Podcasts about Appearance

Lets talk Monday Night Raw from August 31st, 2026:Royce Keys & OTM brutally attacked The Usos backstage to open the show; Jacob Fatu chased them off and later demanded a fight.Raquel Rodriguez retained the Women's Intercontinental Championship over Sol Ruca after Lyra Valkyria interfered.Dragon Lee defeated Ethan Page to become the No. 1 contender for Chad Gable's Intercontinental Championship.Roman Reigns and LA Knight had a heated confrontation, but things shifted when Solo Sikoa was found laid out backstage.Dominik Mysterio vs. Je'Von Evans ended in a DQ after JD McDonagh interfered.Joe Hendry made the save, leading to a tag match where Dominik & JD defeated Hendry & Evans.Becky Lynch and Stephanie Vaquer had another tense exchange over the Women's World Championship picture.Paul Heyman hyped Bron Breakker vs. Oba Femi, calling the upcoming fight unpredictable.Penta defeated Rey Fenix in an excellent tournament final to earn a World Heavyweight Championship match against Roman Reigns.Roman confronted Penta after the match, closing Raw with their title match officially looming.WWE also announced Money in the Bank qualifying matches begin next week.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-wwe-podcast--2187791/support.

Insurance is getting more expensive and more sophisticated, as climate change, extreme weather and rising costs reshape how insurers price risk. Tower CEO Paul Johnstone explains why the price of risk in New Zealand has materially changed over the past 15 years, and how Tower is using up to a billion data points to price individual properties based on their exposure to hazards like floods, earthquakes, landslides and sea surge. He also discusses what rising weather-related losses mean for the insurance industry — and why he still believes insurance is a good business to be in. Plus, how Tower is using AI to streamline claims and customer service, why its technology has already saved a million minutes of call time, and how the business is balancing lower premiums with growth and profitability. For more places to follow Shared Lunch—check out http://linktr.ee/sharedlunch Shared Lunch is brought to you by Sharesies Australia Limited (ABN 94 648 811 830; AFSL 529893) in Australia and Sharesies Limited (NZ) in New Zealand. It is not financial advice. Information provided is general only and current at the time it’s provided, and does not take into account your objectives, financial situation and needs. We do not provide recommendations and you should always read the disclosure documents available from the product issuer before making a financial decision. Our disclosure documents and terms and conditions—including a Target Market Determination and IDPS Guide for Sharesies Australian customers—can be found on our relevant Australian or NZ website. Investing involves risk. You might lose the money you start with. If you require financial advice, you should consider speaking with a qualified financial advisor. Past performance is not a guarantee of future performance. Appearance on Shared Lunch is not an endorsement by Sharesies of the views of the presenters, guests, or the entities they represent. Their views are their own.See omnystudio.com/listener for privacy information.

For the first time ever we take a deep dive into a historic milestone in the history of Marvel Comics, the first appearance of Wolverine in 1974! We explore the huge power and influence of Wolverine as a multi-media character, his huge popularity from the movies to TV shows, from video games, toys and merchandise, to his comic book sales! Then we'll take you through the controversial history of WHO CREATED WOLVERINE! We'll not only pin down exactly WHO created WHAT aspects of Logan, but we'll dig up the hidden history, the original sketches, the stolen ideas, the lawsuits, the money at stake, and what caused a grieving widow to say “seeing his name as co-creator makes me sick to my stomach!” And then, instead of taking a deep dive into a movie or TV show, we take a deep dive into a comic book! We'll explore Wolverine's earliest appearances in the pages of The Incredible Hulk in 1974! The costume and the claws, the powers and the personality - we'll examine just how much of the Wolverine WE KNOW is there at the very beginning! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

For the first time ever we take a deep dive into a historic milestone in the history of Marvel Comics, the first appearance of Wolverine in 1974! We explore the huge power and influence of Wolverine as a multi-media character, his huge popularity from the movies to TV shows, from video games, toys and merchandise, to his comic book sales! Then we'll take you through the controversial history of WHO CREATED WOLVERINE! We'll not only pin down exactly WHO created WHAT aspects of Logan, but we'll dig up the hidden history, the original sketches, the stolen ideas, the lawsuits, the money at stake, and what caused a grieving widow to say “seeing his name as co-creator makes me sick to my stomach!” And then, instead of taking a deep dive into a movie or TV show, we take a deep dive into a comic book! We'll explore Wolverine's earliest appearances in the pages of The Incredible Hulk in 1974! The costume and the claws, the powers and the personality - we'll examine just how much of the Wolverine WE KNOW is there at the very beginning! For awesome bonus episodes visit https://www.patreon.com/marvelversusmarvel marvelversusmarvel@gmail.com https://www.instagram.com/marvelversusmarvel https://twitter.com/marvelversus https://twitter.com/robhalden https://robhalden.com https://will-preston.co.uk

With this episode, we are kicking off a student series, highlighting the journey from the classroom to the clinic. On this episode, we are joined by Jaime Bergner, an occupational therapist and Certified Hand Therapist who splits her time between academia and the clinic. Jamie shares with us the academic expectations for students and how they are prepared in the classroom to be successful in the clinic. She gives clinicians helpful tips on how to challenge our students to think critically when approaching patients with upper extremity conditions and support the development of their clinical skills.Guest bio: Jamie Bergner is the Doctoral Capstone Coordinator and a Full Professor in the Occupational Therapy Department at Cox College, as well as an occupational therapist of over 25 years, a certified hand therapist, and a certified orthopedic manual therapist at Vanderbilt University Medical Center. She earned her post-professional Doctor of Occupational Therapy degree with an education emphasis from Rocky Mountain University of Health Professions. Dr. Bergner is passionate about preparing the next generation of occupational therapists through mentorship, fieldwork, and doctoral capstone education. She is the creator of the Bergner R.A.P.I.D.–M.A.P., a mentorship and advising framework designed to support student success through social-emotional learning and reflective practice. She is also a strong advocate for clinician-led research and evidence-informed practice, reflected in peer-reviewed publications, consulting, teaching continuing education courses, and course development with MedBridge. Active in professional service, Dr. Bergner volunteers with NBCOT, serves as a peer reviewer for the Journal of Hand Therapy, the Journal of Manual & Manipulative Therapy, the American Hand Therapy Foundation Grants Division, and contributes to the American Society of Hand Therapists through its Research and Outreach Divisions.-The views and opinions expressed in the Hands in Motion podcast are those of the guests and do not necessarily reflect the official policy or position of ASHT. Appearance on the podcast does not imply endorsement of any products, services or viewpoints discussed.

Is New Zealand too conservative with how we reward our top executives, and could that be hurting our public markets? In this clip from Shared Lunch, Gentrack CEO Gary Miles responds to his headline-making position as the NZX’s highest-paid CEO, and tackles the bigger question of executive pay in New Zealand. Could too much scrutiny of remuneration make it harder for public companies to attract top talent? And is there a risk it pushes more businesses into private ownership? This clip is a bonus from our previous episode ‘Gentrack chases global power’ For more places to follow Shared Lunch—check out http://linktr.ee/sharedlunch Shared Lunch is brought to you by Sharesies Australia Limited (ABN 94 648 811 830; AFSL 529893) in Australia and Sharesies Limited (NZ) in New Zealand. It is not financial advice. Information provided is general only and current at the time it’s provided, and does not take into account your objectives, financial situation and needs. We do not provide recommendations and you should always read the disclosure documents available from the product issuer before making a financial decision. Our disclosure documents and terms and conditions—including a Target Market Determination and IDPS Guide for Sharesies Australian customers—can be found on our relevant Australian or NZ website. Investing involves risk. You might lose the money you start with. If you require financial advice, you should consider speaking with a qualified financial advisor. Past performance is not a guarantee of future performance. Appearance on Shared Lunch is not an endorsement by Sharesies of the views of the presenters, guests, or the entities they represent. Their views are their own.See omnystudio.com/listener for privacy information.

Defense Attorney Joe Tacopina joins Sid for his weekly Friday morning appearance on Sid & Friends in the Morning.

Hour 3 of Baskin and Phelps with Dan Menningen and Spencer German filling in for Andy and Jeff.

Dari's appearance on The TIDE

(August 25, 2026 - Hour Two)9:14pm - Segment 1: Bob Trudnak – BBQ Brawl Champion & International Live-FireWinning the Brawl: Bob shares his experience competing on and winning Food Network's hit series BBQ Brawl.From Ohio to Japan: Exploring the culture, flavors, and insights gained during Bob's recent trip to Japan.Bobby T's Product Roadmap: What's next for the flavor profile lineup and retail distribution as 2026 winds down.9:35pm - Segment 2: Darren Warth – The Winningest Team in History & Restaurant EconomicsThe Competitive Standard: Inside the legendary run of Iowa's Smokey D's BBQ and their continued presence on the elite competition trail.Behind the Mic: Darren discusses his entry into the podcast space and sharing his decades of pitmaster knowledge.Managing the Menu: Real talk on restaurant logistics, supply chain shifts, and keeping food costs profitable without sacrificing quality.10-14pm & 10:35pm - Segment 3 & 4: The Embedded Correspondents – 100% Assurity RoundtableThe Monthly Panel: Doug, Jon, Rusty, and Matt take over the second hour.Assurity Statements: The guys break down the newest list of definitive industry statements.Hot Topics: Rapid-fire debate on the latest breaking news and controversies across the barbecue landscape.Key Links & Resources Mentioned in This Episode:Explore Bob's Award-Winning Flavors: Bobby T's Products & BBQVisit the Competition Champion: Smokey D's BBQ WebsiteSubscribe to The BBQ Central Show: Available on Apple Podcasts, Spotify, and all major platformsEpisode Description:Tonight on The BBQ Central Show, host Greg Rempe lines up a massive broadcast featuring Food Network champions, competitive barbecue royalty, and the monthly return of the roundtable crew.First, we welcome Bob Trudnak from Bob Trudnak's BBQ and Bobby T's products. Fresh off his incredible run on the Food Network, Bob takes us behind the scenes of winning BBQ Brawl Season 7. We also dive into his recent live-fire culinary journey to Japan and get an exclusive look at the growth strategy for Bobby T's sauces, rubs, and products as we head into the final months of 2026.Next, we sit down with a true icon of the sport, Darren Warth of Iowa's legendary Smokey D's BBQ. Widely recognized as leading the most successful competition barbecue team in history, Darren gives us an update on his time on the current BBQ circuit, the launch of his own podcast, and how he is navigating rising food costs and restaurant management in today's economy.In our second hour, the Embedded Correspondents return for their monthly segment. Doug, Jon, Rusty, and Matt step up to the mic to weigh in on a brand-new list of 100% Assurity Statements, debate the hottest trending topics in the grilling community, and bring their usual unfiltered insights to the table.

Former Congressman Peter King joins Sid for his weekly Wednesday morning appearance on Sid & Friends in the Morning.

Gentrack is the NZX-listed software company running the systems behind power companies and airports worldwide, as the energy transition creates challenges in pricing, metering and managing power. CEO Gary Miles traces Gentrack’s five-year climb from around $100 million in revenue to about $230 million — and the share price wobble that followed the rollout of its new G2 technology stack. Gary explains where that dip came from, their drive to expand into 40 countries, and why he ended up in the headlines as the NZX's highest-paid CEO. Plus, why Gentrack bought a Wellington pricing startup that had just one customer. For more places to follow Shared Lunch—check out http://linktr.ee/sharedlunch Shared Lunch is brought to you by Sharesies Australia Limited (ABN 94 648 811 830; AFSL 529893) in Australia and Sharesies Limited (NZ) in New Zealand. It is not financial advice. Information provided is general only and current at the time it’s provided, and does not take into account your objectives, financial situation and needs. We do not provide recommendations and you should always read the disclosure documents available from the product issuer before making a financial decision. Our disclosure documents and terms and conditions—including a Target Market Determination and IDPS Guide for Sharesies Australian customers—can be found on our relevant Australian or NZ website. Investing involves risk. You might lose the money you start with. If you require financial advice, you should consider speaking with a qualified financial advisor. Past performance is not a guarantee of future performance. Appearance on Shared Lunch is not an endorsement by Sharesies of the views of the presenters, guests, or the entities they represent. Their views are their own.See omnystudio.com/listener for privacy information.

Janatyn Sayeh and Edmund Fitton-Brown examine Iranian official Ghalibaf's public appearance in Iraq, signaling defiance to the US and Israel before secondary sanctions are revealed. Sayeh explains that Iran views Iraq as its backyard, using it to evade sanctions by blending Iranian oil with Iraqi exports. Under President Trump, US economic scrutiny on Iraq has increased to block this smuggling. While maximum pressure has devalued Iran's currency and caused hyperinflation, Iran aims to overwhelm Washington by utilizing its regional proxy networks across Yemen, Lebanon, and Iraq. The US must view these proxies as Iranian arms rather than local actors. (2)

Have you heard it or said it? Maybe your body image issues are "your thorn in the flesh." It sounds comforting, but is it actually true? In this episode, we take a close look at what Paul's thorn in 2 Corinthians 12 actually was — and wasn't — and see how body image issues are different than the situation Paul discusses there. We'll also talk about how recognizing that your body image issues aren't your "thorn in the flesh" may be some of the most hopeful news you get, because then there's a cure for them. And, it's all found in scripture! Key Scripture references: 2 Corinthians 12:7–10 (the thorn in the flesh) Colossians 3:5 ("greed, which is idolatry") Colossians 3:9–10 (put off the old self, put on the new) Romans 6:14 (sin shall not be your master) 1 John 1:9 (confession and cleansing) 2 Corinthians 5:17 (new creation) Discussion questions for listeners / community: Have you ever described your body image struggle as "your thorn"? How did that framing shape whether you expected it to change? Try praying both prayers from this episode — the confession prayer and the contentment prayer. Which one actually named what's true for you? What would it look like this week to bring one specific piece of body-image idolatry into the light through honest confession? Timestamped Guide to Episode 00:00 Exploring body image and faith 03:38 Addressing body image issues 09:41 Biblical thorns and grace 12:21 Idols in Modern Christian Culture 16:32 Understanding body image issues 19:00 Inviting women to join workshop 22:16 Admitting struggles and seeking help 27:39 Choosing the right prayer 28:45 Dealing with aging and grace A note: This episode distinguishes disordered body worship (idolatry) from genuine physical affliction (illness, disability, medical conditions). Listeners walking through the latter should be pointed toward lament and grace, not confession — this episode is specifically addressing the worship-pattern many of us have around appearance and worth. Links: Heather's best-selling Christian books on body image, aging, and comparison: https://www.improvebodyimage.com/books-for-christian-women-body-image Join us on the next 40-Day Journey in September. Learn more here: https://www.improvebodyimage.com/40-day-challenge Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

2 Timothy 3:1-9 (NKJV)Andrew and Edwin discuss those who have a form or appearance of godliness but deny its power.Read the written devo that goes along with this episode by clicking here.    Let us know what you are learning or any questions you have. Email us at TextTalk@ChristiansMeetHere.org.    Join the Facebook community and join the conversation by clicking here. We'd love to meet you. Be a guest among the Christians who meet on Livingston Avenue. Click here to find out more. Michael Eldridge sang all four parts of our theme song. Find more from him by clicking here.   Thanks for talking about the text with us today.________________________________________________If the hyperlinks do not work, copy the following addresses and paste them into the URL bar of your web browser: Daily Written Devo: https://readthebiblemakedisciples.wordpress.com/?p=26603The Christians Who Meet on Livingston Avenue: http://www.christiansmeethere.org/Facebook Page: https://www.facebook.com/TalkAboutTheTextFacebook Group: https://www.facebook.com/groups/texttalkMichael Eldridge: https://acapeldridge.com/ 

In the final hour, Leila Rahimi and Mark Grote welcomed on Score vice president and brand manager Mitch Rosen to make an announcement regarding the station's new morning show. After that, play-by-play announcer Adam Amin joined the show to discuss the Bears playing their starters in a loss to the Bengals on Saturday in preseason action.

Adam Amin talks Bears starters' surprise preseason appearance at Bengals full 819 Mon, 24 Aug 2026 19:55:00 +0000 EvR4SkTEiEEP4dz8ibIVhG20RtQ3CZmC nfl,chicago bears,sports Rahimi & Grote Show nfl,chicago bears,sports Adam Amin talks Bears starters' surprise preseason appearance at Bengals Leila Rahimi and Mark Grote bring a thoughtful, fast-moving approach to Chicago sports as they break down the day's biggest stories across the NFL, MLB, NBA and college sports, with Chicago always leading the conversation — from the Bears and Cubs to the Bulls, White Sox and more. Known for smart analysis, lively discussion and caller interaction, the show offers Chicago fans an informed perspective on everything happening in the city's sports landscape. Catch the Rahimi & Grote Show live Monday through Friday from 10 a.m. to 2 p.m. on 104.3 The Score or on the Audacy app. © 2026 Audacy, Inc. Sports https://player.amperwa

A poem about a map opens North and South, the first collection of the great twentieth century poet Elizabeth Bishop, and since, maps have been associated with her poetic vision—at once telescoping and binocular—and with the polarities and preoccupations of her work. The map's privileged, sweeping, bird's eye view of the earth is also hand-held, man-made, intimate. Depending on its level of minuteness or obsession, it can contain the tiniest details as well as, let's say, the whole enchilada. And though it purports to be scientific and objective, it is representational and therefore subjective, particular, imaginative, and personal. For several episodes, Wes & Erin will be reading a selection of some of Bishop's most anthologized poems, starting with “The Moose” as expressions of, among other things, her map-like imagination. Upcoming Episodes: Nolan’s adaptation of “The Odyssey”; more Elizabeth Bishop poetry: “First Death in Nova Scotia,” “One Art.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website Transcript 0:11 Erin: Welcome to part two of our discussion of the poems of Elizabeth Bishop. We are currently about. Oh, I'm okay. I'm proud of us. We're just about halfway through the Moose. That's not bad compared to our usual record. We're not halfway through stanza one. We're going. You know, it's about a bus trip. It's encouraging us to pick up the pace a little bit and get to our next stop. So we were just going to pick up with the woman in stanza 13 climbing into the bus. 0:41 Wes: Before you say that, I just want to make one little observation. 0:44 Erin: Oh, sure. 0:45 Wes: Just that we get right as soon as the light goes out, it's then that we get the barking of a dog and the smell of salt. First it's the smell of salt hay and then it's the barking of a dog. So smell is introduced. And is that the first time sound is really introduced in any. You know, we get the bus starting and all that, but I think that's right. It's very visual up to that point, I think. And then as soon as we lose the light, we get these new sensory modalities. The collie just supervised this dog, gives us a nice bark, and presumably we can't even see him. We just hear him. So I just love that. I just. I love the transition into darkness. It's so. 1:26 Erin: Yeah. 1:26 Wes: I don't know how else to say it. 1:28 Erin: Yeah. 1:28 Wes: And it's then that we. This really is the midpoint of the poem because now we're going to make this transition into the world of the bus, I guess. As the woman climbs in, we have 1:41 Erin: the ship's port lantern, as you said, being an indication that it's now nearly or fully dark outside. 1:47 Wes: She says red light swims through the dark. 1:50 Erin: Yeah. I'm assuming that at this point a bus would have some form of illumination, at least for when it's stopped and the doors open for people getting on and off the bus. Right. It would. It would light up on the inside interior. Yeah. 2:03 Wes: Yeah. 2:03 Erin: Or at least maybe it would stop, certainly if it were stopping at a station or a little, you know, whatever those things are called. Those little. Yeah, there's a word for it. 2:14 Wes: We need something to see the freckles by. 2:16 Erin: Right. We need something. Exactly. But wherever they would be stopping would have some form of street light illumination or something of that order. Anyway. 2:26 Wes: But it's interesting you say this, because I didn't picture a bus station at any point in this. And I just imagine people along the side of the road. 2:34 Erin: Right. But if it were a course, it 2:38 Wes: couldn't be that way. 2:39 Erin: Well, I don't think it's a station. I think it would be a stop with a. You know, like a lean to. You know, what are those things that just. 2:44 Wes: Yeah, sure. 2:45 Erin: That just protect you from the elements. 2:47 Wes: Yeah. Bust down. 2:48 Erin: Right. 2:48 Wes: Yeah. 2:49 Erin: And that would probably have at least a street light. But anyway, then we get the moonlight. Maybe my favorite. Oh, it's so hard to say, but maybe my favorite image in the poem is the hairy, scratchy, splintery moonlight and mist caught in them like lambswool on bushes in a pasture. Just. There's nothing. There's no image greater than that. That's unbelievable. 3:13 Wes: There's kind of a more wildness to this. Right. The image now, the hairiness and scratchiness and splinteriness. It's a bit less Domesticated, I guess, than the previous part of the poem. 3:27 Erin: That's a really good point. I hadn't thought of that. Even a suggestion of danger, like the lamb running. 3:34 Wes: I just thought, this is where the hobbits are entering Fangorn Forest. 3:39 Erin: Yes. Yeah, yeah, the New Brunswick. 3:41 Wes: But you go a little bit more. It's a little wilder and more primal. I think once you. Even if you're on a bus, once you get into the woods, there's something different about it. 3:52 Erin: That's right. 3:53 Wes: But yeah, you're right. The idea that the moonlight could get caught in that. That's a great image. 3:59 Erin: Something giving chase to the lamb would cause it potentially to get a little ensnared in the chase. 4:06 Wes: It's as if Lambswool has, you know, a lamb is brushed up on the bramble or whatever and left its will so that. So the moonlight, instead of making this cosmic journey and landing on articulating the environment, has been subordinated to the environment. Right. It's become. It's been captured by these hairy woods. It's caught on it and, you know, a piece of it has come off from being caught on something that's scratchy and splintery. So that. That. Yeah, this is the great reversal. And that's the place where you can really get some good sleeping. Yes, right. 4:44 Erin: Yes. And where dreamy things can happen. 4:47 Wes: Divagation. Yeah, wanderings. 4:51 Erin: I looked that up. Wandering, straying or digressing from a main course, path or topic. So like a digression as long as 4:59 Wes: the bus stays on track. 5:00 Erin: Yeah, that's right. 5:01 Wes: You do whatever you want with your mind. 5:02 Erin: That's right. And the night. I just looked on Google Maps while I was writing my little notes in the margins. And if you were to take a bus today from Great Village to Boston, it would take like 10 hours. So it definitely is a, yikes, full course of the night on this night bus. So I love what happens in stanza 16, which begins in the creakings and noises, an old conversation not concerning us, but recognizable somewhere back in the bus. So I really love that it's grandparents voices, she says, uninterrupted talking. This is where the I becomes an us. And this is a characteristic of a bishop. I think she's rather reluctant to use an I, capital I in a poem. She's more likely to use a we or an us. And here it's as if they're all part of the same family now in the bus and the adults. It's almost like everybody on the bus who isn't a grandparent is a child and the adults in the back are talking and we are all, oh, that doesn't concern us. Just go to sleep. It's none of your business. Just stop eavesdropping on us. Right, so there's some community that's been formed already by the people who are not the grandparents talking. Do you get that impression? 6:20 Wes: Yeah, it's a bit confusing. So, yeah, let's try to figure it out. Because it. So it begins. A dreamy navigation begins in the night. She doesn't say, I started dreaming or they started dreaming or we started dreaming. Although it seems almost like it's collective. Right. So that the bus is dreaming or everyone on the bus is dreaming together, which kind of lines up with the not concerning us later on, the gentle auditory slow hallucination. So that's a very interesting idea. Right. The dream is usually associated with subjectivity. Right. The cogito and Descartes. Right. The dream tells us that we might have trouble distinguishing reality from what's in our own minds. And we in our own minds are very potentially cut off from reality. But it's a. It's an alienated individual position here. The dream is. Seems to be collective. And perhaps it's collective because it's partly real. Right. Is that the conversation? I thought, okay, there's a conversation going on in the back of the bus and it is old people talking. But as you're lying back, you could sort of. You can't hear exactly what they're saying. And you might have that kind of half dream, Right. Where you're. The dream is kind of lined up with or intertwined with what's going on in reality. So she's hearing in the conversation of the old people, her grandparents voices. Is that the way you took this? Or. Or they, they're hearing the grandparents voices or. Yeah. How do we, how do we interpret this? 7:54 Erin: I interpreted it as, you know, people of the age of grandparents having a real conversation. But the idea that one could be having an auditory. I mean, we are given the word auditory slow hallucination. So the idea that there could be an auditory hallucination or kind of half dream of one's own grandparents having a conversation, or it may be superimposed on a real conversation kind of inaudible going on on the bus. I never noticed this before. The G in grandparents is capitalized. So it does seem to sit to suggest the speaker's particular grandparents rather than. 8:30 Wes: Oh, I was going to. I thought you were going to say archetypal grandparents. 8:34 Erin: Oh, yeah, I suppose it could be yeah, it could be read that way, too. I think all of these things are true, right? 8:40 Wes: Yeah. 8:40 Erin: I mean, the image works because of the, shall we say, universal particularity of this experience. 8:47 Wes: The ordinary way to write the poem would be to. And a much simpler way would be to put this in her point of view and not try to put it into a collective point of view. But that seems to be what she's doing. 8:59 Erin: Yes. The effectiveness, though, I think is the. And it could just be the speaker's perception of it, but the atmospheric quality, because everyone on the bus is going to share an experience shortly, but already they are sharing an experience and a kind of atmosphere that they're all listening to the hum and having that. You know, when you're in the car and you. Maybe when you're a kid and you put your ear up against, like, the. The car door or the window or something, and you hear orchestral music. I don't know if you ever had that. I used to always hear classical music when I would put my head up. 9:38 Wes: Yeah, I don't think I have that. 9:40 Erin: All kinds of. And I always think, like, I should write this down. But you always have, like, a hallucination of an orchestra playing songs. Different songs. Sometimes like fantastical songs. Yeah. You know, my particular experience maybe doesn't quite get at the. Yeah. The sense that this is shared. 9:57 Wes: Well, you're put into a kind of dreamy state, and yet you're getting at the auditory hallucination part. I mean, for me, I think, as a child, and this, I think, is very evocative of childhood. It's something about being half asleep or falling asleep. You're on a journey and there are adults in the car and there's some. Maybe some sense of safety, I think is very relevant to this poem. But being ensconced in the world of adults and not quite alone when you do this thing, which is potentially very lonely, which is go to sleep. And of course, a lot of kids don't want to go to sleep because that loneliness factor. But it's a much different experience if you're traveling. You're all on the way to something together. And of course, you're with people who are awake and, you know, are going 10:45 Erin: to be awake, maybe because the kids are falling asleep. Their. Their voices are lowered and softer. And maybe that also contributes Right. To the. The way in which. That lulls the children in the back simply because they're aware of not wanting to talk too loudly. Certainly that would be the case on a bus like this, where they're Having a conversation where they're talking in. In lower voices and maybe actually inducing that calm and hum for sleep in the people, the other people in the bus who aren't talking. 11:15 Wes: And the question is, what are the adults doing with their talk? Right. It's not going to work if your parents are just fighting. In this case, it's the grandparents. Voices are clearing things up and I guess bringing certain things to resolution, coming to terms with these losses. But a lot of it does sound a bit gossipy and not necessarily like the most comforting. 11:39 Erin: Yes. Yeah. 11:39 Wes: Sort of talk we could imagine. Yeah. 11:41 Erin: Well, you know, in a situation like this where you might be a child in this car, could be that you're coming back from whatever, like a, like a late night and then the adults in the car are working through whatever has just happened over the course of the night. And. Oh no, she was the one who had that long. Yeah. Who had the criminal record because of that thing, remember where they. Oh, yeah, yeah. That was like 20 years ago. So you sort of get that. But for an entire family history going back ages and ages, talking in eternity. Deaths, deaths and sicknesses. The year he remarried, the year something happened. Oh, yeah, what year was that? Right. Something about the journey afterwards or maybe away from home. If these people are also. If their home is Nova Scotia and they're departing it, you know, then there's that backwards looking quality where something about the idea of the journey and moving away from the place is giving the opportunity to then take stock and look back. So there's this sort of like dual action happening in the poem where the further the bus goes, the further back they're kind of looking from deaths and sicknesses to then remarriage and then childbirth. Son lost when the schooner found her. 12:58 Wes: These are all very blue collar tragedies, right? 13:00 Erin: Yes. 13:01 Wes: He was arrested for insider trading. 13:04 Erin: No, but I mean, you know, there's a reverse order to what's happening, you know, so we get. We have death, then sickness, then remarriage, then dying in childbirth. So there's a rewind is what I mean. Yeah. 13:17 Wes: Well, we come back in the end to death. The way it's all summed up. 13:20 Erin: Insider trading. Sorry. 13:23 Wes: Huh? 13:24 Erin: Sorry, Just insider trading. That really is funny. 13:31 Wes: And he had an affair. No. A sharp indrawn breath. Half grown, half acceptance. That means life's like that. We know it. Also death, you know, and then the question, what does also death mean there? Death knows it, we also know death. But it, you know, it made me wonder at various points I wondered. Well, Is this an element here of a journey to the underworld or to the afterlife? Maybe it's a job not claiming that that's strong thematic part of this, but maybe a hint of that type of thing. Because the journey, I mean, and it does seem like journeys are good places for this or like when I travel, it produces in me a very different state of mind. And I do find it very calming in a way, you know, especially actually being on the train or something like that, because you're in between two different locations and you maybe you're not caught up in the expectations or the constricting qualities of any particular location. If I'm at home, I have to do this and that work, or if I'm at a destination, then I'm dealing with relatives or I have to be a tourist or something like that. But there's something liberating about being in between two locations. So it does seem like a place for this type of dreamy hallucination or this reflection or this clearing of things up. It's almost like therapy. Right? That's what all of this sounds like. People are talking through their problems, but where is it that they get to in the end here? The half grown, half acceptance. So it's not fully acceptance. It sums things up with this, maybe a degree of resignation. So yeah, I don't know. What do you make of the stanza? 15:15 Erin: Well, they're traveling west significantly. Right. I do take a lot of this to be a kind of, say, pre figurement of death, even though at the same time the fact that they're in the woods, the fact that not to jump ahead too much, the fact that the moose will come out of the woods and appear notably in the middle of the road, there is a suggestion of middle age or middleness, or midway in the journey of our life, I found myself within a dark forest. So I think it works both ways, or perhaps it's working in several ways simultaneously for the various passengers. So maybe the speaker is experiencing something more akin to the Dante esque middle of the journey on the bus. And something about the bus journey is also, symbolically speaking, a kind of final bus journey for some of the other passengers. And that intersection seems significant, but I don't know how, just in the sense that there's a retrospective quality happening or maybe even a reversion to childhood that goes on for the speaker and the other people in the bus by virtue of the propinquity to these old people at the end of their life's journey. Because there is very little about middleness Here, come to think of it, other than the moose appearing in the middle of the road. Right. It seems that the other people on the bus are like children and the grandparents are the adults. 16:50 Wes: I mean, I think part of what's comforting when we're children is that feeling that adults know the answers and that adults know how to cope with all the dangers and have experience doing that and therefore can protect us. The reality, of course, as we realize as we get older, is that that's not true. So what they may have is more of this acceptance that's sort of highlighted in this stanza, which is potentially a good thing, but maybe a double edged sword because it does seem to be a form of dying. It does seem to be a form of the very thing that we want to be protected from. 17:30 Erin: There's also, though, that. What I used to call my mom, the external hard drive. I used to say back before she. 17:42 Wes: She liked that. 17:44 Erin: I think now it would make her sad because she'll say, you know, very openly that she. Her memory is gone. But it used to be that she knew all the, you know, you could ask her who said that at that one. You know, there's that kind of. I mean, that's a sort of jokey, gossipy scorekeeping thing that she would keep tabs on. But there's also just the idea of long memory being the history keeper, the record keeper, the, you know, and there's sort of settling accounts over the course of this conversation. Oh, right, it was that year. Okay. And then this happened and then, then that happened. And that's important too, I think, for, you know, it situates children in a context. Not just say this idea of death that you're referring to, but also how to situate oneself in a life. 18:34 Wes: Right. 18:34 Erin: There's a. There's a sort of frame that the grandparents or the elder relatives have that whole history up until you enter the narrative and where you fit within that. We mentioned in part one a little bit about Bishop's family history just to kind of prefigure the types of story that she inserts, I think very significantly into the poem, particularly about poor Amos who just wouldn't stop praying in the store and had to be. Had to be put away. Right. Of course she does a gender swap, but yeah, we all have family stories like this, of this kind of unruly behavior or madness of some kind or other or some sort of family drama. 19:19 Wes: Yeah. So it's universal. But the way she captures it is very clever with this talk that we don't quite know whether it's just the conversation of the people, the old people at the back of the bus, or whether it's her dream or whether it's both or somewhere in between. They're interlaced, those two things. And that. That interlacing gets at this aspect of universality. Although I think by the time we get to the stanza where she's fantasizing about the grandparents and the featherbed, this, it start. Seems to become inescapably personal, which is why I think of the. The point of view is getting more and more focused. Right. With. With time. Yeah. And potentially it's still universal, but it seems almost like a personal memory. Right. So talking the way they talked in the old feather bed. Right. The way they. Her. Her grandparents presumably in the old feather bed, peacefully on and on. Dim lamp light in the hall, down in the kitchen, the dog tucked in her shaw. Shawl. Yeah, get another. And get another dog here. 20:28 Erin: I love this. 20:29 Wes: The collie, the barking dog. And. Yeah, so this, this stanza is wonderful. And it gets at exactly this thing that you've been talking about, which is the, like, comfort of being a kid overhearing adults talking. It really, despite this talk of death. Right. A reconciliation with death. This is the point. Seems to be the point of view of a child who finds this very comforting. And. Right. She'll say in the next stanza, now it's all right now even to fall asleep, just as on all those nights, the way in which the adult world and the safety of protective figures can make sleep okay to do. And then suddenly that's interrupted. 21:07 Erin: But I love too. I mean, yes, it's so particular, but it also just in this one stanza does so many things in miniature that the poem is doing all along, this telescoping in again to a scene which. Which even as a child, if it were her childhood in particular that she's referencing, she couldn't possibly know or see. She wouldn't be able to see the grandparents in their featherbed. She would have to be picturing them in the featherbed and she wouldn't be able to see the dog in the hall. And also I wonder if this. If the stanza in its operation is kind of doing. I mean, this is just occurring to me now, but maybe it's doing that kind of hallucinatory work that has prior been described where we actually get a remix of, you know, this is the third dog in the poem. But it's also the elements in the stanza are a kind of recapitulation of the light, the red light swimming, the port Lantern becomes the lamp light in the hall. We get the dog barking now becomes the dog curled up in the shawl. And then maybe even because we also get kitchen, maybe the shawl is even a kind of transposition of the table, tablecloth shook out. Right. So there's something actually in the stanza which has that hallucinatory quality that she's describing where these three elements swim in the imagination and then become the lamplight and the dog and the shawl in this half asleep kind of dream space. Maybe that's pushing things too far, but it does seem to be. It's the dreamiest stanza perhaps in the whole poem. Maybe the following one. Now it's all right now even to fall asleep. But this gets interrupted that next stanza. So this one, I think is the real depth of the dreamy or borderline dreamy or hallucinatory moment. 23:00 Wes: Yeah, this is great because it really underlines the way deviation creates the capacity for stasis or for comfort. So the deviation of a bus trip or of the dreaming. Right. Which is movement, which is dynamic and has that momentum, forward momentum that we were talking about, sort of underwrites or grounds this ability to. For stasis, for stopping, for going to sleep, for feeling comforted as a child and safe, I think. And I keep repeating that word because of the. What's going to happen. The use of the word that's going to happen in this poem later. But yeah, I'm not sure if you were saying that explicitly, but that's what came to mind my mind as you were talking. This. The way in which this journey, devigation, motion can ground something that's going to be more static or stationary, which is what we're going to get in the moose. Because it interrupts the. It explicitly interrupts the motion of the bus and the external line of the poem in a way that parallels the comfort that's produced by the dreaming. 24:08 Erin: Yeah. In stanza 22 is where we have that break that you're describing. The moose finally appears. Well, the moose doesn't appear until stanza 23 finally appears. 24:21 Wes: We've been waiting for you. 24:22 Erin: We've been waiting for you. The title has promised that you would come and then here you are. It is foretold of your coming. 24:29 Wes: Comes through the curtains, takes his bow. Right. 24:32 Erin: We get nights, just as on all those nights. And then the moose's appearance, the lights turn on. And that rhyme you get, I mean, it's a very basic, simple rhyme. Right. But there's that sort of sudden jolt which is then also visualized where in the middle of night we have this appearance, this bright because of the headlights on it. Appearance of the moose. And it looms and sniffs at the bus's hot hood, which I'm assuming means that it thinks that the bus might be a boy moose. 25:06 Wes: No. Well, it's a very hot bus, I'll say that. 25:10 Erin: Ow. Ow. 25:14 Wes: That enamel. And it's dented and, you know, depends on if you like bad buses. No, just kidding. 25:21 Erin: Dented from its last encounter with a girl bus. 25:25 Wes: Yeah. It's funny because I wrote in my notes, but was just reading it stanza by stanza. And the previous stanza I'd said, okay to sleep, even with death looming. Looming for all of us, you know, all day one. You know, one day we all die. Blooming in that sense. And then suddenly the moose is looming, standing there, looming. And I thought, whoa, that's really interesting 25:45 Erin: that I. Oh, yes, chose. 25:48 Wes: Chose that word before I even got to the next stanza. Not to give some, you know, obvious rote sort of identification of the moose with death or the experience of the moose as having something to do with that. But obviously they're coming into contact here with something quite primal and important. It's not just, oh, look, there's a nice moose, but is he sniffing or she's sniffing the buses hot hood because she thinks it might be another moon. That hadn't actually occurred to me. 26:21 Erin: I must have been infected with that reading at some point that this was a frisky moose, that it otherwise doesn't seem frisky at all. It seems pretty. Like a pretty staid, respectable moose. 26:34 Wes: But frisky and ditzy. 26:39 Erin: That's right. Hello. 26:41 Wes: What? 26:41 Erin: Oh, look, I seem to be in the middle of the road. Pardon me. 26:46 Wes: So, towering, antlerous, high as a church, homely as a house. We're safe as houses, a man's voice assures us. Perfectly harmless. Which you presume, right, that the. The man making that assurance is. Precedes the idea of it being homely as a house and safe as houses. Even though. So. So she interestingly puts the associations before her associative responses before the actual stimulus. Right. I don't think she's the one who is thinking about how they must be safe and. And he's saying something. I mean, as far as I know. I don't know back then. But you were warned about bison and mooses, right? Or is it mooses or moose? I think we're warned because they don't. They. They seem harmless, but they're not. And so I was quite surprised by this stanza. And I thought this idea, okay, safe as houses. Well, yeah, houses ought to be safe, but they're not always safe. The bus, the moving container of the bus turns out to be, in a way safer and more conducive to reverie and dreaming and all of that. 27:59 Erin: No matter how you slice it, whether you see the moose as harmless, truly, or not so harmless, this has got to be just a little bit of a wink, right? A man's voice assures us. 28:09 Wes: I mean, I think we're definitely meant to be skeptical. 28:12 Erin: Yeah. 28:13 Wes: This perfectly harmless line, it's not there for us to nod our heads in agreement. 28:20 Erin: Oh, yeah, he's right, right, right. I think it's more like, oh, here's another mansplainer. 28:26 Wes: He's moose splaining. 28:28 Erin: Mooseplaining this woman moose to moose splaining. Just out for a good time, having her existence commented upon by another man's voice. Probably a podcaster. One of those male podcasters has a manosphere podcast. 28:45 Wes: Girl mooses are. 28:49 Erin: Then we get these childish again. The passengers are like children and having this childlike response to the appearance of the moose, including. It's awful, plain sad. So much judgment of women's bodies. 29:04 Wes: I mean, they're not good looking creatures. Let's just. They're, you know, put that on the table. Come on. They are in an ugly sort of way. 29:11 Erin: Yeah. I mean, okay, I guess they don't follow, you know, classical proportions. They don't represent the golden mean. 29:21 Wes: They're not into beauty society societal beauty standards. All right. 29:28 Erin: They are like cartoon characters. 29:29 Wes: They're miss Positive is what they are. 29:35 Erin: Well, what I love though, about the description, you know, we get several, I suppose. Yeah. Contradictory descriptions of the moose in a way, because we get homely as a house or safe as houses. We get awful plane. But then she looks the bus over grand otherworldly, so she has some gravitas. She's like a great character actress who. Who may not be beautiful in that leading lady way, but she's Kathy Bates. Yes. Yeah, well, that's maybe a bit insulting to Kathy Bates, who I do think is a very attractive woman, but. 30:19 Wes: Sorry, Kathy. 30:20 Erin: I know, I love her. 30:21 Wes: Come on the show sometime, please. 30:24 Erin: Oh my gosh, I would die. I love Kathy Bates anyway. And then we get curious creatures. Well, first we get the idea that it inspires joy and then we get curious creatures. So there's a. The joy is then immediately undercut by a kind of ambivalence. Right. So there's just all of these descriptions of the moose combine to create a kind of ambivalent portrait, such as it is, of the animal. 30:47 Wes: Are we going to be able to answer this question? Why? Why do they feel the sweet sensation of joy? I mean, I think I would probably feel it. 30:57 Erin: Why? Why do we all feel it? I mean, they have. Well, they've successfully done what I couldn't see a moose in real life. So they're like one up on Erin. Can't wait to go back and tell her we saw moose. Yeah, I've seen certain things. I can't think of a specific example of this, but I've had plenty of instances. Whether it is a wild animal or, I don't know, like a sunset or a really spectacular natural event of some kind or other. You do get that feeling of joy, kind of excitement. 31:28 Wes: Yeah. Unfortunately, most of my encounters with large animals are at zoos. I did see a bear once. I was going to the bathroom. My mom had a house in Front Royal, Virginia, at the beginning of the Appalachian Mountains. And it was up high on a. We called it a mountain, but it was, I guess, more of a hill. But so it was out, you know, it was kind of. There was a bear on the mountain, let's just put it that way. And, yeah, I was going to the bathroom one day and looking out the window. There's a window right. You know, above the toilet. And suddenly there's bear's face looking at me. Wow. What the. So, but that, you know, and. And that was majestic. No, just kidding. That it was. I. It was surprising. 32:13 Erin: Yeah. 32:14 Wes: And there's an element of fear that involved. Even if you're, you know, even if, you know, black bears are harmless and there's a wall between you. Some. Something scary about it. I didn't have time to feel like it's majestic. Yeah. You know, like you have had these experiences in. In nature, but I can't think of a encounter like this. But it. I seem sure that if I had an encounter like this, I would feel exactly the same way. So. Yeah. What is otherworldly about it? What is majestic about it? It's a big, dumb beast. And I say that with love, without any criticism in the sense that. Right. It's an encounter with something primal. And I think we have to take into account the size of the animal as well. I mean, it is interesting to run into a fox or something like that, but it's also a matter of scale here. But. Yeah. What is otherworldly about it? I mean, I think the most. The most obvious part of this is that you know, we have lost something in our humanity and becoming language using creatures and becoming self conscious creatures. And sometimes when we're confronted with an animal like this, we're confronted with that loss. We're not as connected to the environment because of the intermediation of something like language, which poetry of course tries to overcome. It tries to put language into a disintermediating. Sorry to use these business terms. I don't know why this is happening. Into a disintermediation. 33:46 Erin: Actualize. Yeah, yeah. 33:49 Wes: When it. Yeah, right. Synergize it's agenda. Often where language might put distance between us and the world. Poetry, I think, can undo that distance. Like I was saying, with the very vivid imagery, I can undo that distance with figurative language. And maybe that distance is also undone to some extent by the dreaming or the half dreaming hallucinatory state that she was in. And the comfort of that, the return to childhood, which is also a simpler time. I don't know. I'm thinking out loud here. But yeah, I wanted to try to get more at this, you know, the otherworldly status of the moose and the joy that comes from encountering it. 34:34 Erin: I was thinking to myself, is the moose's gaze really clearly encapsulated? And then I thought, yes, she regards us amicably. And then I was like, no, no, that's the passenger who gets on the bus. 34:44 Wes: Right. Does the moose have freckles? Yeah, that'd be an interesting twist, right? 34:50 Erin: But yeah, but there is one. 34:51 Wes: Turned her into a moose. 34:53 Erin: Well, I would think that this would be a more garden variety animal encounter and maybe even a more, to use a word, I don't like, problematic poem in terms of its relationship with the animal. If it were to focus on the gaze of the animal. Because I think that is the thing which is often at the core of these interactions with animals in which we project or hope to have a kind of meaningful encounter. You want to meet the gaze of the animal and in so doing understand it. Right. And of course you don't realize that you're just projecting onto it a kind of maybe mutual regard. She regards us amicably. That you are seeing it and it is seeing you. And there's an acknowledgement and there's this, you know, spiritual encounter that you have with this animal. And all of that, of course, is often quite silly. It's often quite reductive and fanciful and unrealistic. But I am thinking of an encounter that springs to mind is in Utah. I hiked the same trail almost every day. And I Would often hike it late in order to escape the full heat of the desert sun. Which is a little dangerous, right? Because sometimes the sun would be setting and then all kinds of things come out. And one time I was trying to get back to my car before it got completely dark. And what I thought was a wolf, but what must have been a coyote. And the coyotes in Utah are huge. They look like wolves and completely white. Came out from over a hill, crossed my path, turned, looked at me in the eyes for a very long time, turned and went over on the other side of the hill. I mean, curiously, then, of course, I got to the car and I actually found out that a beloved family member, an elderly family member of mine, had passed away. And I said, I think I just saw her. You know, I had this feeling of, like. I don't know, the sense of this connection, inherent connection between these two. This woman who was dear to me and this encounter. But, of course, that's all silliness. And the idea that I was having a sort of interaction through the gate. Some sort of reciprocal. Right. Interaction with this animal was also entirely just my own projecting onto the animal. However, I will say that that's an instance in which I felt fear. But then there was also this, like, joy at the encounter, I think fear because it was dark. Because I wasn't actually sure if this was a wolf because it blocked my path. It was far enough away that I didn't feel as threatened as I might have. But it was definitely a mixed perception. 37:28 Wes: You didn't shoot it and then hang it around your neck. No, because I was thinking. I just suddenly thought of the albatross poem. 37:37 Erin: Rime of the Ancient Mariner. 37:38 Wes: Rime of the Ancient Mariner. And that sort of relationship to the natural world where. I mean, I forget what we said about it, but maybe I said something about envy and wanting to kill the albatross for. Because of its freedom or something like that. I don't. I don't know. But I think it's important because, yeah, this is part of something about the encounter with the natural world. Whether it's a big moose or something else. Yes. Is otherworldly. Strangely enough, it's otherworldly to us, even though it's where we come from. It's uncanny, maybe. And Freud actually, in the German, I think uncanny is sort of like unhomelike is what the German sounds like. And Freud made a lot out of this. I think it's home, but it's a home from which we've become alienated. We're animals, we're something more than animals. And so that primal encounter brings us back to that foundation, that natural foundation in us, but we can't fully come to terms with it. And I think the other aspect of this, I think the death. Right. So there is a link to death. Just. And I was thinking about that when you described thinking of it as seeing. As seeing your departed loved one. Because if we could regress to that animal state, it would be a kind of death. I think that the association with the movement to the pre. Linguistic, natural foundation is something like the movement towards dying, but there's something comforting. 39:07 Erin: Yes. 39:07 Wes: Right. And we encounter that when we encounter the gaze. To have a. Have a gaze returned by an animal like that usually like, like our internal. Our entire psychological structure, what makes us self. Self conscious is the internalization of a human gaze. Right. To the extent that we. We get an animal gaze, I think we are returned to that more primal part of ourselves. And it does seem to me to have something to do with being reconciled to mortality. Right. Which is part of what the function of that dialogue between the elderly people is doing. 39:44 Erin: You're leading me into the one, say, reading of the moose that I wanted to get to. And I just want to say that I think the great thing about Bishop and about this poem and all her poems is that the moose is a moose. It's not a symbol. I hesitate to offer any kind of 40:03 Wes: direct reading, but that's her job on this podcast, though. 40:05 Erin: I know, I know. It's. Yeah. In the letters with Robert Lowell when he's writing to her about her poem at the fish houses, he says, alas, all my fish just become symbols. 40:16 Wes: Ah, very good. 40:17 Erin: I hesitate to reduce. I think what you've just said makes me think that it's the maternal, the mother. 40:25 Wes: Which also brings us back to the house. 40:28 Erin: Yes, the house. Yeah. It's something that comes like the clapboard churches, like clamshells seem to arise out of the ground, if you will, or are directly compared to these native creatures. The houses are then in turn used as comparisons for the moose, the maternal. The idea that this is something that returns us to nature, that this is the encounter that we would have presumably upon death. It's the loved one that is somehow comforting, maternal, and is a female moose. It's moose mom. I don't know. I don't know. Something going on there. 41:04 Wes: Moose mom. 41:05 Erin: Natural and strange at the same time, not us. And I guess that's why I. That's why I mentioned that the story of my grandfather at the beginning, because I don't know why I wanted so badly to see a moose right after my grandfather's death. But there was something, like, logical about it to me. And I was familiar with this poem, but I very much did not have. You know, it was not something that was the forefront of my mind at all. But I think there is this inherent connection, and it's silly. You know, I kind of can't believe I'm saying this, but I do. I do think there is this kind of connection between this desire that I felt to see this animal. Like the particular kind of primordial itch that the moose in particular seems to be scratching for me in that moment. For Bishop, in this poem, something that is at once safe and comforting and from another world, natural in that kind of elemental way. 42:00 Wes: Yeah. 42:01 Erin: That all kind of coalesce in that image. 42:04 Wes: Very good. 42:05 Erin: Okay. I think that's it, Wes. All we're left with is the dim smell of moose and an acrid smell of gasoline. 42:12 Wes: Oh, you know, we should have talked about that. Maybe we can start with that on our next Bishop recording. We'll. We'll begin with the smells, the smells and the significance of that image at the end. 42:25 Erin: Nice. 42:25 Wes: That smellage at the end. 42:26 Erin: Smellage. All right. Thank you. 42:29 Wes: Thank you.

China expert Gordon Chang joined Broeske & Musson for an exclusive interview examining rising tensions involving China, North and South Korea, and Iran. Chang discussed growing geopolitical flashpoints, security concerns, and what they could mean for the United States, while also promoting the Tulare County Republican Party's 2026 Lincoln Dinner. Tulare GOP's Lincoln Dinner will be Tuesday, September 15th at the International Agri-Center's Heritage Complex in Tulare. Purchase tickets here: https://www.tularegop.com/ Please Like, Comment and Follow 'Broeske & Musson' on all platforms: --- The ‘Broeske & Musson Podcast’ is available on the KMJNOW app, Apple Podcasts, Spotify or wherever else you listen to podcasts. --- ‘Broeske & Musson' Weekdays 9-11 AM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Facebook | Podcast| X | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | InstagramSee omnystudio.com/listener for privacy information.

Debt is everywhere, from mortgages to paying for lunch. But when is it useful, and when does it become a problem? In this bonus clip from Shared Lunch, Luke Kemeys of Keep the Change breaks down the good and bad sides of debt. He explains why borrowing can be a powerful tool for building wealth, how everyday debt can quietly eat into your cash flow, and why keeping some cash aside matters when life doesn’t go to plan. Plus, Luke looks at the relationship between debt and investing—and why understanding how your money is structured can sometimes matter more than chasing a better return. This clip is a bonus from our previous episode ‘Are we too afraid to be ambitious?’ For more places to follow Shared Lunch—check out http://linktr.ee/sharedlunch Shared Lunch is brought to you by Sharesies Australia Limited (ABN 94 648 811 830; AFSL 529893) in Australia and Sharesies Limited (NZ) in New Zealand. It is not financial advice. Information provided is general only and current at the time it’s provided, and does not take into account your objectives, financial situation and needs. We do not provide recommendations and you should always read the disclosure documents available from the product issuer before making a financial decision. Our disclosure documents and terms and conditions—including a Target Market Determination and IDPS Guide for Sharesies Australian customers—can be found on our relevant Australian or NZ website. Investing involves risk. You might lose the money you start with. If you require financial advice, you should consider speaking with a qualified financial advisor. Past performance is not a guarantee of future performance. Appearance on Shared Lunch is not an endorsement by Sharesies of the views of the presenters, guests, or the entities they represent. Their views are their own.See omnystudio.com/listener for privacy information.

After former National Counterterrorism Center Director Joe Kent told Jimmy that FBI Director Kash Patel had blocked his agency's investigation into foreign ties to Charlie Kirk's assassination, a decision he publicly protested as premature and contrary to NCTC's "intelligence fusion" mandate, former FBI Deputy Director Dan Bongino publicly attacked Kent, calling the allegations "stupidity" and arguing the NCTC lacked legal investigative authority over the case.  Kent countered Bongino by explaining that NCTC analysts were assisting at the FBI's request and had identified additional leads, including social media posts predicting the attack, which suggested possible coordination. The dispute has divided the conservative movement, with supporters of Kent pointing to the need for accountability and supporters of Bongino arguing the investigator is exploiting the tragedy for personal gain. Plus segments on the MOUNTAIN of evidence suggesting Israel had prior knowledge of the October 7th attacks and investigator John Cullen revealing the connection between the Gaza genocide and the Charlie Kirk assassination. Also featuring Stef Zamorano and James Corbett!

A special extra episode this weekend... and it's a long one!I joined the Twitter Spaces (formerly X) show called The SitRep with John Jackson (@PvtJokerUS), App Patriot Girl (@GoNeers) and @NizNellie3 on Sunday to discuss the Democratic Socialists of America, the realignments of the political parties, data centers, the need for more energy production in America, and the dysfunction in Charlotte.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-kaliner-show--6946691/support.Subscribe to the podcast My preferred podcast platform: SpreakerAll the links to Pete's Prep are free!Get exclusive content here!Media Bias Check: GroundNews promo code!Advertising and Booking inquiries: Pete@ThePeteKalinerShow.com  

Is ADHD overdiagnosed? What can we learn from the case of Louai Abu Ridi? And, after Ariana Grande and Nicole Kidman, how should we approach conversations about what women look like? The Week and Arion McNicoll, standing in for Olly Mann, delve behind the headlines and debate what really matters from the past seven days. With Jamie Timson, Rebecca Messina and Felicity Capon.Image credit: Ilia Yefimovich / AFP / Getty Images

Welcome to the Mind Muscle Connection Podcast! How much training volume can you actually recover from and when is it too much?In his 14th appearance on the podcast, Steve Hall breaks down how he manages extremely high training volumes, recovers from hard sessions, and uses the logbook without letting it dictate his training. We also discuss how he adjusts his training to manage fatigue, maintain performance, and keep progressing at an advanced level.We also get into his nutrition and recovery strategies, what he learned from the Natural Bodybuilding Summit in Bali, and how his approach to range of motion and lengthened partials has evolved.If you've wondered how an advanced bodybuilder can sustain high training volumes while continuing to progress, this episode breaks down how Steve and I approach advanced training. Let's talk about:Introduction and Guest IntroSteve's 14th Appearance on the PodcastHow Much Volume Can You Actually Recover From?Walking Toward the Cliff Edge of Recoverable VolumeSteve's Knee Issues and Managing Joint StressWhy Progressive Overload Can Become a Problem for Advanced LiftersBeing More Patient With the LogbookHow Steve Fuels Extremely High Training VolumesSleep and Recovery for High-Volume TrainingHow Steve Autoregulates His TrainingWhy Too Much Volume Can Reduce Training QualityWhat Steve Learned From Training in BaliInside the Natural Bodybuilding SummitThe Benefits of Training With Other PeopleHas Steve Changed His Views on Range of Motion?Muscle-Specific vs Exercise-Specific Range of MotionUsing Lengthened Partials to Take Muscles Closer to FailureWhy the Target Muscle Matters More Than the MovementSteve's Plans to Compete Again in 2027Why Steve Will Use a Coach AgainWhere to Find Steve and Revive StrongerBody Recomp Workshop Replay: https://chipper-producer-6244.kit.com/791129889cFollow me on Instagram for more information and education: https://www.instagram.com/jeffhoehn_/?hl=enHow You Can Work With Me?: https://jhhealth.net/workwithme/Coaching application: https://docs.google.com/forms/d/e/1FAIpQLSfE-99wLDZRXlOOY1pWuAmkogdZOm-7ZvN_thbqNWLdNrj5bg/viewform

Why does libido feel effortless during the honeymoon phase—and then seem to disappear? After experiencing this pattern in her own relationships, Hannah Johnson, known as The Libido Fairy, set out to understand what allows desire to grow in a long-term relationship. In this episode, she shares practical ways couples can make intimacy more pleasurable, collaborative, and genuinely connecting. You'll learn how to use a 1–10 scale to take the pressure out of initiation, create an intimacy menu, plan sx without making it feel obligatory, and build simple rituals that keep you connected. Hannah also explains some of the most common libido killers—including resentment, exhaustion, nervous-system overload, and intimacy that simply isn't enjoyable—and what to do when your mind wanders during sex. If desire has faded, it doesn't necessarily mean something is wrong with you or your marriage. Desire can be understood, nurtured, and rebuilt. Resources: Couples Retreat Men's and Women's Only Coaching  Next Level Couples Coaching Our apps Disclaimer: The opinions and values expressed by guests on the Get Your Marriage On! podcast are their own and do not necessarily reflect the opinions and values of the host. Appearance on the podcast does not imply an endorsement of the guest or their products by Get Your Marriage On or its host. While we work hard to bring you quality and valuable content, listeners are encouraged to use their own best judgment in applying the information or products discussed on this podcast.

Hour 1: The Tugboat Makes a Splash This morning on the show, we had the pleasure of talking to the newest Giant, Matt Tugboat Wilkinson, who made his major league debut last night in Cleveland. The 23-year-old pitcher threw two scoreless innings, striking out a few batters and impressing the crowd with his "invisible" fastball. But what's behind this unique pitch, and what's next for Tugboat in the Giants' rotation? We dive into the details of his debut and what it means for the team's future. Tugboat's story is one of perseverance and hard work. From his days in the Little League World Series to his time in the minor leagues, he's been honing his skills and waiting for his chance to shine. And shine he did, with a impressive performance that left everyone talking. But what's behind his success? We explore the intricacies of his pitching style and what makes him a valuable asset to the Giants. Our conversation with Tugboat was enlightening, to say the least. We talked about everything from his childhood days playing baseball to his time in the minor leagues and his thoughts on the current state of the game. And of course, we had to ask about his "invisible" fastball - what's the secret behind it, and how does he make it so difficult for batters to hit? You'll have to listen to the full episode to find out. Join us as we chat with Tugboat about his journey to the big leagues and what's next for this talented young pitcher. We also discuss the current state of the Giants and what they can expect from their new addition. Don't miss this exciting conversation and tune in to hear the full episode!See omnystudio.com/listener for privacy information.

Hour 1: The Tugboat Makes a Splash This morning on the show, we had the pleasure of talking to the newest Giant, Matt Tugboat Wilkinson, who made his major league debut last night in Cleveland. The 23-year-old pitcher threw two scoreless innings, striking out a few batters and impressing the crowd with his "invisible" fastball. But what's behind this unique pitch, and what's next for Tugboat in the Giants' rotation? We dive into the details of his debut and what it means for the team's future. Tugboat's story is one of perseverance and hard work. From his days in the Little League World Series to his time in the minor leagues, he's been honing his skills and waiting for his chance to shine. And shine he did, with a impressive performance that left everyone talking. But what's behind his success? We explore the intricacies of his pitching style and what makes him a valuable asset to the Giants. Our conversation with Tugboat was enlightening, to say the least. We talked about everything from his childhood days playing baseball to his time in the minor leagues and his thoughts on the current state of the game. And of course, we had to ask about his "invisible" fastball - what's the secret behind it, and how does he make it so difficult for batters to hit? You'll have to listen to the full episode to find out. Join us as we chat with Tugboat about his journey to the big leagues and what's next for this talented young pitcher. We also discuss the current state of the Giants and what they can expect from their new addition. Don't miss this exciting conversation and tune in to hear the full episode!See omnystudio.com/listener for privacy information.

Bobby has plenty to share as Preseason Game 2 approaches, and after two days watching the team at One Buc Palace. Follow Bobby Fenton on X, @bobbygameday. Bobby's podcast is an extension of his national and local radio shows. It's […] The post Bobby Fenton And The Free Stretch Make An Appearance At Bucs Camp; We Talk Vita's Contract, The Real Backup QB Situation, And Starters Vs. The Chiefs appeared first on JoeBucsFan.com.

Jones and Keefe discussed Roman Anthony's performance in his first rehab start with the Portland Sea Dogs and the expectations for his return to the Major League roster.

The Jones & Keefe Show from Wednesday, August 19, 2026.

Send us Fan MailIt's been a minute since we had a guest on, so. behold, the first appearance and origin of Demond! We go over his origin of how he got into comics, his favorite characters, favorite comic memories and so much more! Check Demond out on Instagram at Comic_Artist_JunkieMusic [00:00]Buzz Ad [00:14]Intro [01:10]Interview with Demond [02:25]Outro [26:05]Please like and subscribe if you'd like to hear more comic talk!(Bi-weekly shows dropping on Wednesday)Social Media: Facebook -  https://www.facebook.com/CBJpodcastTwitter -  https://twitter.com/CbJpod  (@CBJpod)Instagram - https://www.instagram.com/cbjpod/  (@CBJpod)Youtube - https://m.youtube.com/channel/UCTDcugHYqAbgjwbdGWbZjnA/Buzzsprout - https://www.buzzsprout.com/1206320Currently listed on Apple, Stitcher, Spotify, Google Podcasts, and many others!Buzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

See omnystudio.com/listener for privacy information.

Why are we more comfortable talking about our voting preferences than our KiwiSaver balances?Luke Kemeys of Keep the Change tells us why money is New Zealand's last taboo — and the opportunity cost of that silence. So why do so many Kiwi avoid even sharing their finances with family? What’s the downside of our cultural love of holding cash? Is a culture of Tall Poppies holding back our economy?Luke shares his own history of credit card debt and the backlash to branding himself as a millionaire, and how normalising wealth conversations could make the whole country better off. For more places to follow Shared Lunch—check out http://linktr.ee/sharedlunch Shared Lunch is brought to you by Sharesies Australia Limited (ABN 94 648 811 830; AFSL 529893) in Australia and Sharesies Limited (NZ) in New Zealand. It is not financial advice. Information provided is general only and current at the time it’s provided, and does not take into account your objectives, financial situation and needs. We do not provide recommendations and you should always read the disclosure documents available from the product issuer before making a financial decision. Our disclosure documents and terms and conditions—including a Target Market Determination and IDPS Guide for Sharesies Australian customers—can be found on our relevant Australian or NZ website. Investing involves risk. You might lose the money you start with. If you require financial advice, you should consider speaking with a qualified financial advisor. Past performance is not a guarantee of future performance. Appearance on Shared Lunch is not an endorsement by Sharesies of the views of the presenters, guests, or the entities they represent. Their views are their own.See omnystudio.com/listener for privacy information.

This episode discusses best practices for using artificial intelligence (AI) for accounting and auditing purposes by using the STAR framework: Situation, Task, Appearance and Refine. *** This episode qualifies for nano CPE credit. Find out more at https://njcpa.org/nano. *** Resources:Writing an effective AI prompt for an auditAccounting and auditing articles and eventsJoin the Accounting & Auditing Standards Interest Group

Rachel Pigott works as an occupational therapist and serves as the Director of the Hand Therapy Fellowship at Johns Hopkins. In 1999, she received her bachelor's in occupational therapy from Towson State University and in 2016 she completed her Master's in Public Health at The University of Massachusetts Amherst. Rachel is both a certified hand therapist and certified lymphedema therapist. She has served on a volunteer basis with the American Society of Hand Therapists since 2009 and currently serves on the ASHT DEI Committee, ASHT Independent Finance Committee, and as the ASHT Annual Meeting Chair. Rachel is also a past president of ASHT. Rachel's preferred pronouns are she/her/hers. She has presented on various topics in hand and upper extremity rehabilitation including arthritis, wrist instability, fractures, trauma, patient centered care, orthotics, anatomy of the wrist, gender affirming care for the upper body, and lymphedema management and prevention related to breast cancer related lymphedema.Guest Bio: Rob McClellan has 23 years of experience working in hand and upper limb rehabilitation. He is an active member of the American Society of Hand Therapists serving on the Board of Directors as Secretary/Treasurer, and the Diversity, Equity, and Inclusion Committee. He is an active member of the American Association for Hand Surgery and is a past President of the Georgia Hand and Upper Extremity Special Interest Group. Rob is the Hand Program Coordinator for Physio/ Select Medical in Georgia-The views and opinions expressed in the Hands in Motion podcast are those of the guests and do not necessarily reflect the official policy or position of ASHT. Appearance on the podcast does not imply endorsement of any products, services or viewpoints discussed.

AI can scan thousands of stocks and decades of data in minutes—but should it be trusted to make the final call? In this bonus clip from Shared Lunch, Mike Taylor and Kent Williams of Pie Funds explain how they’re using AI to automate their day-to-day work. They unpack how the technology can speed up investment research, why they stop short of letting AI make trading decisions, and what the rise of the “T-shaped” portfolio manager could mean for the next generation of investors.This clip is a bonus from our previous episode 'Infrastructure: funding the next decade of growth?' For more places to follow Shared Lunch—check out http://linktr.ee/sharedlunch Shared Lunch is brought to you by Sharesies Australia Limited (ABN 94 648 811 830; AFSL 529893) in Australia and Sharesies Limited (NZ) in New Zealand. It is not financial advice. Information provided is general only and current at the time it’s provided, and does not take into account your objectives, financial situation and needs. We do not provide recommendations and you should always read the disclosure documents available from the product issuer before making a financial decision. Our disclosure documents and terms and conditions—including a Target Market Determination and IDPS Guide for Sharesies Australian customers—can be found on our relevant Australian or NZ website. Investing involves risk. You might lose the money you start with. If you require financial advice, you should consider speaking with a qualified financial advisor. Past performance is not a guarantee of future performance. Appearance on Shared Lunch is not an endorsement by Sharesies of the views of the presenters, guests, or the entities they represent. Their views are their own. See omnystudio.com/listener for privacy information.

Sound Healing with David Gibson Transforming Negative Beliefs Through Sound, Resonance, and Self-Love David Gibson explores how negative beliefs influence relationships, work, money, health, self-worth, and spiritual growth, then guides listeners through affirmations, vocal-toning practices, and embodied truths designed to replace limiting patterns with love, confidence, emotional balance, and a deeper sense of personal wholeness. Sound Healing Center Resources and Programs The episode opens with an overview of the Sound Healing Center and its related organizations, including Globe Institute, the Sound Healing Store, the Sound Therapy Center, and the Sound Healing Research Foundation. The introduction describes certificate programs, sound-healing instruments, vibroacoustic tools, research papers, treatment-plan resources, educational projects, and online information for listeners interested in sound therapy and related training. How Negative Beliefs Shape Everyday Life David Gibson identifies transforming negative beliefs as the central topic of the episode. He says limiting beliefs affect relationships, employment, income, health, self-image, and the ability to love oneself and others. He attributes these beliefs to sources such as mass consciousness, culture, religion, parents, education, advertising, and personal experiences, explaining that people often carry beliefs about not being intelligent, attractive, spiritual, emotional, successful, healthy, or worthy enough. Replacing Limiting Beliefs With Believable Truths Gibson teaches that a negative belief should be replaced with an affirmation the listener can believe completely, rather than with a statement that feels exaggerated or only partially true. For example, instead of claiming to be loving at all times, he suggests affirming, “My core essence is love.” He encourages listeners to speak or tone these truths aloud so they are felt physically and emotionally, not merely understood as intellectual ideas. Self-Worth, Appearance, Emotion, and Sensitivity The teaching addresses beliefs such as being unintelligent, undeserving, unattractive, too old, too emotional, insufficiently spiritual, overly critical, or too sensitive. Gibson reframes mistakes as part of human growth, the body as a vehicle for spirit, emotional awareness as something worthy of acceptance, and sensitivity as a strength that allows people to perceive subtle energy. Throughout the segment, he leads vocal-toning practices centered on intelligence, worthiness, physical acceptance, loving discernment, and the affirmation that sensitivity can be a superpower. Belonging, Relationships, Judgment, and Abundance Gibson also explores beliefs involving not fitting in, relationship difficulties, feeling unlovable, fearing other people's opinions, being invisible, lacking patience, and not deserving financial abundance. He encourages listeners to view relationships as opportunities for learning, recognize their own value without depending entirely on outside approval, and replace competition with collaboration. His discussion of wealth emphasizes caring for oneself first and allowing resources to move through a person in ways that may benefit others. Health, Self-Healing, and the Closing Self-Love Practice The final teaching section addresses beliefs about chronic health problems, aging, limited time, declining energy, and the perceived inability to heal oneself. Gibson encourages listeners to imagine themselves healthy, send sound toward areas of the body that need attention, and affirm that they are worthy of health, wealth, harmonious relationships, and other positive experiences. The episode concludes with a music segment combining “Loving Yourself” and “Overcoming Fear,” followed by an invitation to hug oneself, say “I love you” aloud, send that loving sound toward the heart, and continue carrying the practice forward. These healing statements reflect Gibson's views and should not be treated as medical advice or established scientific conclusions.

A former Buckingham Palace press secretary reveals officials actually inspected the jail cells at Slough Magistrates' Court before Princess Anne appeared there in 2002, just in case the Princess Royal was sent to prison. Plus, King Charles strips ten people of British honours, Jennie Bond argues the royal line of succession has become “ridiculous,” James, Earl of Wessex takes a summer job driving tractors at Sandringham, and Lady Louise Windsor debuts a new look after graduating from Saint Andrews.Become a supporter of this podcast: https://www.spreaker.com/podcast/palace-intrigue-harry-meghan-the-crown-royal-family-news-and-gossip--4522904/support.Palace Intrigue is a daily British royal family podcast covering King Charles, Meghan Markle, Prince Harry, Kate Middleton and the House of Windsor. New episodes every day. Follow on Apple Podcasts, Spotify, or wherever you listen. Part of the Caloroga Shark Media network.

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠In this segment of Notorious Mass Effect, Analytic Dreamz delivers a key breakdown of BTS members J-Hope and RM attending Chris Brown's joint concert with Usher at Rogers Stadium in Toronto on August 12, 2026. The pair shared Instagram Stories and posed for photos with Brown, prompting intense debate across ARMY communities. Analytic Dreamz examines Brown's legal history including the 2009 Rihanna case and 2026 affray plea, contrasts the outing with V and Jungkook's casual playlist moment, covers concurrent Google Gemini backlash and V's health disclosure, and analyzes fan criticisms of public association versus defenses of artistic autonomy. The discussion places the controversy in the context of BTS' ongoing Arirang World Tour and broader fandom tensions over accountability.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/exclusive-contentPrivacy & Opt-Out: https://redcircle.com/privacy

Hi. Conservative commentator Dave Rubin went on that "Surrounded" show and it didn't go well for him because he's a dummy.Hosted by Cody JohnstonExecutive Producer - Katy StollDirected by Will GordhWritten by David Christopher BellProduced by Jonathan HarrisEdited by Gregg MellerPost-Production Supervisor / Motion Graphics & VFX - John ConwayResearcher - Marco Siler-GonzalesGraphics by Clint DeNiscoHead Writer - David Christopher BellPATREON: https://patreon.com/somemorenewsMERCH: https://shop.somemorenews.comYOUTUBE MEMBERSHIP: https://www.youtube.com/channel/UCvlj0IzjSnNoduQF0l3VGng/join#DaveRubin #Surrounded #samseder JIYU's Glow Up Bundle is already up to 45% off right now, but our audience can now get an additional 20% off plus Free Shipping at https://jiyuskin.com with our code MORENEWS.Mondays don't move for anyone. Pre-Alcohol works overnight so you can have a real weekend and still show up sharp. https://ZBiotics.com/MORENEWS, code MORENEWS for 15% off.Pluto TV. Stream Now. Pay Never.Chapters:0:00 - Introduction1:15 - Dave Got His Ass Handed To Him10:31 - Dave Can't Come Up With A New Idea To Save His Life16:28 - No One Wants To Kill You, Dave24:01 - Dave Accidentally Worked For Russia30:20 - Why Is Dave Rubin So Scared Of Sam Seder?33:16 - Hey Buddy…50:43 - Dave, Are You Stupid or Just A Liar?57:00 - Hey Buddy, We Have To Talk About Your Friends1:01:18 - Dave Is Playing Make BelieveSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

August 11th, 2026 Follow us on Facebook, Instagram and X Listen to past episodes on The Ticket’s Website And follow The Ticket Top 10 on Apple, Spotify or Amazon MusicSee omnystudio.com/listener for privacy information.

Former Congressman Peter King joins Sid for his weekly Wednesday morning appearance on Sid & Friends in the Morning.

We react to a video involving the legendary ESPN broadcaster.

This video reveals how your skin uses glutathione to defend itself, how Dr. Nayan Patel solved its delivery problem, and why his topical antioxidant serum was clinically shown to improve the appearance of fine lines, wrinkles, and skin tone in just 1 week.You'll also learn:The molecule (glutathione) behind clinically-backed wrinkle reduction in 7 daysWhy oxidative stress, not just low collagen, drives visible skin agingHow free radicals damage collagen, elastin, and skin toneWhy glutathione is the body's "master antioxidant" for skin protectionThe 4 barriers any skincare ingredient must survive to actually work (bioavailability)The delivery system breakthrough (RO-GSH) that finally makes topical glutathione effectiveHow to use the full glutathione skincare system (serum, copper peptides, vitamin C) for results in one weekTry Danger Creatine: https://dangercoffee.com/products/danger-creatineTry TrueDark glasses: https://truedark.comTry Danger Coffee: https://dangercoffee.com/discount/davetubeTry Suppgrade Labs: https://shopsuppgradelabs.com/Thank you to our sponsors!PredictiveMind™ | Get your Brain Pattern Mapping report at predictivemind.io/dave and use code DAVE for 10% off.Viome | Check it out at viome.com and use code 16DAVE for 16% off. It's time to stop guessing and start knowing your body.iRestore | Reverse hair loss at www.irestore.com/DAVE and get exclusive savings on the iRestore Elite, use code DAVETimestamps:00:00 - Intro00:19 - Anti-Aging Drug Screening01:43 - Protein Restriction & Aging03:36 - New Skin Injectable05:23 - Arts & Longevity07:30 - Biohacking Interventions Reviewed08:51 - Semaglutide & Aging Clocks09:29 - Closing TakeawaysConnect with Dave Asprey!Website: https://daveasprey.comTikTok: https://www.tiktok.com/@daveaspreyofficialInstagram: https://www.instagram.com/dave.asprey/Facebook: https://www.facebook.com/Daveaspreyofficial/X: https://x.com/daveaspreyYouTube: https://www.youtube.com/c/daveaspreybprThe Human Upgrade Podcast: https://www.instagram.com/TheHumanUpgradePodcast/ https://m.facebook.com/Thehumanupgrade/Dave Asprey's BEYOND Conference: https://beyondconference.com/Dave Asprey's New Book - Heavily Meditated: https://daveasprey.com/heavily-meditated/Dave's favorite supplements: https://www.shopsuppgradelabs.com/discount/DAVE15Upgrade Labs: https://upgradelabs.com40 Years of Zen: https://40yearsofzen.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Megyn Kelly is joined by Glenn Greenwald, host of “System Update” on Substack, to discuss Cambridge professor Jason Arday resigning after mounting plagiarism accusations and lies piling up, him continuing to play the victim and lean on claims of racism, how Arday and his supporters allegedly used accusations of racism to silence critics questioning his credentials, the role elite institutions played in protecting Arday, Ariana Grande's disturbing new music video and increasingly concerning appearance, questions about who is enabling this situation, Perez Hilton's horrifying livestream before he was hospitalized, how a nonstop life on the internet may have contributed to the crisis, Whoopi Goldberg's claim that she shares the struggles of working-class Americans despite earning millions each year, Martha Stewart's swipe at Meghan Markle after Markle's attempts to build a lifestyle brand, and more. Then McKenna West, surrogate mother, her lawyer, Lincoln Wilson, and Lila Rose of Live Action, joins to discuss West's fight against an attempt to force her to have an abortion after the baby was diagnosed with a heart defect, the legal battle over parental rights and the surrogacy contract, and more.   Greenwald- https://greenwald.substack.com/ West- https://www.givesendgo.com/help-mckenna-fight-for-baby-gabriels-lif Rose- https://www.liveaction.org/ Wilson- https://first-fourteenth.com/team/lincoln-davis-wilson/   Supersure Insurance: Upgrade your business insurance to a year-round SuperAgency at https://Supersure.com/Megyn Byrna: Go to https://Byrna.com or your local Sportsman's Warehouse today. Relief Factor: Reclaim your mobility and celebrate your freedom from aches this year by grabbing your $17.76 3-week QuickStart at https://ReliefFactor.com or by calling 800-4-RELIEF. DailyLook: https://dailylook.com to take your style quiz and use code MEGYN for 50% off your first order.     Follow The Megyn Kelly Show on all social platforms: YouTube: https://www.youtube.com/MegynKelly Twitter: http://Twitter.com/MegynKellyShow Instagram: http://Instagram.com/MegynKellyShow Facebook: http://Facebook.com/MegynKellyShow Find out more information at:https://www.devilmaycaremedia.com/megynkellyshow Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Stop trying to fix your life and do this instead.