Podcast appearances and mentions of king henry iv

News; birthdays/events; Ashley & Brad S.F.A; word of the day. News; game: Forrest Gump movie trivia; Buzzfeed list...besides medicines and life essentials...what's something you simply can't live without?; would you bring your family on a work trip? News; game: famous drum intros; what healthy food puts you in a better mood?; vacations ...and even staycations are turning into "paycations". News; game: acroymn game; do you keep things in your car that no longer work? (flashlight, phone charger...etc); goodbye/fun facts....National Coq Au Vin Day...yet another dish brought to us by the French food. The name of the dish literally means ‘rooster-in-wine'. In France in the 1600s, King Henry IV is said to have wished that each of his peasants would be able to enjoy “a chicken in his pot every Sunday.” His altruistic vision seemed to have been taken seriously, since coq au vin was a French peasant's dish, which later became popular all over Europe.....traditionally made of chicken braised in a garlicky, mushroomy, bacon-lard sauce; with plenty of wine added.  However, it was chef Julia Child who really made coq au vin popular in the U.S. thanks to her seminal 1961 cookbook, “Mastering the Art of French Cooking”. Along with other mouthwatering classic French recipes, Julia Child is credited with introducing French cuisine into American kitchens all over.

Wieder frisch zurück in München spricht Ensemblemitglied Steven Scharf mit Intendant Andreas Beck über die Theatermentalität in verschiedenen Städten, die Kunst der Verwandlung – ob mit oder gar ganz ohne Kostüm – und seine Rolle als John in Sankt Falstaff von Ewald Palmetshofer. Ein Gespräch über das Publikum in Bochum und München, was Spiel wirklich dringlich macht – und nackte Tatsachen. Ihr habt Fragen, Anmerkungen oder Wünsche? Wir freuen uns auf eure Nachricht per Mail an onlinekommunikation@residenztheater.de! Mehr zu Steven: Steven Scharf (residenztheater.de) SANKT FALSTAFF von Ewald Palmetshofer frei nach Shakespeares «King Henry IV» Inszenierung Alexander Eisenach Sprachlich geschliffen und mit widerständigem Witz übersetzt der österreichische Dramatiker Ewald Palmetshofer Shakespeares Königsdrama «King Henry IV» in die aktuelle Gegenwart erodierender Demokratien. Mehr zu SANKT FALSTAFF: Sankt Falstaff (residenztheater.de) Mehr zu den Veranstaltungen am Residenztheater findet ihr hier: Spielplan | residenztheater.de Residenztheater (@residenztheater) auf Instagram Im Gespräch: Andreas Beck und Steven Scharf Redaktion: Lea Unterseer, Benedikt Ronge Schnitt: Lea Unterseer, Jan Faßbender Musik: Michael Gumpinger

The castle at Shipbrook near Davenham is long lost to us today, its last traces being cleared from the land in the 1790s. However, in balancing the brutal events of early Norman England together with the history of a key local family, not only can we better appreciate this often overlooked corner of medieval Cheshire, but perhaps for the first time, look to understand the story of Shipbrook Castle and its ties to a bloody revolt against King Henry IV.Mythstoric Journeys, the hardback anthology collection from Eli, is available here!Visit thelocalmythstorian.com

Hospital Rooms has been bringing world-class contemporary art into NHS mental healthcare units since 2016. Today, we focus on their most ambitious work to date at Hellesdon Hospital, part of the Norfolk and Suffolk NHS Foundation Trust. This project embodies both successes and challenges – from the triumph of commissioning fifteen incredible artists to create site-specific works, to the complex realities of working within a healthcare setting that has faced its own struggles in recent years. Joining me are three remarkable individuals who have been integral to the transformation of the Hellesdon spaces: Ken Nwadiogbu, a multidisciplinary artist from Lagos whose journey from civil engineering to fine art has led him to this transformative project, alongside the artist Sarah Dwyer who places drawing at the heart of her practice. We are also joined by Dr. Sophie Bagge, the Lived Experience Lead at the Norfolk and Suffolk NHS Foundation Trust, who brings invaluable perspective as someone with personal and professional insights. Throughout this episode, you'll hear a sound composition by Mark Jennings titled Wards Extended, 2025 - created from recordings made in two psychiatric facilities – one abandoned and awaiting demolition, the other newly built and preparing to open.Shape, Shift, an exhibition of artworks from this project opens at The Fitzrovia Chapel in London, from March 13-25, 2025.This episode was supported by Hospital Rooms.Executive Produced and hosted by Lou MensahShade Podcast InstagramMusic King Henry IV original composition for Shade Podcast by Brian JacksonEdit & Mix by Tess DavidsonPodcast design Joel Antoine-WilkinsonBi-monthly art magazine Shade Art Review Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

In May 2015, 20 year-old Mhairi Black was the youngest person for more than a century to become a Member of Parliament – and she then remained a Westminster MP until standing down at the 2024 election. A new BBC documentary follows her last six months in that role and looks at what her future could hold in a new career as a stand-up comedian. Now 30, she joins Anita Rani to reflect on her years in Parliament and what she'd like to see change about the way it functions.The Women's Prize was founded thirty years ago and this year Woman's Hour will be talking to longlisted writers along with previous winners. In our first discussion Anita is joined by Helen Castor, longlisted in the non-fiction category for 'The Eagle and the Hart', a psychologically gripping account of King Richard II and King Henry IV, and by Rosanna Pike, longlisted for her novel 'A Little Trickerie', which is set in 1500 and tells the story of an orphaned girl who attempts an audacious hoax.Today at the Royal Albert Hall, Natasha Jonas and Lauren Price will be the first female headliners to box in what will be the venue's first all-female card. Jonas, an experienced fighter, is taking on Price, a rising star who has never lost a round as a pro. With world titles on the line, British sports journalist and presenter Anna Woolhouse joins us to discuss a huge moment in British women's boxing, which emphasises the progress of women in the sport.Presenter: Anita Rani Producer: Laura Northedge

In dieser Episode trifft Intendant Andreas Beck einen langjährigen Weggefährten: Ensemblemitglied Steffen Höld. Gemeinsam begeben sich die beiden auf eine Erinnerungsreise zu den verschiedenen Stationen ihrer künstlerischen Vergangenheit – von Wien über Basel bis nach München – und lassen den einen oder anderen Lieblingsmoment Revue passieren. Ihr habt Fragen, Anmerkungen oder Wünsche? Wir freuen uns auf eure Nachricht per Mail an onlinekommunikation@residenztheater.de! Mehr zu Steffen: Steffen Höld (residenztheater.de) SANKT FALSTAFF von Ewald Palmetshofer frei nach Shakespeares «King Henry IV» Inszenierung Alexander Eisenach Sprachlich geschliffen und mit widerständigem Witz übersetzt der österreichische Dramatiker Ewald Palmetshofer Shakespeares Königsdrama «King Henry IV» in die aktuelle Gegenwart erodierender Demokratien. Mehr zu SANKT FALSTAFF: Sankt Falstaff (residenztheater.de) WAS ICH VERGESSEN HABE ein Projekt über Demenz von Jürgen Berger und Anna Karasińska Inszenierung Anna Karasińska Wie kann man sich das Land vorstellen, das man bewohnt, wenn man sein Gedächtnis verliert oder schon verloren hat? Wie kann man mit den Bewohner*innen dieses Landes kommunizieren? Poetisch und berührend kreiert das Ensemble eine Versuchungsanordnung, die der Erfahrung des Vergessens spielerisch nachgeht. Mehr zu WAS ICH VERGESSEN HABE: Was ich vergessen habe (residenztheater.de) STERNSTUNDEN DER MENSCHHEIT nach Stefan Zweig in einer Fassung von Thom Luz Inszenierung und Sounddesign Thom Luz Stefan Zweig versammelt in seinen historischen Miniaturen Glanzleistungen der europäischen Geschichte. In Thom Luz' poetischer und musikalischer Inszenierung werden sie zu Archivmaterial, das erforscht, besungen, in kurzen Momenten zum Leben erweckt und in Bezug zu Zweigs Biografie, seinem Weg ins brasilianische Exil gesetzt wird. Mehr zu STERNSTUNDEN DER MENSCHHEIT: Sternstunden der Menschheit (residenztheater.de) Mehr zu den Veranstaltungen am Residenztheater findet ihr hier: Spielplan | residenztheater.de Residenztheater (@residenztheater) auf Instagram Im Gespräch: Andreas Beck und Steffen Höld Redaktion: Lea Unterseer, Benedikt Ronge Schnitt: Lea Unterseer, Jan Faßbender Musik: Michael Gumpinger

Anlässlich der Uraufführung von „Sankt Falstaff“ trifft sich Intendant Andreas Beck mit dem Hausautor Ewald Palmetshofer und spricht mit ihm über sein neustes Werk. Wann er mit dem Schreiben angefangen hat, wie er seine Sprache dem Alltäglichen ablauscht und welche Hoffnung für Krisenzeiten in seinem neuen Stück steckt – darum geht es in dieser Spezial-Folge von „Wie spielst schreibst du das?“. Ihr habt Fragen, Anmerkungen oder Wünsche? Wir freuen uns auf eure Nachricht per Mail an onlinekommunikation@residenztheater.de! Mehr zu Ewald: Ewald Palmetshofer (residenztheater.de) SANKT FALSTAFF von Ewald Palmetshofer frei nach Shakespeares «King Henry IV» | Uraufführung/Auftragswerk | Inszenierung Alexander Eisenach Sprachlich geschliffen und mit widerständigem Witz übersetzt der österreichische Dramatiker Ewald Palmetshofer Shakespeares Königsdrama «King Henry IV» in die aktuelle Gegenwart erodierender Demokratien. Mehr zu den Veranstaltungen am Residenztheater findet ihr hier: Spielplan | residenztheater.de Residenztheater (@residenztheater) auf Instagram Im Gespräch: Andreas Beck und Ewald Palmetshofer Redaktion: Benedikt Ronge, Lea Unterseer Schnitt: Jan Faßbender und Lea Unterseer Musik: Michael Gumpinger

The complete audiobook is available for purchase at Audible.com https://n9.cl/67o08 Henry IV, Part 1 & Part 2 By William Shakespeare Narrated by Laura E. Richcreek, Blaise Doran, Alan Weyman, Rory Barnett, Tim Dehn, Graham Scott, Geraint Pickard, Noni Lewis, Roberta Jackson, Denis Daly, Christopher Dukes, Sarah Jane Rose, Josh Innerst, Gregory Dwyer and Shane Emmett This full cast presentation includes Part 1 and Part 2 of Shakespeare's Henry IV.In 1598 appeared a Quarto with the following title:The History of Henrie the Fourth; With the Battell at Shrewsburie, betweene the King and Lord Henry Percy, surnamed Henrie Hotspur of the North. With the humorous conceits of Sir John Falstaffe. At London. Printed by P. S. for Andrew Wise, dwelling in Paules Churchyard, at the signe of the Angell. 1598.This was the First Part of Shakespeare's Henry IV, which must have been written in 1597. This play is the first in which Shakespeare really demonstrated his great and overwhelming individuality. Its dramatic structure is fairly loose, though is closer knit and technically stronger than that of the Second Part. However, as a poetical creation, it is one of the great masterpieces of the world's literature, at once heroic and burlesque, thrilling and side-splitting. Yet these contrasted elements are not brought into hard-and-fast rhetorical antithesis, but move and mingle with a natural freedom. The driving elements of the plot are the machinations of the guilt-ridden King Henry IV to establish the legitimacy of his accession and the inevitable revolt by the former supporters who helped him to gain the throne. One of the leaders of the opposing faction is the warlike Henry Percy, nicknamed Hotspur, who the king compares unfavourably with his own son, the self-indulgent and riotous Prince Hal. The prince spends much of his time cavorting with a group of boon companions, the most notable of which is the dissipated and unscrupulous knight, Sir John Falstaff, who acts as something of a surrogate parent. At the end of the First Part, the revolt is suppressed; in the conflict, Prince Hal reveals his true character as a doughty defender of the realm. In the Second Part, the king's health progressively declines and Hal begins to assert his royal prerogative. Eventually, the king dies, and Hal, now having shed all his adolescent impertinence, ascends to the throne. Falstaff, in expectation of elevation to high office and new-found prosperity, publicly accosts the new king and is rudely rebuffed, together with his disreputable retinue. Audio edited by Denis Daly The text used for this performance was kindly provided by playshakespeare.com. Welsh dialogue and tune for Lady Mortimer's song in Henry IV Part One provided by Noni Lewis.

At the end of June in 1399 Henry Bolingbroke, son of John of Gaunt and cousin to King Richard II, landed at Ravenspurn with a small force intent on the overthrow of Richard. The King, who had been in Ireland, did not rush to return to England, but when he did, his throne had been lost, and Bolingbroke became King Henry IV. Richard would die in mysterious circumstances not long after. Henry had secured the throne but his would not be a happy reign. Joining to discuss the two grandsons of Edward III is Helen Castor, author of The Eagle and the Hart: the Tragedy of Richard II and Henry IV as we delve into the two characters in a fascinating period of medieval history. Helen Castor Links The Eagle and the Hart: The Tragedy of Richard II and Henry IV Helen on X Aspects of History Links Latest Issue out - Annual Subscription to Aspects of History Magazine only $9.99/£9.99 Ollie on X Aspects of History on Instagram Get in touch: history@aspectsofhistory.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Warum manche Texte einfach an die Wand geworfen werden müssen und warum es so faszinierend sein kann, sich in Textwüsten zu verlieren – darüber spricht Schauspielerin Myriam Schröder mit Intendant Andreas Beck und begibt sich mit ihm auf eine Reise durch ihre Arbeit mit den Autor*innen Nele Stuhler, Ewald Palmetshofer und Elfriede Jelinek. Ihr habt Fragen, Anmerkungen oder Wünsche? Wir freuen uns auf eure Nachricht per Mail an onlinekommunikation@residenztheater.de! Mehr zu Myriam: Myriam Schröder (residenztheater.de) UND ODER ODER ODER ODER UND UND BEZIEHUNGSWEISE UND ODER BEZIEHUNGSWEISE ODER UND BEZIEHUNGSWEISE EINFACH UND von Nele Stuhler Inszenierung FX Mayr Die Komödie von Nele Stuhler hangelt sich auf musikalische und poetische Weise an den Gegensätzen entlang, die unser Leben bestimmen: von den Untiefen des Alltags («Frühstücken oder nicht») bis zur ganz großen Weltlage («Krieg oder nicht»). Geprobt wird dabei nichts weniger als der Dialog in seiner klarsten Form und seiner ganzen Schönheit. Mehr zu UND: Und (residenztheater.de) SANKT FALSTAFF von Ewald Palmetshofer frei nach Shakespeares «King Henry IV» Inszenierung Alexander Eisenach Der Staatsstreich ist geglückt. Wie ein Quasi-König regiert Heinrich das Land. Doch er ist alt und krank und kein geeigneter Nachfolger in Sicht. Im Schatten dieser strauchelnden Herrschaft laufen die Geschäfte in Frau Flotts Containerkneipe hingegen ausgesprochen gut. Dort schlägt sich der in jeder Hinsicht raumgreifende John Falstaff mit seinem Intimfreund Harri die Nächte um die Ohren – ein ungleiches Paar, verbunden durch die gemeinsame Lust an scharfzüngiger Rede und reichlich Bier. Als Harri jedoch aus dem Zentrum der Macht ein unmoralisches Angebot erreicht, wirft das nicht nur auf die Zukunft des Staats, sondern auch auf Johns Freundschaft zu Harri ein neues Licht. Sprachlich geschliffen und mit widerständigem Witz übersetzt der österreichische Dramatiker Ewald Palmetshofer Shakespeares Königsdrama «King Henry IV» in die aktuelle Gegenwart erodierender Demokratien. Dabei treibt er in seiner Neudichtung der Politik pointenreich die Komödie aus, bis der Autokratie das Lachen vergeht. Mehr zu SANKT FALSTAFF: Sankt Falstaff (residenztheater.de) AGAMEMNON von Aischylos Inszenierung Ulrich Rasche Ulrich Rasche ist bekannt für seine bildgewaltigen Inszenierungen, die die Schauspielenden in ständiger Bewegung und einem Kreislauf halten, aus dem kein Ausbruch möglich scheint. In Aischylos' «Agamemnon» ist es die Spirale der Gewalt, die nach Agamemnons Rückkehr aus dem Trojanischen Krieg und einem Racheakt seiner Frau Klytämnestra immer mehr Blut fordert. Mehr zu AGAMEMNON: Agamemnon (residenztheater.de) Mehr zu den Veranstaltungen am Residenztheater findet ihr hier: Spielplan | residenztheater.de Residenztheater (@residenztheater) auf Instagram Im Gespräch: Andreas Beck und Myriam Schröder Redaktion: Benedikt Ronge, Lea Unterseer Schnitt: Jan Faßbender und Lea Unterseer Musik: Michael Gumpinger

This series of conversations with art educators expand on the ideas presented by Visualise: The Runnymede Trust and Freelands Foundation 2024 report on Race & Inclusion in Secondary School Art Education. In this episode 'Visualise the Future' we are joined by Carey Robinson, Deputy Director, Learning and Public Programmes at The Fitzwilliam Museum in Cambridge. She has formerly held strategic, curatorial, and creative producer roles at leading cultural institutions including Tate, the Institute of Contemporary Arts, the South London Gallery, and The Courtauld. Carey and I reflect and expand on the reports recommendations for the future and imagine a new direction for art education in the U.K. Carey's referenced the following resources in our conversation:Anti-Racism Framework for Initial Teacher Training/Educationhttps://indd.adobe.com/view/ffcc4fdd-e948-41fc-bb21-fca9e82b6b91 Centre for Creative Explorations (Dr Clare Stanhope)https://centreforcreativeexplorations.weebly.com/ Dr Claire Stewart-Hall (constructions of race in education)https://www.leedsbeckett.ac.uk/staff/associate-staff/claire-stewart-hall/ Centre for Race, Education and Decoloniality (CRED)https://www.leedsbeckett.ac.uk/research/centre-for-race-education-and-decoloniality/ My Primary School is at the Museumhttps://www.kcl.ac.uk/cultural/resources/reports/161107-primary-at-museum-report-stage-7-visual-interactive.pdf https://paradigmproject.co.uk/Read the report Freelands Foundation Visualise report here. Executive producer and host Lou MensahShade Podcast InstagramShade Podcast WebsiteMusic King Henry IV original composition for Shade Podcast by Brian JacksonEdit & Mix by Tess DavidsonEditorial support Dale Berning SawaPodcast design Joel Antoine-WilkinsonShade Art Review Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

This series of conversations with art educators, practitioners and makers expands on the ideas presented by Visualise: The Runnymede Trust and Freelands Foundation 2024 report on Race & Inclusion in Secondary School Art Education. In this episode 'The Art of Teaching' we are joined by Shepherd Manyika, an artist and educator based in London. Shepherd graduated from Central Saint Martins with a BA in Fine Art and an MA in Academic Practice in Art, Design and Communications and has since gone on to work and exhibit with Spike Island, Iniva, Camden Arts Centre and Tate. Shepherd joins me today to discuss teaching as an artistic practice. Freelands Foundation works to broaden access to art education and the visual arts across the UK. They work with teachers and educators to develop diverse and ambitious approaches to art education. Read the report Visualise report here. Executive producer and host Lou MensahShade Podcast InstagramShade Podcast WebsiteMusic King Henry IV original composition for Shade Podcast by Brian JacksonEdit & Mix by Tess DavidsonPodcast design Joel Antoine-WilkinsonShade Art Review Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

fWotD Episode 2737: William de Ros, 6th Baron Ros Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Friday, 1 November 2024 is William de Ros, 6th Baron Ros.William de Ros, 6th Baron Ros (c. 1370 – 1 November 1414), was a medieval English nobleman, politician and soldier. The second son of Thomas de Ros, 4th Baron Ros, and Beatrice Stafford, William inherited his father's feudal barony and estates (with extensive lands centred on Lincolnshire) in 1394. Shortly afterwards, he married Margaret, daughter of John FitzAlan, 1st Baron Arundel. The Fitzalan family, like that of de Ros, was well-connected at the local and national level. They were implacably opposed to King Richard II, and this may have soured Richard's opinion of the young de Ros.The late 14th century was a period of political crisis in England. In 1399, Richard II confiscated the estates of his cousin, Henry Bolingbroke, Duke of Lancaster, and exiled him. Bolingbroke invaded England several months later, and de Ros took his side almost immediately. Richard's support had deserted him; de Ros was alongside Henry when Richard surrendered his throne to the invader, who became King Henry IV. De Ros later voted in the House of Lords for the former king's imprisonment. De Ros benefited from the new Lancastrian regime, achieving far more than he had ever done under Richard. He became an important aide and counsellor to King Henry and regularly spoke for him in Parliament. He also supported Henry in his military campaigns, participating in the invasion of Scotland in 1400 and assisting in the suppression of the rebellion of Richard Scrope, Archbishop of York, five years later.In return for his loyalty to the new regime, de Ros received extensive royal patronage. This included lands, grants, wardships, and the right to arrange the wards' marriages. De Ros performed valuable service as an advisor and ambassador (perhaps most importantly to Henry, who was often in a state of near-penury; de Ros was a wealthy man, and regularly loaned the crown large amounts of money). Important as he was in government and the regions, de Ros was unable to avoid the tumultuous regional conflicts and feuds which were rife at this time. In 1411 he was involved in a land dispute with a powerful Lincolnshire neighbour, and narrowly escaped an ambush; he sought and received redress in Parliament. Partly because of de Ros's restraint in not seeking the severe penalties available to him, he was described by a 20th-century historian as a particularly wise and forbearing figure for his time.King Henry IV died in 1413. De Ros did not long survive him, and played only a minor role in government during the last year of his life. He may have been out of favour with the new king, Henry V. As Prince of Wales, Henry had fallen out with his father a few years before, and de Ros had supported Henry IV over his son. De Ros died in Belvoir Castle on 1 November 1414. His wife survived him by twenty-four years; his son and heir, John, was still a minor. John later fought at Agincourt in 1415 and died childless in France in 1421. The barony of de Ros was then inherited by William's second son, Thomas, who also died in military service in France, seven years after his brother.This recording reflects the Wikipedia text as of 08:39 UTC on Friday, 8 November 2024.For the full current version of the article, see William de Ros, 6th Baron Ros on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Matthew.

This series of conversations with art educators, practitioners and makers expands on the ideas presented by Visualise: The Runnymede Trust and Freelands Foundation 2024 report on Race & Inclusion in Secondary School Art Education. In this episode 'Art Outside the Classroom' we are joined by Dr Sadegh Aleahmad, an Iranian-born multi-disciplinary artist, facilitator and lecturer based in London. Sadegh's practice explores dynamics of his diasporic identity by experimenting with mirrors and voice. Today, we discuss Sadegh's art education work beyond the classroom, enabling new ways of thinking, creating and coming together in community.Freelands Foundation works to broaden access to art education and the visual arts across the UK. They work with teachers and educators to develop diverse and ambitious approaches to art education. Read the report Visualise report here. Executive producer and host Lou MensahShade Podcast InstagramShade Podcast WebsiteMusic King Henry IV original composition for Shade Podcast by Brian JacksonEdit & Mix by Tess DavidsonPodcast design Joel Antoine-WilkinsonShade Art Review Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

This series of conversations with art educators, practitioners and makers expands on the ideas presented by Visualise: The Runnymede Trust and Freelands Foundation 2024 report on Race & Inclusion in Secondary School Art Education. In this episode 'Classroom Portraits' we are joined by Exodus Crooks, a Birmingham-based multi-disciplinary artist and educator who works with installation, film-making and text. Through their practice they explore ideas of self-determination, religion and spirituality at the intersection of education, using their role as a teacher to re-imagine Western pedagogy. Exodus has previously exhibited with Iniva, Ikon Gallery and the National Gallery, among others. Today they'll be joining me to discuss their experience as both an educator and former student, and how we can transform the art curriculum within the classroom. Freelands Foundation works to broaden access to art education and the visual arts across the UK. They work with teachers and educators to develop diverse and ambitious approaches to art education. Read the report Visualise report here. Executive producer and host Lou MensahShade Podcast InstagramShade Podcast WebsiteMusic King Henry IV original composition for Shade Podcast by Brian JacksonEdit & Mix by Tess DavidsonEditorial support from Anne KimunguyiPodcast design Joel Antoine-Wilkinson Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

This new weekly, five part series of conversations with art educators, practitioners and makers expands on the ideas presented by Visualise: The Runnymede Trust and Freelands Foundation 2024 report on Race & Inclusion in Secondary School Art Education. These conversations aim to support educators in providing a more diverse art curriculum. Today Henry Ward, an artist, educator and the Director of Freelands Foundation and Shabna Begum, CEO of the Runnymede Trust give an overview of the UK arts education ecosystem.Freelands Foundation works to broaden access to art education and the visual arts across the UK. They work with teachers and educators to develop diverse and ambitious approaches to art education. Read the report Visualise report here. Apologies for the disruption to sound quality in this episode.Executive producer and host Lou MensahShade Podcast InstagramShade Podcast WebsiteMusic King Henry IV original composition for Shade Podcast by Brian JacksonEdit & Mix by Tess DavidsonEditorial support from Anne Kimunguyi Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Enjoy our special episode which captures and reflects on a discussion on new approaches to sculpture outdoors which took place at the inaugural London Sculpture Week symposium at London Metropolitan University on 25th September 2024. The discussion features contributions from the following speakers:Jo Baxendale, Visual Arts Project Manager Fourth Plinth, Greater London Authority Sarah Carrington, Deputy Director, The Line Dr Libby Heaney, Artist, Frieze Sculpture Stella Ioannou, Artistic Director, Sculpture in the City and Founding Director, LacunaKatie Schwab, Artist, The Line Vanessa da Silva, Artist, Sculpture in the City Dr Jacek Ludwig Scarso, Moderator and Deputy Director, CREATUREFatoş Üstek, Independent writer and curator, Frieze Sculpture  The LSW symposium was developed by The Line in collaboration with CREATURE at London Metropolitan University and supported by Arts Council England and Bloomberg Connects, the official digital partner for London Sculpture Week.This episode is sponsored by Bloomberg Connects, the free arts and culture app. The app gives access to over 550 free guides of museum, galleries, sculpture parks, gardens, and other art spaces around the world. Bloomberg Connects is the official digital guide for London Sculpture Week and presents free content for Frieze Sculpture, The Line, Sculpture in the City and the Fourth Plinth. Download the app to discover more.Please support our independent podcast by donating £5 hereRead Shade Art Review Shade Art Review 20% discount codeShade Podcast InstagramShade Podcast WebsiteShade Podcast is Executive produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonEdit & Mix by Tess DavidsonSymposium recording by Innerar. Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

At the beginning of the 15th century, Owain Glyndŵr would lead a Welsh rebellion against King Henry IV of England. One of the key moments of the war would take place at Bryn Glas. You can support this podcast on Patreon - go to https://www.patreon.com/medievalists

Donald Rodney (b. 1961, West Bromwich; d. 1998, London) worked across sculpture, installation, drawing, painting, and digital media, experimenting with new materials and technologies throughout his life. His work is known for being incisive, acerbic, and evocative in its analysis of the prejudices and injustices surrounding racial identity, Black masculinity, chronic illness, and Britain's colonial past. Rodney was also co-founding member of the BLK Art Group: an association of young Black artists formed in Wolverhampton in 1982.Visceral Canker is the major survey of the artist's work at Spike Island, bringing together all of Rodney's surviving works. This includes large-scale oil pastels on X-rays, kinetic and animatronic sculptures, and restaged installations, as well as sketchbooks and rare archive materials, spanning 1982 to 1997. Also on display is Autoicon (1997–2000), an interactive digital artwork initiated by Rodney and finalised by a group of his close friends after he died from sickle cell anaemia in 1998. The exhibition is curated by Robert Leckie, Spike Island's former Director, and Nicole Yip - the gallery's new director. Today, I am joined by both Nicole and Robert, to discuss the life and work of Donald Rodney, the ambitions of the exhibition and the complexities involved in interpreting an artist's work once they are no longer with us. The exhibition will tour at Nottingham Contemporary from 28 September 2024 to 5 January 2025 and at Whitechapel Gallery from 12 February to 18 May 2025.Please support our independent podcast by donating £5 hereRead Shade Art Review Shade Art Review Series 11 | 20% discount codeShade Podcast InstagramShade Podcast WebsiteShade Podcast is Executive produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonEdit & Mix by Mae-Li EvansEditorial support from Anne Kimunguyi Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Enjoy our special episode from the exhibition When We See Us: A Century of Black Figuration in Painting at Kunstmuseum in Basel recorded by Anne Kimunguyi. Many of you know Anne from her Shade Art Review. features.Our guest is Head of Contemporary Art at Kunstmuseum Basel, Maja Wismer. As part of her role, she specialises in art of the late 20th and early 21st century, having previously held the role of Curatorial Fellow at the Busch Reisinger Museum of the Harvard Art Museums. Based at the Kunstmuseum, her previous work has seen the realisation of the exhibition ‘Kara Walker. A Black Hole is Everything a Star Longs to be', as well as projects involving the move of the works of Joseph Beuys from the newly created space – Museum fur Gegenwarsknust, a museum dedicated exclusively to contemporary art in 1980. Please help save our independent podcast by donating £5 hereRead Shade Art Review Shade Art Review Series 11 | 20% discount codeShade Podcast InstagramShade Podcast WebsiteShade Podcast is Executive produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonEdit & Mix by Mae-Li EvansEditorial support from Anne Kimunguyi Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Matthew Krishanu (b.1980, Bradford, UK) paints atmospheric, pared-back compositions including scenes from the artist's life, particularly his childhood years in Bangladesh growing up with his brother, and their parents—a British Christian missionary and an Indian theologian. In the paintings, seemingly familiar narratives are alluded to but destabilised. The viewer's own projections are called upon to fulfil the interpretive loop, raising questions about childhood, religion, race, power, and the legacies of empire.The Bough Breaks is showing at Camden Art Centre until June 23. Krishanu's forthcoming solo exhibition will show at Tanya Leighton L.A., in the autumn.Read Shade Art Review Shade Art Review Series 11 | 20% discount codeShade Podcast InstagramShade Podcast WebsiteShade Podcast is Executive produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonEdit & Mix by Mae-Li EvansEditorial support from Anne Kimunguyi Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the second of our episodes from the 60th International Art Exhibition - La Biennale di Venezia. I am delighted to welcome back Aindrea Emelife as my guest. Aindrea is a curator and art historian of modern and contemporary art, whose practise specializes in colonial and decolonial African histories and the politics of representation. Aindrea is the curator of Nigeria Imaginary at the Nigeria Pavilion at this year's Venice Biennale, which sees the country participating in the festival for the second time. The pavilion will show projects made in collaboration with the Museum of West African Art, where Aindrea is also a curator. Today, we will be getting an exciting introduction into this year's Nigeria Pavilion andhearing a bit more about the participating artists, their works and the curatorial thinking behind this year's exhibition.Enjoy a review, including images of Nigeria Imaginary written by Anne Kimunguyi in today's special edition of Shade Art Review.Read Shade Art Review Shade Art Review 20% discount codeShade Podcast InstagramShade Podcast is Executive produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonEditing and mixing by Tess DavidsonEditorial support by Anne KimunguyiNigeria ImaginaryAindrea Emelife Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the first of our episodes from the 60th International Art Exhibition - La Biennale di Venezia.Today, I am delighted to hand the mic to my dear friend the arts writer Dale Berning Sawa, who met with John Akomfrah at the preview of The British Council commission Listening All Night To The Rain. You'll also hear from me in this episode and Dale shares a reflection on her first Venice experience and conversation with the artist on this special occasion. You can also enjoy Dale's review of Listening All Night To The Rain and images from the exhibition, in Shade Art Review. today.Listening All Night To The Rain continues artist and filmmaker John Akomfrah's investigation into themes of memory, migration, racial injustice and climate change with a renewed focus on the act of listening and the sonic. The exhibition, conceived as a single installation with eight interlocking and overlapping multi-screen sound and time-based works, is seen as a manifesto that encourages the idea of listening as activism and positions various progressive theories of acoustemology: how new ways of becoming are rooted in different forms of listening. Encouraging visitors to experience the British Pavilion's 19th century neoclassical building in a different way, Akomfrah's commission interprets and transforms the fabric of the space in order to interrogate relics and monuments of colonial histories.John Akomfrah initially came to prominence in the early 1980s as part of the Black Audio Film Collective (BAFC), a collective founded in 1982. An early film by BAFC, titled Handsworth Songs (1986), explored the events around the 1985 riots in Birmingham and London. In recent years, Akomfrah's work has evolved into ambitious, multi-channel installations presented in galleries and museums worldwide. In 2017, he won the Artes Mundi prize, the UK's biggest award for international art. He has previously participated in the 58th Venice Viennale with Four Nocturnes, commissioned for the inaugural Ghana Pavilion in 2019, and Vertigo Sea (2015) as part of the 56th International Art Exhibition. The British Council commission Listening All Night To The Rain at the Venice Biennale 2024 runs from Saturday 20 April to Sunday 24 November 2024. Read Shade Art Review Shade Art Review 20% discount codeShade Podcast InstagramShade Podcast is Executive produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonEditing and mixing by Tess DavidsonDale Berning SawaBritish PavilionVenice Biennale Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Legacy Russell is Executive Director & Chief Curator of the experimental arts institution The Kitchen, one of New York's oldest non-profit spaces. She is writer, curator and author of the critically acclaimed Glitch Feminism: A Manifesto. I am delighted to have Legacy join me to talk about Black Meme, which is due to be published on May 7th. Black Meme focuses on the history and production of the ‘Meme' – tracing through Black visual culture from its first appearance in the early 20th century all the way through to present times. It is a critical dissection of race, class, and gender as performed online and offline and emphasizes the central role that Black contributions have played in the development of digital culture.  On the ‘Meme', Legacy says:' I want to talk about the economy and engine of this and perhaps push further a discussion about how we can hold ourselves accountable to how this material is produced and circulated.” Black Meme is available to purchase online and in stores from May 7th. Here is a link to Legacy's talk on The New Bend exhibition, as mentioned in Lou's intro. Read Shade Art Review Shade Art Review Series 10 | 20% discount codeShade Podcast InstagramShade Podcast is Executive produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonEditing and mixing by Tess DavidsonEditorial support from Anne Kimunguyi Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Ibrahim Mahama is an installation artist who works with textiles, material production and found objects to create large-scale public interventions. He initially garnered widespread attention for his open-air installations made of stitched-together jute sacks that were draped on or over architectural structures, such as libraries, an airport, and a museum, in the cities of Accra and Kumasi, where he is based. His practise involves a collaborative process of sourcing, collecting, reproducing and installing the often-textile based materials he works with. His pieces speak to ideas around historical memories, traditional belief systems, local economies and the democratisation of art. Ibrahim's works have been shown in various group and solo shows, including The Norval Foundation in Cape Town, The White Cube in London and Hong Kong and has been a part of the Ghana Pavilion for 2019 Venice Biennale, among many others. In this episode, Ibrahim and I discuss his new large-scale public commission at the Barbican, the process behind creating this work and his hopes for its reception.Ibrahim Mahama Purple Hibiscus runs at the Lakeside Terrace at the Barbican from April 10 - 18 August 2024 and is free to the public.Read Shade Art Review Shade Art Review Series 10 | 20% discount codeShade Podcast InstagramShade Podcast is Executive produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonEditing and mixing by Tess DavidsonEditorial support from Anne Kimunguyi Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Michael Ohajuru is a London-based art historian who returns to the podcast to discuss the John Blanke project, a large gathering of artists and historians who have come together to re-imagine John Blanke, the black trumpeter to the courts of Henry 7th and Henry 8th and the first person of African descent in British history that we have both a visual and written record of. The participating artists include Keith Piper, Wole Lagunju, Phoebe Boswell, Paul Dash and Larry Achiampong. David Olusoga Professor of Public History at the University of Manchester says of the project:"The John Blanke Project redefines historical exploration by merging practical scholarship with innovation and critical imagination. Anchored in social justice, it reveals the overlooked narratives of Black Tudor England, enriching our grasp of diversity and British identity. By blending art and history, it encourages a deeper, empathetic engagement with our shared past, advocating for a more inclusive and equitable understanding of history."Thanks for listening to this independent podcast. You can support this work by reviewing and sharing the podcast or becoming a Shade Art Review subscriber.Read Shade Art Review Shade Art Review Series 10 | 20% discount codeShade Podcast InstagramShade Podcast is Executive produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonEditing and mixing by Tess DavidsonEditorial support from Anne Kimunguyi Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Joy Gregory (b. 1959. Bicester, UK). Born in the UK to Jamaican parents, Joy Gregory's work explores the impact of colonialism on global perceptions of beauty, memory, botany, health and traditional knowledge. As a photographer, Gregory has worked over decades in various media, including video, digital and analogue photography, film installation, Victorian print processes and more recently textiles; exploring photography as technology and as mode of artistic expression. She is interested in understanding how individuals and communities remember and interpret their history, particularly in relation to their connection to the land.Joy & Lou discuss the themes of process and practice as they have developed throughout the artist's four decade career. In June, Art on the Underground will unveil a new series of Joy's artworks at Heathrow Terminal 4 Underground station - envisaging Heathrow as a portal of entry and exit. I spoke with Joy in February, as she embarked on her partnership with Hillingdon-based charity Refugees in Effective and Active Partnership (REAP) facilitating a series of photographic workshops with asylum seekers living in hotels in the Heathrow area, as well as a community group for Afghan women in Hayes and Harlington. These workshops will inform the creation of her artwork for Heathrow Terminal 4, giving space to the stories of newly arrived Londoners, displaced people whose realities are increasingly maligned and misrepresented. The work will offer an indelible trace of the cultures, languages and hopes which coalesce in London. In the Autumn of 2025, Whitechapel Gallery will stage Joy's first monographic exhibition, surveying a four-decade practice.Thanks for listening to this independent podcast. You can support this work by reviewing and sharing the podcast or becoming a Shade Art Review subscriber (follow the link below for details).Read Shade Art Review Shade Art Review Series 10 | 20% discount codeShade Podcast InstagramShade Podcast is Executive produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonEditing and mixing by Tess DavidsonEditorial support from Anne Kimunguyi Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

This evening, 21 March '24 6 - 8pm GMT: Artist Talk - Tiona Nekkia McClodden at White Cube Bermondsey, London. Tiona will discuss the impetus of her solo exhibition ‘A MERCY | DUMMY', which spans two discrete bodies of works produced alongside each other. McClodden will explore the impulse to present two bodies of works together for the first time in her career through a choreographed sharing of her collection of archival research, music, video, and texts. Reserve a spot here. MERCY | DUMMY runs until 24 March.Tiona Nekkia McClodden (b.1981, Blytheville, Arkansas) spent her formative years throughout the American South. Trained as a filmmaker, McClodden worked largely within the punk and club scene in Atlanta before moving to Philadelphia in 2006 and expanding her practice to include painting, sculpture, photography and installation.Recent solo exhibitions include Baltimore Museum of Art, Maryland (2023); Kunsthalle Basel, Switzerland (2023); The Shed, New York (2022); 52 Walker, New York (2022); The Triple Deities, Philadelphia, Pennsylvania (2021); and Company Gallery, New York (2019). Selected group exhibitions include Solomon R. Guggenheim, New York (2023–24); El Museo del Barrio in New York (2022–23), touring to Phoenix Art Museum, Arizona (2023) and Museum of Contemporary Art, North Miami, Florida (2023–24); ICA Los Angeles, California (2022); Prospect 5, New Orleans, Louisiana (2021–22); Philadelphia Museum of Art, Pennsylvania (2021); New Museum, New York (2021); Haus der Kulturen der Welt, Berlin (2019); and the Whitney Biennial, New York (2019). Other presentations of her work have been on view at MOCA, Los Angeles, California (2017); MCA Chicago, Illinois (2017); and MoMA PS1, New York (2016). In recent years, McClodden has won prestigious grants and fellowships, including the Warhol Foundation Arts Writers Grant (2022), Princeton Arts Fellowship (2021–23); the Bucksbaum Award, Whitney Museum of American Art (2019); Guggenheim Fellowship in Fine Arts (2019); the Louis Comfort Tiffany Award (2017); and the Pew Fellowship (2016), while running Conceptual Fade, a project gallery and library she founded in 2020 that hosts micro-exhibitions and publications centred on Black art and conceptual practice.Work by McClodden is in the permanent collections of the Baltimore Museum of Art, Maryland; MoMA, New York; Philadelphia Museum of Art, Pennsylvania; and Rennie Museum, Canada.Read Shade Art Review Shade Art Review Series 10 | 20% discount codeShade Podcast InstagramShade Podcast is Executive produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonEditing and mixing by Tess DavidsonEditorial support from Anne Kimunguyi Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Henry IV, Part 2 is a history play by William Shakespeare, believed written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V. The play picks up where Henry IV, Part 1 left off. Its focus is on Prince Hal's journey toward kingship and his ultimate rejection of Falstaff. (From Wikipedia.)This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

King Henry IV, Part 1 is the second of Shakespeare's eight Wars of the Roses history plays, with events following those of King Richard II. As the play opens, King Henry IV (formerly Henry Bolingbroke) and Henry Percy (Hotspur) argue over the disposition of prisoners from the Battle of Holmedon. The King's attitude toward Mortimer and the Percy family prompts them to plot rebellion. In the meantime, his son Prince Hal is living the low life in the company of Sir John Falstaff. As the time of battle nears, Prince Hal joins his father and is given a high command. The play's climax is the Battle of Shrewsbury, in which Prince Hal and Hotspur meet and fight, with Prince Hal and the forces of the King prevailing. The action continues in King Henry IV, Part 2. From the start this has been an extremely popular play both with the public and with critics. (From Wikipedia.)This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

King Henry IV, Part 1 is the second of Shakespeare's eight Wars of the Roses history plays, with events following those of King Richard II. As the play opens, King Henry IV (formerly Henry Bolingbroke) and Henry Percy (Hotspur) argue over the disposition of prisoners from the Battle of Holmedon. The King's attitude toward Mortimer and the Percy family prompts them to plot rebellion. In the meantime, his son Prince Hal is living the low life in the company of Sir John Falstaff. As the time of battle nears, Prince Hal joins his father and is given a high command. The play's climax is the Battle of Shrewsbury, in which Prince Hal and Hotspur meet and fight, with Prince Hal and the forces of the King prevailing. The action continues in King Henry IV, Part 2. From the start this has been an extremely popular play both with the public and with critics. (From Wikipedia.)This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Henry IV, Part 2 is a history play by William Shakespeare, believed written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V. The play picks up where Henry IV, Part 1 left off. Its focus is on Prince Hal's journey toward kingship and his ultimate rejection of Falstaff. (From Wikipedia.)This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The castle at Shipbrook near Davenham is long lost to us today, its last traces being cleared from the land in the 1790s. However, in balancing the brutal events of early Norman England together with the history of a key local family, not only can we better appreciate this often overlooked corner of medieval Cheshire, but perhaps for the first time, look to understand the story of Shipbrook Castle and its ties to a bloody revolt against King Henry IV.A Cestrian Song - Explorations With the Extraordinary Hinterland of Cheshire History is available here! Visit thelocalmythstorian.com

Welcome to the final episode in my seven part, end of year series! Inspired by the Black radical tradition of the harmony between the lyrical and visual, I am joined by friends to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them.Cynthia is a costume designer, whose work you will have seen in successful British films, like the recent Rye Lane directed by Raine Allen-Miller. Cynthia's currently showing work at Somerset House in London as part of the exhibition Missing Thread, which charts the shifting landscape of Black British culture and the unique contribution it's made to Britain's design history. Our friendship began in the early 2000s, when we worked together in my capacity as a photographer.It was Cynthia's generosity of ideas and her unique approach to design that inspired me and makes her one of the most revered costume designers today. Cynthia and I sneaked in a super quick, ten minute conversation whilst she was on set last week. She shares her musical influences and talks about how music is the foundation of her design for all of her characters.Please share and review this independent Black art show. Thank you!ENJOY!Follow us:Shade Podcast Spotify Playlist (updated daily)Shade Art Review Shade Art Review Christmas offer codeShade Podcast InstagramMissing Thread Exhibition Somerset HouseCynthia Lawrence John AgentCynthia Lawrence John InstagramThis series was produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonMixing by Tess Davidson Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the penultimate episode in this Christmas series of conversations. Inspired by the Black radical tradition of the harmony between the lyrical and visual, I am joined by friends artists to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. Rashod Taylor is a Missouri-based photographer whose photographs are a window into the Black American experience. His work uses portraiture to address themes of family, race, culture, and legacy. Rashod is most recognised for his Little Black Boy series, an ongoing project featuring his son, which earned him an Arnold Newman Prize. His work is actively collected by the Museum of Fine Arts in Houston and has been featured in publications including National Geographic, The New Yorker, The Atlantic, The Guardian, Forbes, and many more. His photographs embody a communing of influences from the past, present, and future, he says ”I tell the story of my family history and my story, in my son's story.” Our conversation begins with Rashod telling us about the influence of negro spiritual songs on his work.ENJOY! Please share and review this independent show. Thank you!Follow us:Shade Podcast Spotify Playlist (updated daily)Shade Art Review Shade Art Review Christmas offer codeShade Podcast InstagramRashod Taylor WebsiteRashod Taylor InstagramThis series was produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonMixing by Tess Davidson Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Welcome to this seven part, end of year series - new episodes are released each weekday between Dec 13-21. Inspired by the Black radical tradition of the harmony between the lyrical and visual. I am joined by friends (artists, dancers, musicians) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them.Tyrone is a concept driven artist whose skills originate from Jazz and Hip-Hop Theatre. Working as a performer across dance and music, his practice has grown to become a mixture of Krump, contemporary dance, visual art & Jazz music. He performs in Julian Knxx's latest exhibition Chorus in Rememory of Flight, currently running at the Barbican. "There's already a musical language that is embedded in the ideas of that work because of the way Julian is working with choirs, and then I can try and translate that into movement. I have a good relationship with Julian and there's a lot of trust. So in some ways, we've established a chorus."He recently released his debut LP, S!ck - and was called ”one to watch" by Giles Peterson this year. Commissions include a full length theatre work for the Barbican 'An Earnest Life', a duet for Dance Umbrella, Beyond Words & an international Solo work for Hayley Matthews Ensemble. He is a Steve Reid Innovation Award 2019-2020 recipient, and a 2020 Artist in Residence at Clarence Mews Space, 2021 East London Ideas Fund Awardee & 2022 Peter Whittingham Jazz recipient and a 2023 Take Five jazz awardees.ENJOY! Please share and review this independent show. Thank you!Follow us:Shade Podcast Spotify Playlist (updated daily)Shade Art Review Shade Art Review Christmas offer codeShade Podcast InstagramTyrone S!ck LPTyrone x Julian Knxx at The BarbicanTyrone InstagramThis series was produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonMixing by Tess Davidson Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Welcome to this seven part, end of year series! New episodes released each weekday between Dec 13-21. Inspired by the Black radical tradition of the harmony between the lyrical and visual. I am joined by friends (artists, dancers, musicians) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. Today I am joined by Jose Campos, who is also known by his artist name, Studio Lenca.Jose considers himself to be an artist that doesn't belong anywhere apart from the world he creates.He says that “I have a deep longing to connect with the land of my ancestors. It's a longing that I don't realise is always there until it gets fulfilled.” Jose was forcibly displaced as a consequence of El Salvador's civil war, he one of the first wave of child migrants moving to the USA. Travelling illegally with his mother, the family lived as ‘illegal aliens', cleaning houses with no fixed address. His paintings depict regal figures that seek to decentralise the collective idea of Salvadoran identity.The work playfully references a combination of biographical anecdotes, personal reflections and folkloric iconography.ENJOY!Please share and review this independent show. Thank you!Follow us:Shade Podcast Spotify Playlist (updated daily)Shade Art Review Shade Art Review Christmas offer codeShade Podcast InstagramStudio Lenca @ TKE Studios in Margate.Studio Lenca website.Representation Carl Freedman Gallery.This series was produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonMixing by Tess Davidson Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Welcome to my seven part end of year series! New episodes will be released each weekday between Dec 13-21. Inspired by the Black radical tradition of the harmony between the lyrical and visual, I am joined by friends (artists, dancers, musicians and in today's episode an art specialist) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. Get ready to be inspired!Helene is Head of Sale and a specialist in Modern and Contemporary African art at Bonhams. She travels to Ghana regularly and specializes on art from that region. Her expertise also extends to 20th century Africa. Our conversation reveals just how knowledgeable Helene also is on African music and she recommends some excellent tunes from the continent that inspire her. We start our conversation hearing about a moment where she was talking with her SOAS tutor eight years ago, which led her on the journey to her current role at Bonhams. Stay tuned until the end to hear Helene's fantastic music recommendations!Please share this series and review! Thank you!ENJOY! Follow us:Shade Podcast Spotify Playlist (updated daily)Shade Art Review Shade Art Review Christmas offer codeShade Podcast InstagramAfrican Art History InstagramBonhamsThis series was produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonMixing by Tess Davidson Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Welcome to my seven part end of year series! New episodes will be released each weekday between Dec 13-21. Inspired by the Black radical tradition of the harmony between the lyrical and visual, I am joined by friends (artists, dancers, musicians) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. Get ready to be inspired!Today I am delighted to introduce my friend, Axel Kacoutié - the multi-award-winning creator who's been crafting sound, music, and words to challenge the familiar and revive a magic in the mundane. Previously the Creative Director of Sound at The Guardian, their work has featured on the BBC, Spotify and in physical spaces like the Barbican, Tate Modern & Sundance Film Festival. They've received British Podcast Awards, ARIAs, Third Coast awards and many, many more. Some of you may know Axel from our work together Black Balloons for Tate Modern, Interludes podcast series on art and healing and Wandering where we walk with creatives through art spaces. We start by hearing Axel talk about their work A Mother Tongue which is a personal essay reflecting on language, created for the BBC. They also mention Gatekeeper where Axel discovers a new sense of self in the cosmologies, concepts and realities of queer and indigenous folks. In this piece we hear Axel say "Somewhere between the narrow entry of Who I am and What I seem to be, lies a vast and nameless place.” It is this vast and nameless place that Axel and I visit in todays conversation.ENJOY! Please review & share!Follow us:Shade Podcast Spotify Playlist (updated daily)Shade Art Review Shade Art Review Christmas offer codeShade Podcast InstagramGatekeeper by Axel KacoutiéA Mother Tongue by Axel KacoutiéV & A East The Music is Black Film sound designed by Axel KacoutiéAxel Kacoutié InstagramThis series was produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonMixing by Tess Davidson Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

WELCOME TO SERIES NINE!This is my end of year series! New episodes will be released each weekday, between Dec 13-21. Inspired by the Black radical tradition of the harmony between the lyrical and visual. I am joined by friends (artists, dancers, photographers, musicians) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. Get ready to be inspired!Today I am delighted to introduce a special episode, with my friend the musician Brian Jackson. You may know Brian's work from his partnership with Gil Scott-Heron, together they made ten albums over an eight year period, including Pieces of a Man and Winter in America.Time and time again that music has found its way onto over 100 cuts like Common's The People (from We Almost Lost Detroit) and Kendrick Lamar's Poe Mans Dreams (from Peace Go With You, Brother). Brian is still building with artists as diverse as Adrian Younge and Ali Shaheed Muhammad (Midnight Hour, A Tribe Called Quest) to the vocalist Gregory Porter.I started by asking Brian about Langston Hughes, and how his legacy brought he and Gil together, where they followed in the footsteps of not only Langston Hughes but also Thurgood Marshall, Kwame Nkrumah and Oscar Brown Jr. Brian says in our conversation:”It [Lincoln] just seemed like a logical place for me to continue my journey into Afrocentricity.” "Gil used to call our songs, our albums, survival kits on wax. And, you know, that's just another way of looking at the Griot tradition. Because, it was his responsibility to heal the community. It's spiritual work.""I'm gonna tell you Lou, before it's all over, I'm gonna do a Christmas album. What you think about that?!"Please share and review this independent show. Thank you!ENJOY!Follow us:Shade Podcast Spotify Playlist (updated daily)Shade Art Review Shade Art Review Christmas offer codeShade Podcast InstagramBrian Jackson InstagramBrian Jackson NYTimesPieces of a Man PodcastThis is Brian Jackson Jazz Is DeadThis series was produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by today's guest Brian JacksonMixing Tess Davidson Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

With the recent death of his father, King Henry IV, the young Henry V must live down his wild past and prove himself capable of ruling a restless kingdom. With the encouragement of his advisors, Lords Canterbury and Ely, Henry advances a dubious claim to the throne of France based on his ancestry and on a questionable interpretation of arcane land laws. The Prince of France, known as the Dauphin, responds to Henry's claim by sending him a treasure chest full of tennis balls. Henry, furious, tells his troops and nobles to prepare for war. The Play On Podcast series, “HENRY V”, was translated into modern English verse by LLOYD SUH, and directed by KRISTA WILLIAMS.  The Cast is as follows: STEVEN BOYER as PISTOL ANDY LUCIEN as BARDOLPH (and others) COLLEEN WERTHMAN as EXETER (and others) JEFF BIEHL as CONSTABLE BRITTANY KATHRYN ALLEN as GOWER (and others) SOCORRO SANTIAGO as HOSTESS (and others) PACO TOLSON as DAUPHIN (and others) LLOYD SUH as CHORUS and WILLIAMS BOBBY MORENO as KING HENRY THE FIFTH BRAD BELLAMY as FLUELLEN NIKKI MASSOUD as KATHERINE, BOY (and others) JORDAN BARBOUR as KING OF FRANCE (and others) Casting by THE TELSEY OFFICE: KARYN CASL, CSA, and ADA KARAMANYAN. Voice and Text Coach: JULIE FOH Episode scripts were adapted and produced by CATHERINE EATON.  Original Music Composition, Sound Design and Mix by SHANE RETTIG. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH and ROBERT McNABB. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Script Supervisor: JORDAN MOORE. Managing Producer: ROBERT CAPPADONA. Executive Producer: MICHAEL GOODFRIEND. The Senior Manager of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “HENRY V” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit N C PODCASTS DOT COM for more about the Play On Podcast Series. Visit PLAY ON SHAKESPEARE DOT ORG for more about Play On Shakespeare. Hear more about the Play On Shakespeare Podcast series by listening to bonus content at N C PODCASTS DOT COM, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “St. Crispian's Day” Learn more about your ad choices. Visit megaphone.fm/adchoices

It is the cage match of the century! Who will win?  Pope Gregory VII vs King Henry IV.  Join us as we figure out just how this multi-excommunicated king finally becomes the Holy Roman Emperor.

“I find it very important to cherish the past but not make it something where you lose your freedom. I think freedom is the most important thing and it's the way we're educating our kids also.” We're in great company with Ségolène de Valbray, Proprietor of Château De Saint Paterne, a 15th century château that has seen many periods, trends, notable guests and historical events pass through its stoned and storied walls nestled in Normandy, France.  Ségolène left her life of worldly travels and Parisian splendor to join her husband, Charles-Henry in renovating his family's home while raising their own 3 boys. In 1998 they opened its doors, welcoming international guests to stay in a space harmoniously blending authenticity and originality, eclectic objects and local antiques, French cuisine and fresh produce, cozy corner fireplaces and grand poolside gardens.  As we celebrate Mother's Day, and all of the women whose nature it is to nurture their guests and welcome them like family into their homes, Ségolène exudes genuine grace in speaking to her purpose as both a loving mother and loyal proprietor.  Top Takeaways [1:45] From a life full of travel, to an education in Paris, what drew Ségolène to fall in love with the total package - the man and the château. [4:40] With the family château abandoned for 30 years and in need of much repair, a young Charles-Henry decided to take it upon himself, with little money and experience to his name, to  preserve this piece of history.  [9:00] This 15th century château has lived many lives, from a fortress during the Hundred Years' War to a home for King Henry IV's mistress, from a summer house to the headquarters of the local resistance against the Nazis, a converted hospital on the battlefront of D Day in Normandy to a family residence in need of repair. [21:00] Raising 3 boys at Saint Paterne with no game plan, no rulebook to follow, just some wise advice from her grandmother “in putting herself first” to be the best version of herself as a mother of her boys. [27:45] Ségolène shares the secret to living a lifestyle of service and hospitality - making time and space to retreat and refresh. [33:20] A lover of quirky things with color and character inspired Ségolène to not only outfit the château, but to collect and curate a shop called Les Objects Particuliers. [41:30] Expect Charles-Henry to treat you to traditional French cuisine with seasonal flair and a healthy side of vegetables.  [45:40] With a home away from home in Provence, guests can stay amongst centuries-old olive groves and vineyards producing the best rosé in the world.  Notable Mentions Mas Saint Martin in Provence Les Objects Particuliers Visit For Yourself Château De Saint Paterne Website @chateaudesaintpaterne Stay In Good Company Website 

Andreas life is coming to an end, war is raging in France and fashion is dictating how you can hold your violin! Check it all out in this new episode. As the violin making workshop of the Amatis in Cremona was in full swing, different members of the French royal family were trying not to get murdered as Henry of Navarre soon to be King Henry IV of France married Catherine de Medici's daughter. In the City of Cremona already renowned for its violin makers we take a look at the different musicians and composers coming out of the cathedral school, Monteverdi being one of them, who would go to work at the famed Mantuan court, and the Amati Brothers taking on a pivotal role in the family violin workshop as Andrea enters old age continuing the family tradition.   Music Heard in this episode is as follows. Industrial music box – Kevin Macleod Bloom – Roo Walker Danny Yeadon – Telemann Sonata in D Major for viola da Gamba Aura Classica – Spring the four seasons Vivaldi Harpsichord Fugue – Copyright free music Ambush – Brandon Hopkins

Louis of Orleans grows more powerful by the day. The Duke of Burgundy had been out of Paris in mid-1401 dealing with affairs in his own territories, and in that time Orleans had taken control of the capital. In order to reestablish his hold on the French Government, Philip the Bold now has to turn to arms. The rivalry between Uncle and Nephew is consuming not only Paris, but France and its neighbors as well. Time Period Covered: 1401 - 1404 Notable People: Philip the Bold, Louis Duke of Orleans, King Charles VI, Queen Isabeau of Bavaria, John Duke of Berry, Waleran of Luxembourg Count of Saint-Pol, King Henry IV of England, Jost of Moravia Notable Events/Developments:  1401 Confrontation between Philip the Bold and Louis of Orleans, Transfer of Luxembourg to Louis of Orleans, Piracy between England and France, Anglo-Flemish Trade Negotiations, French Return to Avignon Check out the Pontifacts Podcast! Cover Art by Brandon Wilburn

In 1396 Philip the Bold was the most powerful man in France, but his nephew Louis Duke of Orleans was coming for his position. The turn of the 15th century saw a number of political upheavals in Europe and Louis hoped that the new political landscape would favor him over his uncle. While over the past few years Philip's dominance was unchallenged, the Duke of Orleans was maturing and his ambitions were growing to match. Time Period Covered: 1396 - 1401 Notable People: Philip the Bold, Louis Duke of Orleans, King Charles VI, Queen Isabeau of Bavaria, John Duke of Berry, Joan Duchess of Brabant, William I of Guelders and Julich, John of Bavaria, Waleran of Luxembourg Count of Saint-Pol, King Richard II of England, King Henry IV of England, Wenceslas of Luxembourg, Rupert of the Palatinate Notable Events/Developments:  French Expansion into Genoa, Guelders-Brabant War (1397-1399), French Withdrawal from Avignon, Overthrow of Richard II, Deposition of Wenceslas of Luxembourg Check out The Siecle! Cover Art by Brandon Wilburn Music by Zakhar Valaha

JULIAN GLOVER INTERVIEW Julian Glover talks with Dan and Tom about his fascinating six-decade stage, movie, and television career in a fascinating, wide-ranging, and exciting interview. We also talk about Julian's recently released book called CUE TO CUE. In CUE TO CUE, Glover talks about his life, his career, and includes many photographs to bring it all home. By listening to this interview, you'll learn a lot about Julian Glover: his awards, working with family members, his audition to play James Bond, his passion for stage acting, and much move. We even talk about some fairly unknown filming facts such as who the waiter was that spilled shrimp all over Julian while filming a dinner scene in FOR YOUR EYES ONLY. We hadn't heard that one before. JULIAN GLOVER'S CAREER Spy movie fans will recognize Julian Glover from such roles as Kristatos in FOR YOUR EYES ONLY and Harcourt-Smith in THE FOURTH PROTOCOL. He has had roles in some of the biggest movie and television series such as STAR WARS, INDIANA JONES, HARRY POTTER, and GAME OF THRONES. Television fans will recognize him as Commander Anderson in SPY TRAP, his two roles in THE SAINT, QUILLER, REMINGTON STEELE, THE SPYS OF WARSAW and others. Julian Glover has recieved three Laurence Olivier Award nominations, winning once for his role as King Henry IV. He has also been awarded Commander of the Order of the British Empire in 2013. So take a listen, we cover all of these things and more. ORDER JULIAN GLOVER'S BOOK Click on the image below to order Julian Glover's book, CUE TO CUE. Clicking on image will take you to external website. SpyMovieNavigator receives no compensation if you order this book. You can check out all of our podcasts on your favorite podcast app or on our website. Ideas/Comments? Info@cracking-the-code-of-spy-movies Website Episode Page: https://bit.ly/3ILBejT  

England plays Wales in the World Cup today so it only makes sense that Dan looks back at what's often called Wales' last war of Independence against the English. No one quite knows how it began, but on the 16th of September 1400 Owain Glyndwr- a man of affluence from a mixed Anglo-Welsh family took the title of Prince of Wales and lead a bold and bloody rebellion against King Henry IV. Although he was ultimately defeated, Owain Glyndwr is remembered as a welsh hero, reimagined time and again by poets, writers and historians. Historical accounts from this period can sometimes be obscure so Dr Adam Chapman, a lecturer in Medieval History at the Institute of Historical Research joins the podcast to unravel the legend of Owain Glyndwr and sort the myth from the fact.This episode was produced by Mariana Des Forges and edited by Dougal Patmore.If you'd like to learn more, we have hundreds of history documentaries, ad-free podcasts and audiobooks at History Hit - subscribe to History Hit today!Download History Hit app from the Google Play store.Download History Hit app from the Apple Store. Hosted on Acast. See acast.com/privacy for more information.

In 1603, King Henry IV wanted the French to begin settling in the New World in hopes that wealth could be brought back to France. So he sent an expedition to locate a place on the North American continent to establish a colony and fur trade settlement. Although he held no official title at the time, Samuel de Champlain would be among the men who would take part in this great venture. Check out the YouTube version of this episode at https://youtu.be/KoUrrYV4OBQ which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Go follow our YouTube page to enjoy additional Bonus content including original short 60 second capsules at https://bit.ly/3eprMpO Mark Vinet's TIMELINE video channel at https://youtube.com/c/TIMELINE_MarkVinet Get exclusive access to Bonus episodes, Ad-Free content, and Extra materials when joining our growing community on Patreon at https://patreon.com/markvinet and receive an eBook welcome GIFT or Donate on PayPal at https://bit.ly/3cx9OOL and also receive an eBook welcome GIFT. Denary Novels by Mark Vinet are available at https://amzn.to/33evMUj Website: https://markvinet.com/podcast Instagram: https://www.instagram.com/denarynovels Twitter: https://twitter.com/TIMELINEchannel Facebook: https://www.facebook.com/mark.vinet.9 YouTube Podcast Playlist: https://www.bit.ly/34tBizu Podcast: https://anchor.fm/mark-vinet TikTok: https://tiktok.com/@historyofnorthamerica Linktree: https://linktr.ee/WadeOrganization LibriVox: The Makers of Canada-Champlain by N.E. Dionne, read by C. Barratt

The Reconquista continues into the life of Queen Isabella of Castile!  We begin with her early life. Isabella was born into a kingdom that was a far cry from its glory days. Improvished and on the brink of civil war, Castile had descended into a dark age under the weak rule of her older half brother, King Henry IV.   Big thanks to Claudie Mackula and her amazing music:  El Castillo de Santiago   Flash Point History YouTube Channel: https://www.youtube.com/channel/UCTYmTYuan0fSGccYXBxc8cA Contribute on Patreon: https://www.patreon.com/FPHx Leave some feedback: flashpointhistory@gmail.com Follow along on Facebook: https://www.facebook.com/FLASHPOINTHX/ Engage on Twitter: https://twitter.com/FlashpointHx