Podcast appearances and mentions of Stan Getz

El 6 de junio de 1991, con 64 años, nos dejó Stan Getz. Recordamos al gran saxofonista tenor en grabaciones de 'Moonlight in Vermont' -arreglo de Claus Ogerman-', 'I´m glad there is you' -con el trío del pianista Oscar Peterson-, 'But beautiful' -con Bill Evans-, 'Here´s that rainy day', 'Little girl blue' o 'If ever I would leave you'; como participante en el disco del trombonista Bob Brookmeyer y amigos ('Sometime ago', 'Jive hoot', 'Misty'), en el disco 'Stan Getz presents Jimmy Rowles' ('The peacocks') y en el disco 'Apasionado' con la pieza que le da título y 'Coba'. Escuchar audio

Hace 20 años que el percusionista brasileño Thiago de Mello y el clarinetista y saxofonista estadounidense Dexter Payne publicaron 'Another feeling' con instrumentales como 'Rede de caboclo', 'A hug for Gil Evans', 'What about that?' o 'Two good notes' y 'The exile song' en la voz de Ithamara Koorax. Con el propio Luiz Bonfá a la guitarra, la cantante grabó 'Ithamara Koorax sings the Luiz Bonfá songbook' hace 30, disco en el que encontramos composiciones del guitarrista como 'Almost in love' -que llegó a grabar Elvis Presley-, 'Non-stop to Brazil', 'Menina flor', 'The gentle rain'-que grabaron desde Sinatra y Tony Bennet hasta Oscar Peterson o Stan Getz-, la celebérrima 'Manhã de carnaval' o 'Correnteza' que Bonfá compuso con Jobim. Despide el trompetista Claudio Roditi con 'Sue Ann' obra también de Jobim.Escuchar audio

There is an entire chapter of Indian music history that has shaped global music in unknown ways remains preserved only in the human memory of a select few.  Sandhya Sanjana is one of those humans. Long before "world music" became a marketing category, she was part of a generation of home-grown South-Asian artists blurring the edges of jazz, global and Indian classical music by a trial and error met with genuine curiosity, rather than novelty.  Co-founder one of India's earliest internationally touring world-fusion ensembles, Sanjana has been more than thirty albums, and spent decades moving between radically different musical worlds without reducing either of them into aesthetic decoration. In this conversation, we try to trace that arc. From an upbringing between Bombay and Delhi, to the nightclub circuits of Calcutta, with first-generation Indian Jazz musicians. From backstage blessings from Alice Coltrane after the exchange of a cassette tape, to the origins of India's first international festival ‘Jazz Yatra' where the appearances from the likes of icons such Art Blakey, Max Roach, Stan Getz, Freddie Hubbard and John Handy and their days in India in open exchange with local musicians threaten to fade away amidst undocumented history. What emerges is not nostalgia, but a portrait of a generation of artists that worked without the visibility, institutional support, or mythology later scenes would inherit.  Artists building language in real time. Documenting culture through performance while remaining largely undocumented themselves. In the words of Sandhya herself, much of that era was "not presented to the world."  This conversation tries to remember.    Listen to the second half of the episode.   Connect with Sandhya: https://instagram.com/achhamusica https://facebook.com/sandhyasanjana https://youtube.com/@achha_musica   Connect with T.L. Mazumdar: https://findtl.com/ Free Artist Training. Brought to you by the Holistic Musician Academy.    

Variado programa con apartados interesantes y melodías inolvidables ADIVINA LA PELÍCULA Nacha Pop. LA CHICA DE AYER. SAN TORAL. Smetana CORO DE LA FIESTA DE LA PRIMAVERA (La novia vendida). Stan Getz & Astrud Gilberto – GAROTA DE IPANEMA. DATAMÉRIDES. Buddy Holly. THAT'LL BE THE DAY. Renée Fleming. SOAVE SIA IL VENTO de Così fan […] The post Los Tres Tenores 27/05/2026 first appeared on Ripollet Ràdio.

durée : 00:59:51 - par : Nathalie Piolé -

Een TORcast, een beetje in de stijl van het Vinyl-Café van 8 mei aanstaande: geen idee wie er komen gaat met welke muziek en wat voor verhalen daaromheen. Vrij naar matrimonale tradities: Something Old, Something New, Something Borrowed, Something Blue. Playlist: Nicholas Payton, Butcher Brown: All Blues; Bobby Broom: Doxy; Hermine Deurloo, Anton Goudsmit: Angel Nemali; Dubbelaar: Hermine Deurloo, Anton Goudsmit: Moon River; Eric Clapton, Jeff Beck: Moon River; Dubbelaar: Paul Simon: Train In The Distance (original acoutic demo); Paul Simon: Train In The distance (album version); Cecile McLorin Savant, Metropole Orchestra.: With Every Breath I Take; Ron Carter, Stephen Scott, Payton Crossley: Bye Bye Blackbird; Oscar Peterson: Hymn To Freedom; Stan Getz, Bill Evans: Grandfather’s Waltz.

Se cumplen 50 años de los conciertos de Stan Getz y João Gilberto, con el cuarteto del saxofonista, en el Keystone Korner de la ciudad de San Francisco. Hasta 40 años después no se publicaron las cintas grabadas en mayo de 1976 en un disco titulado 'Getz/Gilberto 76' que contiene 'É preciso perdoar', 'Águas de março', 'Retrato em branco e preto', 'Samba da minha terra', 'Chega de saudade', 'Rosa Morena', 'Eu vim da Bahia', 'João Marcello' y 'Um abraço no Bonfá' -solo con la guitarra de João-, 'Doralice' y 'Morena boca de ouro'.Escuchar audio

Podcast Jazztime 718 – 28.04.26 Diese Sendung hat Andreas Pasternack zusammengestellt. Das LIVE Anspiel diesmal ist: “Makin' whoopee“ – 1928 von Walter Donaldson komponiert. Folgende Titel sind zu hören : 1. Fine and mellow – Ruth Brown 4'12 2. Desafinado – Stan Getz, Joao Gilberto & Antonio Carlos Jobim 4'08 3. I thought about you – Ray Brown Trio 7'17 4. Primitivo – The Funk Unit 6'45 5. Wild is Love – Shirley Horn 1'32 6. Makin' whoopee – Louis Armstrong 3'58 7. Hunting high and low – Silje Nergaard 3'56 8. Ice Cream – Chris Barber's Jazz Band 3'26 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

Invloed van jazz op tango Vanaf de jaren 1920–1930 begonnen jazz en tango elkaar tegen te komen in grote steden als Buenos Aires, Parijs en New York. Dat leidde tot een paar concrete veranderingen in de tangomuziek: Swing‑achtige ritmiek en meer syncopen: Jazz bracht een lossere timing en meer variatie in accenten. Tango‑orkesten begonnen subtieler te swingen, zonder hun typische marcato‑stijl te verliezen. Pianisten gebruikten meer syncopen en gebroken akkoorden, geïnspireerd door ragtime en early jazz. Gebruik van ‘blues notes' en uitgebreidere harmonieën Jazz bracht nieuwe harmonische kleuren: Septiemakkoorden, verminderde akkoorden, chromatiek. Hierdoor klonk tango moderner en minder strak tonaal. Improvisatie‑elementen: Traditioneel is tango sterk gecomponeerd, maar jazz introduceerde korte solo's,  meer vrijheid voor bandoneón‑ en vioolfrases en persoonlijke interpretatie binnen het arrangement De grote synthese: Ástor Piazzolla: Piazzolla is hét voorbeeld van jazzinvloeden in tango: complexe harmonieën,  contrapunt, improvisatie, drum- en elektrische gitaarinvloeden. Invloed van tango op jazz Het ging niet alleen één kant op — tango beïnvloedde jazz ook: Tangoritmes in jazz‑arrangementen: Jazzbands in de jaren '20–'40 namen tangoritmes en dansvormen over. Big bands speelden soms tango fox‑trots of Latin tangos, populair in ballrooms en Hollywoodfilms. De bandoneón in jazz: Vanaf de jaren '60–70 begonnen jazzmuzikanten het instrument te ontdekken. De bandoneón is met zijn expressieve knijptechniek ideaal voor improvisatie. Melancholie en frasering: Jazzmusici lieten zich inspireren door de dramatische, zangerige lijnen van tango en de rubato‑achtige expressie uit de tango‑zang (Carlos Gardel, Roberto Goyeneche). Dat leidde tot “lyrischer” spel in bepaalde jazzsubgenres (bijv. cool jazz, modern jazz). Playlist: Astor Piazolla: Milonga Del Angel; Dino Saluzzi, Anja Lechner: Tango A Mi Padre; HIROMI, Edmar Castaneda: Libertango; Horacio Salgan, Ubaldo De Lio: Te Vas Milonga; Duke Ellington Orchestra: Latin American Sunshine; Poncho Sanchez, Mongo Santamaria: Watermelon Man; Arturo O’Farrill, The Afro Latin Jazz Orchestra: Alma Vacia; Dubbelaar: Sergio Mendez & Brasil 66: Mas Que Nada; Sergio Mendez, The Black Eyed Peas: Mas Que Nada; Sharky Puppy: Shofukan; Richard Bona, Alfredo Rodriguez: Ay, Mama Inès; Stan Getz, Luiz Bonfa: Só Danço Samba.

Louis sits down with Laufey, Grammy-award winning Icelandic singer and songwriter. Laufey tells Louis about her stratospheric rise to fame on TikTok, partying with Bill Murray, and why everyone can benefit from being a bit bored. Brace yourself for major music geekery.   Warnings: Strong language and adult themes.     Links/Attachments:    Album: A Matter of Time, Laufey (2025)  https://open.spotify.com/album/5rMOCuiWWbEBcHaKM69Hmv     Whiplash (2014)  https://www.imdb.com/title/tt2582802/     “The Great American Songbook”  https://thesongbook.org/about/what-is-the-songbook/     Singing in the Rain (1952)   https://www.imdb.com/title/tt0045152/     An American in Paris (1951)  https://www.imdb.com/title/tt0043278/     On the Town (1949)   https://www.imdb.com/title/tt0041716/     Ziegfeld Follies (1945)  https://www.imdb.com/title/tt0039116/     The Sound of Music (1965)   https://www.imdb.com/title/tt0059742/     Mary Poppins (1964)   https://www.imdb.com/title/tt0058331/     Shirley Temple (1928 – 2014)   https://www.imdb.com/name/nm0000073/     Song: ‘One Note Samba', Antônio Carlos Jobim (1960)  https://open.spotify.com/track/1UJQJz6ZP0qKGU55fRDcyI?si=ef59b3251c18423d     Album: Getz/Gilberto, Stan Getz and João Gilberto (1964)  https://open.spotify.com/album/73ZRKdD3Ds43IjHrhKgucY?si=a1Fe3WkdS7eFZpoH9IYufA     Album: Chet Baker Sings: It Could Happen to You (1958)  https://open.spotify.com/album/5CNRrD9O1kCaBvN1RyHRdt?si=gK_1vEjQQAmSBs3RWeOAKw     Let's Get Lost (1988)  https://www.imdb.com/title/tt0095515/     Song: ‘From The Start', Laufey (2023)  https://open.spotify.com/track/43iIQbw5hx986dUEZbr3eN?si=4f08726cd6fc4307     Song: ‘It Could Happen to You', Chet Baker (1958)  https://open.spotify.com/track/5J8ahRMQ9Y1lRcuAhpP5Fy?si=b55e1844542c44fb     Song: ‘James', Laufey (2021)  https://open.spotify.com/track/2y1NtQ2ZfIq0zBUP3tOlbX?si=15ac3bbfa0c74cf7     Song: ‘Mr. Eclectic', Laufey (2025)   https://open.spotify.com/track/5n934Lu8pAsAHLc155qzck?si=f9ed9e496ee847d7     Song: ‘Goddess', Laufey (2024)   https://open.spotify.com/track/2SEeyc2KS9DIjiJPCYtfgJ?si=a740ddd0858249d6    Song: ‘Creep', Radiohead (1993)  https://open.spotify.com/track/70LcF31zb1H0PyJoS1Sx1r?si=ddeef2a9f1e34bdf     Song: ‘Letter To My 13 Year Old Self', Laufey (2023)  https://open.spotify.com/track/59Y1f3y8FuLjadWY9Bx2LC?si=2a76c204cb644895     Song: ‘How Soon Is Now?', The Smiths (1984)   https://open.spotify.com/track/1YrnDTqvcnUKxAIeXyaEmU?si=05763f85a40041c3     Album: Ella Fitzgerald Sings The Rodgers And Hart Song Book, Ella Fitzgerald (1956)  https://open.spotify.com/album/3DXgUbJhOxidQC3l0tegY9?si=_42fBZG1SZ2WrNwYoL88VA     Song: ‘Miss Otis Regrets', Ella Fitzgerald (1956)   https://open.spotify.com/track/5dvh4M2Lo0aEXp5D0IJGH1?si=fd41d6fba27748df     ‘Santa Baby', Laufey Music Video feat. Bill Murray   https://www.youtube.com/watch?v=6_SsGMeJIHk     Song: ‘Too Little, Too Late', Laufey (2025)   https://open.spotify.com/track/1qJnr4Bm7OAauklV18Vdah?si=6fc52bba5b5f48f5     Song: ‘Hallelujah', Leonard Cohen (1984)  https://open.spotify.com/track/6s1mt6e0n8G7jcNhcxXKzq?si=400cab129f6d4083    Ballet: Giselle, Royal Ballet & Opera (2026)   https://www.rbo.org.uk/tickets-and-events/giselle-marius-petipa-details     Book: ‘How to Be an Artist', Jerry Saltz (2020)  https://www.waterstones.com/book/how-to-be-an-artist/jerry-saltz/9781781577820     Credits:  Producer: Millie Chu   Assistant Producer: Maan al-Yasiri  Production Manager: Francesca Bassett   Music: Miguel D'Oliveira   Audio Mixer: Tom Guest  Video Mixer: Scott Edwards   Shownotes compiled by Elly Young  Executive Producer: Arron Fellows       A Mindhouse Studios Production for Spotify   www.mindhouse.co.uk  Open a Moneybox Cash ISA at https://moneybox.onelink.me/Cqlx/y3xncge Learn more about your ad choices. Visit podcastchoices.com/adchoices

O álbum Getz/Gilberto é hoje um dos discos mais importantes da história da música. Mas o que pouca gente sabe é que, por trás dessa sonoridade suave e elegante, existia tensão, conflito e um encontro cultural cheio de atritos.Neste episódio, a gente mergulha nos bastidores dessa gravação histórica que uniu o jazz americano com a bossa nova brasileira — e acabou mudando tudo.Você vai descobrir:✨ Como a bossa nova conquistou os Estados Unidos✨ O papel decisivo de Stan Getz nessa história✨ Os bastidores tensos entre João Gilberto e os músicos✨ A entrada inesperada de Astrud Gilberto✨ E como “Garota de Ipanema” virou um fenômeno mundialMais do que um disco… Getz/Gilberto é o som de dois mundos colidindo — e criando algo eterno.Dá o play e vem com a gente nessa viagem

  Pour cette apérophonie, nous allons parler du festival Ojo Loco avec Artemis et Mei en service civique au sein de l’association Fa Sol Latino qui organise le festival depuis 2013.   Sons :  Stan Getz – Desafinado Antonio Carlos... Continue Reading →

Participants: John Steppling, Cory Morningstar, Hiroyuki Hamada, and Dennis Riches. Topics covered: Contradictory retroactive justifications for war, migrant workers stranded in the Gulf States, Erika Kirk qualified for high-level public office? Western Asian states jostle for position in the coming post-empire order, Trump administration clown show, war motivated by eschatological motives, fog of war and a flood of fake A.I. generated videos of missile strikes, the war emergency being used as a new excuse for citizen lockdowns, etc... Music track: “Desafinado” by Stan Getz (public domain).

Hosted by Joe Piscopo, this radio broadcast of Sundays with Sinatra serves as a nostalgic tribute to the legendary singer's diverse musical catalog, specifically highlighting his 1971 album, Sinatra and Company. Piscopo explores the Bossa Nova movement, detailing how Sinatra pivoted his style to collaborate with Brazilian composer Antonio Carlos Jobim and create timeless tracks like "The Girl from Ipanema." Beyond the Latin influences, the program features a wide array of "esoteric" selections, including Sinatra's unique covers of John Denver folk songs and poignant arrangements by Don Costa from the Watertown project. The show functions as an interactive community space, blending listener requests and phone calls with historical anecdotes about musical giants like Nelson Riddle, Stan Getz, and Luciano Pavarotti. Learn more about your ad choices. Visit megaphone.fm/adchoices

STANDARSEMANAL.-Good Morning Heartache.-VINILOS MITICOS DEL JAZZ.Getz Au Go Go.--JAZZACTUALIDAD.-.ISAAC ROMAGOSA.-FAST FORWARD.- Getz Au Go Go es un álbum en vivo del saxofonista estadounidense Stan Getz y su cuarteto, con la participación dela cantante de bossa nova Astrud Gilberto . Se grabó durante dos conciertos en 1964 y se publicó en Verve el mismo año que V6-8600. Personal Stan Getz – saxofón tenor Astrud Gilberto – voz (1–3, 6, 8–9) Gary Burton – vibraciones Kenny Burrell – guitarra (1–3, 8) Gene Cherico (1–3, 5–8); Chuck Israels (4, 9-10) - bajo Helcio Milito (1–3, 8); Joe Hunt (4–7, 9–10) – batería DOBLE DE 180 GRAMOS • EDICIÓN DE LUJO PLEGABLE • Funda protectora de PVC de alta calidad Aunque el nombre Stan Getz (saxo tenor) fue inicialmente sinónimo de la escena cool de la Costa Oeste a mediados y fines de la década de 1950, también se convirtió en un componente clave en la locura de la Bossa Nova de principios de la década de 1960. Getz Au Go Go (1965) es Stan Getz en su mejor momento, grabado con quizás uno de los mejores cuartetos de su carrera, con la cantante de Bossa Nova Astrud Gilberto. El álbum se grabó en 1964 durante dos conciertos en el venerable Café Au Go Go, un local de Greenwich Village, dos meses después de que "Girl From Ipanema" de Astrud Gilberto se convirtiera en un sencillo del Top 5 del pop. Sin embargo, el enfoque de Getz Au Go Go se aleja del sabor brasileño, llevando a Gilberto a un estilo decididamente más norteamericano. La banda está formada por un joven Gary Burton (vibráfono), Kenny Burrell (guitarra), Gene Cherico (bajo) y Joe Hunt (batería). Hay algunas sustituciones, con Helcio Milito (batería) y Chuck Israels (bajo), respectivamente, completando el grupo. Getz Au Go Go es muy recomendable para todos los gustos del jazz. Segundo disco como solista del guitarrista y compositor del Penedès, afincado en Nueva York. Después de debutar con From Now On (autoeditado, 2022), y de desarrollar una carrera en la que ha tenido ocasión de hacer de sideman de figuras como Al Di Meola , Lumanyano Mzi y Ciara Moser , aquí desarrolla una sugerente simbiosis de jazz y elementos de las músicas de vanguardia del siglo XX. Contra lo esperado, el resultado es una música sorprendentemente cálida y frondosa, reforzada por la instrumentación acústica, y que puede conectar a la vez con la guitarrística metaniana y con trabajos de Ona Laietana como los que hicieron juntos Toti Soler y Jordi Sabatés , abrazando con libertad elementos clásicos, conociendo con libertad elementos clásicos. Para llevar a cabo esta aventura, Romagosa se acompaña de músicos de la escena barcelonesa ( Arnau Torné en el bajo, Vicent Marín en el piano, Martina Sabariego en el contrabajo, David Gimeno en la batería, Dylan Chandler en el saxo) y también de Boston ( Arman Wali en el piano). Las ocho piezas están llenas de giros sorprendentes, por ejemplo la fugaz “Rendezvous”, que ata el nylon y los teclados con imaginación, y “Synergies”, que crea un encantador clima lírico y sosegado.

Welcome to Season 05 Episode 5.12- the "Winter Be Gone" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: BA Van Sise/Children of Grass; Dan Lendzian/Ruthless! - The Musical; Vernon Huff/SUNY Fredonia Choral Festival Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Time Stamps (Approximate) BA Van Sise/Children of Grass - 1:21 Dan Lendzian/Ruthless - The Musical  20:50 Arts Calendar - 40:05 Vernon Huff/SUNY Choral Festival - 42:40 Artist Links BA Van Sise Dan Lendzian Vernon Huff Media Symphony No. 6 in F Major, Opus 68 (Pastorale), Ludwig von Beethoven, composer; performed by the Frankfort Symphony Orchestra, Ariane Matiakh, conductor, October 2021 "Born to Entertain", from the musical Ruthless! - The Musical; music by Marvin Laird and book and lyrics by Joel Paley, performed by Lindsay Ridgeway from the Los Angeles production, 1994. "Desafinado",  Antonio Carlos Jobim, composer; lyrics by Newton Mendonça; performed by the Stan Getz and Charlie Byrd Sextet from the album Jazz Samba; Verve Records, 1962 Wade in the Water, traditional African-American spiritual; arranged by Stacy V. Gibbs, performed by the Houston Chamber Choir, April 2023 When It's Springtime in the Rockies, music by Robert Sauer, lyrics by Mary Hale Woolsey, 1929; performed by The Sons of the Pioneers, from their album Sing Campfire Favorites, RCA Records 1967 Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website SUNY Fredonia School of Music Events WCVF Fredonia WRFA Jamestown The 1891 Run for the Opera House, April 2026 BECOME AN OPERA HOUSE MEMBER!    

El pasado 20 de Febrero este programa celebró 9 años de emisión. Este episodio, el 233, se lo dedicamos a la música de ascensor, un sonido que entra en nuestros oídos sin pedirlo: en el supermercado cuando cogemos el carro, en el banco mientras esperamos nuestro turno, en la sala de espera del médico, en la tienda de ropa y, por supuesto, en el ascensor. Y aunque parece que es una música para no ser escuchada conscientemente, sólo lo parece. Playlist: – Le Petit Bal (Take 1), Miles Davis; – Misty, Errol Garner; – The Girl from Ipanema (feat. Astrud Gilberto & Antônio Carlos Jobim), Stan Getz & João Gilberto; – My Funny Valentine, Chet Baker; – Moonlight in Vermont (feat. Stan Getz), The Johnny Smith Quintet; – Lush Life, Red Garland; – The Shadow of Your Smile, Tony Bennett; – Estate, João Gilberto; – Watch What Happens, Sérgio Mendes & Brasil '66; – Speak Low (Live At The London House), Sarah Vaughan; – Wave, Antônio Carlos Jobim; – Nature Boy, Nat "King" Cole; – Tenderly, Rosemary Clooney; – Água de Beber, Os Gatos; – Round Midnight; Oscar Peterson & Nelson Riddle; – Summer Samba (So Nice), Walter Wanderley; – I Get a Kick Out of You, Juan Garcia Esquivel; – Moon River Cha Cha, Henry Mancini.

El 13 de febrero de 1962, en un pequeño auditorio de la ciudad de Washington, el saxofonista Stan Getz y el guitarrista Charlie Byrd grabaron el disco 'Jazz samba', allanando el terreno a la bossa nova en Estados Unidos, con 'Desafinado', 'Samba dees days', 'O pato', 'Samba de uma nota só', 'É luxo só' o 'Samba triste'. Sesenta años después, el guitarrista Nate Najar hizo nuevas lecturas en quinteto de todos los cortes del disco de Getz y Byrd en 'Jazz samba pra sempre': 'Samba triste', 'Na baixa do sapateiro', 'Samba dees days', 'É luxo só' -cantada por Daniela Soledade-, 'Desafinado'.Escuchar audio

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Episode 19: Pete Christlieb is a legendary saxophonist whose powerful sound and fearless improvisation continue to shape both jazz and commercial music. He rose to international prominence as a longtime featured soloist with the Doc Severinsen–led Tonight Show Band, where his commanding tenor voice and electrifying presence became instantly recognizable. Christlieb's recording legacy includes some of the most iconic saxophone moments in popular music, including his lyrical solo on “Deacon Blues” by Steely Dan and his elegant playing on “Unforgettable” by Natalie Cole. Equally respected in the jazz world for his collaborations with Warne Marsh and Chet Baker, Christlieb continues to perform and inspire, embodying a rare blend of virtuosity, soul, and authenticity that resonates across generations.►about Pete Christlieb: https://petechristlieb.com/?utm_source=chatgpt.com►Key Moments:0:00 - Introductions1:47: Drag racing, Valley College (Los Angeles), First road gig with Si Zentner6:00: The art of playing dance music9:01: Gerry Mulligan, Chet Baker, Ray Brown…16:50: Las Vegas, Jerry Gray, Tex Beneke, Peggy Lee, Lou Levy26:00: Cannonball Adderley30:30: Louie Bellson, Woody Herman31:50: Tom Scott, Glenn Campbell Show, and Marty Paich…34:24: “Play horn, get check”41:20: Snooky Young, The Tonight Show…, and Steely Dan44:45: “Deacon's Blues”51:13: Warne Marsh collaboration1:00: Violin to saxophone…1:05:35: Saxophone sounds…Stan Getz, Sonny Rollins, Sonny Stitt…1:13:35: The pinnacle is the next gig, payola, and back to the Warne Marsh collaboration, back to Johnny Carson and The Tonight Show…1:26:00 New chapter of life in Washington1:28:00 Stravinsky, Schoenberg, Michael Brecker, and woodwind doubling…1:37:00 Closing graitude►Follow John Daversa Online:Instagram: https://www.instagram.com/johndaversa/Facebook: https://www.facebook.com/JohnDaversaMusic/YouTube:  https://www.youtube.com/johndaversamusicWebsite: http://www.johndaversa.com  ►CreditsHost and Producer: John DaversaVideo Capture: Yang YangAudio Capture: Yang YangVideo and Audio Editing: Izzi GuzmanGraphic Design: Izzi GuzmanRecorded in Coral Gables, FL, November 18, 2024Support the show►CreditsHost and Producer: John DaversaVideo: Max Nierlich Audio: Dudley MerriamAdditional Audio: Jake SondermanVideo and Audio Editing: Yang YangIzzi Guzman: Graphic DesignRecorded in Miami, FL►Music"The John Daversa Podcast""Moonlight Muse""Junk Wagon" All compositions composed and arranged by John DaversaDaversafications Publications (ASCAP)

【本节目由肯德基早餐特约赞助播出，感谢肯德基早餐，也欢迎大家在各大平台关注肯德基早餐的播客《一早肯聊|职场人的晨间灵感》节目】在爵士乐中，“双重奏”是一种非常有意思的演出形态。对于乐手来说，它是技术和默契的试金石；对于听众来说，它往往可以提供沉浸式的听觉盛宴。本期播客从“芝士双层牛肉帕尼尼”中得到灵感，向你推荐爵士乐中的五个经典又好听的双重奏，并为每一个双重奏都搭配了一款肯德基早餐爆款单品。音乐和美食有着共通之处，也希望通过这种方式，带给你从耳朵到舌尖的通感体验。其实除了音乐和美食，我们只需要用一点点心，就可以给自己的生活加层旋律。毕竟能把平凡日子过成“双重奏”的人，才是最会偷着乐的生活家。Timeline of the Show:[04:00] 爵士乐和肯德基的炸鸡都是美式复古文化的一部分[06:26] 双重奏推荐：Ella Fitzgerald & Louis Armstrong - 《Ella & Louis》[15:48] 双重奏推荐：Bill Evans & Jim Hall - 《Undercurrent》[23:03] 双重奏推荐：Michel Petrucciani & Lee Konitz - 《Toot Sweet》[30:18] 双重奏推荐：Stan Getz & Kenny Barron - 《People Time》[39:26] 双重奏推荐：Gerry Mulligan & Chet Baker - 《Line for Lyons》[46:49] 双重奏不仅仅是音乐和美食的概念，它同样可以运用到生活中【声明】本期关于爵士乐的解读，源自特约主播的个人体验，不代表本节目立场。肯德基限定新品，图片和节目中的描述仅作为参考，请以实物为准。

Se cumplen 50 años de la publicación del disco que la actriz y cantante Cybill Shepherd grabó con el saxofonista Stan Getz, 'Cybill getz better', con clásicos como 'This masquerade', 'I´m old fashioned', 'It never entered my mind' o 'Triste'. Canciones de Ivan Lins en el disco 'Choro das águas' de Ryan Keberle´s Collectiv do Brasil: 'Saindo de mim', 'Tens (Calmaria)'/'Long life', 'Rei do carnaval' y 'Sai de baixo'. Y las hermanas Caronni, Gianna y Laura, 'Oração ao tempo', de Caetano Veloso, 'Mambo time' y 'Volver'. Para la despedida, 'Sicily', en el homenaje del pianista Gonzalo Rubalcaba a Pino Daniele.Escuchar audio

Kyle and Dave are back at it after a 2-year hiatus! Attempting to avoid the frustrations of the current news cycle, they instead catch up on some new personal developments, including Dave's recent jazz obsession, and Kyle's reintroduction to booze and single life. Dave also recalls a recent encounter with an elderly homophobe and updates his classic chili recipe. New episodes every-other Wednesday. BOOGIE MONSTER JAZZ 1: Miles Davis - All Blues (Kind of Blue - 1959) 2: Stan Getz & Charlie Byrd - Desafinado (Jazz Samba - 1963) 3: Dexter Gordon - Tanya (One Flight Up - 1964) 4: The Dave Brubeck Quartet - Take Five (Time Out - 1959) 5: Cannonball Adderley - Autumn Leaves (Something Else - 1958) 6: John Coltrane - My Favorite Things (My Favorite Things - 1961) 7: Thelonious Monk - Straight, No Chaser (Straight, No Chaser - 1967) 8: Wayne Shorter - Speak No Evil (Speak No Evil - 1966) 9: Charles Mingus - Moanin' (Blues & Roots - 1959) 10: Sonny Rollins - Old Devil Moon (Live @ Village Vanguard - 1958) 11: Herbie Hancock - Mimosa (Inventions & Dimensions - 1964) 12: Big John Patton - The Way I Feel (The Way I Feel - 1964) 13: John Coltrane - Olé (Olé - 1961) 14: Sun Ra - That's How I Feel (Lanquidity - 1978) 15: Miles Davis - Pharaoh's Dance (Bitches Brew - 1970) Learn more about your ad choices. Visit megaphone.fm/adchoices

En Estados Unidos, a principios de los años 60, músicos de jazz se dejaron seducir por la bossa nova: Zoot Sims en los discos 'New beat bossa nova vol. 1 & 2' ('Recado bossa nova part 1', 'Recado bossa nova part 2', 'Ciúme', 'Maria ninguém'), Coleman Hawkins en su disco 'Desafinado' ('Desafinado', 'I remember you', 'One note samba'), Quincy Jones en 'Big Band bossa nova' ('Soul bossa nova', 'Lalo bossa nova', 'Chega de saudade'), Dave Brubeck en 'Bossa nova USA' ('Bossa nova USA', 'Vento fresco') y Stan Getz & Charlie Byrd en 'Jazz samba' ('Samba dees days', Samba triste'). Escuchar audio

durée : 00:59:29 - Banzzaï du jeudi 18 décembre 2025 : Sur la route - rediffusion - par : Nathalie Piolé -

Bruset är rap. Sedann finns det hiphop, men det måste man leta efter. Det säger Houman Sebghati, för hiphopskallar känd från Hässelbys 165-kollektiv och för egna epos som till exempel Reptilernas Planet, Alkemisten och Skuldsaneringen. Ganska nyligen släpptes hans bok På gränsen till ärlighet som är delvis roman, delvis självbiografi och bitvis debattfackla. På plats i DJ 50 Spänn-studion langar Houman fram en skivhög som tar oss från tung New York-hiphop av så-här-ska-det-fan-låta-typ, via pinsam svensk wuöh-öh-öh-pop, vidare till Lill Lindfors-svänget till göteborgsk raggamuffin i toppform och till slut vemodig svensk-amerikansk jazz som på nåt sätt klistrar ihop tidseror och avlägsna platser. I avsnittet försöker vi svara på många frågor, bland annat dessa: • Vad var det som fick 165-kollektivet i Hässelby att börja rappa på svenska? • När började svensk musik svänga? • Hur mycket tid lägger Drake på att trimma sitt skägg? • Är gangsterrappen feminiserad? • Hur skön är Hector Bingerts saxofon? • Vad lyssnar man på när man tröttnat på hiphop? • Vilken låt av Style lyssnar vi helst på? • Varför läser män inte böcker? PS: Om du vill köpa Houmans bok På gränsen till ärlighet så finns den i vanliga bokhandlar, till exempel här. Men du kan också följa Houmans instagram, dra ett DM och köpa både bok och skivor direkt från kreatören själv. Houman Sebghatis skivor Buckshot, 5FT., Evil Dee – War Zone [12″, 1999] Style – Heaven No. 7 [LP, 1986]Låt: Heaven No. 7 Lill Lindfors – Du är det varmaste jag har [LP, 1978]Låt: Musik ska byggas utav glädje Papa Dee – Ain’t No Stoppin’ Us Now [12″, 1990] Diverse artister – Dear Old Stockholm – Americans In Sweden 1949-1953 Vol. 1 [2xLP, 1974]Låt: Stan Getz with The Swedish All-Stars – Dear Old Stockholm Bonus Beats: Houman & Magro – Tankarnas gränder [LP, 1998/2025]Låt: Talen viner STÖD DJ 50 SPÄNN Om du gillar vad du hör och om du vill höra mer från DJ50:- i framtiden så finns det ett sätt: bli månadsgivare via Patreon. Pengarna går till musiklicenser, hyra, elräkningar, serverkonstnader och annat nödvändigt. Stort tack till er som supportar – ni är jordens salt och gör en insats för mångfalden i det svenska poddträsket! TILL PATREON-SIDAN Relaterade avsnitt https://dj50spann.se/147-marimba-roney/ https://dj50spann.se/67-kenneth-seremet-aka-kenny-black/ https://dj50spann.se/146-gatuslang/ Så här lyssnar och prenumererar du på DJ 50 Spänn: DJ 50 Spänn hittar du i de flesta podd-appar för smartphone, surfplatta och dator. Sök bara efter ”DJ 50 Spänn” i poddappens sökfält. Glöm inte att prenumerera. Om det inte funkar, är detta RSS-feeden som gäller: https://dj50spann.se/feed/podcast/. Du kan förstås också lyssna här på hemsidan. OBS! DJ 50 Spänn finns sedan en tid tillbaka inte längre på Spotify. Använd en klassisk poddspelare istället. Du vet, en sådan som fanns långt innan det stora streamingbolaget började exploatera podcastvärlden. Följ DJ 50 Spänn på sociala medier, yeah? Jag finns på Instagram, Facebook och Bluesky. Utöver facebooksidan finns även följande facebookgrupper under DJ 50 Spänns paraply. Ansök om medlemskap redan idag. Tiokronorsvinyl DJ 50 SPÄNN – THE GROUP Försvenskat också! Streamingjättens Utmarker Den Inre Jukeboxen The Hans Edler Universe DJ50:– på Radio Viking 101,4 Varje lördag mellan klockan 11 och 12 sänder DJ 50 Spänn (AKA Tommie Jönsson) en musikmix med oborstad vinyl på Radio Viking som hörs över Ekerö och delar av Stockholmsområdet på frekvensen 101,4 MHz. Programmet går också att livelyssna på via radioviking.se eller valfri app för nätradio (Radio Garden Live rekommenderas, men det finns många andra). DJ 50 Spänn är en podd om musik på billig vinyl. I varje avsnitt får en musikintresserad gäst köpa begagnade skivor för en femtiolapp. Sedan pratar vi om det som musiken styr oss in på. Programledare, producent och ljuddesigner: Tommie Jönsson, radioproducent. Kolla gärna in mina radiodokumentärer Jakten på Fiskargubben (om hemligheten bakom den berömda kitschtavlan) och Rederietstjärnans dolda passion (om skådespelaren Gaby Stenbergs sköna insektsmusik). Webbguru för DJ50:- är Gunnar Lindberg Årneby. Kontakt: hej[at]dj50spann.se

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Radio Jazznoend, dedica su nuevo programa a la cantante brasileña Astrud Gilberto que nos dejó en el año 2023. Su imprevista intervención en el álbum de 1964, Getz/Gilberto, cantando la versión inglesa de los temas The Girl from Ipanema y Corcovado, junto a su esposo João Gilberto, el saxofonista Stan Getz y el compositor Antonio Carlos Jobim, la transformaron, de la noche a la mañana, en una artista profesional y erigiéndose, para el mundo entero, en la voz femenina de la bossa nova. Astrud Gilberto una hermosa e ingenua joven de 22 años, un ama de casa, como la denominaría Stan Getz, pasó en un instante del total anonimato, a encarnar en el imaginario colectivo el sueño idealizado de un país de sol, de playas desiertas y de hermosas melodías a la luz de la luna. La bossa nova hacía soñar a medio mundo y nadie quería abandonar aquel paraíso imaginado. De su rostro triste, de su voz frágil y susurrante, emanaba una sutil e irresistible sensualidad que cautivó a millones de oyentes en todo el orbe. Los discos grabados para Verve en la segunda mitad de los sesenta del pasado siglo, dan testimonio de la era dorada de su carrera. Con la llegada de los setenta, se produce un progresivo declive de su popularidad y de su actividad discográfica, paralelo a la propia decadencia del movimiento de la bossa nova con que había alcanzado el estrellato, aún cuando continuaría activa en los escenarios y clubes hasta su retirada definitiva en el año 2002. Su fama y su éxito le permitieron grabar al lado de algunos de los más grandes de la música pop y del jazz de la segunda mitad del siglo XX. Figuras tales como los arreglistas Claus Ogerman o Gil Evans, el compositor Antonio Carlos Jobim o el trompetista Chet Baker. Sin embargo, su carácter reservado y su timidez, mantuvieron ocultos al público, los pormenores de su vida privada. Nuestro nuevo programa será un viaje a través del agridulce camino de Astrud Gilberto por el mundo de la música en esa difícil convivencia entre su afán de intimidad y anonimato con el éxito y la popularidad que la consagraron como la verdadera Garota de Ipanema.

Barchem Bigband – Magnifying glass – 8:22 Jimmy Haslip – Little Star – 4:49 Incognito – Roots (Back To A Way Of Life) – 5:42 Sonny Emory’s Cachet – ザ・ハーヴェスト・イズ・ニアー – 4:24 Jeff Lorber Fusion – Vienna – 5:56 Shapes – Night Bloom (Reprise Featuring Russell Ferrante) – 5:01 Stan Getz – Insensatez – 3:22 […]

El pianista Júlio Resende sigue explorando las posibilidades del fado en el disco que ha grabado a dúo con Bruno Chaveiro, 'Piano português namora guitarra portuguesa', con fados que cantaba Amália Rodrigues como 'Rua do capelão', 'Noite de Santo António', 'Amor de mel, amor de fel o 'Estranha forma de vida' además de 'Carolina' una antigua canción de Chico Buarque. De Portugal también el primer disco de la hija de Rodrigo Leão, Sofia, titulado 'Mar' que contiene composiciones propias como 'Pedra' o 'Valsa'. De un concierto que el saxofonista Stan Getz ofreció en el Teatro San Martín de Buenos Aires, en septiembre de 1980, inédito hasta ahora en disco, 'Wave' y 'Desafinado' de Jobim. Y un adelanto de 'Edge of blue' ('First rays', 'The lonely city'), disco con el que el dúo Da Lata celebra 25 años de la edición de su primer disco. Despide Nelson Ângelo con 'The red blouse'. Escuchar audio

durée : 00:59:56 - Underground - par : Nathalie Piolé - ⛏ Quelles notes se cachent sous la terre ? Creusons ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Music includes: Now's The Time by Charlie Parker, Body and Soul by Coleman Hawkins, East of the Sun by Lester Young, My Old Flame by Stan Getz, Cotton Tail by Ben Webster and Warm Valley by Johnny Hodges.

Larry Grenadier joins Pablo Held to talk about composing, comping, and working on clarity and technique on the bass. Other topics include memorizing songs, playing in different keys, and his experiences with Joe Henderson, Stan Getz, John Scofield, Brad Mehldau, Larry Goldings, Paul Motian, Masabumi Kikuchi, Billy Higgins, Guillermo Klein, Steve Swallow and Jack DeJohnette. … Continue reading Larry Grenadier

"The Very Day" If you're wondering if the Connecticut-born Grammyt Award winning keyboardist and composer grew up with music in the house, the answer is yes--his father Joe Porcaro was a renowned jazz drummer who played with everyone from Sinatra to Stan Getz to Madonna. He also played on hundreds of film and television scores including The Wild Bunch, I Dream Of Jeannie and Edward Scissorhands. He also founded the Percussion Institute of Technology and later the drum department at the Los Angeles Music Academy (https://en.wikipedia.org/wiki/Los_Angeles_College_of_Music). So, yeah music was the lifesblood of the Porcaro household and at very young ages, Steve and his brothers Mike and Jeff went into the family business. How early of an age you might be wondering? Well, at 17 when most of us were finishing our last year of high school and thinking about who and who wouldn't go with us to the prom, Steve was playing with Gary Wright's band on his 1976 Dream Weaver tour. A year later while most of us were fumbling our way through our first year of college, Steve and his brothers were in Boz Scaggs's band. In 1978 Steve and his brother Jeff along with a few other session playing pals formed their own band called Toto. How'd that work out? Well, 50 million albums later, I'd say it worked out very well, thank you. From "Hold The Line" to "Rosanna" to "Africa" Toto had a procession of hits, became one of the biggest bands on the planet and went on to compose the music for David Lynch's Dune. Steve left the fold in 1987 and went on to compose and score for countless film and television projects, including From Dusk Til Dawn 2, Eddie Murphy's Metro and he did all the original music for Justified. This is just a partial list, by the way--he also wrote the song "Human Nature" which Michael Jackson recorded on his Thriller album, the beginning of several compositions he wrote for Jackson to record. Considered one of the pioneers of analog synths, Porcaro's inventive loops appeared on works by everyone from Elton John to Don Henley. When it comes to artists he's collaborated with, here's a list that's going to knock you out: Hall and Oates, Earth Wind and Fire, Sheena Easton, Diana Ross, Warren Zevon, Jefferson Airplane, Yes, and Michael McDonald. Also a partial list. And speaking of Yes, Porcaro was good friends with Yes's Chris Squire and played in his band The Chris Squire Experiment. Porcaro's second solo album The Very Day is one of 2025's real bright spots. Featuring guest appearances by Stan Lynch, Jude Cole, Michael McDonald, Gardner Cole and his Toto pal David Paich, The Very Day is a stirring song cycle of effortless pop melodies, rootsy grooves and insanely catchy hooks. It's pure magic. And this conversation felt the same. Steve's an open book and a lovely guy and I can't wait for you to meet him, www.steveporcaromusic.com www.stereoembersmagazine.com (http://www.stereo) www.bombshellradio.com (http://www.bombshellradio.com) www.alexgreenbooks.com IG + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com)

durée : 01:00:07 - Scène de ménage - par : Nathalie Piolé - ❤️‍

Participants: John Steppling, Jennifer Matsui, Hiroyuki Hamada, and Dennis Riches. Topics covered: Trump's speech at the UN, US prepares to do something to Venezuela, Christopher Hitchens in 2007 mocking a recently dead televangelist, the curious rise and shining future of Erika Kirk, the history of Israeli blackmail, Colombia and Indonesia propose putting their soldiers' “boots on the ground” to defend Gaza, the long history of parties in liberal democracies smearing each other as communist. Music track: “Desafinado” by Stan Getz (public domain). See Aesthetic Resistance on Substack for the links related to this episode.

durée : 00:59:33 - Les colères - par : Nathalie Piolé -

Radio Clásica presenta su más amplia de Jazz, piezas inéditas, grabaciones íntimas de Europa.

Pioneros como Gal Costa y Caetano, Stan Getz, Gilberto o Jobim y continuadores de la MPB, la chanson, la canción melódica italiana o la latinoamericana.Coração Vagabundo — GAL COSTA,CAETANO VELOSO, DomingoCorcovado (Quiet Nights of Quiet Stars) — STAN GETZ, JOÃO GILBERTO, ASTRUD GILBERTO, ANTÔNIO CARLOS JOBIM, Getz/GilbertoRio — NAY PORTTELA, RioIo & Te — DAVIDE ESPOSITO, CARLA BRUNI, Io & TeMalemolencia — CÉU, CéuSains et saufs — ZAZ, Sains et saufsWhy Should I Smile — ROSEAUX, MELISSA LAVEAUX, Roseaux IIISaveur Solaire — GABRIELLA LIMA, LEO MIDDEA, Sabor SolaireFado Crioulo — NANCY VIEIRA, ANTÓNIO ZAMBUJO, GenteLa Pomena — GABI HARTMANN, La femme aux yeux de selCan We Pretend — BILL WITHERS, 'JustmentsBehind the Curtain — IBEYI, IbeyiDança da Solidao — LUIZ MURÁ, SolitudeUn Amor - Intro — MARIA RODÉS, SIMON SMITH, También Esto Pasará (BSO)Llegas tú — MUERDO, SinvergüenzaPourquoi tu vis — PINK MARTINI, Bella CiaoEscuchar audio

Six longer sets tonight: Benny Carter, Johnny Hodges, Charlie Parker, Charlie Shavers, and more, Funky Blues Thelonious Monk & Gerry Mulligan, 'Round Midnight (feat. Wilbur Ware & Shadow Wilson) Ben Webster & Teddy Wilson, Ben's Blues Duke Ellington and Johnny Hodges, Harry Edison trumpet, Basin Street Blues Miles Davis, Solea Bill Evans Trio featuring Stan Getz, The Two Lonely People

这期即兴访谈的嘉宾是脱口秀演员孙书恒和爵士乐萨克斯手李世海。用孙书恒的话说，李世海是他在 JZ School 最喜欢的老师，因为李老师的课特别”破“（哈哈哈）。在我看来李老师有两个特点：一个是 solo 特别精彩，一个是串场特别幽默。其实我们早就想凑一起聊一期，终于等到李老师暑假，书恒录节目的空挡。这期节目的大纲是孙书恒写的，本来是想聊爵士乐小白如何看起来像个老鸟。但是最后变成了一个爵士音乐家和一个脱口秀演员带着大家一起听好玩的爵士音乐。但我觉得这也不算跑题，因为如果你听过了这期节目里面的曲子，并且能够理解其中的恶趣味，你也就是个老鸟了。8 月 6 号，李世海会在上海 Bluenote 献上首张专辑《内在律动》八周年纪念演奏会。详见海报。Playlist of the Show[06:24] 爱河 - ZaZaZsu咂咂苏[09:08] @ - 王OK[11:01] Feeling Good - Michael Buble[13:48] Gone Fishin' - Mighty Mo Rodgers[14:19] The Thrill is Gone - B.B. King[14:34] Hummingbird - B.B. King[19:48] Jazz is for Ordinary People - Berlioz[22:31] Unfinished Tango SRP & 张乐[28:04] Peace Piece - Bill Evans[32:59] So What - Miles Davis[50:04] Lift off Mic Check - Robert Glasper[50:57] Kid - Aaron Parks[52:58] I Mean You - Thelonious Monk[53:41] I mean you - e.s.t. Esbjorn Svensson Trio[54:53] In a sentimental mood - Duke Ellington & John Coltrane[55:41] In a sentimental mood - Eric Marienthal[58:46] People time - Stan Getz & Kenny Barron[01:01:40] Giant Steps - John Coltrane[01:02:49] Giant Steps - Tommy Flanagan[01:06:52] People = Shit - Richard Cheese[01:07:53] People = Shit - Slipknot[01:08:47] Viva la vida - Richard Cheese[01:23:09] Jazz is for ordinary people - Berlioz

What does it take to release 200 digital singles in a single day and earn a Guinness World Record in the process? More importantly, what can that teach us about building a truly sustainable music career?In this episode, I sit down with The Orchestrator, a self-taught saxophonist whose approach to the music business is as methodical as it is inspiring. His philosophy centers on complete independence: owning your masters, understanding every revenue stream, and building passive income that allows you to create art without compromise.The Orchestrator shares his journey from learning Antonio Carlos Jobim classics to developing a bossa nova and jazz-focused catalog that generates sustainable income. But this isn't just about music. The Orchestrator highlights the importance of financial literacy, strategic thinking, and maintaining artistic integrity in an industry that often demands the opposite.Support ProducerHeadIf you value ProducerHead and want to support the show, consider a premium subscription (just $6 per month, even less on an annual basis). For less than a plug-in, you can directly support and grow the show while keeping the core content free for everyone.Three Game-Changing Takeaways1. Complete Ownership Creates FreedomOwning your masters, publishing, and trademarks isn't just about money—it's about maintaining the power to pivot and make decisions without outside interference. True artistic and financial independence starts with ownership.2. Diversify Your Revenue StreamsStreaming royalties from distributors represent only a fraction of what your music can earn. Register with PROs, SoundExchange, and Songtrust to collect all available royalties and build sustainable passive income.3. Financial Stability Enables Better ArtWhen your bills are covered by passive income, you can focus on creating art for art's sake rather than compromising your vision for short-term financial gains.Support ProducerHeadIf you value ProducerHead and want to support the show, consider a premium subscription (just $6 per month, even less on an annual basis). For less than a plug-in, you can directly support and grow the show while keeping the core content free for everyone.What We CoverThe Craft:* His daily saxophone practice routine and self-taught approach* Learning classic tunes and developing unique variations* The influence of Stan Getz and Antonio Carlos Jobim on his soundThe Business:* Complete breakdown of music royalty percentages and splits beyond streaming* Why he chose long-term passive income over performance-based career paths* The importance of trademarking your business and catalog ownershipThe Strategy:* Grassroots promotion and direct fan engagement through social media* Leveraging streaming data and algorithms for strategic marketing* The story behind his Guinness World Record and what it taught him about differentiationThe Philosophy:* Building financial independence to maintain artistic integrity* Investing in businesses that align with personal values* Working smart vs. working hard in music promotionEssential Resources MentionedMust-Read Books:* "All You Need to Know About the Music Business" by Donald Passman* "The Plain and Simple Guide to Music Publishing" by Randall D. WixsonAlbums That Shaped His Sound:* "A Love Supreme" by John Coltrane* "Getz/Gilberto" by Stan Getz and João Gilberto* "The Chronic" by Dr. DreRevenue Collection Services:* SoundExchange (international performance royalties)* Songtrust (publishing royalties)* ASCAP (performing rights organization)* BMI (performing rights organization)* Sticker Mule (promotional stickers for fan engagement)Chapter Timestamps* 0:00 - Intro and music business disclaimer* 2:24 - Saxophone practice routine deep dive* 4:44 - Learning Jobim and the Stan Getz influence* 11:57 - Music ownership philosophy and trademark importance* 16:33 - Choosing passive income over performance careers* 19:26 - Complete breakdown of music royalty splits* 25:18 - Grassroots promotion and social media strategies* 35:53 - Building sustainable income through streaming diversification* 45:58 - The Guinness World Record strategy* 52:46 - Building financial freedom with integrity (2000 days sober)* 1:00:02 - The story behind releasing 200 songs in one day* 1:04:50 - Self-taught saxophone journey* 1:12:36 - Breaking free from corporate control and honoring Black culture in electronic musicConnect with The Orchestrator* Website: theorchestratormusic.com* Instagram: @theorchestratormusic* Listen on: Spotify* Listen on: Apple MusicSupport ProducerHeadIf you value ProducerHead and want to support the show, consider a premium subscription (just $6 per month, even less on an annual basis). For less than a plug-in, you can directly support and grow the show while keeping the core content free for everyone.A Final ThoughtThe Orchestrator's approach challenges the conventional wisdom that musicians must choose between artistic integrity and financial success. His story proves that with the right knowledge, strategic thinking, and commitment to ownership, you can build a career that serves both your creative vision and your financial goals.The question isn't whether you can afford to own your masters—it's whether you can afford not to.What resonated most with you from this conversation? Share it with the community.This episode was co-produced, engineered and edited by Matthew Diaz. From ProducerHead, this is Toru, and in a way, so are you. Peace. Get full access to ProducerHead at producerhead.substack.com/subscribe

这期节目中，我们邀请了高老师，和大家一起分享日本作家村上春树的短篇小说作品，当然说起村上，他的长篇小说作品自然也是绕不开的，包括他包罗万象的兴趣爱好和文艺品味，这期节目中我们主要聊到了他的两部短篇小说集《神的孩子全跳舞》以及《列克星敦的幽灵》。BGM：The Girl From Ipanema by Stan Getz木枯しに抱かれて by 小泉今日子Night Fever by Bee Gees

Helen and Gavin chat about Titan: The OceanGate Submersible Disaster, Becoming Led Zeppelin, Materialists, and The Life of Chuck, and it's Week 7 of the list of Grammy Record of the Year Winners from 1965, which will be picked from Hello, Dolly by Louis Armstrong, I Want to Hold Your Hand by The Beatles, Downtown by Petula Clark, The Girl from Ipanema by Stan Getz and Astrud Gilberto, and People by Barbra Streisand.

Helen and Gavin chat about Mountainhead, Bring Her Back, Karate Kid: Legends (just a little), and Jane Austen Wrecked My Life and it's Week 5 of the list of Grammy Record of the Year Winners from 1963, which will be picked from I Left My Heart in San Francisco by Tony Bennett, I Can't Stop Loving You by Ray Charles, What Kind of Fool Am I by Sammy Davis Jr, Fly Me to the Moon Bossa Nova by Joe Harnell and His Orchestra, and Desfinado by Stan Getz and Charlie Byrd.

El saxofonista Stan Getz nos dejó el 6 de junio de 1991. Le recordamos con grabaciones de 'Moonlight in Vermont', 'Corcovado', 'I´m glad there is you', 'But beautiful', 'Here´s that rainy day', 'Little girl blue', 'The look of love', 'Sometime ago', 'Jive hoot', 'La fiesta', 'Waltz for Stan' y 'Cobra'.Escuchar audio

Coming up tonight: Erroll Garner, Stan Getz with Gerry Mulligan Charlie Shavers & Coleman Hawkins Art Blakey Oscar Peterson Stuff Smith, Dizzy Gillespie & Oscar Peterson Vince Guaraldi Trio Illinois Jacquet Eddie Harris Claude Bolling & Alexandre Lagoya Chuck Mangione

The jazz standard "All The Things You Are" has been performed countless times by master jazz vocalists, 30s big bands, bebop small groups, hard-bop combos, modern deconstructionists, and even soon-to-be Kings of Pop. On this episode, Kirk takes listeners through the history of the now-famous tune, from its humble Broadway origins all the way to his recording studio in Portland, where he and some friends recorded an all-new arrangement just for Strong Songs.Music/Lyrics: Jerome Kern & Oscar Hammerstein IIVersions Featured:Broadway Original Cast Recording of "Very Warm for May," - 1939Tommy Dorsey and His Orchestra, feat. Jack Leonard, 1939Artie Shaw w/ Hellen Forrest, 1939Dizzy Gillespie w/ Charlie Parker, 1945Johnny Griffin w/ Hank Mobley, John Coltrane, Lee Morgan, Wynton Kelly, Paul Chambers, Art Blakey on A Blowing Session, 1957Ella Fitzgerald from Sings the Jerome Kern Songbook, 1963Michael Jackson, 1973Sonny Rollins w/ Coleman Hawkins from Sonny Meets Hawk!, 1963Bill Evans w/ Chuck Israels, bass, and Larry Bunker, drums at Shelly's Mane-Hole, 1963Keith Jarrett Trio, from Standards, Vol.1, 1983Brad Mehldau Trio, from Art of the Trio 4, 1999Jim Hall & Pat Metheney, 1999Strong Songs Version Featuring:Kirk Hamilton, tenor saxAndrew Oliver, keyboardScott Pemberton, guitarSam Howard, bassTyson Stubelek, drumsThe "All The Things You Are" Playlist:Spotify | Apple | YouTube MusicALSO REFERENCED/DISCUSSED:The Jazz Standards: A Guide To The Repertoire by Ted Gioia, 2012The terrific 99% Invisible episode about The Real Book“Autumn Leaves” by Joseph Kosma as recorded by Cannonball Adderley and Miles Davis on Somethin' Else, 1958“Pennies From Heaven” by Johnston and Burke, recorded by Stan Getz with the Oscar Peterson Trio, 1957“Bye Bye Blackbird” by Henderson/Dixon, recorded by Miles Davis on ‘Round About Midnight, 1957“All Of Me” by Marks and Simons, played by Charlie Parker, Lennie Tristano and Kenny Clarke, 1951“I Got Rhythm” by George Gershwin, recorded by Sonny Stitt on The Hard Swing, 1961Rachmaninoff: Prelude in C-Sharp Minor,  performed by Jason Minnis, 2011“Goodbye Yellow Brick Road” by Elton John, 1973“Bird of Paradise,” recorded by Charlie Parker w/ Howard McGhee, Tpt. on The Complete Dial Recordings, Feb 1947“Prince Albert” recorded by Art Blakey's Jazz Messengers (Mobley, Dorham, Watkins, Silver) live at Cafe Bohemia, 1955“Poinciana” by Simon/Bernier recorded by Amhad Jamal Live At The Pershing, 1958----LINKS-----

Chappaqua Stan Getz Jazz en Buenos Aires Everything Happens to Me Jimmy Raney, Jim Hall Two of a KindOwl Song 2 (con Bill Frisell & Herlin Riley) Ambrose Akinmusire Owl SongLove in the Garden Joe Lovano, Marcin Wasilewski Trio Love in the GardenMagical Distance Kamasi Washington LazarusStreet Singer Tina Brooks American Jazz SaxHullo Bolinas Chano Domínguez Con AlmaEleanor Rigby Caetano Veloso Qualquer CoisaEscuchar audio

The drummer and percussionist Billy Martin, whose name many Time Sensitive listeners may recognize—he created the Time Sensitive theme song—defies any boxed-in or limiting definitions of his work. Best known as a member of the band Medeski Martin & Wood (MMW), he's spent the past three-plus decades making experimental, boundary-pushing, and uncategorizable instrumental jazz-funk-groove music, shaping sounds that feel as expansive as they are definitive and distinctive. Across all his artistic output, Martin continually, meditatively searches for harmony. He is also a composer, a teacher, a visual artist, and a builder and craftsman. His expansive creative practice comes most alive at his home in Englewood, New Jersey, where he has cultivated a bamboo garden, crafted his own Japanese-style teahouse, and constructed a music studio. Martin is someone for whom rhythm is not just something heard, but also seen and felt.On the episode, he talks about his MMW journey at length, his concept of “rhythmic harmony,” and why he views sound creation as a sacred act.Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.Show notes:Billy Martin[7:31] Medeski Martin & Wood[7:31] John Medeski[7:31] Chris Wood[7:31] “Not Not Jazz” (2024)[10:12] Iggy Pop's “Avenue B” (1999)[10:12] Don Was[11:27] “The Lover” (1995)[11:27] “Friday Afternoon in the Universe” (1995)[11:27] “Old Angel Midnight” (1973) by Jack Kerouac[13:44] Ra-Kalam Bob Moses[13:44] John Scofield[13:44] David Baker[15:57] “Shuck It Up” (1993)[15:57] “It's a Jungle in Here” (1993)[18:12] “Latin Shuffle” (1998)[18:12] “Combustication” (1998)[18:12] Frankie Malabe[18:12] Art Blakey[33:25] Thelonious Monk[33:58] “Life on Drums” (2011)[38:32] John Bonham[38:32] Charlie Watts[38:32] Stewart Copeland[38:32] Elvin Jones[38:32] Max Roach[38:32] Danny Richmond[38:32] Charles Mingus[38:32] Jack DeJohnette[38:32] Joe Morello[38:32] Roy Haynes[38:32] Stan Getz[38:32] Airto Moreira[38:32] Naná Vasconcelos[38:32] Babatunde Olatunji[39:58] Gus Johnson[39:58] “Whatever Happened to Gus” (1998)[39:58] Steve Cannon[40:54] “Chubb Sub” (1995)[40:54] ”Uncle Chubb” (1992)[46:41] “Shack-man” (1996)[47:06] “Drumming Birds” (2004)[54:48] “Bamboo Rainsticks” (1999)[54:48] Amulet Records[1:00:23] Creative Music Studio