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STANDARS SEMANAL-.las cosas ya no son lo que eran.-VINILOS MITICOS DEL JAZZ-J913 - Charles Mingus-1959 Mingus Ah Um.-AZZACTUALIDAD-.JUAN DE DIEGO-GREBALARIAK-AZKEN UDA Mingus Ah Um es un álbum de estudio del músico de jazz estadounidense Charles Mingus que fue lanzado en octubre de 1959 por Columbia Records . [ 1 ] [ 2 ] Fue su primer álbum grabado para Columbia. La portada presenta una pintura de S. Neil Fujita . [ 5 ] El título es una corrupción de una declinación latina imaginaria . Es común que los estudiantes de latín memoricen adjetivos latinos diciendo primero el nominativo masculino (generalmente terminado en " -us "), luego el nominativo femenino (" -a "), y finalmente elnominativo singular neutro (" -um ") [ 6 ] —lo que implica una transformación de su nombre, Mingus, Minga, Mingum . El álbum fue incluido en el Salón de la Fama de los Grammy en 2013. [ 7 ] Ocupó el puesto 380 en los 500 mejores álbumes de todos los tiempos de la Rolling Stone . La Penguin Guide to Jazz on CD llama a este álbum "un homenaje extendido a los antepasados" (y le otorga una de sus raras coronas), [ 8 ] y los antepasados musicales de Mingus aparecen en gran medida en todo el álbum. "Better Git It In Your Soul" está inspirada en el canto gospel y la predicación del tipo que Mingus habría escuchado cuando era niño en Watts, Los Ángeles, California , mientras que " Goodbye Pork Pie Hat " es una referencia (a través de su sombrero favorito) al saxofonista Lester Young (que había muerto poco antes de que se grabara el álbum). El origen y la naturaleza de "Boogie Stop Shuffle" se explican por sí solos: un blues de doce compases con cuatro temas y un acompañamiento de bajo boogie que pasa del tiempo detenido al shuffle y viceversa. "Self-Portrait in Three Colors" fue escrita originalmente para la primera película de John Cassavetes como director, Shadows , pero nunca se usó (por razones presupuestarias). "Open Letter to Duke" es un homenaje a Duke Ellington y se basa en tres de las piezas anteriores de Mingus ("Nouroog", "Duke's Choice" y "Slippers"). "Jelly Roll" es una referencia al pionero del jazz y pianista Jelly Roll Morton y presenta una cita de "Sonnymoon for Two" de Sonny Rollins durante el solo de piano de Horace Parlan . "Bird Calls", en las propias palabras de Mingus, no era una referencia al saxofonista de bebop Charlie "Bird" Parker : "No se suponía que sonara como Charlie Parker. Se suponía que sonara como pájaros, la primera parte". " Fables of Faubus " debe su nombre a Orval E. Faubus (1910-1994), el gobernador de Arkansas, famoso por su postura de 1957 contra la integración de las escuelas de Little Rock, Arkansas , desafiando los fallos de la Corte Suprema de los Estados Unidos (obligando al presidente Eisenhower a enviar a la Guardia Nacional ). Columbia Records se negó a permitir que se incluyera la letra de la canción, [ 9 ] por lo que la canción se grabó como instrumental en el álbum. [ 10 ] [ 11 ] No fue hasta el 20 de octubre de 1960 que la canción se grabó con letra, para el álbum Charles Mingus Presents Charles Mingus , que se lanzó en el sello más independiente Candid . [ 10 ] Debido a problemas contractuales con Columbia, la canción no pudo publicarse como "Fables of Faubus", por lo que la versión de Candid se tituló "Original Faubus Fables". Azken Uda JUAN DE DIEGO-GREBALARIAK CD JAZZ / LATIN-JAZZ ERRABAL JAZZ (GH ER169 02) 8436010309314 Tras la edición de su primer trabajo homónimo en 2021, el trompetista/músico vasco-catalán retoma la senda de su antecesor con este sorprendente "Azken Uda" (El último verano). Un trabajo grabado en los estudios Sol de Sants de Barcelona por Alberto Pérez los días 11 y 12 de octubre, que cuenta además del propio Juan De Diego a la trompeta y flugel, con la colaboración de Toni Saigi al piano, Pere Loewe al contrabajo y Ramon Prats a la batería. Un disco que pone de manifiesto la indiscutible belleza de las composiciones escritas por Juan de Diego a la hora de transitar por la senda del jazz contemporáneo, música efervescente y colorida, con una cierta intencionalidad Be-Bop que desvela un carácter orgánico, flexible y vital a lo largo de sus surcos.
SONNY ROLLINS A NIGHT AT THE VILLAGE VANGUARD New York, (afternoon), November 3, 1957A night in Tunisia, I've Got you Under My SkinSonny Rollins (ts) Donald Bailey (b) Pete La Roca (d) New York, (evening), November 3, 1957Old devil moon, Softly, as in a morning sunrise, Striver's row, Sonnymoon for two, All the things you areSonny Rollins (ts) Wilbur Ware (b) Elvin Jones (d) Continue reading Puro Jazz 14 de junio, 2024 at PuroJazz.
SONNY ROLLINS A NIGHT AT THE VILLAGE VANGUARD New York, (afternoon), November 3, 1957A night in Tunisia, I've Got you Under My SkinSonny Rollins (ts) Donald Bailey (b) Pete La Roca (d) New York, (evening), November 3, 1957Old devil moon, Softly, as in a morning sunrise, Striver's row, Sonnymoon for two, All the things you areSonny Rollins (ts) Wilbur Ware (b) Elvin Jones (d) Continue reading Puro Jazz 14 de junio, 2024 (A) at PuroJazz.
Often when an artist who isn't a conventional DJ curates a mix, the result is a refreshing selection that doesn’t attempt to make the listener move or engage, but simply sit back and listen. Especially so, in the case of Goa-based singer-songwriter Aditi Veena aka Ditty, who exhibits intimacy and ingenuousness as fundamental features in her music. Consequently, her mix for Wild City comes as an invitation to dig into her personal influences and pleasures. The mix kicks off with ‘Picture a Vacuum’, the opening track to Kate Tempest’s Mercury Prize-nominated ‘Let Them Eat Chaos’. The spoken word piece harkens to Ditty’s own album opener ‘Food City’ from her recently released ‘Poetry Ceylon’. Paying little attention to the process of mixing itself, Ditty instead focuses on building a dynamic listening experience through her selections – catching us off-guard as she follows up her 2017 mellow lo-fi work on ‘Maybe’ (ft. Jayant Manchanda aka Deadcat) with the hard rap of Saul William’s ‘Horn Of The Click-Bike’. Further in the mix, Ditty provides a cinematic narrative of emotions with the hopeful melancholia of Sonnymoon’s ‘Just Before Dawn’ preceding the victorious indie electronica of Broadcast’s ‘Tender Buttons’. Just like with mix-opener ‘Picture a Vacuum’, Sun Kil Moon’s ‘I Watched The Film Song Remains The Same’, with its plucked-guitar-backed storytelling, gives an insight into the inspiration behind the creation of ‘Poetry Ceylon’. Ditty concludes her mix by extending courtesy to Dhruv Bhola aka Bowls (who provided the arrangements on her latest album) by featuring his track ‘W.I.G.F.Y’ off his debut EP ‘Shed Winter’. Further information and tracklist: http://www.thewildcity.com/mixes/13445-wild-city-mix-174-ditty
Sat 2/24/18 Carmody Show 198 @thisiscarmody A few years back we discovered the talented Carmody with her beautiful soulful sound. Since then we've been following her musical journey which finally lead her here for her SCR debut! Hands down, this was one of the illest performances we've had on the show! Check out the amazing performance + interview below. S/O to our Chicago brother, Radius for coming through and dropping a dope beat set for us as well! Get in the circle, feel the soul! Featuring new music from : Quiet Dawn, Rhye, Big Wave Couch Surfer, Black Milk, Sonnymoon, Braxton Cook + more 1st Segment - DJ Mza @dj-mza 01 Hiatus Kaiyote - Mobius Streak 02 Big Wave Couch Surfer - Wannbe 03 Quiet Dawn - The Reed 04 Rhye - Waste 05 Godblesscomputers - Father's Light (Feat. Inude) 06 Honne - Warm On A Cold Night 07 Eli Way - If It Makes You Happy (Feat. Cehryl) 08 Big Wave Couch Surfer - Seen It All b4 09 Darkhouse Family - Modaji Suite 10 Soul Village - Everybody Loves The Sunshine 11 Black Milk - True Lies 12 IAMDDB - Doobies 13 People On The Hill - The Rest Will Follow 14 Skinny Pelembe - I'll Be On Your Mind 15 Sonnymoon - Ideas 16 Braxton Cook - Pariah (Kiefer Remix) 17 Sly5thAve - The Edge feat Quantic (Swarvy Remix) 2nd Segment - Radius Live Beat Set + Interview @radiusone 3rd Segment - Carmody Live Performance + Interview @thisiscarmody Soul Circle Radio Live Worldwide Hosted by: DJ Mza & Crew www.soulcircleradio.com Every Sat 12-2p PST This show is FOR PROMOTIONAL USE ONLY. We do not own or claim to own the rights to these tracks. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
The forecast for this cast is . . . well, we're doing a show about four alto sax players named Sonny. Make your own meteorological joke. Sonny Stitt – REARIN’ BACK/ TRIBUTE TO ELLINGTON; Sonny Fortune – SERENGETI MINSTREL; Sonny Criss – SONNY’S DREAM; Sonny Simmons – BURNING SPIRITS.
Brooklyn-based singer Anna Wise earned a Grammy in February 2016 for best rap/sung collaboration for the ethereal vocals she lent to rapper Kendrick Lamar’s “These Walls.” Lamar scooped Wise up as a collaborator on several of his albums after listening to "Nursery Boys" from Wise's duo Sonnymoon on YouTube. In the most professional use of Facebook stalking skills I’ve ever witnessed, Billboard reports Lamar asked around until he discovered her phone number. Wise and her bandmate Dane Orr were on the road when he reached out, but they immediately detoured to California to spend some time in the studio with Lamar. Wise blazed her path as a solo artist with the April 2016 release of her seven-song EP “The Feminine: Act I,” followed up by the 11-track “The Feminine: Act II” out Feb. 17. Both records delve into the everyday challenges of being female (of which I won't pretend to be an expert as a male). "B--chslut" from Act I presents the infuriatingly contradictory reasons women are called either epithet, ranging from "cause you said no/ cause you slept around" to "cause you played games/ cause you lost your head." Act II opens with "Coconuts," an otherworldly, synth-heavy track calling for female unity and trashing the arbitrary rules of womanhood. "The governors of status quo know that they're old/ That ship is sinking/ Go for it. You know when we're together/ Baby, there's nothing that we can't do/ So ignore the disapproval," Wise croons. Her Queen City visit comes courtesy of local sitar- and synth-infused folk duo Dawg Yawp, whose friendship with her stems from their days at Berklee College of Music in Boston. Sitarist and vocalist Tyler Randall toured with Sonnymoon and says he’s excited for Cincinnati to see Wise perform since she is “the best singer I’ve worked with.” Set List: - Coconuts - Self on Fire - interview - - Precious Possession - BitchSlut Find out more about Anna Wise at http://www.annathewise.com
On this weeks episode we are joined by Sonnymoon to talk about their newly released album The Courage of Present Times as well as the groups origin. We also find our host Donwill fresh off the road and dismayed with social media. You can pick up Courage Of Present Times at Sonnymoonmusic.com and while you are shopping for music HiPNOTT has a summer sale on all items in the bandcamp store. Just use HiPNOTTSUMMER2015 at checkout to save 25% on your purchases.
Show #123 showcases some audio highlights from the first few months of 2012, including selections from Robert Glasper, Quantic and Alice Russell, Mo Kolours, Shortcircles, Matthew Dear, Bobby Womack, and many more. this episode is 100% WORKSAFE.
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