Podcast appearances and mentions of Stan Getz

The jazz standard "All The Things You Are" has been performed countless times by master jazz vocalists, 30s big bands, bebop small groups, hard-bop combos, modern deconstructionists, and even soon-to-be Kings of Pop. On this episode, Kirk takes listeners through the history of the now-famous tune, from its humble Broadway origins all the way to his recording studio in Portland, where he and some friends recorded an all-new arrangement just for Strong Songs.Music/Lyrics: Jerome Kern & Oscar Hammerstein IIVersions Featured:Broadway Original Cast Recording of "Very Warm for May," - 1939Tommy Dorsey and His Orchestra, feat. Jack Leonard, 1939Artie Shaw w/ Hellen Forrest, 1939Dizzy Gillespie w/ Charlie Parker, 1945Johnny Griffin w/ Hank Mobley, John Coltrane, Lee Morgan, Wynton Kelly, Paul Chambers, Art Blakey on A Blowing Session, 1957Ella Fitzgerald from Sings the Jerome Kern Songbook, 1963Michael Jackson, 1973Sonny Rollins w/ Coleman Hawkins from Sonny Meets Hawk!, 1963Bill Evans w/ Chuck Israels, bass, and Larry Bunker, drums at Shelly's Mane-Hole, 1963Keith Jarrett Trio, from Standards, Vol.1, 1983Brad Mehldau Trio, from Art of the Trio 4, 1999Jim Hall & Pat Metheney, 1999Strong Songs Version Featuring:Kirk Hamilton, tenor saxAndrew Oliver, keyboardScott Pemberton, guitarSam Howard, bassTyson Stubelek, drumsThe "All The Things You Are" Playlist:Spotify | Apple | YouTube MusicALSO REFERENCED/DISCUSSED:The Jazz Standards: A Guide To The Repertoire by Ted Gioia, 2012The terrific 99% Invisible episode about The Real Book“Autumn Leaves” by Joseph Kosma as recorded by Cannonball Adderley and Miles Davis on Somethin' Else, 1958“Pennies From Heaven” by Johnston and Burke, recorded by Stan Getz with the Oscar Peterson Trio, 1957“Bye Bye Blackbird” by Henderson/Dixon, recorded by Miles Davis on ‘Round About Midnight, 1957“All Of Me” by Marks and Simons, played by Charlie Parker, Lennie Tristano and Kenny Clarke, 1951“I Got Rhythm” by George Gershwin, recorded by Sonny Stitt on The Hard Swing, 1961Rachmaninoff: Prelude in C-Sharp Minor,  performed by Jason Minnis, 2011“Goodbye Yellow Brick Road” by Elton John, 1973“Bird of Paradise,” recorded by Charlie Parker w/ Howard McGhee, Tpt. on The Complete Dial Recordings, Feb 1947“Prince Albert” recorded by Art Blakey's Jazz Messengers (Mobley, Dorham, Watkins, Silver) live at Cafe Bohemia, 1955“Poinciana” by Simon/Bernier recorded by Amhad Jamal Live At The Pershing, 1958----LINKS-----

Chappaqua Stan Getz Jazz en Buenos Aires Everything Happens to Me Jimmy Raney, Jim Hall Two of a KindOwl Song 2 (con Bill Frisell & Herlin Riley) Ambrose Akinmusire Owl SongLove in the Garden Joe Lovano, Marcin Wasilewski Trio Love in the GardenMagical Distance Kamasi Washington LazarusStreet Singer Tina Brooks American Jazz SaxHullo Bolinas Chano Domínguez Con AlmaEleanor Rigby Caetano Veloso Qualquer CoisaEscuchar audio

#195 Broadcast 195 - Episode 188 - The Crooners -20250517 - Stan Getz & Mel Torme by Jim Reeves

The drummer and percussionist Billy Martin, whose name many Time Sensitive listeners may recognize—he created the Time Sensitive theme song—defies any boxed-in or limiting definitions of his work. Best known as a member of the band Medeski Martin & Wood (MMW), he's spent the past three-plus decades making experimental, boundary-pushing, and uncategorizable instrumental jazz-funk-groove music, shaping sounds that feel as expansive as they are definitive and distinctive. Across all his artistic output, Martin continually, meditatively searches for harmony. He is also a composer, a teacher, a visual artist, and a builder and craftsman. His expansive creative practice comes most alive at his home in Englewood, New Jersey, where he has cultivated a bamboo garden, crafted his own Japanese-style teahouse, and constructed a music studio. Martin is someone for whom rhythm is not just something heard, but also seen and felt.On the episode, he talks about his MMW journey at length, his concept of “rhythmic harmony,” and why he views sound creation as a sacred act.Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.Show notes:Billy Martin[7:31] Medeski Martin & Wood[7:31] John Medeski[7:31] Chris Wood[7:31] “Not Not Jazz” (2024)[10:12] Iggy Pop's “Avenue B” (1999)[10:12] Don Was[11:27] “The Lover” (1995)[11:27] “Friday Afternoon in the Universe” (1995)[11:27] “Old Angel Midnight” (1973) by Jack Kerouac[13:44] Ra-Kalam Bob Moses[13:44] John Scofield[13:44] David Baker[15:57] “Shuck It Up” (1993)[15:57] “It's a Jungle in Here” (1993)[18:12] “Latin Shuffle” (1998)[18:12] “Combustication” (1998)[18:12] Frankie Malabe[18:12] Art Blakey[33:25] Thelonious Monk[33:58] “Life on Drums” (2011)[38:32] John Bonham[38:32] Charlie Watts[38:32] Stewart Copeland[38:32] Elvin Jones[38:32] Max Roach[38:32] Danny Richmond[38:32] Charles Mingus[38:32] Jack DeJohnette[38:32] Joe Morello[38:32] Roy Haynes[38:32] Stan Getz[38:32] Airto Moreira[38:32] Naná Vasconcelos[38:32] Babatunde Olatunji[39:58] Gus Johnson[39:58] “Whatever Happened to Gus” (1998)[39:58] Steve Cannon[40:54] “Chubb Sub” (1995)[40:54] ”Uncle Chubb” (1992)[46:41] “Shack-man” (1996)[47:06] “Drumming Birds” (2004)[54:48] “Bamboo Rainsticks” (1999)[54:48] Amulet Records[1:00:23] Creative Music Studio

durée : 00:59:16 - Candy - par : Nathalie Piolé -

Podcast Jazztime 677 – 13.05.25 Diese Sendung hat Andreas Pasternack zusammengestellt. Das LIVE – Anspiel diesmal ist : „On the sunny Side of the Street” – geschrieben 1930 und einer der beliebtesten Jazz Standards. Folgende Titel sind zu hören: 1. Bad, bad Leroy Brown – Frank Sinatra 2:51 2. Midnight samba – Stan Getz 2:10 3. Nice'n'easy – Barbra Streisand 4:28 4. King Porter Stomp – Wynton Marsalis 3:15 5. When I fall in Love – Julie London 3:23 6. On the sunny Side of the Street – D.Gillespie, S. Stitt & S. Rolllins 5:43 7. Something – Sarah Vaughan 4:20 8. Basin Street Blues – Louis Armstrong & His All Stars 3:50 9. But beautiful – Diana Ross 2:51 10. High Heel Sneakers – Ramsey Lewis Trio 2:27 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

Grabaciones bossa nova en las guitarras de Luiz Bonfá ('Um abraço no Getz' -con el saxofonista Stan Getz-, 'Samba de Orfeu'), João Gilberto ('Um abraço no Bonfá'), Charlie Byrd ('Bim bom', 'Desafinado' -con Stan Getz-), Laurindo Almeida ('Outra vez' -con Stan Getz-), Baden Powell ('Tristeza', 'Canto de Ossanha'), Wes Montgomery ('Insensatez'), Joe Pass ('Meditação', 'The gentle rain' -con el percusionista Paulinho da Costa-), Jim Hall ('Simple samba'), Kenny Burrell ('Minha') y George Benson ('Jackie, all'). Escuchar audio

durée : 00:53:18 - Certains l'aiment Fip - À l'occasion de la parution du livre "Le métier de comédien", nous nous intéressons à l'alter ego de Delon, acteur dans "Plein soleil", "La piscine" ou "Ascenseur pour l'échafaud" dont les films comptent des musiques de Stan Getz, Martial Solal, Miles Davis, etc.

"Strange days have found usStrange days have tracked us downThey're going to destroyOur casual joysWe shall go on playingOr find a new town"Let's escape the darkness together this afternoon on this week's Whole 'Nuther Thing on KXFM 104.7 Joining us are Tim Buckley, John Coltrane, Malo, Jimi Hendrix, Bob Dylan, The Byrds, Jefferson Airplane, The Youngbloods, Santana, The Tradewinds, Thunderclap Newman, Steppenwolf, Stan Getz w Astrud Gilberto, Lynyrd Skynyrd, Stevie Wonder, Phoebe Snow, Trevor Gordon Hall, Warren Zevon, 38 Special, Jose Feliciano and The Doors. I'll be showcasing a timely track from James Lee Stanley's latest CD "The Day Today during Hour 1.

Sintonía: "Bim Bom" - Charlie Byrd"Samba de Orfeu" - Luiz Bonfá; "Tristeza" - Baden Powell; "Só danço Samba" - Roberto Menescal; "Minha saudade" - Rosinha De Valencia; "Simple Samba" - Jim Hall; "Outra vez (Once Again)" - Stan Getz & Laurindo Almeida; "Canto de Ossanha" - Baden Powell; "Jackie, All" - George Benson; "Insensatez (How Insensitive)" - Wes Montgomery; "Meditaçao" - Joe Pass; "Coisa número um" - Bola Sete; "Corcovado (Quiet Nights)" - Gabor Szabo; "The Gentle Rain" - Joe Pass & Paulinho Da CostaTodas las músicas extraídas de la recopilación (1xCD) "Bossa Nova Guitar" (Verve, 2009)Todas las músicas compiladas por Arnaldo DeSouteiroEscuchar audio

In deze aflevering van Dansen en de blues praat Ben van den Dungen met een man die vanuit zijn liefde voor jazz een platenmaatschappij is begonnen, welke is uitgegroeid tot één van de toonaangevende jazzlabels van Europa en zelfs van de wereld. Hij stond aan de wieg van talloze tijdloze en beroemde jazzproducties met grote jazz sterren. Om er een paar te noemen: Art Blakey, Chet Baker, Stan Getz, Lionel Hampton, Feddie Hubbard en Dizzy Gillespie. Te gast in deze aflevering is Wim Wigt. Dit is deel 5 van 6.Art Blakey zei ooit: "jazz has to be danceable and has to have the blues". Dansen en de blues is een podcast over jazz met kleurrijke gasten waarbij sterke verhalen, indringende gesprekken en een flinke dosis swingende muziek de boventoon voeren.Abonneer je snel en laat een goede waardering achter. Wil je meer weten? Kijk dan op dansenendeblues.nl en volg ons op Instagram en Facebook @dansenendeblues.

The Girl From Ipanema - Stan Getz, Joao Gilberto

Hace 60 años que Astrud Gilberto -la voz en inglés de 'The girl from Ipanema' en el disco de Stan Getz y João Gilberto- publicó su primer LP 'The Astrud Gilberto album' con las jobinianas 'Once I loved', 'Agua de beber', 'Meditation', 'Dindi' o 'Photograph' y 'All that´s left is to say goodbye'; del disco de 1966 'Look to the rainbow', con arreglos de Gil Evans, la canción que le da título, 'Once upon a summertime', 'I will wait for you' y 'A felicidade'; de 'Beach samba', publicado en 1967, con arreglos de Don Sebesky y Eumir Deodato, 'Stay', 'Misty roses' y 'The face I love'; de 'A certain smile, a certain sadness', con el organista Walter Wanderley, también de 1967, 'Goodbye sadness', 'Call me', 'Here´s that rainy day' y 'Tú mi delirio'; y del disco de 1971 con el saxofonista Stanley Turrentine 'Braziilan tapestry'.Escuchar audio

El 18 de marzo de 1963, Stan Getz y João Gilberto entraron en un estudio de Nueva York para grabar el histórico 'Getz/Gilberto' con Antonio Carlos Jobim al piano y la voz de Astrud Gilberto. Un disco que se publicaría un año más tarde, en marzo del 64, y del que escuchamos todas las canciones: 'The girl from Ipanema', 'Doralice', 'Pra machucar meu coração', 'Desafinado', 'Corcovado', 'Só danço samba', 'O grande amor' y 'Vivo sonhando'. Además, la versión reducida de 'The girl...' en el disco sencillo que se publicó entonces sin la parte de João cantada en portugués. Y del concierto del 9 octubre de 1964, en el Carnegie Hall de Nueva York, de Stan Getz con João y Astrud Gilberto, 'Corcovado', 'Only trust your heart' y 'The girl form Ipanema'.  Escuchar audio

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Joao Gilberto & Stan Getz -1963-1964 FULL ALBUM TracklisT: 1. The Girl From Ipanema 2. Doralice 3. P'Ra Machucar Meu Coracao 4. Desafinado 5. Corcovado 6. So Danco Samba 7. O Grande Amor 8. Vivo Sonhando Getz/Gilberto es un álbum de jazz/bossa nova del saxofonista estadounidense Stan Getz y el guitarrista brasileño João Gilberto, acompañados del pianista y compositor Antônio Carlos Jobim. Grabado en 1963 y lanzado en marzo de 1964 bajo el sello Verve Records, fue producido por Creed Taylor, quien ya había grabado con el saxofonista sus trabajos previos en el género, siendo Jazz Samba de 1962 el más destacado. En el álbum también participa como vocalista la debutante Astrud Gilberto, colaborando en "The Girl from Ipanema" (también conocida por su nombre original "Garota de Ipanema") y "Corcovado". Getz/Gilberto está conformado en su mayoría por composiciones de Jobim, e incluye dos sambas ("Doralice" y "Para machucar meu coração") demostrando el respeto de los artistas por la música tradicional brasileña de la época pre-bossa nova. Getz/Gilberto es considerado el álbum cumbre de la bossa nova a nivel mundial, responsable de la popularización del género, y uno de los discos de jazz más vendidos de todos los tiempos. Recibió la aclamación de la crítica y fue un éxito comercial, vendiendo 2 millones de copias en 1964 y alcanzando el #2 en el Billboard 200. En los Premios Grammy de 1965 fue nominado en diez categorías, alzándose con cuatro premios: Mejor grabación del año (Astrud Gilberto y Stan Getz por "The Girl from Ipanema"), Álbum del año (João Gilberto y Getz), Mejor interpretación de jazz instrumental - solista o grupo pequeño (Getz) y Mejor arreglo para álbum, no clásica (Phil Ramone). Entre sus múltiples elogios, el álbum ha sido incluido en varias listas de los mejores álbumes de todos los tiempos, como Rolling Stone y Vibe entre otras; además, se convirtió en el primer álbum en recibir el Grammy a Mejor grabación del año y Mejor álbum del año. Firmado por Stan Getz y Joao Gilberto, el disco cuenta también con Tom Jobim al piano, y autor de las canciones, y presenta al mundo a Astrud Gilberto, la joven mujer de Joao. Astrud llegó de casualidad al proyecto y el éxito de los dos temas que cantó la convirtió en una estrella. Getz/Gilberto es el resultado de la unión del saxofonista americano Stan Getz y el guitarrista brasileño João Gilberto. Ambos músicos son considerados leyendas del género y concibieron, con la colaboración del compositor y pianista Antônio Carlos Jobim, un disco que no puede faltar en la colección de cualquier amante del Jazz o Bossa nova. Stanley Gayetzki, más conocido como Stan Getz (Filadelfia, Pennsylvania, 2 de febrero de 1927 - Malibú, condado de Los Ángeles, California, 6 de junio de 1991), fue un saxofonista tenor de jazz estadounidense. Considerado como uno de los más importantes saxofonistas tenores de la historia del jazz, fue conocido por el sobrenombre de The Sound ("El Sonido") debido a su tono cálido y lírico apreciable en temas como su versión de Garota de Ipanema. Destacó en las corrientes del bebop el cool jazz y el bossa nova. A Stan Getz se le sigue llamando “el Sonido” y es que lo que sale de su saxofón es pura ambrosía musical João Gilberto Prado Pereira de Oliveira, conocido como João Gilberto (Juazeiro, 10 de junio de 1931-Río de Janeiro, 6 de julio de 2019),​ fue un cantante, compositor y guitarrista brasileño, considerado junto a Antônio Carlos Jobim y Vinícius de Moraes como uno de los creadores de la bossa nova a fines de los años 1950. En el mundo era frecuentemente llamado "padre del bossa nova" y en su país de origen, Brasil, era referido como "O Mito" (El Mito) o (La Leyenda). Gilberto debutó en 1959 con Chega de Saudade, un disco precioso y redondo que se considera la primera piedra de la bossa nova, una música que es parte de la herencia cultural de Brasil. El cantante inventó una forma de tocar que cambió el rumbo de la música de su país. Astrud Evangelina Weinert (Salvador, Bahía, Brasil, 29 de marzo de 1940-Filadelfia, Pensilvania, Estados Unidos, 5 de junio de 2023),1​ conocida como Astrud Gilberto, fue una cantante de bossa nova, samba, jazz y pintora brasileña. Su vinculación con el mundo de la música comenzó cuando se casó en 1959 con uno de los primeros guitarristas de bossa nova, João Gilberto. En 1963 estaba acompañando a su esposo en Nueva York mientras grababa con el pianista y compositor Antonio Carlos Jobim y con el saxofonista estadounidense Stan Getz un disco de fusión entre el jazz y la bossa nova. A instancias de su esposo (y no de Getz según otras versiones), cantó unas estrofas y gustó tanto su voz que, a pesar de no tener experiencia previa, grabó el disco Getz/Gilberto, aunque no figuró en los créditos del disco en la primera edición. Astrud Gilberto, la voz en el disco que perdura especialmente es la de la joven y por aquél entonces mujer de João, Astrud Gilberto. Curiosamente, la estrella del exitoso single "The Girl from Ipanema" realizó su primera grabación de estudio en este disco, poniendo voz también en el genial "Corcovado". Escucha este episodio completo y accede a todo el contenido exclusivo de EDITORIAL GCO. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/2313218

Featuring a collection of all-stars including Thelonious Monk, Norah Jones, Stan Getz, Otis Redding, Charlie Hunter, and Serge Gainsbourg; + Mexican rising star Sylvana Estrada and electronic music courtesy of a Colorado-collab between Erik Deutsch and Stuck at Sea.

Seattle, le 11 février 54. Ce jour-là, des trombes d'eau s'abattent devant l'Olympic Hotel, l'un des plus grands établissements du centre-ville. Or, tout à coup, des sirènes se mettent à hurler, des policiers entrent dans l'hôtel et ressortent quelques minutes plus tard avec un homme, menotté, qu'ils jettent à l'arrière d'un véhicule. Le lendemain, une photo est publiée dans le journal.L'homme assis sur la banquette arrière de la voiture de police c'est Stan Getz, 27 ans. Alors, que vient faire Stan Getz dans cette galère, et pourquoi s'est-il fait coffrer par la police de Seattle ? Pour Qui Sonne le Jazz mène l'enquête. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Send us a textOn this episode, Tom and Bert discuss the Fun Facts about Songs of the 1960's.Let the debates begin, are these all "True" Facts or do the guys have some Fact Checking of their own to do? Listen in and you'll get the usual challenges and banter that the guys toss around.  It's ALL in Good Fun! Chapter Highlights:(4:49) "Louie, Louie" by The Kingsmen(7:42) "The Girl from Ipanema" by Astrud Gilberto and Stan Getz(10:00) "Sounds of Silence" by Simon and Garfunkel(11:45) "God Only Knows" by The Beach Boys(12:45) "Respect" by Otis Redding(23:25) "Can't take my eyes off of you" by The 4 Seasons(29:04) "My Generation" by The Who(31:47) "The Twist" by Chubby Checker(34:11) "When a Man loves a Woman" by Percy Sledge(43:58) "House of the Rising Sun" by The Animals(49:14) "I got you Babe" by Sonny and Cher(53:07) "Palisades Park" by Freddy "Boom Boom" Cannon(55:25) "Yesterday" by The Beatles Enjoy the show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

Vincent Perrot accompagne en douceur et dans la bonne humeur les auditeurs des Petits Matins du week-end. C'est ça la France : La Maison Trudon et ses Chandelles pour la Chandeleur Le Tube de la matinale : "The Girl from Ipanema" de Stan Getz, Astrud & Joao Gilberto Pop Ciné : Hedy Lamarr, le plus beau génie du monde. Ecoutez RTL Petit Matin Week-end avec Vincent Perrot du 02 février 2025.

Participants: John Steppling, Shaenah Batterson, Max Parry, Hiroyuki Hamada, and Dennis Riches. Topics covered: Do the Democrats understand why they lost? Does Trump understand why he won? Trump's tariffs and economic warfare on allies. RFK Jr. faces an inquisition by Democrats. Why don't billionaires spend money a good tailor? 80 years since the liberation of Auschwitz. Music track “Desafinado” by Stan Getz (public domain).

Tonight's Jazz Feature is an aptly named album by the great tenor saxophonist Stan Getz. Getz has had a long career marked by the ups and downs of changing styles and musical tastes but he always managed to prevail and remain at the top of the list of great saxophone players. This album finds Getz in inspired form bolstered by a stellar rhythm section. Getz performs here with the late Albert Dailey on piano, virtuoso bassist Clint Houston and the still living Billy Hart on drums. It was recorded in New York for Columbia Records on October 1, 1975. Four long tunes make up this fine date and it's title "The Master" is well deserved. Stan the Man is tonight's Jazz Feature.....enjoy!

El 8 de diciembre de 1994 se fue uno de los grandes compositores del siglo XX: Antonio Carlos Jobim. Recordamos al carioca universal con grabaciones suyas de 'Wave', 'The red blouse', 'Look at the sky', 'Chora coração', 'How insensitive'/'Insensatez' -con Sting-, 'Águas de março', 'Surfboard', 'Anos dourados' -con Chico Buarque-, 'The girl from Ipanema' -con Stan Getz, João y Astrud Gilberto-, 'Ela é carioca', 'Samba de uma nota só', 'Corcovado', 'Água de beber', 'A felicidade', 'Mantiqueira range' y 'Querida'.Escuchar audio

El 8 de diciembre de 1994 murió en Nueva York uno de los artistas más importantes de siglo XX, un músico que dio forma a un género, que lo mimó y que lo enseñó al mundo creando un legado inmortal y eterno para alegría de todos. Ese día, murió Tom Jobim. Antonio Carlos Jobim llevó la música brasileña a EEUU y de allí a medio mundo, en una entrevista en los años 80, Jobim explicó que era esa cosa que tenía su música que fascinaba tanto a la gente. “Mi música viene del entorno que tenemos. La lluvia, el sol, los árboles, los pájaros... los peces”. La música de Jobim, arquitecto de la bossa nova, transformó la escena brasileña dejando el lamento y la tristeza a un lado para renovar la música desde la alegría, el amor y la esperanza. La muerte de Tom Jobim fue una noticia dura que marcó el final de una época. En 1980 nos había dejado el enorme Vinicius de Moraes, en 1982 murió Elis Regina y en 1991 falleció Stan Getz, músicos con los que Jobim había dado forma a su legado.  Esta semana queremos recordar su obra, su figura y su importancia tanto en Brasil como en el mundo y para ello nos acompaña nuestro especialista carioca, Arturo Lezcano. 

Stan Getz y Charlie Byrd ('Desafinado'), Herbie Mann ('Samba de uma nota só'), Cal Tjader y Clare Fischer ('Se é tarde me perdoa'), Lalo Schifrin ('Silvia', 'Lalo´s bossa nova'), Herbie Mann y Baden Powell ('Consolação'), Ike Quebec ('Loie'), Luiz Bonfá ('Lamento no morro'), Sergio Mendes ('Tristeza de nós dois', 'Disa'), George Shearing ('Pensativa'), Paul Winter Sextet ('Insensatez'), Coleman Hawkins ('Um abraço no Bonfá'), Zoot Sims ('Recado bossa nova part 1'), Dizzy Gillespie ('Desafinado') y Stan Getz y Charlie Byrd ('Samba triste).Escuchar audio

THIS IS SUMMIT WEEK! Three Summits featuring some of the best Saxophonists, Bassists and Drummers. Today is DRUM SUMMIT with:Peter Erskine, a 2x Grammy winner and a 10x Best Jazz Drummer winner. He's played with Weather Report, Stan Kenton, Maynard Ferguson, Joni Mitchell, Steely Dan and many others.Danny Gottlieb, an all-star drummer who has played with Pat Metheny, the Mahavishnu Orchestra, Gary Burton, Airto Moreira and the Lt. Dan Band among others.Adam Nussbaum, an acclaimed drummer who has played on hundreds of recordings with artists including John Abercrombie, Eliane Elias, Gil Evans, Stan Getz and John Scofield.My featured song is “Metro Shuffle”, featuring Mindi Abair, from the album The PGS Experience by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“SOSTICE” is Robert's newest single, with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Brian Bromberg is among the elite bass players in the world today.  Playing both acoustic and electric basses, he's a world-renowned record producer too.  Iconic saxman Stan Getz hired Brian, at the age of 19, and his career took off from there.  Throughout his illustrious career, he's released over 2 dozen albums and has played with a who's who in the music industry.  You'll also find Brian playing on well over a dozen movie soundtracks.  Multi-award winning program director, Ray White, talks with Brian backstage about his latest albums: The Magic of Moonlight (electric bass) and LaFaro (acoustic bass) and much more!   An amazing man and musician...we have him here on the Coool CAT!!  In our showcase segment, Lisa Davis features another virtuoso - Robby Krieger, who played in the legendary band The Doors.  He's recorded several instrumental albums during his career and his lastest is titled Robby Krieger and the Soul Savages.  Two iconic musicians featured on this episode, brought to you by your friends at Classic Artists Today.

durée : 00:59:20 - Banzzaï du mercredi 06 novembre 2024 : Communications - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

Send us a textOn this episode Tom and Bert cover and discuss the Greatest Make Out Songs of the decades (1950's-1960's). After the Guys define what a "Make Out" Song is and means to them, they roll into the list of songs with some of the hits and their "Back Stories".From the 1963 hit "Hey Paula" by Paul and Paula (20:17); to the 1963 Lenny Welch classic "Since I fell for you" (21:23); to the 1964 hit "The Girl from Ipanema" by Stan Getz and Astrud Gilberto (22:40) the guys give their thoughts.Then they go through the  R&B group The "Miracles" led by Smokey Robinson and the injustice of that group waiting many years to get inducted into the Rock and Roll HOF (25:20); before discussing The Temptations hit, "I wish it would rain" (31:50) and the meaning of those haunting lyrics.They close the show with  1968's "You're all I need to get by" (33:06) sung by Marvin Gaye and Tammi Terrell, 1968's "Build me up Buttercup" (35:39) by the Foundations, 1950's classic "Having a Party" (39:28)  by the great Sam Cooke and a discussion on the Power of Music helping people with dementia by bringing them songs from their past and the joy it brings for these people.Enjoy the show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

Esta semana, en Islas de Robinson, recuperamos nuestras "discadas" musicales con Pablo Solo, Moses Rubin y Fernando Bolado. El asunto que nos ocupa en esta ocasión: melodías pluscuamperfectas. Suenan: THE KINKS - "THIS TIME TOMORROW" ("LOLA vs POWERMAN", 1970) / STAN GETZ - "STELLA BY STARLIGHT" ("STAN GETZ PLAYS", 1955) / CARPENTERS - "ALL I CAN DO" ("TICKET TO RIDE", 1969) / THE BEE GEES - "BIRDIE TOLD ME" ("HORIZONTAL", 1968) / THE KINKS - "WATERLOO SUNSET" ("SOMETHING ELSE", 1967) / SIMON & GARFUNKEL - "PUNKY'S DILEMMA" ("BOOKENDS", 1968) / NAT KING COLE - "NATURE BOY" ("THE NAT KING COLE STORY", 1961) / PENTANGLE - "SO CLEAR" ("REFLECTION", 1971) / OCTOBER COUNTRY - "COWBOYS AND INDIANS" ("OCTOBER COUNTRY", 1968) / THE MIRACLES - "A HEART LIKE MINE" ("HI.. WE'RE THE MIRACLES", 1961) / THE FOUR SEASONS - "THE NIGHT" ("CHAMELEON", 1972)Escuchar audio

Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Gal Costa, Eurydice, Joâo Gilberto & Astrud Gilberto & Stan Getz, Jorge Ben, Alcione, Joâo Gilberto, Gilberto Gil, Antonio Carlos & Jocafi, Caetano Veloso & Gilberto Gil & Tom Zé, Asa de Águia, Moraes Moreira & Armandinho & Pepeu Gomes y Daniela Mercury.Escuchar audio

Bossa nova con grabaciones de Stan Getz y Charlie Byrd ('Desafinado', 'O pato'), Antonio Carlos Jobim, Baden Powell y Herbie Mann ('Samba de uma nota só'), Paul Horn, Cal Tjader, Clare Fischer y Laurindo Almeida ('Se é tarde me perdoa'), Lalo Schifrin ('Silvia', 'Lalo´s bossa nova'), Herbie Mann y Baden Powell ('Consolação'), Ike Quebec ('Loie'), Sergio Mendes ('Tristeza de nós dois', 'Disa'), George Shearing ('Pensativa'), Paul Winter ('Insensatez'), Shorty Rogers, Bud Shank, Shelley Manne y Laurindo Almeida ('Chega de saudade'), Dave Brubeck ('Castilian blues'), Coleman Hawkins ('Um abraço no Bonfá), Luiz Bonfá ('Lamento no morro') y Herb Alpert & The Tijuana Brass ('Desafinado'). Escuchar audio

Summary  Brian Bromberg, a virtuoso bassist, honors the legacy of Scott LaFaro with his latest album, LaFaro, and a series of live performances. LaFaro, who tragically died at 25, was a groundbreaking bassist with the Bill Evans Trio, inspiring Bromberg's tribute. Initially reluctant to take on the project due to the pressures of honoring a jazz legend, Bromberg eventually embraced it after realizing LaFaro's profound influence on his playing. Bromberg also shares personal connections to jazz greats like Stan Getz, with whom he played, and Bill Evans, a missed opportunity from his youth. His career spans collaborations with top artists and an eclectic solo catalog ranging from traditional jazz to contemporary styles. Known for his versatility on upright and electric bass, Bromberg defies genre boundaries, seeking to deliver heartfelt, high-quality musicianship in every project. His performances and music continue to celebrate innovation and jazz's rich history. https://njjs.org/magazine/

STAN GETZ / J. J. JOHNSON “AT THE OPERA HOUSE” Chicago, IL, September 29, 1957Billie's bounce, My funny ValentineJ.J. Johnson (tb) Stan Getz (ts) Oscar Peterson (p) Herb Ellis (g) Ray Brown (b) Connie Kay (d) GIOVANNI GUIDI “A NEW DAY” Pernes-les-Fontaines, France, August, 2023Cantos del ocells (1), Only sometimes (1), My funny ValentineJames Brandon Lewis (ts-1) Giovanni Guidi (p) Thomas Morgan (b) Joao Lobo (d) ) ART BLAKEY'S JAZZ MESSENGERS “ROOTS AND HERBS” Englewood Cliffs, N.J., February 18, 1961Roots and herbs, Look at the birdie, Petty larcenyLee Morgan (tp) Wayne Shorter (ts) Bobby Timmons (p) Jymie Merritt (b) Art Blakey (d) Continue reading Puro Jazz 09 de septiembre, 2024 at PuroJazz.

Buster Williams, a legendary jazz bassist, composer, and instructor, has played on numerous records with iconic musicians like Herbie Hancock, Chet Baker, Art Blakey, and Stan Getz, among others. Known for his work as both a sideman and a bandleader, Williams continues to inspire audiences with his performances and compositions. On September 28th, he will perform with his quartet at the Middlesex County Jazz Festival in New Brunswick. The quartet features Lenny White on drums, Steve Wilson on saxophone, and Brandon McCune on piano. The concert will showcase a repertoire primarily composed of Williams' original compositions. Interest in Williams grew after the 2019 documentary "Buster Williams: Bass to Infinity" highlighted his extensive career and personal journey. Now 82 years old, Williams remains dedicated to his craft, continually exploring the "infinite possibilities" of music. https://middlesexcountyjazzfestival.org/ https://busterwilliams.com/

Pianist Horace Silver, born September 2, 1928, in Connecticut, played tenor saxophone and piano in school, and received his first national recognition when his trio was hired to play with saxophonist Stan Getz in 1950. His career received a major boost when he became part of the original Jazz Messengers with Art Blakey, and recorded his first hit composition, The Preacher. He toured with Blakey until 1956, when he left to start his own quintet, which featured his prolific compositional talents, and launched the careers of numerous younger players over the ensuing decades. He is one of the musicians credited with launching the hard bop style.

This is a Drum Summit, a Special Episode of the podcast. It features three of the world's best jazz drummers: Peter Erskine, Danny Gottlieb and Adam Nussbaum. Each has previously been a guest on the podcast, but now they're together in this episode.Peter Erskine is a 2x Grammy winner and a 10x Best Jazz Drummer winner. He's played with Weather Report, Stan Kenton, Maynard Ferguson, Joni Mitchell, Steely Dan and many others.Danny Gottlieb is an all-star drummer who has played with Pat Metheny, the Mahavishnu Orchestra, Gary Burton, Airto Moreira and the Lt. Dan Band among others.Adam Nussbaum is an acclaimed drummer who has played on hundreds of recordings with artists including John Abercrombie, Eliane Elias, Gil Evans, Stan Getz and John Scofield.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Peter at:www.petererskine.comConnect with Danny at:www.dannygottlieb.orgConnect with Adam at:www.adamnussbaum.net Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Roosevelt Brownlee lives on the curve of a quiet street in Savannah, GA, the tall stalks of okra in his vegetable garden just visible from the side drive. It's one of many such streets in the port city, and only a few minutes from the old City Market area where he spent his earliest years. But in between those two Savannah addresses, Roosevelt has traveled the world, from France to Africa, the Caribbean to Denmark, cooking for everyone from Muddy Waters and Stan Getz to Nina Simone and the Rothchild family. His fried chicken was famous in Europe, his family's red rice recipe honed and tweaked in chateau kitchens. With every deviled crab and pan of mac and cheese, he brought comfort and sustenance to jazz musicians hungry for a taste of home, and at the same time, introduced countless newcomers to the joys of good Southern cooking. Although he's cooked for much of the last two decades in Savannah kitchens, he's mostly retired now, though every so often you can see him at special events in the Lowcountry, big hotel spoon in hand, stirring a pan or a pot of something. If that happens, make sure that you get a taste of what he's cooking. Remember, it's the true stuff of legend. Other episodes you might enjoy:  Mashama Bailey & John Morisano, The Grey and The Grey Market (Savannah, GA) Adrian Miller, Author and Soul Food Scholar  

José Antonio Bowen: Teaching With AI José Antonio Bowen has won teaching awards at Stanford and Georgetown and is past president of Goucher College. He has written over 100 scholarly articles and has appeared as a musician with Stan Getz, Bobby McFerrin, and others. He is the author of multiple books in higher education and is a senior fellow for the American Association of Colleges and Universities. He is the author with C. Edward Watson of Teaching With AI: A Practical Guide to a New Era of Human Learning*. AI will change how we work, but it's also going to change how we think. In this conversation, José and I explore where to begin working with AI and why those who can use it will serve a critical role in shaping what's next. Key Points Physical maps make you smarter than GPS, but GPS is more practical for daily use. AI isn't inherently good or bad, but like the internet, it will change how we work. AI will eliminate some jobs, but it will change every job. Those who can work with AI will replace those who can't. Rather than thinking about creativity through the lens of responses from AI, focus on bringing creativity into your prompts. Most of the AI progress for companies is coming from non-tech folks that are figuring our how specific tasks get more efficient. AI is very good at some things and not good at others. You'll discover how this relates to your work by experimenting with different prompts. Resources Mentioned Teaching With AI: A Practical Guide to a New Era of Human Learning* by José Antonio Bowen and C. Edward Watson Example AI Prompts by José Antonio Bowen The Human Side of Generative AI: Creating a Path to Productivity by Aaron De Smet, Sandra Durth, Bryan Hancock, Marino Mugayar-Baldocchi, and Angelika Reich Moderna and OpenAI partner to Accelerate the Development of Life-Saving Treatments The State of AI in Early 2024: Gen AI Adoption Spikes and Starts to Generate Value by Alex Singla, Alexander Sukharevsky, Lareina Yee, Michael Chui, and Bryce Hall Interview Notes Download my interview notes in PDF format (free membership required). Related Episodes Make Your Reading More Meaningful, with Sönke Ahrens (episode 564) Principles for Using AI at Work, with Ethan Mollick (episode 674) How to Enhance Your Credibility (Audio course) Discover More Activate your free membership for full access to the entire library of interviews since 2011, searchable by topic. To accelerate your learning, uncover more inside Coaching for Leaders Plus.

In this episode we welcome the esteemed David Toop to Hammersmith – on the UK's General Election day – to discuss his extraordinary new book about (and around) Dr. John's 1968 album Gris-Gris. First we revisit the short-lived but splendidly eclectic Collusion magazine our guest co-founded in 1981: we hear about its inception and mission, as manifest in groundbreaking pieces about rap, surf, salsa, exotica and "paranoid sex in '60s soul". We touch on key points along the journey of David's journalistic career before arriving at The Wire in the '90s. A 2012 Pitchfork piece about Wire icon Scott Walker leads us to David's audio interview for that article: two clips from the conversation prompt discussion of Walker's remarkable career from the Walker Brothers to his new album Bish Bosch. Finally we reach the debut album by Malcolm Rebennack, a.k.a. "Dr. John the Night Tripper", and learn of the long gestation of David's book during lockdown. David discusses the complex themes and issues explored in Two-Headed Doctor, including voodoo, racism, minstrelsy, New Orleans, unreliable mythography, and the unsung brilliance of the album's co-creator Harold Battiste. A gravelly clip from the late Charlie Gillett's 1971 audio interview with the Night Tripper himself provides a capsule backstory to the album's germination.  Mark talks us out with quotes from newly-added library pieces about Stan Getz (1973), Fred Wesley (1974), Primal Scream (1997) and Robbie Williams (1999). Many thanks to special guest David Toop. Listening for Ghosts in Dr John's Gris-Gris will be published on August 20th by Strange Attractor. Pieces discussed: ¿Te Gusta La Musica Latina?, Alone in the Dark: Björk on Vespertine, Incredibly Strange and Highly Exotic, Scott Walker audio, Mystic vapour: 'Jump Sturdy' (book excerpt), Dr. John: Shadowy Singer Rises From Bayou, Dr. John In Babylon, Dr. John audio, Harold Battiste, Stan Getz, Fred Wesley, Primal Scream and Robbie Williams.

This week's show, after a 1967 Buffalo Springfield belt: brand new Bright Eyes, Camera Obscura, Steve Wynn, Decemberists, Lemon Twigs, J. Robbins, and Susanna, plus Little Richard, Joe Cocker, Dave Dudley, João Gilberto & Stan Getz, Skatalites, Donovan...

Te invitamos a acompañarnos atrás en el tiempo y recordar canciones que alcanzaron su puesto más alto en el Billboard Hot 100 en el mes de julio de 1964. Las listas de pop en EEUU se publicaban cada sábado. En aquel mes de hace 60 años los Beach Boys alcanzaron su primer número 1 y los Four Seasons también coronaron la cima. Entre las bandas de la invasión británica entran por primera vez en listas Chad and Jeremy o The Rolling Stones. De Italia llega Rita Pavone, de Jamaica llega el ska y de Brasil la bossa nova.Playlist;(sintonía) HERB ALPERT’S TIJUANA BRASS “The Mexican shuffle” (Top 85)THE BEACH BOYS “I get around” (Top 1)THE BEACH BOYS “Don’t worry baby” (Top 24)THE FOUR SEASONS “Rag doll” (Top 1)JOHNNY RIVERS “Memphis Tennessee” (Top 2)CHUCK BERRY “No particular place to go” (Top 10)THE SEARCHERS “Don’t throw your love away” (Top 16)THE DAVE CLARK FIVE “Can’t you see that she is mine” (Top 4)GERRY and THE PACEMAKERS “Don’t let the sun catch you cryin” (Top 4)CHAD and JEREMY “Yesterday’s gone” (Top 21)THE ROLLING STONES “Not fade away” (Top 48)THE VALENTINOS “It’s all over now” (Top 94)RITA PAVONE “Remember me” (Top 26)MILLIE SMALL “My boy lollipop” (Top 2)THE SKA KINGS “Jamaica ska” (Top 98)STAN GETZ and ASTRUD GILBERTO “The girl from Ipanema” (Top 5)LOUIS ARMSTRONG and THE ALL STARS “I still get jealous” (Top 45)GLADYS KNIGHT and THE PIPS “Giving up” (Top 38)Escuchar audio

Adam Nussbaum is an extraordinary jazz drummer. He's played on hundreds of recordings with a Who's Who in the jazz world including John Abercrombie, Eliane Elias, Gil Evans, Stan Getz and John Scofield.My featured song is my version of Miles Davis's “All Blues” sing by the late great Jon Lucien from my “lost” 1994 debut album Miles Behind. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Intro/Outro Voiceovers courtesy of:Jodi Krangle - Professional Voiceover Artisthttps://voiceoversandvocals.com Audio production:Jimmy RavenscroftKymera Films Connect with Adam atwww.adamnussbaum.net Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

How does someone take a solid Broadway musical number and turn it into a Jazz tune? Well, on this episode of Same Difference we hear some interesting results, when "I've Grown Accustomed To Her Face" goes under the microscope. Join AJ and Johnny as they listen to and discuss versions by Rex Harrison, Tony Bennett and Count Basie, Chris Botti and Dean Martin, Chet Baker, Stan Getz and Cal Tjader, and new-to-us artist Scott Chapman.

This conversation was recorded during the most recent sailing of The Jazz Cruise and it featured an interview of NEA Jazz Master Kenny Barron by our artistic director Shelly Berg.  Kenny talked with Shelly about his early formative years growing up in Philadelphia, as well as about lessons learned from playing with jazz greats such as Dizzy Gillespie, Yusef Lateef, Charle Haden and Stan Getz.  Kenny and Shelly also geek out about both the piano and teaching piano. 

In this episode, Brent discusses about a question from listener Michael George, a clarinet player facing challenges with jazz standards often perceived as more suited to tenor saxophone. Michael seeks advice on emulating the styles of Paul Desmond and Stan Getz to improve his clarinet performance. Brent addresses this by debunking the notion that jazz standards are tailored to specific instruments, emphasizing that any jazz standard can be adapted and played on any instrument. He encourages musicians to explore solos and melodies across different instruments, as this approach broadens their understanding of jazz language and enhances their overall musicianship.  He elaborates on the benefits of learning solos from instruments different from one's own, sharing his personal experience as a guitarist who often transcribed solos from piano, saxophone, and trumpet players. Tune in to gain valuable insights on maximizing your practice and expanding your jazz repertoire, regardless of your instrument.Important Links:Free Guide to learning standards by ear: Learn Jazz Standards the Smart WayLJS Inner Circle MembershipListen to the Learn Jazz Standards PodcastLearn Jazz Standards Inner Circle: Get 50% off your first month! Want to get your jazz question answered on the podcast? Click here.

Peter Tiehuis is one of the best guitarists in Holland. He's played and recorded with every big star in the Netherlands and many international stars including Benny Goodman, Dizzy Gillespie, Freddie Hubbard, Stan Getz, Tina Turner, Elvis Costello and Herbie Hancock.My featured song is “The Rich Ones”. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Intro/Outro Voiceovers courtesy of:Jodi Krangle - Professional Voiceover Artisthttps://voiceoversandvocals.com Audio production:Jimmy RavenscroftKymera Films Connect with Peter at:Peter Tiehuis Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

On this episode: we've got some '30s jazz first, Count Basie with Jimmy Rushing, and Lester Young. Then samba and bossa nova, with Stan Getz our featured artist, working with Gary McFarland, and Antonio Carlos Jobim, and we'll hear Paul Desmond and Walter Wanderley. For the rest of the program, it's Bill Evans, Pat Metheny, The Rosenberg Trio, Dianne Reeves with Fabrizio Bosso, Allen Toussaint, and Jim Hall.

Marc Johnson is a renowned jazz bassist, band leader and producer. He's played with Woody Herman, Bill Evans, Stan Getz, Pat Metheny, Peter Erskine, Eliane Eliase and many more. His most recent album is “Overpass”, a solo bass album.My featured song is my version of Chick Corea's “Sea Journey” from my 1994 debut album Miles Behind. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Crossover instrumental.Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's first album, was recorded in 1994 but was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Marc:www.marcjohnson.net Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Ninety-eight-year-old Songwriters Hall of Famer Alan Bergman chats with us about a wide-ranging career that started with Johnny Mercer and continues to today. PART ONEPaul and Scott talk about the Abba Voyage virtual concert and scare themselves with the possibilities of digital technology. PART TWOOur in-depth interview with Alan BergmanABOUT ALAN BERGMANAlan Bergman and his late wife Marilyn joined forces professionally in the 1950s to create one of the most successful songwriting teams of all time. Though both musicians, the pair are best known as lyricists, and they found particular success writing for the silver screen. The Bergmans earned eleven Grammy nominations, including four nominations for Song of Year. They won the Song of the Year honor for “The Way We Were” from the Barbra Streisand film of the same name. They received fifteen Academy Award nominations for Best Original Song, winning twice for “The Windmills of Your Mind” and “The Way We Were,” and earning a record-setting three nominations in a single year in 1982. The following year they won their third Oscar, for Best Original Song Score, for the Yentl soundtrack, which included Best Original Song nominees “Papa, Can You Hear Me” and “The Way He Makes Me Feel.” Other highlights from the Bergman catalog include “Nice ‘n Easy” performed by Frank Sinatra, “The Summer Knows,” recorded by Sarah Vaughn, “You Don't Bring Me Flowers,” which they wrote with Neil Diamond, “Someone in the Dark,” which Michael Jackson recorded for the E.T. soundtrack, and “I Knew I Loved You,” which was recorded by Celine Dion. Additionally, the four-time Emmy award winners were inducted into the Songwriters Hall of Fame and were recipients of the National Music Publishers Association Lifetime Achievement Award. The Bergmans held a number of executive positions in various organizations, including serving on the executive committee of the Music Branch of the Academy of Motion Picture Arts and Sciences and as board members of the National Academy of Songwriters. From 1994-2009 Marilyn served as the president of ASCAP. Their songs have been recorded by Fred Astaire, Johnny Mathis, Sergio Mendes, Ray Charles, Bing Crosby, Stan Getz, Dusty Springfield, Diana Ross, Gladys Knight, Glen Campbell, Sting, Natalie Cole, Tony Bennett, Norah Jones, and countless others. We're thrilled to share this conversation with the now 98-year-old Alan Bergman, recorded at his home back in August. 

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