Podcasts about Writers Guild

In this episode of the Indestructible PR Podcast with Molly McPherson, long-time TV writer and Writers' Guild of America (WGA) writer, Michael Jamin, takes us behind the scenes of the recent strike and shares insight that helped the WGA negotiate a new contract with Hollywood studios. Grab your headphones and get ready for some serious industry insider knowledge!1. The Inside Story: Michael Jamin, a seasoned TV writer, shares fascinating insights about the challenges faced by newcomers in the business and reveals why sustaining a career is often more difficult than breaking into it. You'll discover the struggles aspiring writers face, including the difficulty of securing a second job after their initial gig. Get ready to gain a whole new perspective on the inner workings of Hollywood!2. The Power of Social Media: Ever wonder how social media has changed the game for industries like entertainment? Jamin will shed light on how social media platforms can be used as effective tools for causes, as demonstrated by an unexpected group that caught the attention of an industry giant, the Alliance of Motion Picture and Television Producers (AMPTP). Get ready to be inspired by the possibilities of social media storytelling!3. The Tactics and Playbooks: Strikes can be intense, and Jamin doesn't hold back in discussing the playbook pulled out by the studios during negotiations. He'll dissect the recent strike, revealing how the studios tried to maintain the status quo while the Writers Guild pushed for much-needed changes. This insider knowledge will give you a fresh perspective on the strategies and tactics employed by both sides during high-stakes negotiations.Behind the HeadlinesThe WGA strike was a game-changer that showcased the power of unity and effective communication. This episode unravels the complexities of the strike negotiations, dives into the world of social media activism, and presents an insider's perspective on sustaining a career in Hollywood. Gain exclusive access to the behind-the-scenes world of Hollywood strikes and negotiations in this episode of the Indestructible PR Podcast with Molly McPherson.  An episode that will leave you informed, entertained, and craving more insider knowledge. Let's dive into the irresistible world of Hollywood!More from Molly McPherson: Join PR Confidential for expert analysis on PR tactics and spin ripped from the headlines. Pose your PR pop culture questions directly to Molly and gain exclusive insights, including bonus commentary from her podcasts and TikTok. Spot the spin and uncover the narrative with PR Confidential. Getting flamed on Social Media? Get your 'Quick Fix Crisis Communication Plan Linktree Instagram TikTok Twitter (I refuse to call it 'X') YouTube Facebook Listen and Subscribe to Apple Podcasts Indestructible: Reclaim Control and Respond with Confidence in a Media Crisis Indestructible: Reclaim Control and Respond with Confidence in a Media Cris...

Greetings and salutations, creative brothers and sisters! In the midst of moving his family of four into a new home, your trusty host and Not Real Art Founder Scott “Sourdough” Power is a little less tireless than usual, which is why we're keeping things short and sweet in today's auditorial. Tune in for some personal updates and our stance on the 2023 Writers Guild of America strike, plus some highlights from recent episodes and a sneak peek at what's to come on the podcast!Key Points From This Episode:Moving house, a Burning Man raincheck, and other personal updates from Sourdough.How Not Real Art stands with and supports the creatives participating in the writer's strike.A special shout-out to some recent guests on the Not Real Art Podcast!Who you can look forward to hearing from in the near future.For more information, please visit http://notrealart.com/sourdough-auditorial

This episode is for anyone who cares about tv and movies.  I have 10 things to tell you about the historic Hollywood strikes of 2023. The Writers Guild of America and the Screen Actors Guild have been fighting for wage increases, protection against artificial intelligence, and more. Think it doesn't affect you? Think again! Here are the 10 Things I talk through in this episode: What are the basics of the strike? What is the history here? What exactly do Hollywood writers do? How do they get paid? So why are they striking?  (And what does striking mean? Can they not work at all?) What does mandatory staffing mean? What is the AI threat? Some notable things that happened during this strike.  What was finally negotiated?  How does this all affect the viewer? I want this show to be about connection, conversation, and sharing our stuff. The Hollywood strikes are something our family cares about, so I'm sharing it here with you.  If this episode teaches you something, please share it on social media or with a friend.  FULL SHOW NOTES ARE HERE   MENTIONED in this episode: Secret Stuff Episode with Jill Killington Smartest Person in the Room: Hollywood Series Deadline Hollywood Fran Drescher speech   SPONSORS: Betterhelp // Go to Betterhelp.com/YOU for 10% off your first month   SUBSCRIBE to 10 Things To Tell You so you never miss an episode! CLICK HERE for episode show notes FOLLOW @10ThingsToTellYou on Instagram FOLLOW @10ThingsToTellYou on Facebook JOIN the 10 Things To Tell You Connection Group SIGN UP for episode emails, links, and show notes JOIN the Secret Stuff Patreon BUY THE BOOK: Share Your Stuff. I'll Go First. by Laura Tremaine BUY THE BOOK: The Life Council: 10 Friends Every Woman Needs by Laura Tremaine    

In the latest issue of The Comic Section Podcast, we kicked off the discussion by acknowledging the significance of National Self Care Awareness Month. We shared our personal self-care routines and asked listeners what they do for their own self-care, fostering a sense of connection and well-being. Shifting to the entertainment industry, we delved into the Writers Guild of America's tentative deal with the studios, shedding light on the terms and implications of this agreement. We discussed how this deal impacts both writers and the content we enjoy. A significant development in the world of video games was next on the agenda, as the hosts revealed that SAG-AFTRA members had voted overwhelmingly to authorize a strike against 10 major video game companies. We explored the reasons behind this vote and its potential impact on the gaming industry. Fans of the Halloween franchise were in for exciting news as the podcast informed them that the rights to the franchise were up for grabs. This presented an opportunity to fulfill John Carpenter's original anthology plan for the series, a topic that surely sparked a lot of enthusiasm and speculation. We also addressed the gender pay gap in Hollywood as Leslie Jones revealed that she had to fight for just one percent of her co-star's salary in the 2016 Ghostbusters film. We discussed the broader issue of pay inequality in the industry and the ongoing efforts to address it. A major development in the world of sports and entertainment followed, as the podcast highlighted WWE's merger with UFC earlier in the month. We mentioned that all eyes were now on WWE's media rights, especially since broadcast deals for Monday Night Raw, WWE NXT, and WWE SmackDown were set to expire in Fall 2024. Trailers always generate excitement, this week we provided listeners with a sneak peek at trailers from Disney's Wish, Rick and Morty Season 7, Totally Killer, and Argylle, offering their thoughts and insights on these upcoming releases. Finally, Rigel shared his reviews for Futurama Season 11 and Invitation to Hell, offering valuable opinions on these pieces of entertainment. Tune in to The Comic Section Podcast for engaging discussions, industry insights, and reviews that cover a wide range of topics in the world of pop culture and entertainment.

Lily finally saw Barbie, so we're finally talking about it! Lily also lost her cell phone at a Philadelphia Eagles football game, which is pretty compelling too and we talk about that too. Vote for Friday Night Night Movie in the 2023 Signal Awards! In solidarity with the Writers Guild of America (WGA) and SAG-AFTRA strikes, Friday Night Movie is supporting the Entertainment Community Fund, which provides emergency financial assistance and provides social services to a broad array of entertainment industry professionals.  Sign up for the Friday Night Movie Newsletter for giveaways, curated episode playlists from the hosts and guests (including our mom), and at MOST one email per month (and probably fewer).  Closed captions for this episode are available via the player on the official Friday Night Movie homepage, the Podbean app and website, and YouTube.  The Friday Night Movie Family supports the following organizations: the DC Abortion Fund, HIAS, NAACP Legal Defense Fund | Equal Justice Initiative | Asian American Journalists Association | The Entertainment Community Fund. Subscribe, rate and review us on your favorite podcast platform, including iTunes | Spotify | Stitcher | Google Play | Podbean | Overcast. Catch up on all the Friday Night Movie SXSW special coverage in this playlist, including featured interviews from SXSW Wonder House hosted by the University of Arizona.  Play along with Friday Night Movie at home! Read the FNM Glossary to learn the about our signature bits (e.g., Buy/Rent/Meh, I Told You Shows, Tradesies, etc). Email us at info@p4tmedia.com or tweet @FriNightMovie, @pancake4table, @chichiKgomez, and/or  @paperBKprincess.  Follow our creations and zany Instagram stories @frinightmovie, @FNMsisters, and @pancake4table. Follow us on Letterboxd (@pancake4table) where we're rating every movie we've EVER watched.  Subscribe to our quarterly newsletter for exclusive giveaways and news! Theme music by What Does It Eat.  Subscribe and leave a review on IOS or Android at frinightmovie.com.

#159: The Writers Guild of America strike came to an end last week. This week, members will vote to ratify the contract. That appears to be on course as — at first review — the deal seems to be a good one, with provisions on streaming residuals and limits on the use of AI. For a better understanding on where things go from here, How to LA brings back two writers we spoke to when the picketing began back in May.  Guests: WGA captain and writer Caroline Renard; TV writer Rafael Agustin.Here are some specific details of the contract: https://laist.com/news/arts-and-entertainment/historic-writers-strike-ends  

Writers Guild bigwig David Goodman gives us the inside scoop on how the WGA strike was settled, what it means going forward, and pointedly and extensively tells Alec why he was wrong about a minor issue from 16 years ago.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to Backstage, the TV and film podcast from Sky News. On this week's Backstage, hosts Claire Gregory, Bethany Minelle, and Stevie Wong discuss the end to the strike by the Writers Guild of America (WGA) and what that might mean for Hollywood production while actors remain on the picket line. Nadiya Hussain of Bake Off fame has a new cooking show, Nadiya's Simple Spices (BBC), and tells Claire about the influence of her family when cooking. Director Ken Loach discusses the US writers' strike ending - and his latest film The Old Oak, which tells the story of a former mining village in northeast England that becomes the new location for Syrian refugees. Plus, the team reviews new series Boiling Point (BBC), the Taylor Swift Eras Tour film, and the Boys' spin-off Gen V (Prime Video). Producers: Soila Apparicio, Debbie Ridgard, and Jada- Kai Meosa John Editor: Paul Stanworth

Episode Summary This time on This Month in the Apocalypse, Brooke, Inmn, and Margaret talk about food insecurity, genocide in Armenia, a storm in Libya, battles for abortion care access, the government shut down, the state of water, and how everything can tie back to Lord of the Rings. Host Info Brooke can be found on Twitter or Mastodon @ogemakweBrooke. Inmn can be found on Instagram @shadowtail.artificery. Margaret can be found on twitter @magpiekilljoy or instagram at @margaretkilljoy. Publisher Info This show is published by Strangers in A Tangled Wilderness. We can be found at www.tangledwilderness.org, or on Twitter @TangledWild and Instagram @Tangled_Wilderness. You can support the show on Patreon at www.patreon.com/strangersinatangledwilderness. Transcript This Month in the Apocalypse: September, 2023 **Inmn ** 00:15 Hello and welcome to Live Like the World is Dying [Brooke cheers] and this is our extra fun This Month in the Apocalypse section in which we talk about, unfortunately, most of the horrible things that happened in the last month. I'm one of your hosts today, Inmn, and I have with me some other folks.  **Margaret ** 00:36 Hi. **Brooke ** 00:36 The indomitable you. **Margaret ** 00:40 Brooke is Brooke. I'm...I'm Out-mn [like Inmn, but out] Margaret, **Brooke ** 00:45 I'll be Margaret, you be Out-mn. **Margaret ** 00:49 The inverse of Inmn. [Brooke laughing] Or, I'll be Margaret. And then Inmn can be Brooke. **Inmn ** 01:02 I don't know nearly enough about math to be Brooke, but I will try. **Margaret ** 01:07 Okay, we'll just switch each other's scripts and so that we each read what the other has researched. And y'all can go  with my shitty notes. **Inmn ** 01:17 Yeah, right. You know, that sounds great. But before we get to all of that, we are a proud member of the Channel Zero Network of anarchists podcasts and here is a jingle from another show on that network. Bah doo boop doo [Singing the words like a simple melody] **Inmn ** 02:21 And we're back. And, to start off the show, we have harped a lot on how horrible of a place Phoenix, Arizona is a lot this year.  **Brooke ** 02:38 Oh, I've definitely talked shit too, so...it's at least an "us" and not necessarily a "we."  **Margaret ** 02:42 I really appreciate you making this a "we" instead of me just talking shit on it. **Inmn ** 02:48 Yeah, no, I mean, it's the place, famously, where propane tanks explode because it's too hot and people fall on the ground and get burned. And, where they're trying to build some giant super future city that Bill Gates wants to trap us all in...or something. But a listener got a hold of me and told me about the history of the name, Phoenix, because it got brought up on the show. And, what he had to tell me about it was that Phoenix is named so because it was built from the ashes of a Hohokam civilization that was literally burned to the ground by white settlers. [Brooke boos] And they wanted to inspiringly build a city in its ashes. [laughing in a horrified way] So yeah, the surprising but not too surprising history of Phoenix.  **Margaret ** 03:58 It's more like the spell Animate Dead where you bring someone back to life but as a mindless zombie who serves you instead of their original purpose.  **Inmn ** 04:04 Yeah, totally. Yeah.  **Margaret ** 04:08 Brooke, what were you gonna say? Sorry.  **Brooke ** 04:09 Oh, just that I think that, as an indigenous person, we should go ahead and re-Phoenix, Phoenix. [Everyone laughs] It's time.  **Margaret ** 04:18 This is just a terrible transitional state that I was in before... **Brooke ** 04:21 I mean if it rises from the ashes, let's burn that motherfucker down and give it back to its proper people. **Inmn ** 04:29 It might do that on its own. The way the city is running it, it might...that might happen regardless of intention. **Brooke ** 04:38 Excellent. I'm glad to help, though. I will help the city towards that goal. **Inmn ** 04:44 Yeah. But, in a hopeful note for Arizona, I did find out that other cities in Arizona, not Phoenix, do weirdly have a pretty robust aquifer system. Like the city of Tucson, for example, only relies on the Colorado River for like 5% of its water, and otherwise, it's all aquifer driven and there's a lot of cool programs in place for--this is me defending that Arizona is a fine place to live. **Margaret ** 05:18 I know. And I'm going to talk about groundwater later [Laughing] and how aquifers are all drying up all over the country. **Brooke ** 05:24 Thank God, because I was going to insert some shit about there right now. So, I'll leave that for you, Margaret. **Inmn ** 05:28 Great. Well, to start us off today aside from Arizona... **Brooke ** 05:36 Phoenix getting burned down. **Inmn ** 05:36 ...Aside from Phoenix getting burned down. There are some bad things happening in the world. I know this is a shock to all of our listeners who came here for a list of joyful things about the apocalypse, right? But, so there's a new wave of activity in the Armenian Genocide from Azerbaijan. And, what's been happening is that on September 19th, Azerbaijan   launched a full assault on Nagorno-Karabakh targeting mostly civilian infrastructure. There have been--you know, this was as of September 19th--200 casualties so far. But, there are 120,000 people who are completely cut off from any kind of external supplies or aid. Nagorno-Karabakh, it's been contested for a really long time. It's been the subject of a lot of past conflicts. And, both sides have--there's been a, you know, an unsteady..."peace" isn't the right word, but, you know, non-attacking-each-other time. And both sides are kind of accusing each other of a military buildup. And while there's a lot of physical evidence that shows Azerbaijan amassing troops and building military infrastructure, the same cannot be said of Armenia, who has--there's a local defense army in that area. Because, the area is sort of technically part of Azerbaijan, but is controlled by an ethnically Armenian population. And, so, part of this big military buildup is that there was this blockade put on, essentially, the only route in and out of this area, was just put on full military blockade. And there was a big humanitarian response to it because they're like, "You're cutting off 120,000 people from all external like food, and medical, and, you know, any kind of supplies, and, in some instances, water. And, there was this big mass starvation happening in this area. And, humanitarian aid convoys that were trying to go into the area were literally being shelled by Azerbaijan. Which eventually culminated in this full assault on September 19th. And, as it stands right now, there's...literally 120,000 people have gotten into their cars and are attempting to leave the area since the... **Brooke ** 05:37 That's a lot of people  **Inmn ** 05:38 Yeah, yeah.  **Margaret ** 05:41 There was a ceasefire or something, right?  **Inmn ** 05:44 There was a ceasefire, which called for the unconditional surrender of the defense army. So, it's now a completely civilian population. And, there has been a call for the reintegration of the Armenian population, which locally is being viewed as a death sentence to pretty much everyone. Because, in the past, reintegration attempts by Azerbaijan have resulted in things like mass torture and rape of civilians and POWs.  **Brooke ** 09:22 Wow.  **Inmn ** 09:23 Yeah. And, to complicate things even more, there's like a...You know, it's in the world view right now. And people are like...Like, other countries are like, "Oh, should we do something?" And weirdly, Russia has been the peacekeeping mediator between the two. **Brooke ** 09:43 What?  **Margaret ** 09:44 So, it's not good. They're not doing good things.  **Inmn ** 09:47 No, they're not doing good things. And, a lot of people suspect them of playing this double game because Russia has publicly supported Armenia in a lot of the disputes, but they are the main arms supplier to Azerbaijan. So, there's obviously a lot of strange conflict. They're essentially...the world at large is viewing them as playing one side against the other. So... **Margaret ** 10:19 So, I don't know as much about this part. I've only been learning about some of this stuff recently. But, Russia, in general, has its own kind of equivalent of NATO, like its power-block type thing. But, Armenia is basically being slowly, kind of, shunted out of it or given less and less say in it, is the impression that I'm under. And, so there's a lot of tension of how Armenia is a little bit more looking to the west or whatever in a way that Russia isn't stoked about. That's the--I'm not 100% certain about this--that's the understanding I've been kind of learning. **Inmn ** 10:58 Yeah, yeah. And so, kind of, one of the big pressing issues right now is what is going to happen to this mostly ethnically Armenian population that is...Like there's a 70 mile line of cars trying to flee the area. And like, yeah, yeah, obviously... **Brooke ** 11:22 Where are they headed towards? **Margaret ** 11:25 Armenia. **Inmn ** 11:26 Yeah. **Margaret ** 11:27 They're in the border region.  **Brooke ** 11:29 Going into Armenia? Not going out of Armenia?  **Margaret ** 11:31 Yeah. No, into. Because, what it is, is there is a border area and that border area, most of it is now controlled by Azerbaijan and was taken, I believe, during the conflict a couple of years ago. However, several of the cities, or several of the population centers, are primarily Armenian even though they're now technically part of Azerbaijan because of this conflict, right? And so they need to get the fuck out because they're going to be genocided. And, they're very aware of the fact that they are going to be genocided. And a lot of the rhetoric that is coming up is genocidal. And, Armenians are being like fairly blunt that, like, "If the world doesn't do something right now, we're going to die." Like, hundreds of thousands of people are going to fucking die. **Inmn ** 12:22 Yeah.  **Brooke ** 12:23 Wow.  **Inmn ** 12:24 Yeah, it's...it's really bad. Yeah, but yeah, that's all I have on that. Brooke, I have heard that there's also some pretty bad things happening in India and Libya? **Brooke ** 12:41 Yeah, well, I can tell you about India, anyway. Well, we talk a lot about, of course, climate events going on. And there's been a lot of stuff that we've talked about this summer with various climate catastrophes, wildness, unusual behavior. And I think it's pretty well known that we're in an El Nino situation right now. One of the countries that has been affected by climate catastrophe this year is India, especially in the northern regions where they do a lot of growing of food. And they have had really unpredictable rainfalls. In some places there's been severe flooding, and other places, there's been less rain than usual, which overall is leading to a lot of problems with a lot of crops. So, some of the food staples in India have seen significant increases in prices. Tomatoes and onions are things popularly used in Indian cooking, and they've seen a five to six times increase in the price for them. [Margaret goes "phew!"] Yeah, yeah, massive increases. And then, and this is then also related to war in Ukraine and wheat and grain prices. The chicken feed has gone up significantly, and chicken is a pretty common meat in a lot of dishes. But, then the chicken has become too expensive--to buy chicken. And to have chickens and feed them and butcher your own chickens has also become too expensive. So, that big source of protein is kind of off the menu in a lot of places too. So, some families are eating, you know, just mashed up vegetables is their whole meal for the day. Other places, they're making just--it's not naan but it's breads that are...roti. Roti breads. They just make some roti bread in the morning and that's all the family has to eat for the day is just bread. A lot of lower income families get a wheat subsidy from the government. They get so many pounds of wheat every month. But, it's not enough to last through the whole month. And of course they're not able to get enough wheat from other sources to even keep up with the levels of demand that people have in the country. So, inflation is making it much harder to buy goods. And, it's due to the climate catastrophe. And in fact, India has gone so far as to ban some exports like rice and sugar. Yeah, they've banned exports on those, which, of course, all of the places that might turn to rice as a grain source when wheat runs out then can't get the rice that they would usually get. Not that they're interchangeable, but, you know? And, in fact, India is looking at importing some things that it historically never has to import, like tomatoes from Nepal. They're looking at having to import those. So, yeah, you know, it's already a very impoverished country. So, India is one of the most densely populated countries in the world, having some trouble with the food staples there. And, not gonna get, you know, better anytime soon because, of course, they're crops that you harvest and that you store. So, rice, you know, being a big one, they're pulling in a smaller rice harvest. There's not enough to go around right now. And then everything that they would usually put in a long term storage, they don't have enough for that. So, there's going to be even more food insecurity down the road, unless they're able to find ways to import some of that and do it in a way that they can afford to do. **Brooke ** 16:58 One more component of that whole foods situation--it's not like the food supply-but speaking of Ukraine, is that India imports fuel from Ukraine. And I can't remember the kind. But, they haven't been able to get as much fuel as they usually would, and so people that use that for cooking, don't have don't have the ability to do as much cooking because they can't afford it or they can't get the fuel that they need in order to cook. **Margaret ** 17:37 It's funny because one of the things I'm sort of hoping we can start doing with a lot of things--obviously, we can do it with all things--is to sort of talk about how to mitigate these problems or how to help with these problems, you know? And there's like two different parts of it. And one is like, you know--and I don't have the research and I'm just like thinking about a way to try and do this--but it's, you know, we don't have a way to necessarily impact food prices in India and so then it's like, "Oh, well, there's the things that we can do here." And then it's like, well, overall, not entirely, but, overall, the average person in America is a lot more privileged. But then it's like...just things like how tomatoes and other crops are also being threatened a lot in the United States right now, and we're probably going to see food prices on a lot of these staple crops, like vegetables and things, go up--not to the same degree, not five or 6...you know, 500%, or whatever, in one year. And it's interesting because there's some of these things that are easier to grow at home, as compared to staple crops. Like, large copper hydrates, corn, wheat, rice, can be grown at home, but very...it's way more complicated. And, you're also very unlikely to have a climate where you can grow all three of those things instead of just one of those things. **Brooke ** 18:54 Yeah, in my heart, I'm like, "Oh, yeah, the solution to this is, you know, everybody should plant a garden." But, that's such a privileged thing to say, to assume that they have space, resources, good soil, you know, with a thousand things that actually tries to do that. **Margaret ** 19:12 Yeah. Yeah. Well... **Brooke ** 19:15 But, if you can garden, you should learn how to do something, plant something. **Margaret ** 19:22 No, I mean, even as a as a prepper, sometimes when something goes wrong for one of my friends, I'm like, "Oh, I'm gonna get the thing that helps me if that goes wrong for me." I mean, I try and help them out first, right? But, you know, driving with someone and the muffler or the whole tailpipe detaches from their car, and they're like, "Oh, I need this metal strapping instead of, you know, I had like P-cord or something, right?" And now I have metal strapping in my car because why not? It's tiny and cheap and light, right? And that's not...this doesn't apply on a global level. I'm sorry everyone who's listening who's like, "Shut the fuck up." You're right. Okay, so we decided what we're gonna do is we're gonna do like foreign--foreign... [questions the phrasing] Whatever, international shit before we do shit that's like a little bit more...the shit that we already...the shit that's closer to home. So, the other big thing that I have from this year...from this month--Jesus Christ, it's been...this year...it's just not even.... [Pauses to rest] In Libya, the...Okay, there was a storm called Storm Daniel. And, it was the deadliest storm in the Mediterranean in recorded history. And, it happened on September 11th. Way higher count of dead people than anything--well, then the famous thing that happened on September 11th in United States. I don't know as much about the coup that happened on September 11th years ago. But, Storm Daniel, it's like...it's not a tropical storm because of like, it's not from the sparkling Champagne region of France or whatever...[Brooke laughs, getting the joke] Like...You know what I'm saying? [Affirmative noises] Like, in order for it to be a tropical storm it has to exist in this very specific way. But, it's like...it's a tropical storm, like in terms of its impact. Like, it's a sparkling nightmare. And, you know, so it's legally distinct. But, it hit a ton of Mediterranean countries, and it fucked a lot of things up. And, it most notoriously killed a fuck ton of people in Libya because there were these two aging dams outside of the city of Derna that broke on September 11th. The death toll is anywhere from 4,000 to 11,000 people with 9,000 people that are still missing, even though it's been several weeks. I believe that that 11,000 number includes those missing people. That's the best guess I can get. And, just basically a third of the city fucking washed out to sea. I'm being slightly hyperbolic. A third of the city was damaged and a fuck ton of it washed out into the sea. And...Yeah, the morgues were overfilled. Bodies were laid out in the main square on sidewalks. Eight people, eight officials have been arrested already over this, which is funny because it's better than what the United States would do, you know? And, we're all like, "Oh, look at these terrible, idiotic countries," or whatever. Like, no, they...So far, as of yesterday, as of recording, they've arrested eight people. **Inmn ** 22:32 Like on...because of...because of like what? Like preparation? **Margaret ** 22:36 Because they didn't fix the damn thing. Yeah, sorry. There are these two dams that for decades scientists...The dams were built in the 70's by, I want to say, a Turkish contractor. No, I'm not sure. A contractor from a different country. And, they've been showing signs of aging and they've just been unmaintained for like 50 years. And, in 2012-2013 $2 million was appropriated, like sent to fix them, but Libya has not been an incredibly stable place, and that money did not fix them. And so, yeah. Everyone was like...Scientists were sitting there being like, "There's a crack in this dam that's over the town. We should do something," and everyone's like, "Oh, yeah, totally." [In a tone suggesting they won't fix it] And, you know, I mean, that's, government for you? Like, like, you know? But, on the other hand...Whatever. Glad that people are at least trying to take it seriously. **Inmn ** 23:45 Sorry. Do you have more on that? **Margaret ** 23:47 No, no, let's talk about things in the Western world. **Inmn ** 23:50 Oh, yeah, I'm first. We'll start with the bad, unfortunately. So, the newest battleground for abortion access in Texas is that Texas is...There's this group of lawmakers who, you know, it's the same people who authored the Heartbeat Bill, who are trying to...Instead of making large state or national laws to target abortion, they're trying to target abortion on a very small level--which will have a huge and devastating impact--by building this network of what they call like "Sanctuary for the Unborn" cities. [Margaret scoffs] Yeah, no, it sounds pretty bad. And, so what they're doing is they're going to small towns, especially in West Texas, to try to get those towns to pass local ordinances that would create criminal penalties for traveling through those cities to access abortion care in states where abortion is still legal, like New Mexico. And, this is particularly impactful in West Texas because a lot of--there's a handful of new abortion clinics that have sprung up on the border of New Mexico and Texas specifically to serve people going from West Texas to New Mexico to access abortion care. And, two cities have passed the ordinances so far with as many as 51 cities who are thinking about it. And, the one currently in the news right now is Llano, Texas, which sits at an intersection of six different highways, including a pretty major highway, highway 87, which is a road that a lot of people who are going from Austin to New Mexico might use. And then there's a bunch of cities along I27 that have ordinances brewing for...similar ordinances. And, largely, though, what's interesting about this is that although two cities have passed this so far, there's a lot of conservative apprehension about passing these laws.  **Brooke ** 23:53 Really? **Inmn ** 24:23 And, this comes from...I think this comes from the intersection of like...these are probably more libertarian-minded people who think that it is an overreach for the government to create penalties based on travel, because they're worried about other ways that travel could be limited and for other reasons that travel could be limited. So, it's libertarians and conservatives who are not like...who are probably antiabortion, who probably support abortion bans, but they think that this kind of larger infrastructural travel thing goes way too far. So, there is a lot of conservative pushback from it, which is interesting. **Margaret ** 28:53 Okay, about abortion. Obviously, the State should not use--well, the State shouldn't exist--but, the State shouldn't use the Church or religious teachings in order to determine health care. I think that's a fairly understandable thing. However, if you, the listener, are religious in a Christian variety or if you want to argue with these people, this whole concept of being against abortion as a Christian is pretty fucking newfangled, is one of the things. The Church, the Catholic Church--which is a minority religion in the United States and is not a like primarily powerful force in the United States political sphere--the Catholic Church has only been against abortion since 1869. For almost all of the church's existence, abortion was only a problem during the third trimester after the Quickening, the Ensoulment, right, is what people want to argue about is like when a human gets a soul or whatever. And, until the late 19th century, the Ensoulment happened...people would argue either like...Most Jewish religious teaching, I believe, is that the Ensoulment--that's...I don't know if they use the word "Ensoulment''--but, the first breath of life, right? "You get your soul when your fucking born," is a very common traditional teaching. Also...Or, you get it at the Quickening, which is the fucking...like 24 weeks into pregnancy. And so, this whole idea of life beginning at conception is god damn new. All the people that the Catholics venerate didn't fucking believe that shit. And then, more than that, evangelicals, who are the main people pushing antiabortion shit, they didn't get into the shit until the 1970s. And they were like...basically were like, "Oh, how else can we be shitty?" And they were like, "Oh, we can be shitty by hating women. And so we're gonna fucking all of a sudden decide that we're against the following type of health care." I don't have as much of the facts about that in front of me, about exactly how that went, but basically, they joined...It used to be only the Catholics who were the people running around being shitty about abortion. And, I don't know. I, for some reason, I think that this matters...Like, just even in terms of like when you're talking about...Because people act like it's this like, "Well, I'm a Christian and therefore 2000 years of hating abortion," like that's just not the fucking case. **Inmn ** 31:17 Yeah, and even there was this one person in Llano, who was quoted as saying like--it was like a council person--who was like...she was like, "Yeah, I'm personally not in favor of abortion. But, I remember giving a friend, like picking up a friend from an abortion clinic in high school and like I didn't support it, but I picked them up. And, under this new law, I would be a criminal." So, what is interesting about this overstep to me is that it offers some ground for people to talk about things in a way that might not have been in the forefront before where like...Which is interesting. It's like the more that the government, or, you know, crazy far-right conservatives, overreach, it does have the potential to create these funny little fissures with, you know, just normal everyday people who are like, "Well, whoa, whoa, wait a second. Wait a second. I was against abortion, but this is looking more like Fascism." And, I think that is creating fissures, which is interesting. But... **Margaret ** 32:37 No, and it's good. That side should have fissures and we should make them...we should embiggen those fissures. There's a different word here.  **Brooke ** 32:46 I love it. **Inmn ** 32:51 But, yeah, that's mostly it for Texas. In a related note, Idaho recently became the first state to impose criminal penalties on people who help a minor leave the state for an abortion without parental consent, just as another wave of the war against abortion access. **Brooke ** 33:14 You know, this wasn't on my talking list, but, if I may, speaking of Idaho and abortion, I was reading about a lot of OB-GYN providers who are leaving Idaho in noticeable numbers, especially people who are specialists in like NICU care [Neonatal Intensive Care Unit] or early birth tiny baby death problem kind of things, those sort of high-level baby specialists, because they feel so at risk in Idaho that if something happens to a baby in their care, that they could be criminalized for it. I mean, they're taking jobs in other states and fleeing in such numbers that it's recognizable. And, there's some places that have--hospitals--in rural areas that have shut down their maternity wards. **Margaret ** 34:06 It's just so awful. **Inmn ** 34:09 Well, if state-by-state Christian nationalism bothered you, do I have some bad news, because recently it was unveiled that this horrifying thing called Project 2025, and it is a thousand page, essentially, playbook for conservative lawmakers to dismantle the federal government as it stands. And... **Margaret ** 34:40 Why do they always try to do the cool stuff? [Laughs at the dry joke] **Inmn ** 34:42 I know. I know. And, most of what they're looking at doing is completely dismantling the EPA and a lot of similar jobs that pertain to environmental regulation. But... **Margaret ** 34:54 Yeah, the stuff that we want to have keep happening once we have an organizational system instead of a government Yeah, I'm sure they're gonna keep the fucking cops and Border Patrol. Fuckers. Yeah. **Inmn ** 35:06 Yeah, it's pretty disconcerting. It's like trying...People view it as trying to pave the way for whatever the...whoever the next Republican president is to essentially become, you know a dictator in a more literal sense.  **Brooke ** 35:27 Well, the federal government is trying to fuck itself currently.  **Inmn ** 35:30 Oh, yeah?  **Brooke ** 35:31 If I can transition into that. Because, we are facing another federal government shutdown risk. [Makes an enthusiastic noise] **Margaret ** 35:42 Once again, they're gonna shut down the wrong parts of it, aren't they? **Brooke ** 35:44 Oh, yeah. Uh huh. They're gonna keep essential services, which is apparently not shit like OSHA, and Food and Drug inspections, and air traffic control. Those are not essential services. [Margaret laughing] **Margaret ** 35:58 I'm sure it's the goddamn Border Patrol and making sure poor people pay taxes and rich people don't. **Brooke ** 36:05 Yeah, shit like that. We talked about it one other time, government shutdowns on the show together, and in that context, it was talking about the debt ceiling, the government's self imposed limit on how much money they can borrow. And so, they were at risk of having to shut down because they weren't in agreement about being able to borrow more money. Well, this is the...now, we're facing the most beloved refuse-to-agree-on-a-budget federal government shutdown and fucking every time they have to redo the budget, it's always in the news, "Oh, it's gonna be a federal government shutdown!" And, sometimes it's more serious than others. So it's super hard to take it seriously. It hasn't really happened very many times that there's been a government shutdown. There was one that was back in like 2018-2019 that was 35 days or there abouts. And that one.... **Margaret ** 37:00 Which is the longest one in history?  **Brooke ** 37:02 Exactly. And that one was actually long enough to have an impact that mattered. If they have one right now, it's, you know, they probably won't have one there. And, if they do, it's going to be one of these stupid two or three day kind of things. It's really, really unlikely, because they just don't have the circumstances to have that long one happen again. If it did happen, and it goes on for a long time, then you get a lot of backups in the federal government. You have subsidy programs that won't send out payments, like SNAP benefits and Social Security benefits and housing assistance and financial aid for students. But again, it has to be a shutdown that's closer to a month long, because they're set up to do all of those payments, you know, for the next month. So, if they shut shut down today, October is all set to go and would automatically do its thing, and then November would be fucked if they stayed shut down. So, most likely not going to happen. If it does happen, probably a minimal one and longer interruptions. I guess if it happens and we're looking at a long one, we can talk about it some more and I can tell you all about what's actually going to go on and all the fucked-up-ed-ness. But, if you're seeing it in the news, it's just because this is the thing that the news likes to pick up right now and talk about this time of year. Yeah, don't stress out about it. Like, they fucking take the exact same article from the previous year and and, you know, move the paragraphs around. **Margaret ** 38:27 Well, it's like...it's like...Okay, it's like Covid. It's like...When Covid was first coming up, it was gonna be like another bird flu where we were like, "Oh, no, this thing that won't actually materially affect us that's just a news cycle panic thing." And then it's like every now and then it's a Covid, you know? And, eventually, it might be a Black Death and we're fucked, right? But, most of the time, when there's like...Like I still...Like, even as I was skimming there was some like, "new superbug" in such-and-such place and I'm like, "I'm not worried," right? Like, it's either...It's either gonna be real bad or it's not. But, there's a new one of those to worry about every fucking month. And, so, that makes sense about government shutdown being that it could be real fucking bad, but it usually isn't. Yeah. **Brooke ** 39:19 The worst that it's ever been still wasn't really that bad. I think things got really fucked up for, you know, about a month after they got back online. And then there were some other things that had delays, you know, applications and shit that they didn't process and then had like a backlog of and whatever. But, the biggest thing that could be an impact, that could, even if it's a short one, could be air travel, because the TSA doesn't get paid. And the last time they had a long one, the TSA agents were like, "No, we're not gonna stay here and work for free." And, they fucked off and went and drove Uber. And whatever. **Margaret ** 39:53 Yeah, I mean, there was a whole constitutional amendment about how you can't make people work without giving them money unless they're in prison. **Brooke ** 39:53 The government begged them and they're like, "Please, please. We know you'll...We'll figure it out. Please do it for free? You'll get back pay!"  **Margaret ** 40:08 And they're like "Nah, we fought a war over this." **Brooke ** 40:09 People are like, "I don't need back pay. I need money now." **Margaret ** 40:11 Yeah, if the economy wasn't trashed it wouldn't be a big deal. Everyone's paycheck-to-paycheck, even the fucking middle class, so what the fuck are you gonna do? **Inmn ** 40:22 Yeah. Which is...This is a whole thing. But, um, did you know that billionaires are putting a huge amount of energy and time into trying to figure out how to keep security forces loyal to them when money doesn't exist anymore? **Margaret ** 40:38 I think we've talked about this, haven't we?  **Inmn ** 40:39 I think a little bit. We've touched on it.  **Margaret ** 40:41 Maybe I just talk about it all the time. It just comes up at every dinner. **Inmn ** 40:47 Yeah, yeah. It's wild. It is a huge thing on billionaires minds right now is not getting killed by everyone when the...when civilization collapses. **Margaret ** 40:59 Yeah, specifically, how to get to their security...Yeah, how to get their security guards to like...In their doomsday shelter where they're like, "How will I still be in charge of my doomsday shelter when there's no outside world?" Like, well, you won't. You'll be dead and everyone will be glad. **Brooke ** 41:14 This is why I say "Start early and eat the rich." I've got a solution for India. **Margaret ** 41:21 Also, it's vegan to eat the rich because...Because veganism is a relationship to power, right? And so it's not actually...It's like you can't be speciesist against humans, right? So, you are not oppressing oppressed animals if you eat billionaires. **Brooke ** 41:41 Thank you. I feel even better about that. **Margaret ** 41:45 It might not be vegetarian, but it is vegan. [everyone laughing] **Inmn ** 41:50 Brooke, do you have any other things to tell us? [Nervously laughing] **Margaret ** 41:56 Before it goes over to me? [Laughing] **Brooke ** 41:58 My one other thing to say to you is "Don't talk to cops." Okay, go on. **Margaret ** 42:02 Okay, let's see. I got some bad stuff, some good stuff. Well, in good news, it was the hottest August on record all across the world.  So, get your bathing suits ready, including in the other hemisphere where it was supposed to have been Winter, but it wasn't. Everyone's like, "Oh, yeah, hottest August. I mean, it's fucking August." Like, no, you motherfucker, it's Winter somewhere when it's August.  **Brooke ** 42:28 Margaret, do you know it's September though? Like just checking. **Margaret ** 42:34 I'll take your word for it. The leaves are turning where I live. Okay, so there's like, we had the hottest August, we had the hottest July, and we had the hottest June. We also had five months in a row of the hottest global surface sea temperatures, like each month it hits a new record that is hotter than the one previously. Overall, our August was 2.25 degrees Fahrenheit, like 1.25 Celsius, I think, over the 20th century average.  **Brooke ** 43:03 We did it!  **Margaret ** 43:04 Yeah, exactly. But, don't worry, all of this rising sea temperature actually will make tropical storms, and sparkling storms, rarer. This surprised me. It'll make them rarer. But, it'll make them more powerful. So hurricanes, more common. But, tropical storms and sparkling storms, less common because a higher percentage of them will destroy things in their wake. **Brooke ** 43:33 Okay, but on net because there's less of the other kind, we should just average out to be fine, right? That's what I hear you saying, one's worse, ones...not. **Margaret ** 43:37 Yes, absolutely. It's a good time to get a yacht. And I know who has yachts. They are people who you can eat, ethically. And, if you want to get to the ocean to get some yachts, you can go down the Mississippi River. Except, did y'all hear that? It's not in the fucking national news at all. Did you hear that New Orleans is having a water crisis?  **Brooke ** 43:40 No, I didn't hear about that.  **Margaret ** 43:44 They're gonna have to be shipping in millions of gallons of water to New Orleans for people to drink. Because--and this is not certain. This is looming. This is today's news, like past couple days news. All of the drought that has been happening this year has the Mississippi so fucking low that there's basically backwash from the sea coming up into it. And, so all of the saltwater is going to fuck up southern Louisiana's plumbing, right? And, also fuck up--and you can't, you can't boil advisory saltwater. Off the top of my head, if you are stuck with saltwater, your best bet for desalination is building a solar still or some other kinds of still. Be very careful. If you purchase a still. You can buy them on Amazon. Most of the things you can do with stills are incredibly illegal and will get the ATF paying attention to you. However, I don't know, if I was in New Orleans right now, I'd probably buy a fucking still. Just in case. Because, you can distill water and then the brackish water stays in the bottle. Whatever. Anyway, people can fucking do their own research about that or listen to us talking about this on this very show. So, New Orleans is trying to head this off. And, one of the things that's worth understanding is that there are people who try to stop this stuff and they are worth celebrating, even if they're like the federal government or whatever, right? Like, the US Army Corps of Engineers just built a 25 foot underwater levee to try and stop the backwash of saltwater into the Mississippi. It is not enough. Right? As of this morning's news anyway, it's not enough.  **Brooke ** 43:44 Wait, how much of a levy [misheard levee as levy] was it? Did you say in price or volume?  **Margaret ** 45:45 25 Feet. **Brooke ** 45:46 Oh, feet. **Margaret ** 45:48 The height of it. Yeah, it's 25 feet from the river bottom up levee.  **Brooke ** 45:55 And that's not enough?  **Margaret ** 45:57 No. Yeah. And, okay, so that happened. And that's one of the ones that like...Yeah, I've been struggling to find anything about it besides hearing from people in New Orleans. But, it's a big fucking deal. Because, we also within the United States have these places where people don't pay attention. One of the other places that people don't pay attention to is the border. We sometimes pay attention to the border because we care and we're aware of this monstrous humanitarian crisis caused by the United States government and its policies that's happening at the border, you know? And all of this cruelty and racism that's happening. But, one of the things I want to talk about--because no episode could be complete without some micro rant. And don't worry, my weird thing about theology is not going to be my micro rant for this week. Although, this one's actually probably shorter than my one about fucking theology. I've had a weird month of research. So, all of this bad shit's happening at the border. We are still in a border crisis. There's a lot of families that are trapped between two walls at the southern border. And, these are people who are trying to come as refugees, trying to do the thing that right wingers are like, "Well, if they just came properly like my great grandparents, who totally came before there was even fucking immigration policies, then it would be totally fine." Because, P.S., if you're white, there's a very good chance that your ancestors came before there was any kind of immigration. They probably literally just got off a boat. Anyway. So, there's all these people and there's all these people fucking trying to...not trying to. There's all these people feeding and clothing and providing phone charging services and shit for these people. And, what's kind of cool, is I'm aware of three groups that are doing this outside of San Diego right now. And, they kind of run the gamut, right? You've got the Free Shit Collective, whose logo has 1312 in it. And then you have the American Friends Service Committee, the Quakers. And then, in the middle, you have Border Kindness, who are another group. And so, whatever your flavor of mutual aid is, you fucking go support it. I say support all of them. And let's continue to build good interconnectedness between all of the people who are trying to do good right now. Because, much how even though Gondor did not come to Rohan's aid, it was still very important for the Riders of Rohan to show up to support Gondor when Mordor was attacking them. And, even the Ents, who also had been not treated well by the humans, and the dwarves, and the elves, you know, all come together, right, to fight against the United States government, which is Mordor. And... **Inmn ** 48:49 I'm so excited to transcribe this. **Margaret ** 48:54 You're the only transcript person who will be able to spell any of these things. And so, to that, I want to say, okay, because I was thinking about how we're always like, "Oh, God, we're gonna go talk about a bunch of bad shit." And I know people who listen to our show but don't listen to this episode every month, right? And because it's a series of bad things. And, the thing that I've been thinking about that is that I'm like, but there's all these good things that happen. But, most good things that happen aren't like, "And then there was 100 years of peace and everyone had happy, idyllic lives," right? That is a rare, random thing that some people are lucky enough to live lives of peace, you know? But, that is not what the average human experiences. And I refuse to believe that the average human experience is negative because bad things are always happening. And what makes our lives good, is how we choose to act against that bad. May we view ourselves as lucky that we are born in these times. May we view ourselves as lucky that we can join in the Rider of Rohan and, "A red day, a blood day. Death, death, death!" Although, that's actually...that's actually...I hate when the movie gets things better than the books, but that's a fucking sick speech andonly parts of it are from the books. And, also Tolkien totally cribbed this way older Norse poem about like, "Shields will be splintered..." Whatever. Anyway. "Wolf Time?" I...Fuck, I can't remember the name of it. Anyway, bad things are always happening, **Brooke ** 50:33 Margaret, can I just say that I love you. **Margaret ** 50:34 Aw, I love y'all too. Bad shit's always happening. But, look at these three different groups that are working together to fight this. And what can be more beautiful than that, right? And, they support each other and they talk about each other as all doing good things together. I'm sure that there's some fucking beef between them. And I don't know about it because I'm not there. And that's what you should do with beef, is people should know about it locally, but it's no one's business at the wider world. So, you should support these people, is what I'm trying to say. It's the Free Shit Collective, it is Border Kindness, and it is the American Friends Service Committee. However, if you go to support the American Friends Service Committee, you need to look specifically for their San Diego chapter and for the group of them that is working on border stuff, rather than it just going to the Quakers at large, who are perfectly fine even though they invented the penitentiary, but it's only sort of their fault. Okay, the other thing, the actual just like straight up good news that I have is that the Writers Guild has reached a tentative agreement after 150 days of strike. By the time you all are hearing this, maybe the agreement will probably have either been accepted or not accepted, right? So, either the strike will be over or the strike will be back and everyone's more bitter. But, this is a really beautiful strike and it captured the nation's attention partly because these people know how to write. And, they're also the people who produce the stuff that entertains us, right? And so we're very aware of it. But, that does not make it a less...it actually makes it a more impactful strike because it allows all the rest of us to know that we can strike too. And, absolutely, on the other side, the bosses were out for blood. They were constantly saying like, "We are going to do this until the writers are homeless. We don't care," you know? And, they can say that all they want, but it's a little early to say and you all will either be like "What a naive summer child, saying that." But, it looks like we might win. And when I say, "we," I mean the working class, which is the people who work for a living. It's not about the actual income you make. Middle-class people are often working class. It just depends on whether your money comes from being a fucking landlord or whether it comes from fucking working. Did you all know that "summer child" is also a science fiction reference, or a fantasy reference. Did you know this?  **Inmn ** 53:00 Oh, sort of.  **Margaret ** 53:02 It comes from "Game of Thrones." Everyone thinks that it is an old timey southern saying.  **Brooke ** 53:09 It's not?  **Margaret ** 53:10 It's not. It's from fucking :Game of Thrones.: It doesn't exist before like the mid or late 90s or whatever the fuck that book came out. Because it means... **Inmn ** 53:21 Sorry, this is maybe dashing a thing, but this has literally happened throughout history, like literature inventing funny phrases. I don't think you're saying something negative about it, but Shakespeare is credited with like...It's some horrifying number of words that are in common use right now that didn't exist before. **Margaret ** 53:47 Yeah. And all the sayings and shit all come from him. Or, they come from his like social circle and he's the one who wrote them down... **Inmn ** 53:52 Totally.  **Margaret ** 53:52 ...you know, which also rules. Okay, and then to wrap up news stuff. Okay. There's also, you know how fracking sucks, where people try to get the last little bits of fossil fuels out so that we can turn the Earth into a furnace instead of living decent lives?  **Brooke ** 54:10 Yeah. Defs.  **Margaret ** 54:12 Well, have you all heard of monster fracking? It's not where they use Monster energy drinks. It should be, because that's the only good use for it. **Brooke ** 54:19 Okay, no, I haven't heard of it. **Inmn ** 54:24 Is it releasing monsters from the ground through fracking? **Margaret ** 54:28 Oh, that would be good too. That would actually...I'm entirely in favor of...I mean, Godzilla was originally an anti-nuclear movie. **Brooke ** 54:35 Do they use monsters to do the fracking? **Margaret ** 54:38 No, it's just monstrously large. It's this like mega fracking. It's just where they go and dig wells in order to get enough water. They drain entire aquifers in order to get the last little bits of fucking gas out of the ground. And, this is how it happened. And so, water usage in fracking has gone up seven times since 2011. Since 2011, fracking has used 1.5 trillion gallons of water, which is a lot. It's not...It's a fucking lot. That's what all of Texas uses as tap water for an entire year.  **Brooke ** 55:22 Aquifers? Or the amount of water used?  **Margaret ** 55:25 The amount of water used. And, overall, Americans are using up their aquifers very quickly. But, again, it's this kind of like, "Oh, so don't drink as much water." Like, no, it's monster fracking that is the problem. It is growing the wrong food in the fucking desert that is the problem. **Brooke ** 55:45 But, aquifers are unlimited? [said sarcastically] **Margaret ** 55:47 I mean, it's funny because I live on a well and that's kind of how I feel. Like, it's not true. And, the water drilling, like water drilling, is actually not federally regulated. It's state-by-state. And, a lot of states literally are like, "You're just allowed to do it until there's no more water." You are allowed to frack with water during moderate and severe droughts, anything but extreme is before they start putting any limitations on fracking. So, you are well past the part where you can't water your lawn--which is ,you know, whatever, fucking lawn--but well past the point where you can't water a lawn or wash your car, they're allowed to frack completely unimpeded. And, in Utah, California, and Texas, there have been buckled roads, cracked foundations, and fissures into the earth because of depleted groundwater. And let's see, one oil region in Texas has seen their aquifer falling at 58 feet a year. Last year was the lowest groundwater in US history. And, this affects everything, right? Kansas' corn yields last year were fucked up because its aquifer wasn't...for the first time, it wasn't enough for the agriculture of its region. So, I think they had to import water but also just didn't get to use enough water, so their corn yields were down. And as we've hinted...we've talked about a lot in the show, we overproduce like cereal grains. Not over produce. We produce a fuck ton of cereal grains in this country. So, we actually haven't seen--we've seen prices go up--but we haven't really seen a ton of shortages and stuff yet. This continues to be a threat. I feel a little bit like the girl cries wolf about this where I'm like, "Oh, like, you know, Kansas' corn yields are down," but you can still like go to the store and buy corn tortillas, right? Here. You know, other parts of the world are not so lucky. Anyway, that's what I got. **Brooke ** 57:49 Okay, let me roll up my sleeves and go on my indigenous rant about water protection and sacredness. Now we're out of time. I'm going to do next time. I'm going to open with that next time.  **Inmn ** 58:00 Do it. Do it anyway! **Brooke ** 58:03 Water is sacred. Water is life, motherfuckers. Okay, that's my rant. **Margaret ** 58:08 That's a good rant. **Inmn ** 58:09 Solid. I have some little bitty headlines. Does anyone else have a little bitty headlines? **Margaret ** 58:17 I think I threw most of mine in what I just did. **Inmn ** 58:19 Cool. Before we wrap up, I have a couple little bitty headlines, a handful of which are good. **Margaret ** 58:26 Oh, I have two good ones at the end. **Inmn ** 58:28 Wonderful. So, the first one is a bad one, which is, as Margaret brings up the US-Mexico border...This one actually shocked me. Not because I am unaware of how bad it is, but because I don't know, I think I maybe thought there were places that were worse. I don't know. But, the UN declared that the US-Mexico border is the deadliest land migration route in the world recently.  **Margaret ** 58:55 Jesus. You're right. That's exactly it. Your response is exactly what I thought. **Inmn ** 59:01 Yeah. With...And this is last year, so 2022, with 686 people or migrants died in the desert last year on the US-Mexico border. And, it's a number that like...it's a number that is vastly under reported on. Like having done a lot of humanitarian aid work along the US-Mexico border, that is a horribly underreported number. But, in a kind of cool thing, a federal judge ordered that the death buoys in the Rio Grande be removed, which is...that's cool. [Brooke yays] **Margaret ** 59:44 Haven't they not done it yet? They like ordered it removed, but they still are kind of kicking their heels or there was some other....  **Inmn ** 59:52 I don't know.  **Margaret ** 59:53 Nevermind. I only know the headline level. **Inmn ** 59:56 Me too. A gay couple in Kentucky was recently awarded $100,000 in a settlement over a county clerk's refusal to issue them a marriage license. **Margaret ** 1:00:08 Hell yeah. Fuck that clerk. **Inmn ** 1:00:10 Yeah, pretty cool. **Brooke ** 1:00:11 Gonna be a nice wedding now. **Margaret ** 1:00:14 I hope it's at the house that that guy no longer lives at. I hope they just gave them his house. **Inmn ** 1:00:21 There were five cops indicted over the Tyre Nichols murder in September, which is, you know, also pretty cool.  **Brooke ** 1:00:37 Is eating cops vegan? **Margaret ** 1:00:42 Probably. I mean, you could make an argument that eating any human is vegan because of the speciesism line, but it's certain with billionaires. Cops, like, you know, I mean, I eat honey, so who am I to like really police the lines of veganism? It's like cops are probably like the equivalent of honey, you know? Or, like those sea animals that don't have central nervous systems that can't feel pain. I don't think cops can feel pain. So, I don't think that it's immoral to hurt or eat...This is the sketchiest thing I've ever said on the show. **Brooke ** 1:01:16 So, I can still make a BLT then. Ethically sourced bacon. **Inmn ** 1:01:24 Speaking of cops, I have one last headline on cops, which I realized that we track a lot of...we track a lot of death. And, a lot of those deaths are in our communities or in communities that our communities are either in community with or would be in community with, and I thought it might be interesting to start tracking the number of cops that die every month. **Brooke ** 1:01:52 Oh, that's a joyous headline. **Inmn ** 1:01:55 And, it was only seven in September, mostly from vehicle related accidents.  **Margaret ** 1:02:03 That doesn't surprise me.  **Inmn ** 1:02:04 Yeah, it doesn't surprise me. And, there were 86 this year.  **Margaret ** 1:02:11 86 cops... **Inmn ** 1:02:11 Yeah, 86 cops. [Not getting that it's a joke] **Margaret ** 1:02:14 Eh, eh? Like, when there's no more in the kitchen and we gotta stop serving them...Anyway. **Inmn ** 1:02:21 And one of them was from a train. That's my headline. Is this sketchy to say? I don't know. **Margaret ** 1:02:33 I don't know, I mean, whatever. They...It's still safer than almost every job in America. Well, there's a list of the most dangerous jobs and they're like...they're not at the bottom of the list, but they are nowhere near the top of the list. Okay, the two headlines I got...Call me a future-believer person. In July...Okay, last December there was the fusion test where they actually successfully, I believe for the first time ever, got more power out of a fusion test than they put into it. For anyone who's...like nuclear bombs and shit is fission power, right? And it's one interesting way to make electricity that has a lot of side effects. Fusion power is what the sun does. And seeking cold fusion has been like the holy grail of science for a very long time, because that's when you can have gay space communism. Or, knowing our society, slightly gay capitalism in space or whatever the fuck horrible thing they come up with. But, they've been trying since December to repeat that. And, in July, they got even more power out of a fusion experiment. They, I think they more than doubled what they put into it or...I remember exactly. They got a fuck ton of power out. They've also failed numerous times since then. But, this is still incredibly promising from my point of view. I personally believe that deindustrialization and things like that are essential, but I'm not...I think having some electricity around is quite grand. And, if there's a way we can do it ethically, and environmentally sound, and it doesn't explode the entire world...Like, who knows what fusion will do? Maybe people will just explode the whole world? And I'll be like, "Oops, sorry," but, I won't because I'll be dead. And, whatever, that's how we all end up anyway. And then the other one is that--and actually just speaking of sort of vaguely green but not green ecotech news--there have been a bunch of studies about electric cars. Because, everyone's very aware of how shitty lithium mining and all that stuff is, all of the minerals that are used in the batteries, right? And, it started reaching the point where actually, it's actually been stopping the electric car adoption in some ways is because people are like, "Well, it's so fucking bad that I'm just gonna go back to my, you know, my fossil fuels car." And, so they tested it and it is still, in terms of embedded greenhouse gases and like impact on the environment, driving electric cars, even though all of the mining practices are fucked up, is still less fucked up for the earth than driving a fossil fuel car. Obviously, I think that we should be moving towards mass transit models and more local stuff and blah, blah, blah, blah, blah. But, electric cars are better than gas cars is my take and the take of some recent science, at least in terms of the impact on the climate. Kind of wish that wasn't the note I was ending on, but... **Inmn ** 1:05:36 Wait, I have a cool note. I forgot one. I feel like this is a mixed bag of a thing, but I...Whatever, reform is complicated. But, if there are things that impact people's lives on a material level now like that's cool. Illinois just became the first state to abolish cash bail. [Cheers] Which, I think, is more complicated than a lot of people think. Like, it could have...it could have bad side effects, which is there being...Like, specifically, there's violent and nonviolent...It splits it into violent and nonviolent crimes. And, if you have a nonviolent crime, you basically won't go to jail until you're convicted of a crime that requires you to go to jail, But, for violent crimes you are stuck in jail. And, it's in that, which is how the State defines violence, which makes it complicated. So, you know, for instance, like buddies...like, you know, folks down in Cop City who have been booked on domestic terrorism charges, those people, if a similar thing existed in Georgia, would be stuck in jail throughout their trial without the option of bail. So, this is the kind of complication of no cash bail. But, a really cool thing is that it will get a lot of people out of...Anyone who's in awaiting trial can now petition to be released. **Brooke ** 1:07:22  Oh, wow. **Inmn ** 1:07:23 Which is the really cool part about. Yeah, so that's my ending note. Thanks y'all for being here.  **Margaret ** 1:07:37 Yep.  **Inmn ** 1:07:42 And if you enjoyed this podcast, go join the Riders of Rohan, not just for Gondor but for all of the free peoples of Middle Earth. But, if you want...Also, if you liked this podcast, you should, you know, like, and review, and rate, and I don't know what any of these things actually are. I'm just saying words. But, tell people about the podcast. And you can also support this podcast by supporting its publisher Strangers in a Tangled Wilderness. Strangers is a media publishing collective. We put out books, zines, and other podcasts like Strangers in a Tangled Wilderness, a monthly podcast of anarchistic literature or the Anarcho Geek Power Hour, which is a great show for people who love movies and hate cops. And, you can find our Patreon at patreon.com/strangersinatangledwilderness. And, we would like to shout out a few wonderful people in particular. Thank you, Eric, Perceval, Buck, Jacob, Catgut, Marm, Carson, Lord Harken, Trixter, Miranda, BenBen, Anonymous, Funder, Janice & O'dell, Aly, Paparouna, Milica, Boise Mutual Aid, theo, Hunter, S.J., Paige, Nicole, David, Dana, Chelsea, Staro, Jenipher, Kirk, Chris, Michaiah, and the eternal Hoss the Dog. We hope everyone's doing as well as they can and we'll see you next time. Find out more at https://live-like-the-world-is-dying.pinecast.co

On this episode of The Flash Podcast, Andy, Tatiana, Breeze, and Lacy reunite for the first time on-air since The Flash series finale! While Andy has been hosting monthly, what have the others been up to? In addition to catch-up, the gang also talks about the Writers Guild of America and SAG-AFTRA strikes, with the former having recently ended while the latter is still ongoing. Also, why did Stephen Amell cause so much drama?! That and more on this episode of The Flash Podcast! ICYMI NOTES: Missed TFP's Discussion Of The Series Finale? Listen To It Now! EXCLUSIVE INTERVIEW: Rick Cosnett On Series Finale EXCLUSIVE INTERVIEW: Teddy Sears On Series Finale EXCLUSIVE INTERVIEW: Kayla Compton on Directing 9×11 & More! EXCLUSIVE INTERVIEW: Matt Letscher On Finishing His Reverse-Flash Saga EXCLUSIVE INTERVIEW: Batwoman's Javicia Leslie On Season 9's Red Death Saga EXCLUSIVE INTERVIEW: Brandon McKnight's On Chester P. Runk's Season 9 Arc EXCLUSIVE INTERVIEW: Richard Harmon On Arrowverse's New Captain Boomerang EXCLUSIVE INTERVIEW: Andy Mientus On Pied Piper's Massive Season 9 Arc EXCLUSIVE INTERVIEW: The Flash Boss Eric Wallace Breaks Down Season 9 Spoilers & More | (Audio Version) | (Video Version) Missed TFP Episode 300? Listen To It Now! Find The Flash Podcast on: Social Media: Facebook – @TheFlashPodcast – Instagram Subscribe: Apple Podcasts – Stitcher Radio – YouTube – Multiverse of Color – DC TV Podcasts – Google Podcasts – iHeartRadio – Spotify – Amazon Music – Podchaser – TuneIn – Podcast Index Contact: TheFlashPodcast@gmail.com Support: TeePublic Store

Brett and Rob on the latest moves against Big Tech. The Writers Guild strikes a blow against imposed AI. Organized labor versus EVs. The US government brings antitrust suits against Amazon and Google. And a look at what the infamous “Pause AI” petition did and didn't accomplish. 

In part 2 of our coverage of the WGA strike, critic/WGA member Tom O'Brien (nextbestpicture.com) is back with us to discuss the key issues that have been settled in the tentative agreement between the Writers Guild and the studios. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hoy, como cada 28 de septiembre, se conmemora el Día de Acción Global por el Aborto Legal, Seguro y Accesible, y por eso te queremos contar algunos de los avances que ha experimentado América Latina en este tema durante los últimos años. En la región, hay países que ya han despenalizado el aborto dentro de plazos establecidos, como México y Colombia, otros que agregan más condiciones, como Chile y Bolivia, y algunos que lo prohíben, como Honduras y Nicaragua.● A nueve años de la desaparición de los 43 normalistas, se presentó el segundo informe de la Comisión para la Verdad y Acceso a la Justicia del Caso Ayotzinapa. EL PAÍS afirmó que pudo echarle un ojo al contenido y señaló que el informe ignora los documentos de espionaje militar que exigen las familias de los 43 normalistas.● Además...Las autoridades de Zacatecas encontraron los cuerpos de seis de los siete adolescentes secuestrados la semana pasada; el sindicato Writers Guild of America y los grandes estudios de Hollywood cerraron un acuerdo, poniéndole fin a la huelga; un astronauta de la NASA y dos cosmonautas rusos regresaron a la Tierra tras estar más de un año atrapados en el espacio; y la capital de Uruguay, Montevideo, logró limpiar unas 90,000 toneladas de residuos durante los últimos 19 meses.● Para enterarte de más noticias como estas, síguenos en nuestras redes sociales. Estamos en todas las plataformas como @telokwento. Hosted on Acast. See acast.com/privacy for more information.

The writers strike is over so new programming — at least in the form of late-night television — will be returning soon. But with actors still on strike, most television shows and movies are not yet completely back in production. That means in most cases actors can't promote their work, which has led to some offbeat movie premieres such as a record number of dogs showing up on the red carpet for "PAW Patrol: The Mighty Movie." But not all actors are prohibited from speaking to the media, which meant a new interview from co-host Bruce Miller with Oliver Dench (yes, he's related to Judi Dench) talking about "Hotel Portofino." Bruce and co-host Terry Lipshetz have been using the time to get caught up on the limited new films and shows hitting theaters and streaming services such as the new series "Gen V," the latest "Star Wars" installment "Ahsoka" and the new baseball documentary "The Saint of Second Chances." Bruce also managed to make it to the end of the fourth installment in the "Expendables" franchise. It's a pretty big list, so be sure to use our list below to help map out your schedule!  Where to watch "PAW Patrol: The Mighty Movie" in theaters "Hotel Portofino" on PBS "Reservation Dogs" on Hulu "Gen V" on Amazon Prime Video "The Boys" on Amazon Prime Video "Selling the OC" on Netflix "Selling Sunset" on Netflix "Ahsoka" on Disney+ "The Saint of Second Chances" on Netflix "Fair Play" in theaters Sept. 29 and Netflix Oct. 6 "Painkiller" on Netflix  "Dopesick" on Hulu "The Mosquito Coast" on AppleTV+ "Expend4bles" in theaters Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically: Bruce Miller and Terry Lipshetz discuss writers' strike ending Terry Lipshetz: Just a quick note about this episode Bruce Miller and I recorded after it was revealed that writers and studios agreed to a new contract and had stopped picketing. But prior to writers being given permission to return to work. Welcome everyone, to another episode of streamed and screened an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. Bruce, we got some good news. Bruce Miller: There is news. Terry Lipshetz: We have a almost, almost it's not officially, not all the I's dotted and T's crossed, but we're so close, so close with the writers. Bruce Miller: How good is it if we have no actors that can do the scripts that they're writing? Terry Lipshetz: Right, exactly. But it could mean things like our late night programs come back a little Jimmy Fallon, maybe. Bruce Miller: How good is it if all we get are late night programs and game shows? It'll be game shows galore with all the Jeopardy champion of Champions, the ultimate reality star game show. I think tonight, too, we start Dancing with the Stars. So that is not really covered by the rules, apparently. Terry Lipshetz: Right. Bruce Miller: because you can dance, but you probably shouldn't talk. Terry Lipshetz: It is kind of quirky. There's these little carve outs here and there, like broadcasters for sporting events. They're members of the Actors Guild, but it's a carve out for them. And there's other little things, like know, because, like, Drew Barrymore was coming back with her then, and then that got reversed because she had a couple writers that were on strike, and so they pulled the plug on again. You know, she's an actor, but presumably now with the writer's strike ending, we'll be back at work very soon. Bruce Miller: And I think she's a producer too. So what trumps what highest title that you carry? Terry Lipshetz: So it's good news. It sounds like they pulled, the Writers Guild told their membership, you can stop picketing. We'll get you the information. We really haven't seen too many details yet come out, but they just sounded very happy with it. They'll send it to voting members. It said like a week to ten days, and then they should be kind of back at it, which on one hand gives you optimism because you think, okay, they got the writers done now, they're going to move over and we can get the actors done. But then right before we came on to do this show, I saw that the screen actors just voted to begin a, walkout against video game makers. Because there's actors involved with the making of video games, because you've got voice actors and stunts and things like that that they use for motion capture and all that. A lot of the video game makers are the same groups that are in charge of studios like Disney and Sony Entertainment and all these. So, the last strike, against video games, 2016. And it lasted nearly a year. So a little concerning. I don't know how this will play. Bruce Miller: I think we can give up video games. I don't care. Terry Lipshetz: My kids might care. Bruce Miller: Bring the acting back. That's what I want most of all. Well, we wish them well, and we hope that they reach a quick resolution on all of that, because it is making it difficult for us. Terry Lipshetz: Yeah, well and it makes your job difficult because you like to, of course, talk to the actors. Bruce Miller: I'd rather talk to an actor than a producer. Terry Lipshetz: Would you talk to a dog? Bruce Miller: I would talk to a dog. Terry Lipshetz: Dogs that apparently aren't covered by the Screen Actors Guild. Because I don't know if you saw this, but Paw Patrol: The mighty movie, had its big red carpet premiere, and 219 dogs showed up to watch the premiere. Because dogs will sit and watch a premiere, and it set a new Guinness, world record. Bruce Miller: So that's where we're at with each. Terry Lipshetz: Yeah. It's gone to the dogs. Hollywood has gone to the dogs. Bruce Miller: Well, wait till they start striking. Imagine what they'll do. Terry Lipshetz: They'll bury their bones. Bruce Miller: Or they might just all do a no walk out and then no walking. And then they come to this, and they take a dump right on that red carpet. Right? There you are. Terry Lipshetz: Yeah, I know. Bruce Miller: It's been done before, so I think we're okay. Terry Lipshetz: Yeah. And then there's some programming out there that are the equivalent, I guess. But it's given us, some opportunity. We're getting caught up on things that there isn't a lot of new material. There's some there's some things here and there. Bruce Miller: I have started watching some new shows. There's season two of, Hotel Portofino. Have you seen this one? It was on Bridgebox, and now it's moving over to PBS. And it's very Downton Abbey, if you're looking for something like that. It's about the family that runs a hotel. And it's set many years ago in the early 20th century, rather, 19 hundreds, whatever. And very glossy, with upstairs downstairs kind of talent and a little dirty. We'll just say that. Put that out there. And, interesting. So that was good. The Boys on Amazon is about superheroes who are evil and vile Bruce Miller: This week is the last week of reservation dogs on FX, if you want to see the end of that. In the last episode, I cried profusely, so you have that to look forward to. I have seen the first episodes of Gen V. Now, if you're a Boys fan, the Boys on Amazon, where it's about the superheroes. Are you familiar with this? Terry Lipshetz: I'm not, no. Bruce Miller: The Boys, it's about a world in which superheroes are kind of the ultimate. They really run everything. And there's a group called the Seven. Homelander is the leader of the Seven, and they seem like very kind of noble and virtuous and looking for all the right things. Well, you realize that that's an act that's an image that they're putting on, and behind the scenes, they're evil and vile, and they're slitting everybody's throat. And there's a group of people who are trying to take down these superheroes. Okay, so that is the boys. Now, there's a new sequel, ah, series called Gen V. And Gen V is about training people to be in that superhero world. Fascinating. Fascinating. It's like a college drama. And they go to this college, that they have abbreviated to God You, and they learn how to harness their powers and use it for various different crime fighting as a class. And, you see the kind of unpolished versions of their things. It's very X Men. If you're into the X Men, it's like but one of the stars of the show is Patrick Schwarzenegger. Arnold's Son plays this kind of golden boy, and he's the one that they all want to be, but he turns into Fire. And apparently he doesn't wear clothes, because they always talk about how he is naked, but his kind of temper gets the best of him. And if people are taunting him or whatever, he could be trouble. So you see that he could be another Homelander who is vile. But you don't know how this plays out in school. And the first episodes were great, but dirtier than you can believe. This is not, something that you let your kids watch. It is not Riverdale at all. There's one woman who becomes small. She can shrink down to, like, the size of, a paperclip. And she meets a kid at college who wants her to get small for various reasons. And I can't explain them on a podcast that hopefully is going everywhere. Yeah, it's dirty, dirty, dirty. Terry Lipshetz: Wow. Bruce Miller: If you're looking for an adult kind of look at the superhero world, gen V, wow. Terry Lipshetz: I might have to check that out. You know, I'm not a big superhero person, but something that's a little off the beaten path. Bruce Miller: Yeah, the Boys is a good kind of entry drug with this, because if you don't like superheroes, you get to see how nasty they really are. And so it makes you, yes, be that bad. I like that. And then you've seen how they have morphed and how they're actually fighting each other to be seen as the most virtuous. it's very good. And the seven always is, like, shifting. You never know who's part of the seven on one time or not. And it's run by an evil corporation. Of course it's run by an evil and they are pulling the strings on these poor superheroes. But now we're at the college, and we're trying to see how that all shakes down with them. So that's a new one that will be starting very soon. And then it, just started, but I binged the whole thing selling the OC. Now, if you're a fan of those real estate shows where they also never work, right? This is one of them. This is a companion to selling sunset. And that was about the people who work in Beverly Hills in like a strip mall. And they never seem to be selling a home. They always have these listings for like 35 million. And then all they do is walk around the house and have a party there. And then you never hear that somebody sold this. Well, now Selling the OC is the companion piece there in Orange County. And they've got a better office, but still just as much drama. And the women all look like they're going out for some evening cocktail up there. When they're in the office during the daytime, you think, do you really wear an evening gown for daytime work? And never, ever shuffle a piece of paper? They're just sitting there all the time gossiping about each other. And this one guy, Tyler, is kind of, not, necessarily a target, but a goal for many of the women there because he got divorced from his wife, who happens to be Britney Snow, who was in a bunch of TV series in the past. And they all think they could be the new Britney Snow. So they're all kind of like sucking up to Tyler and seeing if he know. How are you feeling? Can we have a talk? Can I do a one on one? Can we just converse about your situation? And Tyler is like drinking it all in. He is taking all the attention. I don't think that guy has ever sold a house. If he has, I'd like to see the paperwork because it sure isn't coming through on the show. But fascinating to watch. I, binge the whole thing. And then of course, what do we always do when we are in real estate? We have a pajama party at, one of our properties so that then, we can all just wear nightwear. And doesn't this kind of just open the floodgates to god knows what? I don't think I'm just going to look at you in the baby doll pajamas. I think I might actually make a. Terry Lipshetz: Move that doesn't seem appropriate. Does this violate some aspect of. Bruce Miller: Context laws against this? Because I sure open, up a, selling OC rule about you cannot fraternize with the other people in the office. It's not happening. But it was. Yeah, I binged it. That's how good it was. Netflix's House Hunters is aimed at prospective buyers looking for homes Terry Lipshetz: Okay. Bruce Miller: Netflix. And, I just saw oh, I'll watch one. I haven't seen one for a while and we'll see what happens. No property sold here. Terry Lipshetz: I might have to check that out. I don't mind watching some of those house selling like it's a little bit more house hunters. Bruce Miller: Yeah, but a house hunter is unrealistic expectations. Terry Lipshetz: Right. Bruce Miller: Want the $2 million home for $200,000. And they're always, ah, we entertain. And you never see those people entertain ever. It's relatives and the real estate agent, that's who shows up. Terry Lipshetz: Yeah. I know somebody, a, former colleague, I want to say, reached out to House Hunters to see how you can get on the program when she was looking for a house. And it's actually, you know, how this is going to go anyway because there's obviously behind the scenes drama of how this all gets set up. But basically they told her you have to have an accepted offer and then we'll show you two other houses. And then you get blown away by. Bruce Miller: The house, basically, that you're already badmouth the ones that you aren't going to take. Terry Lipshetz: Right. Bruce Miller: I think there's possibilities. I like that highway going through the middle of our yard. Maybe a deterrent, maybe. Terry Lipshetz: But it could be making commuting easier too. Bruce Miller: It could. And then we have easy access. Right. I think we're all right. Too bad we have a lot of dogs, animals, and children that could get hit by a car in the process. But on keeping it on the list. The latest entry into Star Wars. Been watching it with my daughter Terry Lipshetz: Well, like you, I've been trying to crush through some things before regular programming gets back to us. So ahsoka. the Star Wars. The latest entry into Star Wars. Been watching it with my daughter, who's also a huge Star Wars fan. This week is the 7th episode and then, first week of October is already the 8th and final episode of season one. I don't recall how many episodes or how many seasons they're planning. I don't think it's going to know eight seasons. It's going to be two or three. Because what I've read is that they're going to take ahsoka, and then they're going to take the Mandalorian and the book of Boba Fett. They're going to marry them all together into something for movie theaters. Like there's going to be some big movie that's going to come out that's going to tie up all these storylines because they essentially take place the same timeline of the same universe. I would say that this is a good show. We've enjoyed it. The two problems that I have with it is if you didn't watch the cartoon Star Wars Rebels, you would be really lost with this. And I know a lot of people who kind of didn't really you're a Star Wars fan, but maybe didn't want to watch the cartoons because you thought, I'm a little too adult for the cartoons. And if you didn't watch those cartoons, you would really be lost with some of these characters who are in this because it basically picks up a few years after the final episode of the final season of Star Wars Rebels. But if you're a fan of Star Wars Rebels and a lot of people who I know who watch the show were because it was a really good cartoon, I thought they did a really nice job with it. I think you'd be a fan of this show. The only downside I would say with Ahsoka is it feels like they're taking a really long time to kind of get to a certain point. And then we're going to go to this big cliffhanger to season two. It just feels like we're not trying to tie up any loose ends quickly in any way. Yeah, the big villain that they've been talking about for almost the entirety of The Run so far only recently made an appearance. And you're only going to get basically two episodes out of him. Three episodes. So it's kind of a slow build. I think it's really good. I don't know if the series is as good as Andor, which really, really liked. But I might put this one ahead of the Mandalorian because I think this one might be yeah, it's good. And it kind of gets you back to Jedi because a lot of the series that we've done, we've kind of moved away from Jedi and looked more kind of the ordinary people within the universe. but now we're getting back to lightsabers and using the Force and things like that. So it's kind of fun to move back into that world a little bit. Bruce Miller: You know, what I don't like about those kinds of shows is they never have a chill day. They never say, you know, today we're not going to go out and do Jedi games. Terry Lipshetz: We're just going to sit still at. Bruce Miller: Home and look at the rocks that we've got in our yard and kind of just decide what we like about ourselves. They don't that stuff. They're always on a mission for something. Terry Lipshetz: They are. And the missions don't go to plan. They never go to plan. Bruce Miller: Okay, who drinks blue milk? What Star Wars One is that? Terry Lipshetz: That was, the first the original one, the Bantha milk. Come on. Bruce Miller: Because they do have that at the Disney, parks, the, Resistance. And there's a bar there and you can get the blue milk. And I always wondered what would that taste like because I don't like milk anyway. So if you threw some blue coloring in it, does that make it any better? Terry Lipshetz: Yeah. Well, what is it? Does it taste like? Is it just milk with blue? No, I think it's something else. Bruce Miller: I think there's liquor in it. Terry Lipshetz: Well, then I would enjoy that. Bruce Miller: See, that's probably what they do is they're also liquored up. So they really don't know what they're doing and, going from there. But are there more announced? Are there other Star Wars series that are coming? Terry Lipshetz: Or yeah, there's a couple others. but some of them are in this kind of gray area like the Acolyte, which is supposed to be coming out. But that one it sounds like production has kind of been up and down. I don't know what the current status of that one is. I know there's another season of Andor coming up, another season of Mandalorian, coming up. But I don't recall offhand what the timeline of releases is and also how much of it has been maybe delayed by the strikes that have been going on, too. You could do a high school Kylo Ren. What was he like in school Bruce Miller: Okay. Would we ever have, like, the Adam Driver character? What was his name? Terry Lipshetz: Oh, yeah. well. Bruce Miller: Kylo Ren's early years. What was he like in school? Was he a real brat, or was he a good guy and then he turned bad, or what? Terry Lipshetz: Well, he was Ben Solo, the son of, Han and Leia. Bruce Miller: But then wasn't he kind of like, I don't know who my family yep. So wouldn't he be a good one to kind of lean into? Terry Lipshetz: It would be a, and this is where the current producers it's paying a lot of fan service. It's that kind of Luke Skywalkers post Return to the Jedi. And they've brought him in a couple of times using CGI, making Mark Hamill look a lot younger than he is. But, I think they know that era is something that fans are really interested in, but of AI is a major player because unless you recast those roles, a lot of those characters are getting too old and they can't play themselves anymore. Bruce Miller: You could do a high school Kylo Ren. Terry Lipshetz: That'd be fun. Bruce Miller: And then Kylo could be like, maybe people pick on him too much know he doesn't really know where he belongs. He's not picking a lane. And then he turns dark, and then he realizes, oh, gow, I'm into something here. I'm getting attention. I think it could be something the early years of his career as a bad guy. Terry Lipshetz: Yeah. And, you know, prom night won't go well. There'll be something. Bruce Miller: Oh, God. It's a Carrie. It's Carrie all over again. Except it's Kylo, and he'll be mad. Terry Lipshetz: That's right. There is a really good baseball documentary that just came out on Netflix Terry Lipshetz: So I've been watching, know you've been talking about some shows you've been watching on Netflix. I don't know if you're a baseball fan at all, but there is a really good baseball documentary that just came out in the last week. It's called the Saint of second chances. And I don't know if you've ever heard the story of Mike Veck. He's the Son of Veck. Bruce Miller: I know who he bill, we, have a team here that played in the same league as his team, the. Terry Lipshetz: St. Paul the St. Paul Saints, right? Yeah. So Mike Veck, the son of Bill Veck, who is an owner of the Chicago White Sox, mike Vek came up with he was a very innovative know, if you think about luxury suites, that was something that Mike Vek introduced in old Kamisky Park as a way to bring in extra revenue. But he also came up with Disco Demolition Night, which did not go so well. And it pretty much drove him out of the game of baseball for quite a few years until he was able to redeem himself as owner of the St. Paul Saints. So the saint of second chances. It kind of goes into his relationship with his father, his relationship with baseball, the relationship he had with his daughter, who he brought in to help, him as a little child and then was hoping to bring up and continue working in the family business of baseball. And there's some emotional things that go in. I don't want to reveal too much. Bruce Miller: About the story, participate or not. Terry Lipshetz: Mike thack yes. Yeah, he helps narrate and very good story. And they talk with a lot of folks too, that it wasn't just about his second chance, but second chances for other people. Like, there was this one woman who all she ever wanted to do is play baseball. But you can't let a girl play baseball, right, because it's a boys game. And she was somebody who he brought in to pitch for the St. Paul Saints. So they talk with her. They talk with Daryl Strawberry, who was a very famous baseball player who pretty much worked himself out of the game because of substance, abuse problems. And he gave Daryl a second chance with the St. Paul Saints. And it helped get him back into Major League baseball. So it gets into that, and they talk with Daryl Strawberry. So it's a really fascinating look. And if you're a fan of sports documentaries, baseball documentaries, it's really good. And I would know. Hop onto Netflix ASAP and check that one out. Bruce Miller: Is Bill Murray in it? Terry Lipshetz: Bill Murray actually is sort of I don't recall him being interviewed, but he does make an appearance in it, yes. Bruce Miller: And where is that located? Where can I find that? Terry Lipshetz: That is Netflix. Bruce Miller: Netflix. So we'll be looking. Yeah, Netflix. I can never tell what they've got coming. It's a price. I've got one coming next week, I believe, in theaters from Netflix. And then it goes in October to, it'll be streaming on Netflix. And it's called fair play. Incredible, incredible relationship drama. Reminded me a lot of, fatal, attraction. It's about a couple who work in a trading firm. And they're a couple. I mean, you see a lot of it's rated R for a reason. And then he thinks he is going to get the promotion when this one guy is out. And she's all supportive and everything. And then he doesn't get it. She gets it. And then you see how their relationship changes and shifts throughout the course of their relationship. And it's fascinating. It's very much like some of the things, Emerald Fennell did a film a couple of years ago she won an Oscar for. It about this woman getting back at somebody for her friend. It's a fascinating, fascinating film. The woman, I don't know who she is. Phoebe Dynavore. I don't even know if I'm pronouncing it right. But she is very good. And she plays opposite Alden Aaron Reich. And you've seen him in a lot of but he never he's in a Star Wars one. I think he's Han Solo. Correct. He has never really gotten that kind of break that I think he deserves. And this could be it. But it is very good. It's opening in theaters. It's called fair play. It'll open next week. And then it's going to open on, Netflix, on a streaming basis in October. Terry Lipshetz: Wow, that sounds good. I'm definitely going to well, and I may have know because it's crazy. You get those emails from Netflix saying, coming soon. And I'll look at the trailer. What is know? Bruce Miller: I don't know what this is. Terry Lipshetz: Yeah. And I'll put it in the reminder. Bruce Miller: Because then they'll just keep bugging me all the time if they know that I'm looking for that. You probably forgot that you did this, right? I don't need it. Mosquito: We're getting caught up on a few TV shows Bruce Miller: What else have you seen? Terry Lipshetz: We're getting caught up a little bit. I mean, there's no new programs for the most part. So we're getting caught up on a few things. My wife and I started Painkiller, which is starring Matthew Broderick as, you know, from Purdue Pharma. And it kind of gets into it's another dramatization about the Opioid crisis. It's okay. first of all, it's very weird watching Matthew Broderick playing somebody that old. Because I'm still in my mind, he's still bueller. Bruce Miller: Yeah. Terry Lipshetz: And if he's old, that means I'm old and I can't be that old yet. Can I really be that old? Bruce Miller: No, you're younger than me. So that gives you a leg up right there. Terry Lipshetz: So it's, looking it's a different perspective of the crisis. Bruce Miller: How similar is it to dopesick dopesick. Terry Lipshetz: With Michael Keaton I thought was really good. I thought Michael Keaton in that was really good. But the perspective of Dopesick was coming mostly from the doctor, the prescriber end of things. And this is more of the investigation side of things and the Purdue Pharma side of things. Not painting Purdue Pharma in a good light in any way, but it's more of how the crisis was manufactured from that end. And then it looks at some of the stories of how they got to where they got to. I don't think the stories are as compelling as Dope sick, but we're not going to stop watching it. It's a six episode miniseries. How far are you in three episodes? Bruce Miller: you kind of have to make a choice. Terry Lipshetz: Yeah. We're at that point now where I think we're committed and we'll knock it off and it's not bad. But Michael Keaton I thought, was just very good. Michael Keaton is just, to me, has aged very well as an actor. Like he's gotten yeah. Yeah. It's not just the goofy little things know, you think of him as like, Beetlejuice and some of those comedies he did. But some of the things that he's done later in life have just gotten so much good. Really good. Bruce Miller: I find. you do get to that point where you say, do I fish or do I cut bait? And I will bail on series. I have had one and done. I'll watch one episode, realize this is way too much for me to invest. And the first killer, with those things is when it says ten episodes, because somewhere around seven, it wanes until we get to nine, and then it'll pick up, and then you get the ten. And it's all right. Sometimes I have even watched one, and if I have the access to the ten, I'll watch the ten and I won't watch ones in the middle. Terry Lipshetz: Interesting. Yeah. Bruce Miller: Might be bad, but, life's too short. And I believe that you shouldn't have to watch crap just because you made an investment initially. Terry Lipshetz: Yeah. There is a couple shows that my wife and I watched, like, we watched a little bit of that. Was it tomorrowland on Apple TV? The one yeah. And it looked was I we didn't make it to the end of episode one, and we just, I can maybe see where it's going, but I can't dig in on this one. There was another one, too. Bruce Miller: Yeah, I watched it all, and I thought, where are they going with this? Because I bought in in the beginning that it was, this is the way the world is. We are doing this. And then you realize it's a scam, and they're, just scamming people. And then how are they getting out of the yeah. Terry Lipshetz: Yeah. So I just couldn't get emotionally invested into it. Now, there was another one that was also on Apple TV Plus, where I watched the first season. My wife and I watched the season, and we liked it. And then it came back for season two. But then I read that it got canceled because the ratings weren't quite there. And a number of the reviewers said, well, it kind of ends on a cliffhanger now, so am I going to watch it? Aren't I going to watch it? It was the Mosquito Coast, and, I liked season one of the Mosquito Coast, but I couldn't quite figure out if I wanted to invest it. And we got hung up in that spot of like, do we watch it? Don't we watch it? We went ahead and watched it. I didn't love it, but it doesn't end on a cliffhanger. I thought it wrapped up for me. Bruce Miller: I was done. Terry Lipshetz: Yeah. It got to the end. I was like, okay, we kind of dragged this out. The performances in season one I thought were better, and this one is just kind of it was a little too over the top, but it ends, like, where it ends. You're fine. I was totally fine. There is that last episode. It is explosive. There is some drama, some characters may or may not be with us to the very end, but it does not end on some weird cliff where. You're like, they canceled it. Now I'm never going to be able to know what happens because I was totally fine with it. Bruce Miller: Watch the Harrison Ford movie and you got it all. Terry Lipshetz: Yeah, I probably got it. I watched that so, so long ago. I don't even remember know that's why. Bruce Miller: They'Re remaking things is you don't remember what? Terry Lipshetz: I remember a minute, and I remember watching it, but I don't even remember it at this point. It was so long ago. Yeah. Bruce Miller: And they always wanted to throw in something that well, we never thought that there would be, like, robots. And so they'll throw in a robot in a show. The Expendables Four looks like it was written by a computer Bruce Miller: Not in this one, necessarily, but wait a minute now. this was like a 1950s movie, and we changed it a little and we threw in a robot. Oliver Dench: What is all about? Bruce Miller: But it's just a way to again, this may go back to the writer strike where they just kind of take some property and twist it a little bit, and then the original creator gets nothing from it, right. So maybe they'll be protected. I hope to God that we don't see AI things. I hope they are not going to be the future. I have seen those some m good AI things, I got to tell you. Oddly enough, this last week, I went to see Expendables Four, okay? I swear that was written by a computer. It had to be. It was so bad. It was so bad. It's the kind of movie that when you go to it, you think, are they reading from teleprompters? They've got to be reading from teleprompters because you wouldn't remember this crappy dialogue if you tried. And then their eyes are darting and you think, that's got to be reading across the screen while they're looking at something. Plus, which they haul in people that you think, where did these people come from? I am not familiar with this person. I don't know if he's a big star in Korea or what he is, but apparently he's a big deal because he's in this show, so you don't know those things. And then they all back. And sure it's Sylvester Stallone. And Jason Statham star as the expendables that we remember. Dolph Lundgren's in there, too. And poor Dolph Lundgren has this bad wig that he wears, and they reference Farah Fawcett. And I'm thinking, who would remember Farah Fawcett's hairdo as the reason why you would reference Farrah Fawcett? You wouldn't. You just mean it doesn't work for today. I get it, but it's bad. And then they make a bad, bad joke about Stevie Wonder, which I think that is not relevant today, nor is it something you would include in your movie. And then you look at the film and you see that they have so much green screen in this sucker that basically it could have been shot in my backyard. There is no need for all of that and the special effects are really unspecial. The fight scenes are very bad. It goes down a list and you think, who talked them into this? This has got to be, clearly a money grab. And then, of course, you have the ultimate evidence that it is a money grab and that's that it has Andy Garcia in the film. Name a decent film that Andy Garcia has made in the last five years. You cannot but he's always in movies. He's in those book club movies. He's in all of these other kind. He plays this kind of role. And, I think, oh, Andy Garcia's here. That should be something to tell you. What's up with this? Megan Fox is in there, too, but you don't know really. What is she, an expendable? Is she really one of those people? And she turns out to be Jason Statham's girlfriend, but she has martial arts skills, so bring her with I think she can work on this. But that's where you get with this stuff. You think they're writing it. It's machines that are writing this crap because it sounds too unrealistic to even buy. Terry Lipshetz: Nobody saw it. Nobody watched that movie. Do you see it opened? It got beaten by the nun, the nun two in the third weekend. Bruce Miller: But, you put names like that and whenever they have a big list of names, this goes back many, many years. If you may remember, back in the 60s, cinerama was a big thing and, this widescreen stuff, and they would put casts of thousands in them. And how the west was won was one who had every big name star there was. Then we had the disaster films that had all the big name stars in it. And now we're into that era where it's action adventure, and it's usually people who aren't good actors, but they can do a dust hunt or two and then have a catchphrase or throw off a good liner now and then. And so it ends up being, this is how we're putting them in there. And, do we need it? I don't think we need it. The really strange thing is my phone fell off my lap into the seat. And they're recliner seats. And I must spend a good 15 minutes digging that chair to try and find the phone that I thought was actually more action and better action than what I was seeing on the screen. Terry Lipshetz: People were watching you, if there was actually anybody there. And they're thinking, wow, this guy over here. This is the best part of the movie. Watch this guy dig for his phone. Bruce Miller: I'm digging for the phone. And I tell you, if there was $50 bills in there, I don't know, there could have been money in that seat. When I started messing around, I did find popcorn, but so that was good. And I did get the phone. Ultimately, I did get the phone. Terry Lipshetz: Well, that's good. Andy Garcia was supposed to be the next Al Pacino Terry Lipshetz: I am laughing now thinking, though, because you bring up Andy Garcia. And the first thing that comes to my mind is his addition to, the Godfather trilogy. Bruce Miller: Right. He was kind of the next, Al Pacino. He was going to be the heir apparent. And he got great work, and he did great work. But now it's like that thing where you go, who else is in this? Andy Garcia. Let's get Andy. So he must play well with a certain audience. And they go, oh, yeah, Andy Garcia's in it. But I think he might be the sign of a bad movie now, because he's taking everything he can get. And it probably isn't reading the scripts. Because I thought he was a good actor at one point. I really did. But this crap. Terry Lipshetz: he's going to. Bruce Miller: Do the sequel to, Al's extra work. Terry Lipshetz: He could instead of AI, they could use Andy Garcia to play a younger Al Pacino. There you go. Bruce: What do we have coming up in our next few episodes Terry Lipshetz: So what do we have coming up, Bruce, in our next few episodes? Bruce Miller: I know I've got a lot of stuff for you. I've got, a, talk with the producers of Goosebumps. They've rebooted a well, actually, we could put it on this week. We could add it in. I'm doing it tomorrow. I'm talking to one of the actors from Hotel Portofino. Terry Lipshetz: Okay. We can slip that in. Yeah. Bruce Miller: it's Oliver Dench. Now, that name, does that ring a bell? Oliver Dench. Oliver Dench. Terry Lipshetz: That name is it sounds a little. Bruce Miller: It'S her nephew. Yeah. Working. And his dad was a big actor in, yeah. And he's the star of Hotel Portofino. He plays the son who comes back to help run the hotel. So we've got him coming up. I've got a number of films that are opening. But again, we're going to see where we sit if we can solve that actor strike. We're going to talk to some actors. Otherwise, you're going to get some producers. And I know you don't want in. Terry Lipshetz: The worst case scenario, we'll be interviewing dogs barking at us. Bruce Miller: And we'll get the dogs. Terry Lipshetz: We'll get them. Paw patrol coming soon. Bruce Miller: It could be good. I think it could be a good thing. Terry Lipshetz: All right, so we'll go now to an interview with Oliver Dench. And then we will wrap up and see you again next week for another episode of Streamed and Screened. Would you rather do shows in the present or the future Bruce Miller: I look at the things you've done in the past. What period do you really like to be in? do you like to be in the present? Would you rather do shows that are in the present, things in the past, or things in the future? Oliver Dench: It's interesting that I don't really think of the time period that much. When I think of work, obviously it comes into it. And obviously when we're shooting, there are differences like accent or manners or general etiquette of the things. But those aren't really the interesting things to me, I think the things that stay more essential to it, are interpersonal relationships and character. and they transcend time, really, or at least they transcend time in the kind of stuff that I would be doing and the kind of roles I would be interested in playing. I know there would be some really far out there, things really far out there character that could only exist in Sci-Fi. But in terms of the things I've done, I've always played humans. Bruce Miller: That's good, right? Lucian is very guarded in this film. Is that a product of the times or is that yeah Oliver Dench: Yeah, which is good. Bruce Miller: He seems so guarded. Is that a product of the times or is that yeah. Oliver Dench: that is something I have found interesting about this time period in particular. But I think that applies to all characters. I think that one in particular, a lot of what is guarded about Lucian is a product of the times. But that would come up in any period. There would be reasons why people would be suppressing certain aspects of their personality and reasons why other things would be allowed to flourish. The fact that this is happening in the 20s just means there's a different buffet of things to choose from. But he is guarded. There's a lot of pressure on him. Bruce Miller: Did you relate to him at all? Did you say, oh, yeah, I see this, or do you go, no, that's not me at all. Oliver Dench: I've led a much more fortunate life than Lucian. I did not fight in World War I. So I think there's already, like, a massive jump of understanding that I couldn't really realistically, ever hope to, empathize with, but sympathize with. I absolutely can. And I think that's sort of our job as actors. There are a lot of things about Lucian that are different from me, but there's obviously a lot of myself that I bring into the character. And I think this is how I understand these social situations. Now I just have to layer on the different, things that Lucian is dealing with to try and make what I hope is somewhat interesting to watch. You were pulled into the family business and you became an actor Bruce Miller: pulling him into the family business is kind of a thing. Was that the way it was with you, too? You were pulled into the family business and you became an actor? Or was that always something you wanted to do? Oliver Dench: No, that was something well, it wasn't always something I wanted to do. When I was very young, I had an idea that I wanted to be a marine biologist. And I don't know why it seems kind of off the wall, but I've spoken to lots of people I knew, and I think it was very in vogue when I was in my preteens to want to be a marine biologist, because loads of people seem to have this idea. I don't know if it was like a David Attenborough inspired thing or something that was happening on the BBC in the UK at the time. But lots of people I know inexplicably wanted to study jellyfish and things. I didn't end up being a marine biologist. I then wanted to be a chef for a while, but I'm not a massive fan of professional kitchens. When I did, like, the tiniest amount of work experience in, when I crumbled completely ineffectual. But no, I wanted to be an actor. I don't think I was pulled in any particular direction. Bruce Miller: So what appealed to you about it is it just the idea that you get to be different people all the time? Oliver Dench: Well, originally it was more poetic for me, and this hasn't really been, the type of work I've ended up doing, but I think while I wasn't pulled in certain directions, I was very lucky to have the family that I do, and my granddad, who was, a Shakespearean actor, on the stage. I was exposed to a lot of Shakespeare when I was growing up, and I loved that. I thought that was absolutely amazing. So originally, I think it was interest in text that made me want to act, because I thought it was so beautiful. I thought it was amazing. Made me want to write as well. But I think acting seemed, I don't know, more immediate, for me, and that's kind of what pulled me into it. The idea of character almost came secondarily to that, which I don't know if is how many people have kind of come into it. But that was definitely the pull for me. Bruce Miller: Shakespearean, though, come on. I read that, and I can glaze over very quickly, especially at a young age. How do you attach to that? How do you say, like this, even though it's difficult to read? Oliver Dench: Well, I think the first thing is, as everyone kind of says, it's not meant to be read. it must be heard. So if you have someone really skillful doing it, then it's amazing. If you have someone who's not very skillful doing it, then it's the most boring thing. Imagine it's difficult. It is really difficult. but I was lucky to have someone who was skillful at the beginning, sort of explain it to me, and then after that, it becomes, the more you're exposed to it, the more effectively you're able to interpret it. And that's almost a problem in its own right. I think that's often why it's so confusing is because the people who are putting on these plays often are people who are very exposed to it. So the language is very immediate for them. So they watch and they think, what's the problem? I understand every single word. I know it really well. An audience who is maybe not so exposed to it might find it more difficult to interpret. So I think that can be a problem in modern Shakespeare productions. but it is true, once you get into it, the more you read by the time you've read or watched a number of plays in a short span of time, it'll become easy. it just requires doing that work, which is why it's so elitist. It can be really elitist. How difficult is it to memorize Shakespeare? Easier than some other plays Bruce Miller: How difficult is it to memorize? Oliver Dench: Easier. Bruce Miller: Much easier, really. Oliver Dench: It is much easier. Well, again, probably this might not be everyone's experience, and some of the plays are split differently. So some of the early plays are almost entirely verse, which means all the lines have rhythm. Or some of the early plays, almost all the lines have rhyme, which I think is actually really ugly often. and some of the later plays are more prosaic, which means that it's more difficult to learn. But when you're learning a speech and you've got the rhythm and the rhyme to rely on, I actually find that to be a great crutch in memorizing, because, you know, if you've got a single word wrong, when you're memorizing, if you're there going to me that is the question whether noble are in the blah blah blah blah. You understand when it goes, off the tracks. and that lets you know that you've messed up. Whereas some other stuff you can mumble through scenes for pages before you realize you've got everything wrong. Bruce Miller: One of those you have a checklist then, and you start checking off the characters that you want to play. Oliver Dench: I used to, not a physical checklist, but I definitely used to think that the most legitimizing career would be some John Gilgood like thing where you first play Romeo and then Troyless and then Hamlet and then blah, blah, kind. Terry Lipshetz: Of work your way up. Bruce Miller: Yeah. Oliver Dench: Eventually you play Lear and then you die on stage and it'll be, wow, what an incredible experience. but I had to because it wasn't what I was doing. But I sort of let go of that some years ago. Not to say I wouldn't still want to play those parts, but I don't necessarily think they have to be in such a linear progression anymore. I feel as though when I was young, I felt like I was running out of time to play characters that meant something, to me. And in some ways that's true. There'll come a time where I'm less likely to be cast as Romeo. but in general, I think there's such a wealth of characters, not just in Shakespeare, but in everything, in other things that I hadn't really given attention to before, that one could never play everything that is interesting. So doing television does allow you or afford you the opportunity to do theater Bruce Miller: So doing television, does that allow you or afford you the opportunity to do theater? I mean, I'm assuming that it's very difficult to have a career in the theater these days because it isn't as financially viable, as it might be in television or in film. Oliver Dench: Yeah. it still exists in London in quite a big way. I'm not saying that it's not an issue. And, theatre acting in general, tends to be underpaid, mainly because it's, under attended. and that's a problem for people who are trying to kind of carve out a career in theater. I guess, in that aspect, doing TV does let you, does give you more opportunities to kind of wait for theater jobs when they come. But it's also about what you're busy doing. And if you're running in certain circles, like, I haven't had a theater I haven't been meeting theater people in quite a long time because I've been shooting things. And that makes it difficult to have a career in theater because no one knows who I am comparatively. I know lots of people who do theater much more regularly, and they find it more difficult to meet people who are organizing TV jobs is difficult. It's complicated. I think the world is so big and vast now that it's difficult, to always be doing what you want when everything fits. You say the best acting advice is do nothing. What was it like when you first tried to do something on camera Bruce Miller: a Broadway actress told me that when she went to Hollywood, she realized that she was so stiff that she had no emotions because she was afraid she would be too broad on camera. What was it like when you first tried to do something on camera? Was it like, oh, my God, I got to watch, so I'm not, like, blinking. I have to watch. I'm not moving. Oliver Dench: I've been through in the things I've done so far, which is not I'm not the most experienced actor in the world, but in the things I've done so far, I feel like I've come through a cycle of being terrified to do anything and thinking that the best acting advice was do nothing. And if you have an impulse, then squash it, and it's wrong and just be completely plain. And in some cases, that's true. In some cases, oddly, due to some quirk of human psychology, or how we recognize emotion, in some cases, we recognize a blank face as a number of different things, and we laud amazingly subtle performances. But I think it's important to not feel stifled by that. And I'm now at a stage where I think make a crazy choice and do something interesting and, hope that you have the skill that that will still come across as natural. And I think it has to exist somewhere between that, because just doing nothing forever is very stifling when you're on camera and even more stifling when you're on stage. Bruce Miller: It's called soap opera. Right. You do nothing. Right? Yeah. How did American television differ from British, uh, television Bruce Miller: How did American television differ from British, television? this wasn't Pandora. That was an American production. Right? Oliver Dench: That was an American production. Yeah. it doesn't really not essentially about what we're being asked to do. I know it does in a multitude of ways, but I find that very difficult to keep a handle on. Like, I know that the CW who broadcast Pandora want different things than PBS, who are broadcasting, hotel Portofino. I know that they have business plans and they have ideas, but that's, personally, for me, not my favorite way to interpret character and to work on a set. I find that kind of foggying and dizzying and confusing and kind of gets in the way of me feeling comfortable and natural in things. So I think the way I see that is I let the director worry about that. I let the directors and the producers worry about what they're going to do, and I'll just try and be here on set and be as mindful of what I'm doing as possible. And hopefully that fits into what the people around me want. I'm not saying they don't want different things or that it doesn't differ all know, English TV, the BBC is not different from, stars or whatever, but I find it more useful for me to try and concentrate just on the microscopic. You hear about people with huge social media following getting roles Bruce Miller: Well, how does all the social media how does that factor in? Because you hear about people who have this huge social media following, getting roles, and you're thinking, wait a minute, they have no talent. What is this? Oliver Dench: I always think that I don't have any big grudges against people getting cast from things. Not for them personally. Because if they want to do it and someone wants to give them a job, then they're going to do it like anyone would. I don't have a lot of hate for people around me, or even I might have envy sometimes if they get jobs that I want. But the way I feel I kind of thought about social media a lot, but I'm not very good at it. I don't like it. I've never been one to tweet a lot. I have an instagram. I think I tried to delete it, but it's still up there. And I think my last post is from two years ago or something. for a long time, I kind of put a lot of stress on myself to get better at that. And then I realized that I don't really like it. And for me, the social media itself is quite damaging for my mental health. And that might be a good tool for getting cast. I know it helps. I know people want to cast people with big following, but considering I'm not good at that, I shouldn't beat myself up about it, and I should just let that go. When you look at a career, where would you like to see yours go Bruce Miller: So when you look at a career, where would you like to see yours go? What would be the ideal direction for you? Oliver Dench: I'm not really sure. Like I said, when I was younger, I had a much clearer idea of here comes my M. Macbeth. Wonderful. But now, like I was saying earlier, I've realized that things have opened up to such a degree in terms of the style of things I would be playing that, I find it much more difficult to predict that. I hope I am working. And I hope I am happy. But I'd much rather think about my mental health being high, my own positivity being high, and me enjoying the work that I do and finding it interesting than I would think about, exactly where I'm going to be. Because my experience has been that whenever I imagine a job in a certain way, it doesn't always line up with, the way I expect my well being, the, place I expect my well being to be at. When I have that job, it's very easy to think when I get a TV job, I'll be very happy. And I don't think that's how my happiness has always moved. So as long as I find it interesting, then, and I'm working, then that'll. Bruce Miller: Be do you plan know, I always need to go back to the theater because that's where I feel most welcome, or is that because didn't you do Cabaret this last? Yeah. Oliver Dench: Yeah, I loved it. I love that show. I was very lucky to do Cabaret this year. in terms of my career, the question that you actually asked me before I started Rambling is, I would like to be doing a mix of things. I would like my career to be continuously mixed. I would like to do some theater and some screen work. I would like to write. I find the variation to be spicy and interesting and exciting. and I find that thrilling. I think that's what I want out of a career rather than something I don't have a particular magnetism back to the theater, and that's where I want to spend my time forever. I just want it to be varied and interesting and satisfying. Bruce Miller: Do you look at your great aunt's career? I mean, come on. She's had the most varied career of anybody. Do you look at that like a, template for something like this? Oliver Dench: Yeah, it would be unbelievable. But few people have a career as. Bruce Miller: Amazing as come on. Yeah, right. But look, she did Cabaret, for God's sake. Oliver Dench: Yes, she did, famously, very well. Bruce Miller: But you did too, so go for it, they say. Oliver Dench: But no, I absolutely if I could have a career that's half as wonderful as that, I'd be very happy.See omnystudio.com/listener for privacy information.

Join Joe Shoes and Michael Gomez as they present their weekly buffet of pop culture goodness! This week your double main men discuss: Joe's life-changing moment (1:00), Gomez gets an exclusive Creepshow Stephen King figure (4:45), Breaking News: the Writers Guild has a tentative agreement to end the strike (10:43), EXPENDABLES 4 and weekend box office numbers (12:50), McDonald's International HQ in Chicago gets the good stuff (16:14), Auntie Anne's Confetti Pretzel Nuggets (18:12), Jack In The Box's new Pumpkin Croissant Bites (21:40), Disney+ price increases (25:30), Prime Video adding a premium for an ad-free version (30:10), Twitter / X to begin charging for their app (31:18), HBO's "Winning Time" finale (38:26), Gomez tries White Castle's Cheesy Rings (40:48), Peacock's "The Continental: From the World of John Wick" (43:40), HBO Max's new "Tiny Toons University" (47:08), "Ahsoka" meets the Intergalactic Bad Ass and what comes next for Disney+ (49:49), Hot takes and honesty (57:55), AEW Grand Slam (1:02:07), WWE releases (1:06:48), Spooky Snake Season: COBWEB (1:15:45) and Big Finish: Top 3 Looney Tunes Characters (1:44:34). Watch along for next week: SAW X (In theaters) Follow on all the socials: Twitter: @CarJoeMeZ, @TheJoeShoes, @thegomez154 Instagram: @CarJoeMeZ, @TheJoeShoes, @thegomez154 YouTube: Joe Shoes, Car JoeMeZ Podcast Twitch: Mr. Joe Shoes, MeZ Movie Pro Wrestling Tees Store: Capt. Joe Shoes TikTok: @TheJoeShoes Blog Site: CarJoeMeZ.com

How often do you think about the Roman Empire? Well, this week Tug requested a wine from Rome so Kathryn's opening up “the nun wine.” Yes, this delightful white wine from Lazio is made by sisters of the Cistercian order and has quite a cult following. Kathryn talks about Lazio, the Italian state where this wine is made. The Ryder Cup, the world's most prestigious team golf tournament (go USA), is taking place in Rome this week - just 90 minutes from the winery. At home, well, bedtime is a mess. Tug celebrates the conclusion of the Writers Guild strike and appreciates the generous WGA community. The Wine of the Week is the Monastero Suore Cistercensi ‘Coenobium' Lazio Bianco, Italy 2021. Follow us on Instagram: @thelongfinish @esterswine @kathrynweilcoker @tugcoker Writers Guild of America ends their strike against the AMPTP https://en.wikipedia.org/wiki/2023_Writers_Guild_of_America_strike Miguel Cabrera receives a gift of Caymus wine from the Oakland A's https://vinepair.com/booze-news/miguel-cabrera-oakland-athletics-caymus

Entertainment writer and film critic, Brian Truitt joins It Takes Two with Amy & JJ to discuss the news that the Writers Guild of America strike may have reached a deal and the WGA members may be going back to work!See omnystudio.com/listener for privacy information.

Welcome to the All Things Nerd Podcast! Your weekly dive into all the things we find nerdy and worth talking about. This week's episode we talk about the latest episode of Ahsoka now streaming on Disney+ and Gran Turismo now in theaters. If you wish to donate to help those striking for better working conditions for SAG-AFTRA and The Writers Guild, please visit: https://sagaftra.foundation/emergencyfinancialassistance/  and give today. Today's Episode is sponsored by Nordic Brewpub. If you are in the great state of Minnesota, and care to venture to Monticello, head over to Nordic Brewpub, mention All Things Nerd Podcast, and show them that you follow us (Instagram or Facebook) OR subscribe to the podcast (youtube, or wherever you get your podcasts from) and your first beer is on us! To find their location, check out their incredible food menu, or see the types of beers available; head on over to www.nordicbrewpub.com today and plan your visit! Today's Episode is also sponsored by Cry Baby Craigs. An incredible hot sauce made from pickled habaneros and garlic. Honestly, this stuff goes on everything. For your chance to enhance the flavor of your favorite foods, or bloody mary's, check out Cry Baby Craigs at www.crybabycraigs.com to get yours today.  You can always find us online at www.allthingsnerdpodcast.com with links to our social media pages, or email us with any questions or requests at hello@allthingsnerdpodcast.com We have some exciting things coming to our website and store soon!  If you want to get your hands on some new merch, or help support us in everything we do, follow us there and check it out! Here's a link tree to find us everywhere:  https://linktr.ee/allthingsnerdpodcast If you want to help us grow our nerd collection and build our studio spaces to bring you even better content you can also check out our amazon wishlist here: https://www.amazon.com/hz/wishlist/genericItemsPage/32P1V8QA7YU28 --- Support this podcast: https://podcasters.spotify.com/pod/show/allthingsnerdpodcast/support

Could ChatGPT and other chatbots be used on the “darknet”? Hackers say so. How are artificial intelligence-programmed robots being used to talk, act, and think like humans? The Writers Guild of America (WGA) saw the writing on the wall about where this tech could be headed, and they tried to safeguard their jobs with a strike that lasted nearly 150 days. Finally, their Hollywood strike appears to be ending after a stalemate between the writers and their production studios, which are focused on bottom lines. Will the SAG-AFTRA actors' strike also end, with performers' likenesses and earnings protected? In other tech news, why is Microsoft Cloud looking to utilize more modular reactors to power its AI and data centers? Join Ben and Rob from Edge of Wonder to hear all about it. Then tune into Rise.TV for a Q&A and meditation/prayer.

Nearly five months ago, Hollywood writers went on strike, bringing the TV and movie industry to a standstill.  The Writers Guild of America, which represents more than 11,000 screenwriters, led the demands for better pay, staffing minimums and protections against AI on the work of writers. Now, after a tentative deal was reached with entertainment companies over the weekend and accepted on Wednesday, writers are free to return to work this week. This has been one of the longest strikes in the Writer's Guild's history – so what has it achieved?  What does the deal outline? And what does all of this mean for us as TV and movie watchers for the rest of 2023?  Today we're going to look at the writer's strikes and what writers managed to negotiate for themselves after months of protesting. Subscribe to Mamamia GET IN TOUCH Feedback? We're listening! Call the pod phone on 02 8999 9386 or email us at podcast@mamamia.com.au CONTACT US Got a topic you'd like us to cover? Send us an email at thequicky@mamamia.com.au CREDITS  Host: Elfy Scott With thanks to: Laura Brodnik - Host Of The Spill Podcast Producer: Elfy Scott Executive Producer: Kally Borg Audio Producer: Thom LionBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

------------------------------- 強化英語課程資訊 ------------------------------- 「社會人核心英語」有聲書課程連結：https://15minsengcafe.pse.is/554esm ------------------------------- 15Mins.Today 相關連結 ------------------------------- 歡迎針對這一集留言你的想法： 留言連結 官方網站：www.15mins.today 加入Clubhouse直播室：https://15minsengcafe.pse.is/46hm8k 訂閱YouTube頻道：https://15minsengcafe.pse.is/3rhuuy 主題投稿/意見回覆 : ask15mins@gmail.com 商業合作/贊助來信：15minstoday@gmail.com ------------------------------- 以下有參考文字稿～ 各播放器有不同字數限制，完整文稿可到官網搜尋 ------------------------------- 國際時事跟讀 Ep.K649: The Hollywood Strikes: A Comprehensive Overview In recent times, the glitzy world of Hollywood has been rocked by a series of strikes that have brought its bustling entertainment industry to a standstill. From eminent stars taking a stand to the economic repercussions faced by local businesses, this article provides a concise breakdown of the ongoing upheaval in Los Angeles. 近來，華麗的好萊塢世界受到一系列罷工的影響，使得其繁華的娛樂業陷入停擺。從著名影星站出來表態，到當地企業面臨的經濟影響，本文對洛杉磯正在進行的動盪提供了簡明的分析。 May 2023 marked a significant turning point in Hollywood as the Writers Guild of America, representing over 11,500 screenwriters, commenced a strike due to a long-standing labor dispute with the Alliance of Motion Picture and Television Producers (AMPTP). This strike has notably disrupted television and film production in the United States, rivaling the pandemic's impact. An intriguing twist occurred when the writers' strike dovetailed with a simultaneous strike by SAG-AFTRA actors, amplifying the broader labor issue within Hollywood. 2023年5月是好萊塢的重要轉折點，代表超過11,500名編劇的美國編劇工會（Writers Guild of America，簡稱WGA）因長期的勞資糾紛與電影和電視製片人聯盟（Alliance of Motion Picture and Television Producers，簡稱AMPTP）展開了一場罷工。這次罷工明顯地干擾了美國的電視和電影製作，甚至可以說媲美了疫情的影響。有趣的是，這次編劇的罷工與同時進行的演員工會-美國電視和廣播藝人聯合會（Screen Actors Guild - American Federation of Television and Radio Artists，簡稱SAG-AFTRA）的罷工相互交織，放大了好萊塢內部的勞資問題。 The repercussions of these strikes are reverberating beyond US borders. The delay of the Emmys is a mere indication of the larger economic turbulence the strikes have ushered in. Local businesses, ranging from restaurants to dry cleaners, are bracing themselves for an inevitable downturn. The primary players in this conflict are the Writers Guild of America (WGA) and the Alliance of Motion Picture and Television Producers (AMPTP). The core concern for WGA is the compensation from streaming networks, specifically residuals, which have significantly eroded writers' incomes over the last decade. 罷工的影響已經超過了美國國境。艾美獎頒獎典禮的延期只是這些罷工所引發更大經濟動盪的一個縮影。從餐廳到乾洗店，當地企業正為即將到來不可避免的衰退做準備。這場衝突的主要參與者是美國編劇工會（WGA）和電影和電視製片人聯盟（AMPTP）。WGA最關切的核心議題是來自串流媒體的報酬，特別是剩餘付款，這在過去的十年中顯著地侵蝕了編劇的收入。 The strikes have already disrupted iconic shows like The Tonight Show and Jimmy Kimmel Live, which rely heavily on writers' creativity. These actions have also cast uncertainty over major events like the Emmys and autumn film festivals. The strikes aren't confined to the US; the UK's Equity, the actors' union, stands in solidarity with the cause. Major US productions in the UK are stalled, encompassing movies like Deadpool 3 and TV shows like Andor. The collective voice of A-list actors like Meryl Streep and George Clooney underscores the significance of these strikes as a transformative juncture in the industry's history. 這些罷工已經打亂了象徵性的節目，例如《今夜秀》和《吉米夜現場》等，這些節目在很大程度上依賴於編劇的創意。這些行動還對艾美獎和秋季電影節等重大活動帶來不確定性。這些罷工不僅僅局限於美國；英國的演員工會Equity也聲援了罷工。在英國，主要的美國製作都陷入了停擺，例如《死侍3》和《安道爾》等電視節目和電影。梅莉·史翠普和喬治·克隆尼等大牌明星的集體發聲也強調了這些罷工在娛樂業歷史上的重要意義。 Reference article: https://www.harpersbazaar.com/uk/culture/culture-news/a44687421/hollywood-strikes-explainer/

Hello from the negotiating table! This week, it's just us, talking more hot labor summer and a bit about poetry (Tammy recommends the work of Mai Der Vang!). [9:00] After 146 days on strike, the Writers Guild of America, which represents about 11,000 screenwriters, announced on Sunday that they'd reached a tentative agreement with the AMPTP studio group. (Forgive the timing of this ep: the WGA released details of the tentative agreement on Tuesday night, after we had recorded; members will still have to vote on the deal.) [23:00] Meanwhile, as one strike (maybe) ends, another expands! Nearly 20,000 United Auto Workers members across 40 states have walked off the job to demand a fairer share of record profits from the Big 3 automakers, seeking to reverse Great Recession-era losses and prove the might of a new and improved UAW. In this episode, we ask: Why does so much of the public support the WGA strike, a white-collar union whose ranks include very highly paid (less sympathetic?) members? How sturdy is the very new, seemingly democratic operation of the UAW under Shawn Fain?Can this union wave bring back American manufacturing, or are we just buying time before another big offshoring push? What's with EVs and the enviro dimensions of car-making? For more, see: * Tammy's dispatch on the WGA strike and animation labor for the New York Review of Books* An In These Times podcast that touches on UAW's unionization push within higher ed * Previous TTSG convos we reference in this ep, about the WGA, UAW, Labor Notes unionism, deaths of despair, and more: * Listener Qs: Barbenheimer, hot labor summer, & white-Asian relationships in film (July 2023) * A.I. scab-bot$, with Max Read (June 2022) * Is it finally Strikevember?! (November 2022) * Inflaaaation, cool unions, and "We Own This City" (June 2022) * SCOTUS trouble, working-class white people, and Taiwan's military (October 2020) * Some background on Walter Reuther's UAW, from 2009Subscribe on Patreon or Substack to join our Discord community and meet us IRL. You can also follow us on Instagram, TikTok, and X (Twitter), and email us at timetosaygoodbyepod@gmail.com. And if you're a freelancer, consider organizing with Tammy & the Freelance Solidarity Project!  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit goodbye.substack.com/subscribe

What role does AI and streaming play in the Writers Guild of America and the Alliance of Motion Picture and Television producers agreement. We explain FTC's latest efforts to challenge the Microsoft-Activision Blizzard merger. And Meta unveils the Quest 3 headset. Killer Sloths and Tacos – GDI 4613 starts at 30:39 CNN launched CNN Max in beta. Does this excite you? How much live news do you watch? Where do you think Max is trying to be? Does HBO still stand for prestige? So much confusion. So many contracts and agreements can be overwhelming. Cable companies might be losing their leverage. Scott has an appreciation for Tubi. Have you heard about Slotherhouse? Horror movies talk takes over. Can there be too much cheese? How often have you eaten street food? Do parasites have accents? Sarah shares a brain parasite story and won't eat sweaty cheese. Don't microwave your Blu-ray's. Starring Tom Merritt, Sarah Lane, Scott Johnson, Roger Chang, Joe. To read the show notes in a separate page click here! Support the show on Patreon by becoming a supporter!

What role does AI and streaming play in the Writers Guild of America and the Alliance of Motion Picture and Television producers agreement. We explain FTC's latest efforts to challenge the Microsoft-Activision Blizzard merger. And Meta unveils the Quest 3 headset.Killer Sloths and Tacos - GDI 4613 starts at 30:39CNN launched CNN Max in beta. Does this excite you? How much live news do you watch? Where do you think Max is trying to be? Does HBO still stand for prestige? So much confusion. So many contracts and agreements can be overwhelming. Cable companies might be losing their leverage. Scott has an appreciation for Tubi. Have you heard about Slotherhouse?  Horror movies talk takes over. Can there be too much cheese? How often have you eaten street food? Do parasites have accents? Sarah shares a brain parasite story and won't eat sweaty cheese. Don't microwave your Blu-ray's. Starring Tom Merritt, Sarah Lane, Scott Johnson, Roger Chang, Joe.Link to the Show Notes. Become a member at https://plus.acast.com/s/dtns. Hosted on Acast. See acast.com/privacy for more information.

Writers Guild leadership approves tentative deal with Producers. Seven Republican presidential candidates debate in Simi Valley tonight. A new budget parking lot has opened at Los Angeles International Airport. Support The L.A. Report by donating now at LAist.com/join and by visiting https://laist.com.Support the show: https://laist.com

This is TRT World's Daily News Brief for Wednesday, September 27th. *) Iraq wedding fire leaves 113 dead, more than 150 injured At least 113 people have been killed and more than 150 wounded when fire broke out at a wedding celebration in the district of Hamdaniya in Iraq's Nineveh province. The fire ripped through a large events hall after fireworks were lit during the celebration, local civil defence said. Najim al Jubouri, the provincial governor of Nineveh, cautioned there were no final casualty figures yet from the blaze, suggesting the death toll still may rise. *) Türkiye wants opening of Zangezur corridor ‘as soon as possible': Erdogan Turkish President Recep Tayyip Erdogan has stressed the importance of opening the Zangezur Corridor land route in southern Caucasus. “Hopefully, we will realise the Zangezur Corridor as soon as possible and make our road and rail communication with friendly and brotherly Azerbaijan uninterrupted through Nakhchivan,” Erdogan said. The remark came a day after his visit to Azerbaijan's autonomous Nakhchivan exclave, where he met his counterpart Aliyev to discuss particularly the recent situation in Karabakh. *) Mexico disperses thousands of migrants; Costa Rica to declare emergency Mexico seeking to deal with an unfolding migrant crisis has dispersed thousands of people on its southern border. Migrants on the other side of the country defied new enforcement measures and continued to arrive at northern cities by cargo train. Large numbers of migrants have been crossing into the United States from Mexico in recent weeks. More migrants have also been seen traversing the Americas, and Costa Rica's president ordered a state of emergency over the sharp rise of people passing through the small Central American nation. *) UN warns of ‘harmful consequences' over France's headscarf ban for athletes No one has a say in what women should wear, a UN High Commissioner for Human Rights (OHCHR) spokesperson has said, focusing on France's recent ban on headscarves for athletes in next year's Olympic games. “In general, the Human Rights Office says that no one should impose on a woman what she needs to wear or not wear,” Marta Hurtado told a UN press briefing in Geneva. She warned that discriminatory practices against a group can have “harmful consequences.” And finally… *) Hollywood screenwriters end strike after pay deal with studios American television and movie writers have agreed to end a strike that lasted nearly five months and paralysed Hollywood after reaching a pay deal with production studios. The 11,500 members have until October 9 to cast their votes on the proposed contract. The Writers Guild of America said the estimated value of the deal was $233 million per year. Thousands of film and television writers began striking in early May over demands including better pay for writers and protection from artificial intelligence. And that's your daily news brief from TRT World. For more, head to trtworld.com

It's our 400th podcast episode here at Breakfast All Day! And what better way to celebrate than with an end to the Writers Guild strike and a review of a lovely new movie. Alonso and Christy have a quick but exciting news segment, including a WGA deal after five months of picketing and the classic '80s TV series "Moonlighting" coming to Hulu starting Oct. 10. We also discuss "Flora and Son," the latest musical charmer from writer-director John Carney ("Once," "Sing Street"). It's in theaters now and streaming on Apple TV+ starting Sept. 29. And for our Patreon subscribers, a recap of the penultimate episode of "Only Murders in the Building" season three and an Off the Menu review of William Friedkin's 1971 cop thriller "The French Connection." Thanks for sticking with us all this time!   * We're thrilled to be partnering with Coffee Bros.! New York-based brothers Nick and Dan Hunnewell make small-batch coffee that's ethically sourced from around the world. Take 15% off your coffee order with code BREAKFAST15: https://coffeebros.sjv.io/EKRRd9

After 148 days on strike, writers of movies and television are returning to work on Wednesday with an agreement in hand that amounts to a major win for organized labor in Hollywood.John Koblin, a media reporter for The Times, explains why the studios acquiesced to writers' demands and what the deal means for the future of American entertainment.Guest: John Koblin, a media reporter for The New York Times.Background reading: After Hollywood's bitter monthslong labor dispute, the Writers Guild of America got most of what it wanted.Now the focus turns to actors: The studios and the actors' union haven't spoken for more than two months, and a deal is needed before the entertainment industry can fully return.For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

The Screen Actors Guild has voted to authorize a strike against video game companies. The Writers Guild leaders are expected to vote on a tentative deal reached with producers. Residents can ask L.A. Mayor Karen Bass questions at tonight's town hall. Plus, more. Support The L.A. Report by donating now at LAist.com/join and by visiting https://laist.com.Support the show: https://laist.com

The Writers Guild of America strike began on May 2, and as of yesterday, the union has reached a tentative deal with the Alliance of Motion Picture and Television Producers (AMPTP).  But, this doesn't necessarily mean your favorite shows are coming back. Today, we're re-airing our episode from last month about how the SAG-AFTRA and WGA strikes are hitting Nashville. It's easy to think of these strikes as a Hollywood problem, but Nashville's creatives are also feeling the impact. With no writers and no actors, scripted television and most of the film industry came to a complete halt. With the writers headed back to work, there are a lot of questions about what this will mean for television, film, and streaming going forward. Without actors, there is still no reason to expect that production will resume any time soon. When we think about TV and film, we often direct our attention to LA, NYC, and maybe Atlanta, Georgia. But what about Nashville? Music videos, corporate shoots, and even narrative work happens all over our city, and the strikes are happening in our own backyard. What do Nashville creatives want to see? This episode was produced by Elizabeth Burton and Laura Boach. Special thanks to Peter Kurland and Richard Van Syckle. Guests Carla Christina Contreras, president of Nashville SAG-AFTRA local and member of the SAG-AFTRA national negotiating committee Rod Blackhurst, local WGA member Darryl Wilson, president of IATSE Local 492 Mike Montgomery, former president of Nashville SAG-AFTRA local Bob Raines, executive director of the Tennessee Entertainment Commission Julie Lighty, production coordinator and supervisor

News Corp Australia claims it is the first major news publisher in Australia to launch an online shopping platform. Tinder has rolled out a new, high-end membership to help desperate singles find love. The Writers Guild of America has reached a tentative deal with the Hollywood studios after a 146 day strike. — Build the financial wellbeing of your team with Flux at Work: https://bit.ly/fluxatwork Download the free app (App Store): http://bit.ly/FluxAppStore Download the free app (Google Play): http://bit.ly/FluxappGooglePlay Daily newsletter: https://bit.ly/fluxnewsletter Flux on Instagram: http://bit.ly/fluxinsta Flux on TikTok: https://www.tiktok.com/@flux.finance —- The content in this podcast reflects the views and opinions of the hosts, and is intended for personal and not commercial use. We do not represent or endorse the accuracy or reliability of any opinion, statement or other information provided or distributed in these episodes.See omnystudio.com/listener for privacy information.

*) South Korea holds rare military parade amid North's nuclear threat South Korea kicked off its first large-scale military parade in a decade, showcasing weapons ranging from ballistic missiles to attack helicopters. The parade marks the country's Armed Forces Day, normally a muted event relative to the massive events the North has staged under leader Kim Jong-un. In a speech, President Yoon Suk Yeol warned the North against using nuclear weapons and pledged to ramp up support for the military and the defence industry. *) Ukraine says Russia's Black Sea Fleet commander killed Ukraine's special forces have killed Moscow's top admiral in Crimea along with 33 other officers in a missile attack last week. Admiral Viktor Sokolov allegedly died in the attack on the headquarters of Russia's Black Sea Fleet in the port of Sevastopol. Sokolov was the commander of the Black Sea Fleet and one of Russia's most senior navy officers, had been killed. The Russian Defence Ministry did not immediately respond when asked to confirm or deny the allegations. *) Ratifying Sweden's NATO accession bid not 'urgent': Hungary's Orban Hungarian Prime Minister Viktor Orban has told parliament that ratifying Sweden's NATO bid was not "urgent". Hungary has still not voted to approve the Nordic country's entry into the North Atlantic Treaty Organization. Orban accused the Nordic country of having challenged his country's "democratic nature". *) China sentences Muslim Uighur scholar to life in prison: rights group China has sentenced a well-respected Uighur Muslim academic to life in prison on charges of "endangering state security", a US-based rights group has said. In a statement, the Dui Hua Foundation said Rahile Dawut, 57, lost her appeal against her original conviction in December 2018. Rights advocates have accused China of launching a mass internment campaign targeting Uighurs, along with abuses such as forced sterilisation and cultural repression. And finally… *) Striking Hollywood writers reach 'tentative' deal with studios Striking writers have reached an "exceptional" deal with Hollywood studios that could see them return to work. The Writers Guild of America told members no one is to return to work until specifically authorised to but picketing has been suspended following the deal. Thousands of film and television writers began striking in early May over demands including better pay for writers and protection from artificial intelligence.

Is Hollywood finally open again for business? After five months on the picket line, the Writers Guild of America announced on Sunday that they've reached a tentative agreement with the AMPTP. If this deal is ratified, the strike would be over, and writers would get to go back to writing. So does this mean Hollywood will get its groove back? Not necessarily! The SAG strike is still in full swing, and writers are being encouraged to join actors on the picket lines as a show of solidarity. Richies, cross your fingers that they also reach an agreement soon.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today's Headlines: Senator Bob Menendez and his wife Nadine have been indicted on federal corruption charges, including allegations of accepting cash, gold bars, and other favors in exchange for political influence. Menendez temporarily stepped down as chairman of the Senate Foreign Relations Committee but has denied the charges and refused to resign from the Senate, despite calls from colleagues and New Jersey's governor. President Biden announced the creation of an office for gun violence prevention led by Vice President Kamala Harris, aiming to coordinate gun policy and legislative efforts. The Republican-led House Oversight Committee scheduled the first hearing for President Biden's impeachment inquiry. In Nebraska, a woman who provided abortion pills for her 17-year-old daughter in violation of state law has been sentenced to two years in prison, and her daughter received 90 days in jail and two years of probation. Additionally, the Writers Guild and the AMPTP reached a tentative agreement to end a 146-day writers' strike, with details pending ratification by the WGA. Resources/Articles mentioned in this episode: Document Cloud: Menendez Indictment AP News: Democratic Sen. Menendez rejects calls to resign and says cash found in home was not bribe proceeds  NY Times: Biden Creates Federal Office of Gun Violence Prevention  CNN: House Oversight panel set to hold first Biden impeachment inquiry hearing September 28 NY Times: Mother Who Gave Abortion Pills to Teen Daughter Gets 2 Years in Prison  Variety: Deal! WGA, AMPTP Reach Historic Contract Agreement to End 146-Day Writers Strike: ‘This Deal Is Exceptional' Morning Announcements is produced by Sami Sage alongside Amanda Duberman and Bridget Schwartz Edited by Grace Hernandez-Johnson Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean and Amanda briefly discuss the news that the Writers Guild of America has a tentative agreement with the AMPTP to end their strike (1:00), before bringing on The Ringer's Rob Harvilla to discuss A24's re-release of Jonathan Demme's Talking Heads concert film 'Stop Making Sense' (7:00). Then, the three rank their five favorite concert films (44:00). Hosts: Sean Fennessey and Amanda Dobbins Guest: Rob Harvilla Senior Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is Garrison Hardie with your CrossPolitic Daily News Brief forTuesday, September 26th, , 2023. Samaritan Ministries Tired of someone else telling you where to go when you have a medical need? Are you ready to take control of your health care? Then it’s time to take a look at Samaritan Ministries. It’s Biblical, affordable health care sharing, with no restrictive networks. Here’s how it works. When a medical need arises, you choose the health care provider that’s right for you, and have a say in the treatment you receive. Send your medical bills to Samaritan Ministries, and they’ll notify fellow members to pray for you and send money directly to you to help you pay those bills. Join 80,000 Christian households across the nation who have already taken control of their health care. Go to samaritan ministries dot org slash cross politic. https://thepostmillennial.com/biden-admin-moves-to-give-federal-ids-to-illegal-immigrants?utm_campaign=64487 Biden admin moves to give federal IDs to illegal immigrants The Biden administration is moving forward with its plan to provide identification cards to illegal immigrants via Immigration and Customs Enforcement. The agency announced the ICE Secure Docket Card program in 2022, however new details recently emerged revealing how the cards will look. In appearance, they looks like drivers licenses or non-driver IDs. ICE has stressed, however, that they "will not be an official form of federal identification," simply acting as a more modern alternative to the paper documents issued to those who make the crossing into the United States. Many Democrat-run cities have also offered ID cards to illegal immigrants, and some cities have even tried to push through the ability for illegal immigrants to vote. Images obtained by Fox News show that the cards will be clearly marked with ICE logos, and include all the relevant information about the holder. In the top right corner there will be a QR code, which officials can scan to gain access to a case file. The cards will also include bigraphic data, and be fitted with "cutting edge" security features. "The ICE secure docket card concept is a pilot program that would modernize documentation provided to some noncitizens," an ICE spokesperson told the outlet. "While the specifics of the program are under development, it is important to note the secure card will not be an official form of federal identification. The secure card will indicate it is for use by DHS agencies and would be provided only after national security background checks have been performed." ICE claimed that "moving to a secure card will save the agency millions, free up resources, and ensure information is quickly accessible to DHS officials while reducing the agency’s FOIA backlog." "Paper documents," the spokesperson added, "pose a security risk, are easily lost, and degrade rapidly in real-world use, creating inefficiencies for the government and noncitizens." Not everyone is thrilled at the prospect of issuing ID cards to those who entered the country illegally. When the plan was introduced last year, for example, members of the House Oversight Committee said it was "yet another Biden Administration move encouraging illegal immigration by rewarding illegal immigrants for breaking our laws." https://www.dailyfetched.com/far-left-group-takes-credit-for-demonetizing-russell-brand/ Far-Left Group Takes Credit for Demonetizing Russell Brand Not long after major advertisers, including Burger King and HelloFresh, pulled the plug on Rumble following the sexual assault against comedian Russell Brand, a far-left group took credit for the ad rug pull. As reported last week, the brands pulled their adverts from the platform, where Brand has amassed a following of 1.4m. News Movement reported that Burger King paused advertising with the platform, while Asos said it had manually removed its ads from Rumble. Meanwhile, video-sharing giant YouTube also demonetized Russell Brand’s videos on his channel following sexual assault allegations against the comedian. “We have suspended monetization on Russell Brand’s channel for violating our creator responsibility policy,” the platform announced Tuesday. Brand is accused of rape, sexual abuse, and emotional abuse from 2006 to 2013, according to The Times. However, the comedian has not been charged with any crimes or found guilty. Brand has now become a left’s enemy, and he is about to witness for himself the lengths they will go to in order to destroy someone’s life if they don’t toe the line. Over the weekend, far-left radicals Nandini Jammi and her business partner Claire Atkin took the credit for Rumble’s advertisers dropping Brand. Jammi is a co-founder of far-left company Sleeping Giants, makes her money by attacking any companies that advertise on conservative platforms, like what has happened with Russell Brand. The Guardian reported: A number of large companies have pulled their advertisements from the video platform Rumble, where Russell Brand broadcasts his weekly show, in the week since allegations of rape and sexual assault against the comedian came to light. The News Movement reported on Friday that Burger King, Asos, the Barbican, and HelloFresh, the recipe box delivery service, had removed their ads. The Brand has 1.4m followers on the platform. YouTube suspended Brand’s ability to earn money on its platform on Tuesday, but Rumble has rejected calls to do the same. On Friday, Brand said the moves to block him from receiving advertising revenue for his videos on social media platforms have occurred “in the context of the online safety bill.” On Thursday, Rumble accused a parliamentary committee of “deeply inappropriate” behavior after Caroline Dinenage, the Conservative chair of the culture, media, and sport committee, wrote a letter to the company’s chief executive, Chris Pavlovski, to express concern that Brand “may be able to profit from his content on the platform.” Last week, the UK parliament asked Rumble why they have not demonetized the comedian’s channel. https://twitter.com/i/status/1704092016764670139 - Play Video British Member of Parliament, Dame Caroline Dinenage, wrote to Rumble CEO Chris Pavlovski asking whether he would suspend monetization of Brand’s account, noting that Brand had posted his pre-emptive message regarding the allegations. https://www.breitbart.com/news/hollywood-writers-studios-reach-tentative-deal-to-end-strike/ Hollywood writers, studios reach tentative deal to end strike Striking writers whose industrial action has paralyzed Hollywood said Sunday they had reached an “exceptional” deal with studios that could see them go back to work. The apparent breakthrough will raise hopes that striking actors can also reach terms with studios to end a months-long impasse that has seen film and TV production largely halted, costing the California economy billions of dollars. “We have reached a tentative agreement on a new 2023 (minimum basic agreement), which is to say an agreement in principle on all deal points, subject to drafting final contract language,” said a letter the Writers Guild of America sent to members. “We can say, with great pride, that this deal is exceptional — with meaningful gains and protections for writers in every sector of the membership.” The letter, which AFP has seen, gave no details. It said language was being ironed out and that the final say on whether to accept what was on offer rested with the membership. “To be clear, no one is to return to work until specifically authorized to by the Guild. We are still on strike until then. But we are, as of today, suspending WGA picketing,” it said. A terse joint statement from the WGA and the AMPTPT, the umbrella group representing studios and streamers confirmed an agreement. Thousands of film and television scribes downed their pens in early May over demands including better pay for writers, greater rewards for creating hit shows, and protection from artificial intelligence. They have manned picket lines for months outside offices including Netflix and Disney, and were joined by striking actors in mid-July, leaving normally busy Hollywood lots all but vacant, in an ebullient and united show of force. Actors’ union SAG-AFTRA congratulated the WGA, praising the “incredible strength, resiliency and solidarity on the picket lines.” “While we look forward to reviewing the WGA and AMPTP’s tentative agreement, we remain committed to achieving the necessary terms for our members,” it said. Negotiations between studios and writers had been moribund for weeks until a new sense of urgency appeared to have been injected into the process in the last few days, with the heads of Netflix, Disney, Universal and Warner Bros Discovery personally attending the talks. Among their demands, writers say their salaries have not kept up with inflation, and that the rise of streaming has diminished the “residuals” they earn when a show they work on becomes a smash hit. Studios had offered greater transparency in streaming audience numbers, while stopping short of offering to revise the way residual payments are calculated. Writers have also demanded curbs on the use of AI, which they fear could be used to partially replace them in generating future films or show scripts, and therefore further undercut their pay. $5 billion The Financial Times reported Milken Institute research at the start of September that put the cost of the current Hollywood standstill at $5 billion. At 146 days, the WGA strike is significantly longer than the writers’ 2007-08 walkout — which lasted 100 days and cost the California economy $2.1 billion. Even if the writers deal is finalized, the actors’ strike would continue. There have been no known contract talks between the studios and the actors’ 160,000-strong SAG-AFTRA guild since that strike began. But the two unions share many similar demands, and insiders say that a WGA deal could help to pave the way for a resolution to the actors’ strike. “We remain on strike in our TV/Theatrical contract and continue to urge the studio and streamer CEOs and the AMPTP to return to the table and make the fair deal that our members deserve and demand,” SAG-AFTRA said.

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