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The leader of the Act Party has been in plenty of headlines in the last two weeks, ranging from a controversial (and historic) letter written on behalf of constituent Philip Polkinghorne to an attempt to drive a Land Rover up the steps of parliament. Remarkably, he had a pop at an "ill-advised" Christopher Luxon. And that's just scraping the surface; there are the questions around the response to Tim Jago, the teacher-only days, the school lunches. Across the board, he is steadfast in insisting he's erred not even a skerrick. Is it an obduracy born of being a one-man band for so long, or is he going through a Prince Hal phase, getting some stuff out of his system before he becomes the king (or deputy prime minister, at least)? Annabelle Lee-Mather, Ben Thomas and Toby Manhire thrash all that out. Plus: how much alarm are the latest cluster of opinion polls causing for National and Luxon? Does a cavalcade of health issues represent a serious political headache for the government? What should we make of the findings in the much-delayed Manurewa Marae data inquiry? And a word on the Cook Islands, Mark Brown and China. Learn more about your ad choices. Visit megaphone.fm/adchoices
The complete audiobook is available for purchase at Audible.com https://n9.cl/67o08 Henry IV, Part 1 & Part 2 By William Shakespeare Narrated by Laura E. Richcreek, Blaise Doran, Alan Weyman, Rory Barnett, Tim Dehn, Graham Scott, Geraint Pickard, Noni Lewis, Roberta Jackson, Denis Daly, Christopher Dukes, Sarah Jane Rose, Josh Innerst, Gregory Dwyer and Shane Emmett This full cast presentation includes Part 1 and Part 2 of Shakespeare's Henry IV.In 1598 appeared a Quarto with the following title:The History of Henrie the Fourth; With the Battell at Shrewsburie, betweene the King and Lord Henry Percy, surnamed Henrie Hotspur of the North. With the humorous conceits of Sir John Falstaffe. At London. Printed by P. S. for Andrew Wise, dwelling in Paules Churchyard, at the signe of the Angell. 1598.This was the First Part of Shakespeare's Henry IV, which must have been written in 1597. This play is the first in which Shakespeare really demonstrated his great and overwhelming individuality. Its dramatic structure is fairly loose, though is closer knit and technically stronger than that of the Second Part. However, as a poetical creation, it is one of the great masterpieces of the world's literature, at once heroic and burlesque, thrilling and side-splitting. Yet these contrasted elements are not brought into hard-and-fast rhetorical antithesis, but move and mingle with a natural freedom. The driving elements of the plot are the machinations of the guilt-ridden King Henry IV to establish the legitimacy of his accession and the inevitable revolt by the former supporters who helped him to gain the throne. One of the leaders of the opposing faction is the warlike Henry Percy, nicknamed Hotspur, who the king compares unfavourably with his own son, the self-indulgent and riotous Prince Hal. The prince spends much of his time cavorting with a group of boon companions, the most notable of which is the dissipated and unscrupulous knight, Sir John Falstaff, who acts as something of a surrogate parent. At the end of the First Part, the revolt is suppressed; in the conflict, Prince Hal reveals his true character as a doughty defender of the realm. In the Second Part, the king's health progressively declines and Hal begins to assert his royal prerogative. Eventually, the king dies, and Hal, now having shed all his adolescent impertinence, ascends to the throne. Falstaff, in expectation of elevation to high office and new-found prosperity, publicly accosts the new king and is rudely rebuffed, together with his disreputable retinue. Audio edited by Denis Daly The text used for this performance was kindly provided by playshakespeare.com. Welsh dialogue and tune for Lady Mortimer's song in Henry IV Part One provided by Noni Lewis.
The first thing most people think about when they think about Hal Newhouser is World War II. That's ironic, given that he was not allowed to serve. But his dominance during the war years led to the longstanding belief that he was some kind of mirage, created by the lack of talent in the American League in those years. But, as Mike and Bill found out as they traced his career on the 80th anniversary of winning his first of consecutive MVP awards, that's not remotely the whole story, as Newhouser remained a dominant and Hall of Fame caliber pitcher for several years after everyone came home. Plus, happy birthday to Billy Rogell and George Burns. And farewell to John Baumgartner and Joey Jay.
Dan Jones reveals how Henry V's youth helped shape him into the pious warrior king we know today Held hostage at 12, deciding the fate of captives at 14, maimed in battle at 16 – by the time he reached adulthood, the future King Henry V had already learned a series of violent but valuable leadership lessons. In this Long Read, written by Dan Jones, we trace the evolution of ‘Prince Hal' into a medieval warrior monarch. HistoryExtra Long Reads brings you the best articles from BBC History Magazine, direct to your ears. Today's feature originally appeared in the October 2024 issue, and has been voiced in partnership with the RNIB. Learn more about your ad choices. Visit podcastchoices.com/adchoices
The year is 1403, and the Usurper King, Henry IV, faces a seemingly insurmountable challenge to his rule. He has been brought the news that his old friend, Harry “Hotspur” Percy, has betrayed him, and plans to lead his army against the King. Meanwhile, to the West, the revolt in Wales continues, at its head the formidable welsh king Owain Glyndŵr. And even in Scotland, where Henry IV thought he'd settled things down by silencing the terrifying Earl of Douglas, there is more trouble: a kitchen boy is claiming to be Richard II. And having made it halfway up to Scotland with his army to quell the newfound unrest, Henry IV must turn around, and march his men towards Wales, to face Hotspur at Schrewsbury... Join Tom and Dominic as they dive into the biggest revolt against Henry IV's rule, the making of his son and heir, Prince Hal, and the fate of the real Sir John Falstaff, abandoned by his dear friend Hal. _______ *The Rest Is History LIVE in the U.S.A.* If you live in the States, we've got some great news: Tom and Dominic will be performing throughout America in November, with shows in San Francisco, L.A., Chicago, Philadelphia, Washington D.C., Boston and New York. *The Rest Is History LIVE at the Royal Albert Hall* Tom and Dominic, accompanied by a live orchestra, take a deep dive into the lives and times of two of history's greatest composers: Wolfgang Amadeus Mozart and Ludwig van Beethoven. Tickets on sale now at TheRestIsHistory.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices
When master medieval archer Andy Rice was last on the Alnwick Castle podcast, we were introduced to some of the principles and the importance of archery in the Middle Ages. For our latest episode, Andy returned for a live interview in Artisans Courtyard - with a live audience listening in!You will hear Andy explain how the bow and its arrows were made. Continuing our 2024 theme of the Wars of the Roses, he describes how archery made a difference (or didn't) in battles like Towton in 1461. And then we get a little bit gory with the story of the arrows during the Battle of Shrewsbury - one that was fatal for Alnwick Castle's own Harry Hotspur, and one that Prince Hal, the future Henry V, survived.C/W: This last section of the episode (16:42-28:08) contains references to medieval surgery and may not be for the queasy or faint-hearted!This was a live episode recording in Artisans Courtyard, so you will also hear various background noises as Andy speaks.See Andy demonstrate the medieval longbow in person at Alnwick Castle this July and August. Check our website for all the dates and details.Finally, if you missed Andy's first podcast about archery, head into our podcast archive where you will find it and every other episode of the Alnwick Castle podcast!
This week, we finish this tale of old timey craziness! We catch up with Hal, as he is being kicked out of baseball. He then plays a huge part in helping to rig the World Series, while being banned from every baseball league in North America. His life quickly tumbles downhill, with drunken escapades, sad stories, and acts of being a terrible father, and all around liar! Will he make the Hall of Fame?? Get kicked out of every baseball league that exists, be called a pathetic wretch, as you peek at a baseball game, through slats of a fence, and be found wandering the streets, not knowing who you are with "Prince" Hal Chase!!Check us out, every Tuesday!We will continue to bring you the biggest idiots in sports history!! Hosted by James Pietragallo & Jimmie Whisman Donate at... patreon.com/crimeinsports or with paypal.com using our email: crimeinsports@gmail.com Get all the CIS & STM merch at crimeinsports.threadless.com Go to shutupandgivememurder.com for all things CIS & STM!! Contact us on... twitter.com/crimeinsports crimeinsports@gmail.com facebook.com/Crimeinsports instagram.com/smalltownmurderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This week, we head back in time, to cover a baseball player, who was always in some kind of trouble. In this first part, we talk about his quick rise to the top of the sport, and immediate needs for more money, and attention. The need for money leads him to have a stand off with the league, and be accused of throwing many games, for the purpose of gambling. Oh, and his wife barbecued a baby! Be a cocky teenager, fresh to the league, throw any games that you can make a couple buck off of, and leave your wife, for being involved with the murder of an infant with "Prince" Hal Chase!!Check us out, every Tuesday!We will continue to bring you the biggest idiots in sports history!! Hosted by James Pietragallo & Jimmie Whisman Donate at... patreon.com/crimeinsports or with paypal.com using our email: crimeinsports@gmail.com Get all the CIS & STM merch at crimeinsports.threadless.com Go to shutupandgivememurder.com for all things CIS & STM!! Contact us on... twitter.com/crimeinsports crimeinsports@gmail.com facebook.com/Crimeinsports instagram.com/smalltownmurderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
King Henry IV, Part 1 is the second of Shakespeare's eight Wars of the Roses history plays, with events following those of King Richard II. As the play opens, King Henry IV (formerly Henry Bolingbroke) and Henry Percy (Hotspur) argue over the disposition of prisoners from the Battle of Holmedon. The King's attitude toward Mortimer and the Percy family prompts them to plot rebellion. In the meantime, his son Prince Hal is living the low life in the company of Sir John Falstaff. As the time of battle nears, Prince Hal joins his father and is given a high command. The play's climax is the Battle of Shrewsbury, in which Prince Hal and Hotspur meet and fight, with Prince Hal and the forces of the King prevailing. The action continues in King Henry IV, Part 2. From the start this has been an extremely popular play both with the public and with critics. (From Wikipedia.)This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Henry IV, Part 2 is a history play by William Shakespeare, believed written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V. The play picks up where Henry IV, Part 1 left off. Its focus is on Prince Hal's journey toward kingship and his ultimate rejection of Falstaff. (From Wikipedia.)This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Henry IV, Part 2 is a history play by William Shakespeare, believed written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V. The play picks up where Henry IV, Part 1 left off. Its focus is on Prince Hal's journey toward kingship and his ultimate rejection of Falstaff. (From Wikipedia.)This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
King Henry IV, Part 1 is the second of Shakespeare's eight Wars of the Roses history plays, with events following those of King Richard II. As the play opens, King Henry IV (formerly Henry Bolingbroke) and Henry Percy (Hotspur) argue over the disposition of prisoners from the Battle of Holmedon. The King's attitude toward Mortimer and the Percy family prompts them to plot rebellion. In the meantime, his son Prince Hal is living the low life in the company of Sir John Falstaff. As the time of battle nears, Prince Hal joins his father and is given a high command. The play's climax is the Battle of Shrewsbury, in which Prince Hal and Hotspur meet and fight, with Prince Hal and the forces of the King prevailing. The action continues in King Henry IV, Part 2. From the start this has been an extremely popular play both with the public and with critics. (From Wikipedia.)This is a dramatic reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
The king offers clemency, but Worster and Vernon lie to Hotspur and Douglas and say the king showed “no mercy.” Walter Blunt is killed by Douglas. Falstaff's famous soliloquy about honor. Hal saves his father's life, then fights and kills Hotspur. He thinks Falstaff is dead, but Falstaff is “counterfeiting” death and “rises” once Hal leaves. The rebels lose and are captured. --- Support this podcast: https://podcasters.spotify.com/pod/show/michael-dolzani/support
It has been a year since the end of Richard II. Henry IV is king, but faces Scottish and Welsh rebels. Hotspur, son of Northumberland, refuses to ransom prisoners until Mortimer, his brother-in-law but also heir presumptive to the throne, is ransomed in return. Where is Hotspur's counterpart, Prince Hal? In a tavern with Falstaff and his gang, planning robberies. Hal's soliloquy that he is only pretending to be a ne'er-do-well. Falstaff: one of Shakespeare's greatest comic creations, but introduced in a history play. He is not historical: why is he here? --- Support this podcast: https://podcasters.spotify.com/pod/show/michael-dolzani/support
On this special Shakespearean episode of the Alnwick Castle Podcast to mark the anniversary of the Bard's birth, we welcome back Shakespeare academic and expert Ronan Paterson as our guest to tell us all about the play Henry IV Part 1, which is all about one of the most important episodes in Percy family history. Hosts Daniel and Deborah spoke to Ronan about what makes the play so fascinating to read, watch or be part of, from characters like Prince Hal, Falstaff and King Henry himself, to the characters that would have lived at or visited Alnwick Castle - the earls of Worcester and Northumberland, Harry Hotspur, and Hotspur's wife, who Shakespeare called Kate but was really called Elizabeth!If you like Shakespeare already, or you would like to learn more about his genius when it came to retelling British history, we think you'll really enjoy this episode of the podcast.For more Shakespeare discussion, head into our podcast feed and look for episode 8, 'Alnwick Castle and Shakespeare', which also features Ronan.If you enjoyed this edition of the Alnwick Castle Podcast, please make sure to subscribe so you don't miss future episodes, give us a like, a review, a rating, or a recommendation wherever you can!
Ormond by Maria Edgeworth audiobook. Maria Edgeworth was one of the most popular writers of her time, a sharp and witty observer of society manners, and a favorite author for Jane Austen. “Ormond,” published in 1817, is a “coming-of-age” novel, tracing a young man's development as he approaches the age of majority. When we meet him, Harry Ormond has his “heart in the right place,” but is unsettled of character, naïve and impulsive. The central issue is: “What kind of man will he become?” In part, Harry is influenced by the books he reads: Fielding's “Tom Jones,” Richardson's “Sir Charles Grandison,” and works of the French Enlightenment. More important, however, are influences from the company he keeps, much as Prince Hal in Shakespeare's “Henry IV” takes shape as a reflection of the people around him. As an orphan, Harry had been adopted by Sir Ulick O'Shane, a man of society, full of subtlety and strategies, who exploits his public trust for private advantage (a practice known at that time as “jobbing”). Harry also spends time with Sir Ulick's cousin Cornelius, a Falstaffian figure of hearty good cheer and eccentric rural lifestyle. (He enthrones himself on a tiny island in an Irish lake, calls himself the “King of the Black Islands” and nicknames Ormond “Prince Harry.”) Later, Harry follows Cornelius's daughter to Paris, where he witnesses the glamorous dissipation of French society in the years before the Revolution. This novel explores the challenges of bringing together apparent oppositions: reconciling promised loyalty with assertion of self, Anglo-Irish landlords with their Irish tenants, Catholics with Protestants, and the impulsive heart with the rational head. “Ormond” is named in the reference list “1001 Books You Must Read Before You Die.”
Join Cathy and Mike as they look at Season 2, Episode 2: “Lavender”. Even by “Ted Lasso” standards, this episode is jam-packed with storytelling. Jamie wants to return to the team, Roy considers career alternatives, Nate grows into his role, and Dr. Sharon rebuffs Ted's attempts to get to know her better. Fathers and sons abound: Hamlet, Prince Hal, & The Prince of Tides. And is Ted evolving his decision-making process? Referenced in the pod: Anarchy in the UK Tear it Up Bad to the Bone
King Henry IV by William Shakespeare audiobook. As the play opens, King Henry IV (formerly Henry Bolingbroke) and Henry Percy (Hotspur) argue over the disposition of prisoners from the Battle of Holmedon. The King's attitude toward Mortimer and the Percy family prompts them to plot rebellion. In the meantime, his son Prince Hal is living the low life in the company of Sir John Falstaff. As the time of battle nears, Prince Hal joins his father and is given a high command. The play's climax is the Battle of Shrewsbury, in which Prince Hal and Hotspur meet and fight, with Prince Hal and the forces of the King prevailing.
Orson Welles' 1966 Shakespeare adaptation revolves around the minor character Fastaff, the drunken thief and alternative father-figure to Prince Hal.
King Henry IV would face a major threat from within England, led by Henry "Harry Hotspur" Percy. Percy's rebellion would culminate at the Battle of Shrewsbury, fought on 21 July 1403. How did this battle unfold, and how did Prince Hal survive an arrow to the face? You can support his podcast on Patreon - go to https://www.patreon.com/medievalists
Prince Hal is coronated as Henry V and banishes Falstaff. We hear rumor of forthcoming war with France.
Prince Hal is coronated as Henry V and banishes Falstaff. We hear rumor of forthcoming war with France.
The tavern scene. Falstaff fights with Pistol. Prince Hal and Poins disguise themselves as drawers (waiters) and overhear Falstaff insulting them.
The tavern scene. Falstaff fights with Pistol. Prince Hal and Poins disguise themselves as drawers (waiters) and overhear Falstaff insulting them.
Falstaff continues the exchange with Mistress Quickly and the Chief Justice. Prince Hal and Poins return to London. Northumberland decides to flee to Scotland.
Falstaff continues the exchange with Mistress Quickly and the Chief Justice. Prince Hal and Poins return to London. Northumberland decides to flee to Scotland.
The King forces and the rebels fight a long hour by Shrewsbury clock. Prince Hal kills Hotspur but Falstaff take credit. The play ends with rebels still to be dealt with.
The King forces and the rebels fight a long hour by Shrewsbury clock. Prince Hal kills Hotspur but Falstaff take credit. The play ends with rebels still to be dealt with.
The rebels and King Henry move towards battle. Prince Hal gives Falstaff a commission and he uses it to accept bribes and recruit dregs.
The rebels and King Henry move towards battle. Prince Hal gives Falstaff a commission and he uses it to accept bribes and recruit dregs.
King Henry upbraids Prince Hal, while admitting he stole the crown. The Prince promises to reform.
King Henry upbraids Prince Hal, while admitting he stole the crown. The Prince promises to reform.
Falstaff and Prince Hal exchange roles of King Henry and the Prince, with Falstaff pleading not to be banished. The rebels divide the kingdom they have yet to win.
Falstaff and Prince Hal exchange roles of King Henry and the Prince, with Falstaff pleading not to be banished. The rebels divide the kingdom they have yet to win.
Prince Hal and Poins rob Falstaff and the other robbers. Hotspur's plot against King Henry proceeds.
Prince Hal and Poins rob Falstaff and the other robbers. Hotspur's plot against King Henry proceeds.
Prince Hal's first great speech. Double robbery at Gadshill planned. A plot against King Henry.
Prince Hal's first great speech. Double robbery at Gadshill planned. A plot against King Henry.
Minute Forty-One: From Frosty Baby to "Tell me!” Joining us on the show to discuss frosty baby Loki and the Shakespearean argument between Odin and Loki is Austin Tichenor, creator of The Shakespeareance, co-artistic director of The Reduced Shakespeare Company and producer & host of the Reduced Shakespeare Company Podcast. In the forty-first minute of Kenneth Branagh's 2011 film Thor... We see elements of King Lear in here, but Austin also points out elements from Henry IV Parts I and II, particularly conflict between Hotspur and Prince Hal. There's certainly an element of big acting that works so well in Shakespearean heightened language, and we certainly see that when Loki screams “Tell me!” Austin calls it the intensity of intention, which we definitely see. When Odin told young Thor and young Loki about how they're both born to be kings but only one gets to be king, was he debating if he would tell Loki about his heritage? Being born to be king paired with identity is such a core part of Shakespeare's plays. Yet no one debates if this type of hereditary monarchy should still exist. Tom Hiddleston and Anthony Hopkins deliver such strong performances here. So at this point, where do Loki and Odin feel about who is next in line for the throne? Does Loki think this frost giant past has removed him from the line? Or is Loki thinking about the possibility of being king of Jotunheim, the place he just nearly destroyed with the raid? But Odin had to have seen what terrible king Thor would've made, right? That being said, do you give the throne to the god of mischief? There is a bit of Caliban from The Tempest in Loki too. We do talk about the frosty baby, at some point, right? How does Loki feel knowing that he was slaughtering Jotuns earlier? We bring in A Midsummer Night's Dream and Henry VI in as well. And Cymbeline too! How much of Odin rewriting his own history are we getting in this conversation? So much feels retconned. We finally talk about the frosty baby. We talk about the Loki baby, who starts as a frost baby and changes at the hands of Odin to normal looking. So that's his spell we guess? Was baby Loki abandoned? Left in a temple? A bit of both? Or is this all just from Odin's perspective? The lighting in this scene is stunning, as is the production design. Do the marks on the frosty baby change over time? The idea of masters of magic still confuses us – Odin's in this category now for sure. Does Loki know what he wants to hear from Odin? Odin freezes when Loki confronts him. Truth versus comfort. It's a tough line for a parent. From King Lear to Henry IV Parts I and II to The Tempest to Richard II, we cover all sorts of Shakespearean elements in this minute – plus a frosty baby – with Austin. Tune in! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Watch this film: iTunes • Amazon • Netflix • YouTube • Disney+ Join the conversation on Discord Script Transcript Trailer #1 Trailer #2 Poster artwork Original Material Austin Tichenor on Twitter The Shakespeareance on the web and on Instagram The Reduced Shakespeare Company on the web, Facebook, and Twitter The Hollow Crown Season One on iTunes, Amazon, or both seasons on JustWatch
Henry IV's plan to lead a Crusade is disrupted by internal strife. We meet Prince Hal and Falstaff. Video of the play can be currently found at https://www.youtube.com/watch?v=3hItvO_Tpb4
Henry IV's plan to lead a Crusade is disrupted by internal strife. We meet Prince Hal and Falstaff. Video of the play can be currently found at https://www.youtube.com/watch?v=3hItvO_Tpb4
Richard completes his abdication. Bolingbroke prepares his coronation. Richard is imprisoned and his queen is exiled to France. We hear of Bolingbroke's son, Prince Hal.
Richard completes his abdication. Bolingbroke prepares his coronation. Richard is imprisoned and his queen is exiled to France. We hear of Bolingbroke's son, Prince Hal.
Minute 29: From Old Man to Unworthy We have a special Shakespearean expert joining us for this minute of royal family drama. Dr. Jeff Wilson from the Harvard College Writing Program talks with us about Thor's Shakespearean connections and why it makes so much sense for Branagh to be directing. In the twenty-ninth minute of Kenneth Branagh's 2011 film Thor... We dig into the Shakespearean elements that Branagh saw in this story that drew him in, notably the story of Prince Hal in the first part of Henry IV. That totally makes sense as his draw to this, not to mention some of the people he cast like Anthony Hopkins and Tom Hiddleston. Dr. Wilson felt that Branagh pulled it off and also heard that the actors and director walked around talking in Shakespearean shorthand on the set (which surely frustrated anyone not as familiar with the Bard and his stories). We discuss comparisons with Shakespeare's Prince Hal. Dr. Wilson also breaks down the story of Prince Hal, part of one of Shakespeare's two tetralogies, and explains the similarities for us in it. And apparently, Branagh gave Chris Hemsworth at one point the St. Crispin's Day speech and told him to come to set with it prepared to read. How amazing would that be to watch? When Hopkins and Hemsworth deliver their biting comments at one another, the Shakespearean training shines through as the lines are full of heightened and grand language. It's like verbal acid they're throwing at one another. What's amazing here, however, is how Hopkins pivots when Thor calls him old and foolish. The way he drops the anger and becomes almost pensive and thoughtful reflects the wisdom that comes with age. And isn't it funny that so many superhero films boil down to the Spider-Man theme – with great power comes great responsibility. Dr. Wilson schools us on the Mirrors for Magistrates as a genre in which leaders (usually princes) learn how to lead responsibly. And to that end, it also fits Screenwriting 101 as a character has to learn and grow over the course of a film. We discuss comparisons with Shakespeare's King Lear. We find out that Hopkins had approached the moment when he realizes his errors in raising Thor as a King Lear moment. So far, two Shakespeare references playing out in this scene! Loki's attempt at interrupting the fight brings up more Shakespearean references. Hiddleston's just so good in this role as he clearly is gaming things right now. We also find out that Hiddleston actually thinned down for this part to look more lean and hungry-looking, taking cues from Cassius in Shakespeare's stories. We even bring up Shakespeare's Iago. There's also references to Iago. Seriously, this is a very Shakespearean minute. This really isn't so much a battle between the old ways and the new ways as it is between wisdom and youthful eagerness. Thor may see it as the old and the new, but that's the view from youth. Thor finally pushes Odin to the brink and Odin begins stripping Thor of his ranks, telling him he's unworthy. This is a big minute. Odin calls Thor vain, greedy, and cruel. He'll call him arrogant and stupid. It seems Odin really has let things build up a bit too much, eh? Look at that! We bring up the film The Life of Emile Zola, definitely not Shakespeare. Branagh referenced the Dreyfus Affair from the film The Life of Emile Zola as a point of how a soldier gets stripped of his ranks. It's quite a ritual in that film. Not so much here, but certainly still involving a lot for Odin to have to take from Thor. To that end, it really seems more like an emotional beat (and to that end Shakespearean?) to have Odin make his decision and take action right here instead of bringing Thor back to Valaskjalf to strip him of his ranks in front of all the Asgardians, the Einherjar and more. It also is more Shakespearean to have this scene set on this threshold here as a key point between worlds. Inevitably, we bring it back around to Prince Hal. Dr. Wilson does point out how it's interesting how this story flips Hal's story on its head – here, it's Asgard where Thor goes to get his education. In Shakespeare's play, it's the reverse as he returns to the palace for his own education. And that comparison of Asgard as a pub kinda makes sense, right? The first thing Odin removes from Thor's armor are the top two discs of the six on Thor's chest plate. It's interesting to learn from this that these discs are actually part of the rankings, and now we want to keep our eyes out for other armor designs to see what sort of rankings we may be able to pinpoint. Dr. Wilson points out sumptuary laws that had existed in England at one point (as well as other parts of the world) that kept certain classes from wearing clothing or outfits from other classes. He also points out the fun that Joss Whedon was having with Branagh by throwing his ‘Shakespeare in the Park' reference in The Avengers that Tony uses to insult Thor. So great. And, of course, since it is Thorsday, we ask Dr. Wilson what his favorite moment is with Thor in all the films. It may involve essentially a play within a play. It's an intense minute of Shakespearean family drama, and Dr. Jeff Wilson's here to walk us through all of it. Tune in! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Watch this film: iTunes • Amazon • Netflix • YouTube • Disney+ Join the conversation on Discord Script Transcript Trailer #1 Trailer #2 Poster artwork Original Material Dr. Jeff Wilson on Twitter
It's the first basketball game of the season for Joe's team — will he be able to lead the team to a big win? Prince Hal also wonders about this in Henry IV Part 1, by William Shakespeare, as he struggles to be seen as the leader he believes he can be. What's the Story? is a part of the Encyclopodia Network. Find other people talking about the things they love and support the network: Website | Twitter | Patreon
Huw McKinnon joins James on Speak The Speech performing Prince Hal’s speech from the Act One of Henry IV Part 1. Huw shares stories of his work teaching Shakespeare in juvenile justice centres, working with teachers to unlock Shakespeare in the classroom and considers why audiences continue to find relevance in Shakespeare’s works. Huw McKinnon is an actor, director and Bell Shakespeare’s Resident Artist in Education. He has taught in schools and communities across Australia and internationally. For Bell Shakespeare he is a director in the Players program and has co-directed a production of Macbeth for young audiences, and as and actor has appeared in Macbeth, Romeo and Juliet, Othello and The Players.
Today we're headed back to the 15th century with The King! Join us for a discussion of Robert Pattinson's performance, female innkeepers, the Battle of Agincourt, and whole bunch of different historical figures named Henry. Sources: Henry IV Family Tree of British Monarchs, available at https://en.wikipedia.org/wiki/Family_tree_of_British_monarchs Mark Cartwright, Henry IV of England. World History Encyclopedia. Available at https://www.worldhistory.org/Henry_IV_of_England/?visitCount=5&lastVisitDate=2021-4-8&pageViewCount=5 Mark Cartwright, Henry V of England. World History Encyclopedia. Available at https://www.worldhistory.org/Henry_V_of_England/?visitCount=5&lastVisitDate=2021-4-8&pageViewCount=5 Innkeepers and Alewives: Judith M. Bennet, "Misogyny, Popular Culture, and Women's Work," History Workshop 31 (1991) Martha Carlin, "What Say You to a Piece of Beef and Mustard? The Evolution of Public Dining in Medieval and Tudor London," Huntington Library Quarterly 71, 1 (2008) Justin Colson, "A Portrait of a Late Medieval London Pub: The Star Inn, Bridge Street," in Medieval Londoners: Essays to Mark the Eightieth Birthday of Caroline Baron. Elizabeth New and Christian Steer, eds. University of London Press Marjorie K. McIntosh, "The Benefits and Drawbacks of Femme Sole Status, 1300-1630," Journal of British Studies 44, 3 (2005) Sir Henry "Hotspur" Percy Simon Walker, "Percy, Sir Henry [called Henry Hotspur (1364-1403), soldier," Oxford Dictionary of National Biography (3 January 2008). https://doi.org/10.1093/ref:odnb/21931 A.L. Brown and Henry Summerson, "Henry IV [known as Henry Bolingbroke] (1367-1413)," Oxford Dictionary of National Biography (8 April 2021). https://doi.org/10.1093/ref:odnb/12951 "Battle of Shrewsbury 1403," Historic England (9 September 2015). https://historicengland.org.uk/listing/the-list/list-entry/1000033 "Battle of Shrewsbury 21st July 1403," Battlefield Trust http://www.battlefieldstrust.com/resource-centre/medieval/battleview.asp?BattleFieldId=39 . John Cannon, A Dictionary of British History (Oxford University Press, 2015) Alfred H. Burne, The Battlefields of England (Pen & Sword Books, 2005), 203-13. Timothy D. Arner, "The Disappearing Scar of Henry V: Triage, Trauma, and the Treatment of Henry's Wounding at the Battle of Shrewsbury," Journal of Medieval and Early Modern Studies 49:2 (2019): 347-76. Agincourt: Gordon Campbell, "Agincourt, battle of or (French) battle of Azincourt,"The Oxford Dictionary of the Renaissance (Oxford University Press, 2005). Christopher Allmand, "Agincourt, battle of (1415)," The Oxford Companion to Military History (Oxford University Press, 2004). James Glanz, "Historians Reassess Battle of Agincourt," The New York Times (24 October 2009). https://www.nytimes.com/2009/10/25/world/europe/25agincourt.html Robert McCrum, "Agincourt was a battle like no other...but how do the French remember it?" The Guardian (26 September 2015). https://www.theguardian.com/world/2015/sep/26/agincourt-600th-anniversary-how-french-remember-it Tim Treanor, "High Court Rules for French at Agincourt," DC Theatre Scene (18 March 2010). https://dctheatrescene.com/2010/03/18/high-court-rules-for-french-at-agincourt/ Film Background: Owen Gleiberman, "Venice Film Review: Timothee Chalamet in 'The King'," Variety (2 September 2019). https://variety.com/2019/film/reviews/the-king-review-timothee-chalamet-1203320801/ Simran Hans, "The King review--Timothee Chalamet is all at sea as Prince Hal," The Guardian (13 October 2019). https://www.theguardian.com/film/2019/oct/13/the-king-henry-v-agincourt-timothee-chalamet-robert-pattinson-joel-edgerton Rotten Tomatoes: https://www.rottentomatoes.com/m/the_king_2019 "Timothee Chalamet & The King's Cast on Robert Pattinson's French Accent MTV Movies," MTV UK (8 October 2019). https://www.youtube.com/watch?v=GHKJoXGsOxE https://www.themarysue.com/bowlcut-nation-the-king-timothee-chalamet/
Join Niamh, Jeremy, and CSC's very own Prince Hal, Justin McCombs, to discuss this Henry IV-adjacent 90s cult classic, starring Keanu Reeves and River Phoenix.
On the 89th episode of FNI Wrapchat is Actor, Playwright and Screenwriter CLARE DUNNE. You may know Clare from her recent starring role in "Kin" for Rte and Bron studios and her beautiful performance in "Herself". We had a wonderful chat about making opportunities for yourself, Sharon Horgan empowering you and how Meryl Streep popped into her dressing room. Clare also tells us about her long and ultimately fruitful Journey of her Script "Herself" which was subsequently made and will Screen at Sundance in 2020. Herself looks at a single mother in Dublin, taking the bull by the horns and creating a self build home for herself and children during one of the worst housing crisis's in Ireland's history and how people, the community and the Irish spirit... is what will get us out. Dunne's work at the Abbey Theatre includes Juno and the Paycock (a co-production between the Abbey Theatre and the National Theatre of Great Britain). Other theatre work includes The Cripple of Inishmaan, The Silver Tassie, Druid 35 and The Playboy of the Western World (Druid), Julius Caesar (Donmar Warehouse), Detroit (National Theatre), Three Sisters (Lyric Hammersmith and Filter), A Midsummer Night's Dream[3] (Filter at Latitude) and Crunch (Nabakov). Dunne wrote and performed Living With Missy (Smock Alley Theatre). Radio work includes On Her Majesty's Service and 'News From Home' (BBC Radio 4). Dunne graduated from the Royal Welsh College of Music and Drama, Cardiff in 2009. Dunne played Prince Hal in the Donmar Theatre all-female version of Shakespeare's Henry IV., directed by Phyllida Lloyd. Dunne's film work includes Nice Night For It (2017) and The Cherishing (2016). Clare portrayed Victoria in Spider-Man: Far From Home (2019) "Herself" written by Clare, Produced by Element Pictures and Directed by Phyllida Lloyd will be in Irish Cinemas later this year. #WeAreFNI Learn more about your ad choices. Visit megaphone.fm/adchoices
What makes Falstaff, Prince Hal's fat, boastful and cowardly companion so irresistible to writers and composers? The character appears in several Shakespeare plays and in musical works by Verdi, Elgar, Vaughan Williams and Salieri. Samira Ahmed talks to Timothy West and Desmond Barrit about their experience of playing one of Shakespeare's greatest characters.