Podcasts about Talking Heads

New York has always been – bold statement coming up – my favourite music city. No question that it's connected to my life changing discovery of the Ramones way back when. I still can't walk past the Guild Hall in my hometown of Preston without a couple of nostalgic tears forming for when I first saw them play there  – I tried my best not to wash off the water that Joey threw over me when things were getting a little hot. But getting back on track… all those New York musicians over the years – infinitely different stylistically, but almost always identifiable as a New York “sound”. I don't know what it is – and hindsight's a glorious thing to have – but could the Ramones, Blondie, Public Enemy, Roxanne Shante, Lou Reed, Talking Heads, Swans, Sonic Youth, Yeah Yeah Yeahs, Nas, have existed anywhere else and created their own distinctive sound yet is still a New York sound? Jesse Hartman's, Laptop, goes back to the late 90's – such a divisive decade. I really feel Laptop were ahead of their time and this is perhaps part of what makes New York New York – that ability to be ahead of the pack so often . They had the cinematic monologues, the rebellion, the self deprecation, the love, the heartbreak, the nostalgia and an ability to cross generations. I say that because I'm 20-odd years older and their second coming is here and I'm still hooked.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

I denne uges udsendelse skal vi se nærmere på Spotify's nye gimmick ”listening age”, hvor man finder ud af, om man passer med sin alder, sådan rent musikmæssigt. Vi anbefaler 80'er musik fra indiefavoritterne fra amerikanske Talking Heads, og et nummer taget fra en britisk juletegnefilm og fremført af en 14-årig walisisk kordreng, og så overvejer, vi hvilken betydning salget af Royal Arena til Live Nation, kan få for det at gå til koncert. Derudover prøver vi at opklare hvad Billie Eilish og James Cameron har gang i, vi prøver at finde ud af hvor hurtigt man kan komme over en halsbetændelse, vi prøver at huske en gammel (og måske lidt halvkedelig) musikdokumentar af Martin Scorsese, vi prøver at gætte os til hvad Whitney Houston ville have ønsket sig i julegave i 1985, og så bliver det desuden til mere eller mindre seriøse snakke om bl.a. morgenmadsprodukter i 90'erne, polyrytmer, symaskinekørekort, skråpuder, stigende tinnitus blandt unge og priser på flæskesteg. Playliste: Talking Heads - Once in a lifetime Aled Jones - Walking in the air Blink-182 - What's my age again Monopol feat. Karen - Musikken var høj Billie Eilish - Wildflower Pet Shop Boys - West End girls Wham - I'm your man Band Aid - Do they know it's Christmas Shakin' Stevens - Merry Christmas everyone Whitney Houston - Saving all my love for you Tony Bennett - The Christmas song (Chestnuts roasting on an open fire)

Pirmiausia palydėti kviečiame 1985-uosius – išgirsime ryškiausias ir šiandien rečiau prisimenamas britų bei amerikiečių naujosios bangos ir roko dainas, kurios tuo metu skambėjo Vakarų pasaulio radijo eteryje. Taip pat prisiminsime keletą įstabių albumų, pasirodžiusių tuo pačiu laikotarpiu.Grojaraštyje – The Alan Parsons Project, Grace Jones, Paul McCartney, Queen, David Sylvian, Talking Heads, The Waterboys.Ved. Lukas Devita

Hoy en La Gran Travesía viajamos hasta el año 1986 en un programa donde podréis escuchar a Iggy Pop, Depeche Mode, Green River, Guns N´ Roses, Police, Tesla, New Model Army, Megadeth, Talking Heads, Beastie Boys, Bon Jovi, Paul Simon, Joe Satriani, Genesis, Peter Gabriel.. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Daen Cho, Diego Román, Tole, Raquel, Poncho C, Contell Carles, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** Before recording Remain In Light, the Talking Heads and producer Brian Eno sought to dispel the notion that the group was simply a vehicle for frontman David Byrne by emphasizing collective groove, rhythm, and collaborative composition rather than traditional rock ego. Greg Proops talks to Josh to discuss the band and album.  Follow Greg on Instagram: https://www.instagram.com/proopdog/ DistroKid Artist Of The Week: Bad Suns https://www.youtube.com/watch?v=PHpk0rcm9vc Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on TikTok: https://www.tiktok.com/@joshadammeyers Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Josh's Website: https://www.joshadammeyers.com/ Follow DJ Morty Coyle on Instagram: https://www.instagram.com/djmortycoyle/ https://www.instagram.com/alldaysucker/ Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show's website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Jake Brend and Derek Duke dive into all the latest Big 12 news, from Kyle Whittingham potentially hanging it up to Brendan Sorsby hitting the transfer portal. Joel Klatt has an all-time bad take. Talking Big 12 Hoops and more courtesy of WealthCharter Retirement + Tax. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eric Frandsen and Jason Walker prepare for the Famous Idaho Potato Bowl.Post-practice interviews with Utah State players Brady Boyd and Tyree Morris.Joel Klatt has been drinking too much SEC Kool-Aid and does not believe in the NCAA tournament or Cinderellas.

This week, we recap our creative retreat and discuss focused inking for three pages (3:50), keeping your curiosity through the learning process (13:40), the unspoken language of comics (20:00), drawing versus writing when it comes to thinking (33:00), and things to think about when you thumbnail (40:30), before we revisit talking heads pages (51:40).

 When it just touches on these really profound themes and it's moving in a way that catches you off guard. Matt Nothelfer is a Committee Member of the Borrego Springs Film Festival and working documentary filmmaker.In this conversation, Matt talks:* Why small, community-driven festivals like Borrego Springs offer some of the best experiences for indie filmmakers.* How the festival creates a filmmaker-friendly environment: lounge, home-baked food, networking, and long Q&As.* The “secret weapon” of Borrego Springs: a local audience that fills a 180-seat theater from morning to night.* Why early-bird submissions matter—and when they don't.* How to spot scammy or low-value festivals on FilmFreeway through community presence, transparency, and online footprint.* Why filmmakers should focus more on storytelling and theme than technical perfection.* The blind-submission, five-category review process Borrego uses to evaluate films fairly.* Why small festivals often have the highest acceptance chances—300 submissions, 70–80 selections.* How writing a thoughtful, festival-specific cover letter can move a film from “maybe” to “yes.”* Advice to emerging filmmakers: avoid chasing 100 meaningless laurels and instead pursue festivals aligned with your goals.Thanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI-generated transcript of our conversation. Don't come for me.BEN: Hi everyone. This is Ben Guest and this is The Creativity Education and Leadership Podcast. Today my guest is Matt Telfer, who is a committee member for the Borrego Springs Film Festival. In this interview, we talk all things film festival, how to run a filmmaker friendly festival, and tips and tricks for submitting to film festivals.Enjoy.Matt, thanks so much for joining the podcast today.MATT: My pleasure. Happy to be here.BEN: So, I always like to start with a fun question, senior year of high school, what music were you listening toMATT: right off the bat with a curve ball? Alright, let's lay it out. I got the Talking Heads,BEN: the Cure,MATT: Like, let's see, what else?BEN: New Wave.MATT: Yeah, a little bit of the punk stuff. I mean, we got Pixies were, was I listening to the Pixies then? I can't remember. Yeah, so, uh, the Dead Milkman, stuff like that. The pubs, um, yeah, I had some of their records. You know, it's really frustrating ‘cause I had those records up until like five years ago and I left them at a colleague's house and they scattered to the wind.All that good stuff. Yeah. Anyway, I'm still a little bitter about that, but That's okay. My colleagues, my colleague was a friend and he, he deserved them.BEN: So you are a committee member at the Borrego Springs Film Festival. What? Yes, sir. And, and you've, you've held a variety of roles there and, and off air, you're saying sort of lately you've been focused on.You know, the pre-production of the festival, the website, getting the materials together. Correct? Correct. Reaching out to filmmakers, et cetera. Talk to me, talk to us about what are the fundamentals of running a good festival?MATT: Well, our context is that we're super small and modest. Uh, like we were saying before the interview, uh, officially started, we are literally a, a tiny little village in the middle of a giant state park.Actually the biggest state park in the lower 48 states desert community. We're actually just south of Palm Springs and, uh, there's like 3000 full-time residents here and, uh. So running a film festival in a place where there's literally. Not really a commercial market, it's a different type of animal.And um, so we kind of do everything on a very tight budget and we try to personalize stuff as much as we possibly can. We, since we can't really throw a lot of money at stuff, we just do everything we can in other dimensions.BEN: What's an example of that?MATT: Just trying to be considerate about stuff, uh, being friendly to filmmakers that are willing to submit and to get, and that also get accepted. So when they come here, it's a personalized experience. We work pretty hard on creating a filmmaker's lounge where folks can gather and network with each other throughout the entire uh.Five days of our film festival and while they're at the film festival and they're talking to each other, we also have food available for ‘em. One of our great committee members, her name's Pam, she literally will bake stuff in the evening and bring it in in the morning. So you have fresh pastries, cookies, coffee, like fruit vegetables, just everything laid out.And you know, there's really not a huge expense to do that, but you need like the right people to do that, so that's the thing that kind of makes our festival a little bit. Different, I guess in a way is like there's a personalized aspect to it and we spread that type of attitude across all our stuff.So we're gonna have like four parties during the entire festival, and all those parties have similar type of vibe.BEN: The reviews that I read online, um, on film freeway filmmakers were saying that it is, it's a film, it's a filmmaker friendly. Festival.MATT: Yeah. Because, you know, that's what we can do. Mm-hmm. Like, you're not gonna travel to a remote place in the desert and, you know, run into a bunch of industry folks.Usually there are exceptions to that. And, uh, as our. Film festival has gotten a little more solid, and we occasionally have some industry people coming in. Most of the time it's indie filmmakers. You know, we might have some elbow rubbing that this kind of neat. But for the most part, you know, these are just small independent filmmakers trying to do their thing and.Wanting to share their films with an appreciative audience. And aside from, being very personable, uh, with the committee and with the staff that run the film festival, one of the great things about our particular film festival is that the community is a huge part of what we do. The event they show up, we have 180 seat theater and it's full from 10:00 AM in the morning until eight o'clock at night.Oh wow. Every block and wow. It's been that way since the beginning, and it's not because of anything that we do on the committee, it's simply because the community wants to be a part of it. And so that's kind of our secret weapon, is like you show up as a filmmaker and like, oh man, I got, I got scheduled for the 10:00 AM block.They, and then they, they show up and like, what's going on here? This is look back. And then at the end of it, you know, there's an extended q and a. We don't. Push our blocks back to back really tight and there's plenty of time just to like relax and having interaction with folks and some q and as will go on for like a half an hour, if not more.And it's just, you know, so that's a unique thing that just kind of emerged without effort. And we take credit for it and we're excited that we can offer that. But you know, it wasn't any, it wasn't by design, it was just kind of like, cool. This is working.BEN: As far as festivals go, it sounds like filmmaker heaven.MATT: Well, you try to, we definitely try to be. And the dude that got this whole thing rolling, his name's Fred G and he has lived in this little community for a really long time, and he's a great guy and he's one of the reasons why a lot of people show up because, you know, he's just one of those kind of like community, uh, he's, he'll be really upset if I use this phrase, but he's like a town elder. Mm-hmm. You know what I mean? Mm-hmm. Mm-hmm. So just having that type of guidance and having that type of person that can kind of unify the entire event, I. Is really great. And again, like I said before, it's kind of our secret weapon is that we have like this great community that's willing to be a part of a filmmaker's storytelling in so much as like they'll sit there, they'll react to it, they'll ask questions about it afterwards.So yeah, if you're. A filmmaker that wants your film to be seen by actual eyeballs and actual people that are engaged. Mm-hmm. Then film festivals like ours, which there are many around, around the world. You gotta search ‘em out. As a filmmaker, you've gotta. Start getting discriminating. You've gotta really pay attention to what films are film festivals are offering and try to be a part of those kinds of environments, if that's what you want.BEN: So this is great because you're, um, you are part of the Bgo Springs Film Festival, you're also a working filmmaker. What are some other festivals that you've attended or know about that have a similar sort of filmmaker friendly vibe?MATT: Full Bloom film festival in North Carolina for sure. The WYO Film Festival in Wyoming, we enjoyed that a lot.My wife and I who are documentary filmmakers, we've taken our film films there. And again, you know, it's the exact same recipe basically, you have a core group of citizens that are willing and able to show up and be a part of an event. So when you sh, when you arrive as a filmmaker and you sit in the audience, you're not alone with, or if you're in the audience and you're only with other filmmakers there to screen their movie, you know?Yeah. You know that, you know that feeling. We've been there, right? We've been, we've all been there and, and we don't. Film festival is like what we're talking about right now. They don't wanna offer that. They want it to be something, even if they sometimes fall short, which has happened with us, we've had blocks where, maybe there's only 50 people in the audience and, you know, half of the audience might be filmmakers.But that is such a rare thing anymore. You just wanna be offering something to filmmakers. Make them feel appreciated because we know how hard it is to make these things and even and to be willing to share that in front of other people and, ask and answer questions it's a special thing and we wanna nurture that as much as possible and sort of those other film festivals.Love it. Yeah.BEN: Yeah. So we, I, I first came across you on Reddit on the film festival subreddit, and you were offering good advice and thoughts on, for filmmakers applying to festivals, how to think through strategy. So I guess for all, yeah. I mean, did you hear Yeah, help us out.MATT: Yeah. Did you, when you were reading that stuff, I mean, what kind of hit you as like the most relevant?BEN: I think it's two things and since I, I just have a documentary. I finished and am submitted a film festivals. I've read a bunch of stuff. Seen a bunch of stuff, so I may conflate some of the things that you said versus something I saw elsewhere. But two things. That's all right. I'llMATT: take credit for it.BEN: One is know what your goal is ahead of time, right? Oh, yeah, absolutely. To, be it the, be it a filmmaker friendly festival with good parties and events and networking. Is your goal to get exposure? Is your goal to meet people in the industry? Is your goal mm-hmm. To get laurels? Those are all different worthy goals, but they all will change your strategy and your approach for film festivals.And the second is, you know, submit to, don't submit to 50 festivals. Submit to 5, 6, 7, see what the results are and then adjust from there.MATT: Oh, absolutely. Yeah. So yeah, when we're talking strategy, that's so important and, and we can speak about it from the perspective of the Borrego Springs Film Festival because, you know, knowing the context of the type of festival we are now, if you were a filmmaker that was searching out, let's say.A bunch of like publicity for, you know, some type of, media push. It's like, would you necessarily want to come to Bgo Springs? Maybe yes, maybe no. It depends on how you played it, but. The main reason you would be coming to Borrego Springs, we feel is because you want that personal interaction and you want feel special as a filmmaker and you want to share your stuff with us, and we want you to share your stuff with us, right?So you're absolutely right when you're initial initiating your kind of film festival search as a filmmaker, you really gotta narrow down what your expectations are. And figure that out. I can speak as a filmmaker as well. It's like if you're gonna go someplace and spend money to do so, I mean, at the very minimum you squeak by on a budget of 500 bucks, then that's kind of like dirt cheap to go someplace and then return home.You know? That's still a lot of money. Mm-hmm. And that's, that's probably like. The least amount that you would ever be able to spend and you would need help, like getting lodging, which we try to offer to our filmmakers. Um, you know, how are you gonna, what are you gonna do? What are you going to eat when you get there, which we try to offer to our filmmakers.And, you know, all those things become part of the calculus, right? Mm-hmm. Especially when you're independent, mm-hmm. I would ask you is like when you're trying to submit, what are you aiming for right now?BEN: So great question. So I'm aiming for trying to get multiple laurels and I'm in, in a little bit of a different situation, I think, than most filmmakers.So I, I have an academic background, I have a PhD, and ideally I'd like to I've worked at various universities. In the ideal world, I'd like to go back overseas and teach film at a university. And so in the world, in the world of academia, you know, there's this phrase, publish or perish, right? You have to publish academic journal articles, publish.Mm-hmm. In film, in the world of filmmaking, academia, a film festival run. A film festival. Acceptance is like a journal article, right? Um, maybe if you do a feature film that's like publishing a book, this is sort of, uh, roughly equivalent to getting a, a journal article published. So I want to sort of garner a number of laurels so that I can indicate, you know, this, this short plate at these 10 different film festivals.MATT: Okay, so the credentials matter, right? Correct. It's kind of like that kind of that'sBEN: exactly right. LittleMATT: trophy on the mantle, as it were. Mm-hmm. Yeah. Yeah. Okay. So, um, I'm gonna ask you another question if that's okay.BEN: Yes. I feel like I'm getting a All right. Free film festival, um, consulting.MATT: Perhaps, I don't know about that, but when you are pursuing the laurels and, you know, everything's kind of like filtering through film freeway these days. Mm-hmm. So what's your strategy as far as like finding those types of film festivals that you think are going to, allow you to get those laurels on your poster or whatever?BEN: Yeah. Another great question. So couple things. One is it's a doc. My latest is a documentary short, and it's, it takes place in the world of improv comedy. And the two subjects are two black women. So looking at festivals that either are geared towards comedy, towards documentary shorts or towards black themes and African American themes. One of those three or, or, um. Themes of uh, women in, in general. Sure. Well, if I couldMATT: interrupt real quick, please. Yeah. So it seems like you're trying to basically still maintain some integrity as far as that goes. It's like, yeah, I'm not relevantBEN: all like the fly by night, if you submit, we'll give you the, you know, the UP award.Yeah, exactly. Well, that, that's why I'mMATT: asking because. Okay. Because that's why I'm asking because, there are plenty of, you know, weird little festivals that are floating around the mill fly by night, that,BEN: thatMATT: come, that come and go. And if you want to get a hundred laurels on your poster, if that's, you know, what makes you feel good, then you could definitely do that.But at least what you're saying is like, okay, let's make sure that what's happening with my film has integrity, has, has a shape, and has, something that means something after, you get accepted.BEN: Yes. Oh, a hundred percent.MATT: And the reason I bring that up is because, you know, as a small film festival we struggle with getting we just struggle competing with what's out there on film Freeway, let's put it that way.BEN: You know, because Talk about that. Break itMATT: down. Yeah. You know, it's just, as anyone knows that's trying to do this thing, it's like you hit film freeway and they're a great platform. I'm not, complaining about them at all, but there's just a lot of stuff on there that is more or less as a filmmaker or relevant.I mean, would you agree with that?BEN: Oh, a hundred percent.MATT: Unless all you're wanting to do is just get one laurel to put on your, on your poster, so you know. Maybe they offer a little bit of something. But as a filmmaker, I've been to the ones that don't offer much anything aside from a screening and even, and it's like I'm lucky enough to even go to ones that have physical screenings.A lot these days are just like, oh, we'll slap it online and call it good. So, you know, uh, let's be honest, there's a lot that are just out there and they're just trying to churn. Make some money. So as a small film festival, we're competing with that stuff and we've seen our, uh, submission rate decline, not necessarily a bad thing for us.Mm-hmm. But for other film festivals, I imagine they might be getting frustrated with it. We are actually perfectly comfortable with where we've kind of landed and the groove we've been in since the pandemic. Even a little few years before then, and we haven't tried to kind of like change our recipe much.So we're just happy with the amount that we're getting. We're happy with the amount that we're accepting and we're pleased with how we're screening stuff and the opportunities we're giving people. But I do feel, from what I've seen, it's becoming. Uh, it's just, it's a bit, it's a bit difficult to navigate the slop.Let's just break it down like that. Yeah. And I don't know if you're feeling if you're experiencing the same thing or not. I'd be curious to, to see what you, what you say.BEN: For a hundred percent, so I, I made a few documentaries in the late 20, 2011, 2012, and that was right when Without a box, which was filmed free, right withoutMATT: a box.BEN: Started and it was great because instead of having to burn a bunch of DVDs and physically mail them, you could just upload your film and then submit it to a bunch of festivals. Research a bunch of festivals. Great. Coming back to it now in 2025, it's Scam Central and I think unfortunately one of the things you, you have to spend a bunch of time doing is trying to figure out which of these festivals.First of all, which of these festivals are just legit in that they're not trying to just mm-hmm. Get money from you. They're gonna do a virtual screening and that's it. And then once you even get that breakdown, kinda like you said, which are festivals that are legit, that, that have good people working hard, good intentions, you're proud to show your film there versus they're just churning through submissions and fees.And chart, have a bunch of deadlines and a bunch of different slots you can apply for. They're not the exact opposite of how you describe Borrego Springs.MATT: Yeah. And you have to, as a film festival, at least in our opinion over here, it's like you have to bring that value to the table or else why?Why are you really doing it? And if that answer is like, you're just some guy sitting in an apartment somewhere trying to make a lot of money or a living, I don't know if you can make a lot of money doing this.BEN: Mm-hmm.MATT: Um, but. If you're just doing a film festival that is literally fly by night because you want to cash in, it's like, that's really unfortunate.Now the other side of that coin is like we see a lot of very earnest filmmakers submitting and, uh, they might not be the most technically adept. And they're fresh out of the gate as far as like trying to be a filmmaker. So they're very eager and you know, they just want to tackle everything all at once, and they end up you know, they're not really exercising any discrimination about where their films are going and they end up, you know mm-hmm.Kind of wasting a lot of money in that regard. Submitting, the, submitting, submitting without much, kind of emotional reward from it. And I think,BEN: yeah.MATT: Having some type of like positive feedback about what you're doing is great, even if it's whatever.But. It really helps to have a place to land where you feel like super special and cared for and considered and not just like, oh, I showed up and, it cost me $10 to get into my own movie and it's costing me $20 to, buy a cocktail over here and, you know, those kinds of things.If you're even lucky enough to get that, honestly.BEN: Right. What's your advice on spotting scams when you're applying to festivals?MATT: How to be discriminating as far as like submitting?BEN: Yeah,MATT: I mean I can only approach that from our, my wife and i's own experience trying to get our films into festivals. And with the insight like working on a film festival, I think that helps.But trying to spot ‘em is really, you got to. Try to get a sense if there's any type of community involvement going on mm-hmm. With the festival. And you can usually track that online if you're, you know, if you're a bit sleuthy, and you can find out if it's being supported by the community in some sort of way.Mm-hmm. And it shouldn't take you too long to figure that out with a couple of decent, online searches and follow in a few threads of information. Another thing is, is like if they're kind of nurturing their online presence, you know, it doesn't have to be super sophisticated. You just have to get a vibe that they're trying.And if, if you get that kind of sense, then it's worth the effort. Typically the other thing is you gotta really know what type of film festival that you're submitting to, right? If you're making documentaries, you're not submitting to, you know, a feature film, festival Right. In every festival.So yeah. Core effects. So I, yeah. You know, it's just being, making those obvious decisions. But when you dig beneath that superficial stuff and you get past like the obvious. Really try to get a sense about what you want yourself as a filmmaker when you go to a film festival. And for us it's like getting appreciative eyeballs on the film and giving us fun feedback and having a good time and interacting and, and doing some networking, uh, basically having a party and celebrating your film.Mm-hmm. And I think that weBEN: think about, yeah, sorry, go ahead.MATT: I think that this, that's important for us, so I imagine, and I, I would think that it's important for other people that are making movies as well. Yeah. If we, about, especially independently.BEN: Yeah. Yeah. You know, there's you were alluding to very little money in it, but, um, there are, there are rewards.Yes. One of the biggest of which is seeing your film in a packed house with an engaged audience. What from a screener perspective, from a film festival perspective, what are some tips you would give up and coming filmmakers, young filmmakers on their short films in particular mistakes that you see et cetera, et cetera.MATT: I would say the biggest mistake, especially as a, a young filmmaker, is concentrating so much on the technicalities of the craft and ignoring the storytelling. Um, you know, we, you mentioned, and we mentioned before about like when we started, uh. Kind of submitting to film festivals. This was basically what, like 15 years ago for both of us now, right?2010s, 2012, whatever. Mm-hmm. The technical back then could elevate you above everything else back then. Like today. You know, look, anyone that has a, has a mobile telephone, essentially has the skillset it takes, or not the skillset, but the technical wherewithal.AnBEN: outstanding camera.MATT: Yeah. Yeah. And the point being is like you can go out and you can create something compelling without the gate of the technical getting in the way. Uh, you can capture it. And it doesn't have to look like a million bucks. It's nice if it looks like, you did a big budget thing on a small budget.I'm not knocking the craft of anything. I'm just saying don't be so intent. Or maybe even don't even worry if like, it falls short technically a little bit. ‘cause I will. Guarantee you that a film is gonna get into a film festival based on if it's a compelling story with a good theme or not. And theme is another thing that a lot of folks don't necessarily appreciate, I don't believe.Just to give you a little bit of insight, our film festival. Is the selection committee are not industry professionals. They are regular citizens. They're just watching movies to help out our film festival. Now, try to imagine what that means. It's like folks don't focus on the technical unless it's an absolute train wreck.They will literally sit down and say, is this something I'm interested in and am, am I engaged with the story? Full stop. So that's where, that's the thing you have to focus on. And if you're not doing that as a filmmaker, okay, maybe you're just, you know, maybe your thing is gonna be, you're just a cinematographer, you're just a sound guy.You know, you're more crafty than you are. You know, a storytellers you gotta find that. You gotta find that place. That would be the main thing, because I know we, we. This, I think this is a good thing about our particular film festival is that we have taken in some films that probably weren't like technically as good as they should have been, but because they are just so.Compelling. We don't ignore it like we do pay attention to the craft, but if a story elevates beyond the craft, we're more than happy to bring those folks in. And when those folks come in, they're like, oh my gosh. You know, it was like we're having a hard time getting accepted to film festivals and we're so grateful that you took our film and we can't believe the response that we're getting.Um, they tend to be the best. Most enthusiastic filmmakers and attendance of anybody. Mm-hmm. They're not cynical, you know, they're not burnt out, they're just like over the moon.BEN: They're happy to be there.MATT: Yeah. And it, and they should be. And they're gonna spread the word ‘cause they, they've created something.Yeah. Wonderful. Now, you know, maybe it's underexposed, maybe it's overexposed. Maybe the audio's not great here and maybe the audio's okay there, whatever. It's compelling. That's the main thing. And you and you as a filmmaker really need to start analyzing. My wife and I do this all the time. It's like, what the heck are we making here?Are we making something that is compelling to us personally? Mm-hmm. Are we making something that's compelling to other people? Mm-hmm. It's two different things.BEN: Mm-hmm.MATT: I mean, that's right. So storytelling is hard.BEN: Yeah. That's the craft. It's storytelling.MATT: Yeah.BEN: Yeah, yeah. What does your, so you've got screeners, not industry folks, people just who appreciate films and filmmaking.What does your judging sheet or criteria sheet look like with your screeners, and what's the process that a film goes through?MATT: Here's another thing about our particular film festival. We're completely blind. Submissions. You know, we do not solicit anything. It's like early days we were kind of like poking around and asking for some folks to kind of consider us, but we've kind of let that fall by the wayside.Maybe that's one of the reasons our submissions have declined a little bit over the years. One of the factors, but regardless completely blind submission. So. Stuff comes in. We have a bunch of people that are at the ready and they start watching it, and we basically have a five step process.It's like, consider this, consider this, consider this, consider this. And they do that. And they mark it from scale of one to 10. And, uh, from that we kind of start our, fundamentallyBEN: what are, what are the different, consider this. Like what are the categories?MATT: Let's see. I gotta look it up, but it, it basically breaks down to, okay.Are you sentimentally engaged with this? Meaning, is it, is it a subject matter? I love that questionBEN: that,MATT: yeah, it is a subject matter that you. Like just offhand, like, okay. It's a, it's a nature movie. See, I love nature movies. Oh, I see. Are you, you see what I'm saying?BEN: Predispose, I thought, I thought you meant was the film engagement.MATT: No, no. It, no, it's, it's, it becomes both. It becomes both, right? Yeah. Because your sentimental attraction to something is going to create an engagement. So we kind of wanna know if, uh, our regular folks are like just locking into something because they just love the subject matter.BEN: They make the topic.Yeah.MATT: Yeah. Um. Then from there we do actually talk about craft, even though I was saying before, like, uh, don't worry so much filmmakers about the craft anymore, but we wanna make sure that you can hear it. Okay. It's not a total disaster with the audio and you can see everything. Okay. So we ask them to rate it on that scale.And then, um, other, you know, just more nuancey things is like, okay, is the pacing cool? In other words. Did you find it like it was dragging a lot or it was, too fast? How's the editing style? Those kinds of metrics. And there's actually a few other ones in there as well. So all that is just kind of thrown into the pile.Mm-hmm. And then from there we start to weed that out as we come to after like all the submissions come in and from. Once all the submissions come in and our, our deadline has passed, then the committee jumps in and starts doing a more nuanced type of an analytical thing to the films that have been submitted.But I will say that regardless of how we kind of shuffle things, once the deadline is closed, the people that watch our films and the committee members are usually. Copacetic. There's hardly anything that that changes. And, um. The nice thing about our particular film festival too, is like if you're a filmmaker submitting, you know, I'll just, I'll give you the numbers.We essentially get like 300 submissions, so it's not a lot. Mm-hmm. Um, and out of that 300 we are running a sub, we're running a screening rate anywhere between like 70 to 80 movies a season. Mm-hmm. So that's a really good. That's a really good, uh, opportunity to get accepted at a film festival, and that's why small film festivals might be the best bet for a lot of independent filmmakers, I think.Mm-hmm. You know, because you have that opportunity to get noticed. So I think I might have tangent, I went off tangentially a little bit there, so if you wanna pull me back in.BEN: Yeah. You went off tangentially, but in a great way. I mean that I want to appreciate the transparency with the numbers. I interviewed, um, the director of the Wyoming International Film Festival, a guy named Rudy Womack, and he was the same.He was like, here's our numbers, we publish ‘em. He's like, most festivals don't, but it just demystifies the process. So it's very helpful.MATT: Yeah. And I'll give film pre credit because they allow film festivals like ours to put those numbers online. Mm-hmm. And, and we've done that. If you hit our page on film Freeway, you can start to figure out what we're about without too much trouble.BEN: What are the, what are the different blocks you run?MATT: As far as like thematically?BEN: Yeah. Yeah. Like at a festival. What are the different categories and blocks.MATT: Aha. See now you touched on something that's kind of unique to us. Okay. So, you know, you go to a film festival and it's like, oh, this is the, this is our dog block.Every movie's about dogs.BEN: Right, right.MATT: Or something like that. We don't do that. At all. So we kind of grab bag, the whole thing. It becomes a very eclectic mix of stuff. Mm-hmm. And one of the reasons we've ended up doing that is because our community has kind of demanded it. Whoa.Interestingly enough. Yeah, so they drove the decision to kind of like stop doing thematic blocks and they wanted a better mix of things because they, again, our folks here, they show up for every single block place is packed.BEN: I just, and sorry to interrupt before you finish, like everything you're saying, it just sounds like there's an iter iterative feedback loop.Between the community in the festival, the film? Absolutely in the festival. The volunteers in the festival. So I just wanna highlight that ‘cause I'm loving everything you're saying.MATT: Well, again, like I said, it's the secret sauce. It's our, it's our weapon that we have our secret weapon that allows us to kind of like elevate beyond our like humble budget.Right.BEN: The community is, but community is letting you know, we don't want thematic blocks.MATT: Yeah. The community came in and said, we, we want mix. So when we sit down and we're sitting through movies, it's like. If we're watching something that we're not in tune with thematically, then you know, you would have to sit there for like an hour and a half and just kind of tolerate it.Whereas now, if like a movie comes on about dogs and for some reason you're just a weirdo and you don't like dogs, that movie will come and go and now you're onto something else, right? Mm-hmm. So. Yeah like you just mentioned, it, it really becomes a cooperative effort between the community, the film festival itself and, and even the filmmakers.And we're kind of proud that it is a little bit ramshackle in that way ‘cause it creates a very organic vibe and weirdly enough. Like at the end of it all because it, it's a little bit random. It is like how folks get scheduled.BEN: Mm-hmm.MATT: Themes are emergent anyway.BEN: Mm-hmm. It's, peopleMATT: start creating patterns that didn't exist and then it sometimes that becomes really profound.It's like, didn't even think of that. It's brilliant. However oh, the other thing about programming too, that we do specifically for our film festival is that we. We ask our filmmakers, say like, Hey, are you planning on coming here? And if they, if they are planning on coming here, we try our, our level hardest to make sure that we program their films to match their schedule, right?So we don't lay out our program and say, okay, you were scheduled for, you know, Wednesday at 2:00 PM. It's like, well, I'm only free on the weekend. You know, and you wouldn't, you would never be able to attend. We ask first to say, do you think you're gonna be able to be here? And if they say yes, then we try to accommodate as best we can.So again, it's, it's collaboration across the board from filmmakers down to the, to the citizens of our small town.BEN: One of the things I read somewhere, or heard somewhere, is that it's much more advantageous to apply for the early bird deadline. What's your take on that?MATT: For our film festival, not so much, but I, I definitely adhere to that strategy as a filmmaker.If nothing else, it's budget conscious, you know? Yeah, yeah. It's cheaper usually under the initial deadlines you know, you have to take advantage of that. The other thing I guess is like, I will say from our experience, uh, with our particular film festival, if you get it in under the early bird deadline, at least it's there.And you know, you've basically got like four or five, six months for the submission. Crew for that particular film festival to kind of think about it. Whereas if it comes in a last minute, you're not really gonna get as much consideration. It's just gonna have to be more like, uh, an initial one-off type of decision.SoBEN: are there other, and I mean the, the most important advice right, is always make a good movie outside of the movie. Yeah. Are there other ancillary things that. Can move the needle at all. Cover letters, director statement, press kit, stuff like that, or it's not, uh, it's negligible.MATT: Hmm. It's neg negligible to an extent in so much, it depends on how you frame it as the filmmaker.Mm. And let me, I'll try to explain. So every year as a film festival, you just basically get cover letters. It's like, oh, take my film please. It's about this, it's about that. But it's a cover lever, co cover letter. It's, uh, copy and pasted. You can tell. You can just, you just know. It's like, okay, they're making an overture to us, but they're also making an overture to like a hundred other film festivals.It's like if you're gonna write to a film festival and say you want in, just make sure that you actually acknowledge who you are sending your film to. Don't just say, Hey, Borrego Springs, I wanna be in your film. I like Borrego Springs, mm-hmm. My parents went there once and I've always been com I've always been interested in the desert and how awesome would it be?See, that tells us that you're paying attention. Right?BEN: Mm-hmm.MATT: That you're trying. We're trying. We just want the filmmakers to try as well, as far as like trying to make any requests to get preferential treatment, and it's totally cool to ask for preferential treatment. By the way. You can say, I see that you're a small community.I just made a film that's, that takes place in a small community. We might be a really good fit. That kind of thing matters, right? An email overture works. Yes. An email overture doesn't work. No. It's both things at once, depending on, it really depends on how you write that letter. So if you wanna invest the time and effort to try to impress a film festival, just make sure that.You understand what that film festival is and really think about if what you're offering, the film festival is something that they might want. And if you can, if you see a, a common thread there, write about it in a letter. And even if it's just one sentence, it's like, then we know on our side that this person's paying attention and that that kind of matters.It does matter. So at the end of the day, when you're take, when you're kind of like really trying to figure out your cutoff, if your little film happens to be on the bubble, guess what? It might get into film festival, right? Mm-hmm. Because you said that you have a connection to this place, and I think that's fair.I mean, what, does that make sense?BEN: Yeah, for sure. So the festival is coming up in January, is that correct?MATT: Yeah, we're in the middle of gearing up for it right now, as a matter of fact. Nice. I gotta run out to the, to town here in like a, like 15 minutes actually to do some stuff for the film festival.So yeah, it's, it's, well, today we're shooting, um, a little promo, uh, thing that we're gonna run, run during. At the beginning of the blocks, and I'll be doing that with Fred G the chairman of the board. Yeah, that's nice, fun stuff. We try to have fun with things, so. Yeah.BEN: We do littleMATT: skits and whatnot during the award ceremony.It's, it's goofy. I love it. Cheesy as hell, but we like doing it, soBEN: I love it. Oh, that's actually something that I sort of, in, in, in my cover letters, which I try to. You know, write tailored to the festival. Especially the ones in California say, well, the film's about this improv duo and mm-hmm. We accepted, we'll come and we would love to do a little improv performance for the festival attendees.Um,MATT: I will say this too, because we're such what you just mentioned. I just want to piggyback on that for a second. So you said in my cover letter I'll say, we're willing to attend. It's like if you say that in a cover letter and you mean it, you, and you're willing to do that. Yeah. That's good. Especially for a festival like ours.We want filmmakers to come here. We wanna treat ‘em to a good time. We want them to be part of something that's. Big in the community and the community wants that as well. So if you're here and you're willing to be here, then that matters.BEN: I love it. Well, I mean, everything I'm hearing about Borrego, like literally I just reached out ‘cause I wanted to just talk film festival submissions, but now I'm like, Ooh, next year I'm definitely gonna submit to, uh, to Borrego.MATT: Yeah, I know this was supposed to be like a strategy session and here I am bragging about the film festival. That'sBEN: No, no. It's exactly what I, what I want. It's great. Last question. What's a, what's a. Documentary that blew you away recently?MATT: So, okay, so last year at our film festival, there was this really cool documentary called Dale. Have you seen it?BEN: No. Tell me about it.MATT: So Dale is like this older woman and she's the first basic Asian American that was in the, um, uh, Los Angeles orchestra, the Los Angeles Phil Harmonic. Okay. And essentially all it is is.I say all it is like, it's a very profound kind of retrospective of what she did to get to that point and you know, her views on things and it's just, and the music that was involved, just very beautiful, very poignant and simple. And. So when, when you have like movies like this and it's, it's not even a 10 minute long movie, it's under 10 minutes.Mm-hmm. When it just touches on these really profound themes and it's moving in a way that catches you off guard. Those are the things that you can't ignore, right? Mm-hmm. And this is actually, Dale's a good example because, you know, it's not always shot pristinely, it doesn't have to look, perfect. But the story reaches kind of a transcendent level that is really, really nice. So if I would throw in Dale and let me see, uh, the the director of that, his name was Justin Strike. So if anyone, I think it's still on the film festival circuit, so you have that opportunity. Go check it out.BEN: Love it. Love it. Love it. Matt, thank you so much for taking the time. For people who are interested in Borrego Springs Film Festival, either to attend, to submit, et cetera, what where should they go and where can they find you?MATT: Oh, online search, just, you know, Borrego Springs Film Festival. It'll lead you to all the places you need to be.And, uh, yeah, just track us down that way. Pretty straightforward. Take a peek at what we're offering. We keep mm-hmm uh, we keep an archive of the stuff we've done online so you can pull back the curtain and look and say, okay, is this kind of something I'd be interested in?Um, you can get a vibe for it that way. And, uh, that's, yeah, that's kind of it. That's kind of it. I think we've tried hard to make sure that what we offered is pretty transparent, and if you take a look at it and you think it's a good fit, and by all means, send us your stuff. Including you, by the way, so, you know.Yeah, no, you have to submit as well now would definitelyBEN: be submitting early bird deadline next year. Perfect. I wish I, if I was still in LA I'd come down, uh, next month and, and just go to this upcoming festival. It sounds wonderful.MATT: Well, I know. Why don't you just do it anyway?BEN: Yeah, I'll give you aMATT: VIP pass.I that,BEN: listen, I might take you up on it. I still all, well, if you do, it'sMATT: we'll be waiting for you.BEN: You, you know, we're, we're documentary filmmakers. We always have a couple irons in the fire. So I do have one kind of idea of, uh, another doc I'd like to shoot out on la maybe I'll combine it. I'll let you know.MATT: Perfect excuse.BEN: Hey, this was fantastic. Thank you so much for taking the time. I'm so glad um, we connected and uh, just listen. Our pleasure be fantastic.MATT: Yeah, we're, we're happy as a film festival to be asked to do this kind of thing, so thank you. And um, best of luck to your film too. I'm gonna check it out, so be sure to submit it straight away.BEN: I will. Thank you so much, Matt. Alright man. Thanks.BEN: That was my interview with Matt of the Borrego Springs Film Festival. Hope you enjoyed, please forward to at least one person. Have a great week. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

Carol spends 40 days in the wilderness, and decides to take up painting! + Manousos goes analog-style on Rosetta Stone! The Fireworks Factory is in the neighborhood and like the Talking Heads sang is 'Burning Down the House.' And we ask the 'Big Question': Is Carol now more appreciative of others in a way she wouldn't have been if the HIVE MIND had never taken over?  Join our hive mind in saying 'Hi Carol!" to the hit new AppleTV show PLUR1BUS - created by Vince Gilligan, the creator of Breaking Bad and Better Call Saul! The 'Hi Carol' podcast crew from Double P Podcasts, reach us across social media, Instagram, Facebook, BlueSky, Threads, Twitter: @DoublePHQ 00:00 Intro 01:21 Bubba's rating 03:42 Catfish's rating 08:38 Big Question: Has Carol changed? 15:11 Make an HDP 16:53 Rapid Fire Carol Questions 20:41 Twilight Zone Parallels 24:10 You Gotta Laugh 25:28 Episode Breakdown 43:34 Skinsuit of the Week 44:43 Pluribus or U.S.? 45:44 Feedback The Gap season 1 episode 7 s1e7 s01e07 s1e07 Manousos begins a dangerous trek to meet Carol. Returning home from Las Vegas, Carol gets creative with her rebellion. **note: Howard Hamlin himself, Patrick Fabian, provides the voice of the recording Carol hears every time she calls the Others for help with something. Director Adam Bernstein Writers Jenn Carroll (written by) Vince Gilligan (created by) Ariel Levine (executive story editor) Vera Blasi (executive story editor) Jonny Gomez (executive story editor) Cast Rhea Seehorn ... Carol Sturka Karolina Wydra ... Zosia Carlos-Manuel Vesga ... Manousos Miriam Shor ... Helen John Cena ... Menik Gooneratne ... Laxmi Jeff Hiller ... Larry Samba Schutte ... Mr. Diabaté Peter Bergman ... Davis Taffler Darinka Arones ... Kusimayu Anna Mhairi ... Vesper Max Reeves ... Margaux Olivia Rouyre ... Genevieve Amaraa Sanjid ... Otgonbayar Khaliun Amarburen ... Byamba Rayaan Kamal Khan ... Ravi Piyush Gupta ... Aarush Viji Nathan ... Padma Sharon Gee ... Xiu Mei David Niu ... Neu Xiansheng Elena Estér ... T'ika Jennifer Esquivel ... Sisa Phuong Kubacki ... Soleil Robert Bailey Jr. ... DHL Guy José Juan Ramos Ramos ... Friendly Driver (as Jota Ramos) François Guétary ... Blofinger Soledad Campos ... Maternal Other Tim Keller ... Mayor Tim J Diego Gonçalves ... Nurse David Wiater ... Pharmacy Worker Jenelle Baptiste ... Calm Person Thor Knai ... Bjorn Tedd Taskey ... Captain Matthew Page ... First Officer Imani Love ... Cleo Esther Omegba ... Jasmine Karan Soni ... Deshpande Allan McLeod ... Bob Jack Mikesell ... Ray Woody Fu ... Dave Blair Beeken ... Jenn Eric Steinig ... Mel Bernadette Guckin ... Maureen Monique Lott ... Monique Monae Lott ... Monae Sam Quinn ... Craig Merritt C. Glover ... Nurse Tara Southerland ... Tatted-Out Orderly Roy Ward ... Stone-Faced Man Dennis Milliken ... Driver(as Dennis W. Milliken) Toby Sanchez ... Janitor(as Michael Toby Sanchez) Teagan Sucherman ... Neighbor Girl Isak Tufic ... Neighbor Boy #pluribus #appletv #appletvplus #plur1bus Composer Dave Porter Cinematographer Marshall Adams (director of photography) Editor Skip Macdonald Casting Sharon Bialy Russell Scott Sherry Thomas Production Designer Denise Pizzini Art Directors Dins Danielsen (supervising art director) Guillermo Llaguno (art direction) Chet Maxwell Set Decorator Ashley Michelle Marsh Costume Designer Jennifer L. Bryan Albuquerque plays itself This podcast was made by humans

The boys, back in town, discuss what they have been listening to. Their list includes four rock and roll hall of famers, three recently departed legends, two underground rap heavyweights, and a partridge in a pear tree. Jay's wing gets clipped as Deon's sampling gets a little out of hand. Get into it.Sonic contributors to the 28th BONUS episode of Lightnin' Licks Radio podcast include: A wealth of treasures from the KPM Archives; the prompt was "50's lounge." Dave Matthews Band, DJ Nu Mark, Jurassic 5, Brothers Johnson. Zach Braff & Natilie Portman. Ice Cube, One Eye. Sleepy Don POSPOTUS, Darling Jula from @soundwavesoffwax. E Street Band. Bruce Springsteen, The Boss-type beats, Bob Dylan, Timothy Chalamet, Paul Walter Houser, Jeremy Allen White, Bon Iver, Cowboy Junkies, Matt "DJ SNAKES" Heller, Pavement. Stephen Malkmus, Lottie's, Talking Heads, R.E.M., Warren Zevon, John Hammond, Endless Scroll podcast, Dua Lipa, Tame Impala, The Beatles, Lil' Yachty, Marvin Gaye, J.J. Fad. Black Circle Radio, Arc of All, The Source of Light and Power, Open Mike Eagle's 'What Had Happened Was' podcast, Chris Rock, Height Keech, Paul Edward Huston, Handsome Boy Modeling School, Dr. Octagon, Dan the Automater, Chris Elliot, Right Said Fred, Beastie Boys, Bee Gees, Kardinall Offshall, Sly Boogy, TikTokker @cgleason22, Dave James, D'Angelo, Questlove, Questlove's recent eulogy of D'Angelo, Prince, The Roots, Dr. Dre & Snoop Doggy Dogg. The Vanguard, DJ Premier, Q Tip. Brian Baumgartner, Blindboy Boatclub, Iggy Pop. Kiss, Ace Frehley, Dick Dale, Phill Most Chill, RUN DMC, Soft Cell, Pet Shop Boys, Human League, Jimi Hendrix, Frank Sinatra, Jimmy Van Heusen & Sammy Cahn, Bobby Darin. And lastly, but certainly not leastly, the lovely sisters HAIM. Our super-secret-special-sonic friends whom we may or may not have even ever met include Miranda Reinert, Mitch Anderson, Open Mike Eagle, and Prince P-p-p-paul.Sonic suggestions, what we have been funkiing with: Deon – Cowboy Junkies by way of Bruce Springsteen, Lottie's, D'Angelo, and Phill Most ChIll. Jay – New old R.E.M., Warren Zevon, Ace Frehley, and Soft Cell. Miranda – Tame Impala (w HAIM).Mitch – Sweetwater, not the 90's grunge act but the 60's psychedelic folk oufit.Mike and Paul – Doctor Octagon by way of Handsome Boy Modeling School.HEAR the full uncut mixtape HERE.(1) Sweetwater - In a Rainbow (2) Phill Most Chill - I'm (3) Warren Zevon - The Worrier King (4) Ace Frehley - What's on Your Mind? (5) Lottie's - The Cut.(1) Cowboy Junkies - My Father's House [outtake] (2) D'Angelo and the Vanguard - Another Life (3) Tame Impala and HAIM - 'Cause I'm a Man [Deon's Half&Half remix] (4) R.E.M. - Radio Free Europe [Jacknife Lee remix] (5) Dr. Octagon - Blue Flowers [Prince Paul's It's so Beautiful remix] (6) Soft Cell -Where the Heart is,MERRY CHRISTMAS and HAPPY HOLIDAYS!

In the second hour, Mac & Bone play audio from college football media members, who reacted to the CFP selection process, which left Notre Dame out of the Playoff, What the Bleep returns, featuring a Pat McAfee song, and the guys discuss how many Panthers can be selected to the Pro Bowl See omnystudio.com/listener for privacy information.

En nuestra actual sociedad y cada vez más estamos contemplando un creciente número de familias disfuncionales, es decir, aquellas familias en las cuales los patrones de relación, comunicación o convivencia generan conflictos frecuentes, tensiones o dinámicas dañinas que afectan el bienestar emocional de sus integrantes. Todo ello en detrimento de un genuino bienestar, apoyo y respeto, libres de cualquier atisbo de manipulación emocional, críticas destructivas, control, falta de límites, violencia emocional o inclusive física, favoritismos o comparaciones, desvalorización y demás tóxicas dinámicas que son evidencia directa de tal disfuncionalidad que a la larga puedan causar mella en el óptimo desarrollo de los integrantes de tales familias, especialmente los más pequeños. En el presente episodio realizaremos un exhaustivo análisis de todo ello, especialmente ante una sociedad que cada vez más parezca tratar de inculcar y ensalzar un oscuro narcisismo o en otras palabras una necesidad de admiración o validación externa que interfiere en la debida introspección que todo crecimiento personal requiere, promoviendo igualmente en ocasiones una falta de empatía hacia los demás. Las denominadas como “familias tóxicas” en muchas ocasiones son familias regidas por uno o varios miembros con dichos rasgos narcisistas o meras disfuncionalidades que de manera consciente o inconsciente proyectan sobre los demás, especialmente de su linaje, para no tener que enfrentar su propia sombra y muy concretamente depositada sobre la figura del denominado como chivo expiatorio, figura en la cual haremos especial hincapié. Expondremos diversas tácticas, como señales de alarma ante cualquier familia tóxica o meramente con un núcleo narcisista, para otorgar herramientas necesarias a la hora de identificar tales dinámicas y protegerse debidamente ante ello. A fin de cuentas un delicado tema que requiere su debido análisis, dado que infinidad de niños que han crecido en tales familias tóxicas puedan quedar marcados por sus dinámicas e inconscientemente en su vida adulta reproducir ciertos patrones que lamentablemente han llegado a normalizar al encontrarlos familiares, nunca mejor dicho, o resultar presa fácil de ciertos depredadores psíquicos de diversa índole, ya sean narcisistas o psicópatas integrados; que puedan conformar amistades o parejas, perpetuando dicho ciclo tóxico. También el presente episodio es un alegato a la importancia de la familia o más bien linaje, pero no a cualquier precio, dado que igualmente debamos romper ciertos dogmas o doctrinas en tales mencionados casos y sin olvidar que la auténtica familia o tribu está conformada por personas afines, que comparten los mismos valores y que se profesan el debido respeto, al igual que cuidado desde la más plena confianza. Si crees que formas o has formado parte de una familia tóxica, si crees que algo anda mal entre los tuyos o si sientes que no estás en el lugar indicado, tal vez este episodio pueda contribuir a otorgar ciertas respuestas y herramientas que por supuesto tan solo tú en última instancia puedas discernir y aplicar las medidas oportunas para que nada ni nadie dificulte tu potencial, al igual que crecimiento. GUION DEL EPISODIO: Introducción - 00:02:35 Características de un progenitor tóxico – 00:08:54 ¿Qué hacer cuando son tus propios familiares quienes presentan tales rasgos? – 00:13:16 15 tácticas empleadas por familias tóxicas o con núcleo narcisista – 00:21:28 Distanciamiento y repercusiones – 01:09:42 ¿Qué sucede cuando el chivo expiatorio se aleja? – 01:12:38 ¿Qué es el suministro narcisista y qué ocurre cuando desaparece? – 01:25:47 Campaña de desprestigio y monos voladores – 01:38:00 El resurgir y transformación del chivo expiatorio – 01:44:00 Reflexiones finales – 01:56:29 BIBLIOGRAFÍA RECOMENDADA: CANALES, J.L. "Padres tóxicos" - 2018. CALLAHAN, S. "Familias Tóxicas: Cómo sanar de la manipulación emocional y romper patrones" - 2025. DÍAZ, A. "Familia Tóxica: La guía definitiva para salir del caos narcisista familiar" - 2024. GIRARD, R. "El chivo expiatorio" - 1982. Reedición - 2024. MCBRIDE, K. "Familia Tóxica: 5 pasos para sanar las heridas del narcisismo parental" - 2024. PARKS, F. "Cómo lidiar con una familia difícil o tóxica" - 2023. PIÑUEL, I. "Amor Zero: Cómo sobrevivir a los amores psicopáticos" - 2015. PIÑUEL, I. "Familia Zero: Cómo sobrevivir a los psicópatas en familia" - 2020. RUEDA, O. "Los narcisistas que nos rodean: psicópatas encubiertos" - 2025. EPISODIOS RECOMENDADOS EN TORNO A LA TEMÁTICA: PSICÓPATAS INTEGRADOS: https://www.ivoox.com/psicopatas-integrados-audios-mp3_rf_105175063_1.html MONOS VOLADORES: https://www.ivoox.com/monos-voladores-audios-mp3_rf_134022583_1.html PORTALES ORGÁNICOS: https://www.ivoox.com/portales-organicos-audios-mp3_rf_156598217_1.html CANALES DIVULGATIVOS RECOMENDADOS - ABUSO NARCISISTA: DR. IÑAKI PIÑUEL: https://www.youtube.com/@DrInakiPinuel OMAR RUEDA: https://www.youtube.com/@OmarRueda MÚSICA DEL EPISODIO: COVER of "Toxicity" - SYSTEM OF A DOWN (Soul / Jazz Cover - 2025). COVER of "Toxic" - BRITNEY SPEARS (Metal Cover by Lauren Babic ft. Lee Albrecht - 2019). KORN - "Narcissistic Cannibal" (Álbum: The Path of Totality - 2011). COVER of "Enjoy the Silence" (LACUNA COIL - Álbum: Karmacode - 2006). SHINEDOWN - "Her Name is Alice" (Álbum: The Sound of Madness - 2010). TALKING HEADS - "Psycho Killer" (Álbum: Talking Heads: 77 - 1977). COVER of "Before I Forget" - SLIPKNOT (Soul Cover - 2025). BLIND MELON - "Change" (Álbum: Blind Melon - 1992). DISTURBED - "The Sound of Silence" - Cover Simon and Garfunkel (Álbum: Inmortalized - 2015). TEDDY SWIMS - "Lose Control" - (Álbum: I've Tried Everything but Therapy - Part 1 - 2023). APOCALYPTICA - "Bittersweet" - (Álbum: Apocalyptica - 2004). HIM - "And Love no Said" - (Álbum: And Love Said No: The Greatest Hits 1997–2004). RICHARD WAGNER - "La Cabalgata de las Valkirias" - 1856. CONTACTO: eliniciado@yahoo.com Este programa no tiene ánimo de lucro ni será monetizado, por el contrario el único afán es la máxima difusión de cuestiones que nos atañen a todos.

Der Regisseur Lars Jessen ist mit Robert Habeck befreundet und wurde von diesem eingesetzt, um als PR-Berater bzw. Wahlkampfstrategie den Wahlkampf für Kanzlerkandidat Habeck 2024/2025 zu gestalten. Mitgenommen hat Jessen dabei ein Filmteam und ordentlich Filmförderung, um jetzt das Ergebnis unter dem Titel „Jetzt. Wohin.“ zu präsentieren. Es ist das gruselige Selbstgespräch eines Milieus, das nur noch über Narrative nachdenken will, aber nicht mehr über Politik. Alles wird gefühlig, vieles erinnert an den gescheiterten Wahlkampf von Kamala Harris. Filmisch hat der Dokumentarfilm, der Habeck vor und nach Auftritten zeigt oder Talking Heads präsentiert oder Ausschnitte aus Social Media und dem TV einblendet, nichts zu bieten. Inhaltlich ist es ein Offenbarungseid. Mehr dazu von Wolfgang M. Schmitt in der Filmanalyse! Literatur:Oliver Marchart: Das unmögliche Objekt. Eine postfundamentalistische Theorie der Gesellschaft. Suhrkamp. Die Filmanalyse +ABO gibt es bei Steady als Monats- und vergünstigtes Jahresabo. Der RSS-Feed ist automatisch mit Spotify verknüpft, kann aber auch in alle Podcatcher eingefügt werden:https://steady.page/de/die-filmanalyse-abo/aboutDie Filmanalyse +ABO gibt es bei Apple-Podcast als Monats- und vergünstigtes Jahresabo:https://podcasts.apple.com/de/podcast/die-filmanalyse-deepdive-wie-slavoj-%C5%BEi%C5%BEek-filme-analysiert/id1586115282?i=1000738660587Außerdem gibt es die Möglichkeit, ein Abo via Patreon abzuschließen, jedoch ist hier der RSS-Feed nicht mit Spotify verknüpft:https://www.patreon.com/c/wolfgangmschmitt/home Vielen Dank für Eure Unterstützung! 

This week we're joined by Lucy Chamberlain and Saul Walker from the popular Talking Heads gardening podcast to discuss how UK gardens are adapting to changing weather patterns.Lucy gardens on sandy soil in dry Essex, while Saul works with clay soil in wet Devon - their contrasting experiences offer fascinating insights into regional gardening challenges and opportunities. They share how they're both experimenting with more exotic, tropical-looking plants as our climate shifts.In This Episode:How different UK regions are experiencing climate change and what it means for your gardenDrought-tolerant edibles: amaranth, tree spinach, globe artichokes and moreThe rise of hardy tropical plants - creating exotic gardens that survive UK wintersLucy and Saul's journey creating the Talking Heads podcast (now over 300 episodes!)Their work with RHS expert groups on fruit, vegetables and tender ornamentalsSaul's exciting plans for a national collection of hardy gingersListener Questions:What to do next with successfully rooted pelargonium cuttingsHow to water houseplants during winter when central heating is onSeasonal Tips:Collecting and using leaf mold as mulchOrnamental water storage solutionsWinterizing your garden: protecting taps, tender plants and repairing lawnsFeatured Guests: Lucy Chamberlain - Trained at Writtle and Wisley, head gardener in Essex, RHS Fruit, Vegetable & Herb Expert Group member, author of "Grow Food Anywhere"Saul Walker - Former National Trust, Kew and RHS gardener, now head gardener at Stoneland's House, Devon, RHS Tender Ornamental Expert Group memberGot a gardening question? Email us at info@potsandtrowels.comFind more gardening videos and advice at potsandtrowels.comSponsors: Plantgrow - creating organic, sustainable compost, mulch and soil conditioners from green electricity by-products in Norfolk.Videos Mentioned:Pelargonium Cuttings: https://youtu.be/P-B7UUiV90g Secret Garden of Louth: https://youtu.be/QSH_GO96-kQ Visit potsandtrowels.com for links to all the videos & podcast episodesEmail Questions to info@potsandtrowels.com Our weekly YouTube videos are here: Pots & Trowels YouTubeThe Pots & Trowels team:Martin FishJill FishSean RileyFind out more about Martin & Jill at martinfish.com Find out more about Sean at boardie.comPodcast produced by the team, edited by Sean, hosted by buzzsprout.com

Red Meat Provocateurs.Can a conservative trust any PR handler to provide balance and perspective?Talking Heads' are steering public opinion every day. But, to quote Frank Peretti; "Where are we going? Where are you taking us?"Whether it's the old faces, Like Pat Buchanan, or Laura Loomer. Nick Fuentes or Alex Jones. Everyone has an agenda and priorities.AUDIOVIDEOCatch all our shows at www.FreshBlack.CoffeeConnect with us at www.facebook.com/freshblackcoffeeOur audio podcast is at https://feeds.feedburner.com/thefreshblackcoffeepodcastOur video podcast is at https://feeds.feedburner.com/freshblackcoffee/videocastWatch the video on our YouTube channel, Facebook, website, or with your podcasting app.   We record the show every Saturday and release it later the same day.Jeff Davis commentary appears courtesy of www.theThoughtZone.comClick here to watch this episode »

In the final hour, Mac & Bone are joined by Anish Shroff, the Voice of the Panthers, who gives us a broadcaster's view of the 2025 season, they play audio of important college football figures talking about the CFP ahead of Selection Sunday, the guys preview the night in sports, they read funny texts, & moreSee omnystudio.com/listener for privacy information.

Qualcomm +Arduino Drama; Goodbye to Nvidia Pascal - @CircuitRewind joins Talking Heads 

In the final hour, Mac & Bone react to audio from the national media, including Marcus Spears and Chris Long, after they praised the Panthers for their win over the Rams, Aaron Murray joins to talk about the chaos heading in Championship Saturday, they preview the night in sports, they read funny texts, and more See omnystudio.com/listener for privacy information.

“Is power washing the new Candy Crush—or is it more like karaoke for your soul?” That's just one of the hilariously unexpected questions in this episode of The Ben and Skin Show, where Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray hold down the fort while Ben takes a well-earned vacation.From Krystina's unapologetic declaration of a full-on “birthday month” to her obsession with the oddly soothing Power Washing Simulator (“It's like a coloring book for adults!”), this episode is packed with laugh-out-loud moments. Meanwhile, KT dives into unforgettable night at the David Byrne concert, complete with choreographed orange outfits, Talking Heads classics, and a $30 parking gripe that every concertgoer can relate to.

In this episode of the XS Noize Podcast, Mark Millar is joined by legendary producer Steve Lillywhite — the Grammy-winning studio mastermind behind iconic records by U2, The Rolling Stones, Talking Heads, The Smiths, The Killers, Peter Gabriel, and many more. Steve talks about the release of a brand-new 4-track EP featuring a completely unreleased live version of "Fairytale of New York" — recorded at Glasgow Barrowlands in December 1987. This historic performance captures the first time The Pogues ever played the song live, and the first time Kirsty MacColl performed it onstage with the band. The EP is released on 12 December. Recorded by Steve himself — producer of the original version and then-husband of Kirsty MacColl — the Barrowlands tape offers a rare window into the early live life of what has become the UK's favourite Christmas song for over a decade. Originally charting at No. 2 in 1987, "Fairytale of New York" has returned to the UK Top 20 every year since 2005. Steve reflects on the making of the classic track, the energy of that unforgettable night in Glasgow, and key moments from across his remarkable career. Listen to Steve Lillywhite discuss the new EP, the legacy of Fairytale of New York, and the stories behind his legendary productions — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

Autumn is here on the Talking Heads podcast - as the last vestiges of Summer in the garden dodge the wet and windy weather while trying to give the last hurrah before that inevitable but pleasantly seasonable slide into the hibernation of winter. But gardeners never sleep so Lucy and Saul are still out and about in their plots plying the horticultural trade they both love. So join them both for more horti-waffle and insights into the life of the modern, professional gardener.Leaves, frost and rain...that's been this Autumn summed up...so not much gardening talk on todays podcast but instead two pieces of huge news in Saul and Lucy's lives. After 10 years of early mornings, tractor breakdowns and the occasional piece of cake Saul is leaving Stonelands to take up a new job role at Plant Heritage, while Lucy becomes a two-time winner of the Garden Media Guilds Practical Journalist of the Year! You would have thought the pair were good at their jobs...well lets find out..Instagram link:Lucy lucychamberlaingardensLinkedIn link:Saul WalkerIntro and Outro music from https://filmmusic.io"Fireflies and Stardust" by Kevin MacLeod (https://incompetech.com)License: CC BY (http://creativecommons.org/licenses/by/4.0/)Support the show

More than 50 years ago, in a Providence apartment, some of the band members of Talking Heads recorded an early demo of what would eventually become their hit, "Psycho Killer." Over the years, that recording eventually made its way to RISD. And on Friday, fans can finally hear it. The track is included in a new collection of demos and live recordings from the band called "Tentative Decisions." Talking Heads Drummer Chris Franz and RISD Assistant Provost for Academic Engagement Margot Nishimura join host Christopher Gavin to talk about the recording. Tips and ideas? Email us at rinews@globe.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MUSICSublime are getting into the traveling festival business.The band's Me Gusta festival will start May 9th in Fort Worth, Texas and is billed as featuring a "lineup hand-picked to represent the crossroads of reggae and punk." There's a date also slated for June 27th at a city to be announced in Oregon, with more dates to be revealed soon.The Me Gusta name comes from the band's song "Caress Me Down" and the line "me gusta mi reggae, me gusta punk rock." https://www.megustafest.com/ New releases from Billie Eilish, Billy Joel, Sammy Hagar, Talking Heads and Warren Zevon are among the highlights of Record Store Day's Black Friday lineup.There are 175 limited-edition items on either vinyl or CD slated to drop that day. Check out the complete list at RecordStoreDay.com, or read on for our Top 25 picks.Cage the Elephant - Live From The Vic - 2-LP. This was recorded in 2011 at the famed Chicago venue.Creed - Live in San Antonio (11/14/1999) - 2-LP. This is Creed's first live album. Billie Eilish - Live - 10-inch EP. Live recordings from Amazon's Songline series, never before released physically.Fleetwood Mac - Fleetwood Mac: Live 1975 - 2-LP This captured parts of two shows on the band's first tour with Stevie Nicks and Lindsey Buckingham.INXS - Live From Royal Albert Hall, London, 1986 - LP. This was recorded in June 1986. Jelly Roll - Beautifully Broken (Pickin' Up The Pieces) - LP. This features 13 tracks from the digital deluxe version of Jelly Roll's 2024 album, Beautifully Broken. Van Halen - Live at Wembley 1995 - LP. This features eight tracks recorded at London's Wembley Stadium on June 24th, 1995 on the Balance TourScott Weiland - "If I Could Fly"/"Barbarella (Live)" - 7-inch. This features a previously unreleased song from the late Stone Temple Pilots singer. TV The 2025 CMA Awards pulled in 6.04 million viewers on ABC last week. That's an all-time low. https://www.whiskeyriff.com/2025/11/25/cma-awards-hit-another-all-time-ratings-low-in-2025/ Check out the first teaser for the four-part docuseries, "Sean Combs: The Reckoning", produced by his rival 50 Cent. It hits Netflix on December 2nd. https://www.hollywoodreporter.com/music/music-news/netflix-diddy-documentary-50-cent-trailer-release-date-1236435362/ Guy Fieri ripped his quad muscle in half, and has to use a wheelchair for eight weeks. https://nypost.com/2025/11/25/entertainment/guy-fieri-hospitalized-after-quad-exploded-during-flavor-town-food-fight-shoot/ Dr. J.D. Dorian and Scrubs are coming back! https://decider.com/2025/11/24/abc-shares-first-look-at-scrubs-reboot-footage-inside-retrospective-promo-see-the-sacred-heart-gang-back-in-action/ MOVING ON INTO MOVIE NEWS:AMC Theatres has announced an intriguing deal for popcorn lovers on Cyber Monday, they're selling an "AMC Popcorn Pass", which gets you a 50% discount on a large popcorn every day of the week . . . plus one free refill per day. https://www.hollywoodreporter.com/movies/movie-news/popcorn-amc-theatres-offers-half-off-discount-pass-1236435291/ AND FINALLYWhat's a movie where the villain is much cooler than the hero?" https://www.reddit.com/r/movies/comments/1p53ija/whats_a_movie_where_the_villain_is_much_cooler/ A song to ‘play us out' – people are listening to our show and taking our creativity. There is a new country song about how there's no kids named Gary anymore… https://www.youtube.com/watch?v=OJm3gYqKehAAND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Record Store Day Black Friday 2025 is this Friday, November 28th. This week's episode is the second of two special spotlights on a few of the featured titles from the Black Friday List, which is up now at RecordStoreDay.com. This week, we welcome back Talking Heads drummer and co-founder Chris Frantz to unpack Tentative Decisions: Demos & Live a vinyl collection from Rhino Records exclusively for RSD Black Friday featuring a newly discovered demo by pre-Talking Heads group, The Artistics, plus eleven demo and live tracks recorded by the original trio lineup of the band (with Tina Weymouth, Frantz and Byrne) recorded in 1975 and 1976. Chris even teases an upcoming Talking Heads project that will re-unite the group member once again. And staying in a New York groove, Deee-Lite founding member Supa DJ Dmitry Brill is here to celebrate the release of The Very Best Of Deee-Lite, a double LP on de-groovy purple and orange splatter vinyl. Along the way, the Ukrainian born musician shares the funkadelic story of Deee-Lite's early NYC club days, complete with tales of Bootsy Collins, Maceo Parker, Fred Wesley, and Q-Tip, plus a most cherished classic rock album that Dmitry purchased at great expense back in the former Soviet Union.  Finally, we mark the passing of Reggae superstar Jimmy Cliff (1944-2025), and Stone Roses/Primal Scream bass player Gary "Mani" Mounfield (1962 -2025) the soul of "Madchester."  The Record Store Day Podcast is a weekly music chat show written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!

Welcome back to the Rolling Stone Interview video podcast. This week, Deputy Music Editor Simon Vozick-Levinson sits down with 73-year-old art-pop luminary David Byrne. In this intimate and wide-ranging conversation, Byrne reflects on the arc of his career – from frontman of Talking Heads to his daring solo explorations – and offers a fresh insight into his new album Who Is the Sky?. He unpacks the motivations behind the record, shares candid thoughts on his creative process, and explains why – despite perpetual speculation – a Talking Heads reunion remains off the table. Byrne also looks back at New York in the seventies, and even teases why stand-up comedy might be his next experiment. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Zangeres Eefje de Visser kwam langs op het podcastfestival van De Standaard in Oostende. “Mijn zoontje vindt m'n muziek wel mooi. Al heeft hij ook al gezegd dat hij het saai vindt.” Haar passage in Bar miroir was dat in elk geval niet. Ze nam het album Blonde van Frank Ocean mee, het nummer Life During Wartime van de iconische band Talking Heads en een interview met de legendarische queen of rock en punk, Patti Smith. Je kan deze opname ook bekijken op het Youtubekanaal van De Standaard. Gast Eefje de Visser | Presentatie Lise Bonduelle | Redactie Fien Dillen, Lise Bonduelle | Eindredactie Fien Dillen | Audioproductie Joris Van Damme | Muziek Azertyklavierwerke | Chef podcast Alexander Lippeveld ­See omnystudio.com/listener for privacy information.

Autumn is here on the Talking Heads podcast - as the last vestiges of Summer in the garden dodge the wet and windy weather while trying to give the last hurrah before that inevitable but pleasantly seasonable slide into the hibernation of winter. But gardeners never sleep so Lucy and Saul are still out and about in their plots plying the horticultural trade they both love. So join them both for more horti-waffle and insights into the life of the modern, professional gardener.Balancing clients, weather, school runs and shifting workloads is all part and parcel of the professional gardener's lifestyle, so Lucy lets us listen in on her teabreaks this week to reveal exactly what her diary involves. Whether she's judging tide times on Mersea Island, dodging rainclouds in her village or dashing across town to help out her smallholder parents, there's never a dull moment and each week poses different challenges. But, of course, there's always time for a much-loved biscuit (or mince pie, or jam doughnut, or slice of lemon drizzle, or....).Instagram link:Lucy lucychamberlaingardensLinkedIn link:Saul WalkerIntro and Outro music from https://filmmusic.io"Fireflies and Stardust" by Kevin MacLeod (https://incompetech.com)License: CC BY (http://creativecommons.org/licenses/by/4.0/)Support the show

In the third hour, Mac & Bone react to sound from the national media, as guys like Dan Orlovsky & Jon Gruden have high praise for the Panthers, while Shady McCoy isn't a believer in Carolina, they do a Hornets check-in with Sam Farber, before Random CrapSee omnystudio.com/listener for privacy information.

Writer, composer, and Peabody Award-winning podcaster Jad Abumrad joins Kirk to talk about Fela Kuti: Fear No Man, his new 12-part series on the life, music, and legacy of Afrobeat superstar Fela Kuti.DISCUSSED/REFERENCED:“Miryea's Death” by Jack Nitzche from Revenge, 1990“Prologue” by Alexandre Desplat from Birth, 2004Excerpt from Port(al), music by Paola Prestini and Jad Abumrad, performed by the Brooklyn Youth Chorus“It's Highlife Time” and “Amaechi's Blues” by Fela Kuti and his Koola Lobitos, ca. 1963-69“Jeun Ko Ku,” “Eko Ile,” and “Je'nwi Temi” by Fela Kuti from Afrodesiac, 1973“Zombie” by Fela Kuti from Zombie, 1976“The Great Curve” by Talking Heads from Remain in Light, 1980“Life During Wartime” and “Once in a Lifetime” by Talking Heads from Stop Making Sense, 1984“The Prince We Never Knew“ - Sasha Weiss' essential New York Times feature on Ezra Edelman's unreleased Prince documentary“RITUAL” by Jon Hopkins from Ritual, 2024“Open Eye Signal” by Jon Hopkins from Immunity, 2013“A Quiet Glow” by Siavash Amini from Songs for Sad Poets, 2022“In The Dust of This Planet” - 2014 Radiolab Episode featuring the poetry of Eugene Thacker“The Right Man (Daniele Baldelli & Marco Dionigi Cosmic Remix)” from The Units - Connections, 2011“quiero sentirme bien” by Kali Uchis from Sin Miedo, 2020“Looking for Love” by The Tallest Man On Earth from Henry St., 2023“Sweet Surrender” by Sarah McLachlan from Mirrorball, 1999----LINKS-----

In the 2016 documentary The Happy Film, designer Stefan Sagmeister started the film's creative process with one set of expectations and ultimately became a co-director who took multiple risks, and suffered a tremendous loss. During the filmmaking, co-director Hillman Curtis passed away. Stefan's movie about happiness not only forces us to look at his life but also our own lives with a fresh perspective, and it teaches us the importance of coping with harsh, tragic, and unforeseen realities.-Stefan Sagmeister is an Austrian designer living and working in New York. He received his MFA from the University of Applied Arts in Vienna, and as a Fulbright Scholar he earned his MFA in communication design from The Pratt Institute. In 2025 he received an honorary degree from Pratt, the Doctor of Fine Arts, for being a creative and innovative leader in the field. He's also been honored by the AIGA, received a National Design Award from the the Cooper-Hewitt National Design Museum, and exhibited his solo and collaborative designs internationally. Early in his career, Stefan brought new life to music packaging with his memorable, interactive designs for albums by the Talking Heads, Brian Eno, and David Byrne, among others, winning two Grammy Awards. His work is in multiple permanent collections, including the Museum of Modern Art, and he is the author of "Things I Have Learned in My Life So Far" a blend of visual whimsy, serious plan, and sound advice. https://sagmeister.com/‍ ‍https://www.grammy.com/artists/stefan-sagmeister/9972‍ ‍https://www.moma.org/artists/30682-stefan-sagmeister‍ ‍-The Happy Film (2016)rent/buy @ Amazonhttps://amzn.to/3WIdnb6‍ ‍https://www.imdb.com/title/tt5134870/‍ ‍-Sagmeister's "Now Is Better"https://amzn.to/4hP4J49‍ ‍-Sagmeister's "Things I Have Learned in My Life So Far"https://amzn.to/49UmPzD‍ ‍-Other movies and shows discussed:Comedian (2002)

Bob Merlis ran the Warner Bros. publicity department for much of his 29 years at the label, and he has tales to tell. He recalls his adventures as a Columbia University student presenting concerts by the Byrds and others, as well as his rock journalist stint, his encounter with “supernova” Little Richard and a classic misunderstanding with the Carpenters. Soon he was working with Dion DiMucci, ZZ Top, Debbie Gibson, Talking Heads, Devo, the B-52's, the BoDeans, Madonna, R.E.M. and many others. Which act was the beneficiary of “the cheapest promo in the history of Warner Bros”? Who reacted hostilely to his publicity ideas? Who was especially cool? How did the label vibe change? After Merlis left Warner Brothers, what was Chris Isaak's valuable advice? And what role did late Rolling Stones/Beatles manager Allen Klein play in Merlis's next act?

In the second hour, Mac & Bone talk about the ACC's showing in the latest College Football Playoff rankings, and react to what national media members had to say about the state of the ACC, they geet back into their conversation from yesterday about Bryce Young, and give the defenders more of a say in the debate, before a Wednesday edition of Random Crap See omnystudio.com/listener for privacy information.

Bill Dickson in conversation with David Eastaugh  https://rousers.bandcamp.com/album/1979-sire-session Inspired by the New York Dolls, Ramones and such immortal ‘50s rockers as twangy guitar hero Duane Eddy, the Rousers were woefully under-documented in their prime. A few major labels sniffed around, including RCA and Warner Bros. subdi­vision Sire. But no one committed them to vinyl until Reynolds issued their “Party Boy” b/w “Don't Let The Band Stop Playing” 45 (produced by Wayne Kramer of the MC5) via Jimboco in 1981.  Reynolds corrects this oversight today with the release of the demos that the original Rousers lineup—vocalist Jeff Buck­land, rhythm guitarist Bill Dickson, bassist John Hannah, lead guitarist Tom Milmore, and drummer Jerid O'Connell—cut for Sire in the label's basement studio on New York's Upper West Side in 1979.  Tracked to tape under the sharp ear of Ed Stasium, hot off sessions with the Ramones and Talking Heads, the 1979 Sire demos are raw, radiant, and long overdue for release. They captured the Rousers in full dragstrip ignition mode: dueling Gibson guitars plugged into Fender amps for maximum punk twang, hiccupping Elvis/Buddy Holly vocal inflections, and a rhythm section built for backseat makeouts and beer-splashed dance floors.  With nods to Duane Eddy (“Ram Rod,” “Movin' N Groovin'”), the sweat-soaked charm of originals like “Be My Girl” and “Product of the USA,” and a rip-it-up cover of Wilson Pickett's “If You Need Me,” Rousers 1979 Sire Session is the missing chapter of NYC punk's golden age, finally pressed to wax.  Never before released, the tapes sat shelved in the Rock & Roll Hall of Fame's Sire archives for decades, digitized and re­stored in 2024. Mixing duties were split between Bob Stander (Parchessi Studio) and Ed Stasium himself, ensuring pe­riod-authentic crunch meets modern punch. The result is 13 tracks of grease-slicked melody and garage-pop swing, crowned by the kinetic rave-up “Bumblebee Rock” and the shoulda-been-hits “Lonely Summer” and “Be My Girl”—a song that splits the difference between Tommy James stomp and Marshall Crenshaw shimmer.

Ce mardi 11 novembre, Marjorie Hache vous a donné rendez-vous pour deux heures de rock riches en émotions et en découvertes. L'émission a débuté à New York en 1977 avec les Talking Heads et leur classique "Psycho Killer", avant de voyager entre les Stranglers, Van Morrison, Jimi Hendrix et les Cardigans. Le coup de cœur du jour revient à Be Your Own Pet, signé sur le label de Jack White, Third Man Records. l'animatrice de RTL2 Pop Rock Station a également célébré les 60 ans de "Rubber Soul", l'album de la maturité des Beatles, avec le titre "Girl". L'album de la semaine, "Cosplay" des Londoniens de Sorry, a poursuivi la soirée avec son univers de pop déstructurée et rêveuse. En nouveauté, Marjorie Hache a mis à l'honneur les Montpelliérains de Headkeyz et leur titre "The Keys". Parmi les autres temps forts : la reprise du jour, "Smalltown Boy" de Bronski Beat revisitée par Paradise Lost, le retour des Dropkick Murphys dans "Foudre" sur RTL2. Talking Heads - Psycho Killer Be Your Own Pet - What A Bitch The Beatles - Girl The Stranglers - Golden Brown The Cardigans - Erase And Rewind The Who - Pinball Wizard Audioslave - Like A Stone Sorry - Echoes Van Morrison - Brown Eyed Girl Dropkick Murphys - Rose Tattoo Stevie Wonder - Free Raye - Where Is My Husband! Paradise Lost - Small Town Boy Cage The Elephant - Ain't No Rest For The Wicked Yeah Yeah Yeahs - Burning Royal Republic - Stayin' Alive ZZ Top - La Grange The Black Keys - Gold On The Ceiling Wet Leg - Mangetout King Harvest - Dancing In The Moonlight The Lemonheads - It's A Shame About Ray Headkeyz - The Keys Jimi Hendrix - All Along The Watchtower Rancid - Fall Back Down Laura Marling - Rambling Man Gorillaz - Dirty Harry The Temptations - Runaway Child Runaway WildHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Autumn is here on the Talking Heads podcast - as the last vestiges of Summer in the garden dodge the wet and windy weather while trying to give the last hurrah before that inevitable but pleasantly seasonable slide into the hibernation of winter. But gardeners never sleep so Lucy and Saul are still out and about in their plots plying the horticultural trade they both love. So join them both for more horti-waffle and insights into the life of the modern, professional gardener.Wow - who on earth would have thought that from that first episode six years ago we'd now be celebrating our 500,000th download - but here we are! An almighty "thank you!" from Saul and Lucy - we are blown away and have an extra spring in our gardening steps this week. We celebrate in the only way we know how - by talking in depth about leaf mould, of course! Lignin, cellulose, fungi and the passage of time all get placed under the TH spotlight. And are you pruning your clematis earlier and earlier? Lucy and Saul have both observed this phenomenon - a sign of the shifting times.LinkedIn link:Saul WalkerInstagram link:Lucy lucychamberlaingardensIntro and Outro music from https://filmmusic.io"Fireflies and Stardust" by Kevin MacLeod (https://incompetech.com)License: CC BY (http://creativecommons.org/licenses/by/4.0/)Support the show

Paris-born Wally Badarou traces his ancestry to Benin, West Africa—but he is thoroughly and unmistakably French. When it comes to music, however, his inspiration reflects a rich blend of international influences. A pioneering keyboardist, producer, and session musician, Wally has long embraced technology as an integral part of his creative process—one of the key motivations that led him to collaborate with the band Level 42. If you've heard their music, you've heard Wally's touch: his musical structures, melodies, and productions are woven into many of their biggest hits. Although he was never an official member of the band, he co-wrote many of their more prominent songs, shaping the band's signature sound. Beyond that, his remarkable career includes collaborations with legends such as Herbie Hancock, M, Talking Heads, Grace Jones, Robert Palmer, and many others. It's the story of a truly global musician—one who views music through an international lens. Inside MusiCast proudly welcomes Wally Badarou.

In the third hour, Mac & Bone are joined by JJ Jansen, for another Victory Tuesday edition of Snapchats, Adam Gold joins to talk about a wild weekend in ACC football, and the opening night of college basketball, before playing sound from the national media, reacting to the Panthers win over the Packers See omnystudio.com/listener for privacy information.

Louis sits down with David Byrne, the musician, author and iconic frontman of Talking Heads. David tells Louis about personality clashes within the band, how his neurodivergence plays a role in his music, and being at the centre of a culture-war storm. Plus, they discuss whether Donald Trump stole his ‘big suit'. Warnings: Strong language and adult themes.     Links/Attachments:   Book: Bicycle Diaries, David Byrne (2009)  https://www.waterstones.com/book/bicycle-diaries/david-byrne/9780571371266     Album: Who Is The Sky, David Byrne (2025)  https://open.spotify.com/album/5xDqZQlSx2gRrAyAgHQ8AB     Song: ‘The Book I Read', Talking Heads (1977)  https://open.spotify.com/track/4OT7Ndu29Z7JfhwRS2iCJX     Song: ‘That's the Way (I Like It), KC & The Sunshine Band (1994)  https://open.spotify.com/track/0RQTbMBgSq7xgdZSHFZg4R      Book: ‘An Anthropologist on Mars', Oliver Sacks (1995)  https://www.oliversacks.com/oliver-sacks-books/an-anthropologist-on-mars/     Song: ‘She Explains Things To Me', David Byrne (2025) https://open.spotify.com/album/5f6f5JMGxgNa0LAJqtaUXY      Song: ‘Psycho Killer', Talking Heads (1977)  https://open.spotify.com/track/7dSCxR4LqkmxoBrq9MzVSD     Artist: Randy Newman  https://open.spotify.com/artist/3HQyFCFFfJO3KKBlUfZsyW    Artist: Alice Cooper   https://open.spotify.com/artist/3EhbVgyfGd7HkpsagwL9GS     Album: Talking Heads 77, Talking Heads (1977) https://open.spotify.com/album/0r7o2FeARRr23EZ0TJ0a8S     Artist: Ramones   https://open.spotify.com/artist/1co4F2pPNH8JjTutZkmgSm     Artist: The Clash   https://open.spotify.com/artist/3RGLhK1IP9jnYFH4BRFJBS     Artist: Sex Pistols   https://open.spotify.com/artist/1u7kkVrr14iBvrpYnZILJR     2002 Rock & Roll Hall of Fame Talking Heads performance: https://www.youtube.com/watch?v=bBr0FJsDk1g    Stop Making Sense (1984)  https://tv.apple.com/gb/movie/stop-making-sense/umc.cmc.4qcn1p5rridjzo742xirf9j8m     The Silence of the Lambs (1991)  https://tv.apple.com/gb/movie/the-silence-of-the-lambs/umc.cmc.vo1hrvp25kr64fq8irp5jx75?action=play     True Stories (2016)  https://tv.apple.com/gb/movie/true-stories/umc.cmc.7ffwwfhraf765c0l9l1v7a4tw?action=play     Weekly World News:  https://weeklyworldnews.com/     David's online magazine:   https://reasonstobecheerful.world/      Credits:  Producer: Millie Chu   Assistant Producer: Artemis Irvine  Production Manager: Francesca Bassett   Music: Miguel D'Oliveira   Audio Mixer: Tom Guest  Video Mixer: Scott Edwards   Shownotes compiled by Elly Young  Executive Producer: Arron Fellows       A Mindhouse Production for Spotify   www.mindhouse.co.uk   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Autumn is here on the Talking Heads podcast - as the last vestiges of Summer in the garden dodge the wet and windy weather while trying to give the last hurrah before that inevitable but pleasantly seasonable slide into the hibernation of winter. But gardeners never sleep so Lucy and Saul are still out and about in their plots plying the horticultural trade they both love. So join them both for more horti-waffle and insights into the life of the modern, professional gardener.The Autumn peak has been and gone, and leaves are dominating the ground especially with the squally winds and rain - it's still quite mild though! The big news in the industry at the moment though is the RHS State of Gardening Report, a deep dive into everything gardening especially what our indistry contributes to the economy, health, the environment and to society in general, an interesting and often eye opening look at why Horticulture is great! Also launched recently is the RHS Horticultural Hub, for those gardeners who know their onions and want to get into a more in depth look of their favourite hobby or job.Instagram link:Lucy lucychamberlaingardensLinkedIn link:Saul WalkerIntro and Outro music from https://filmmusic.io"Fireflies and Stardust" by Kevin MacLeod (https://incompetech.com)License: CC BY (http://creativecommons.org/licenses/by/4.0/)Support the show

Playlist: The Funk Hunters, Wood N Soo - Jason's themeFunk Hunters, SkiiTour - CandymanMark Snow, Tomiieka - The X Files Theme (Tomiieka Deep House Remix Demo)Whoodini, Westbam - Haunted House of Rock (Westbam Mix)Deadmau5, Danny Diggz - Ghosts N Stuff x You Little Beauty (Danny Diggz Halloween Bootleg)Kubi & Captain Jack - Stranger Things (Remix)Meg & Dia, naked - Meg & Dia - Monster (naked remix)Talking Heads, Jetlag, WhyNot - Psycho Killer (Jetlag & WhyNot Remix)Tough Art, Sâmia Abboadalla - Friday 13Fisher, Dazwell, Ben Rainey, Automatics - Losing The Monster (Dazwell Vs Ben Rainey Halloween Special)Andrew Gold - Spooky Scary Skeletons (Traag halloween remix)RUMPUS - Naughty Monstersleepsleep - The Killer Is Escaping (Original Mix)Danny Elfman, AG - This Is Halloween (AG Remix)Ludacris - The potion (neon steve remix)New Order, Thomas Anthony - New Order - Blade Blood Rave (Thomas Anthony Remix)yeah yeah yeahs, A-trak - Heads will roll (Gin & Sonic edit) A-trak remixDuck Sauce, Freddy & Maximus - Big Bad Wolf (Freddy & Maximus Remix)Adrian Mak - Monster Mash (Adrian Mak Edit)Neon Steve - Howl at the moonBillie Eilish - Bury a friend (Sara de Villalta remix)Rockwell, Jerome Robins - Somebody's Watching Me (Jerome Robins Halloween Remix)Kernkraft 400, Thomas Anthony, Control Room - Zombie Nation (Thomas Anthony + Control Room Remix)Shermanology - Ready 2 GoOperator P - Head At Dub (9D5DUBS)LYNY - SectionSammy Virji & Champion - Dis Badman (ft. Irah)Phasmid - Double NegativeJames Poole - Too Cool Dubby Careless (Original Mix)Kettama, Shuffa - Rok Da House! (Shuffa Edit)Kyle Watson, Wax Motif, Scrufizzer - Push Up feat. Scrufizzer (Extended Mix)Jem Haynes, Dominic B UK - Find Me (Original Mix)Cassius, Pauly - Feeling For You (Pauly Flip)Unknown, Robustt - PAIN (ROBUSTT'S GARAGE MIX)Drake, Central Cee - Which One (esentrik Remix)Whiplash, Taiki Nulight - Caravan (Taiki Nulight Remix)

Playlist: The Funk Hunters, Wood N Soo - Jason's themeFunk Hunters, SkiiTour - CandymanMark Snow, Tomiieka - The X Files Theme (Tomiieka Deep House Remix Demo)Whoodini, Westbam - Haunted House of Rock (Westbam Mix)Deadmau5, Danny Diggz - Ghosts N Stuff x You Little Beauty (Danny Diggz Halloween Bootleg)Kubi & Captain Jack - Stranger Things (Remix)Meg & Dia, naked - Meg & Dia - Monster (naked remix)Talking Heads, Jetlag, WhyNot - Psycho Killer (Jetlag & WhyNot Remix)Tough Art, Sâmia Abboadalla - Friday 13Fisher, Dazwell, Ben Rainey, Automatics - Losing The Monster (Dazwell Vs Ben Rainey Halloween Special)Andrew Gold - Spooky Scary Skeletons (Traag halloween remix)RUMPUS - Naughty Monstersleepsleep - The Killer Is Escaping (Original Mix)Danny Elfman, AG - This Is Halloween (AG Remix)Ludacris - The potion (neon steve remix)New Order, Thomas Anthony - New Order - Blade Blood Rave (Thomas Anthony Remix)yeah yeah yeahs, A-trak - Heads will roll (Gin & Sonic edit) A-trak remixDuck Sauce, Freddy & Maximus - Big Bad Wolf (Freddy & Maximus Remix)Adrian Mak - Monster Mash (Adrian Mak Edit)Neon Steve - Howl at the moonBillie Eilish - Bury a friend (Sara de Villalta remix)Rockwell, Jerome Robins - Somebody's Watching Me (Jerome Robins Halloween Remix)Kernkraft 400, Thomas Anthony, Control Room - Zombie Nation (Thomas Anthony + Control Room Remix)Shermanology - Ready 2 GoOperator P - Head At Dub (9D5DUBS)LYNY - SectionSammy Virji & Champion - Dis Badman (ft. Irah)Phasmid - Double NegativeJames Poole - Too Cool Dubby Careless (Original Mix)Kettama, Shuffa - Rok Da House! (Shuffa Edit)Kyle Watson, Wax Motif, Scrufizzer - Push Up feat. Scrufizzer (Extended Mix)Jem Haynes, Dominic B UK - Find Me (Original Mix)Cassius, Pauly - Feeling For You (Pauly Flip)Unknown, Robustt - PAIN (ROBUSTT'S GARAGE MIX)Drake, Central Cee - Which One (esentrik Remix)Whiplash, Taiki Nulight - Caravan (Taiki Nulight Remix)

1: TALKING HEADS, THE CUBE GUYS - Psycho Killer (The Cube Guys Remix) 2: SACHA ROBOTTI & SIAN & JOPLYN – All Night3: DANNY HOWARD & EDD - Sweet Sensation (Extended Mix)4: BURNSKI, KEPLER (UK) - Get Down (Original Mix)5: KEVIN MCKAY - Come Together (Extended Mix)6: JAMIE COINS, ROXY (Feat. MC THUNDERBOLT) - Say My Name (Extended Mix)7: CARTER WALSH - See Straight (Extended Mix)8: STIRLING, DAN DIAMOND - I Got Bad Habits (Extended Mix) LISTENERS' CHOICE8:         Wildberry Tracks (Vocal Mix) 10: FRANKY WAH - Passion (feat. Zoe Kypri)11: LOWDOWN - Deeper12: ODD MOB & OMNOM & HYPERBEAM - System (Extended Mix)13: Judge Jules & Woody van Eyden - Fiddle TRIED & TESTED 14: RENE ET GASTON, ANDRE ZIMMER - Vallée De L'Armes (Extended Mix) 15: AMY WILES, LEENA PUNKS & FLOWANASTASIA – Heard It All Before16: CHUWE - Move17: CLOUDS - Horizon GUEST SELECTION:  LISA KORVERSilvio Ecomo & Chuckie - Moombah (Sidney Samson Remix)Lisa Korver - Dale Duro_ THE WARM UP SELECTION 18: SWIM - Run Away19: RYAN RAFFERTY - The Revelator 20: ALT8 - Split The G21: KASKADE - Imprint ft. Courtney Storm  THE MAINSTAGE MIX  22: FOVOS – Speaker Phone23: ARMIN VAN BUUREN & KIKI - Put Your Bassline (Extended Mix) 24: DIM3NSION & KADETT - Turning (Extended Mix)25: BEN NICKY & CHUKIESS & WHACKBOI - Satay Rave (Extended Mix)26: SNEIJDER & PAUL MILLER - En Route (Extended Mix)27: SOLARSTONE - Memoryland (Extended Mix)28: MIRAGE X YOLAINE - Don't Ever Let Go (Extended Mix)29: FERRY CORSTEN - Drum's a Weapon (Giuseppe Ottaviani Extended Reprint)

It's that time again! Gut that pumpkin and fill it with eggnog, because we're listening to EVEN MORE Christmas/Halloween crossover songs. Not only have we not run out of these, we've still got a few that are, you know, not terrible! We start with "Spooky Halloween Chrismtas" by Giftshop and have to re-learn what psychobilly is, then get into a more familiar groove with "Halloween on Christmas" by The Walking Who. Plus: a last-minute Halloween costume idea for couples, and also a third person, preferably a sibling or in-law! The intro sting in this episode is the theme song of "Are You Afraid of the Dark?" composed by Jeff Zahn & Jeff Fischer and the ranking music is "Psycho Killer" by Talking Heads.

1. Prospa - Love Songs (feat. Kosmo Kint) 2. Dames Brown - You're The One For Me (Alan Dixon Remix) 3. Dilby - Shadow Ban 4. Ken@Work - This Ain't No Disco 5. Huxley - Inside Of Me 6. Floorplan - You're A Shining Star 7. Kideko - The Beat 8. Piem, Hedara - Real Thing 9. Jaques Le Noir - House Of House (Veive Remix) 10. Talking Heads, The Cube Guys - Psycho Killer (The Cube Guys Remix) 11. Vampire Sex - Disco Party Baby 12. Anthony Attalla, Siwell - Money Gun 13. Kry (IT) & Orson Welsh - Groovy Alegría 14. Thomas Newson - Can t You See

Adam talks with British musician and artist John Foxx, about a few of the pioneers of electronic music, forming the band Ultravox!, working with legendary producers Brian Eno (Bowie, Talking Heads, U2, Coldplay, etc.) and Conny Plank (Kraftwerk, NEU! Cluster, Harmonia, etc.), the relationship between art, music and comedy, his encounters with Keith Richards and performance artist Leigh Bowery, what he and Fall frontman Mark E Smith would talk about on their drinking sessions together and how his parents didn't screw him up.Conversation recorded face-to-face in London on 11 March, 2025List of the music clips used in this episode on Adam's website HEREADAM TALKS 90s TV AND PLAYS MUSIC @ LONDON LITERATURE FESTIVAL @ Royal Festival Hall, Sunday 26th October 2025, 7.30pmThanks to Séamus Murphy-Mitchell for production supportPodcast illustration by Helen GreenListen to Adam's album 'Buckle Up' Order Adam's book 'I Love You Byeee' Sign up for the newsletter on Adam's website (scroll down on homepage)RELATED LINKSMETAMATIC - SIGNED 45th ANNIVERSARY GREY VINYL - 2025 (BURNING SHED)JOHN FOXX - UNDERPASS - 1980 (YOUTUBE)ELECTRICITY AND GHOSTS The Visual Art of John Foxx - 2024WENDY CARLOS - VOCODER QUESTIONS (WENDY CARLOS WEBSITE)STRANGE JOURNEY: THE STORY OF ROCKY HORROR (TRAILER) - 2025 (YOUTUBE)LEIGH BOWERY - SOUTH OF WATFORD PT 1 - 1986 (YOUTUBE)LEIGH BOWERY - SOUTH OF WATFORD PT 2 - 1986 (YOUTUBE)LEIGH BOWERY - SOUTH OF WATFORD PT 3 - 1986 (YOUTUBE)MICHAEL CLARKE AND MARK E SMITH ON NEWSNIGHT - 2011 (YOUTUBE)THE DAMNED - NEW ROSE - 1977 (YOUTUBE)LEIGH BOWERY GIVES BIRTH AT WIGSTOCK - 1993 (YOUTUBE) Hosted on Acast. See acast.com/privacy for more information.

On their fourth album, the American rock band refined their innovative sound, which had long been inspired by Black music traditions.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Thanks for joining us as we construct our Mt. Rushmore for the classic Talking Heads cover Crosseyed & Painless. Please enjoy, and join us next week for our draft of the top 25 shows of the century! Please give us a call at (484) 416-0488 and leave us your thoughts and questions! And give us a review wherever you listen to podcasts.  The Helping Friendly Podcast is hosted and produced by Brian Brinkman, Megan Glionna, and RJ Bee. Original music by Amar Sastry. Brought to you by Osiris Media. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian Eno's music opens up worlds I love to step into during trying times. And this conversation with Eno did the same thing.Eno is a trailblazing musician and producer who's worked on seminal records by U2, David Bowie, the Talking Heads and Coldplay, among others. But Eno isn't just a great collaborator with other artists; he's also a great collaborator with machines. He's been experimenting with music technology for decades. Long before we started worrying about ChatGPT replacing human creativity, Eno was tinkering with generative systems to pioneer ambient music – a genre that has deeply influenced how we listen to music today. Eno's use (and playful misuse) of technology has expanded the possibilities of what music and sound can be.Many of you emailed in asking for a break from the news. Here it is.This episode contains strong language.Mentioned:What Art Does by Brian Eno and Bette AdriaanseEast West Street by Philippe SandsSilence by John CageBook Recommendations:Printing and the Mind of Man edited by John Carter and Percy H. MuirA Pattern Language by Christopher AlexanderNaples '44 by Norman LewisMusic Recommendations:The Rural Blues“The Velvet Underground” by the Velvet UndergroundThe ConsolersThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Mary Marge Locker, Kate Sinclair and Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show's production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Jack McCordick, Marina King and Jan Kobal. Original music by Aman Sahota and Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. Transcript editing by Sarah Murphy. The director of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Geeta Dayal, Jack Hamilton, Victor Szabo and Sophie Abramowitz. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

MUSICHayley Williams is revealing who she's calling out as the “racist country singer” in her song “Ego Death at a Bachelorette Party.” https://www.youtube.com/watch?si=FrwDiBQxk57ZdKnU&v=fN5rvIvjpnc&feature=youtu.be A 30th anniversary edition of The Smashing Pumpkins' double album Mellon Collie and the Infinite Sadness will be out on November 21st.Tina Turner's hometown of Brownsville, Tennessee, unveiled a statue honoring the late singer, but fans are not convinced it captures her at her best. NEW ALBUM RELEASES:Waylon Jennings - SongbirdOasis - (What's the Story) Morning Glory? 30th Anniv. EditionTaylor Swift - Life of a Showgirl TV• Friday on Netflix: The series premiere of "Monster: The Ed Gein Story". Charlie Hunnam plays serial killer Ed Gein, whose crimes inspired the characters Norman Bates from "Psycho", Leatherface from "The Texas Chainsaw Massacre", and Buffalo Bill from "Silence of the Lambs". (Trailer)• Friday on HBO Max: The streaming premiere of "Bring Her Back", a horror film starring Sally Hawkins from "The Shape of Water" as a creepy foster mother who takes in two teenagers and they discover that she wants them for a dark ritual intended to bring her dead daughter back to life. (Trailer)• Friday on Peacock: The streaming premiere of "Honey Don't", starring Margaret Qualley as a private investigator looking into some mysterious deaths tied to a shady church run by Chris Evans. (Trailer)• Saturday at 11:30 p.m. on NBC: Bad Bunny hosts the 51st season premiere of "Saturday Night Live", and Doja Cat is the music guest.• Sunday at 9:00 p.m. on AMC: "The Walking Dead: Daryl Dixon". Lori Loughlin and her husband of nearly 28 years, Mossimo Giannulli, have separated. https://people.com/lori-loughlin-and-mossimo-giannulli-separate-after-nearly-28-years-of-marriage-exclusive-7502189 In other couple news: Ellen DeGeneres and Portia de Rossi be the next celebrity break-up? According to sources, Portia needs space from Ellen. One source says, quote, "Portia loves Ellen dearly, but she feels totally suffocated much of the time, because every aspect of her life is constantly micromanaged. https://www.yahoo.com/entertainment/celebrity/articles/ellen-degeneres-wife-wants-time-160000933.html· MOVING ON INTO MOVIE NEWS:IN THEATERS:The Smashing Machine (Dwayne Johnson, Emily Blunt) DDwayne Johnson plays wrestler and MMA fighter Mark Kerr in this biography about his career and struggles with narcotics. Emily Blunt plays his high maintenance wife and the MMA's Ryan Bader plays his trainer.Bone Lake (Maddie Hasson, Marco Pigossi)A seductive horror story where a couple's romantic vacation at a secluded lakeside estate is altered when they're forced to share the mansion with another couple . . . which spirals into a blur of sex, lies and manipulation.Anemone (Daniel Day-Lewis, Sean Bean) stars Daniel Day-Lewis in a movie directed by his son, Ronan Day-Lewis. After living as a hermit for 20 years, his isolation is disturbed by the sudden appearance of his brother, played by Sean Bean.Are We Good? (Marc Maron documentary) is out today. Ethan Hawke is back as the serial killer The Grabber in Black Phone 2, a sequel to his 2021 horror hit The Black Phone. https://www.youtube.com/watch?v=pWNucAcRoBYAND FINALLYNew releases from Billie Eilish, Billy Joel, Sammy Hagar, Talking Heads and Warren Zevon are among the highlights of Record Store Day's Black Friday lineup.There are 175 limited-edition items on either vinyl or CD slated to drop that day. Check out the complete list at RecordStoreDay.com, or read on for our Top 25 picks.Cage the Elephant - Live From The Vic - 2-LP. This was recorded in 2011 at the famed Chicago venue.Creed - Live in San Antonio (11/14/1999) - 2-LP. This is Creed's first live album. Billie Eilish - Live - 10-inch EP. Live recordings from Amazon's Songline series, never before released physically.Jelly Roll - Beautifully Broken (Pickin' Up The Pieces) - LP. This features 13 tracks from the digital deluxe version of Jelly Roll's 2024 album, Beautifully Broken. Scott Weiland - "If I Could Fly"/"Barbarella (Live)" - 7-inch. This features a previously unreleased song from the late Stone Temple Pilots singer. AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.