TjNn4O

In this episode, I talk about why you need to create more than you tell others about what you want to create, validating your own ideas instead of getting approval from others, understanding why you're asking others to approve of your next steps, why venture capital and investors in your idea may not be the way to go and more!Follow me on Instagram @mattgottesmanJump on my weekly texts for the soul here 480-530-7352My writing mattgottesman.substack.com RESOURCES:Create more clarity around… Time, Energy, Money, Creativity, Work, Rest & PlayThe recommended reading list you didn't know you needed (Art, Spirituality, Happiness, Philosophy, Building Wealth, Entrepreneurship, Relationships & Other Memos I wish were more mainstream.Get the Write, Design, Build: Content Creator Studio & OS - Growing the niche of you, your audience, reach, voice, passion & incomeNeed MORE focus? - Here's our FREE Goal Planning Workshop: 1-page templates for focus, priorities & defining clear, actionable next stepsNeed a CREW to run with? Join our Build 1 Thing Creator Community (Weekly Live Coaching & Monthly Workshops) - Get unstuck, avoid burnout, hack habits, create & execute fluidly… accountability & growth group for artists, creatives and entrepreneurs.OTHER RELATED EPISODES:Business Idea… Live the Thing You Want to SellApple: https://apple.co/3wDCMc5Spotify: https://spoti.fi/4c11uDu

In this episode, I talk about knowing what business to go into based on your own interests, how sales are the easiest when you live the products or services, creating a brand as a way to express your soul, relating to your audience or customers simply because you live the solutions or products you provide, living your life as a means to providing motivation to others and more!Follow me on Instagram @mattgottesmanJump on my weekly texts for the soul here 480-530-7352My writing mattgottesman.substack.com RESOURCES:Create more clarity around… Time, Energy, Money, Creativity, Work, Rest & PlayThe recommended reading list you didn't know you needed (Art, Spirituality, Happiness, Philosophy, Building Wealth, Entrepreneurship, Relationships & Other Memos I wish were more mainstream.Get the Write, Design, Build: Content Creator Studio & OS - Growing the niche of you, your audience, reach, voice, passion & incomeNeed MORE focus? - Here's our Goal Planning Workshop: 1-page templates for focus, priorities & defining clear, actionable next stepsNeed a CREW to run with? Join our Build 1 Thing Creator Community (Weekly Live Coaching & Monthly Workshops) - Get unstuck, avoid burnout, hack habits, create & execute fluidly… accountability & growth group for artists, creatives and entrepreneurs.OTHER RELATED EPISODES:You Do Have a Vision… It's Always There… Just Go DeeperApple: https://apple.co/3Iga2c3Spotify: https://spoti.fi/3TdupwD

In this episode, I talk about understanding your vision, the beauty and art of dealing with uncertainty, what having a vision for your life really means and how to make one for yourself, creating more clarity and direction for yourself, how uncertainty and risk are your allies not your fears, knowing your outcomes before they happen, knowing your destination but receiving the “how” along the way and more!Follow me on Instagram @mattgottesmanJump on my weekly texts for the soul here 480-530-7352My writing mattgottesman.substack.com RESOURCES:Create more clarity around… Time, Energy, Money, Creativity, Work, Rest & PlayThe recommended reading list you didn't know you needed (Art, Spirituality, Happiness, Philosophy, Building Wealth, Entrepreneurship, Relationships & Other Memos I wish were more mainstream.Get the Write, Design, Build: Content Creator Studio & OS - Growing the niche of you, your audience, reach, voice, passion & incomeNeed MORE focus? - Here's our Goal Planning Workshop: 1-page templates for focus, priorities & defining clear, actionable next stepsNeed a CREW to run with? Join our Build 1 Thing Creator Community (Weekly Live Coaching & Monthly Workshops) - Get unstuck, avoid burnout, hack habits, create & execute fluidly… accountability & growth group for artists, creatives and entrepreneurs.OTHER RELATED EPISODES:Your Best Idea Can Come At Any Time… This is What Living IsApple: https://apple.co/3OZJvDwSpotify: https://spoti.fi/4bP5Ihn

In this episode, I talk about experimenting with your life more than consuming too much information, using your intuition to take chances and then documenting the data from your risks, how your life is a blend of science and spirituality, Picasso and his experiments, using your life like a laboratory, becoming tougher from being in the “arena” of life more and taking chances and more!Follow me on Instagram @mattgottesmanJump on my weekly texts for the soul here 480-530-7352My writing mattgottesman.substack.com RESOURCES:Create more clarity around… Time, Energy, Money, Creativity, Work, Rest & PlayThe recommended reading list you didn't know you needed (Art, Spirituality, Happiness, Philosophy, Building Wealth, Entrepreneurship, Relationships & Other Memos I wish were more mainstream.Get the Write, Design, Build: Content Creator Studio & OS - Growing the niche of you, your audience, reach, voice, passion & incomeNeed MORE focus? - Here's our Goal Planning Workshop: 1-page templates for focus, priorities & defining clear, actionable next stepsNeed a CREW to run with? Join our Build 1 Thing Creator Community (Weekly Live Coaching & Monthly Workshops) - Get unstuck, avoid burnout, hack habits, create & execute fluidly… accountability & growth group for artists, creatives and entrepreneurs.OTHER RELATED EPISODES:Your Best Idea Can Come At Any Time… This is What Living IsApple: https://apple.co/3OZJvDwSpotify: https://spoti.fi/4bP5Ihn

In this episode, I talk about how your best ideas come to you, being more present and disciplined will bring more freedom and creativity, not robotically answering to the drains of others, interconnecting all of our interests, creating a life by design and harmony, doubling down on our work that matters, how our work can become second nature and more!Follow me on Instagram @mattgottesmanJump on my weekly texts for the soul here 480-530-7352My writing mattgottesman.substack.com RESOURCES:Create more clarity around… Time, Energy, Money, Creativity, Work, Rest & PlayThe recommended reading list you didn't know you needed (Art, Spirituality, Happiness, Philosophy, Building Wealth, Entrepreneurship, Relationships & Other Memos I wish were more mainstream.Get the Write, Design, Build: Content Creator Studio & OS - Growing the niche of you, your audience, reach, voice, passion & incomeNeed MORE focus? - Here's our Goal Planning Workshop: 1-page templates for focus, priorities & defining clear, actionable next stepsNeed a CREW to run with? Join our Build 1 Thing Creator Community (Weekly Live Coaching & Monthly Workshops) - Get unstuck, avoid burnout, hack habits, create & execute fluidly… accountability & growth group for artists, creatives and entrepreneurs.OTHER RELATED EPISODES:When You're Out of the Competition Trap, You'll Find the Freedom You're Looking ForApple: https://apple.co/48tox6PSpotify: https://spoti.fi/42RzIVG

UC Today's Kieran Devlin speaks to Dr. Scott Allendevaux, Practice Lead of Data Protection at Allendevaux, and Rebekah Allendevaux, who oversees Data Protection Implementation and Audit.In this session, we discuss the following:Why data protection is important in UC and what role AI can playThe challenges to data protection presented by AIHow AI might be an ally in data protection in UC

Storytelling Tips for EntrepreneursStorytelling tips for entrepreneurs. Sounds like one more thing to do on what is already a very long to-do list.But Donna Griffit guest says it can educate people about your business in ways that accelerate your success. And she's got some practical tips on how to do that.What You'll Discover About Storytelling Tips for Entrepreneurs:Why storytelling skills are necessary for startupsThe 3 mistakes startups make when talking about their businessHow storytelling is like a 4 act playThe factors that separate a great pitch from a so-so pitchAND much MOREGuest: Donna Griffit Donna Griffit, author of STICKING TO MY STORY: The Alchemy Of Storytelling For Startups, is a world-renowned Corporate Storyteller and Pitch Alchemist.She has helped over 1000 startups, corporates and investors raise over one billion dollars and accelerate their sales with a personal touch and unmatched messaging savvy, in any industry, at any phase. Related Resources:If you liked this interview, you might also enjoy our other Marketing episodes.Contact Donna and connect with her on LinkedIn, Facebook, and Twitter. Visit her website and check out her book Sticking to My Story: The Alchemy of Storytelling for StartupsJoin, Rate and Review: Rating and reviewing the show helps us grow our audience and allows us to bring you more of the rich information you need to succeed from our high powered guests. Leave a review at Lovethepodcast.com/BusinessConfidential.Joining the Business Confidential Now family is easy and lets you have instant access to the latest tactics, strategies and tips to make your business more successful.Follow on your favorite podcast app here as well as on Facebook, YouTube, and LinkedIn.Download ♥ Follow ♥ Listen ♥ Learn ♥ Share ♥ Review ♥ Comment ♥ Enjoy

Episode 111The true story behind 'Arden of Faversham'The plot outline of the playIs the domestic tragedy really tragedy?The main themes of the playThe domestic eating of the playThe low charactersThe role of destiny in the playQuestions of authorship Other surviving domestic tragedies - 'A Warning for Faire Women''Two Tragedies''A Yorkshire Tragedy'Support the podcast at:www.thehistoryofeuropeantheatre.comwww.ko-fi.com/thoetpwww.patreon.com/thoetpThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

We all know that trying to juggle work and personal items can be a struggle, add in vacation to the mix when the work doesn't stop and you can feel your stress level skyrocket! In today's episode, we are tackling the idea of a working vacation and I share my formula on how you can do both. Over the next 30 minutes, I discuss how to advocate for yourself to take vacation time and if you simply can't step away from your workload, what you can do to get both in. I share my dos and don'ts when it comes to working while on vacation and give you practical tips that you can implement before, during, and after for a less stressful time. Join me as we explore the best practices for successfully navigating work commitments while still enjoying your well-deserved vacationIn today's episode, I cover:Practical tips for working on vacationHow to schedule your vacation for work and playThe purpose of vacationsWhat you need to prioritize while on vacationTime blocking and the pencils down mentality Connect with me:Instagram: www.instagram.com/melissa_franksWork with me: www.melissafranks.com/offersIntentional Career Collective:  https://intentional-career-collective.mn.co/plans/310198?bundle_token=603bd500c8d9ff58c1e49442074de60d&utm_source=manual

WARNING!!!! This episode contains a couple spoilers for Across the Spiderverse, skip to 6:12 if you want to miss those.THAT IS ALL!!!!Apropos of nothing, here is how you play Solitaire according to bicyclecards.comThe PackVirtually all Solitaire games are played with one or more standard 52-card packs. Standard Solitaire uses one 52-card pack.Object of the GameThe first objective is to release and play into position certain cards to build up each foundation, in sequence and in suit, from the ace through the king. The ultimate objective is to build the whole pack onto the foundations, and if that can be done, the Solitaire game is won.Rank of CardsThe rank of cards in Solitaire games is: K (high), Q, J, 10, 9, 8, 7, 6, 5, 4, 3, 2, A (low).The DealThere are four different types of piles in Solitaire:The Tableau: Seven piles that make up the main table.The Foundations: Four piles on which a whole suit or sequence must be built up. In most Solitaire games, the four aces are the bottom card or base of the foundations. The foundation piles are hearts, diamonds, spades, and clubs.The Stock (or “Hand”) Pile: If the entire pack is not laid out in a tableau at the beginning of a game, the remaining cards form the stock pile from which additional cards are brought into play according to the rules.The Talon (or “Waste”) Pile: Cards from the stock pile that have no place in the tableau or on foundations are laid face up in the waste pile.To form the tableau, seven piles need to be created. Starting from left to right, place the first card face up to make the first pile, deal one card face down for the next six piles. Starting again from left to right, place one card face up on the second pile and deal one card face down on piles three through seven. Starting again from left to right, place one card face up on the third pile and deal one card face down on piles four through seven. Continue this pattern until pile seven has one card facing up on top of a pile of six cards facing down.The remaining cards form the stock (or “hand”) pile and are placed above the tableau.When starting out, the foundations and waste pile do not have any cards.The PlayThe initial array may be changed by "building" - transferring cards among the face-up cards in the tableau. Certain cards of the tableau can be played at once, while others may not be played until certain blocking cards are removed. For example, of the seven cards facing up in the tableau, if one is a nine and another is a ten, you may transfer the nine to on top of the ten to begin building that pile in sequence. Since you have moved the nine from one of the seven piles, you have now unblocked a face down card; this card can be turned over and now is in play.As you transfer cards in the tableau and begin building sequences, if you uncover an ace, the ace should be placed in one of the foundation piles. The foundations get built by suit and in sequence from ace to king.Continue to transfer cards on top of each other in the tableau in sequence. If you can't move any more face up cards, you can utilize the stock pile by flipping over the first card. This card can be played in the foundations or tableau. If you cannot play the card in the tableau or the foundations piles, move the card to the waste pile and turn over another card in the stock pile.If a vacancy in the tableau is created by the removal of cards elsewhere it is called a “space”, and it is of major importance in manipulating the tableau. If a space is created, it can only be filled in with a king. Filling a space with a king could potentially unblock one of the face...

Join Anecdotal Anatomy for an episode that explores the art of magic and play. Discover the power of imagination, the benefits of a playful mindset, and the secrets of real magic, while ditching any notion of “magical thinking,” in service of something deeper.The Importance of Play Play doesn't just signify frolicking about without any tasks at hand, but it's a gateway that unlocks the sheer joy of being in the moment, being one with your surroundings, expressing the unexpressed, and just giving in to the child within. The Benefits of PlayThe liberating feeling of play has an ample range of benefits – it boosts creativity, resilience to stress, injects an excitement to live, and helps us appreciate beauty in the most underrated aspects of life. Believing play to be centric to wholistic wellness, Anecdotal Anatomy encourages its Keystone Community to integrate playful practices in every offer it puts forth. Theresa and Sherry eloquently explain how play not only assists in improving creativity and the sense of humor but also maintains a gentle balance between the mind and body. When in a playful mindset, magic can be found anywhere and everywhere. Such instances of recognition remind us all of our inner vital sparkle. Play can have a big role in leading to self-transformation and a sense of deep gratitude. Who wouldn't want to view life through a dynamic, playful kaleidoscope?***The key moments in this episode are:00:00:00 Introduction00:06:24 Magic and Transformation00:10:12 Everyday Magic00:11:45 The Importance of Play 00:13:37 Creating Illusions00:15:11 Reality and Imagination00:18:36 Perception and Mindset00:21:48 Play Personalities00:25:06 Creation and Energy00:28:51 Archetypes and Avatars00:30:32 Inhibitions in Finding Your Voice00:33:30 The Power of Group Activities00:36:03 Real Magic vs. Magical Thinking00:39:20 Misdirection and the Senses in Magic00:44:43 Magic in Everyday Life00:45:57 The Power of Belief00:47:07 The Benefits of Play00:48:39 Keystone Community Event00:50:21 Holistic Wellness***Sources:Peter Himmelman Official WebsitePeter Himmelman Substack***Our Amazing Team:Judith George - Editor (video & audio)Keith Kenny - MusicCindy Fatsis - Photography

In today's solo, Kelli pulls back the curtain on our fear of embracing fun and playful aspects of our lives. Drawing on her personal experiences, she reveals how being open to fun can often seem foreign and even frightening, pushing us to numb ourselves or put on a facade that isn't genuinely us. Kelli offers insights on distinguishing discomfort from actual danger and invites you to redefine your understanding of fun. She provides practical examples of small daily choices that can inject more joy into life and advocates for a shift from the head to the heart, fostering a genuine connection with our true selves.Today on The Naked Mama:Overcoming fear and discomfort around fun and playThe societal pressure of maintaining a certain identityRedefining personal definitions of fun and playfulnessDistinguishing between discomfort and danger/red flagsPractical examples to infuse everyday life with funTransitioning from living in your head to experiencing through your bodyThis show is supported by:Organifi | Go to organifi.com/kellimoore for 20% off your order, or use the code KELLIMOORE at checkout.Herbal Face Food | Get 20% off your order at herbalfacefood.com with the code KELLI20.Follow Kelli:Soul Strategy: Join the WaitlistInstagram: @kellitmoore This show is produced by Soulfire Productions

In this episode, Krishna Das helps us practice letting go of anger and expanding our hearts towards others.Today's podcast is sponsored by BetterHelp. Click to receive 10% off your first month with your own licensed professional therapist: betterhelp.com/beherenow"We might feel pain based on things that happened with people or situations outside of us. But where do we feel that is within. So this is where we have to work on it." – Krishna Das In this episode of Pilgrim Heart, Krishna Das opens up conversation around:Letting go of feeling like the victim and starting to forgive people by doing the inner workExtending compassion to our parents and seeing them as human beings, beyond the karmic roles they playThe story of Dada Mukerjee meeting Maharaj-ji for the first timeWorshiping the Divine MotherHonoring the transition of our parentsThe story of the 4AM Hanuman ChalisaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As one of three Co-Founders, Emma Brooks deals not only with a sibling in business, but a spouse too - a unique blueprint to say the least!Emma is Managing Director of iampro alongside husband Ben, Head of Production, and sister Charlie, whose face you might recognise from over one thousand episodes of EastEnders!We're joined by Ben & Emma in this week's podcast to share how their platform trains acting talent, how to keep work talk out of the home, and the importance of boundaries between Co-Founders.This episode covers:Finding fulfilment in mentoring and guidance for talented young peopleUpholding the business outlook with sibling and spouse dynamics at playThe relationship between the three Co-Founders with Charlie Brook's TV commitments on EastEndersStrategies to leave work at the doorSetting boundaries to protect your family relationship

In this episode former international cricketer, coach and broadcaster Lydia Greenway joins Gordon MacLelland to discuss growing female sport and how we can best support and inspire the young females in our lives.During the conversation they discuss amongst other things:The variation in cultures around the cricketing worldLydia's book 'Women and Girls' Cricket' which aims to support clubs, coaches and parentsThe difference between how we support young boy's and girls in sportProviding a range of sporting opportunities for young children to lay really good foundationsThe value of informal playThe benefits of girls playing with and against the boys in the early stages of their developmentThe huge influence of parents and their role modelling in how they shape the values and beliefs of young peopleThe massive impact that Lydia's family had on her developmentManaging the aftermath of a poor performance as a parentAlways striving to be better every day and developing this positive type of focus and mindset with our childrenRecognising that development in cricket can be a 'slow burn' and littered with failureEncouraging parents to focus on the processes and building blocks of developmentLydia Greenway is a former cricketer who represented England, Kent and the Southern Vipers.  In 2017 she launched 'Cricket for Girls' focussing on training teachers and coaches. Since then she has launched the 'Girls Cricket Club' to focus on developing female cricketers at grassroots level.  Lydia is also a broadcaster and has recently been an assistant coach with the Mumbai Indians in the inaugural women's IPL.

Are financial advisors addressing their client's financial vulnerabilities? In order for your clients to truly understand and make progress on their financial and life goals we have to help them break through any vulnerabilities they may have when it comes to their money. Join us as we speak with special guest Michael Liersch as we talk about how difficult it is to talk to clients about their money and how to connect it with great advice engagement and ultimately product placement.Michael, Adam, and Derek chat about:Vulnerability of financial conversations (shame/embarrassment/hiding/discomfort/confidence/bias/fear)The role of deliberative thinking and the important role advisors playThe best definition of what an advisor does for clientsA time tested repeatable processSpeaking a language clients can understand in jobs to be doneAnd lots more!Resources:Connect with Michael Liersch on LinkedInCheck out LifeSync by Wells FargoFollow RethinkFA on LinkedInListen to RethinkFA on YouTube PodcastsApply to be a guest on the RethinkFA Think TankConnect With Adam Holt:Schedule an Asset-Map DemoAsset-Map LinkedIn: Adam HoltLinkedIn: Asset-MapFacebook: Asset-MapTwitter: Asset_MapConnect With Derek Notman:Schedule a Call with DerekConneqtorLinkedIn: Derek NotmanLinkedIn: Conneqtor Twitter: Derek NotmanTwitter: ConneqtorFacebook: Conneqtor Hosted on Acast. See acast.com/privacy for more information.

An interview with Dr. Elaine O'Brien, author of The Power of Play: Optimize Your Joy Potential.Then there's the biochemical things, right?, the dopamine that we get when we're playing, the brain derived neurotrophic factor, we can just really connect with people on a bigger level. We have a saying, let joy be your magnet.  So if you can prime joy in your day, every day, it just helps you to really live your life more fully, more vibrantly. And I think going through the years, that's a real protective factor for you in terms of helping you to be more resilient…Dr. Elaine O'BrienPositive psychologyDance fitness and flowInfluence of dance fitness backgroundDance fitness instructors helping others Movement and playPlay and joyPlay and well-beingThe science of playThe downsides of not playing Finding flow while writinghttps://www.movetolivemore.com/https://www.linkedin.com/company/move-to-live-more@MovetoLiveMore

Imagine making play your life's work. In today's podcast, I talk with professional playworker and child advocate, Marc Armitage, who has done just that. We are chatting all about the role of adults and he asks us what is our agenda when it comes to providing play opportunities for children. 

Episode 94:Gorboduc the first tragedy in blank verseThe lives of the co-authors Thomas Norton and Thomas SackvilleThe plot of the play including the description of the opening dumb showThe origins of the Gorboduc storyThe political message of the playHow the play incorporates ideas and style from Seneca, Aristotle, and the medieval traditionsThe use of allegorical charactersThe problems whit the play as good dramaThe play as an academic debateThe second printing of the playThe innovation of bank verseThe highpoint of the playHow satisfactory , or not, is the ending of the play?Support the podcast at:www.thehistoryofeuropeantheatre.comwww.ko-fi.com/thoetpwww.patreon.com/thoetpThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Welcome to The Wellbeing Room.In this episode I interview Rafe Kelley, natural parkour coach, movement trainer and founder of Evolve, Move, Play.  Listen in as Rafe shares:the meaning behind Evolve Move Play and the reason he chose these words for the name of his businessthe evolution of play and movement in human culture and the reasons why our capacity for play diminishes in adulthood how our culture trains movement out of people from an early agethe pillars and practices that form the backbone of Evolve, Move, Playthe different relationships we have to the external world that drive our development as human beings his guidelines when it comes to screen time for children and the nuances between the use of phones, television and video gameshow screens take children away from the physical world and the impact this has on their mental healththe differences between a fitness practice and an exploratory movement practice  the concept of movement as “wholefood” for our bodieshow exploratory locomotor play, or parkour, can be adapted to anybody, and provides us with the potential to fall in love with the experience of moving our body.  “Step outside your door and walk through the world, and if you can go somewhere where there is nature, go be in nature. If you can take off your shoes, take off your shoes, and if you can hang from a tree branch, hang from a tree branch and start there and feel what it feels like in your body... The ultimate sustaining power to a practice is that it makes you fall more in love with your experience of being.”      ~ Rafe KelleyConnect with Rafe here:Evolve, Move, Playhttps://www.evolvemoveplay.com/Evolve, Move, Play podcasthttps://www.evolvemoveplay.com/emp-podcast/YouTube:https://www.youtube.com/c/rafekelleyWatch  Dr Jordan B Peterson's interview with Rafe Kelley: Parkour and Rough PlaySupport the showSupport the show so I can keep producing more episodes here:https://www.buzzsprout.com/1756648/supporters/newRate & Review The Wellbeing Room on Apple Podcasts - Click on the Listen on Apple Podcasts button and add your review in the Podcast app. Scroll to the bottom of the page to Ratings & Review and select Write a Review. Get in touch: leah@thecentreofki.com.au

Welcome to Tuesday ASOTUverse! Today we're talking about Ford's plans to produce different types of battery chemistry that saves money. We're also talking about a hip new EV as well as a legacy company who is crushing their competition. Starting in the next few months, Ford will begin selling EVs with two different types of battery chemistry for its Mach E; The current and more expensive Lithiumnickel cobalt manganese chemistry, and the less expensive and less dense lithium iron phosphateThe lithium iron phosphate batteries can be 30-40% cheaper due to the broad availability of iron and phosphateThey also charge faster due to their decreased density and Ford says they are more apt to vehicles who can charge every night like a garaged commuter or a local delivery vehicleCustomers won't have to worry about the chemistry selection and will simply choose ‘standard' or ‘long range' at purchaseIn late 2021, Tesla began offering lithium iron phosphate batteries on standard-range models. Stellantis plans to offer them on EVs in Europe, while General Motors could add lithium iron phosphate as it works to reduce EV costs, as well.Just when you thought everyone and their mother is releasing an EV, we have another new entrant into the space that is powered by grams of lithium as well as Grammy's. Haitian hip hop artist Wyclef Jean, formerly of the Fugees just launched the ‘lightest electric supercar' that can go 0 to 60 in 2.3 in Florida on Sunday, named the “Attucks Apex APO”The supercar is touted as being “designed in the UK and built in the USA” and is the lightest vehicle in its class coming in at just above 2600 lbs..  A Tesla Model S can weigh as much as 4800 lbsThe launch was in collaboration with Attucks Futures and Technology, a business founded by Wyclef Jean to promote an outlet for the community to grow and develop.The official release is set for next year and the pricetag will start at $350kSometimes, less is more. In the case of the 90 year old company Lego, 17% more than 2022. That's the YoY sales increase that includes a 4% jump in profitability at a time most similar companies are facing declines and layoffs. Just 10 years ago Lego surpassed Mattel and Hasbro and now doubled their salesThe company credits investments in e-commerce and digital interaction as well as partnerships with other successful brands such as Star Wars Demand remains strong as the company still talks about the value proposition of being an educational toy that encourages children to critically think while they playThe digital focus will continue as the company invested over $1B in Epic Games last year and is planning a child-friendly version of the metaverse this yearGet the Daily Push Back email at https://www.asotu.com/ JOIN the conversation on LinkedIn at: https://www.linkedin.com/company/asotu/ Read our most recent email at: https://www.asotu.com/media/push-back-email Share your positive dealer stories: https://www.asotu.com/positivity ASOTU Instagram: https://www.instagram.com/automotivestateoftheunion

Book Vs. Movie: Who's Afraid of Virginia Wolf The Edward Albee 1962 Play Vs. the 1966 Mike Nichols FilmThe three-hour anger fest that is Who's Afraid of Virginia Wolf is one of the most celebrated and controversial of the 1960s. Edward Albee's 1961 play is about middle-aged couple George & Martha, who have been drinking and battling for years, and one unfortunate evening they have with new friends Nick & Honey. It caused a stir at the time for its “racy” language, the three-hour runtime, and its intense performances by Uta Hagen, Arthur Hill, Ben Piazza, and Melinda Dillon. The play was a sensation and broke box office records. So much, so that afternoon performances were added to meet the demand. It won the Tony Award and the New York Drama Critics Circle in 1963. The same year, it was up for a Pultizer Prize for Drama but lost due to its “profanity and sexual themes.” (There was no prize given that year.)Mike Nichols directed the 1966 film with Elizabeth Taylor and Richard Burton, who ate up each scene with their unique partnership of love, hate, and movie-star charisma. (Their real-life love story is another whirlwind of multiple marriages, addiction, and pain.) George Segal and Sandy Dennis play Nick and Honey, and the entire cast and most of the production received Academy Award nominations. (Taylor and Dennis won) Jack Valenti of the Motion Picture Association of America (MPAA) said this was his first controversial film under his reign. Words like “screw” and “hump” were considered scandalous and had to be deleted from the script. The story of George and Martha is one of the significant cultural landmarks of the 20th Century, with several productions over the past 60 years and several parodies, from The Carol Burnett Show to The Simpsons. In this episode, the Margos discuss the original play and the 1966 adaptation and try to decide which we like better. In this ep the Margos discuss:The work of Edward AlbeeThe legend behind the title of the playThe significant differences between the play and the movieThe 1966 cast: Elizabeth Taylor (Martha,) Richard Burton (George,) George Segal (Nick,) and Sandy Dennis as HoneyClips used:Opening ClipWho's Afraid of Virginia Wolf? 1966 trailerMartha degrades GeorgeGeorge “shoots” MarthaMartha and Nick danceNick talks about boxing“I swear if you existed, I would divorce you!”One day it snaps…Music by Alex NorthBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Book Vs. Movie: Who's Afraid of Virginia Wolf The Edward Albee 1962 Play Vs. the 1966 Mike Nichols FilmThe three-hour anger fest that is Who's Afraid of Virginia Wolf is one of the most celebrated and controversial of the 1960s. Edward Albee's 1961 play is about middle-aged couple George & Martha, who have been drinking and battling for years, and one unfortunate evening they have with new friends Nick & Honey. It caused a stir at the time for its “racy” language, the three-hour runtime, and its intense performances by Uta Hagen, Arthur Hill, Ben Piazza, and Melinda Dillon. The play was a sensation and broke box office records. So much, so that afternoon performances were added to meet the demand. It won the Tony Award and the New York Drama Critics Circle in 1963. The same year, it was up for a Pultizer Prize for Drama but lost due to its “profanity and sexual themes.” (There was no prize given that year.)Mike Nichols directed the 1966 film with Elizabeth Taylor and Richard Burton, who ate up each scene with their unique partnership of love, hate, and movie-star charisma. (Their real-life love story is another whirlwind of multiple marriages, addiction, and pain.) George Segal and Sandy Dennis play Nick and Honey, and the entire cast and most of the production received Academy Award nominations. (Taylor and Dennis won) Jack Valenti of the Motion Picture Association of America (MPAA) said this was his first controversial film under his reign. Words like “screw” and “hump” were considered scandalous and had to be deleted from the script. The story of George and Martha is one of the significant cultural landmarks of the 20th Century, with several productions over the past 60 years and several parodies, from The Carol Burnett Show to The Simpsons. In this episode, the Margos discuss the original play and the 1966 adaptation and try to decide which we like better. In this ep the Margos discuss:The work of Edward AlbeeThe legend behind the title of the playThe significant differences between the play and the movieThe 1966 cast: Elizabeth Taylor (Martha,) Richard Burton (George,) George Segal (Nick,) and Sandy Dennis as HoneyClips used:Opening ClipWho's Afraid of Virginia Wolf? 1966 trailerMartha degrades GeorgeGeorge “shoots” MarthaMartha and Nick danceNick talks about boxing“I swear if you existed, I would divorce you!”One day it snaps…Music by Alex NorthBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

First of all, I want to thank you for listening to Little Fixes. This is episode 100 and I am feeling pride and gratitude to have come this far.For the 100th episode, the topic had to be something close to my heart and something more and more people need to be aware of. So, today we'll talk about the need for psychotherapy. Many people believe that you don't need therapy if you are close to your family and friends. Some people even say that if you need therapy then you don't really have great relationships. Many others simply dismiss the existence of mental illnesses and look down on therapy.We'll be breaking myths and providing clarity in this episode- my guest is Saachi Agrawal who is my therapist too. Saachi is a Clinical Psychologist, Certified Trauma Expert and a Suicide First Responder. She is committed to understanding and treating emotional pain and trauma by helping individuals overcome their relationship roadblocks. She guides them to create lasting connections and show up everyday as their true authentic selves. She works with men, women, couples and teens.Saachi will tell us-- what happens in therapy- why it is needed and why can't we just talk to people close to us- what to excerpt from therapy, benefits of taking psychotherapy- what to ask a therapist before hiring themIt's a deep discussion you will take away a lot from so hit PlayThe podcast will be on a break in November and December. Talk to you on 5th January 2023 :)Connect with Saachi Agrawal- https://www.instagram.com/realtalkwithsaachi/Connect with @littlefixespodcast on Instagram https://www.instagram.com/littlefixespodcast/Little Fixes Podcast on Facebook https://www.facebook.com/littlefixespodcast/Shownotes- https://maitrisconfetti.com/is-therapy-useful/Email me- littlefixespodcast@gmail.comMusic Credit- Epidemic Sound

Free MVMT Shop is a concept Ashley Rockwood conceived after retiring from dancing professionally - she wanted to create a space for herself in fitness that she didn't see. She got a really good deal in a former dry cleaning location and viola, her first pop-up featuring dance, cardio, yoga, and sculpt had popped.You'll hear her speak to it, but since 2018, Free Mvmt Shop has lived in 6 different homes across Chicago. And through all of that Ashley achieved most of her goals that she shared on episode 85 of the podcast (we're close to 300 now) and came out of the pandemic more profitable than before.For her, like many others, the pandemic was a time to streamline and get in touch with what resonates with your community. And Free Mvmt Shop's community was looking for JOY. That's because the way Ashley and her crew teach is intuitively tied to happiness. A smile will stay on your face as you take a class virtually or IRL. I can attest to that as an untrained dancer - I used to say “not a dancer,” but everyone with a body is a dancer.The first time I took a class at Free Mvmt Shop, I was intimidated and worried that I would get the movements wrong, or look like an idiot. I did get the movements wrong, and who knows what I looked like, but I had an incredible time.Ashley also gets real about how the pandemic and doing everything digitally eventually took a toll on her mental health. I think we all can resonate with that feeling.Resources: The first time Ashley was on the podcastLearn more about Free Mvmt ShopLearn more about BASH Kid's clubFollow Free Mvmt Shop on InstagramFollow Ashley on InstagramWatch Ashley dance with BeyonceThe Joy Workout From The New York TimesFollow the ambassador your hear from in the episode, Anchisa Pipatpinyopong, on InstagramAnd, for your entertainment, here's me doing Ballet for Runners with AshleyAnd listening to this week's episode featuring Ashley Rockwood gets you a totally free class at Free Mvmt Shop. Use code FREESWEAT for a free class at freemvmtshop.com.The book I referenced, PlayThe running team with great apparel that Ashley referenced, Tin Man Elite

This week Clarissa is joined by Dr Regina Lark Ph.D owner of Clear Path a professional organizing and productivity business and a feminist historian as well as the coauthor of Emotional Labor: Why A Woman's Work is Never Done and What To Do About ItUnequal emotional labour and 'invisible work' is a hot-button issue and can become hotter as menopause symptoms dial up.The fact is that women do 75% of all care duties. We have the longest job description in history.And although many women are beginning to outsource a chunk of the physical labor required to manage our lives day to day. We are doing disproportional amounts of emotional labor everything to do with the management of that which is not the physical labor of the household such as: grocery lists, pharmacy pick-ups, family birthdays, cupcakes, sympathy cards, and stocking up the stationary cupboard at work.The changes in our menopausal brain (brain fog, insomnia, mood swings etc) can mean a breakdown of our executive functioning and we can exacerbate our symptoms through chronic disorder.We talk aboutWhat emotional labor isHistorical underpinnings of emotional labor that have created our current situationThe chronic lack of gender equality in households even as equality is being championed in other areas of lifeHow to address the inequality of 'invisible work'The work of Eve Rodsky and her innovative system Fair Play https://www.everodsky.com/fair-playThe role of radical delegation and deliberate dialogue to open up constructive change in the householdAnd more....To learn more about Regina's work connect with her through her website https://aclearpath.net/If you enjoyed this episode, please subscribe, share it and leave us a 5* review on iTunes or wherever you're listening to podcastsYou can listen to other episodes and get the show notes to every podcast at https://www.thrivethrumenopause.com/For more on mindfulness and menopause go to https://linktr.ee/thrivethrumenoFollow Clarissa on Instagram at https://www.instagram.com/thrivingthrumenopause and on Twitter at https://twitter.com/thrivethrumenoSupport this podcast at — https://redcircle.com/thriving-thru-menopause/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Have you ever thought about launching your own membership site? Do you dream about shifting from 1:1 to 1:many, and creating greater impact — and even more profit?If you said yes, then this episode is definitely for you!My guest, the incredible Stu McLaren, is an entrepreneur, podcast host, membership expert, and the king of social proof. He's the author of Membership Site Masters: An Inside Look into Some of the World's Most Successful Membership Sites and teaches a program called The Membership Movement, which helps entrepreneurs launch, grow, and scale highly profitable membership sites by turning what they know, love, and do into recurring revenue.I'm happy to say that learning from Stu helped me successfully grow my own Mamas & Co. Membership!In this episode, Stu and I discuss the power of community and connection and why focusing on your people can create such amazing results. From the real reasons why membership sites flourish to the differences between a testimonial and a story, this episode is sure to give you some food for thought and exciting inspiration!In‌ ‌this‌ ‌episode,‌ ‌you'll discover:‌ ‌How to effectively leverage your community in order to bolster and grow your brand and the role that a membership can playThe top skills that you need to cultivate in order to become an outstanding leader of your communityReal-life examples of how Stu has connected more strongly with his own audience Guest bio: Stu McLaren is an entrepreneur and membership expert. He helps influencers, experts, and entrepreneurs turn what they know, love, and do into recurring revenue through membership businesses.Timestamps:‌ ‌00:33  Intro01:31  Meet Stu McLaren04:00  Mamas & Co. 2.0 & live events06:01  Why are memberships important?10:29  Community element  13:09  Focus on your people16:30  Social proof & stories anecdote21:05  Testimonial v. story26:50  Overcoming fear 33:30  Charity fundraising38:59  ConclusionLinks mentioned:‌ ‌Stu McLarenhttps://stu.me YouTube: https://www.youtube.com/stume Facebook: https://www.facebook.com/stumclaren Twitter: https://twitter.com/stumclaren Instagram: @stumclaren The Founding Member Launch Strategyhttps://www.marketingyourbusiness.com/podcast/simple-launch-strategy —Learn with me: https://www.liannekim.com/dreamclient  ‌Connect with me:  Facebook: https://www.facebook.com/liannekimcoach  Instagram: @liannekimcoachJoin the Mamas & Co. community to get access to valuable resources and the support of likeminded mompreneurs and mentors: https://www.mamasandco.com Instagram: @mamasandco

About Todd Duncan: Todd Duncan is the world's #1 authority on Sales Mastery, equipping people with strategies around growth, relationships, performance, business and life transformation. An author of 17 books, and no stranger to the New York Times bestseller list, Todd helps people fall in love with their life by maximizing their efficiency, compensation, earning what they're truly worth, and living their life to the fullest.In this episode, Jennie and Todd discuss:Getting excited about failingBeing specific with your goalsPractice more than you playThe importance of understanding emotional connectionKey Takeaways:Instead of being afraid of failing, get excited about it since it provides an opportunity to reflect on your mistakes and return stronger knowing how to do things correctly. It's simply a matter of not making the same mistake twice.Make your objectives clear. If you want to build a business, you must have a set of steps and objectives that you must adhere to.There are no shortcuts to success. It makes no difference how many times you fail; what matters is that you practice more than you play in order to improve your performance.People make emotional decisions in almost every aspect of their lives. Understanding emotional connections strengthens bonds and builds trust, which leads to people becoming more invested in your business."You help people win, you don't have to worry about winning yourself. It's the outcome of helping others. And when you spend enough time helping others, you never have to worry about where they're gonna take you." - Todd Duncan CONNECT WITH TODD DUNCAN:Website: https://toddduncan.com/Facebook: https://www.facebook.com/ToddDuncanOfficial/Twitter: https://twitter.com/toddstweetsYouTube: https://www.youtube.com/channel/UCKb-INmGBt9PfUFVzgHf09wInstagram: https://www.instagram.com/toddduncanofficial/LinkedIn: https://www.linkedin.com/company/the-duncan-groupPodcast Production: https://commandyourbrand.com/Download Todd's High Trust Interview: https://toddduncan.com/hightrustinterview/ CONNECT WITH JENNIE:Twitter: https://twitter.com/jenniebplFacebook: https://www.facebook.com/badassdirectsalesmastery/app/307339332686535/Instagram:  https://www.instagram.com/badassdirectsalesmasterWebsite: https://badassdirectsalesmastery.com/Show: https://badassdirectsalesmastery.com/blog/Email:  jennie@badassdirectsalesmastery.com Show notes by Podcastologist Angelica Rayco.Audio production by Turnkey Podcast Productions. You're the expert. Your podcast will prove it. 

21-05-2022 PLAYTHE MUSIC PROG 80 EL MAGAZINE DE LOS SABADOS, MUSICA ENTRETENIMIENTO, RISAS, SECCIONES, ENTREVISTAS, EMISION EN ONDA ARAGONESA Y LA JUNGLA ZARAGOZA

It's round 2 for Mark Ledlow and Peter Morton, Principal Security Consultant of Morton Executive Decisions, here in The Fearless Mindset Podcast. In this second part of Peter's conversation with Mark, he discusses some problems with people who are trying to get involved in the support effort in Ukraine such as romanticizing warfare, conflict of interest, and politics involved.  HIGHLIGHTSThe problem with romanticized warfareWhere you should spend your money to supportResponding to the situation at hand, not with what you wantHow America's technology can come into playThe problem with conspiracy theoriesQUOTESPeter: “there's a lot of people go in with the, you know, the ideology of, you know, the romanticized vision of Call of Duty warfare. And then they find out what it's really like me personally, I've been through a couple and I'm good. If I never have to go back to another one.”Peter: “Yeah, so right now the most effective thing for us to do is give these guys equipment, find the people that can train them, and give them some training, some baseline training, not going into the war zones or anything like that, not going in saying, Hey, I'm a hero, and I can fix all this.”Peter: “Instead of spending on a plane ticket and sitting around at the bar waiting for somebody to do put that put that money toward a group that's actually being effective.”Peter: “there's a lot of smaller groups, I say the most effective ones are the ones you don't hear about. They also have the hardest time raising money, because everybody wants to see the stuff on the media.”Peter: “Everything that we do is so humanitarian-based, like even the guys on the ground, no weapons, no kit, you're just there to facilitate. You're there to meet with people to encourage them.”Peter: “I really am focused on trying to get these guys the equipment that they need, so that they can be effective for a long period of time and save as many lives as they possibly can.”Learn how to help Peter and his team in providing help for Ukraine with the links below:Linkedin: https://www.linkedin.com/in/peter-l-morton-cpp-08239614/Website: https://www.ironedgesharp.com/To hear more episodes of The Fearless Mindset podcast, you can go to https://the-fearless-mindset.simplecast.com/ or listen to major podcasting platforms such as Apple, Google, Spotify, etc. You can also subscribe to the Fearless Mindset YouTube Channel to watch episodes on video.

In this episode, we're chatting to the passionate Angus Gorrie, from The Outsiders: Play Advocates all about the evolutionary perspective of loose parts and the problematic nature of titling it "risky” and/or “nature play.”

Welcome to JazzPianoSkills; it's time to discover, learn, and play Jazz Piano!Every JazzPianoSkills weekly podcast episode introduces aspiring jazz pianists to essential Jazz Piano Skills. Each Podcast episode explores a specific Jazz Piano Skill in depth. Today you will discover, learn, play St. Thomas by Sonny Rollins. In this Jazz Piano Lesson you will:DiscoverSt. Thomas by Sonny RollinsLearnHow well you know and think in keys using St. Thomas by Sonny Rollins.PlayThe melody and chord progression using Two-Handed Contemporary Voicings for St. Thomas by Sonny Rollins in all twelve keys.For maximum musical growth, be sure to use the Jazz Piano Podcast Packets for this Jazz Piano Lesson. All three Podcast Packets are designed to help you gain insight and command of a specific Jazz Piano Skill. The Podcast Packets are invaluable educational tools to have at your fingertips while studying St. Thomas by Sonny Rollins.Open Podcast PacketsIllustrations(detailed graphics of the jazz piano skill)Lead Sheets(beautifully notated music lead sheets)Play Alongs(ensemble assistance and practice tips)Educational SupportCommunity ForumSpeakPipeEpisode OutlineIntroductionDiscover, Learn, PlayInvite to Join JazzPianoSkillsDemonstrations/ExercisesConclusionClosing CommentsVisit JazzPianoSkills for more educational resources that include a sequential curriculum with interactive Jazz Piano Courses, private and group online Jazz Piano Classes, and a private jazz piano community Jazz Piano Forums.If you wish to support JazzPianoSkills with a donation you can do so easily through the JazzPianoSkills Paypal Account.Thank you for being a JazzPianoSkills listener. It is my pleasure to help you discover, learn, and play jazz piano!Support the show (https://www.paypal.com/donate/?hosted_button_id=ZZEBGDF38VFNS)

Battle sounds fill the forest, swords clatter and arrows whizz through the air, groans and victorious shouts ring out. Huzzah! It's not a medieval war you're witnessing – but children playing with weapons. In today's episode we talk about this controversial type of rough and tumble play.

In this episode:Quantifying your dream list and making those dreams a reality, the genesis of gamification, and turning business into an experience. Next, the dichotomy between recreation and work, and the five key principles associated with recreation and how they should be applied to work:Feedback is more frequent and dynamic in recreation than in workScorekeeping is dynamic while the game is in playThe goals are clearly defined and rarely changedThe rules don't change during the middle of the game and the coaching is consistent There is a higher degree of personal choice in recreation than in workingThen, Always Appropriate Appreciation, creating effective games and culture in a post-COVID world, and advice for teams, companies, and organizations adjusting to new tools, technologies, and company cultures.Buy "The Game of Work" by Mr. Coonradt here. Reach out to social@lsiwins.com to learn more about the content in this episode or want to start creating a dynamic company.Follow LSI on LinkedIn, Instagram, Facebook, and Twitter!

Greetings, Self-Reclaimers!I am so excited to share this episode with you today, featuring guest Sterling Rose. Sterling is a multifaceted artist who specializes in land art and photography, marrying her love of mindfulness and nature with her talents in the arts. Her energy, her spirit, is so light and soft, and she is just one of those people you want in your circle!Sterling is also a certified breathwork instructor and offers some amazing healing courses and sessions. She's settled in the Pacific Northwest and every day works towards bringing folks back to the simplicity of nature, hoping to heal, inspire and empower individuals to feel like the true works of art that they are. We cover a lot of fun topics in this episode!You can look forward to hearing about the following: Moving from a corporate environment to a creative, heart-led lifestyleListening to your inner voiceThe connection between art and healingThe relationship between passion and flowSelf-worth, and how following our passions is an act of true self-loveTrying and failing our way to successAllowing work to turn into passion and playThe beauty of self-awarenessQuieting the “starving artist” mentality in creative careersIncorporating meditation and breathwork into daily life/practiceSterling's creative and intuitive photography practiceGrounding - or “earthing” - practicesA quick heart-opening breathwork practice!Pull Quotes:“It really all did start with just dedicating time within and time back to my arts practice. That really led me to jumping off the cliff and quitting my job.”“To me, art is really just freedom. It feels like you are coming from a place of wholeness. And when you're able to express yourself and do creative pursuits, especially when it's not tied to a specific outcome.”“Passion, for me, is really allowing yourself to be expressive and to trust that if you follow those threads in life that you're drawn to, and you show up authentically, that everything will come to you.”“I deserve to live a life that feels good. I deserve to share my work with others, I deserve to be in service.”“Art is so, so broad in my mind. It's more just about finding your passion and really feeling like you should go for it. And in order to kind of pinpoint when that transition needs to happen, it usually comes with, like, a low point in life, like a rock bottom of sorts, where you're just feeling like, stuck in life or not excited to go to work, you know, feeling like there's something more.”“There are two questions I have people ask themselves: What do you stay up at night researching and reading about learning about? And what would you do for free because you love it so much?” “It's all about holding on to the moments in life where you feel like you're in a river, and you're moving along, and you kind of forget hours in the day, and you're just kind of in the zone. And that's what being in flow feels like.”“Recognition of failure is okay. And nothing is actually ever failure. It's all just learning.”“The intelligence that exists within your body is also very much tied to your subconscious - it's a really powerful connection.”“[My photography sessions] are very much about the experience of learning to be in your body to be cradled by nature, and then to have this piece of art that represents that experience for you.”“You can't create from a place of chaos, a place of distraction.”“It's okay to trust yourself. Tell yourself that every single day, that you trust yourself, and it will come to be true.”Mentions and More Info:Sterling's WebsiteSterling's InstagramSterling's Facebook pageLacy Phillips / To Be Magnetic Manifestation WorkHuman DesignEarthing practiceBlind contour drawingYan Palmer and the Naked Marketing SchoolThe Moon MotherReclamation is yours,Megan

'I think capitalism is over, but the problem is we have nothing to replace it with. Here's when we need artists, and others, to tell us what kind of vision they have for a future that is different than that: a future of play and meaningful work would be one future that I think is not just utopic, but very possible. 'dr. todd dufresne, e21 conscient podcastVideo version:Transcriptione21 dufresne : capitalism is over, my conversation with philosopher Dr. Todd Dufresne about reality, grief, art and the climate crisis.Democracy of SufferingI think capitalism is over, but the problem is we have nothing to replace it with. Here's when we need artists, and others, to tell us what kind of vision they have for a future that is different than that: a future of play and meaningful work would be one future that I think is not just utopic, but very possible. So there's a possible future moving forward that could be much better than it is right now, but we're not going to get there without democracy of suffering as we're experiencing it now and will at least over the next 20, 30, 40 years until we figure this out, but we need to figure it out quickly.e22 westerkamp : slowing down through listening, my conversation with composer and listener Hildegard Westerkamp about acoustic ecology and the climate crisis.Some HopeWe need toallow for time to pass without any action, without any solutions and to just experience it. I think that a slowdown is an absolute - if there is any chance to survive - that kind of slowing down through listening and meditation and through not doing so much. I think there's some hope in that.e23 appadurai: what does a just transition look like?,my ‘soundwalk' conversation with climate activist Anjali Appadurai about the just transition and the role of the arts in the climate emergency.The deeper diseaseThe climate crisis and the broader ecological crisis is a symptom of the deeper disease, which is that rift from nature, that seed of domination, of accumulation, of greed and of the urge to dominate others through colonialism, through slavery, through othering – the root is actually othering – and that is something that artists can touch. That is what has to be healed, and when we heal that, what does the world on the other side of a just transition look like? I really don't want to believe that it looks like exactly this, but with solar. The first language that colonisation sought to suppress, which was that of indigenous people, is where a lot of answers are held.e24 weaving : the good, possible and beautiful, my conversation with artist jil p. weaving about community-engaged arts, public art, the importance of the local, etc.The roles that artists can playThe recognition, and finding ways to assist people, in an awareness of all the good, the possible and the beautiful and where those things can lead, is one of the roles that artists can specifically play. e25 shaw : a sense of purpose, my conversation with Australian climate activist Michael Shaw about support structures for ecogrief and the role of art.Listen to what the call is in youIt's a real blessing to feel a sense of purpose that in these times. It's a real blessing to be able to take the feelings of fear and grief and actually channel them somewhere into running a group or to making a film or doing your podcasts. I think it's important that people really tune in to find out what they're given to do at this time, to really listen to what the call is in you and follow it. I think there's something that's very generative and supportive about feeling a sense of purpose in a time of collapse.e26 klein : rallying through art, my conversation with climate emergency activist Seth Klein about his book A Good War : Mobilizing Canada for the Climate Emergency, the newly formed Climate Emergency Unit and his challenge to artists to help rally us to this causeMy challenge to artists todayHere would be my challenge to artists today. We're beginning to see artists across many artistic domains producing climate and climate emergency art, which is important and good to see. What's striking to me is that most of it, in the main, is dystopian, about how horrific the world will be if we fail to rise to this moment. To a certain extent, that makes sense because it is scary and horrific, but here's what intrigued me about what artists were producing in the war is that in the main, it was not dystopian, even though the war was horrific. It was rallying us: the tone was rallying us. I found myself listening to this music as I was doing the research and thinking, World War II had a popular soundtrack, the anti-Vietnam war had a popular soundtrack. When I was a kid in the peace and disarmament movement, there was a popular soundtrack. This doesn't have a popular soundtrack, yet.é27 prévost : l'énergie créatrice consciente (in French), my conversation with sound artist, musician and radio producer Hélène Prévost about the state of the world and the role of artists in the ecological crisis.The less free art is, the less it disturbsIt is in times of crisis that solutions emerge and that would be my argument. It is in this solution to the crisis that, yes, there is a discourse that will emerge and actions that will emerge, but we can't see them yet. Maybe we can commission them, as you suggest: Can you make me a documentary on this? or Can you make me a performance that will illustrate this aspect? But for the rest, I think we must leave creative energy be free, but not unconscious. That's where education, social movements and education, or maybe through action. You see, and I'm going to contradict myself here, and through art, but not art that is servile, but art that is free. I feel like quoting Josée Blanchette in Le Devoirwho, a week ago, said 'the less free art is, the less it disturbs'.é28 ung : résilience et vulnérabilité (in French), my conversation with educator and philosopher Jimmy Ung about the notion of privilege, resilience, the role of the arts in facilitating intercultural dialogue and learning, education, social justice, etc. Practicing resilienceResilience, at its core, is having the ability to be vulnerable and I think often resilience is seen as the ability to not be vulnerable, and for me, the opposite, more like resilience is the ability to be vulnerable and to believe with hope. Maybe we have the ability to bounce back, to come back, to rise again, to be reborn? I think that's a way of practicing resilience, which is more and more necessary. Because if we want to move forward, if we want to learn and learn to unlearn, we will have to be vulnerable and therefore see resilience as the ability to be vulnerable.e29 loy, : the bodhisattva path my conversation with professor, writer and Zen teacher David Loy about the bodhisattva path, the role of storytelling, interdependence, nonduality and the notion of ‘hope' through a Buddhist lens.The ecological crisis as a kind of the karmaSome people would say, OK, we have a climate crisis, so we've got to shift as quickly as possible as we can from fossil fuels to renewable sources of energy, which is right. But somehow the idea that by doing that we can just sort of carry on in the way that we have been otherwise is a misunderstanding. We have a much greater crisis here and what it fundamentally goes back to is this sense of separation from the earth, that we feel our wellbeing, therefore, is separate from the wellbeing of the earth and that therefore we can kind of exploit it and use it in any way we want. I think we can understand the ecological crisis as a kind of the karma built into that way of relating and exploiting the earth. The other really important thing, which I end up talking about more often, is I think Buddhism has this idea of the bodhisattva path, the idea that it's not simply that we want to become awakened simply for our own benefit, but much more so that we want to awaken in order to be a service to everyone. e30 maggs : art and the world after this, my conversation with cultural theorist David Maggs about artistic capacity, sustainability, value propositions, disruption, recovery, etc.Entanglements of relationshipsComplexity is the world built of relationships and it's a very different thing to engage what is true or real in a complexity framework than it is to engage in it, in what is a modernist Western enlightenment ambition, to identify the absolute objective properties that are intrinsic in any given thing. Everyone is grappling with the fact that the world is exhibiting itself so much in these entanglements of relationships. The arts are completely at home in that world. And so, we've been sort of under the thumb of the old world. We've always been a kind of second-class citizen in an enlightenment rationalist society. But once we move out of that world and we move into a complexity framework, suddenly the arts are entirely at home, and we have capacity in that world that a lot of other sectors don't have. What I've been trying to do with this report (Art and the World After This) is articulate the way in which these different disruptions are putting us in a very different reality and it's a reality in which we go from being a kind of secondary entertaining class to, maybe, having a capacity to sit at the heart of a lot of really critical problem-solving challenges.e31 morrow : artists as reporters, my conversation with composer, sound artist, performer, and innovator Charlie Morrow about the origins of the conscient podcast, music, acoustic ecology, art and climate, health, hope and artists as journalists. In tune with what's going on in the worldI think that artists are for the most part in tune with what's going on in the world. We're all reporters, somehow journalists, who translate our message into our art, as art is in my mind, a readout, a digested or raw readout of what it is that we're experiencing. Our wish to be an artist is in fact, in order to be able to spend our lives doing that process.é32 tsou : changer notre culture (in French), my conversation (in French) with musician and cultural diplomacy advisor Shuni Tsou about citizen engagement, cultural action, the ecological crisis, arts education, social justice, systemic change, equity, etc,Cultural change around climate actionCitizen engagement is what is needed for cultural change around climate action. It's really a cultural shift in any setting. When you want to make big systemic changes, you have to change the culture and arts and culture are good tools to change the culture.e33 toscano : what we're fighting for, my conversation podcaster and artist Peterson Toscano about the role of the arts in the climate crisis, LGBTQ+ issues, religion, the wonders of podcasting, impacts, storytelling, performance art, etc. Where the energy is in a storyIt's artists who not only can craft a good story, but also we can tell the story that's the hardest to tell and that is the story about the impacts of climate solutions. So it's really not too hard to talk about the impacts of climate change, and I see people when they speak, they go through the laundry list of all the horrors that are upon us and they don't realize it, but they're actually closing people's minds, closing people down because they're getting overwhelmed. And not that we shouldn't talk about the impacts, but it's so helpful to talk about a single impact, maybe how it affects people locally, but then talk about how the world will be different when we enact these changes. And how do you tell a story that gets to that? Because that gets people engaged and excited because you're then telling this story about what we're fighting for, not what we're fighting against. And that is where the energy is in a story.é34 ramade : l'art qui nous emmène ailleurs (in French), my conversation (in French) with art historian, critic, curator and art and environment expert Bénédicte Ramade on the climate emergency, nature, music, visual arts, ecological art, etc.With music, you can convey so many thingsI am thinking of artist-composers who write pieces based on temperature readings that are converted into musical notes. This is also how the issue of global warming can be transmitted, from a piece played musically translating a stable climate that is transformed and that comes to embody in music a climatic disturbance. It is extraordinary. Is felt by the music, a fact of composition, something very abstract, with a lot of figures, statistical curves. We are daily fed with figures and statistical curves about the climate. ‘They literally do nothing to us anymore'. But on a more sensitive level, with the transposition into music, if it is played, if it is interpreted, ah, suddenly, it takes us elsewhere. And when I talk about these works, sometimes people who are more scientific or museum directors are immediately hooked, saying ‘it's extraordinary with music, you can convey so many things.e35 salas : adapting to reality, my conversation with Spanish curator + producer Carmen Salas on reality, ecogrief, artists & the climate crisis, arts strategies, curating and her article Shifting ParadigmsArtists need help in this processI find that more and more artists are interested in understanding how to change their practice and to adapt it to the current circumstances. I really believe artists need help in this process. Like we all do. I'm not an environmental expert. I'm not a climate expert. I'm just a very sensitive human being who is worried about what we are leaving behind for future generations. So, I'm doing what I can to really be more ethical with my work, but I'm finding more and more artists who are also struggling to understand what they can do. I think when in a conversation between curators or producers like myself and people like you - thinkers and funders - to come together and to understand the current situation, to accept reality, then we can strategize about how we can put things into place and how we can provide more funding for different types of projects.e36 fanconi : towards carbon positive work, my conversation with theatre artist and art-climate activist Kendra Fanconi, artistic director of The Only Animal about the role of the arts in the climate emergency, carbon positive work, collaboration and artists mobilization.Ecological restorationBen Twist at Creative Carbon Scotland talks about the transformation from a culture of consumerism to a culture of stewardship and we are the culture makers so isn't that our job right now to make a new culture and it will take all of us as artists together to do that? …  It's not enough to do carbon neutral work. We want to do carbon positive work. We want our artwork to be involved with ecological restoration. What does that mean? I've been thinking a lot about that. What is theatre practice that actually gives back, that makes something more sustainable? That is carbon positive. I guess that's a conversation that I'm hoping to have in the future with other theatre makers who have that vision.é37 lebeau : l'art régénératif (in French), my conversation with Écoscéno co-founder and executive director Anne-Catherine Lebeau on collaboration, circular economies, the role of art in the climate crisis, moving from ‘Take Make Waste' to ‘Care Dare Share' and creating regenerative art.From 'Take Make Waste' to 'Care Dare Share'For me, it is certain that we need more collaboration. That's what's interesting. Moving from a 'Take Make Waste' model to 'Care Dare Share'. To me, that says a lot. I think we need to look at everything we have in the arts as a common good that we need to collectively take care of. Often, at the beginning, we talked in terms of doing as little harm as possible to the environment, not harming it, that's often how sustainable development was presented, then by doing research, and by being inspired, among other things, by what is done at the Ellen MacArthur Foundation in England, around circular economies, I realized that they talk about how to nourish a new reality. How do you create art that is regenerative? Art that feeds something.e38 zenith : arts as medicine to metabolize charge, my conversation with animist somatic practitioner, poet, philosopher, ecologist and clown Shante' Sojourn Zenith about reality, somatics, ecological grief, rituals, nature, performance and ecological imaginations.The intensity that's left in the systemArt is the medicine that actually allows us to metabolize charge. It allows us to metabolize trauma. It takes the intensity that's left in the system, and this goes all the way back to ritual. Art, for me, is a sort of a tributary coming off from ritual that is still sort of consensually allowed in this reality when the direct communication with nature through ritual was silenced, so it comes back to that wider river…e39 engle : the integral role of the arts in societal change, my conversation with urbanist Dr. Jayne Engle about participatory city planning, design, ecological crisis, sacred civics, artists and culture in societal and civilizational change.How change occursThe role of artists and culture is fundamental and so necessary, and we need so much more of it and not only on the side. The role of arts and culture in societal and civilizational change right now needs to be much more integral into, yes, artworks and imagination - helping us to culturally co-produce how we live and work together into the future and that means art works - but it also means artists perspectives into much more mainstream institutions, ideas, and thoughts about how change occurs.e40 frasz : integrated awakeness in daily life, my conversation with researcher and strategic thinker Alexis Frasz about ecological crisis, creative climate action, community arts, Buddhism, leadership and cross-sectoral arts practices. A lack of agencyThere is a lot of awareness and interest in making change and yet change still isn't really happening, at least not at the pace or scale that we need. It feels to me increasingly like there's not a lack of awareness, nor a lack of concern, or even a lack of willingness, but actually a lack of agency. I've been thinking a lot about the role of arts, and culture and creative practice in helping people not just wake up to the need for change, but actually undergo the entire transformational process from that moment of waking up (which you and I share a language around Buddhist practice). There's that idea that you can wake up in an instant but integrating the awakeness into your daily life is actually a process. It's an ongoing thing.e41 rae : a preparedness mindsetmy conversation with artist-researcher, facilitator and educator Jen Rae about art and emergency preparedness, community arts, reality, ecological grief, arts and climate emergency in Australia How artists step upThe thing about a preparedness mindset is that you are thinking into the future and so if one of those scenarios happens, you've already mentally prepared in some sort of way for it, so you're not dealing with the shock. That's a place as an artist that I feel has a lot of potential for engagement and for communication and bringing audiences along. When you're talking about realities, accepting that reality, has the potential to push us to do other things. It's great to hear about Canada Council changing different ways around enabling the arts and building capacity in the arts in the context of the climate emergency. It'll be interesting to see how artists step up.e42 rosen : when he climate threat becomes real, my conversation with architect Mark Rosen about what is enough, green buildings, how to change the construction industry, barriers and constraints in finding solutions to the climate crisis and deferred ecological debt.The idea of enoughThe idea of enough is very interesting to me. The idea that the planet doesn't have enough for us on our current trajectory is at the heart of that. The question of whether the planet has enough for everyone on the planet, if we change the way we do things is an interesting way. Can we sustain seven, eight, nine billion people on the planet if everyone's idea of enough was balanced with that equation? I don't know, but I think it's possible. I think that if we've shown nothing else as a species, as humans, it's adaptability and resiliency and when forced to, we can do surprisingly monumental things and changes when the threat becomes real to us.ConstraintsOne of the things that I find very interesting in my design process as an architect is that if you were to show me two possible building sites, one that is a green field wide open, with nothing really influencing the site flat, easy to build, and then you show me a second site that is a steep rock face with an easement that you can't build across. Inevitably, it seems to be that the site with more constraints results in a more interesting solution and the idea that constraints can be of benefit to the creative process is one that I think you can apply things that, on the surface, appear to be barriers instead of constraints. Capitalism, arguably, is one of those, if we say we can't do it because it costs too much, we're treating it as a barrier, as opposed to us saying the solution needs to be affordable, then it becomes a constraint and we can push against constraints and in doing so we can come up with creative solutions and so, one way forward, is to try and identify these things that we feel are preventing us from doing what we know we need to do and bringing them into our process as constraints, that influence where we go rather than prevent us from going where we need to go.e43 haley: climate as a cultural issue my conversation with British ecoartist David Haley about ecoart, climate change as a cultural issue, speaking truth to power, democracy, regeneration, morality, creating space and listening.Deep questions and listeningClimate change is actually a cultural issue, not a scientific issue. Science has been extremely good at identifying the symptoms and looking at the way in which it has manifest itself, but it hasn't really addressed any of the issues in terms of the causes. It has tried to use what you might call techno fix solution focused problem-based approaches to the situation, rather than actually asking deep questions and listening.A regenerative way of doing and thinkingGoing back to reality, one of the issues that we are not tackling is that we're taking a dystopian view upon individual activities that creates guilt, syndromes, and neuroses which of course means that the systems of power are working and in terms of actually addressing the power - of speaking truth to power - we need to name the names, we need to name Standard Oil, IG Farben who now call themselves ESSO, Chevron, Mobil, DuPont, BP, Bayer, Monsanto BASF, Pfizer and so on. These are the people that control the governments that we think we're voting for and the pretense of democracy that follows them. Until those organizations actually rescind their power to a regenerative way of doing and thinking, we're stuffed, to put pretty bluntly.Create the space for life to move onwardsWhat I have learned to do, and this is my practice, is to focus on making space. This became clear to me when I read, Lila : An inquiry into morals by Robert Pirsig. Towards the end of the book, he suggests that the most moral act of all, is to create the space for life to move onwards and it was one of those sentences that just rang true with me, and I've held onto that ever since and pursued the making of space, not the filling of it. When I say I work with ecology, I try to work with whole systems, ecosystems. The things within an ecosystem are the elements with which I try to work. I try not to introduce anything other than what is already there. In other words, making the space as habitat for new ways of thinking, habitat for biodiversity to enrich itself, habitat for other ways of approaching things. I mean, there's an old scientific adage about nature abhors a vacuum, and that vacuum is the space as I see it.e44 bilodeau : the arts are good at changing culture, my conversation with playwright and climate activist Chantal Bilodeau about theatre, cultural climate action, the role of art in the climate emergency and how to build audiences and networksLet's think about it togetherI think of the arts as planting a seed and activism as being the quickest way you can get from A to B. So activism is like, this is what we're going to do. We have to do it now. This is a solution. This is what we're working towards and there's all kinds of different solutions, but it's about action. The arts are not about pushing any one solution or telling people, this is what you need to do. It is about saying here's a problem. Let's think about it together. Let's explore avenues we could take. Let's think about what it means and what it means, not just, should I drive a car or not, but what it means, as in, who are we on this earth and what is our role? How do we fit in the bigger ecosystem of the entire planet? I think the arts are something very good to do that and they are good at changing a culture.e45 abbott : a compassionate, just and sustainable world, my conversation with filmmaker Jennifer Abbott about her film The Magnitude of all Things, reality, zen, compassion, grief, art and how to ensure a more compassionate, just and sustainable livable world.Untangling the delusionThe notion of reality and the way we grasp reality as humans is so deeply subjective, but it's also socially constructed, and so, as a filmmaker - and this is relevant because I'm also a Zen Buddhist - from both those perspectives, I try to explore what we perceive as reality to untangle and figure out in what ways are we being diluted? And in what ways do we have clear vision? And obviously the clearer vision we can have, the better actions we take to ensure a more compassionate, just and sustainable livable world. I'm all for untangling the delusion while admitting wholeheartedly that to untangle it fully is impossible.We're headed for some catastropheIn terms of why people are so often unable to accept the reality of climate change, I think it's very understandable, because the scale and the violence of it is just so vast, it's difficult to comprehend. It's also so depressing and enraging if one knows the politics behind it and overwhelming. I don't think we, as a species, deal with things that have those qualities very well and we tend to look away. I have a lot of compassion, including for myself, in terms of how difficult it is to come to terms with the climate catastrophe. It is the end of the world as we know it. We don't know what exactly the new world is going to look like, but we do know we're headed for some catastrophe. e46 badham : creating artistic space to think, my conversation with Dr Marnie Badham about art and social justice practice Australia and Canada, research on community-engaged arts, cultural measurement, education and how the arts create space for people to think through issues such as the climate emergency.There's a lot that the arts can doI think going forward, there's a lot that the arts can do. Philosophically art is one of the only places that we can still ask these questions, play out politics and negotiate ideas. Further, art isn't about communicating climate disaster, art is about creating space for people to think through some of these issues.e47 keeptwo : reconciliation to heal the earth, my conversation with Indigenous writer, editor, teacher and journalist Suzanne Keeptwo about Indigenous rights and land acknowledgements, arts education, cultural awareness and the role of art in the climate emergency.Original AgreementIn the work that I do and the book that I've just had published called, We All Go Back to the Land, it's really an exploration of that Original Agreement and what it means today. So I want to remind Indigenous readers of our Original Agreement to nurture and protect and honor and respect the Earth Mother and all of the gifts that she has for us and then to introduce that Original Agreement to non-indigenous Canadians or others of the world that so that we can together, as a human species, work toward what I call the ultimate act of reconciliation to help heal the earth.é48 danis : l'art durable (in French), my conversation with author and multidisciplinary artist Daniel Danis on sustainable art, consciousness, dreams, storytelling, territory, nature, disaster and the role of art in the ecological transitionImages of our shared ecology are bornIt's like saying that we make art, but it's an art that, all of a sudden, just like that, is offered. We don't try to show it, rather, we try to experience something and to make people experience things and therefore, without being in the zone of cultural mediation, but to be in a zone of experiences, of exchanges and therefore that I don't control. For example, in the theatre, a bubble in which I force the spectator to look and to focus only on what I am telling them, how can we tell ourselves about the planet? How can we tell ourselves about our terrestrial experiences, where we share a place between branches, clay, repair bandages and traces of the earth on a canvas or ourselves lying on the earth? No matter, all the elements that one could bring as possible traces of a shareable experience are present, and from there, all of a sudden, images of our shared ecology are born.Art must emit wavesFor me, a manifestation of art must emit waves and it is not seen, it is felt and therefore it requires the being - those who participate with me in my projects or myself on the space that I will manifest these objects there - to be in a porosity of my body that allows that there are waves that occur and necessarily, these waves the, mixed with the earth and that a whole set, we are in cooperation. It is sure that it has an invisible effect which is the wave, and which is the wave of sharing, of sharing, not even of knowledge, it is just the sharing of our existence on earth and how to be co-operators?e49 windatt : holistic messages, my conversation with Indigenous artist Clayton Windatt of about visual arts, Indigenous sovereignty, decolonization, the arts and social change, communications, artists rights, the climate emergency and hope.Make a changeWhat if you tasked the arts sector with how to make messages, not about the crisis, but on the shifts in behavior that are necessary on a more meaningful basis. When the pandemic began and certain products weren't on the shelves at grocery stores, but there was still lots of stuff. There were shortages, but there wasn't that much shortage. How much would my life really change if half the products in the store were just not here, right and half of them didn't come from all over in the world? Like they were just: whatever made sense to have it available here and just having less choice. How terrible would that be: kind of not. How can we change behavior on a more holistic level, and have it stick, because that's what we need to do right now, and I think the arts would be a great vehicle to see those messages hit everybody and make a change.e50 newton : imagining the future we want, my conversation with climate activist Teika Newton about climate justice, hope, science, nature, resilience, inter-connections and the role of the arts in the climate emergency.There are no limitsThere are so many amazing people across this country who are helping to make change and are holding such a powerful vision for what the future can be. We get trapped in thinking about the paradigm limit in which we currently live, we put bounds on what feels like reality and what feels possible. There are no limits, and the arts helps us to push against that limited set of beliefs and helps us to remember that the way that we know things to be right now is not fixed. We can imagine anything. We can imagine the future we want.We need to love the things around usI see that there are a lot of ways in which people in my community use the landscape in a disrespectful way. Not considering that that's someone's home and that a wild place is not just a recreational playground for humans. It's not necessarily a source of wealth generation. It's actually a living, breathing entity and a home to other things and a home to us as well. I find that all really troubling that there is that disconnection and it sometimes does make me despair about the future course that we're on. You know, if we can't take care of the place that sustains us, if we can't live with respect for not just our human neighbours, but our wilderness neighbors, I don't know how well we're going to fare in the future. We need to love the things around us in order to care for them.Feel connected to othersHaving the ability to come together as a community and participate in the collective act of creating and expressing through various media, whether that's song, the written word, poetry, painting, mosaic or mural making, so many different ways of expressing, I think are really, really valuable for keeping people whole grounded, mentally healthy and to feel connected to others. It's the interconnection among people that will help us to survive in a time of crisis. The deeper and more complex the web of connections, the better your chances of resilience.e51 hiser : the emotional wheel of climate, my conversation with educator Dr. Krista Hiser on research about climate education, post-apocalyptic and cli-fi literature, musical anthems, ungrading, art as an open space and the emotional wheel of the climate emergency.Help them see that realityWhat motivates me is talking to students in a way that they're not going to come back to me in 10 years with this look on their face, you know, Dr. Hiser, why didn't you tell me this? Why didn't you tell me? I want to be sure that they're going to leave the interaction that we get to have that they're going to leave with at least an idea that someone tried to help them see that reality.The last open spaceThe art space is maybe the last open space where that boxiness and that rigidity isn't as present.Knowledge intermediariesThe shift is that faculty are really no longer just experts. They are knowledge brokers or knowledge intermediaries. There's so much information out there. It's so overwhelming. There are so many different realities that faculty need to interact with this information and create experiences that translate information for students so that students can manage their own information.Not getting stuck in the griefThere's a whole range of emotions around climate emergency, and not getting stuck in the grief. Not getting stuck in anger. A lot of what we see of youth activists and in youth activism is that they get kind of burned out in anger and it's not a sustainable emotion. But none of them are emotions that you want to get stuck in. When you get stuck in climate grief, it is hard to get unstuck, so moving through all the different emotions — including anger and including hope — and that idea of an anthem and working together, those are all part of the emotion wheel that exists around climate change.e52 mahtani : listening and connecting, my conversation with composer Dr. Annie Mahtani about music, sound art, the climate emergency, listening, nature, uncertainty, festivals, gender parity and World Listening DayThat doesn't mean we should give upIf we can find ways to encourage people to listen, that can help them to build a connection, even if it's to a small plot of land near them. By helping them to have a new relationship with that, which will then expand and help hopefully savour a deeper and more meaningful relationship with our natural world, and small steps like that, even if it's only a couple of people at a time, that could spread. I think that nobody, no one person, is going to be able to change the world, but that doesn't mean we should give up. Exploration of our soundscapesFor the (BEAST) festival we wanted to look at what COVID has done to alter and adjust people's practice, the way that composers and practitioners have responded to the pandemic musically or through listening and also addressing the wider issues: what does it mean going forwards after this year, the year of uncertainty, the year of opportunity for many? What does it mean going forward to our soundscape, to our environmental practice and listening? We presented that goal for words, as a series of questions, you know, not expecting necessarily any answers, but a way in a way to address it and a way to explore and that's what the, the weekend of concerts and talks and workshops was this kind of exploration of our soundscapes, thinking about change and thinking about our future.e53 kalmanovitch : nurturing imagination, my conversation with musician Dr. Tanya Kalmanovitch about music, ethnomusicology, alberta tar sands, arts education, climate emergency, arts policy and how artistic practice can nurture imaginationThe content inside a silenceOne of the larger crises we face right now is actually a crisis of failure of imagination and one of the biggest things we can do in artistic practice is to nurture imagination. It is what we do. It's our job. We know how to do that. We know how to trade in uncertainty and complexity. We understand the content inside a silence, it's unlocking and speaking to ways of knowing and being and doing that when you start to try to talk about them in words, it is really challenging because it ends up sounding like bumper stickers, like ‘Music Builds Bridges'. I have a big problem with universalizing discourses in the arts, as concealing structures of imperialism and colonialism.GriefNormal life in North America does not leave us room for grief. We do not know how to handle grief. We don't know what to do with it. We push it away. We channel it, we contain it, we compartmentalize it. We ignore it. We believe that it's something that has an end, that it's linear or there are stages. We believe it's something we can get through. Whereas I've come to think a lot about the idea of living with loss, living with indeterminacy, living with uncertainty, as a way of awakening to the radical sort of care and love for ourselves, for our fellow living creatures for the life on the planet. I think about how to transform a performance space or a classroom or any other environment into a community ofcare. How can I create the conditions by which people can bear to be present to what they have lost, to name and to know what we have lost and from there to grieve, to heal and to act inthe fullest awareness of loss? Seeing love and loss as intimately intertwined.StorytellingMy idea is that there's a performance, which is sort of my offering, but then there's also a series of participatory workshops where community members can sound their own stories about where we've come from, how they're living today and the future in which they wish to live, what their needs are, what their griefs are. So here, I'm thinking about using oral history and storytelling as a practice that promotes ways of knowing, doing and healing … with storytelling as a sort of a participatory and circulatory mechanism that promotes healing. I have so much to learn from indigenous storytelling practices. Nature as musicWe are all every one of us musicians. When youchoose what song you wake up to on your alarm or use music to set a mood. You sing a catchy phrase to yourself or you sing a child asleep: you're making musical acts. Then extend that a little bit beyond that anthropocentric lens and hear a bird as a musician, a creek as a musician and that puts us into that intimate relationship with the environment again.AlbertaI guess this is plea for people to not think aboutoil sands issues as being Alberta issues, but as those being everyone everywhere issues, and not just because of the ecological ethical consequences ofthe contamination of the aquifer, what might happen if 1.4 trillion liters of toxic process water, if the ponds holding those rupture, what might happen next…That story will still be there, that land and the people, the animals and the plants, all those relationships will still be imperiled, right? So to remember, first of all, that it's not just an Alberta thing and that the story doesn't end just because Teck pulled it's Frontier mining proposal in February, 2020. The story always goes on. I want to honor the particular and the power of place and at the same time I want touplift the idea that we all belong to that place.e54 garrett : empowering artists, my conversation with theatre artist Ian Garrett about ethics, theatre, education, role of art in Climate Emergency, Sustainability in Digital Transformation & carbon footprint of Cultural Heritage sector. Complete guarantee of extinctionI don't want to confuse the end of an ecologically unsustainable, untenable way of civilization working in this moment with a complete guarantee of extinction. There is a future. It may look very different and sometimes I think the inability to see exactly what that future is – and our plan for it - can be confused for there not being one. I'm sort of okay with that uncertainty, and in the meantime, all one can really do is the work to try and make whatever it ends up being more positive. There's a sense of biophilia about it.A pile of burning tiresThe extreme thought experiment that I like to use in a performance context is: if you had a play in which the audience left with their minds changed about all of their activities, you could say that that is positive. But, if the set that it took place on was a pile of burning tires – which is an objectively bad thing to do for the environment – there is a conversation by framing it as an arts practice as to is there value in having that impact, because of the greater impact. And those sorts of complexities have sort of defined the fusion and different approaches in which to take; it's not just around metrics.Individual values towards sustainabilityThe intent of it [the Julie's Bicycle Creative Green Tools] is not like LEED in which you are getting certified because you have come up with a precise carbon footprint. It's a tool for, essentially, decision-making in that artistic context, that if you know this information, then you have a better way to consider critically the way that you are making and what you're making and how you are representing your values and those aspects, regardless of whether or not it is explicitly part of the work. And so there's lots of tools in which I've had the opportunity to have a relationship with which that are really about empowering artists, arts makers, arts collectives to be able to make those decisions so that their individual values towards sustainability – regardless of what they're actually making – can also be represented and that they can make choices that best represent those regardless of whether or not they're explicitly creating something for ‘earth day'.The separation of the artist from the personThe separation of the artist from the person and articulating as a profession is a unique thing, whereas an alternative to that could just be that we are expressive and artistic beings that seeks to create and have different talents but turning that into a profession is something that we've done to ourselves and so while we do that, we exist within systems, our cultural organizations exist within systems, that have impacts much farther outside of it so that a systems analysis approach is really important.é55 trépanier : un petit instant dans un espace beaucoup plus vaste (in French), my  conversation with indigenous artist France Trépanier about colonialism, indigenous cultures, ecological transition, time, art, listening, dreams, imagination and this brief moment…The responsibility to maintain harmonious relationshipsI think that with this cycle of colonialism, and what it has brought, that we are coming to the end of this century, and with hindsight, we will realize that it was a very small moment in a much larger space, and that we are returning to very deep knowledge. What does it mean to live here on this planet? What does it mean to have the possibility, but also the responsibility to maintain harmonious relationships? I say that the solution to the climate crisis is ‘cardiac'. It will go through the heart. We are talking about love of the planet. That's the work.Terra nulliusFor me, the challenge of the ecological issue or the ecological crisis in which we find ourselves is to understand the source of the problem and not just to put a band-aid on it, not just to try to make small adjustments to our ways of living, but to really look at the very nature of the problem. For me, I think that something happened at the moment of contact, at the moment when the Europeans arrived. They arrived with this notion of property. They talked about Terra Nullius, the idea that they could appropriate territories that were 'uninhabited' (I put quotation marks on uninhabited) and I think that was our first collision of worldviews.Eurocentric vision of artistic practicesIf we take a longer-term view of how the eurocentric view of artistic practices have imposed itself on the material practices of world cultures, this is going to be a very small moment in history. The idea of disciplines, the way in which the Eurocentric vision imposed categories and imposed a certain elitism of practices. The way it also declassified the material culture of the First Nations, or it was not possible, it was not art. Art objects became either artifacts or crafts. It was completely declassified, we didn't understand. I think the first people who came here didn't understand what was in front of them.The real tragedyThe artist Mike MacDonald was telling a story, Mike, who is a Mi'kmaq artist, who is with us now, but who has done remarkable work, a new media artist, he was telling a story once about one of the elders in his community, he was saying that the real tragedy of Canada, it's not that people have been prevented from speaking their language. The real tragedy is that the newcomers have not adopted the cultures here. So 'there have been great misunderstandings. Rewriting the worldI don't think we need to rewrite anything at all. I think we just need to pay attention and listen. We just need to shut up a little bit for a while. Because it's in the notion of authoring there is the word 'author' which presupposes the word authority and I'm not sure that's what we need right now. I think it's the opposite. I think we need to change our relationship to authority. We need to deconstruct that idea when we're being the decision makers or the masters of anything. I don't think that's the right approach. I think you have to listen. I'm not saying that we shouldn't imagine - I think that imagination is important in this attentive listening - but to think that we are going to rewrite is perhaps a little pretentious.é56 garoufalis-auger : surmonter les injustices (in French), my conversation with activist Anthony Garoufalis-Auger about sacrifice, injustices, strategies, activism, youth, art, culture, climate emergency and disaster SacrificeIt's going to take sacrifice and it's going to take a huge commitment to change things, so maybe getting out of our comfort zone will be necessary at this point in history. What's interesting is looking at the past and the history of humanity. It has taken a lot of effort to change things, but at least we have examples in history where we have come together to overcome injustices. We need to be inspired by this.We are really heading for disasterThe people around me, the vast majority, understand where we are with climate change. There is a complete disconnect with the reality that we see in our mass culture and in the news which is not a constructed reality. What science tells us is reality. We are really heading for disaster. é57 roy : ouvrir des consciences (in French), my conversation with artist Annie Roy on socially engaged art, grief, cultural politics, nature, how to open our consciousness, the digital and the place of art in our livesThe contribution of artIs being creative also about getting away from the world, pure to the source as it is, rather than just accepting that we're small and we should go back to the basics? I don't know if art brings us back to the essential versus brings us back to drifting completely. Maybe creativity or creation takes us so far away that we imagine ourselves living on Mars in a kind of platform that doesn't look like anything, or we won't need the birds, then the storms, then the this and that. We will have recreated a universe from scratch where it is good to live. That could be the contribution of art. I don't like this art too much.Opening consciousness If we are in reality and then we say to ourselves in the current world, it is necessary that it insufflate desire and power towards a better future. But it is not the artist who is going to decide and then that disturbs me. It bothers me to have a weight on my shoulders, to change the world while not having the power to do it, real. The power I have is to open consciousness, to see dreams in the minds of others and to instill seeds of possibility for a future.On the back of artThe artist is a being who lives in his contemporaneity, who absorbs the 'poop' in everything that happens and tries to transform it into something beautiful, then powerful for a springboard to go towards better. But we could leave it at that, in the sense that people, how do they use art in their lives? The artist may have all his wills, but what is the place of the art that we make in our lives? Because they are between four walls, in a museum or in very specific places. It's not always integrated into the flow of the day as something supernatural. It's a framed moment that we give away like we consume anything else. Then, if you consume art like anything else, like you go to the spa or you go shopping and then you buy a new pair of pants and then it feels good to have gone to a play. Wasn't that good? Yeah, it's cool but it's not going to go any further than anything other than a nice thrill that's going to last two or three hours and then you're going to get in your Hummer and go home all the same. I think that's putting a lot on the back of art.e58 huddart : the arts show us what is possible, my conversation with Stephen Huddart about dematerialization, nature, culture, capital, supporting grassroots activity, innovation and how the arts can show us what is possible.Existential crisisThis is now an existential crisis, and we have in a way, a conceptual crisis, but just understanding we are and what this is, this moment, all of history is behind us: every book you've ever read, every battle, every empire, all of that is just there, right, just right behind us. And now we, we are in this position of emerging awareness that in order to have this civilization, in some form, continue we have to move quickly, and the arts can help us do that by giving us a shared sense of this moment and its gravity, but also what's possible and how quickly that tipping point could be reached.DematerializationI think we have to more broadly, dematerialize and move from a more material culture to some more spiritual culture, a culture that is able to enjoy being here, that experiences an evolutionary shift towards connection with nature, with all of that it entails with the human beings and the enjoyment and celebration of culture and so I think those two perspectives that the arts have an essential and so important and yet difficult challenge before them.Gabrielle RoyLet's just say that on the previous $20 bill, there's a quote from Gabrielle Roy. It's in micro-type, but it basically says : 'how could we have the slightest chance of knowing each other without the arts'. That struck me when I read that and thought about the distances, that have grown up between us, the polarization, the prejudices, all of those things, and how the arts create this bridge between peoples, between lonely people, between dreamers and all people and that the arts have that ability to link us together in a very personal and profound and important ways. Capital A lot of my time is really now on how do we influence capital flows? How do we integrate the granting economy with all that it has and all of its limits with the rest of the economy: pension funds, institutional investors of various kinds, family offices and so on, because we need all of these resources to be lining up and integrated in a way that can enable grassroots activity to be seen, supported, nurtured, linked to the broader systems change that we urgently need, and that takes the big capital moving so that's a space that I'm currently exploring and I'm looking for ways to have that conversation.e59 pearl : positive tipping points, my conversation with arts organiser Judi Pearl about theatre, climate emergency, collaboration, arts leadership, intersection of arts and sustainability and the newly formed Sectoral Climate Arts Leadership for the Emergency (SCALE)That gathering placeIt's (SCALE, the Sectoral Climate Arts Leadership for the Emergency) a national round table for the arts and culture sector to mobilize around the climate emergency. A few months ago, you and I, and a few others were all having the same realization that while there was a lot of important work and projects happening at the intersection of arts and sustainability in Canada, there lacked some kind of structure to bring this work together, to align activities, to develop a national strategy, and to deeply, deeply question the role of arts and culture in the climate emergency and activate the leadership of the sector in terms of the mobilization that needs to happen in wider society. SCALE is really trying to become that gathering place that will engender that high level collaboration, which hopefully will create those positive tipping points.é60 boutet : a la recherche d'un esprit collectif (in French), my conversation with arts practice researcher Dr. Danielle Boutet on ecological consciousness, reality, activism, grief, art as a way of life, innovation and spiritualityUnconsciousCollectively, we are unconscious. We try to talk about ecological consciousness. If there is a collective psyche, which I believe there is, I do think there is a kind of collective mind, but it is a mind that is unconscious, that is not capable of seeing itself, of reflecting and therefore not capable of meditating, not capable of transforming itself, and therefore subject to its fears and its impulses. I am quite pessimistic about this, in the sense that ecological grief, all grief and all fear is repressed at the moment. There are activists shouting in the wilderness, screaming, and people are listening, but in a fog. It is not enough to bring about collective action. Therefore, our grieving is far from being done, collectively.Changing our relationship to nature We need to change our relationship to nature, our way of relating to others, and it's not the generalizing science that's going to tell us, it's this kind of science of the singular and the experience of each person. For me, it is really a great field of innovation, of research and I see that the artists go in this direction. You know, you and I have been watching the changes in the art world since the 1990s. I see it through the artists who talk about it more and more and integrate their reflection in their approach. How art can help humans evolveI hear a lot of people calling for artists to intervene and of artists also saying that something must be done, etc. I think that art is not a good vehicle for activism. I'm really sorry for all the people who are interested in this. I don't want to shock anyone, but sometimes it can risk falling into propaganda or ideology or a kind of facility that I am sorry about, in the sense that I think art can do so much more than that and go so much deeper than that. Art can help humans to evolve. It is at this level that I think that we can really have an action, but I think that we have always had this action, and it is a question of doing it again and again and again.e61sokoloski: from research to action, my conversation with arts leader Robin Sokoloski about cultural research, arts policy, climate emergency, community-engaged arts, creative solution making and how to create equitable and inclusive organizational structuresConnections to truly impact policyI think that there needs to be greater capacity within the art sector for research to action. When I say that the art sector itself needs to be driving policy. We need to have the tools, the understanding, the training, the connections to truly impact policy and one thing that Mass Cultureis really focused on at the moment is how do we first engage the sector in what are the research priorities and what needs to be investigated together and what that process looks like, but then how do you then take that research create it so that it drives change.Creative Solution MakingI'm very curious to see what the arts can do to convene us as a society around particular areas of challenges and interests that we're all feeling and needing to face. I think it's about bringing the art into a frame where we could potentially provide a greater sense of creative solution making instead of how we are sometimes viewed, which is art on walls or on stages. I think there's much more potential than that to engage the arts in society.Organizational StructuresWe do have the power as human beings to change human systems and so I think I'm very curious of working with people who are like-minded and who want to operate differently. I often use the organizational structure as an example of that because it is, as we all know is not a perfect model. We complain about it often and yet we always default to it. How can we come together, organize and, and bring ideas to life in different ways by changing that current system, make it more equitable, make it more inclusive, find ways of bringing people in and not necessarily having them commit, but have them come touch and go when they need to and I feel as though there'll be a more range of ideas brought to the table and just a more enriching experience and being able to bring solutions into reality by thinking of how our structures are set up and how we could do those things differently.  *END NOTES FOR ALL EPISODESHere is a link for more information on season 5. Please note that, in parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays for those frightened by the ecological crisis'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also. please note that a complete transcript of conscient podcast and balado conscient episodes from season 1 to 4 is available on the web version of this site (not available on podcast apps) here: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on April 2, 2024

What is the biggest risk to children in 2021? It could just be not allowing children to take any risks at all? In this episode we talk with Risk Play advocate, Tim Gill, all about risk and adventure play in childhood, child-friendly urban design and the tools we use to change the face of public policy in relation to play. 

The seventeenth episode of All Our Tomorrows End Today. Recorded from our cozy home in Berlin, Germany on 13.06.2021.In this episode we played the following songs:Snag - Jar Spell [0:00]Alas - Kohlhaas [02:47]defacto en scripture- Congenial Indignity [07:49]Closer - Landslide [10:32]Lacrima- Balance [13:45]Foxmoulder - Needless/Anxious [15:24]Hundreds of AU - Symbolic [18:56]Gilded Age - Forgiven [22:55]Bennu is a Heron - 森林半岛 [25:18]dim - Scarab [27:02]Please support the bands by purchasing something on their Bandcamp. You get to their Bandcamp by clicking on the artist link above.If you want us to feature your band send us an email on admin@allourtomorrowsendtoday.com.Thank you so much for listening to us and supporting our show

Here’s the scenario, you stumble across an intricate formation in your garden, rocks lining a maze of dens and caves and paths with other items, maybe leaves, scattered across the space and it feels like you have been transported to a little magical world, one that was created by a child. This is just one example of loose parts play, and what we are going to discuss on today’s episode.

Learning doesn't just happen at school. It starts at home! In this episode, we talk with Rahima Baldwin-Dancy, who is a Waldorf early childhood educator, mother of 4, and author of You Are Your Child's First Teacher, about how we can cultivate learning in the home environment. In our conversation, we explore:Why we need to preserve childhood and resist the cultural forces pushing children to grow up fasterHow children learn through rhythm, repetition, and movementThe power of connection and playThe importance of cultivating a space for children to dream and see the world as magical and full of wonderIf you're interested in exploring this conversation about education further, check out our Reimagining Education Series and listen to Episode 49: Reimagining Education: Unschooling and Episode 16: Powerful Possibilities in Transforming Education and Empowering Our Kids, with Dr. William Spady. For more on Rahima Baldwin-Dancy, check out her website:http://www.informedfamilylife.org

Chad DeDominicis joins the show to discuss the Buffalo Sabres, the cursed start to the season, and what to make of their strange underlying numbers. Topics include:All of the bad luck they've suffered throughTheir historically bad 5v5 offenseHow shooting % fluctuations can mess with youDo they have the right system for their personnel?Pros and cons of low event hockeyIs Ralph Krueger best suited to be a coach?Victor Olofsson at 5v5 vs. on the power playThe mystifying way they've used Jeff SkinnerSkinner's value, trying to make it worth Ways to improve the team this seasonKeeping Jack Eichel happyEichel's shooting this yearTaylor Hall's futureIf you're interested in the Blue Wire Hustle program discussed at the top of the show, you can submit your application here: http://bwhustle.com/join

Outline:Intro today's topic & welcome today's guest, Corey PhelpsCorey's story & where burnout came into playThe signs of burnoutFatigue, tired, snooze button, brain fog, most days are off days, lose interest in things you enjoy, colds, aches/painsThe impact of 2020 & what that means for 2021Focus on slow, methodical changesWhat to do to avoid burnoutSleep, boundaries, life/social/schedule audit, journalingHow to set & communicate boundariesBuy time before committingStick with them over time  by having clarity of long-term vision & consistently filling your cup (in more ways than a massage or face mask)Morning routineOperating from a reactive state vs a proactive or intentional stateHow to treat/recover from burnout?Infrared sauna/red light, nutrition, hydration, sleep, treat yourself like a child, give it time, make it a commitmentCorey's key to make sure 2021 doesn't become the year of burnoutLinks:Become a MemberConnect with us! FB Page & Private FB Group & Jenn's InstagramTake the free Weight Loss Profile, Jenn will send you a Menu PlanCorey's WebsiteConnect with Corey on IG & FBQuotes:"You're talking yourself out of the signals your body is sending you of being exhausted and tired." - Corey Phelps"Fill your cup with that which brings you joy and happiness...that is a self-care practice." - Corey Phelps"If you're reaching for your phone to look at it first thing in the morning, you're either living in the past or fearing the future." - Corey Phelps"Where can [you] level up in the efforts [you're] already taking to actually get all the benefits." - Jenn Trepeck

After a shaky start, the ASX 200 index came home strongly to close up 0.4% on positivity around Joe Biden's planned announcement tonight on his economic stimulus package. It was tech's day with the sector up 4.7% and Afterpay up 9.1% after an upgrade by Morgan Stanley. Healthcare, industrials, financials and utilities were also up while energy and miners were down on falling commodity prices. Our top three VODs today are:China will be back but coal is still a short term playThe unloved medical imaging company that is coming into focusIt's blue sky growth ahead for Laybuy See acast.com/privacy for privacy and opt-out information.

In this conversation, we discuss: Why mind wandering is so importantOur top tips for unlocking imaginationWhat the science says about how brain function and epigenetics come into playThe one practice we can always rely on to help us release and free up more headspace OUR PRODUCT PICKS: 20% Off Any Sakara Products For New Customers :: Use Code XOVIRRAFind out more about working with us 1:1 at Virra CoachingConnect with Virra on social media for more life-changing perspectiveINSTAGRAM - @virralifeWEBSITE - www.virralife.comNEWSLETTER - subscribe here

This week’s guest is Dr. Shepherd Siegel, author of Disruptive Play: The Trickster in Politics & Culture. This pages of this marvelous book a few weeks ago, and the pages are just littered with prankster cultural heroes. People like Andy Kaufman, Lenny Bruce, Banksy, The Yes Men, and so many others… all in the context of educating about PLAY, which is something it turns out that too few of us really do. There is so much going on in this podcast, but to name a few:The trickster archetype throughout human historyLoki - The neutered Marvel version + the pre-Christian amoral trickster extraordinaireThe surprising origins of Bugs BunnyRobert Johnson’s “Deal with the Devil” Dada genius Jarry Burt Bacharach – The Legend Original play vs. cultural playThe madness of ‘play dates’Erik Satie, the Grateful Dead & Thelonious Monk – the music of play Levitating the Pentagon 30 feet off the groundWhy sports & video games aren’t PLAY. Billionaire Bunkers – Busted! Burning ManThe amazing Yes Men Lenny BruceAndy Kaufman Lord Buckley Abbie HoffmanReally hope you enjoy. Please don't forget to subscribe and tell your friends about the Nice Work! podcast! xoxoxo

Curiosity holds an important role of opening you into deeper awareness, self-love and child-like wonder. Curiosity brings you home to finding your inner truth and expressions of pure Beingness through play, creating and childlike wonder.  In this episode I share: The role of curiosity and inner explorationHow curiosity can change your lifeAccessing your inner child energy through curiosity and playThe very important role of playFinding your inner truth and freedomBook Now:  https://app.acuityscheduling.com/schedule.php?owner=12352818 Website:  https://www.bernadettehartman.comFacebook:  https://www.facebook.com/bhartman05Live Monthly Call:  https://www.bernadettehartman.com/product/monthly-group-call/Purchase Essential Oils:  https://www.myyl.com/bhartman111YouTube Channel:  https://www.youtube.com/user/bernadettehartman

We’ve all heard we should channel our inner child. My guest today has made a career of helping people do just that.Jeff Harry shows individuals and companies how to tap into their true selves, to feel their happiest and most fulfilled while rediscovering how to play!He’s worked with Google, Microsoft, Southwest Airlines, the NFL, Amazon, and Facebook to help them embrace play.Let’s face it, most of us grow up and try to be something for someone. As Jeff puts it, we pretend to be important and take ourselves way too seriously.This episode is all about how to put aside our boring adult self so we can unleash our inner child.Highlights from the show:Two defining stories from Jeff's childhood that helped to lay the foundation for the work he’s doingDefinition of what it means to play and the science and psychology behind why it's important.Why adults forget to playThe importance of recognizing your own BSConcepts from his workshops and breakdown play experiments and suggestions to bring more play into our lifeA life-changing question we should be asking ourselves every day!Jeff believes that when we play that the real magic of life happens. It’s when we become more creative, find our purpose, and literally change the world.https://www.rediscoveryourplay.com/Support the show (https://www.patreon.com/bePatron?u=23010497)

In this episode we learn about Democratic Education and the theory of the Play Cycle from Educator and Parent, Mathilda Element, from Pine Community School in Brisbane. We chat about the key concepts behind democratic education and consensus decision making that underpin the values at Pine Community School, as well as the importance of multi-age play and the details of a child’s Play Cycle. We discuss:The umbrella term of democratic education and the idea of consensus decision making The value of multi-age play The importance of philosophy of play and the value of this across the spectrum of age rangesThat play is driven by children – if it is driven by adults it can be described as playful but it is not playThe concept of the the Play Cycle in play-work theory– a term first coined by Gordon Sturrock and the late Perry ElseThe play cycle:1. Play Drive: All play begins with the play drive that is the instinctive desire and need to play2. Play Cue: From this drive the child may produce an action which can be very subtle or very obvious3. Play Return: The feedback a child receives from a play cue is called a play return. 4. Play Flow: This is established once the play has commenced, and is a continuation of cues and returns. 5. Play Frame: The process of play is ‘contained’ by the play frame. The play frame can be a material boundary that keeps the play intact; the rules of the game or understanding between the participants. A frame can be many things – a table, a playground or something broader6. Play Annihilation: When the flow of play is terminated by children. This can be the end of the game or perhaps the destruction of a recently constructed model7. Play Adulteration: If an adult intervenes and tries to lead or force it they will be denying the play drive purpose and adulterating the child playResources Referred ToBooks:Children are People Too - Louise Porter https://kit.co/Wildlings/respectful-parenting-books/children-are-peopleParenting for a Peaceful World – Robin Grille https://kit.co/Wildlings/respectful-parenting-books/parenting-for-a-peacThe Opposite of Worry – Laurence Cohen https://kit.co/Wildlings/respectful-parenting-books/the-opposite-of-worrPlayful Parenting Everything is Figuroutable - Marie ForleoWebsiteswww.pinecommunityschool.org www.humanitashighschool.org.au educationrevolution.org agilelearningcenters.org

In Spurscast episode 584, Spurscast host Paul Garcia is joined by Project Spurs writer Collin Reid to discuss: The new starting lineupKeldon Johnson's play in the bubbleThe difference in styles on offense and defense pre and post bubble playThe offseason outlook for the draft, free agency and upcoming roster decisions Learn more about your ad choices. Visit megaphone.fm/adchoices

Things are a little different in this one! Trevor streams "Solo" by Jennie and records an episode alone, reacting and commenting on Sony's Playstation 5 presentation! In a year where E3 was blessedly cancelled after the ESA fully stepped in it last year, we have these digital presentations to enjoy and in this episode Trevor gives their queerpinions on:How art styles are being flattened by attempts at realistic graphicsThe difference in mood present in the Demon's Souls remakeHoping at least one game shown is free to playThe degree to which "originality" is both fake and lacking in the IPsYou can also find the episode on Spotify, Apple Podcasts, and Podcast Addict! For more of our gayming overage, check out episodes seven, fifteen, seventeen, and twenty-six!Content warning: We’re a fairly NSFW podcast that includes use of reclaimed homophobic slurs.

The Brand X Method™ has been in the business of doing what's best for kids and teens for over 20 years. I have been an avid follower of them for much of that time, using their methodology in my PE classes and while coaching. Their approach to youth fitness is refreshing; when others are trying to get their kids to specialize and increase movement intensity, they are doing the opposite. This allows them to build a more solid and well-rounded foundation, being able to apply that to whatever activity they want to pursue. From their website, "The mastery, confidence, and motivation that kids develop in our gyms are the ingredients of freedom and fearlessness. The Brand X Method™ instills the essence of adventure, passion, and joy in kids and teens when playing their favorite sports, trying new things, and tackling life’s challenges so they can step out of our gyms knowing they can do whatever they set out to do."In this episode we talk about Jeff, Mikki, and Keegan Martin about:Sports burn outPhysical LiteracyThe importance of unstructured playThe influence of technology Teaching kids about nutritionEpisode Timeline: 1:25 How The Brand X Method started10:40 Combatting fads in the fitness industry17:40 Why are kids getting burnt out in sports?19:49 The importance of Physical Literacy28:05 Allowing kids to find movement solutions31:15 The movement gap and technology34:00 Creating more time to play42:00 Prepare, practice, play44:00 Explore, express, excel46:00 Nutrition54:45 How to get buy in by school districtWebsite:https://thebrandxmethod.com/Instagram:@thebrandxmethodiGen by Dr. Jean Twenge: https://psychology.sdsu.edu/publication-of-igen-by-dr-jean-twenge/MOVRS Website:movrs.orgMOVRS Instagram:@wermovrsSupport the show (https://www.buymeacoffee.com/movrs)

'The best Sundays are for long reads and deep conversations. Recently the hosts of the Let's Talk Bitcoin! Show gathered to discuss state sponsored propaganda, corporate censorship and how cryptocurrency or decentralization changes the game.The rallying cry of the totalitarian is "He farted first", but if both systems have produced similar outcomes, is there much of a difference? Inspired by a recent article in the Atlantic, in today's wide-ranging discussion the hosts of Let's Talk Bitcoin! dig deeply into the questions of censorship, propaganda and how things are both better and worse than in years past.The episode is sponsored by eToro.com and The Internet of Money Vol. 3Shownotes:Who are they censoring from and how do we unpack this manipulation?The rallying cry of the totalitarian is always “He farted first”Who gets to decide what is censored?The squeaky wheel of child pornography gets the attention, the much more insidious problem of silencing certain voices, or giving preference to other voices. Propaganda goes hand-in-hand with censorshipPropaganda is harder to detect ‘reverse censorship’Private platform curation have the right to moderate which can be interpreted as censorship.You have to choose if you’re a publisher or a platformWhat if AT&T listened to your phone calls, sold ads against them and disconnected you whenever you say something that would trouble sponsors?Common carriers vs. publishersFOSTA, SESTA and turning platforms into publishers Crony capitalism will always co-opt governmentThe only way to win is not to playThe only way to not be coopted as a protocol is to have it not be owned by anyone.It may be impossible to be a platform if you’re not a protocolInformation overload and compartmentalizationAre the solutions that are being proposed the solution that we need to solve this problem?What kind of side effects does the solution have?It’s one thing to say “there are idiots out there who have not developed critical thinking and are easily swayed and we need to fix this” and a whole other thing to say “And that’s why only the landed gentry should vote”Do tech companies think they’re helping?Benevolent fascism is still fascismThe public school system was never meant for the average person to be able to form their own opinion, “it is for factory men not philosophers”Manufacturing consent with the power to control, censor, frame, set up the base assumptions of belief and then seek to nail them down.A dictatorship of the mind is far more effective than a dictatorship of violence.If Let’s Talk Bitcoin! Were on Youtube, we wouldn’t be able to say the word Covid-19. Avoiding totalitarian controls means missing opportunities presented by big would-be platforms.Government surveillance vs. private surveillance provided to the governmentWhat we learned from Edward SnowdenDoes China commercialize surveillance?If both systems have produced the same outcome, is there much of a difference between them?A virtual prison campSuppression of information does not translate to changing realityBiblical verses in the blockchain and “A platform puts data out but search is editorialism”Phone numbers, the yellow pages, cocaine and liabilityPrivacy, anonymity and another form of censorshipWe need 30 different words for different kinds of censorshipIs it censorship when private companies do it?Where did the word censorship come from and what words should we be using?“The problem with censorship is not the content, it’s the person in which the control is vested”Is this worse because of growing polarization and partisanship?Was the internet free-er when nobody used it?Letters to the editor and platforms that amplifyEven more insidious than censorship are the algorithms choosing what is seen and by who.Geographic boundaries vs. idealogical boundaries and the demise of newspaper monopolies on local discourse5G and Coronavirus: Niche ideas wouldn’t propagate if censorship workedThe Streisand effect, reach and survivor biasThe influence that Google’s page-rank has on congressional primariesA generational divide in social media management skills and critical thinkingMasks, conspiracy theories and narrative controlManipulating the wisdom of the crowds as manipulating the wisdom of societyCensorship by private forces for profit and by government for state control, and the coalition of the two. Censorship as controlling access to the publishing of information vs. controlling what is amplified vs. how much reach it has.A big difference is visible in implementation of severe consequences for speechThe chilling effect of harsh penalties and being “disappeared” for speechOstracism, state punishment or private corporate consequencesWhat are your favorite words or terms for specific kinds of censorship? Send us an email at adam@ltbshow.com If you light your brainfarts on fire, is that flaring?CreditsThis episode of Let's Talk Bitcoin features Stephanie Murphy, Jonathan Mohan, Andreas M. Antonopoulos and Adam B. Levine. Music provided by Jared Rubens and Gurty Beats, with editing by Jonas.Photo by Sebastiaan Stam on Unsplash

In this episode, Justyna and Paul talk about Portia Tung's choose your own agile adventure novel.Get the bookPortia Tung’s blogThe School of PlayThe original Choose Your Own Adventure booksSupport the show (http://patreon.com/agilebookclub)

An interview with “Blue Topaz,” or “Blue” about fetish play versus sexShow notes:Blue is engaged and sexually monogamous with fiance, who is also in kink sceneSome history of Blue’s involvement with kink and vanilla relationships / The boundaries and agreements about kink vs. sex with fiance and other peopleNeedle play is something Blue does with other peopleRope play is something fiance does with other peopleFire play is something they do together with other peopleMore about fire playSubspace describedHow and when she subs or domsWhat kink is really about and how she got involved in the sceneAbout munchesSafety and consent among kink / swingersWhere the play happensAbout her bisexuality and how it works within her relationship with her fiance and kink playMore about her vanilla relationship pastPublic openness about involvement in the kink sceneMore about needle playEven more details about fire playThe luck of finding her kinky partnerThe nature of kink relationships — being open right off the batNew kink interests on the horizon: Fire floggers on wish list / Kink registry for wedding! A note about kink people: They are normal and fun! / Join us! / Explore but be safeThe respectful nature of kinky folks as opposed to "normal" / vanilla folksLINK: Blue’s profile with videos of the fire play and examples of other kink play

This week, we had a tri-coastal conversation with special guest Tom Donaldson, VP Creative Play Lab at Lego Group, and Adam Simon, our head of strategy, about how technology is changing the future of play. The tri-coastal trio tackles a range of topics including AR & VR, voice-enabled devices, the role of education and end with a conversation about the growing concerns around screen time.What We Covered: How digital technology is changing play todayOpportunities and limitations of AR & VRWe discuss the definition of play as it pertains to esports and gamingVoice-enabled devices and their potential impact on playThe role of education in playWe end with a conversation on screen timeRelated Links:Lego Bugatti Chiron [YouTube]Floor 9 listener survey [Link] See acast.com/privacy for privacy and opt-out information.

When you were growing up, did you ever feel silenced as a kid? Have you ever wondered if we could be teaching and communicating with children more effectively? Then you’ll be fascinated by this week’s episode of Communicator. On the show, I’m speaking with Tracy Harrison about our misconceptions surrounding children and how to actively listen more. As the founder of Ignite Parenting, Tracy brings a specialty in early childhood education into practice—planning programs and workshops within engaging environments. Tracy and I discuss the idea of children as capable and competent, and what we can do to encourage our kids to feel a greater sense of well-being. Tracy also touches upon non-verbal communication and all the ways it can go ignored. You’ll find plenty more to intrigue you in this podcast, including: What it means to give children a sense of free expressionHow we can engage and educate our children through playThe phases of non-verbal communication in early childhoodWhy we should be listening to and acknowledging our kidsHow to handle information overload with parenting stylesWhy self-worth and well-being are crucial to us in adulthoodHow our emotions are affected by generational baggageLinks:Ignite Parenting

Site co-expert Mike Bossetti is joined by contributor Jordan Skuse to discuss a wide range of topics including:The Toronto Raptors clinching the number one overall seedHow the Raptors' results of late have not necessarily matched their playThe importance of the number one seed and how a late season collapse might impact the team's mindsetBreakdown the team's recent loss to the CelticsBreakdown the team's recent loss to ClevelandBreakdown the team's recent win against the CelticsThe Celtics zone defense & huge lineupsShould the Raptors start to experiment with different lineups and lineup sizes?Jonas Valanciunas and how much he should be playingWill the team's rotation shrink once the playoffs come?Possible rotation pieces that will be left out if the rotation does shrinkWill Casey consider starting C.J. Miles once the playoffs start? Particularly against the Cavs in order to impact LeBron defensivelyThe Raptors loss to the Cavaliers and the matchup problems that the Cavaliers present for the RaptorsPotential strategies for slowing down LeBron, why do the Raptors not have more potential defenders to throw at LeBron?How limited will JV's minutes be during the Cavs series? Will Lucas Nogeuria receive any minutes during the playoffs?Why statistics mean so little for ClevelandThe impact of Jeff Green starting and how that impacts TorontoThe possibility of Tristan Thompson being dropped from Cleveland's rotationThe guys give their picks for the Coach of the Year and possible contenders to coach CaseyWhere DeMar DeRozan will end up on the All-NBA teamPotential first round matchups and who the Raptors should want to play the most and who they should want to play

In this episode we discuss the “experience trap” and why someone who has been doing their job for 20-30 years may be no better (and sometimes worse) than someone who has very little experience, look at the shocking truth that 35 years of research reveals separates world class performers from everyone else, how “Talent” is overrated, misunderstood, and most research says it doesn’t even exist, we go deep on the critically important concept of deliberate practice, and much more with our guest Geoff Colvin.       Geoff Colvin is an award winning speaker, writer, and broadcaster. Geoff holds a degree in economics from Harvard, an MBA from NYU, and is currently the the senior editor-at-large for FORTUNE. He is the bestselling author of several books including Talent Is Overrated: What Really Separates World Class Performers from Everyone Else, Humans Are Underrated: What High Achievers Know That Brilliant Machines Never Will and more. Geoff has delivered over 10,000 broadcasts on the CBS Radio Network and has been featured on Good Morning America, CNN, CNBC, and more.    The “experience trap” and why someone who has been doing their job for 20-30 years may be no better (and sometimes worse) than someone who has very little experienceWhat do surgeons, auditors, parole officers have in common with their skillsets?Why the assumption that a lot of experience makes you good at something is fundamentally flawed What the very best performers are constantly doing that most people simply don’t doWhy going to a teacher and taking lessons is NOT enough to get better at singing (or any other skill)What separates world class performers from everyone elseWhy the concept of talent is a loaded term that most people don’t understandWhy the conception of “talent” as an in-born gift is a mischaracterizationHow “Talent” is overrated, misunderstood, and why most research says “talent" simply does not existWhat 35 years of research and science answer exactly what explains great performance better than anything elseWhat is the concept of "deliberate practice" and why is it so vital to great performance?The road to great performance is long and hard, but most importantly its available to anyoneWhy deliberate practice is not what you typically think of when you think of practiceThe key components of deliberate practice. Deliberate practice is an activity designed especially for you, at your stage of development, at doing what you’re doing right now It is designed to push you just beyond what you’re currently capable of doing Can be repeated at high volume The vital importance of continual feedback Why high-volume deliberate practice changes the physical structure of your brainAs you get better, your deliberate practice must be adjusted higherWhy deliberate practice is neither work nor playThe vital importance of training and practicing just outside your realm of abilityHow to harness deliberate practice for business & investingSimulationSoftware that lets you make these decisions at high volumeCreate simulators that put these decisions to the test at high volumeThese simulations have to be highly realistic and very demanding Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt Ball, Patrick Harvey, Samantha Blinn, Chasen Schneider and Ariana Karp discuss Act IV of King Henry IV, Part I. Topics include:Mainly expository nature of Act IV Themes of sickness and disease through the language of the rebellionVernon’s rhapsodic reverie about Prince HalThe dark and cynical observations about the foots soldiers as “food for powder” aka cannon fodderHotspur ultimately is the one person who makes the decision about exactly when the battle will be foughtHotspur’s explanation of the rebel’s grievances is the clearest in the play when he is explaining to the Earl of BluntLast scene of Act IV as an oddity-the only time that we see anyone from the ecclesiastical orders in the playThe repercussions of the battle of Shrewsbury as the beginning of Hal’s military education - looking at the parallels in the two battles in Henry V (Harfleur and Agincourt)Falstaff as a ‘wild child’ Joe Armstrong as Hotspur and Michelle Dockery as Lady Kate Percy in The Hollow Crown (King Henry IV Part I).

Off we go! Claire Curtis-Ward, Levi Morger, Sam Gibbs and Ariana Karp delve into Act I of Shakespeare's nihilistic masterpiece! This week we discuss:The family dynamic of Gloucester, Edmund & EdgarAre the knights riotous? Whose report of them do we trust?Difference between Goneril and Regan?Kent and the 'perfect' disguiseThe tenuousness of identity Dementia and Senility and their role from the beginning of the playThe repetition of the word "nothing" within the 1st act! The complicated switch of the child becoming the parent and the tensions within the father/daughter relationship Laurence Olivier as Lear in the opening scene of the play

This week Emily Ota, Levi Morger, Brittany Chandler, Samantha Blinn, Claire Curtis-Ward & Ariana Karp discuss Act III of the Duchess of Malfi. Things are getting craaahzy…we spend quite a few minutes just trying to figure out everything that happens in this Act! Other discussion topics include:Ferdinand and the Cardinal find out that Antonio is the father of the Duchess's children! Escandoloso! What does this mean to them?Ritual and religion in the playThe role of the dumbshow in classical theatreThe relationship between Cariola and Duchess and generally the relationships between great ladies and their handmaidensThe Duchess and Antonio's private farewell in publicWhy the Jacobean obsession with incestuous relationships?How danger creeps into the domestic sphere in the bedroom sceneWe end with Levi reading us a poem about a dagger by Jorge Luis BorgesBy the way, Britt's computer is fine and King Arthur the pup is still as cute as ever! Medieval pilgrim

Steve Kamb, rebel leader of Nerd Fitness joins us to talk about the power of using incremental progress to level up your life. HIGHLIGHTSLessons learned from The Legend of ZeldaApplying the progress principle to our biggest goalsStructuring your environment to induce flow statesFinding the distinctive identity and fingerprint in our work Removing the need for willpower and motivationDetermining the type of game that you want to playThe power of creating an alter ego and character to level up your life QUOTESEventually doesn't happen. Tomorrow is not guarantee. I look at nerd as a very positive term Screw motivation, cultivate discipline. Steve Kamb is the founder of Nerdfitness, a global community to help desk jockeys, nerds, and average Joes level up their lives. He's also the author of Level Up Your Life See acast.com/privacy for privacy and opt-out information.

This week, Daniel and Monty sit down with stage manager/actor/director Becca Kaplan, exploring her approaches to theatre production and the importance of clear and effective communication in the rehearsal process.. Topics include:Working around racist and sexist content in the modern theatrical eraHow physical choreography can change the mood and tension of a sceneGenerational differences between actorsThe importance of intimacy directors in modern theatreThe practicality of stage management as a career choice in the artsThe creative freedom of receiving permission and setting boundariesCommunicating physical boundaries and permissions as a means of exploring moments of physicality and intimacy as opposed to traditional choreographyGender, sexuality, and identity politics in theatre and filmHow portrayals of sex and gender in the arts affect our perception of bothActor-based direction as a means of exploration in a playThe effects stage management can have on your personalityOur ideal rehearsal rooms/artistic career paths Each week, Daniel & Monty share recommendations of something they are watching, reading, or listening to. This week, Daniel suggests The Netflix Series The Haunting of Hill House and Shirley Jackson’s novel on which it is based, and Monty suggests the audiobook version of Malcolm Gladwell’s Talking to Strangers. Music is by Kara Arena, Master of Music for Rude Grooms. Follow us @thiswoodeno on Twitter and Instagram, visit us on the web at thiswoodeno.com, like us at facebook.com/thiswoodenopod/, or support us on Patreon (patreon.com/rudegrooms) to join the conversation during livestream broadcasts of every episode. This week’s shoutouts & further reading include:Titan Theatre CompanyAshley WhiteIntimacy Directors International This Wooden O is a production of Rude Grooms. Learn more at rudegrooms.com or follow us @rudegrooms on Twitter, Instagram, and Facebook.Support this podcast at — https://redcircle.com/this-wooden-o/donations

This week Daniel and Monty sit down with director, writer, and acting teacher Anya Saffir. Anya taught Daniel and Monty during their undergraduate time in the Atlantic Conservatory program at NYU’s Tisch School of the Arts. Since then, she has directed around the world from Mexico City to the Moscow Art Theatre. To learn more, check out her website anyasaffir.com.Topics include:Anya’s unexpected and life-changing experience teaching and now directing in Mexico CityWhat it is about directing the classics that appeals to Anya more than directing new workThe unique school of philosophy at the University of Wittenberg during Shakespeare’s timeThe power of writing that brings artists and audience members into contact with core human questions (or “the vein of humanity” or “the great mysteries”) without seeking to answer them Freud’s concept of “Religiosity”Looking at plays that confront you with the big existential questions as their own form of religious textsHow working on plays that explore the big questions can help artists when they reach those moments in their own lives and leave them a little wiser and a little bit more peacefulThe debate between Tuzenbach and Vershinin in The Three Sisters on whether humanity moves forward or essentially stays the same as it advances, and what that implies for people who seek happiness in the present moment or sacrifice for future generations.Daniel Kemper as the next Teri GrossChekhov’s principle value of Freedom and how that demands a spontaneity and freedom where every moment changes from one performance to anotherHow to direct “that which only wants to be free,” or how Anya translated the above struggle into a new type of rehearsal process to rigorously learn the world and then establish an environment for playThe glory of the traverse (or “tennis court”) audience arrangementThe power of isolating the human voice and the fear of having to be spontaneous in an age where so much communication can be written and rewrittenMirror Neurons and their implications in an age where many people spend more time with technology than other human beingsThe term “Master Teacher” The power of putting in the hoursConfidence as a biproduct of preparing, showing up, and doing the workThe power of coming into the first rehearsal with the lines already learned deep in your bonesFlow State, or Optimal Performance StateThe tremendous pressure on directors to “make their mark” and how it often leads to productions that smell of the director’s own ego needs rather than the “necessary question of the play” or the playwright’s intent.Music is by Kara Arena, Master of Music for Rude Grooms. Follow us @thiswoodeno on Twitter and Instagram, visit us on the web at thiswoodeno.com, like us at facebook.com/thiswoodenopod/, or support us on Patreon (patreon.com/rudegrooms) to join the conversation during livestream broadcasts of every episode.This week’s shoutouts & further reading include:Atlantic Acting School: atlanticactingschool.orgTeatro Helinico: helenico.gob.mx/Hamlet by William Shakespeare: amzn.to/39dRIMWThe Three Sisters by Anton Chekhov: amzn.to/3bjXkqSAnna Karenena by Leo Tolstoy: amzn.to/2ve3ZSWUncle Vanya by Anton Chekhov: amzn.to/38bRCW7Different Every Night by Mike Alfreds: amzn.to/2vkDpY8Casa Mañana: casamanana.org/Sherry Turkle - TED Talk: ted.com/talks/sherry_turkle_connected_but_alone; Reclaiming Conversation (book): amzn.to/2w24wb3Oprah Winfrey’s SuperSoul Conversations with Maya Angelou: supersoul.tv/tag/dr-maya-angelouAshley White: ashleyhwhite.com/Neutral Chaos Combat: Intimacy in Performance Intensive: neutralchaoscombat.com/visiting-artists-2/This Wooden O is a production of Rude Grooms. Learn more at rudegrooms.com or follow us @rudegrooms on Twitter, Instagram, and Facebook.Support this podcast at — https://redcircle.com/this-wooden-o/donations