Podcasts about moment's notice

The United States Military Academies play an important role in developing future leaders. All five of the Academies offer competitive athletic programs. As academic excellence is a cornerstone for each one, I wanted to understand how the Faculty Athletics Representative functions inside the military chain of command. This FAR can walk into the Vice-Admiral's Office (aka the Superintendent) at the Naval Academy whenever she has an academic concern. My guest is Dr. Christine Copper, a professor of chemistry at the U.S. Naval Academy. In addition to representing the Naval Academy as its FAR since 2008, she was also the first-ever FAR on the NCAA Division I Board of Directors. She co-chaired the NCAA working group on Values-Based Revenue Distribution that brought historic change to the NCAA’s financial distribution model by including academic incentives for the first time ever. She is also is the past President of the Faculty Athletics Representative Association. She was appointed to the Knight Commission on Intercollegiate Athletics in 2018, and to date, is the only FAR to serve on that board. Read my article about why Cadets at the Military Academies will be prohibited from monetizing their NILs, no matter what the states decide. --- Send in a voice message: https://anchor.fm/karen-weaver/message

BYU will do almost anything to get the college football playoff committee's attention. Plus, remembering Pat Patterson, live Gonzaga cut-ins and football picks.

SHRIMAD BHĀGAVATAM 1st canto- chapter 15th

So things have been hairy the last couple of weeks, eh? I'm currently back to work part time, but also have about 30 chicken eggs incubating, five hatched, and some duck eggs on the way (because my drake is either a fat hen or just not into the ladies, so we don't get fertile eggs from our ducks. Also, another friend is giving me some Brahma eggs to incubate. That's a really enormous chicken, if you're not into the poultry lingo. If you're not following me on Instagram (instagram.com/twomomsdaydrinking) or Twitter, (@2mddpodcast), you should, because I'm posting videos and pictures of our little farm almost every day, and lots of them are of brand new baby chickens. So if you like to go "awwwwww, squee," you should hit me up on social media. Anyhow, I've taken a week off from editing and this week wanted to instead share with you an episode of Michael Hsu's podcast, on which I did a guest appearance last month. Michael reached out to me after I posted on a podcasting forum asking what everyone's numbers were looking like in early March. Everyone experienced a huge downturn in listeners and downloads, and I disclosed that I was feeling a significant amount of imposter syndrome as a result. Michael invited me to try a session of his intergenerational healing approach to dealing with issues like the ones I have every day (Anxiety Girl - Able to Leap to the Worst Conclusion at a Moment's Notice). I'm also notorious for trouncing all therapists' attempts to make me do things that make me feel like I'm performing, or being hokey, or generally going along willingly with their plans whatsoever. My old therapists would probably barf if they could hear this. Because difficult. I can't help it, it's just how I am. I warned Michael before taking him up on his offer that I'm basically Chandler Bing and tend to deflect all efforts at seriousness or intimacy with inappropriate and slightly offensive humor. Michael is brave. He had me on on anyway. This was a fun opportunity to lean into an interpersonal interaction I'm VERY uncomfortable with, and his story during the final half of the episode is fun to listen to. I've always been keenly aware of how my parents' and grandparents' issues inform my own issues, both growing up and now, during what people insist is my adulthood (regardless of whether or not I choose to act like an adult). This was a great opportunity to have my own thoughts on my family's generational issues reflected back to me, and I wound up with some new ideas. It was super awkward. Because I'm super awkward, not because he is. His content is interesting, and he's a fascinating guy with a cool story of his own. He's said he'd love to guest on my show as well sometime, but with the current climate being what it is we just haven't been able to hash out a schedule to do a remote interview, but he just had a baby with his wife 6 months ago and said he'd love to discuss some of the "emotional crapola" that comes up when we have kids. Especially our first kids. So. For this week check out my episode with Michael, and then listen to other ones. Because it's cool hearing people's stories through the lens of his unique method of intergenerational healing. I'll be back next week with a new episode of my own for you. Support the show (https://www.patreon.com/twomomsdaydrinking)

STANDARD SEMANAL.- “Moment's Notice”.-JAZZ RECUERDO ANIVERSARIO.-Ronnie scott - the couriers of jazz!( & tubby hayes) (1958).-JAZZ ACTUALIDAD .- Ander Garcia Trio con su álbum “AMAHIRU” PROG.Nº 648.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “Moment's Notice” JAZZ RECUERDO ANIVERSARIO.-Ronnie scott - the couriers of jazz!( & tubby hayes) (1958) Ronnie Scott & Tubby Hayes - The Couriers Of Jazz* ?– The Couriers Of Jazz Sello: Carlton ?– LP12-116 Formato: Vinyl, LP, Mono País: US Publicado: 1958 Género: Jazz Estilo: Bop Lista de Títulos A1 Mirage 5:20 A2 After Tea 7:50 A3 Stop The World, I Want To Get Off 3:40 A4 In Salah 3:50 B1 Star Eyes 4:10 B2 The Monk 4:35 B3 My Funny Valentine 4:45 B4 Day In, Day Out 5:30 Créditos • Bass – Jeff Clyne • Drums – Bill Eyden • Piano – Terry Shannon • Tenor Saxophone – Ronnie Scott, Tubby Hayes Ronnie Scott OBE (nacido Ronald Schatt , 28 de enero de 1927 - 23 de diciembre de 1996) era un saxofonista tenor inglés de jazz y propietario de un club de jazz. [1] Cofundó el Ronnie Scott's Jazz Club , uno de los clubes de jazz más populares del Reino Unido, en 1959. Ronnie Scott nació en Aldgate , East London , en una familia judía. Su padre, Joseph Schatt, era de ascendencia rusa, y la familia de su madre Sylvia asistió a la sinagoga portuguesa en Alie Street. Scott asistió a la Fundación Central Boys 'School . Scott comenzó a tocar en pequeños clubes de jazz a la edad de 16 años. Su reclamo a la fama fue que "el suegro de Vera Lynn le enseñó a tocar". Estuvo de gira con el trompetista Johnny Claes de 1944 a 1945 y con Ted Heath en 1946. Trabajó con Ambrose , Cab Kaye y Tito Burns . Estuvo involucrado en la cooperativa banda y club Club Eleven de músicos de corta duración (1948–50) con Johnny Dankworth . Scott se hizo conocido del arreglista / compositor Tadd Dameron , cuando el estadounidense trabajaba en el Reino Unido para Heath, y se informa que actuó con Dameron como el pianista, en un concierto de Club Eleven. Scott fue miembro de la generación de músicos británicos que trabajaron en el transatlántico Cunard Queen Mary de forma intermitente desde 1946 hasta alrededor de 1950 para visitar la ciudad de Nueva York y escuchar la nueva forma de jazz llamada bebop en los clubes de allí. Scott fue uno de los primeros músicos británicos influenciados por Charlie Parker y otros músicos de jazz moderno. En 1952, Scott se unió a la orquesta de Jack Parnell y de 1953 a 1956 dirigió una banda y quinteto de nueve integrantes que incluyó a Pete King , con quien luego abrió su club de jazz, Victor Feldman , Hank Shaw y Phil Seamen . Co-dirigió The Jazz Couriers con Tubby Hayes de 1957 a 1959 y fue líder de un cuarteto que incluía a Stan Tracey (1960-67). De 1967 a 1969, Scott fue miembro de la Big Band Kenny Clarke / Francy Boland , que recorrió Europa e incluyó a Johnny Griffin y Eddie "Lockjaw" Davis . Simultáneamente, dirigió su octeto, que incluía a John Surman y Kenny Wheeler , y un trío con Mike Carr en los teclados y Bobby Gien en la batería (1971–1975). Las otras bandas de Scott a menudo incluían a John Critchinson en los teclados y Martin Drew en la batería. Hizo un trabajo de sesión ocasional, que incluyó tocar el solo en " Lady Madonna ", el sencillo de 1968 de los Beatles , tocar en la partitura de Roy Budd para la película Fear Is the Key (1972) y tocar el solo de saxo tenor en " I Missed Again ", el sencillo de 1981 de Phil Collins . Charles Mingus dijo de él en 1961: "De los niños blancos, Ronnie Scott se acerca al sentimiento del negro y azul, como lo hace Zoot Sims ". [9] Scott grabó con poca frecuencia durante las últimas décadas de su carrera. Sufría de depresión. Mientras se recuperaba de una cirugía para implantes dentales, murió a la edad de 69 años de una sobredosis accidental de barbitúricos recetados por su dentista. La viuda de Ronnie Scott, Mary Scott, y su hija, Rebecca Scott, escribieron las memorias A Fine Kind of Madness: Ronnie Scott Remembered , con un prólogo de Spike Milligan. El libro fue publicado en 1999 en Londres por Headline Book Publishing. Scott es quizás mejor recordado por su cofundación, con el ex tenista de saxo tenor Pete King , Ronnie Scott's Jazz Club , que abrió el 30 de octubre de 1959 en un sótano en 39 Gerrard Street en el distrito Soho de Londres , con el debut de un joven alto El saxofonista llamado Peter King (sin relación), antes de mudarse a un lugar más cercano en 47 Frith Street en 1965. El lugar original continuó operando como el "Old Place" hasta que el contrato de arrendamiento se agotó en 1967, y fue utilizado para actuaciones de la nueva generación de músicos nacionales. Scott actuó regularmente como el genial Maestro de Ceremonias del club, y se destacó por su repertorio de bromas, comentarios y frases ingeniosas. Una introducción típica podría ser: "Nuestro próximo invitado es uno de los mejores músicos del país. En la ciudad, es una mierda". Otro anuncio memorable fue: "La próxima semana estamos orgullosos de tener un cuarteto con Stan Getz y el violinista Stuff Smith. Se llama el" Cuarteto relleno de Getz ". Ronnie solía usar en los últimos días los servicios de John Schatt para reservar bandas de rock para Ronnie. Scott está arriba. Después de la muerte de Scott, King continuó dirigiendo el club durante otros nueve años, antes de venderlo al empresario de teatro Sally Greene en junio de 2005. En septiembre de 2013, mientras se redecoraba el club, se colocó un acaparamiento de 12 metros cuadrados en la fachada de la calle Frith como un homenaje a su fundador homónimo, con una fotografía gigante de Ronnie Scott por Val Wilmer , junto a una de su legendaria -liners: "Me encanta este lugar, es como estar en casa, sucio y lleno de extraños". Además de participar en orquestas de nombre, Scott dirigió o co-dirigió numerosas bandas con algunos de los músicos de jazz más destacados de Gran Bretaña del día. JAZZ ACTUALIDAD .-Esta semana vamos a tener al contrabajista Ander Garcia Trio con su álbum “AMAHIRU” Cuando los ingredientes son sobradamente conocidos, tendemos a pensar que los resultados también serán los habituales. Y aunque a menudo es así, cuando esos mismos ingredientes caen en manos de un artitsta valiente, obstinado y brillante como Ander Garcia la sorpresa puede ser mayúscula. Y este bello y excitante nuevo trabajo que se presenta bajo el nombre de Ander Garcia Trio sin duda lo es. En ese sentido, son especialmente destacables sus discos en solitario “Ttun Kurrun” y “Hiru”, ampliamente aclamados por la crítica especializada. Pero en el caso que nos ocupa, el del trio que forma junto al piano de Jorge Castañeda y la batería de Mikel Urretagoiena, nos encontramos con el Ander Garcia mas explorador y aventurero. En este proyecto Ander utiliza las métricas y melodías de ancestrales bailes y bersos euskaldunes para desarrollar sus improvisaciones, y al mismo tiempo los moldea y adapta a nuevos contextos musicales creando un espacio de intercambio limbre entre ellos. De este modo el ritmo de la ezpata dantza se convierte en danza latinoaméricana, y partiendo del de los zortzikos llega a un híbrido rítimico absolutamente contemporáneo y desconocido, o se lanza a llevar el ritmo del tamboril a la batería para diseccionarlo en un abánico de variantes deslumbrante. Las oportunidades para la sorpresa son infinitas en este disco.

Read the article at ComedyWham.com   This week, Chris Hills sits down with Valerie Lopez to talk about how his dreams of being a comic started at the age of 8, how he learned that his formula for success was learned by trying to be someone else, and his quest to find ways to join comedy with music.   Chris can be seen: The Year In Review - Cap City Comedy Club Saturday 12/29 8pm  50 First Jokes - Spiderhouse Ballroom Saturday 1/4 9pm  Follow Chris Twitter @chrishills24 Instagram -  @chris_hills24 Facebook -   @christopher.hills.75 Do 512 -  do512.com/chris-hills Youtube -  YouTube.com/Chris Hills  

David sermon on Aug 11

http://www.alainguillot.com/todd-henry/ Todd Henry is an author, a speaker, a blogger, a podcaster and an inspiration in the creative community. His topic of expertise is creativity, productivity, and leadership. His books include: The Accidental Creative: How to Be Brilliant at a Moment's Notice (2011) Die Empty: Unleash Your Best Work Every Day (2013) Louder than Words: Harness the Power of Your Authentic Voice ( 2015 ) Herding Tigers: Be the Leader That Creative People Need Highlights from the interview Creativity is problem-solving, which is not the same as creating art. Don't wait for inspiration to come to start doing creative work. Start doing the work, and let creativity come when it comes. Be conscious of the inputs in your life, inputs like food, friends, information, entertainment, education. If you sit around and drink beer all day long, that's not a great input. If you read, spend time with positive-minded friends, and eat a healthy diet, then you are putting the good stuff into your body and mind.

Nick found an interesting new setting on his refrigerator that he thinks he can use to curb his bad late night eating habits, Wes has a theory about people who sit in hot tubs alone and the guys recap their trip to TGI Fridays that culminated in Wes dropping their Big Ribs all over the ground.

The actor's quest to conjure the appropriate feelings when needed is far easier than you think. Ultimately, it's lightening fast and super easy. Just like in real life.

"Moment's Notice" - Guitar Version of Coltrane's 1st Solo / Berklee Online Assignment

Meet three people who depend on being able to recognize the perfect moment. Whether making decisions with outcomes you don't see for a couple years, capturing once in a lifetime events, or showing up at just the right time... we'll see how three people successfully juggle time, family, and happiness. -------------- Like the show? Please review on iTunes! http://itunes.careerdayshow.com.  If you'd like to be considered for the show, go to http://careerdayshow.com/stories.  Say hi on Twitter (and find calls for specific interviews): https://twitter.com/CarissaWeiser.  -------------- Special thanks to James Hook, Kathryn Lewis, and John Hamm for sharing their stories with the world. Music: "The Stasis" by Blue Dot Sessions "Orbit (Instrumental Version)" by Josh Woodward "Show Me (Instrumental Version)" by Josh Woodward "Dizzy Spells - Instrumental" by Josh Woodward

This message is about David Foster Wallace: an excerpt from his best-known speech, "This is Water." Rev. Ken talked about the new movie "The End of the Tour," a biopic about the complex and powerful life of the late author, as part of the SpiritFlix series finding meaning in movies.

This message is about David Foster Wallace: an excerpt from his best-known speech, "This is Water." Rev. Ken talked about the new movie "The End of the Tour," a biopic about the complex and powerful life of the late author, as part of the SpiritFlix series finding meaning in movies.

Today I talk with Todd Henry, author of 
"The Accidental Creative: How to Be Brilliant at a Moment's Notice". Lots of great information about how to get your personal creative process one you can count on. Also 2 fun apps I love and a book you will want to hear about. Come over to www.craftcast.com for information on craft classes and craft class recordings.

I had the great pleasure of interviewing Todd Henry, author of the new book The Accidental Creative: How to be Brilliant at a Moment's Notice. After years of putting together teams of highly creative people, Todd learned that there were some secrets and patterns that helped them be happy, healthy and productive. He formed a consultancy to help organizations be more effective and started The Accidental Creative Podcast in 2006 which quickly shot to the top of the business category. He synthesizes lessons from this intensive work in his book which combines special insight into the creative mind, as well as specific tips for harnessing creative energy. As someone who creates for a living, knowing how to structure my life for maximum output and flow is a hugely attractive. You can find The Accidental Creative: How to be Brilliant at a Moment's Notice here, and more about it here. Connect with Todd on Twitter @toddhenry --- Book links in this post are affiliate links. Thankfully, I don't live in California anymore. :)

Sermon Titled: "Good at a Moment's Notice," by Kevin Meyer