Podcast appearances and mentions of Stan Getz

Bruset är rap. Sedann finns det hiphop, men det måste man leta efter. Det säger Houman Sebghati, för hiphopskallar känd från Hässelbys 165-kollektiv och för egna epos som till exempel Reptilernas Planet, Alkemisten och Skuldsaneringen. Ganska nyligen släpptes hans bok På gränsen till ärlighet som är delvis roman, delvis självbiografi och bitvis debattfackla. På plats i DJ 50 Spänn-studion langar Houman fram en skivhög som tar oss från tung New York-hiphop av så-här-ska-det-fan-låta-typ, via pinsam svensk wuöh-öh-öh-pop, vidare till Lill Lindfors-svänget till göteborgsk raggamuffin i toppform och till slut vemodig svensk-amerikansk jazz som på nåt sätt klistrar ihop tidseror och avlägsna platser. I avsnittet försöker vi svara på många frågor, bland annat dessa: • Vad var det som fick 165-kollektivet i Hässelby att börja rappa på svenska? • När började svensk musik svänga? • Hur mycket tid lägger Drake på att trimma sitt skägg? • Är gangsterrappen feminiserad? • Hur skön är Hector Bingerts saxofon? • Vad lyssnar man på när man tröttnat på hiphop? • Vilken låt av Style lyssnar vi helst på? • Varför läser män inte böcker? PS: Om du vill köpa Houmans bok På gränsen till ärlighet så finns den i vanliga bokhandlar, till exempel här. Men du kan också följa Houmans instagram, dra ett DM och köpa både bok och skivor direkt från kreatören själv. Houman Sebghatis skivor Buckshot, 5FT., Evil Dee – War Zone [12″, 1999] Style – Heaven No. 7 [LP, 1986]Låt: Heaven No. 7 Lill Lindfors – Du är det varmaste jag har [LP, 1978]Låt: Musik ska byggas utav glädje Papa Dee – Ain’t No Stoppin’ Us Now [12″, 1990] Diverse artister – Dear Old Stockholm – Americans In Sweden 1949-1953 Vol. 1 [2xLP, 1974]Låt: Stan Getz with The Swedish All-Stars – Dear Old Stockholm Bonus Beats: Houman & Magro – Tankarnas gränder [LP, 1998/2025]Låt: Talen viner STÖD DJ 50 SPÄNN Om du gillar vad du hör och om du vill höra mer från DJ50:- i framtiden så finns det ett sätt: bli månadsgivare via Patreon. Pengarna går till musiklicenser, hyra, elräkningar, serverkonstnader och annat nödvändigt. Stort tack till er som supportar – ni är jordens salt och gör en insats för mångfalden i det svenska poddträsket! TILL PATREON-SIDAN Relaterade avsnitt https://dj50spann.se/147-marimba-roney/ https://dj50spann.se/67-kenneth-seremet-aka-kenny-black/ https://dj50spann.se/146-gatuslang/ Så här lyssnar och prenumererar du på DJ 50 Spänn: DJ 50 Spänn hittar du i de flesta podd-appar för smartphone, surfplatta och dator. Sök bara efter ”DJ 50 Spänn” i poddappens sökfält. Glöm inte att prenumerera. Om det inte funkar, är detta RSS-feeden som gäller: https://dj50spann.se/feed/podcast/. Du kan förstås också lyssna här på hemsidan. OBS! DJ 50 Spänn finns sedan en tid tillbaka inte längre på Spotify. Använd en klassisk poddspelare istället. Du vet, en sådan som fanns långt innan det stora streamingbolaget började exploatera podcastvärlden. Följ DJ 50 Spänn på sociala medier, yeah? Jag finns på Instagram, Facebook och Bluesky. Utöver facebooksidan finns även följande facebookgrupper under DJ 50 Spänns paraply. Ansök om medlemskap redan idag. Tiokronorsvinyl DJ 50 SPÄNN – THE GROUP Försvenskat också! Streamingjättens Utmarker Den Inre Jukeboxen The Hans Edler Universe DJ50:– på Radio Viking 101,4 Varje lördag mellan klockan 11 och 12 sänder DJ 50 Spänn (AKA Tommie Jönsson) en musikmix med oborstad vinyl på Radio Viking som hörs över Ekerö och delar av Stockholmsområdet på frekvensen 101,4 MHz. Programmet går också att livelyssna på via radioviking.se eller valfri app för nätradio (Radio Garden Live rekommenderas, men det finns många andra). DJ 50 Spänn är en podd om musik på billig vinyl. I varje avsnitt får en musikintresserad gäst köpa begagnade skivor för en femtiolapp. Sedan pratar vi om det som musiken styr oss in på. Programledare, producent och ljuddesigner: Tommie Jönsson, radioproducent. Kolla gärna in mina radiodokumentärer Jakten på Fiskargubben (om hemligheten bakom den berömda kitschtavlan) och Rederietstjärnans dolda passion (om skådespelaren Gaby Stenbergs sköna insektsmusik). Webbguru för DJ50:- är Gunnar Lindberg Årneby. Kontakt: hej[at]dj50spann.se

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Radio Jazznoend, dedica su nuevo programa a la cantante brasileña Astrud Gilberto que nos dejó en el año 2023. Su imprevista intervención en el álbum de 1964, Getz/Gilberto, cantando la versión inglesa de los temas The Girl from Ipanema y Corcovado, junto a su esposo João Gilberto, el saxofonista Stan Getz y el compositor Antonio Carlos Jobim, la transformaron, de la noche a la mañana, en una artista profesional y erigiéndose, para el mundo entero, en la voz femenina de la bossa nova. Astrud Gilberto una hermosa e ingenua joven de 22 años, un ama de casa, como la denominaría Stan Getz, pasó en un instante del total anonimato, a encarnar en el imaginario colectivo el sueño idealizado de un país de sol, de playas desiertas y de hermosas melodías a la luz de la luna. La bossa nova hacía soñar a medio mundo y nadie quería abandonar aquel paraíso imaginado. De su rostro triste, de su voz frágil y susurrante, emanaba una sutil e irresistible sensualidad que cautivó a millones de oyentes en todo el orbe. Los discos grabados para Verve en la segunda mitad de los sesenta del pasado siglo, dan testimonio de la era dorada de su carrera. Con la llegada de los setenta, se produce un progresivo declive de su popularidad y de su actividad discográfica, paralelo a la propia decadencia del movimiento de la bossa nova con que había alcanzado el estrellato, aún cuando continuaría activa en los escenarios y clubes hasta su retirada definitiva en el año 2002. Su fama y su éxito le permitieron grabar al lado de algunos de los más grandes de la música pop y del jazz de la segunda mitad del siglo XX. Figuras tales como los arreglistas Claus Ogerman o Gil Evans, el compositor Antonio Carlos Jobim o el trompetista Chet Baker. Sin embargo, su carácter reservado y su timidez, mantuvieron ocultos al público, los pormenores de su vida privada. Nuestro nuevo programa será un viaje a través del agridulce camino de Astrud Gilberto por el mundo de la música en esa difícil convivencia entre su afán de intimidad y anonimato con el éxito y la popularidad que la consagraron como la verdadera Garota de Ipanema.

Barchem Bigband – Magnifying glass – 8:22 Jimmy Haslip – Little Star – 4:49 Incognito – Roots (Back To A Way Of Life) – 5:42 Sonny Emory’s Cachet – ザ・ハーヴェスト・イズ・ニアー – 4:24 Jeff Lorber Fusion – Vienna – 5:56 Shapes – Night Bloom (Reprise Featuring Russell Ferrante) – 5:01 Stan Getz – Insensatez – 3:22 […]

1.- "What Is There To Stay", "Just In Time", "News from Blueport", "Festive Minor", "As Catch Can", "My Funny Valentine" (feat. Chet Baker) y "Utter Chaos", extraídas del álbum "What Is There To Say" (1959)2.- "Anything Goes", "Too Close For Comfort" y "That Old Feeling", extraídas del álbum "Gerry Mulligan Meets Stan Getz" (1957)Todas las músicas interpretadas (al saxo barítono) por Gerry Mulligan,Escuchar audio

Hace 45 años, el 22 de septiembre de 1980, Stan Getz se presentó en el Teatro San Martín de Buenos Aires. Escuchamos al saxofonista tenor, acompañado por el guitarrista Chuck Loeb, el pianista Mitch Forman, el contrabajista Todd Coolman y el baterista Mike Hyman, en 'Bittersweet', 'Chappaqua', 'Hospitality creek', 'My foolish heart', 'Wave', 'Lester left town' y 'Lush life'.Escuchar audio

El pianista Júlio Resende sigue explorando las posibilidades del fado en el disco que ha grabado a dúo con Bruno Chaveiro, 'Piano português namora guitarra portuguesa', con fados que cantaba Amália Rodrigues como 'Rua do capelão', 'Noite de Santo António', 'Amor de mel, amor de fel o 'Estranha forma de vida' además de 'Carolina' una antigua canción de Chico Buarque. De Portugal también el primer disco de la hija de Rodrigo Leão, Sofia, titulado 'Mar' que contiene composiciones propias como 'Pedra' o 'Valsa'. De un concierto que el saxofonista Stan Getz ofreció en el Teatro San Martín de Buenos Aires, en septiembre de 1980, inédito hasta ahora en disco, 'Wave' y 'Desafinado' de Jobim. Y un adelanto de 'Edge of blue' ('First rays', 'The lonely city'), disco con el que el dúo Da Lata celebra 25 años de la edición de su primer disco. Despide Nelson Ângelo con 'The red blouse'. Escuchar audio

durée : 00:59:56 - Underground - par : Nathalie Piolé - ⛏ Quelles notes se cachent sous la terre ? Creusons ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Music includes: Now's The Time by Charlie Parker, Body and Soul by Coleman Hawkins, East of the Sun by Lester Young, My Old Flame by Stan Getz, Cotton Tail by Ben Webster and Warm Valley by Johnny Hodges.

Larry Grenadier joins Pablo Held to talk about composing, comping, and working on clarity and technique on the bass. Other topics include memorizing songs, playing in different keys, and his experiences with Joe Henderson, Stan Getz, John Scofield, Brad Mehldau, Larry Goldings, Paul Motian, Masabumi Kikuchi, Billy Higgins, Guillermo Klein, Steve Swallow and Jack DeJohnette. … Continue reading Larry Grenadier

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"The Very Day" If you're wondering if the Connecticut-born Grammyt Award winning keyboardist and composer grew up with music in the house, the answer is yes--his father Joe Porcaro was a renowned jazz drummer who played with everyone from Sinatra to Stan Getz to Madonna. He also played on hundreds of film and television scores including The Wild Bunch, I Dream Of Jeannie and Edward Scissorhands. He also founded the Percussion Institute of Technology and later the drum department at the Los Angeles Music Academy (https://en.wikipedia.org/wiki/Los_Angeles_College_of_Music). So, yeah music was the lifesblood of the Porcaro household and at very young ages, Steve and his brothers Mike and Jeff went into the family business. How early of an age you might be wondering? Well, at 17 when most of us were finishing our last year of high school and thinking about who and who wouldn't go with us to the prom, Steve was playing with Gary Wright's band on his 1976 Dream Weaver tour. A year later while most of us were fumbling our way through our first year of college, Steve and his brothers were in Boz Scaggs's band. In 1978 Steve and his brother Jeff along with a few other session playing pals formed their own band called Toto. How'd that work out? Well, 50 million albums later, I'd say it worked out very well, thank you. From "Hold The Line" to "Rosanna" to "Africa" Toto had a procession of hits, became one of the biggest bands on the planet and went on to compose the music for David Lynch's Dune. Steve left the fold in 1987 and went on to compose and score for countless film and television projects, including From Dusk Til Dawn 2, Eddie Murphy's Metro and he did all the original music for Justified. This is just a partial list, by the way--he also wrote the song "Human Nature" which Michael Jackson recorded on his Thriller album, the beginning of several compositions he wrote for Jackson to record. Considered one of the pioneers of analog synths, Porcaro's inventive loops appeared on works by everyone from Elton John to Don Henley. When it comes to artists he's collaborated with, here's a list that's going to knock you out: Hall and Oates, Earth Wind and Fire, Sheena Easton, Diana Ross, Warren Zevon, Jefferson Airplane, Yes, and Michael McDonald. Also a partial list. And speaking of Yes, Porcaro was good friends with Yes's Chris Squire and played in his band The Chris Squire Experiment. Porcaro's second solo album The Very Day is one of 2025's real bright spots. Featuring guest appearances by Stan Lynch, Jude Cole, Michael McDonald, Gardner Cole and his Toto pal David Paich, The Very Day is a stirring song cycle of effortless pop melodies, rootsy grooves and insanely catchy hooks. It's pure magic. And this conversation felt the same. Steve's an open book and a lovely guy and I can't wait for you to meet him, www.steveporcaromusic.com www.stereoembersmagazine.com (http://www.stereo) www.bombshellradio.com (http://www.bombshellradio.com) www.alexgreenbooks.com IG + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com)

durée : 01:00:07 - Scène de ménage - par : Nathalie Piolé - ❤️‍

Participants: John Steppling, Jennifer Matsui, Hiroyuki Hamada, and Dennis Riches. Topics covered: Trump's speech at the UN, US prepares to do something to Venezuela, Christopher Hitchens in 2007 mocking a recently dead televangelist, the curious rise and shining future of Erika Kirk, the history of Israeli blackmail, Colombia and Indonesia propose putting their soldiers' “boots on the ground” to defend Gaza, the long history of parties in liberal democracies smearing each other as communist. Music track: “Desafinado” by Stan Getz (public domain). See Aesthetic Resistance on Substack for the links related to this episode.

Cinquième épisode, et sans doute pas le dernier, consacré au grand clash entre jazz et classique. On termine cette semaine avec l'idée folle de Gunther Schuller : plutôt que de laisser les musiciens de jazz "reprendre" des airs de classique, pourquoi ne pas leur écrire une musique originale qui réunirait le meilleur des deux mondes ? C'est ce que Schuller appela le "Third Stream" ou troisième courant. Et de John Lewis à Miles Davis en passant par Stan Getz, Charles Mingus, Bill Evans et Wynton Marsalis, nombreux sont ceux qui se sont engouffrés dans la brèche ! Et puisque le sujet est si vaste et qu'en cinq épisodes nous n'avons pas pu tout explorer, loin de là, Pour Qui Sonne le Jazz reviendra plus tard pour une deuxième semaine de clash entre jazz et classique !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Aujourd'hui dans notre grand clash entre jazz et classique : Bach et le jazz. Un incontournable ! Sur ce sujet on pourrait écrire un roman. De tout temps, le Cantor de Leipzig a fasciné les musiciens. Beaucoup disent d'ailleurs que Bach fut le premier jazzman. De Jacques Loussier et ses "Play Bach" à Keith Jarrett en passant par les Swingle Singers, Stan Getz, Hazel Scott et Brad Mehldau, nous verrons comment les musiciens et musiciennes de jazz ont abordé les préludes, sonates, fugues, inventions et autres totems du père de la musique moderne. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:59:33 - Les colères - par : Nathalie Piolé -

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Radio Clásica presenta su más amplia de Jazz, piezas inéditas, grabaciones íntimas de Europa.

Pioneros como Gal Costa y Caetano, Stan Getz, Gilberto o Jobim y continuadores de la MPB, la chanson, la canción melódica italiana o la latinoamericana.Coração Vagabundo — GAL COSTA,CAETANO VELOSO, DomingoCorcovado (Quiet Nights of Quiet Stars) — STAN GETZ, JOÃO GILBERTO, ASTRUD GILBERTO, ANTÔNIO CARLOS JOBIM, Getz/GilbertoRio — NAY PORTTELA, RioIo & Te — DAVIDE ESPOSITO, CARLA BRUNI, Io & TeMalemolencia — CÉU, CéuSains et saufs — ZAZ, Sains et saufsWhy Should I Smile — ROSEAUX, MELISSA LAVEAUX, Roseaux IIISaveur Solaire — GABRIELLA LIMA, LEO MIDDEA, Sabor SolaireFado Crioulo — NANCY VIEIRA, ANTÓNIO ZAMBUJO, GenteLa Pomena — GABI HARTMANN, La femme aux yeux de selCan We Pretend — BILL WITHERS, 'JustmentsBehind the Curtain — IBEYI, IbeyiDança da Solidao — LUIZ MURÁ, SolitudeUn Amor - Intro — MARIA RODÉS, SIMON SMITH, También Esto Pasará (BSO)Llegas tú — MUERDO, SinvergüenzaPourquoi tu vis — PINK MARTINI, Bella CiaoEscuchar audio

Six longer sets tonight: Benny Carter, Johnny Hodges, Charlie Parker, Charlie Shavers, and more, Funky Blues Thelonious Monk & Gerry Mulligan, 'Round Midnight (feat. Wilbur Ware & Shadow Wilson) Ben Webster & Teddy Wilson, Ben's Blues Duke Ellington and Johnny Hodges, Harry Edison trumpet, Basin Street Blues Miles Davis, Solea Bill Evans Trio featuring Stan Getz, The Two Lonely People

这期即兴访谈的嘉宾是脱口秀演员孙书恒和爵士乐萨克斯手李世海。用孙书恒的话说，李世海是他在 JZ School 最喜欢的老师，因为李老师的课特别”破“（哈哈哈）。在我看来李老师有两个特点：一个是 solo 特别精彩，一个是串场特别幽默。其实我们早就想凑一起聊一期，终于等到李老师暑假，书恒录节目的空挡。这期节目的大纲是孙书恒写的，本来是想聊爵士乐小白如何看起来像个老鸟。但是最后变成了一个爵士音乐家和一个脱口秀演员带着大家一起听好玩的爵士音乐。但我觉得这也不算跑题，因为如果你听过了这期节目里面的曲子，并且能够理解其中的恶趣味，你也就是个老鸟了。8 月 6 号，李世海会在上海 Bluenote 献上首张专辑《内在律动》八周年纪念演奏会。详见海报。Playlist of the Show[06:24] 爱河 - ZaZaZsu咂咂苏[09:08] @ - 王OK[11:01] Feeling Good - Michael Buble[13:48] Gone Fishin' - Mighty Mo Rodgers[14:19] The Thrill is Gone - B.B. King[14:34] Hummingbird - B.B. King[19:48] Jazz is for Ordinary People - Berlioz[22:31] Unfinished Tango SRP & 张乐[28:04] Peace Piece - Bill Evans[32:59] So What - Miles Davis[50:04] Lift off Mic Check - Robert Glasper[50:57] Kid - Aaron Parks[52:58] I Mean You - Thelonious Monk[53:41] I mean you - e.s.t. Esbjorn Svensson Trio[54:53] In a sentimental mood - Duke Ellington & John Coltrane[55:41] In a sentimental mood - Eric Marienthal[58:46] People time - Stan Getz & Kenny Barron[01:01:40] Giant Steps - John Coltrane[01:02:49] Giant Steps - Tommy Flanagan[01:06:52] People = Shit - Richard Cheese[01:07:53] People = Shit - Slipknot[01:08:47] Viva la vida - Richard Cheese[01:23:09] Jazz is for ordinary people - Berlioz

What does it take to release 200 digital singles in a single day and earn a Guinness World Record in the process? More importantly, what can that teach us about building a truly sustainable music career?In this episode, I sit down with The Orchestrator, a self-taught saxophonist whose approach to the music business is as methodical as it is inspiring. His philosophy centers on complete independence: owning your masters, understanding every revenue stream, and building passive income that allows you to create art without compromise.The Orchestrator shares his journey from learning Antonio Carlos Jobim classics to developing a bossa nova and jazz-focused catalog that generates sustainable income. But this isn't just about music. The Orchestrator highlights the importance of financial literacy, strategic thinking, and maintaining artistic integrity in an industry that often demands the opposite.Support ProducerHeadIf you value ProducerHead and want to support the show, consider a premium subscription (just $6 per month, even less on an annual basis). For less than a plug-in, you can directly support and grow the show while keeping the core content free for everyone.Three Game-Changing Takeaways1. Complete Ownership Creates FreedomOwning your masters, publishing, and trademarks isn't just about money—it's about maintaining the power to pivot and make decisions without outside interference. True artistic and financial independence starts with ownership.2. Diversify Your Revenue StreamsStreaming royalties from distributors represent only a fraction of what your music can earn. Register with PROs, SoundExchange, and Songtrust to collect all available royalties and build sustainable passive income.3. Financial Stability Enables Better ArtWhen your bills are covered by passive income, you can focus on creating art for art's sake rather than compromising your vision for short-term financial gains.Support ProducerHeadIf you value ProducerHead and want to support the show, consider a premium subscription (just $6 per month, even less on an annual basis). For less than a plug-in, you can directly support and grow the show while keeping the core content free for everyone.What We CoverThe Craft:* His daily saxophone practice routine and self-taught approach* Learning classic tunes and developing unique variations* The influence of Stan Getz and Antonio Carlos Jobim on his soundThe Business:* Complete breakdown of music royalty percentages and splits beyond streaming* Why he chose long-term passive income over performance-based career paths* The importance of trademarking your business and catalog ownershipThe Strategy:* Grassroots promotion and direct fan engagement through social media* Leveraging streaming data and algorithms for strategic marketing* The story behind his Guinness World Record and what it taught him about differentiationThe Philosophy:* Building financial independence to maintain artistic integrity* Investing in businesses that align with personal values* Working smart vs. working hard in music promotionEssential Resources MentionedMust-Read Books:* "All You Need to Know About the Music Business" by Donald Passman* "The Plain and Simple Guide to Music Publishing" by Randall D. WixsonAlbums That Shaped His Sound:* "A Love Supreme" by John Coltrane* "Getz/Gilberto" by Stan Getz and João Gilberto* "The Chronic" by Dr. DreRevenue Collection Services:* SoundExchange (international performance royalties)* Songtrust (publishing royalties)* ASCAP (performing rights organization)* BMI (performing rights organization)* Sticker Mule (promotional stickers for fan engagement)Chapter Timestamps* 0:00 - Intro and music business disclaimer* 2:24 - Saxophone practice routine deep dive* 4:44 - Learning Jobim and the Stan Getz influence* 11:57 - Music ownership philosophy and trademark importance* 16:33 - Choosing passive income over performance careers* 19:26 - Complete breakdown of music royalty splits* 25:18 - Grassroots promotion and social media strategies* 35:53 - Building sustainable income through streaming diversification* 45:58 - The Guinness World Record strategy* 52:46 - Building financial freedom with integrity (2000 days sober)* 1:00:02 - The story behind releasing 200 songs in one day* 1:04:50 - Self-taught saxophone journey* 1:12:36 - Breaking free from corporate control and honoring Black culture in electronic musicConnect with The Orchestrator* Website: theorchestratormusic.com* Instagram: @theorchestratormusic* Listen on: Spotify* Listen on: Apple MusicSupport ProducerHeadIf you value ProducerHead and want to support the show, consider a premium subscription (just $6 per month, even less on an annual basis). For less than a plug-in, you can directly support and grow the show while keeping the core content free for everyone.A Final ThoughtThe Orchestrator's approach challenges the conventional wisdom that musicians must choose between artistic integrity and financial success. His story proves that with the right knowledge, strategic thinking, and commitment to ownership, you can build a career that serves both your creative vision and your financial goals.The question isn't whether you can afford to own your masters—it's whether you can afford not to.What resonated most with you from this conversation? Share it with the community.This episode was co-produced, engineered and edited by Matthew Diaz. From ProducerHead, this is Toru, and in a way, so are you. Peace. Get full access to ProducerHead at producerhead.substack.com/subscribe

Radio Clásica presenta su más amplia de Jazz, piezas inéditas, grabaciones íntimas de Europa.

这期节目中，我们邀请了高老师，和大家一起分享日本作家村上春树的短篇小说作品，当然说起村上，他的长篇小说作品自然也是绕不开的，包括他包罗万象的兴趣爱好和文艺品味，这期节目中我们主要聊到了他的两部短篇小说集《神的孩子全跳舞》以及《列克星敦的幽灵》。BGM：The Girl From Ipanema by Stan Getz木枯しに抱かれて by 小泉今日子Night Fever by Bee Gees

Helen and Gavin chat about Titan: The OceanGate Submersible Disaster, Becoming Led Zeppelin, Materialists, and The Life of Chuck, and it's Week 7 of the list of Grammy Record of the Year Winners from 1965, which will be picked from Hello, Dolly by Louis Armstrong, I Want to Hold Your Hand by The Beatles, Downtown by Petula Clark, The Girl from Ipanema by Stan Getz and Astrud Gilberto, and People by Barbra Streisand.

Helen and Gavin chat about Mountainhead, Bring Her Back, Karate Kid: Legends (just a little), and Jane Austen Wrecked My Life and it's Week 5 of the list of Grammy Record of the Year Winners from 1963, which will be picked from I Left My Heart in San Francisco by Tony Bennett, I Can't Stop Loving You by Ray Charles, What Kind of Fool Am I by Sammy Davis Jr, Fly Me to the Moon Bossa Nova by Joe Harnell and His Orchestra, and Desfinado by Stan Getz and Charlie Byrd.

El saxofonista Stan Getz nos dejó el 6 de junio de 1991. Le recordamos con grabaciones de 'Moonlight in Vermont', 'Corcovado', 'I´m glad there is you', 'But beautiful', 'Here´s that rainy day', 'Little girl blue', 'The look of love', 'Sometime ago', 'Jive hoot', 'La fiesta', 'Waltz for Stan' y 'Cobra'.Escuchar audio

Coming up tonight: Erroll Garner, Stan Getz with Gerry Mulligan Charlie Shavers & Coleman Hawkins Art Blakey Oscar Peterson Stuff Smith, Dizzy Gillespie & Oscar Peterson Vince Guaraldi Trio Illinois Jacquet Eddie Harris Claude Bolling & Alexandre Lagoya Chuck Mangione

The jazz standard "All The Things You Are" has been performed countless times by master jazz vocalists, 30s big bands, bebop small groups, hard-bop combos, modern deconstructionists, and even soon-to-be Kings of Pop. On this episode, Kirk takes listeners through the history of the now-famous tune, from its humble Broadway origins all the way to his recording studio in Portland, where he and some friends recorded an all-new arrangement just for Strong Songs.Music/Lyrics: Jerome Kern & Oscar Hammerstein IIVersions Featured:Broadway Original Cast Recording of "Very Warm for May," - 1939Tommy Dorsey and His Orchestra, feat. Jack Leonard, 1939Artie Shaw w/ Hellen Forrest, 1939Dizzy Gillespie w/ Charlie Parker, 1945Johnny Griffin w/ Hank Mobley, John Coltrane, Lee Morgan, Wynton Kelly, Paul Chambers, Art Blakey on A Blowing Session, 1957Ella Fitzgerald from Sings the Jerome Kern Songbook, 1963Michael Jackson, 1973Sonny Rollins w/ Coleman Hawkins from Sonny Meets Hawk!, 1963Bill Evans w/ Chuck Israels, bass, and Larry Bunker, drums at Shelly's Mane-Hole, 1963Keith Jarrett Trio, from Standards, Vol.1, 1983Brad Mehldau Trio, from Art of the Trio 4, 1999Jim Hall & Pat Metheney, 1999Strong Songs Version Featuring:Kirk Hamilton, tenor saxAndrew Oliver, keyboardScott Pemberton, guitarSam Howard, bassTyson Stubelek, drumsThe "All The Things You Are" Playlist:Spotify | Apple | YouTube MusicALSO REFERENCED/DISCUSSED:The Jazz Standards: A Guide To The Repertoire by Ted Gioia, 2012The terrific 99% Invisible episode about The Real Book“Autumn Leaves” by Joseph Kosma as recorded by Cannonball Adderley and Miles Davis on Somethin' Else, 1958“Pennies From Heaven” by Johnston and Burke, recorded by Stan Getz with the Oscar Peterson Trio, 1957“Bye Bye Blackbird” by Henderson/Dixon, recorded by Miles Davis on ‘Round About Midnight, 1957“All Of Me” by Marks and Simons, played by Charlie Parker, Lennie Tristano and Kenny Clarke, 1951“I Got Rhythm” by George Gershwin, recorded by Sonny Stitt on The Hard Swing, 1961Rachmaninoff: Prelude in C-Sharp Minor,  performed by Jason Minnis, 2011“Goodbye Yellow Brick Road” by Elton John, 1973“Bird of Paradise,” recorded by Charlie Parker w/ Howard McGhee, Tpt. on The Complete Dial Recordings, Feb 1947“Prince Albert” recorded by Art Blakey's Jazz Messengers (Mobley, Dorham, Watkins, Silver) live at Cafe Bohemia, 1955“Poinciana” by Simon/Bernier recorded by Amhad Jamal Live At The Pershing, 1958----LINKS-----

Chappaqua Stan Getz Jazz en Buenos Aires Everything Happens to Me Jimmy Raney, Jim Hall Two of a KindOwl Song 2 (con Bill Frisell & Herlin Riley) Ambrose Akinmusire Owl SongLove in the Garden Joe Lovano, Marcin Wasilewski Trio Love in the GardenMagical Distance Kamasi Washington LazarusStreet Singer Tina Brooks American Jazz SaxHullo Bolinas Chano Domínguez Con AlmaEleanor Rigby Caetano Veloso Qualquer CoisaEscuchar audio

#195 Broadcast 195 - Episode 188 - The Crooners -20250517 - Stan Getz & Mel Torme by Jim Reeves

The drummer and percussionist Billy Martin, whose name many Time Sensitive listeners may recognize—he created the Time Sensitive theme song—defies any boxed-in or limiting definitions of his work. Best known as a member of the band Medeski Martin & Wood (MMW), he's spent the past three-plus decades making experimental, boundary-pushing, and uncategorizable instrumental jazz-funk-groove music, shaping sounds that feel as expansive as they are definitive and distinctive. Across all his artistic output, Martin continually, meditatively searches for harmony. He is also a composer, a teacher, a visual artist, and a builder and craftsman. His expansive creative practice comes most alive at his home in Englewood, New Jersey, where he has cultivated a bamboo garden, crafted his own Japanese-style teahouse, and constructed a music studio. Martin is someone for whom rhythm is not just something heard, but also seen and felt.On the episode, he talks about his MMW journey at length, his concept of “rhythmic harmony,” and why he views sound creation as a sacred act.Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.Show notes:Billy Martin[7:31] Medeski Martin & Wood[7:31] John Medeski[7:31] Chris Wood[7:31] “Not Not Jazz” (2024)[10:12] Iggy Pop's “Avenue B” (1999)[10:12] Don Was[11:27] “The Lover” (1995)[11:27] “Friday Afternoon in the Universe” (1995)[11:27] “Old Angel Midnight” (1973) by Jack Kerouac[13:44] Ra-Kalam Bob Moses[13:44] John Scofield[13:44] David Baker[15:57] “Shuck It Up” (1993)[15:57] “It's a Jungle in Here” (1993)[18:12] “Latin Shuffle” (1998)[18:12] “Combustication” (1998)[18:12] Frankie Malabe[18:12] Art Blakey[33:25] Thelonious Monk[33:58] “Life on Drums” (2011)[38:32] John Bonham[38:32] Charlie Watts[38:32] Stewart Copeland[38:32] Elvin Jones[38:32] Max Roach[38:32] Danny Richmond[38:32] Charles Mingus[38:32] Jack DeJohnette[38:32] Joe Morello[38:32] Roy Haynes[38:32] Stan Getz[38:32] Airto Moreira[38:32] Naná Vasconcelos[38:32] Babatunde Olatunji[39:58] Gus Johnson[39:58] “Whatever Happened to Gus” (1998)[39:58] Steve Cannon[40:54] “Chubb Sub” (1995)[40:54] ”Uncle Chubb” (1992)[46:41] “Shack-man” (1996)[47:06] “Drumming Birds” (2004)[54:48] “Bamboo Rainsticks” (1999)[54:48] Amulet Records[1:00:23] Creative Music Studio

durée : 00:59:16 - Candy - par : Nathalie Piolé -

Grabaciones bossa nova en las guitarras de Luiz Bonfá ('Um abraço no Getz' -con el saxofonista Stan Getz-, 'Samba de Orfeu'), João Gilberto ('Um abraço no Bonfá'), Charlie Byrd ('Bim bom', 'Desafinado' -con Stan Getz-), Laurindo Almeida ('Outra vez' -con Stan Getz-), Baden Powell ('Tristeza', 'Canto de Ossanha'), Wes Montgomery ('Insensatez'), Joe Pass ('Meditação', 'The gentle rain' -con el percusionista Paulinho da Costa-), Jim Hall ('Simple samba'), Kenny Burrell ('Minha') y George Benson ('Jackie, all'). Escuchar audio

durée : 00:53:18 - Certains l'aiment Fip - À l'occasion de la parution du livre "Le métier de comédien", nous nous intéressons à l'alter ego de Delon, acteur dans "Plein soleil", "La piscine" ou "Ascenseur pour l'échafaud" dont les films comptent des musiques de Stan Getz, Martial Solal, Miles Davis, etc.

"Strange days have found usStrange days have tracked us downThey're going to destroyOur casual joysWe shall go on playingOr find a new town"Let's escape the darkness together this afternoon on this week's Whole 'Nuther Thing on KXFM 104.7 Joining us are Tim Buckley, John Coltrane, Malo, Jimi Hendrix, Bob Dylan, The Byrds, Jefferson Airplane, The Youngbloods, Santana, The Tradewinds, Thunderclap Newman, Steppenwolf, Stan Getz w Astrud Gilberto, Lynyrd Skynyrd, Stevie Wonder, Phoebe Snow, Trevor Gordon Hall, Warren Zevon, 38 Special, Jose Feliciano and The Doors. I'll be showcasing a timely track from James Lee Stanley's latest CD "The Day Today during Hour 1.

The Girl From Ipanema - Stan Getz, Joao Gilberto

Hace 60 años que Astrud Gilberto -la voz en inglés de 'The girl from Ipanema' en el disco de Stan Getz y João Gilberto- publicó su primer LP 'The Astrud Gilberto album' con las jobinianas 'Once I loved', 'Agua de beber', 'Meditation', 'Dindi' o 'Photograph' y 'All that´s left is to say goodbye'; del disco de 1966 'Look to the rainbow', con arreglos de Gil Evans, la canción que le da título, 'Once upon a summertime', 'I will wait for you' y 'A felicidade'; de 'Beach samba', publicado en 1967, con arreglos de Don Sebesky y Eumir Deodato, 'Stay', 'Misty roses' y 'The face I love'; de 'A certain smile, a certain sadness', con el organista Walter Wanderley, también de 1967, 'Goodbye sadness', 'Call me', 'Here´s that rainy day' y 'Tú mi delirio'; y del disco de 1971 con el saxofonista Stanley Turrentine 'Braziilan tapestry'.Escuchar audio

El 18 de marzo de 1963, Stan Getz y João Gilberto entraron en un estudio de Nueva York para grabar el histórico 'Getz/Gilberto' con Antonio Carlos Jobim al piano y la voz de Astrud Gilberto. Un disco que se publicaría un año más tarde, en marzo del 64, y del que escuchamos todas las canciones: 'The girl from Ipanema', 'Doralice', 'Pra machucar meu coração', 'Desafinado', 'Corcovado', 'Só danço samba', 'O grande amor' y 'Vivo sonhando'. Además, la versión reducida de 'The girl...' en el disco sencillo que se publicó entonces sin la parte de João cantada en portugués. Y del concierto del 9 octubre de 1964, en el Carnegie Hall de Nueva York, de Stan Getz con João y Astrud Gilberto, 'Corcovado', 'Only trust your heart' y 'The girl form Ipanema'.  Escuchar audio

Featuring a collection of all-stars including Thelonious Monk, Norah Jones, Stan Getz, Otis Redding, Charlie Hunter, and Serge Gainsbourg; + Mexican rising star Sylvana Estrada and electronic music courtesy of a Colorado-collab between Erik Deutsch and Stuck at Sea.

Send us a textOn this episode, Tom and Bert discuss the Fun Facts about Songs of the 1960's.Let the debates begin, are these all "True" Facts or do the guys have some Fact Checking of their own to do? Listen in and you'll get the usual challenges and banter that the guys toss around.  It's ALL in Good Fun! Chapter Highlights:(4:49) "Louie, Louie" by The Kingsmen(7:42) "The Girl from Ipanema" by Astrud Gilberto and Stan Getz(10:00) "Sounds of Silence" by Simon and Garfunkel(11:45) "God Only Knows" by The Beach Boys(12:45) "Respect" by Otis Redding(23:25) "Can't take my eyes off of you" by The 4 Seasons(29:04) "My Generation" by The Who(31:47) "The Twist" by Chubby Checker(34:11) "When a Man loves a Woman" by Percy Sledge(43:58) "House of the Rising Sun" by The Animals(49:14) "I got you Babe" by Sonny and Cher(53:07) "Palisades Park" by Freddy "Boom Boom" Cannon(55:25) "Yesterday" by The Beatles Enjoy the show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

Participants: John Steppling, Shaenah Batterson, Max Parry, Hiroyuki Hamada, and Dennis Riches. Topics covered: Do the Democrats understand why they lost? Does Trump understand why he won? Trump's tariffs and economic warfare on allies. RFK Jr. faces an inquisition by Democrats. Why don't billionaires spend money a good tailor? 80 years since the liberation of Auschwitz. Music track “Desafinado” by Stan Getz (public domain).

Tonight's Jazz Feature is an aptly named album by the great tenor saxophonist Stan Getz. Getz has had a long career marked by the ups and downs of changing styles and musical tastes but he always managed to prevail and remain at the top of the list of great saxophone players. This album finds Getz in inspired form bolstered by a stellar rhythm section. Getz performs here with the late Albert Dailey on piano, virtuoso bassist Clint Houston and the still living Billy Hart on drums. It was recorded in New York for Columbia Records on October 1, 1975. Four long tunes make up this fine date and it's title "The Master" is well deserved. Stan the Man is tonight's Jazz Feature.....enjoy!

El 8 de diciembre de 1994 se fue uno de los grandes compositores del siglo XX: Antonio Carlos Jobim. Recordamos al carioca universal con grabaciones suyas de 'Wave', 'The red blouse', 'Look at the sky', 'Chora coração', 'How insensitive'/'Insensatez' -con Sting-, 'Águas de março', 'Surfboard', 'Anos dourados' -con Chico Buarque-, 'The girl from Ipanema' -con Stan Getz, João y Astrud Gilberto-, 'Ela é carioca', 'Samba de uma nota só', 'Corcovado', 'Água de beber', 'A felicidade', 'Mantiqueira range' y 'Querida'.Escuchar audio

El 8 de diciembre de 1994 murió en Nueva York uno de los artistas más importantes de siglo XX, un músico que dio forma a un género, que lo mimó y que lo enseñó al mundo creando un legado inmortal y eterno para alegría de todos. Ese día, murió Tom Jobim. Antonio Carlos Jobim llevó la música brasileña a EEUU y de allí a medio mundo, en una entrevista en los años 80, Jobim explicó que era esa cosa que tenía su música que fascinaba tanto a la gente. “Mi música viene del entorno que tenemos. La lluvia, el sol, los árboles, los pájaros... los peces”. La música de Jobim, arquitecto de la bossa nova, transformó la escena brasileña dejando el lamento y la tristeza a un lado para renovar la música desde la alegría, el amor y la esperanza. La muerte de Tom Jobim fue una noticia dura que marcó el final de una época. En 1980 nos había dejado el enorme Vinicius de Moraes, en 1982 murió Elis Regina y en 1991 falleció Stan Getz, músicos con los que Jobim había dado forma a su legado.  Esta semana queremos recordar su obra, su figura y su importancia tanto en Brasil como en el mundo y para ello nos acompaña nuestro especialista carioca, Arturo Lezcano. 

El 8 de diciembre de 1994 murió en Nueva York uno de los artistas más importantes de siglo XX, un músico que dio forma a un género, que lo mimó y que lo enseñó al mundo creando un legado inmortal y eterno para alegría de todos. Ese día, murió Tom Jobim. Antonio Carlos Jobim llevó la música brasileña a EEUU y de allí a medio mundo, en una entrevista en los años 80, Jobim explicó que era esa cosa que tenía su música que fascinaba tanto a la gente. “Mi música viene del entorno que tenemos. La lluvia, el sol, los árboles, los pájaros... los peces”. La música de Jobim, arquitecto de la bossa nova, transformó la escena brasileña dejando el lamento y la tristeza a un lado para renovar la música desde la alegría, el amor y la esperanza. La muerte de Tom Jobim fue una noticia dura que marcó el final de una época. En 1980 nos había dejado el enorme Vinicius de Moraes, en 1982 murió Elis Regina y en 1991 falleció Stan Getz, músicos con los que Jobim había dado forma a su legado.  Esta semana queremos recordar su obra, su figura y su importancia tanto en Brasil como en el mundo y para ello nos acompaña nuestro especialista carioca, Arturo Lezcano. 

THIS IS SUMMIT WEEK! Three Summits featuring some of the best Saxophonists, Bassists and Drummers. Today is DRUM SUMMIT with:Peter Erskine, a 2x Grammy winner and a 10x Best Jazz Drummer winner. He's played with Weather Report, Stan Kenton, Maynard Ferguson, Joni Mitchell, Steely Dan and many others.Danny Gottlieb, an all-star drummer who has played with Pat Metheny, the Mahavishnu Orchestra, Gary Burton, Airto Moreira and the Lt. Dan Band among others.Adam Nussbaum, an acclaimed drummer who has played on hundreds of recordings with artists including John Abercrombie, Eliane Elias, Gil Evans, Stan Getz and John Scofield.My featured song is “Metro Shuffle”, featuring Mindi Abair, from the album The PGS Experience by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“SOSTICE” is Robert's newest single, with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Roosevelt Brownlee lives on the curve of a quiet street in Savannah, GA, the tall stalks of okra in his vegetable garden just visible from the side drive. It's one of many such streets in the port city, and only a few minutes from the old City Market area where he spent his earliest years. But in between those two Savannah addresses, Roosevelt has traveled the world, from France to Africa, the Caribbean to Denmark, cooking for everyone from Muddy Waters and Stan Getz to Nina Simone and the Rothchild family. His fried chicken was famous in Europe, his family's red rice recipe honed and tweaked in chateau kitchens. With every deviled crab and pan of mac and cheese, he brought comfort and sustenance to jazz musicians hungry for a taste of home, and at the same time, introduced countless newcomers to the joys of good Southern cooking. Although he's cooked for much of the last two decades in Savannah kitchens, he's mostly retired now, though every so often you can see him at special events in the Lowcountry, big hotel spoon in hand, stirring a pan or a pot of something. If that happens, make sure that you get a taste of what he's cooking. Remember, it's the true stuff of legend. Other episodes you might enjoy:  Mashama Bailey & John Morisano, The Grey and The Grey Market (Savannah, GA) Adrian Miller, Author and Soul Food Scholar  

José Antonio Bowen: Teaching With AI José Antonio Bowen has won teaching awards at Stanford and Georgetown and is past president of Goucher College. He has written over 100 scholarly articles and has appeared as a musician with Stan Getz, Bobby McFerrin, and others. He is the author of multiple books in higher education and is a senior fellow for the American Association of Colleges and Universities. He is the author with C. Edward Watson of Teaching With AI: A Practical Guide to a New Era of Human Learning*. AI will change how we work, but it's also going to change how we think. In this conversation, José and I explore where to begin working with AI and why those who can use it will serve a critical role in shaping what's next. Key Points Physical maps make you smarter than GPS, but GPS is more practical for daily use. AI isn't inherently good or bad, but like the internet, it will change how we work. AI will eliminate some jobs, but it will change every job. Those who can work with AI will replace those who can't. Rather than thinking about creativity through the lens of responses from AI, focus on bringing creativity into your prompts. Most of the AI progress for companies is coming from non-tech folks that are figuring our how specific tasks get more efficient. AI is very good at some things and not good at others. You'll discover how this relates to your work by experimenting with different prompts. Resources Mentioned Teaching With AI: A Practical Guide to a New Era of Human Learning* by José Antonio Bowen and C. Edward Watson Example AI Prompts by José Antonio Bowen The Human Side of Generative AI: Creating a Path to Productivity by Aaron De Smet, Sandra Durth, Bryan Hancock, Marino Mugayar-Baldocchi, and Angelika Reich Moderna and OpenAI partner to Accelerate the Development of Life-Saving Treatments The State of AI in Early 2024: Gen AI Adoption Spikes and Starts to Generate Value by Alex Singla, Alexander Sukharevsky, Lareina Yee, Michael Chui, and Bryce Hall Interview Notes Download my interview notes in PDF format (free membership required). Related Episodes Make Your Reading More Meaningful, with Sönke Ahrens (episode 564) Principles for Using AI at Work, with Ethan Mollick (episode 674) How to Enhance Your Credibility (Audio course) Discover More Activate your free membership for full access to the entire library of interviews since 2011, searchable by topic. To accelerate your learning, uncover more inside Coaching for Leaders Plus.