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This week on the society Jack and David we complete the feature “Shipworm” from Zack Akers and Skip Bronkie. Wallace Conway wakes up to find he's been implanted with an untraceable earpiece while sleeping. So long as he does everything the voice on the other end tells him, he and his family will live. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on the society Jack and David we complete the feature “Shipworm” from Zack Akers and Skip Bronkie. Wallace Conway wakes up to find he's been implanted with an untraceable earpiece while sleeping. So long as he does everything the voice on the other end tells him, he and his family will live. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on the society Jack and David we feature Part One of “Shipworm”. Wallace Conway wakes up to find he's been implanted with an untraceable earpiece while sleeping. So long as he does everything the voice on the other end tells him, he and his family will live. Written by Zack Akers and produced by Skip Bronkie, Shipworm is the fourth podcast from Two-Up, the studio known for breaking ground in fiction (Limetown), musical (36 Questions), and documentary podcasts (The Wilderness). Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on the society Jack and David we feature Part One of “Shipworm”. Wallace Conway wakes up to find he's been implanted with an untraceable earpiece while sleeping. So long as he does everything the voice on the other end tells him, he and his family will live. Written by Zack Akers and produced by Skip Bronkie, Shipworm is the fourth podcast from Two-Up, the studio known for breaking ground in fiction (Limetown), musical (36 Questions), and documentary podcasts (The Wilderness). Learn more about your ad choices. Visit megaphone.fm/adchoices
When Nic Farrell receives a call from her brother explaining that their father is in a bad way with his dementia and they really need to sell the family home to afford the care he needs, she goes all the way back to her hometown in North Carolina to try to convince their father to sign the deed over to them. She goes back to all the things she worked so hard to escape from: an angry brother, a forgetful father, a dead mother, and an ex-boyfriend that she's stuck in this on-again-off-again cycle with. Oh yeah…and a best friend (Corinne) who disappeared when they were 18, never to be found. As luck would have it, the night after she returns, her ex-boyfriend's current girlfriend (Annaliese) disappears. Is there a connection there? To be determined. This book follows Nic as she tries to unravel what happened to Annaliese, uncovers secrets about her family, and discovers what really happened to Corinne ten years ago.What does this story seem to suggest about how myth and superstition shape our fears? Why do you think the author chose to tell the story in reverse? Join us as we discuss these questions and more in episode 17 of our spoiler-filled podcast.Questions: Most of the questions we're discussing today come from the Reader's Guide in the back of the book.Great music huh?! The music for the intro and outro are segments from a song titled "Busy City" by TrackTribe, which was accessed through the YouTube audio library.Coming up next: Limetown by Zack Akers and Skip Bronkie with Cote SmithInterested in starting your own podcast? Sign up with Buzzsprout using our referral code and we'll both get a $20 amazon gift card (when you choose a paid plan)! https://www.buzzsprout.com/?referrer_id=1894341
We all have recommended so so much over the years but here are the recommendations from the boys that have stuck with me (Liz)Wild Wild Techhttps://podcasts.apple.com/gb/podcast/wild-wild-tech/id1519846548Great stories of how tech shapes our culture in wild ways.Would you be surprised to find out scientists are using World of Warcraft to learn how to fight COVID-19? What if I told you that I could spoil almost any movie based on who uses an iPhone? Or how about the fact that Disney is afraid of butts? Well, that's Wild Wild Tech, the podcast that brings you the wildest, most bizarre, most interesting stories about how tech is shaping our culture.Shipwormhttps://twoupproductions.com/shipworm/podcastMore pods embracing the movie length pod and I like it. IIn this first of its kind feature-length audio movie, Wallace Conway wakes up to find he's been implanted with an untraceable earpiece while sleeping. So long as he does everything the voice on the other end tells him, he and his family will live. itten by Zack Akers and produced by Skip Bronkie, Shipworm is the fourth podcast from Two-Up, the studio known for breaking ground in fiction (Limetown), musical (36 Questions), and documentary podcasts (The Wilderness).Wind of Changehttps://crooked.com/podcast-series/wind-of-change/If there were more eps I would listen to those eps. It's 1990. The Berlin Wall has just come down. The Soviet Union is on the verge of collapse. A heavy metal band from West Germany, the Scorpions, releases a power ballad, “Wind of Change.” The song becomes the soundtrack to the peaceful revolution sweeping Europe — and one of the biggest rock singles ever. According to some fans, it's the song that ended the Cold War.Decades later, New Yorker writer Patrick Radden Keefe hears a rumor from a source: the Scorpions didn't actually write “Wind of Change.” The CIA did.This is Patrick's journey to find the truth. Among former operatives and leather-clad rockers, from Moscow to Kiev to a GI Joe convention in Ohio, it's a story about spies doing the unthinkable, about propaganda hidden in pop music, and a maze of government secrets. “Wind of Change.” An offbeat eight part investigationScam Goddesshttps://www.earwolf.com/show/scam-goddess/Scam Goddess is a podcast dedicated to fraud and all those who practice it! Each week host Laci Mosley (aka Scam Goddess) keeps listeners up to date on current rackets, digs deep into the latest scams, and breaks down historic hoodwinks alongside some of your favorite comedians! It's like true crime only without all the death! True fun crime!Knifepoint Horrorhttps://knifepointhorror.libsyn.com/Tales of supernatural suspense written and produced by Soren Narnia.The text of these stories is licensed under a Creative Commons Attribution 4.0 International license. CC BY 4.0Music by Kevin MacLeod, incompetech.com, unless otherwise noted. See acast.com/privacy for privacy and opt-out information.
Geri speaks with Zack Akers, writer and co-director of SHIPWORM, about how the project is the first podcast to be covered on the Writers Guild Minimum Basic Agreement; the challenges and freedoms of writing for audio; and the roles that doctors working during the pandemic, a rented duck, and a rare & elusive type of mollusk have played in his creative process. Zack Akers, along with his creative partner, Skip Bronkie, run the podcast production company Two-Up, the studio known for groundbreaking fiction, musical and documentary podcasts like 36 QUESTIONS, THE WILDERNESS, and LIMETOWN—the last of which was also adapted into a TV series for Facebook Watch (and which is now available to stream on Peacock). His latest project is SHIPWORM: a first-of-its-kind feature-length scripted podcast. The two-hour narrative story stars Broadway luminary Quentin Earl Darrington as Wallace Conway, a small-town doctor who wakes up to find he's been implanted with an untraceable chip that allows a mysterious voice to lead him on a deadly journey that threatens his family, friends and his own life. The full podcast is now available on all streaming services. -- Read shownotes, transcripts, and other member interviews: www.onwriting.org/ -- Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast
This week on the society Jack and David we complete the feature "Shipworm" from Zack Akers and Skip Bronkie. Wallace Conway wakes up to find he’s been implanted with an untraceable earpiece while sleeping. So long as he does everything the voice on the other end tells him, he and his family will live. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on the society Jack and David we complete the feature "Shipworm" from Zack Akers and Skip Bronkie. Wallace Conway wakes up to find he's been implanted with an untraceable earpiece while sleeping. So long as he does everything the voice on the other end tells him, he and his family will live. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on the society Jack and David we feature Part One of "Shipworm". Wallace Conway wakes up to find he’s been implanted with an untraceable earpiece while sleeping. So long as he does everything the voice on the other end tells him, he and his family will live. Written by Zack Akers and produced by Skip Bronkie, Shipworm is the fourth podcast from Two-Up, the studio known for breaking ground in fiction (Limetown), musical (36 Questions), and documentary podcasts (The Wilderness). Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on the society Jack and David we feature Part One of "Shipworm". Wallace Conway wakes up to find he's been implanted with an untraceable earpiece while sleeping. So long as he does everything the voice on the other end tells him, he and his family will live. Written by Zack Akers and produced by Skip Bronkie, Shipworm is the fourth podcast from Two-Up, the studio known for breaking ground in fiction (Limetown), musical (36 Questions), and documentary podcasts (The Wilderness). Learn more about your ad choices. Visit megaphone.fm/adchoices
In this first of its kind feature-length audio movie, Wallace Conway wakes up to find he's been implanted with an untraceable earpiece while sleeping. So long as he does everything the voice on the other end tells him, he and his family will live. Written by Zack Akers and produced by Skip Bronkie, Shipworm is the fourth podcast from Two-Up, the studio known for breaking ground in fiction (Limetown), musical (36 Questions), and documentary podcasts (The Wilderness). Shipworm stars Broadway luminaries Quentin Earl Darrington and Miriam Silverman, and is coming to podcast platforms everywhere on April 26, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices
Geri Cole hosts the third installment of the OnWriting Guide to Crafting Scripted Podcasts. In Parts One & Two, Kaitlin Fontana spoke with podcast writers and producers about the industry’s business side: what the market looks like, how to break in, and how to protect yourself once you’re there; and about the creative side of the industry: from recruiting talent, to necessary skill sets, to creative satisfactions, and beyond. Now, in Part Three, Geri is joined by three guests—Lissette Alvarez, Matt Klinman, and Lowell Peterson—to talk about the WGA Audio Alliance a new initiative from the Writers Guild of America, East which aims to establish and improve the standards and rights for writers in the scripted podcast industry. To learn more, visit wgaeast.org/WGAAudio or follow @WGAAudio on Twitter. About the Guests Lisette Alvarez is the owner of Stormfire Productions, an independent podcast production company. They are the writer, producer, and lead actor of the urban fantasy audio drama KALILA STORMFIRE'S ECONOMICAL MAGICK SERVICES. Matt Klinman is a writer, director and performer for television, digital and scripted audio. He is currently developing a new scripted audio series with Audible and was most recently a staff writer on the Spotify series THE LAST DEGREE OF KEVIN BACON produced by Funny or Die and the Audible series 64TH MAN produced by Broadway Video. He is the co-creator and co-director of the scripted audio series SMARTR produced by Team Coco for Luminary. Lowell Peterson is the executive director of the Writers Guild of America, East. Under his stewardship, the Guild has organized nonfiction podcast companies Gimlet, The Ringer and Parcast, which are now all owned by Spotify. To listen to the OnWriting Guide to Crafting Scripted Podcasts, Parts One and Two, visit onwriting.org and click on “Special Projects.” The OnWriting Guide to Scripted Podcasting, Part Three was hosted by Geri Cole with sound design, mixing, and tech production by Stock Boy Creative. Special thanks to Lisette Alvarez, Matt Klinman, Lowell Peterson, Jason Gordon, and Molly Beer. Parts One and Two were written & produced by Molly Beer; hosted by Kaitlin Fontana; with sound design, mixing, and tech production by Stock Boy Creative. Special thanks to River Donaghey, Danielle Trussoni, Zack Akers, Skip Bronkie, Alicia Van Couvering, Lowell Peterson, Jason Gordon, and Marsha Seeman. -- Read shownotes, transcripts, and other member interviews: www.onwriting.org/ -- Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast
In this episode, the hosts talk about some weird machine that they've called "The Goo-er". Also, the new Facebook Watch original series Limetown left a sour taste in their mouths.
Over the past five years, podcasts have exploded in popularity. You listen to them, and with over 700,000 active podcasts out there, chances are you or someone you know has a show of their own. A 2019 report by Edison Research found that 70% of the U.S. population has heard of podcasts and over 50% have listened to one. Fictional or scripted podcasts represent a small but steadily growing subset of the podcast industry. The Guild – and our members – have a lot of questions about this new frontier of scripted podcasting. Is it a lower-cost way to get a story known to the public… and to TV producers? Is it a viable, fulfilling way to create stories in its own right? What are some ways writers can protect ourselves as we explore this new form of work? To answer these questions, we spoke to writers and producers who have made a name for themselves in the scripted podcast industry – some who are just starting out, and some whose podcasts have gone on to become TV shows. In Part One, LIMETOWN co-creator Zack Akers, HOMECOMING producer Alicia Van Couvering, and WGA East executive director Lowell Peterson talk to us about the industry's business side: what the market looks like, how to break in, and how to protect yourself once you're there. In Part Two, we'll take a deep dive into the creative side of the industry, from recruiting talent to necessary skillsets to creative satisfactions and beyond. Learn more about the Guild’s work in the scripted podcast industry: wgaeast.org/podcasting. -- The OnWriting Guide to Scripted Podcasting, Part One was written & produced by Molly Beer; hosted by Kaitlin Fontana; sound design, mixing, and tech production by Stock Boy Creative; with special thanks to River Donaghey, Danielle Trussoni, Zack Akers, Skip Bronkie, Alicia Van Couvering, Lowell Peterson, Jason Gordon, and Marsha Seeman. -- Read shownotes, transcripts, and other member interviews: www.onwriting.org/ -- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast
When you're a screenwriter moving to TV or a novelist moving to screenwriting or even a comedy writer moving to drama, you'll have questions about how this new territory differs from what you're used to. Questions like... how does breaking a script work? Or... how do I write character development over the course of a two hour film rather than over a full TV season? Questions are normal. But typically, there are at least some factors that are givens – things that have been established over the course of decades. Problem is, since podcasts are new territory for pretty much everyone, those sorts of rules and standards about the most basic issues don't exist yet. There's no consensus about how to format a podcast script, let alone any popular beliefs about things like whether you need a writer's room. To find answers for some of these questions, we spoke to writers and producers who have made a name for themselves in the scripted podcast industry – some who are just starting out, and some whose podcasts have gone on to become TV shows. In Part One, we heard from LIMETOWN co-creator Zack Akers, HOMECOMING producer Alicia Van Couvering, and WGA East executive director Lowell Peterson about the industry's business side: what the market looks like, how to break in, and how to protect yourself once you're there. Now, in Part Two, we'll take a deep dive – with the help of Zack and Alicia, as well as Danielle Trussoni (CRYPTO-Z), and River Donaghey (AMERICAN AFTERLIFE) – into the creative side of the industry – from recruiting talent, to necessary skillsets, to creative satisfactions and beyond. Learn more about the Guild’s work in the scripted podcast industry: wgaeast.org/podcasting. -- The OnWriting Guide to Scripted Podcasting, Part Two was written & produced by Molly Beer; hosted by Kaitlin Fontana; sound design, mixing, and tech production by Stock Boy Creative; with special thanks to River Donaghey, Danielle Trussoni, Zack Akers, Skip Bronkie, Alicia Van Couvering, Lowell Peterson, Jason Gordon, and Marsha Seeman. -- Read shownotes, transcripts, and other member interviews: www.onwriting.org/ -- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast
Maybe it was the timing of Limetown as a podcast, coming out a year after Serial made the audio medium a commodity, that made it a viral success in 2015 in addition to the compelling nature of the story, but it was undoubtedly that strong narrative that helped the sci-fi mystery make the transition to television so successfully. Season one of the adaptation recently wrapped up on Facebook Watch with millions of views per episode and plenty of rabid fans begging for more, and we took the opportunity on The Fourth Wall podcast to ask creators Zack Akers and Skip Bronkie what made the show a hit in both formats. See acast.com/privacy for privacy and opt-out information.
Town Hall presents Zack Akers and Skip Bronkie, creators of the #1 podcast Limetown, for a discussion of their show’s explosive prequel novel. They met onstage with the book’s author Cote Smith (a PEN/Robert W. Bingham Prize Finalist) to offer us a glimpse into this exhilarating mystery. The prequel follows Lia, a student journalist who learns of a mysterious research facility where over three hundred people have disappeared, including her uncle Emile. Lia begins an investigation that takes her far from home and reveals shocking clues about the secrets of this strange town. Akers, Bronkie, and Smith joined us for a retrospective discussion of the podcast: how it all began, how it grew, what it’s become, and what it means to fans everywhere. For fans of Limetown, podcast-lovers, or mystery fans, don’t miss this incredible conversation that asks big questions about what we owe to our families and what we owe to ourselves, about loss, discovery, and growth. Recorded live at The Collective by Town Hall Seattle on Friday, November 16, 2018.
Randy Shaw speaks with Town Hall Correspondent Tammy Morales to examine the rising tide of factors that are making metropolitan housing unaffordable (2:17). Chief Correspondent Steve Scher sits down with Octavio Solis to unpack the rich personal history of memoir and explore the dreams of his past (13:12). Host Jini Palmer shares a backstage interview with Zack Akers and Skip Bronkie—creators of the hit podcast Limetown—along with Cote Smith, author of the series' prequel novel (22:25). Get an insider's look and stay in the know about what's going on in this moment at Town Hall.
1. Zack Akers and Skip Bronkie - creators of the Limetown podcast 2. Cote Smith- author of the Limetown prequel novel
In 2015, Zack Akers and Skip Bronkie launched the Limetown podcast, about an NPR-style reporter investigating the mass disappearance at a corporate town in Tennessee. On the iTunes homepage, the podcast went to the #1 US slot—topping This American Life and Serial. With its cult following, Season two is now here, along with a TV adaptation with Facebook Watch in production, with Jessica Biel confirmed to produce and star. Now Simon & Schuster has released LIMETOWN: The Prequel, by Cote Smith, Zack Akers and Skip Bronkie. The book is goes back in time to tell the stories of both Lia’s adolescence and her Uncle Emile’s—and how his strange psychological condition entangled their family in mysterious and dangerous research. This exhilarating, completely original prequel takes readers back to the beginning and opens a whole new dimension of the Limetown universe. The LIMETOWN prequel is an addictive entry point for a new audience, and an explosive new layer of the story for existing fans of the podcast. We chat about the creation of this and every version of Limetown.
In 2015, Zack Akers and Skip Bronkie launched the Limetown podcast, about an NPR-style reporter investigating the mass disappearance at a corporate town in Tennessee. On the iTunes homepage, the podcast went to the #1 US slot—topping This American Life and Serial. With its cult following, Season two is now here, along with a TV adaptation with Facebook Watch in production, with Jessica Biel confirmed to produce and star. Now Simon & Schuster has released LIMETOWN: The Prequel, by Cote Smith, Zack Akers and Skip Bronkie. The book is goes back in time to tell the stories of both Lia’s adolescence and her Uncle Emile’s—and how his strange psychological condition entangled their family in mysterious and dangerous research. This exhilarating, completely original prequel takes readers back to the beginning and opens a whole new dimension of the Limetown universe. The LIMETOWN prequel is an addictive entry point for a new audience, and an explosive new layer of the story for existing fans of the podcast. We chat about the creation of this and every version of Limetown.