Podcast appearances and mentions of orlando gough

HERD is a musical and sculptural odyssey of epic proportions devised by Orlando Gough, bringing together community of makers, hundreds of local schoolchildren and many hundreds more members of music groups and soloists. Created with their own unique character, the 23 larger-than-life sheep are popping up across the district of Kirklees ths week, singing original compositions created especially for this project. Learn all about the technical process behind HERD's evocative soundscapes in this interview with expert sound designers, Sebastian Frost and John Del'Nero.

Last November I had the absolute pleasure and privilege to interview my dear friend and vocal powerhouse, Carol Grimes. In this interview we explore her decades spanning career paying particular attention to her broad range of singing styles and genres. The following, which I took from the Ronnie Scott's Jazz Club website in London, gives you a bit more of an inkling of her stature as a singer and the deep respect she commands as a vocalist, especially in the UK music scene.  Enjoy! Carol Grimes is one of the finest singers in British music. Her deeply personal project, 'The Singer's Tale', is an autobiographical show combining theatre, music and a grooving band!  The show weaves its stories, sometimes shady, mad and bad, but with music and song at their heart. Street Busker to Ronnie Scotts, from Notting Hill to Nashville and Memphis to San Francisco from Hackney to Texas and Eastern Europe but always returning to London. This raw, in your face, sublime performer takes you with her on a musical journey through her extraordinary life.   CAROL GRIMES A much-loved performer infusing folk, blues and jazz, came to the notice of the public when she joined the band Delivery in 1969 and recorded one album before departing for a solo career. Her debut solo album, Warm Blood (1974), was recorded with members of Area Code 615 and the Average White Band. She recorded her second album in Memphis, Tennessee, with the Brecker Brothers, Donald "Duck" Dunn, and The Memphis Horns. She founded the band Eyes Wide Open in 1984. Her career expanded into teaching and working in musical theatre. In the 1990s, she worked with the choir The Shout. As you can see below, in Carol's own words, she has been, and continues to be so much more:   “My name is Carol Grimes. I have been singing for my supper since the late 1960s. I began as a young, nervous Busker and fell in love with singing. Over time I became a Singer-Songwriter, Performance Poet, Voice Movement Therapist and Musical Director, founding the Sing for Joy Choirs in London, for people with neurological and other conditions and directed them for many years. I have recorded in the UK, USA, Sweden, The Isle of Jura and Poland. I became angry, seeing injustice, poverty and cruelty all around me and became an activist. The first Musician to step up for Rock against Racism, Sexism, Reclaim the night, singing for the striking Miners, the fire service, the Brunswick Women and refugee centres. In my life, I performed both in the UK and Internationally with my own Music with wonderful musicians and for Contemporary composers such as Orlando Gough, who directed The Shout, a contemporary opera, theatre company touring internationally with them for 12 years. From Japan to South Africa Canada and the USA and beyond, including performing at the Albert Hall in the Proms as a soloist - Blimey! I had my first book ‘The Singers Tale,' published in 2018 and many songs and poems published, recorded and performed over the years. I love writing as much as I love music. For more information, click on my Blog. The Singers Tale https://wordpress.com/posts/carolgrimes.com  also on Amazon Carol Grimes The Singers Tale, where there are some lovely reviews. Thank you.” https://soundcloud.com/user1698211 For full show notes and link to all the music played here go to www.yourfreevoice.com/podcast/episode28  

I'm really excited to share this brand new episode with a hugely talented Composer, Orlando Gough! Orlando's incredible skill and his craft is beautiful to behold, he really is a musical genius. I had a blast finding out more about him during this episode; his endless enthusiasm means that I could happily sit and chat to him for hours on end. We talked about his childhood trips to Chichester Festival Theatre; the beautiful crow language that he made up for a show that we worked on together; and his friend's wisdom of seeing past work as compost for future endeavours. This episode was a real treat to record, I hope that you enjoy it! If you fancy supporting the podcast please make sure that you like, subscribe, share with your friends far and wide. I'd really appreciate it! https://ko-fi.com/thatstheatredarling

本期节目我们一期聊下英国女性剧作家的卡罗尔·丘吉尔（Caryl Churchill） 1982 年首演的全女班话剧，Top Girls。这出戏写于英国第一位女性首相如日中天的八十年代，同时英美都处于自由经济高速发展，社会主义阵营萎缩的时期。本期嘉宾是方曌和Gigi。支持文化土豆，请访问我们的官网： www.culturepotato.com大英百科全书对丘吉尔对介绍：When Churchill was 10, she immigrated with her family to Canada. She attended Lady Margaret Hall, a women’s college of the University of Oxford, and remained in England after receiving a B.A. in 1960. Her three earliest plays, Downstairs (produced 1958), Having a Wonderful Time (produced 1960), and Easy Death (produced 1962), were performed by Oxford-based theatrical ensembles.During the 1960s and ’70s, while raising a family, Churchill wrote radio dramas and then television plays for British television. Owners, a two-act, 14-scene play about obsession with power, was her first major theatrical endeavour and was produced in London in 1972. During her tenure as resident dramatist at London’s Royal Court Theatre, Churchill wrote Objections to Sex and Violence (1974), which, though not well-reviewed, led to her successful association with David Hareand Max Stafford-Clark’s Joint Stock Company and with Monstrous Regiment, a feminist group. Cloud 9 (1979), a farce about sexual politics, was successful in the United States as well as in Britain, winning an Obie Award in 1982 for playwriting. The next year she won another Obie with Top Girls(1982), which deals with women’s losing their humanity in order to attain power in a male-dominated environment. Softcops (produced 1984), a surreal play set in 19th-century France about government attempts to depoliticize illegal acts, was produced by the Royal Shakespeare Company. Serious Money (1987) is a comedy about excesses in the financial world, and Icecream(1989) investigates Anglo-American stereotypes. The former received an Obie for best new American play.The prolific Churchill continued to push boundaries. In 1997 she collaborated with the composer Orlando Gough to create Hotel, a choreographed opera or sung ballet set in a hotel room. Also that year her surrealistic short play This Is a Chair was produced. She later explored issues of identity in A Number (2002), about a father and his cloned sons. For the drama, Churchill won her third Obie for playwriting. Also in 2002 she won an Obie for sustained achievement. Her subsequent works included Love and Information (2012) and Escaped Alone (2016).节目中提到的作品信息话剧Top Girls，卡罗尔·丘吉尔播放流国内：https://www.bilibili.com/video/av8515768播放流国外：https://youtu.be/iGWD0r0f9GoS话剧愤怒回首，奥斯本https://book.douban.com/subject/3295251/小说金色笔记，莱辛http://culturepotato.com/blog/085话剧Owners，卡罗尔·丘吉尔https://www.douban.com/location/drama/25765933/皇廷剧场Royal Courts Theatrehttps://royalcourttheatre.com/about/电影洛基恐怖秀 , Richard O'Brienhttps://movie.douban.com/subject/1292050/电影三块广告牌， 马丁·麦克唐纳https://movie.douban.com/subject/26611804/博客伊莎贝拉·伯德的中国摄影之旅https://book.douban.com/review/7479519/回忆录不问自语/とはずがたり，後深草院二条https://www.amazon.com/Confessions-Lady-Nijo/dp/0804709300/油画Mad Mag，Pieter Bruegel the Elderhttps://www.museummayervandenbergh.be/en/page/mad-meg人物琼安教皇https://zh.wikipedia.org/zh-tw/女教宗瓊安人物耐心的格瑞塞达https://en.wikipedia.org/wiki/Griselda_(folklore)非虚构通往维根码头之路，奥威尔https://book.douban.com/subject/26587222/电影饮食男女，李安https://movie.douban.com/subject/1291818/电影海街日记，是枝裕和https://movie.douban.com/subject/25895901/电影珠光宝气，戚其义https://movie.douban.com/subject/2996855/电影千年女优，今敏https://movie.douban.com/subject/1307394/ See acast.com/privacy for privacy and opt-out information.

Accompanying the full-length online broadcast of Shobana Jeyasingh's latest work, Staging Schiele (available until the end of 2019), Episode 5 of Surface Tension charts the process of creation, rehearsal and touring of the piece. Presenter Sanjoy Roy introduces the latest production which the company have just toured, Staging Schiele and talks to Shobana about the origins of the piece and how her interest in the life, work and death of Egon Schiele was sparked. Conversation covers the rehearsal process, what parts of Schiele’s life and paintings were reflected in the choreography and themes of the male artist and the female nude. Shobana describes the sections of the piece: Mirror / Doppleganger / In the Studio (later called Radical Nude / Censor / Relationships (Schiele with his mother, wife and muse). We jump back to May 2019, when Shobana and company were in the research and development phase for the piece. We talk to company dancer Dane Hurst, who took on the Schiele role, about the research period and using imagery to inspire movement. Fast forward to September 2019, when Sanjoy caught up with Shobana whilst she was making changes to the storyline. Then we hear from composer Orlando Gough, where he talks about the notion of anxiety and how to incorporate it within the music. The music is almost all sung, whispered and shouted by one male voice, which we assume to be Schiele. Next we chat to menswear designers COTTWEILER: Ben Cottrell and Matthew Dainty who talk about getting a feel for Shobana’s take on Staging Schiele, research processes and meeting the dancers before starting to design the costumes. They take into consideration how possible fabrics react to the lighting, stage and set in a very detailed way. Ben Cullen Williams, visual artist, describes his approach to designing the set, a location for the piece. He designed the steel frame structure to be collapsable and flatpack so it could fit in a van. The set provided a structure for the piece but also the psychological state of Schiele which the dancers existed in. The lighting was designed to give a sense of disturbance, unease and anxiety with constant flickering and twitching in and around the set. November 2019, in the foyer of Queen Elizabeth Hall after the London Premiere of Staging Schiele Sanjoy interviews Orlando Gough about the ‘most intense dance piece I’ve ever seen’. Dancers Catarina Carvalho, Dane Hurst and Estela Merlos talk about performing across the duration of the tour, injuries, how they supported each other and how the tone of the piece matured and changed. Finally we talk to Shobana after the performance, about the audience reaction and energy in the auditorium, the challenges of putting on a show, the creative team achieved, and the ’synergy of vision amongst the creative collaborators’ on Staging Schiele.

In one of its most ambitious and magical productions to date, The Voice Project has created an epic 10-hour choral work to be performed overnight in the grounds of historic Firle Place, one of England’s most beautiful country houses. On arrival, guests will be given a bed each before spending the night surrounded by sound and shadows, poised between sleep and wakefulness as the Choir performs music specially commissioned from leading composers Helen Chadwick, Orlando Gough and Jonathan Baker. We hear from the project's co-creators. Event Details: [https://brightonfestival.org/event/13522/the_arms_of_sleep/](https://brightonfestival.org/event/13522/the_arms_of_sleep/) To find out more about Brighton Festival see : http://brightonfestival.org To find out more about RadioReverb - the Broadcast Media Partner of Brighton Festival 2018 see : http://radioreverb.com #Brighton #Arts #Culture

With John Wilson. Lenny Henry returns to the stage after a succesful run playing Othello. He now stars in the Pulitzer prize-winning play Fences by American playwright August Wilson. Lenny Henry discusses the importance of the play and the challenge of memorising his lines in a role where he's rarely off the stage. The winner of the CILIP Kate Greenaway Medal for children's book illustration is announced today. Previous winners include Raymond Briggs, Shirley Hughes, Lauren Child and Quentin Blake. John talks to this year's winner. The foghorn is a disappearing sound from the British coastline - increasingly made redundant by the advances of GPS technology. Now an ambitious project is using GPS technology in the service of a Foghorn Requiem. Composed by Orlando Gough, the requiem features three brass bands, a flotilla of vessels positioned offshore, and the Souter Lighthouse Foghorn itself. Composer Orlando Gough and artist Lise Autogena discuss a one-off musical performance that aims to fuse the sounds from land and sea. In tonight's Cultural Exchange, Joan Bakewell discusses her choice - Luchino Visconti's sumptuous 1963 film adaptation of di Lampedusa's novel The Leopard.

Composer Orlando Gough talks about what a fanfare is and how he composes fanfares and what inspires him to write them.

One of five fanfares composed by Orlando Gough as a resource for young people entering the annual Royal Opera House Fanfare competition.

One of five fanfares composed by Orlando Gough as a resource for young people entering the annual Royal Opera House Fanfare competition.

One of five fanfares composed by Orlando Gough as a resource for young people entering the annual Royal Opera House Fanfare competition.

One of five fanfares composed by Orlando Gough as a resource for young people entering the annual Royal Opera House Fanfare competition.

One of five fanfares composed by Orlando Gough as a resource for young people entering the annual Royal Opera House Fanfare competition.

One of five fanfares composed by Orlando Gough as a resource for young people entering the annual Royal Opera House Fanfare competition.

One of five fanfares composed by Orlando Gough as a resource for young people entering the annual Royal Opera House Fanfare competition.

Composer Orlando Gough talks about what a fanfare is and how he composes fanfares and what inspires him to write them.

One of five fanfares composed by Orlando Gough as a resource for young people entering the annual Royal Opera House Fanfare competition.

One of five fanfares composed by Orlando Gough as a resource for young people entering the annual Royal Opera House Fanfare competition.

One of five fanfares composed by Orlando Gough as a resource for young people entering the annual Royal Opera House Fanfare competition.

Find the scores for composer Orlando Gough's five Fanfares that were composed specifically for the Royal Opera House Fanfare competition.

Find the scores for composer Orlando Gough's five Fanfares that were composed specifically for the Royal Opera House Fanfare competition.