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The Pawsitive Post in Conversation by Companion Animal Psychology
Leave us a voicemail!Jean Donaldson has just published a new edition of her book Mine! A Practical Guide to Resource Guarding in Dogs. If you have a dog who guards food, objects, people, or locations, you need this book! Jean joins Zazie and Kristi to discuss what to do if your dog guards food, locations, or other resources.We talk about:Why it was time for a new edition of Mine! and what it was like to write itHow to decide if your dog needs a regular training plan or a more incremental one to resolve their guarding behaviourWhy it's a myth that you should be able to take your dog's food away from themHow we can add food to puppies' bowls to help prevent food guardingWhy there's not really anything wrong with the personality of a dog who guards resourcesThe other behaviour issues that sometimes accompany guarding behaviourWhat it means to be "warmed up" or "cold" in a dog training planWhy dog trainers like the spicy dogsThe Olde English Sheepdog who was a bit of a challengeGuarding behaviour in Jean's dog Buffy and Kristi's dogs Archer and SoleilWhen to hire a dog trainer to help with resource guardingThe book Jean recommended to us is The Eagle and the Hart: The Tragedy of Richard II and Henry IV by Helen Kastor.To be the first to learn about Bark! Fest, the book festival for animal lovers, sign up to the Companion Animal Psychology newsletter.Mine! A Practical Guide to Resource Guarding in Dogs by Jean Donaldson is available wherever books are sold.Jean Donaldson is one of the world's top dog trainers, founder of the Academy for Dog Trainers, and author of the seminal book Culture Clash, which was named number one training and behaviour book by The Association of Pet Dog Trainers. In 2017, Jean authored and instructed Dog Training 101 for The Great Courses, another wonderful resource for dog guardians. Her most recent book is the second edition of Mine! A Practical Guide to Resource Guarding in Dogs.Follow Jean at the Academy for Dog Trainers:Website: https://academyfordogtrainers.com/Facebook: https://www.facebook.com/AcademyforDogTrainersInstagram: https://www.instagram.com/academy4dogtrainers/?hl=enYou might also like: Understanding resource guarding in dogs and how to fix it with Lisa Skavienski Support the showAbout the co-hosts:Kristi Benson is an honours graduate of, and now on staff with, the prestigious Academy for Dog Trainers and has her PCBC-A from the Pet Professional Accreditation Board. She lives in beautiful northern British Columbia, where she helps dog guardians through online classes. She is also a northern anthropologist.Kristi Benson's website Facebook Zazie Todd, PhD, is the award-winning author of Bark! The Science of Helping Your Anxious, Fearful, or Reactive Dog, Wag: The Science of Making Your Dog Happy and Purr: The Science of Making Your Cat Happy. She is the creator of the popular blog, Companion Animal Psychology, and has a column at Psychology Today. She lives in Maple Ridge, BC, with her husband, a dog and a cat. Instagram BlueSky
In this episode of the Anglotopia Podcast, Jonathan Thomas is joined by Brendan Dowd — West Point graduate, Iraq War veteran, government consultant, and host of History Nerds United, one of the most respected history book podcasts in the business with over 220 episodes — for a pure, unfiltered book nerd conversation. Both hosts came with a stack of their favorite British history books and took turns sharing their picks, debating the merits, going gloriously off-topic about Darkest Hour, the new Wuthering Heights film, Bridgerton, and Dan Jones's upcoming castles book, and building what amounts to a British history reading list that will keep you busy for years. Between them, Jonathan and Brendan recommend over 20 books spanning Alfred the Great, the Tudors, the Regency, Victorian London, World War II, Thatcher, the Iranian Embassy Siege, and the hidden history of English wolves — plus a peek at what's sitting on each of their TBR piles right now. Links History Nerds United ~History Nerds United Podcast~ ~History Nerds United on YouTube~ ~Brendan's Top Episode: Helen Castor on Joan of Arc~ (update with direct episode link) ⠀Jonathan's Picks ~Notes from a Small Island by Bill Bryson~ ~The Road to Little Dribbling by Bill Bryson~ ~Churchill: Walking with Destiny by Andrew Roberts~ ~My Early Life by Winston Churchill~ ~A Very English Scandal by John Preston~ ~London: The Biography by Peter Ackroyd~ ~Citizens of London by Lynne Olson~ ~Empireland by Sathnam Sanghera~ ~Empireworld by Sathnam Sanghera~ ~The Iron Lady by John Campbell~ ~The Last Wolf by Robert Winder~ ~The Decline and Fall of the British Aristocracy by David Cannadine~ ~Brideshead Revisited by Evelyn Waugh~ ~The Regency Years by Robert Morrison~ ~Churchill's Citadel by Katherine Carter~ ⠀Brendan's Picks ~Alfred the Great by Justin Pollard~ ~The Six Loves of James I by Gareth Russell~ ~Battle for the Island Kingdom by Don Hollway~ ~Once a King: The Lost Memoir of Edward VIII by Jane Marguerite Tippett~ ~The Greatest Knight by Thomas Asbridge~ ~Henry V by Dan Jones~ ~Thomas More: A Life by Joanne Paul~ ~The Stolen Crown by Tracy Borman~ ~The Crown's Silence by Brooke Newman~ ~The Eagle and the Hart by Helen Castor~ ~The Invention of Charlotte Brontë by Graham Watson~ ~London Falling by Patrick Radden Keefe~ ~The Siege by Ben Macintyre~ ⠀Also Mentioned ~Say Nothing by Patrick Radden Keefe~ ~Empire of Pain by Patrick Radden Keefe~ ~Secrets of Great British Castles with Dan Jones on Netflix~ ~Darkest Hour (2017)~ ~Young Winston (1972)~ ⠀Anglotopia ~101 Oxford Travel Tips and Tricks by Jonathan Thomas~ (update with direct product link) ~Anglotopia Guide to the World of Bridgerton~ (update with direct product link) ~Friends of Anglotopia Club~ (update with correct URL) ⠀ Takeaways Both Jonathan and Brendan started their podcasts for exactly the same reason — frustration at the quality of existing coverage in their field — and both were shocked to discover how generous, enthusiastic, and collegial the history author community turned out to be. Brendan's gateway into British history was Alfred the Great by Justin Pollard — a compact, accessible biography of the only English monarch to earn the title "the Great," which he recommends as the perfect gateway drug for readers who think history books are intimidating. Jonathan's most-reread British book is Bill Bryson's Notes from a Small Island — a definitive outsider's portrait of British culture from the early 1990s that remains beloved by British readers themselves, and the book that most shaped his vision for Anglotopia. Andrew Roberts's one-volume Churchill biography is both Jonathan and Brendan's recommended starting point for anyone wanting a modern, comprehensive, and myth-busting account of Churchill — and Roberts's Napoleon biography is equally essential. Helen Castor is independently named by Brendan as one of his very favorite history writers — her Eagle and the Hart on Richard II and Henry IV, and her Joan of Arc episode of his podcast, are both highlighted as exceptional examples of humanizing complex historical figures without sanitizing them. Both hosts agree that the best history books share a quality: they humanize their subjects — showing the positive and the negative — rather than either condemning or canonizing them. The books they admire most leave the reader to make their own moral judgments. Empireland by Sathnam Sanghera and The Crown's Silence by Brooke Newman both generated significant controversy — particularly in British publications — but both Jonathan and Brendan recommend them as essential, rigorously evidenced correctives to popular myths about the British Empire and the monarchy's role in the slave trade. Ben Macintyre's The Siege — on the 1980 Iranian Embassy siege in London that made the SAS famous — is Brendan's pick for best recent true British history read, praised for building unbearable tension over hundreds of pages before releasing it all in a single extended final chapter. The new Wuthering Heights film gets a thumbs-down from both hosts — "it looks beautiful but just didn't land" — while Darkest Hour generates a spirited debate about the Underground scene that ends with both agreeing it's historically wrong but emotionally right. Both hosts are currently working through books about the interwar period, Cold War espionage, and upcoming releases from Dan Jones and Thomas Asbridge — and both agree that the single greatest problem with loving history books is that the TBR pile never gets shorter. ⠀ Soundbites "I lost it. I said, there's gotta be a better way. I don't want to continually torture my family with all my rants about books. So I started the blog." — Brendan on the one-star Amazon review that launched History Nerds United. "I sent 10 emails on the first day thinking if I get one back I'll be ecstatic. I got eight back within three days. And I've now sat on a boat with Dan Jones having drinks, overlooking Omaha Beach. Nobody tell me it didn't happen." — Brendan on the unexpected magic of the history community. "I have yet to interview a jerk. Everyone has been unfailingly nice and so excited to be there and just so game to talk about whatever." — Brendan on 220+ episodes of History Nerds United. "My long-term goal is to be like Bill Bryson. I've actually met him. He's a very nice chap. I can only hope to be 10% as good as him one day." — Jonathan on Notes from a Small Island and his writing ambitions. *"If you want to understand why everything is happening in Downton Abbey, read *The Decline and Fall of the British Aristocracy. I read it as research for a novel I was writing in college and it has never left me." — Jonathan on David Cannadine's masterwork. "Churchill wouldn't have done that. He was not that type of person. But you put Churchill in a period tube carriage, surrounded by Londoners during the Blitz, and it captures the essence of what the story is trying to tell. Was it real? Heck no." — Jonathan and Brendan on the Underground scene in Darkest Hour. "Helen Castor is constantly teaching you, but you feel like you're just having a conversation within the book. At the end of it, you hear Helen get emotional talking about this teenager burned at the stake — how scared she must have been, even with all her faith. She makes her human instead of an icon." — Brendan on his favorite episode of History Nerds United. "The thesis is that because Britain hunted wolves to extinction, it unleashed the economic powerhouse of sheep farming and wool — and as a consequence of that led to so much of what we know as Britain. I read it and I wanted to read it all over again immediately." — Jonathan on The Last Wolf by Robert Winder. "She stayed laser focused on the Elizabethan succession and somehow it's still interesting all the way through. She mentions the Spanish Armada for about three sentences. I said in my review: this book has been written. We don't need any more on this subject." — Brendan on Tracy Borman's The Stolen Crown. "No author has ever made me feel more lazy than Catherine Grace Katz — she wrote *Daughters of Yalta* while she was in law school. If you told me that I would one day be sitting there with Marsha Clark from the OJ Simpson trial, I would have called you a liar. But that's what this world does." — Brendan on the surreal privilege of the history podcast community. ⠀ Chapters 00:00 Introduction — Jonathan sets up the book conversation episode and introduces Brendan Dowd 01:41 How a Tank Platoon Leader Got a 220-Episode History Podcast — Long commutes, bad Amazon reviews, and one unexpected email 05:58 The History Author Community — Why everybody wants you to win, and the generosity of historians 08:10 Dan Jones on a River Cruise — Brendan's honeymoon, Omaha Beach, and a surreal life moment 09:01 What History Nerds United Is — The format, the philosophy, and why Brendan calls himself the laziest podcaster 10:26 BOOK PICKS BEGIN 10:39 Brendan Pick #1: Alfred the Great by Justin Pollard — The George Washington of England and the perfect gateway drug 12:18 Jonathan Pick #1: Notes from a Small Island by Bill Bryson — The definitive outsider's portrait of British culture and Jonathan's most-reread book 14:28 Brendan Pick #2: The Six Loves of James I by Gareth Russell — A party animal king, Scottish trauma, and the most uncomfortable compliment Gareth ever received 16:58 Jonathan Pick #2: Churchill: Walking with Destiny by Andrew Roberts — The one-volume biography that settles the argument 18:15 Andrew Roberts's Napoleon — A brief but enthusiastic detour to France 18:56 Brendan Pick #3: Battle for the Island Kingdom by Don Hollway — 1000 to 1066, the most disgusting assassination in history, and setting up everything 20:05 Jonathan Pick #3: My Early Life by Winston Churchill — The only autobiography, the Boer War escape, and the Gary Stiles connection 21:50 Darkest Hour Debate — The Underground scene: historically wrong, emotionally right, and why it works anyway 23:18 The Perfect WWII Double Bill — Darkest Hour followed by Dunkirk as a single evening 23:50 Brendan Pick #4: Henry V by Dan Jones — Present tense biography, the greatest medieval king, and writing something when you feel ready for it 25:29 Jonathan Pick #4: A Very English Scandal by John Preston — Jeremy Thorpe, a murder plot, a dead dog, and the British establishment 26:57 John Preston's Robert Maxwell Book — And a certain imprisoned daughter 27:26 Brendan Pick #5: Thomas More: A Life by Joanne Paul — Saints, hair shirts, comedy gold, and debunking 500-year-old myths 29:24 Jonathan Pick #5: London: The Biography by Peter Ackroyd — The definitive history of London and the gateway to a great corpus 30:25 Brendan Pick #6: Once a King: The Lost Memoir of Edward VIII by Jane Marguerite Tippett — He wasn't a Nazi, and the documentation proves it 32:03 Jonathan Pick #6: Citizens of London by Lynne Olson — Americans in London during the Blitz and how they helped save Britain 33:24 Brendan Pick #7: The Stolen Crown by Tracy Borman — The Elizabethan succession, new evidence, and calling Henry VIII a few four-letter words 34:56 Tracy Borman on Inside the Tower of London — And Dan Jones's upcoming Castles book 36:03 Jonathan Pick #7: Empireland by Sathnam Sanghera — Deconstructing myths of the British Empire and why the author quit social media 37:32 Brendan Pick #8: The Crown's Silence by Brooke Newman — The monarchy's direct financial involvement in the slave trade and British publications' predictable response 39:34 Jonathan Pick #8: The Iron Lady by John Campbell — The definitive Thatcher biography and why she's Churchill's true successor 41:45 Brendan Pick #9: The Greatest Knight by Thomas Asbridge — William Marshal, four kings, King John, and a life that reads like a Hollywood script 43:22 Jonathan Pick #9: The Decline and Fall of the British Aristocracy by David Cannadine — The book that explains Downton Abbey and everything behind it 44:29 Brendan Pick #10: The Eagle and the Hart by Helen Castor — Richard II, Henry IV, and why taking the crown makes you a marked man 46:48 Jonathan Pick #10: Brideshead Revisited by Evelyn Waugh — Fiction that illuminates aristocratic decline and the companion read to Cannadine 48:18 Brendan Pick #11: The Invention of Charlotte Brontë by Graham Watson — Jane Eyre as a gateway, the weird genius of the Brontë family, and more autobiography than you realized 50:18 Wuthering Heights Film Discussion — Brendan defers, Jonathan gives a verdict: beautiful but it didn't land 51:43 Jonathan Pick #11: The Last Wolf by Robert Winder — No wolves, lots of sheep, and the surprising hidden springs of Englishness 53:10 Brendan Pick #12: London Falling by Patrick Radden Keefe — A body off a balcony opposite MI5, true crime that leaves you profoundly uneasy 54:54 Jonathan buys London Falling at Barnes & Noble — And finds it in the fiction section 55:24 Jonathan Pick #12: The Regency Years by Robert Morrison — What Bridgerton gets wrong, what Jane Austen's world actually was, and the Anglotopia Bridgerton guide 56:23 Bridgerton vs. The Patriot — Two hosts agree: know your genre, leave accuracy at the door 58:15 Brendan Pick #13: The Siege by Ben Macintyre — The Iranian Embassy siege, the SAS, and a final chapter that takes an hour to read 1:00:06 Jonathan Pick #13: Churchill's Citadel by Katherine Carter — Chartwell as weapon, the wilderness years, and the best first book Jonathan has read in years 1:01:31 What's on the TBR Right Now — Ike and Winston, Three Weeks in July, A Shellshocked Nation, the Nord Stream conspiracy, Dan Jones's Castles, and more 1:07:37 The Book Neither Host Can Find Anyone to Write — Brendan's gap in the market involving Joan of Arc's most disturbing companion 1:10:24 The Book Jonathan Should Write — Brendan makes his pitch; Jonathan firmly declines 1:11:06 Jonathan's Gap in the Market — Churchill's second term as Prime Minister: underexplored, fascinating, partially covered by The Crown 1:12:29 John Lithgow as Churchill — Too tall, earned it on The Crown, also very scary in Dexter 1:12:36 Brendan's Proudest Episode — Helen Castor on Joan of Arc, two hours that felt like twenty minutes 1:16:52 Wrap-Up — Where to find History Nerds United, the full book list in the show notes, and promises of a return visit Video Version
We kick off our once-a-month Shakespeare series with one of my favorites from last year, Henry IV, Part One. The trilogy of Henry IV, Parts One and Two, and Henry V form The Henriad and are a great way to learn about the way England thinks about its own history.I review my method of reading Shakespeare (see last season's Week 26 for more information), and then we move on to the actual history of the period these plays are about. It looked a lot like the world of Shakespeare, and his audience, with its tumultous succession issues.Then we move on to the actual plot, and how the characters break down into pairs: of kings; of princes; of fathers and sons. There are so many pairs that in some way this play even feels like it has two storylines.After a talk about the plot of the play, and its theme of "how to be a king," we move on to talk about how the play was perceived by the audience at the time.As always, I give my opinions about this play--except you probably already know that I LOVE this one!I highly recommend this BBC production to watch.I love the Folger Shakespeare Library edition of this play!Next Shakespeare: Henry IV, Part Two, on June 30.Next week: Reading as a Superpower, my talk with Fr. Brian McGreevy.LINKThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rCONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/Like what you heard? Buy me a coffee! https://ko-fi.com/crackthebookLISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321Captivate - https://crackthebook.captivate.fmAll links to Amazon are affiliate links.
Today, I'm thrilled to announce my interview with Tony nominee Michael Hayden. Tune in to hear some of the stories of his legendary career, including the real questions asked by CAROUSEL, finding his singing voice for the role, why he decided to leave CABARET, getting advice from Edward Albee during THE LADY FROM DUBUQUE, playing two roles in ALL MY SONS, what Stephen Sondheim told him during MERRILY WE ROLL ALONG, working at Trader Joe's during the pandemic, why he had trouble memorizing his lines for THE LIGHT IN THE PIAZZA, the lessons he learned at Juilliard, acting opposite Maximilian Schell in JUDGMENT AT NUREMBERG, joining HENRY IV during rehearsals, the intensity of performing in FESTEN, playing Roy Cohn in the first production of ANGELS IN AMERICA, and so much more. Don't miss this in-depth conversation with a veteran actor.
Jeremiah Miller, Executive Artistic Director of Lancaster Shakespeare Theatre, returns to discuss the company's upcoming production of Henry IV, Part 1, opening on the 22nd. Following last fall's Vietnam-era drama Streamers, the theatre shifts back to Shakespeare with an exciting and unconventional take. Featuring direction by Shakespeare scholar Dr. Justin Hopkins and starring acclaimed local actress Elizabeth Pattey as Falstaff—a role traditionally played by men—this bold casting choice brings fresh perspective to one of Shakespeare's most iconic characters. This conversation explores the creative vision behind the production and what audiences can expect from this innovative staging.Sydney Ernst, Museum Director at the Cumberland County Historical Society, shares details about the upcoming exhibition Freedom to Be: LGBTQ+ Journeys in the American Story. Opening May 1, 2026, at the History On High Museum in Carlisle, the exhibit highlights LGBTQ+ experiences within the broader American narrative. On view through June 20, these timely and impactful installation invites visitors to explore stories of identity, resilience, and history.
Welcome to Season 3 of Crack the Book! In this episode:A quick review of big events that happened during the break—Ted Gioia agreed to an interview! I share some of our back-and-forth from our email “interview”/exchange.The podcast What Should I Read Next invited me to be a guest. As a long-time listener to this podcast, it was incredibly exciting.I gave an in-person talk (my first!) with a friend about “Reading as a Superpower.” Stay tuned for more about that.Then we talk a little bit about how this season is going to go, reading groups of related books as units. Right now, that looks like—British History and Fiction: in preparation for my upcoming trip to YorkshireThe Illiad/Odyssey/Aeneid as a trilogy: revisiting my new love of epic poetry, just in time for this summer's big movieChildren's Books: the “right books” that every kid should read, and the ones that especially shaped me and a few friendsOnce-a-month Shakespeare! Last year I felt like I conquered Shakespeare, or at least figured out how to read him without it seeming too onerous. We are keeping that going with one Shakespeare a month, on the last Tuesday.Next week we hop right in with Henry IV, Part 1. Thanks as always for listening!LINKThe complete list of Crack the Book Episodes (Amazon affiliate links): https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rThe Ted Gioia InterviewOne of the "Movie Lists" I mentionedWhat Should I Read Next, Episode 523Theology on TuesdaysCONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/Like what you heard? Buy me a coffee! https://ko-fi.com/crackthebookLISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321Captivate - https://crackthebook.captivate.fm
During the COVID-19 lockdowns, to deal with isolation and lack of live theatre, we started gathering some of our favourite people every Tuesday & Saturday night to read scripts over Zoom. We read all 38 Shakespeare plays in six months. Then we kept going. We decided to create mini-seasons featuring highlights from the canons of major writers across generations, plus a few bonus episodes thrown in. All of our readings are available to enjoy as full videos on our YouTube page but we're also releasing them in audio form so they can be accessed through your favourite podcast app. For our fourth anniversary, the troupe reunited for a marathon reading of Shakespeare’s two-part history play Henry IV. Here’s part one of that reading. The Cast of Henry IV (2024 Version) Part 1 King Henry IV- Christopher Prentice Prince Henry- Torey Urquhart Falstaff- Steve Fisher Mistress Quickly (“Hostess”)/ 1st Carrier/Carrier- Miriam B Gadshill/”Thieves”/Francis/Servant- David Nelson Bardolph/Westmoreland/ Messengers- Weldon Goree Chamberlain/Vintner/Glendower- Rebbekah Vega-Romero Sir Walter Blunt/1st Traveller/ Lancaster- Hilary Wartinger Northumberland/Sir Michael- Elizabeth Morriss Earl of Worcester- Marlo K Shaw Hotspur- Gaby Grice Poins- Mark Kreder Mortimer/Peto/Earl of Douglas/Second Carrier- Nicole Love Archbishop of York/Sheriff/ Vernon- Talley Gale Ostler/Lady Percy- Laura Hubbard CLICK HERE to subscribe to our podcast on iTunes so you don't miss an episode. The post Corona Cold Reads: Henry IV Part 1 (Anniversary Edition) appeared first on My Entertainment World.
Orson Welles spent thirty-five years trying to put Sir John Falstaff on screen. Chimes at Midnight (1966) is the result: a film drawn from five Shakespeare plays — primarily the two Henry IV parts, with passages from Richard II, Henry V, and The Merry Wives of Windsor — that lifts Falstaff from comic supporting player to tragic protagonist. Welles plays the knight himself, a lumbering, larger-than-life tavern dweller and unlikely father figure to Prince Hal (Keith Baxter), heir to the guilt-haunted Henry IV (John Gielgud). When Hal must choose between loyalty to Falstaff and the demands of the crown, the film becomes what Welles called a lament "for the death of Merrie England." Dismissed by critics on its 1966 Cannes premiere and barely distributed in the United States, the film spent decades trapped in rights disputes — finally reaching audiences properly through the Janus Films/Criterion restoration in 2016.Mike talks with Spencer Parsons and David MacGregor about the film's three-decade gestation across stage and screen, the filmmaking ingenuity behind its legendary Battle of Shrewsbury sequence, the autobiographical dimensions of Welles's performance, and why Chimes at Midnight now stands for many critics as the greatest Shakespeare film ever made.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
Orson Welles spent thirty-five years trying to put Sir John Falstaff on screen. Chimes at Midnight (1966) is the result: a film drawn from five Shakespeare plays — primarily the two Henry IV parts, with passages from Richard II, Henry V, and The Merry Wives of Windsor — that lifts Falstaff from comic supporting player to tragic protagonist. Welles plays the knight himself, a lumbering, larger-than-life tavern dweller and unlikely father figure to Prince Hal (Keith Baxter), heir to the guilt-haunted Henry IV (John Gielgud). When Hal must choose between loyalty to Falstaff and the demands of the crown, the film becomes what Welles called a lament "for the death of Merrie England." Dismissed by critics on its 1966 Cannes premiere and barely distributed in the United States, the film spent decades trapped in rights disputes — finally reaching audiences properly through the Janus Films/Criterion restoration in 2016.Mike talks with Spencer Parsons and David MacGregor about the film's three-decade gestation across stage and screen, the filmmaking ingenuity behind its legendary Battle of Shrewsbury sequence, the autobiographical dimensions of Welles's performance, and why Chimes at Midnight now stands for many critics as the greatest Shakespeare film ever made.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
What if one medieval woman could outwit emperors, shape popes, and force Henry IV to stand barefoot in the snow?Dr. Katherine Harvey joins Dr. Eleanor Janega to tell the astonishing story of Matilda of Canossa, the Iron Countess of Tuscany, whose fortress at Canossa became the stage for the famous Walk to Canossa. Discover her political brilliance, brutal family dramas, papal alliances, failed marriages, and the legacy that kept her name alive for centuries.MOREMedieval ItalyListen on AppleListen on SpotifyPope vs. Emperor: An 11th Century CrisisListen on AppleListen on SpotifyGone Medieval is presented by Dr. Eleanor Janega. Audio editor is Amy Haddow, the producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. Hosted on Acast. See acast.com/privacy for more information.
A Genève, Théâtre du Grütli, jusquʹau 9 mai, le metteur en scène Eric Devanthéry présente "Henry IV" à la fois drame et farce historique de William Shakespeare dans une nouvelle traduction remaniée par ses soins. Il sʹen explique au micro de Thierry Sartoretti. En tournée : Mézière, Théâtre du Jorat, le 29 mai. Givisiez, Théâtre des Osses, 24 novembre au 20 décembre. Lausanne, les Terreaux, 25 au 28 février 2027. Yverdon, Théâtre Benno Besson, 4 au 7 mars 2027. Vevey, le Reflet, 9 mars 2027.
In Shakespeare's Henry IV, Part 1, Hotspur delivers a chilling threat against King Richard: "I'll have a starling shall be taught to speak Nothing but 'Mortimer,' and give it him To keep his anger still in motion." It's a line rooted in the politics of kingship and rebellion—but it also hinges on something strikingly practical. The idea of teaching a starling to speak wasn't poetic fancy. It was entirely possible. In fact, it was happening in Shakespeare's lifetime. This week, we're stepping beyond the metaphor to explore the real bird behind the threat. What was the behavior, temperament, and reputation of the starling in early modern England? Were they truly trained to mimic speech? Were they kept as pets—or even raised for the table alongside other fowl? Here to guide us into the world of the early modern starling is Lee Raye, author of Creatures of Story and Song: Tracing Britain's Lost Species. Lee's work traces the historical presence of wild animals and plants, and today, they help us uncover how fact and drama intersect in the history of one of the world's most fascinating birds.
How do you make a devastating story feel funny—without losing its truth? In this episode of the podcast, Jacob Krueger explores Dying for Sex, the extraordinary limited series created by Elizabeth Meriwether and Kim Rosenstock, to break down one of the most elusive tools in screenwriting: tone. Focusing on a single scene from episode 5, Jake shows how the writers take one of the darkest confrontations imaginable—a daughter facing her mother about trauma—and shape it into something that is simultaneously heartbreaking and hilarious. Along the way, he explores three key ideas: how juxtaposing tones can deepen emotional impact, why tone is something you layer over your script in rewrites, and how tone is central to a television series engine—helping a show feel both the same and different across episodes. Drawing inspiration from Falstaff's tragicomic end in Henry IV, Part 2, Tony Soprano's fractured family, and his own early playwriting misadventures, Jake reveals a powerful truth: Tone isn't a single instrument you play. It's something you shape—note by note—until the whole piece sings.
What makes an Archbishop one of the most hated figures in British history? And does Thomas Arundel truly deserve to be branded the greatest villain of 15th-century Britain?Matt Lewis and Professor Chris Given-Wilson explore the life, power, and legacy of a man whose influence reached deep into the politics, religion, and royal struggles of late medieval England, and ask whether he was truly a villain or a far more complex figure than history has remembered.MORE:Richard II vs. Henry IVListen on AppleListen on SpotifyPlantagenets at War: A Fight for the ThroneListen on AppleListen on SpotifyGone Medieval is presented by Matt Lewis. Audio editor is Amy Haddow, the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe Hosted on Acast. See acast.com/privacy for more information.
This episode is titled: The Story of Sack Wine in Early Modern Europe.Imagine walking into the lively taverns and candlelit theaters of early modern Europe, where one drink stood out among both the fashionable and the literary: sack. Think of Sir John Falstaff, the unforgettable character from Shakespeare's Henry IV, Part II, delivering his famous speech. With great enthusiasm, he says that if he had a thousand sons, the first lesson he would teach—the most important of all—would be to avoid weak, watery drinks and instead dedicate themselves to sack.Falstaff's love for sack was not just a joke; it reflected a real trend that spread through England and beyond in the 16th and 17th centuries. Sack was a fortified white wine—rich, strong, and often sweet—similar to what we now call sherry or white port. The origin of the name “sack” is still debated. According to several dictionaries cited by Wikipedia, some believe it comes from the French word “sec,” meaning “dry,” though this explanation has certain linguistic uncertainties.Others suggest it may derive from the Spanish word “sacar,” which means “to withdraw,” referring to the process of drawing wine from a solera. Some historians suggest that the name “sack” comes from the Spanish verb “sacar,” which means “to withdraw,” possibly in reference to drawing wine from barrels for export. The wine itself was traditionally produced in the vineyards of Spain and Portugal. In Spain, the Canary Islands became a major producer after colonization in the 1400s, and regions such as Málaga, Jerez, and Andalusia also produced well-known types. Portugal also played a part, with wines from the north and center of the country, and especially from Madeira. Merchants labeled their shipments by where they came from—” Canary sack,” “Malaga sack,” “Madeira,” or “Jerez”—and these names appeared in trade records from London to Dublin.The trade was massive, especially to the British Isles. According to Jerez-Xeres-Sherry, in 1517, the Duke of Medina Sidonia, Don Alfonso Pérez de Guzmán, granted extended privileges to English merchants operating in Sanlúcar, many of whom were facing difficulties with the Inquisition. Later, in the 1530s, English merchants formed the Spanish Company to facilitate trade, exporting cloth and importing sack wine. So intertwined were the goods that some wines earned the cheeky nickname “bastard”—a nod to the English cloth measure and the back. Even war did not stop people from wanting to sack. During the Anglo-Spanish conflict from 1585 to 1604, smugglers risked crossing the Channel to keep the wine coming when official trade was blocked. Official trade faltered.One of the most memorable moments was Sir Francis Drake's bold raid on Cádiz in 1587, when he set out to “singe the King of Spain's beard.” During the attack, Drake's men took about 2,900 pipes, or butts, of sack, with each holding around 600 liters. This added up to more than a million liters of wine taken as loot. Back in England, drinking this captured wine became a patriotic gesture, a playful way to celebrate victory while enjoying the spoils.Sack became a big part of English culture. On the London stage, it was often mentioned. Ben Jonson praised “a pure rich cup of Canary wine” in his poetry, and later writers, such as John Dryden, who was appointed poet laureate in 1670, according to Samuel Johnson, even accepted barrels of sack as payment. But Shakespeare was its biggest fan. Falstaff talks about the amazing effects of sack: it clears the mind, sharpens wit, warms the blood, and gives courage. “Skill in the weapon is nothing without sack,” he says, and his friends joke about how much he loves it. Audiences in the late 1590s would have recognized sack everywhere, seeing it as a symbol of English energy.Read the full textMore Podcasts
From delectable marchpane in Romeo and Juliet, and the herbs of the Merchant of Venice to stew'd prunes of Henry IV, and carving capons in Love's Labour's Lost, there is a wide gambit of meals consumed in Shakespeare's plays that span from bawdy feasts to elite noble banquets, and even popular meals eaten as much to control your behavior as they were seen as nourishment. The details about food found throughout Shakespeare's plays reflect the real foods enjoyed from the peasants to the royalty of Shakespeare's life. This week we are diving into these delectable delights with food historian and author Sam Bilton, to talk about her latest book, Much Ado About Cooking—which was created in collaboration with Shakespeare's Globe---that allows us to get a literal taste of Shakespeare. Much Ado About Cooking takes Shakespeare's own food references and pairs them with real recipes from his lifetime, then reimagines those recipes for the modern cook so that you can easily make, and eat, food from the life of William Shakespeare.
Willy Willy Harry Stee, Harry Dick John Harry Three. One Two Three Neds, Richard II, Henry's Four........ yes, welcome to the next batch of Henry's, starting with Henry IV. Forget what Shakespeare said. In this episode, you'll hear Charlie Higson continue his voyage through history with a story of a King who lived fast and died young without really achieving much, while this episodes proper historian, Ian Mortimer, author of 'The Fears of Henry IV: The Life of England's Self-Made King', argues that Henry was actually genuinely impressive.You can read more about Henry by popping to the bookshop, or going online and buying what can only be described as 'The Book Of The Podcast'. Willie WIllie Harry Stee is available now, with illustrations by Jim Moir and words by our very own Charlie Higson. Hosted on Acast. See acast.com/privacy for more information.
Willy Willy Harry Stee, Harry Dick John Harry Three. One Two Three Neds, Richard Two........ Charlie Higson's canter through the Monarchy takes us to Richard The 2nd.You'd think by now that they'd have got the hang of this whole King thing. What to do. What not to do. Well, they hadn't and Richard II is a good example of the 'What Not To Do' category.Charlie's proper historian this episode sees the return of Helen Castor, author of 'She-Wolves: The Women Who Ruled England Before Elizabeth' and 'The Eagle & The Heart, The Tragedy of Richard II and Henry IV.And speaking of books, don't forget that Charlie's book of this podcast, Willie Willie Harry Stee is out now, with illustrations by Jim Moir, or Vic Reeves as you may know him. https://www.amazon.co.uk/Willie-Harry-Stee-brand-new-hilarious/dp/0008741050 Hosted on Acast. See acast.com/privacy for more information.
Happy 2026! I believe studying history is more important now than ever! Join me for a discussion about the power of history, one of my favorite historical moments (1399), and how history is showing us what's possible.Show Notes:Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydThe Tudors by NumbersCourting the Virgin Queen Book mentioned in podcast: The Eagle and the Hart, by Helen CastorHistory shows us what's possible.
It was today in history in 1404 that Henry IV issued the Act Against Multipliers, a ban on the mysterious art of creating or duplicating gold, more commonly known as alchemy. It came at an odd time for European science because the widespread efforts to transform so-called base metals, such as lead or copper, into noble metals, such as silver or gold, while futile, actually aided the discovery of things like combustion and gunpowder. In this episode, Arion, Rebecca and Olly discuss the connection between the science of multiplying metals and religion; explain why the Ancient Greek notion of the four elements – fire, earth, air, and water – was so resilient; and reveal why plenty of people before Harry Potter were interested in the Philosopher's Stone… Further Reading: • ‘When Chemistry Was Outlawed' (Vice, 2015): https://www.vice.com/en/article/3dk7mj/when-chemistry-was-outlawed • ‘The Day England Outlawed Alchemy' (Forbes, 2018): https://www.forbes.com/sites/kionasmith/2018/01/13/the-day-england-outlawed-alchemy/?sh=11c1170539bd • ‘How Alchemy Led to Modern-Day Chemistry & Medicine' (SciShow, 2022): https://www.youtube.com/watch?v=maQ_Gd7TapI #1400s #UK #Science This episode first aired in 2023 Love the show? Support us! Join
In Shakespeare's play Henry IV, Part 1, Falstaff declares on more than one occasion, "I am a rogue." Several exchanges between Falstaff, Henry V, and others like Hostess Quickly and Doll Tearsheet, see characters throwing the word "rogue" back and forth as both an insult and a badge of honor. The term connects to a real form of slang underworld language known as rogue cant. Which was a secret, cryptic lexicon, spoken and understood only by criminals. Falstaff and his companions are the closest depictions of criminals in Shakespeare's works. Their roguish behavior includes gathering at the Boar's Head in Eastcheap to plan their crimes and divide their spoils. By choosing to use the word "rogue," Shakespeare was deliberately connecting his characters to the real criminal underworld of 16th-century England that trafficked in this mysterious and coded language. To introduce us to this rogue cant, and to help us unlock the hidden meanings of these words so that we can better understand the culture that produced them, we are excited to welcome Ari Friedlander back to the show. Ari joins us today to take a closer look at rogue cant: where the words came from, how they were used, and what they reveal about Shakespeare's world.
In Shakespeare's play Henry IV, Part 1, Falstaff declares on more than one occasion, “I am a rogue.” Several exchanges between Falstaff, Henry V, and others like Hostess Quickly and Doll Tearsheet, see characters throwing the word “rogue” back and forth as both an insult and a badge of honor.The term connects to a real form of slang underworld language known as rogue cant. Which was a secret, cryptic lexicon, spoken and understood only by criminals. Falstaff and his companions are the closest depictions of criminals in Shakespeare's works. Their roguish behavior includes gathering at the Boar's Head in Eastcheap to plan their crimes and divide their spoils. By choosing to use the word “rogue,” Shakespeare was deliberately connecting his characters to the real criminal underworld of 16th-century England that trafficked in this mysterious and coded language.To introduce us to this rogue cant, and to help us unlock the hidden meanings of these words so that we can better understand the culture that produced them, we are excited to welcome Ari Friedlander back to the show.Ari joins us today to take a closer look at rogue cant: where the words came from, how they were used, and what they reveal about Shakespeare's world. Hosted on Acast. See acast.com/privacy for more information.
Merriam-Webster's Word of the Day for November 2, 2025 is: arbitrary • AHR-buh-trair-ee • adjective Arbitrary describes something that is not planned or chosen for a particular reason, is not based on reason or evidence, or is done without concern for what is fair or right. // Because the committee wasn't transparent about the selection process, the results of the process appeared to be wholly arbitrary. // An arbitrary number will be assigned to each participant. See the entry > Examples: “The authority of the crown, contemporaries believed, was instituted by God to rule the kingdom and its people. England's sovereign was required to be both a warrior and a judge, to protect the realm from external attack and internal anarchy. To depose the king, therefore, was to risk everything—worldly security and immortal soul—by challenging the order of God's creation. Such devastatingly radical action could never be justified unless kingship became tyranny: rule by arbitrary will rather than law, threatening the interests of kingdom and people instead of defending them.” — Helen Castor, The Eagle and the Hart: The Tragedy of Richard II and Henry IV, 2024 Did you know? Donning black robes and a powdered wig to learn about arbitrary might seem to be an arbitrary—that is, random or capricious—choice, but it would in fact jibe with the word's etymology. Arbitrary comes from the Latin noun arbiter, which means “judge” and is the source of the English word arbiter, also meaning “judge.” In English, arbitrary first meant “depending upon choice or discretion” and was specifically used to indicate the sort of decision (as for punishment) left up to the expert determination of a judge rather than defined by law. Today, it can also be used for anything determined by or as if by chance or whim.
Today, we dive into the dramatic tale of two men whose rivalry changed the course of English history. We unravel the complex relationship between King Richard II and his ambitious cousin, Henry Bolingbroke - later crowned Henry IV.We're joined by Helen Castor, historian, broadcaster and author of ‘The Eagle and the Hart: The Tragedy of Richard II and Henry IV'. We discover how this seismic power struggle toppled a king.Produced by James Hickmann and edited by Dougal Patmore.We'd love to hear your feedback - you can take part in our podcast survey here: https://insights.historyhit.com/history-hit-podcast-always-on.You can also email the podcast directly at ds.hh@historyhit.com. Hosted on Acast. See acast.com/privacy for more information.
Two cousins, both descended from Edward III. Both would become King of England. Helen Castor explores the epic battle between Richard II and Henry IV--the causes and the implications.Show Notes:Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydThe Tudors by NumbersCourting the Virgin Queen Helen Castorhelencastor.substack.com@hrcastorThe Eagle and the Hart: The Tragedy of Richard II and Henry IVElizabeth I: A Study in Insecurity (Penguin Monarchs)Joan of Arc: A HistoryShe Wolves: The Women Who Ruled Before ElizabethBlood and RosesHistory shows us what's possible.
Henry of Monmouth's impatience reaches fever pitch when he tries to snatch the crown from his father, Henry IV. It backfires royally. To teach him a lesson, the king makes Henry's boozehound brother, Thomas, the heir apparent. To delve deeper into the history behind each episode, become a This Is History Royal Favourite on Patreon. In addition to ad-free listening and bonus episodes, you get to chat with mediaeval buffs from around the world, shape the direction of the show, and watch exclusive behind the scenes videos from the team. Sign up at patreon.com/thisishistory – A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Written and presented by Dan Jones Producer - Alan Weedon Senior Producer - Dominic Tyerman Executive Producer - Simon Poole Production Manager - Jen Mistri Production coordinator - Eric Ryan Mixing - Amber Devereux Head of content - Chris Skinner Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week on Crack the Book, I'm still in awe of Shakespeare — and not ready to leave him behind. Somewhere between Falstaff's jokes and Othello's heartbreak, I realized just how much I've climbed the Shakespeare learning curve. The language that once felt impossible now feels like music, and these plays — Henry IV, Parts 1 & 2, and Othello — have been my favorite week yet.To start, though, I covered a little of Shakespeare's own history, so that we can better understand what was happening around him as he wrote his plays.The Henry IV plays are part of Shakespeare's “Henriad,” tracing Prince Hal's transformation from tavern-dwelling prankster to King Henry V. Part 1 sets up the tension between fathers and sons — King Henry and Hal, Northumberland and Hotspur — while Falstaff brings both comedy and chaos. I was surprised by how much I loved the histories: the mix of battle and banter, the political drama, and the emotional depth. By Part 2, the story turns elegiac. Henry IV is aging, Hal is ready to lead, and Falstaff's charm finally wears thin. The final father–son scenes left me sobbing under a tree outside our hotel — Shakespeare reached across 400 years and hit me right in the heart.Then comes Othello, which could not be more different. Where Falstaff is funny, Iago is chilling. He's not a misunderstood fool — he's pure manipulation, the “honest” man who deceives everyone. I was struck by how quickly Shakespeare draws each character: Desdemona's sweetness, Emilia's courage, Othello's nobility. The tragedy lands hard because we believe them all. And even here, amid jealousy and death, Shakespeare finds humor — like a quick, ridiculous debate about national drinking habits.I watched the Royal Shakespeare Company productions of Henry IV with Anthony Sher's Falstaff, and they were brilliant — vivid sword fights, excellent pacing, and real warmth. By Othello, I'd developed my ear enough to read without watching.This project keeps surprising me — and this week, it reminded me why Shakespeare endures. His plays aren't ancient; they're alive, human, and heartbreakingly funny.This is a year-long challenge! Join me next week for Giorgio Vasari's Lives of the Artists and Benvenuto Cellini's Autobiography.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts -
What does living a good life involve? Michael Rosen's new book is called Good Days and offers suggestions to brighten our daily lives. Dr Sophie Scott-Brown is a research fellow at St Andrews' Institute of Intellectual History. The Rev'd Fergus Butler-Gallie has spent time working in the Czech republic and South Africa and ministering in parishes in Liverpool and London. His most recent book is Twelve Churches: An Unlikely History of the Buildings that made Christianity. Dr Rachel Wiseman lectures on philosophy at the University of Liverpool and explored the impact of the relative absence of women philosophers. Sudhir Hazareesingh is a Fellow and Tutor in Politics at Balliol, Oxford and author of "Daring to be Free: Rebellion and Resistance of the Enslaved in the Atlantic World, which raises questions about the Enlightenment's exclusion of enslaved people from the universal vision of a good society. Matthew Sweet hosts the discussion about what it means to be good. The six books shortlisted for the Wolfson History Prize 2025 which will be announced on December 2nd are:• Embers of the Hands: Hidden Histories of the Viking Age by Eleanor Barraclough (Profile Books) • The Eagle and the Hart: The Tragedy of Richard II and Henry IV by Helen Castor (Allen Lane) • Multicultural Britain: A People's History by Kieran Connell (Hurst Publishing) • Survivors: The Lost Stories of the Last Captives of the Atlantic Slave Trade by Hannah Durkin (William Collins) • The Gravity of Feathers: Fame, Fortune and the Story of St Kilda by Andrew Fleming (Birlinn) • The Mysterious Case of the Victorian Female Detective by Sara Lodge (Yale University Press)The judges for the Wolfson History Prize 2025 are Mary Beard, Sudhir Hazareesingh, Helen King and Diarmaid MacCulloch, with the panel chaired by David Cannadine.Producer: Jayne Egerton
Henry IV is waking in the night screaming, convinced people are throwing fire at him. In truth, they're throwing shade. Even the clergy are questioning his right to rule. And to silence the whispers, this pious king turns butcher. This is the story of a monarch unraveling—where paranoia meets power, and faith gives way to fury. To delve deeper into the history behind each episode, become a This Is History Royal Favourite subscriber. You get ad free listening, bonus episodes, and access to our royal court on Patreon. There, you can meet fellow mediaeval history buffs, chat with the team, and tell us what you want to hear more of. Think of this as your virtual clubhouse. We'd love to see you there: patreon.com/thisishistory – A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices Written and presented by Dan Jones. Producer - Alan Weedon Senior Producer - Dominic Tyerman Executive Producer - Simon Poole Production Manager - Jen Mistri Production coordinator: Eric Ryan Mixing - Amber Devereux Head of content – Chris Skinner Learn more about your ad choices. Visit podcastchoices.com/adchoices
In today's poem, Shakespeare puts the theatre in political theater via a candid moment with the future King Henry V in Henry IV pt. 1, Act 1, Scene 2. Happy reading! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
Turns out, wearing the crown is the easy part. Henry IV thought kingship would bring control—but the treasury's running dry, rebellions are flaring, and his grip on power is slipping fast. Then his heir takes an arrow to the face. This is the story of a king learning the hard way that ruling is a whole different game—and the consequences are about to get bloody. To delve deeper into the history behind each episode, become a This Is History Royal Favourite subscriber. You get ad free listening, bonus episodes, and access to our royal court on Patreon. There, you can meet fellow mediaeval history buffs, chat with the team, and tell us what you want to hear more of. Think of this as your virtual clubhouse. We'd love to see you there: patreon.com/thisishistory – A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices Written and presented by Dan Jones Producer - Alan Weedon Senior Producer - Dominic Tyerman Executive Producer - Simon Poole Production Manager - Jen Mistri Production coordinator: Eric Ryan Mixing - Amber Devereux Head of content – Chris Skinner Learn more about your ad choices. Visit podcastchoices.com/adchoices
Francesca's Garden of PleasuresBy neruval442. Listen to the Podcast at Steamy Stories. I woke to a feeling of bliss, still flanked by two beautiful women, one of them my beloved Beth. She smiled as she always did when we woke together. "Hi.""Hi yourself."I felt Francesca stirring. "Buongiorno" she wished us as she stretched luxuriantly.She sat up, and as always I couldn't help my eyes being drawn to her breasts. "Such a lovely day," she observed as the sunlight slanted in through the gap in the curtains.Beth nodded. "Perhaps we could all go out somewhere?"Francesca thought for a moment. "I know a place."She got out of bed, starting to dress, and Beth reached to touch her arm. "You don't need to go."Francesca smiled. "I think you two lovers need a little time to yourselves, maybe? I will go back to my room, take shower, I see you at breakfast."She deftly tied the fastening of her dress in place, and she was gone, closing the door behind her.Beth turned over, and I wrapped my arms around her. "She's very considerate."Beth nodded, a grin slowly spreading across her face. "Wow, last night really worked, didn't it."My expression was thoughtful, even a little puzzled. "We didn't quite stick to the plan, did we?"Beth smirked. "You men and your plans. What do you mean?""Well, I don't think there was any time when she and I were both giving attention to your breasts."Beth acknowledged my point. "Something still to look forward to, then."I hesitated. "And the way I was in her, you and I haven't done exactly that, have we. I'm sorry."Beth looked surprised, putting her hand on mine. "You were worried about that? Don't be silly. Anyway, I prefer to see your face, usually. Not that we shouldn't try it sometime."She smiled. "Anything else?"It was my turn to show surprise. "Well, um, you and she didn't, you know, there,”Beth's response was a shiver of anticipation. "Now that, I definitely hope we put right today."She took a deep breath. "Right, time for a shower so we can get going straight after breakfast. I wonder where Francesca has in mind, ?"When we walked into the dining room, Francesca was already at the table we'd shared the previous morning. "The girl will bring your usual breakfast," she grinned.She'd changed into a summer dress, still elegant but more suitable for a casual day out, and her dark hair was caught into a neat ponytail. "Any clues on where we're going?" I hinted."It is very close, but also private," came her enigmatic response.When we'd finished eating, Francesca bent down to pick up a blanket she'd kept under her chair, incidentally giving me a clear view down her cleavage, confirming that as yesterday she hadn't felt a bra was necessary to her outfit. "Follow me."She led us into the hotel's back garden, the grass neatly trimmed but the shrubs and bushes less and less well-tended as we moved further in. Finally we reached a high brick wall almost entirely concealed by overgrowth, and Francesca carefully stepped forward, pulling the ivy aside to reveal a wooden door, its iron latch showing signs of rust but still solid.She pushed the door open with some effort, and turned to us. "Please, enter."Beth stepped through first, and I followed. "Wow,”We were in a walled garden, trees and shrubs wildly overgrown, but with an inviting mossy lawn in the center. Francesca eased the door closed, brushing dust off her fingers, and smiled. "A wonderful place, no?"She walked to the center of the grass and spread out the blanket, sitting down and patting the space beside her in an obvious invitation. Beth walked over, kneeling, and I laid down in the space she'd left, my hands behind my head. "Um, it's idyllic."Beth looked around thoughtfully. "I'm sure the medieval writers used an enclosed garden as a symbol of a woman's body,”Francesca blinked. "You also read old books?"I chuckled. "Oh, you wouldn't believe it. That's why we've had so many holidays in this town, after all.""Of course we've both read quite a lot of Dante," Beth remembered.Francesca smiled. "There was a man who knew what it was to love. But also to lose."She looked sad, a little lost. "Tomorrow I must fly home,”I reached a hand out to hers. "We'll make sure we don't lose touch. And, all the more reason to make the most of the time we have."I leaned across, kissing Francesca softly on the lips. "That's by way of a promise."She placed her hand flat on my chest, and even this innocuous contact sent a thrill through my body. "Francesca, you've made my nipples tingle," I confessed.She glanced at Beth, who was grinning. "In that case, we must do something about it."Francesca started to undo my shirt buttons, and Beth joined her. As soon as one nipple was exposed to view, Beth dabbed her tongue on it, then pursed her lips to blow a stream of cooler air, making it harden almost painfully. "Hey," I pretended to scold, "you know that's not the way I like.""Is this better?" Francesca queried in a low, seductive voice, placing her moistened lips around my other nipple and sliding her tongue wetly over it."Oh god, yes, “ I gasped, and Beth relented, her lips and tongue mirroring Francesca's. "Oh, that is absolute bliss," I murmured, looking down to see Francesca's dark hair to one side, Beth's glossy brown on the other. "I could let you do this all day."I felt Francesca's fingers working deftly at my belt, then the zip of my jeans. Her fingers slid inside, finding my hardness, and she glanced across at Beth. "He does not need so many clothes, no?"Between them they slid my jeans and y-fronts off, then returned to my chest, Francesca's fingers now wrapped gently round my shaft. "Maybe I give you a small treat," she teased, leaving Beth to play with my nipples while she moved downwards. She dabbed at the drop of clear liquid on my tip with her tongue, then glanced up to watch my expression. She wrapped her lips softly around me, and my eyes widened as despite my best efforts to hold back, a surge of pleasure rippled through me and sticky fluid splashed her lips, her tongue. "Francesca, I am so sorry," I gasped.She swallowed, running her tongue over her lips, using a fingertip to catch a stray drop. "Is no problem, I like,”"Don't worry," grinned Beth. "He'll be ready for more before too long."She shifted a little closer to Francesca. "Anyway, this is our chance for you and I to get to know each other better."I held my breath as Beth kissed Francesca softly. "You taste your lover, no?" Francesca murmured, and Beth grinned. "It wouldn't be the first time."I watched as their hands began to explore one another, Beth's fingers brushing over Francesca's nipples, eliciting a gasp, and Francesca raised her arms so that Beth could lift her dress over her head. Today Francesca wore a barely-there thong, and Beth watched her face with an almost wanton expression, fingers tugging the filmy fabric into Francesca's most sensitive place while Beth's mouth returned to her nipples. "O dio," Francesca breathed, her hands cupping Beth's breasts. "Let me touch you also."Beth slipped the straps of her dress off her shoulders, letting it slide to the floor, then moved to kiss Francesca again, fingers tangling in her hair as Francesca sought the clips of her bra, finally releasing them. Francesca carefully laid aside the lacy garment, then touched her tongue to each nipple in turn. "Um," breathed Beth, "let me lie down."She lay back, hands behind her head, and Francesca returned to her nipples, suckling one then the other softly. She paused to glance at me, eyes dancing. "You can help, no?"I caught Beth's eye. "One down," she grinned with a raise of her eyebrows, then parted her lips in a soundless moan as I bent to her breast, Francesca's mouth already busy on the other. "Oh god, that's good."Beth parted her thighs as Francesca's fingers explored upwards, meeting the soft cotton of her panties. "So damp," Francesca whispered. She hooked her fingers through the elastic, and Beth lifted her hips to let Francesca slide her panties down and off. I felt myself stir as Francesca deliberately lifted the soft cotton to her face, tonguing the moisture Beth had provided. "Um, sweet.""Oh, my breasts again," begged Beth, and I glanced at Francesca as my mouth returned to Beth's nipple. "Greedy," Francesca teased. "I know soon you will want something else."Her words proved true as moments later Beth flexed her hips upwards. "Please,”I watched spellbound as Francesca moved down, kneeling between Beth's feet and leaning forward. Francesca buried her face in Beth's fur, breathing in deeply, then Beth's eyes widened as Francesca used the tip of her nose to explore lower, brushing her nub. "I hope you're taking notes, Tim," she gasped.Francesca threw me a grin, then took a deep breath, blowing gently on Beth's most intimate place. Beth's response was a frustrated sound, almost a growl. "God, 'Cesca, touch me again."Francesca relented, bending to place a soft kiss, then dab with her tongue. She hesitated, then carefully slid two fingers into Beth's opening, her tongue beginning to brush Beth's hard nub more insistently.I shifted position so that I could continue to use my mouth and tongue on Beth's breasts while still watching. The muscles under the smooth skin of Beth's stomach began to tense, and I paused to lean down and whisper in Francesca's ear, getting first a widening of her eyes in surprise, then a nod of understanding.I renewed my attention to Beth's nipples, and watched Francesca continue to use her mouth, her fingers thrusting gently as Beth clenched her hands on the blanket.Francesca's eyes met mine, and I nodded. She slowly withdrew her fingers, her tongue still moving insistently on Beth's nub, and again I saw the telltale tightening of muscles that betrayed how close Beth was to her release. "Ready, darling?" I queried, and Beth nodded wordlessly.I held my breath as Francesca moved a slippery fingertip a little further back, and gently touched the center of Beth's other opening. Beth's response was immediate, a cry of ecstasy, her hips shuddering, her nipples hardening under my lips as never before. Her thighs tightened on Francesca, who fought to keep her place, tongue flickering to draw out the last moments of delight.Finally Beth subsided, chest heaving, eyes wide. "Oh, my, goodness," she managed eventually. "That was,”Francesca moved up to cradle Beth's head softly against her breasts. "For me, too."She placed a soft kiss on Beth's hair. "And now I know another of your little secrets."Francesca breathed in, her chest rising. "I think I too would enjoy, at the proper moment."Beth stirred in her arms. "Oh, I think we could oblige."She pulled out of Francesca's embrace, lying back again. "Ready?"Francesca slid across Beth's body, kneeling with her parted thighs offering access to her intimate place. A drop of clear liquid splashed down, and Beth caught it on her lips. "I think more than ready," she murmured.Beth cupped Francesca's breasts in her hands, then imitated something I knew she liked when I did it, pulling Francesca's nipples gently away from her body with pinched fingers. Francesca gasped, flexing her hips, and Beth took the hint, burying her mouth in Francesca's wetness.Francesca looked over her shoulder at me, her face betraying the ecstasy she was already feeling. "Come do whatever you want to me," she invited.I moved behind her, feeling Beth's fur gently tickling me as I lowered myself onto her body. My fingers explored Francesca from behind, feeling the movement of Beth's tongue close to my fingertips.Francesca gasped as I slid fingers into her, leaning forward a little, exposing her pink star to my view. I moistened a finger with my tongue, then used it to brush softly across her other opening. Her reaction was a moan, "Oh, more, “ and I pressed my finger a little more firmly, the tip now surrounded by a ring of smooth muscle.Francesca tilted her head back, her breasts pushed into Beth's caressing hands, her hips flexing, and I heard her begin to gasp with each thrust of my fingers inside her. "Oh, so good, Um, più forte."I felt the first tightening of her muscles on my fingers as she cried out unintelligibly, then I thrilled as her pink star contracted, rippling visibly as evidence of her climax, the tip of my finger squeezed repeatedly as Francesca's whole body shook.I withdrew from her carefully, and she slid from Beth's body, her eyes unfocused. "Oh, again new, and more,”She laid down on her side, Beth tenderly stroking her hair. "Rest now, darling."I joined them, one arm under Beth's head, the other stretched across to embrace Francesca, and closed my eyes, letting the warm sun lull me to sleep,When I opened my eyes, the sun had passed its highest point, and I leaned across to kiss Beth. "I'm beginning to wish we'd brought something for lunch."Beth rolled her eyes, grinning. "All you ever think about."She glanced towards the door through which we'd entered the garden. "I think I saw some strawberries growing, they must be from when this place was used."I got to my feet and walked along the border. Here and there, red berries peeped out from under the foliage, and I gathered them as I went. When I returned to the blanket, Francesca was sitting up, and I offered her a strawberry. "Um," she smiled, "sweet."We shared the fruit, but as we reached the last couple of berries I closed my hand. "Ah-ah, I have an plan for these."
Matt Lewis and Helen Castor uncover the romantic entanglements and perilous struggles of the 15th-century Paston family, whose personal correspondences reveal intimate details of love, ambition, and survival during the Wars of the Roses. Through the incredible archive of letters we meet the indomitable matriarch Margaret and her sons John II and John III, as they navigate political turmoil, defend their home in a dramatic siege, and experience forbidden love. A rare glimpse into the past through thrilling stories of medieval romance and danger preserved through centuries.MOREReal Medieval Women with Philippa Gregoryhttps://open.spotify.com/episode/2bGP4HAgsUgVkazs2DkdywRichard II vs. Henry IV with Helen Castorhttps://open.spotify.com/episode/6FwoVILnFD15Q5S7Qm3WhPGone Medieval is presented by Matt Lewis. It was edited by Amy Haddow, the producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK Hosted on Acast. See acast.com/privacy for more information.
Tadoussac seaport was founded in 1599 when two Frenchmen acquired a fur trade monopoly from the King of France, Henry IV. They built the settlement at the confluence of the Saguenay and Saint Lawrence rivers in today’s Canadian province of Quebec. Eric Yanis of The Other States of America podcast has graciously agreed to share his telling of this incredible story. E148. Check out the YouTube version of this episode at https://youtu.be/gGA2XvaGlOM which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Books about Tadoussac at https://amzn.to/4ovZTvt New France books available at https://amzn.to/3IkZgBF Quebec-Canada history books available at https://amzn.to/3MTurXr ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 X (Twitter): https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM See omnystudio.com/listener for privacy information.
Usurpation or action against a tyrant? Eminent historian Helen Castor joins me to discuss Richard II and the cousin who usurped him, Henry Bolingbroke, at Harvington History Festival 2025.Buy Helen's book 'The Eagle and The Hart. The Tragedy of Richard II and Henry IV' or any of her other excellent books, and get them shipped worldwide for free, from Blackwells.https://www.blackwells.co.uk?a_aid=PhilippaBHi! I'm Philippa, welcome to the British History Channel.Thank you for watching this video, I hope you enjoyed it. There are many more here for you to browse through including almost 50 fantastic historian interviews with people such as Tracy Borman OBE, Gareth Russell, Helen Carr and many more. Buy books from these incredible historians, shipped worldwide from Blackwells - https://www.blackwells.co.uk?a_aid=PhilippaB (This is an affiliate link. I get a commission on books sold via this link but they are at no extra cost to you).I'd really appreciate your help in making this show the best it can be. I know time is precious but if you do have 10 minutes you can spare to fill out this anonymous listener survey, I'd be really grateful - http://bit.ly/britishhistorypodcast-surveyPhilippa founded award-winning Historic Tour Operator British History Tours in 2014. Find out about these luxury, fully-escorted, immersive historical experiences at BritishHistoryTours.com Hosted on Acast. See acast.com/privacy for more information.
Helen Castor is a British historian and BBC broadcaster who left Cambridge because she wanted to write narrative history focused on individuals rather than the analytical style typical of academia. As someone interested in individual psychology and the functioning of power, Castor finds medieval England offers the perfect setting because its sophisticated power structures exist in “bare bones” without the “great apparatus of state,” bringing individual power plays into sharper relief. Her latest book, The Eagle and the Hart, exemplifies this approach by examining Richard II and Henry IV as individuals whose personal choices became constitutional precedents that echo through English history. Tyler and Helen explore what English government could and couldn't do in the 14th century, why landed nobles obeyed the king, why parliament chose to fund wars with France, whether England could have won the Hundred Years' War, the constitutional precedents set by Henry IV's deposition of Richard II, how Shakespeare's Richard II scandalized Elizabethan audiences, Richard's superb artistic taste versus Henry's lack, why Chaucer suddenly becomes possible in this period, whether Richard II's fatal trip to Ireland was like Captain Kirk beaming down to a hostile planet, how historians continue to discover new evidence about the period, how Shakespeare's Henriad influences our historical understanding, Castor's most successful work habits, what she finds fascinating about Asimov's I, Robot, the subject of her next book, and more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded April 2nd, 2025. Help keep the show ad free by donating today! Other ways to connect Follow us on X and Instagram Follow Tyler on X Follow Helen on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here. Photo Credit: Stuart Simpson
STORY OF AMERICA - Founded in 1599 when two Frenchmen acquired a fur trade monopoly from the King of France, Henry IV, Tadoussac seaport was and settlement were built at the confluence of the Saguenay and Saint Lawrence rivers in today’s Canadian province of Quebec. Also, what happened in New France during the 60 years between the exploits of Jacques Cartier and the arrival of Samuel de Champlain? Check out the YouTube versions of this episode at: https://youtu.be/gGA2XvaGlOM https://youtu.be/r1FbAmULdI4 America History books available at https://amzn.to/3OnczVT Jacques Cartier books available at https://amzn.to/3IkZgBF New France books available at https://amzn.to/3Hb1uDq Iroquois books available at https://amzn.to/42Oal6k ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/HistoricalJesu Instagram: https://www.instagram.com/denarynovels Mark's Books: https://amzn.to/3k8qrGM See omnystudio.com/listener for privacy information.
SEASON 7: All Roads Lead to ClermontMiniseries: Popes, Emperors, Kings & A CountessEPISODE 162: Henry IV Strikes Back!Once again we find Henry IV attempting to take down Countess Matilda of Canossa, and this time he threw as much as he could at her. But will it work? Will he finally take down the one person who has stood in his way all these years?Members-Only Series on Patreon:For only a dollar per month, you can hear multiple varying stories and storylines so far through the 11th century, including but not limited to the creation of the Kingdom of Poland, what's happening on the Continent while Duke William is conquering England, and, currently, our series called “The Book of Alexios” detailing all those details of the monumental medieval emperor, Alexios Komnenos, that didn't make it into the public podcast. Every dime donated will be put directly back into the show, so I hope you consider becoming a Patreon member! Just follow this link to our Patreon page to peruse the right “subscription” for you: https://www.patreon.com/FortunesWheelPodcast. Social Media:YouTube Page: Fortune's Wheel PodcastFacebook Page: https://www.facebook.com/fortunes.wheel.3 X (formerly Twitter) Page: https://twitter.com/WheelPodcastTOPICS / PEOPLE / PLACES#matildaofcanossa #matildaofmantua #matilidaoftuscany #countessmatilda #duchyoftuscany #mantua #siegeofmantua #henryiv #holyromanemperorhenryiv #heinrichiv #emperorhenryiv #emperorheinrichiv #berthaofsavoy #prassede #eupraxiaofkiev #kiev #kievanrus #holyromanempire #11thcentury #popeurbanii #rome #catholicchurch #catholic #popevictorii #fortuneswheel #fortuneswheelpodcast #jonathonlarosa
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Episode 168:Although Shakespeare's completion of the events of Henry IV's reign is very much a continuation of the story from part one it is a play with a very different vibe. The vigour of the battle scenes and the exuberance of prince Hal and Falstaff's relationship are replaced in part two with a more sombre and elegiac tone. The effects of old age and the passing to time hang over the play and even at its ending, where the coronation of Henry V could have been treated as a big party full of hope, it is the final rejection of Falstaff that dominates as once again Shakespeare provides an ending that many would have found surprising.The dating of the playThe early publishing history of the playThe early performance history of the playShakespeare's sources for the playA Synopsis of the plotHow the play functions without much dramatic actionWas the play a hurriedly written sequel?Foreshadowing and references to historyThe presence of the king and his illness in the playThe nature of the comedy in the playThe final split with FalstaffFalstaff the dangerous conmanThe Justices Shallow and SilenceMistress Quickly and the other comic charactersThe EpilogueSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.
The reign of Henry IV was coming to an end, and London shivered through tough times; a decrease in population, a wave of bankruptcies, a spike in anti-social behaviour, and a growing desire to avoid civic leadership plays out as the King sickens and his eldest son quietly takes the reigns of power briefly. But across in France, events were spiralling out of control just as the kings health begins to fail…
Henry IV was king; a new start, a new hope, a new world… and quickly, very quickly indeed, everything started to fall apart. London found itself in the front row as the regime was assailed on all sides and an intense few years followed. A fast-paced chapter focusing especially on life in the city, and featuring a couple of riots, many executions, the screams of men being burned alive, urban renewal, the death of poets and visiting foreign dignitaries. Welcome to the 15th century, things are getting wild…
This week, Beau talks all about Richard II, the grandson of Edward III. At just 10 years old, he inherited the throne, and a few years later, he faced a major uprising against taxes during the Peasants' Revolt of 1381. Later, he was overthrown by his cousin, Henry Bolingbroke (the future Henry IV), imprisoned, and likely starved to death.
Editors' Picks:Rich: Becket Adams's piece “Inanimate Object Commits Heinous Crime”Charlie: Matt Continetti's magazine piece “Up from Kookery”Jim: Noah's post “Yes, You Did”Noah: Yuval Levin's post “Republicans Would Be Wise to Pursue Just One Reconciliation Bill”Light Items:Rich: Shakespeare's Henry IV and Henry VCharlie: Madden NFLJim: Snow dayNoah: Kids' basketball seasonSponsor:Made InThis podcast was edited by Sarah Colleen Schutte.
Hey Airheads! After Lord Trae Grills Professor CHO on a late night drunk dial over thanksgiving (And discussions of Thanksgiving in general) Professor CHO follows up with the long awaited start of The Road to Henry V, by first discussing his predecessors: his father Henry IV, and his cousin Richard II (who may or may not have held him captive!) StayFancyMerch.com is where you can find the new shirt Corey was rocking in this episode, and much more! Come see us in NASHVILLE Dec 12-14... grab them tickets and tickets to all of Trae's dates at TraeCrowder.com Corey will be doing solo shows in CHATTANOOGA, TN on Dec 20-21, and you can grab those tickets at TheComedyCatch.com Check out our sponsors this week! The holidays are here and True Classic's ultra-comfortable, perfect-fitting essentials make for the perfect gift for you and the men in your life. So, if you're ready to upgrade your closet, shop now and unlock big savings during their HUGE holiday sale. Just go to my exclusive link at TrueClassic.com/POA to save. Mando's Starter Pack is perfect for new customers. It comes with a Solid Stick Deodorant, Cream Tube Deodorant, two free products of your choice (like Mini Body Wash and Deodorant Wipes), and free shipping. As a special offer for listeners, new customers get $5 off a Starter Pack with our exclusive code. That equates to over 40% off your Starter Pack. Use code POA at ShopMando.com Go to BlueChew.com and use Promo Code POA to try Blue Chew FREE! https://hellotushy.com/POA is where you can save BIG on the fanciest way to clean up that booty! Skeeeww! Head to FACTORMEALS.com/50poa and use code 50poa to get 50% off your first box plus free shipping. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hey Airheads! After Lord Trae Grills Professor CHO on a late night drunk dial over thanksgiving (And discussions of Thanksgiving in general) Professor CHO follows up with the long awaited start of The Road to Henry V, by first discussing his predecessors: his father Henry IV, and his cousin Richard II (who may or may not have held him captive!) StayFancyMerch.com is where you can find the new shirt Corey was rocking in this episode, and much more! Come see us in NASHVILLE Dec 12-14... grab them tickets and tickets to all of Trae's dates at TraeCrowder.com Corey will be doing solo shows in CHATTANOOGA, TN on Dec 20-21, and you can grab those tickets at TheComedyCatch.com Check out our sponsors this week! The holidays are here and True Classic's ultra-comfortable, perfect-fitting essentials make for the perfect gift for you and the men in your life. So, if you're ready to upgrade your closet, shop now and unlock big savings during their HUGE holiday sale. Just go to my exclusive link at TrueClassic.com/POA to save. Mando's Starter Pack is perfect for new customers. It comes with a Solid Stick Deodorant, Cream Tube Deodorant, two free products of your choice (like Mini Body Wash and Deodorant Wipes), and free shipping. As a special offer for listeners, new customers get $5 off a Starter Pack with our exclusive code. That equates to over 40% off your Starter Pack. Use code POA at ShopMando.com Go to BlueChew.com and use Promo Code POA to try Blue Chew FREE! https://hellotushy.com/POA is where you can save BIG on the fanciest way to clean up that booty! Skeeeww! Head to FACTORMEALS.com/50poa and use code 50poa to get 50% off your first box plus free shipping. Learn more about your ad choices. Visit podcastchoices.com/adchoices
What happens when a king believes he rules by divine right yet loses the trust of his people through his tyrannical actions? In this episode, acclaimed historian Helen Castor brings us into the world that inspired Shakespeare's most celebrated history plays. Castor's latest book, The Eagle and the Heart: The Tragedy of Richard II and Henry IV, peels back the layers of history to reveal the human drama behind a deadly royal rivalry. From Richard's glittering but ill-fated reign to Henry's reluctant haunted rule, this engaging discussion uncovers the timeless lessons behind the rise and fall of two kings. Packed with historical insight and fresh perspectives, this episode is a must-listen for history buffs, Shakespeare enthusiasts, and anyone curious about the delicate balance between power and duty. Helen Castor is an acclaimed medieval and Tudor historian. Her first book, Blood and Roses: The Paston Family in the Wars of the Roses, was longlisted for what is now known as the Baillie Gifford Prize for Nonfiction and won the English Association's Beatrice White Prize. Her next two books, She-Wolves: The Women Who Ruled England Before Elizabeth and Joan of Arc: A History were both on numerous Best Books of the Year lists and made into documentaries for BBC television, and Joan of Arc was longlisted for the PEN America/Jacqueline Bograd Weld Award for Biography. She has one son and lives in London. From the Shakespeare Unlimited podcast. Published December 3, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.
Henry V only had a short reign, but his legacy looms large over the medieval landscape. Remembered as a heroic warrior king, who bested the French at Harfleur then marched his forces to victory at Agincourt, few monarchs have such a distinguished reputation. But 'Prince Hal' wasn't always destined for greatness. Was he really the gadabout youth Shakespeare would have us believe? In the third episode of our three-part HistoryExtra podcast series 'Tyrant, Usurper, Hero', Helen Castor sits down with Dan Jones to learn more about Henry's life beyond the battlefield – and highlight what lessons he learned from the chaos caused by Richard II and Henry IV. (Ad) Helen Castor is the author of The Eagle and the Hart: The Tragedy of Richard II and Henry IV (Penguin, 2024). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fthe-eagle-and-the-hart%2Fhelen-castor%2F9780241419328. (Ad) Dan Jones is the author of Henry V: The Astonishing Rise of England's Greatest Warrior King (Bloomsbury, 2024). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fhenry-v%2Fdan-jones%2F9781804541937. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Henry Bolingbroke has gone down in history as the usurper that stole the English crown from the tyrant Richard II – and was later plagued by rebellion and ill health. But what else do we know about the man who later became Henry IV? In the second episode of our three-part HistoryExtra podcast series 'Tyrant, Usurper, Hero', Dan Jones speaks to Helen Castor to reveal more about this chivalric hero who could have made the ideal king – if only he had been born into the royal role. (Ad) Helen Castor is the author of The Eagle and the Hart: The Tragedy of Richard II and Henry IV (Penguin, 2024). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fthe-eagle-and-the-hart%2Fhelen-castor%2F9780241419328. (Ad) Dan Jones is the author of Henry V: The Astonishing Rise of England's Greatest Warrior King (Bloomsbury, 2024). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fhenry-v%2Fdan-jones%2F9781804541937. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices
The year is 1403, and the Usurper King, Henry IV, faces a seemingly insurmountable challenge to his rule. He has been brought the news that his old friend, Harry “Hotspur” Percy, has betrayed him, and plans to lead his army against the King. Meanwhile, to the West, the revolt in Wales continues, at its head the formidable welsh king Owain Glyndŵr. And even in Scotland, where Henry IV thought he'd settled things down by silencing the terrifying Earl of Douglas, there is more trouble: a kitchen boy is claiming to be Richard II. And having made it halfway up to Scotland with his army to quell the newfound unrest, Henry IV must turn around, and march his men towards Wales, to face Hotspur at Schrewsbury... Join Tom and Dominic as they dive into the biggest revolt against Henry IV's rule, the making of his son and heir, Prince Hal, and the fate of the real Sir John Falstaff, abandoned by his dear friend Hal. _______ *The Rest Is History LIVE in the U.S.A.* If you live in the States, we've got some great news: Tom and Dominic will be performing throughout America in November, with shows in San Francisco, L.A., Chicago, Philadelphia, Washington D.C., Boston and New York. *The Rest Is History LIVE at the Royal Albert Hall* Tom and Dominic, accompanied by a live orchestra, take a deep dive into the lives and times of two of history's greatest composers: Wolfgang Amadeus Mozart and Ludwig van Beethoven. Tickets on sale now at TheRestIsHistory.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices
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