Podcasts about Bebop

用全世界的温柔，说一句谢谢你。最近循环到一首超级温暖的宝藏儿歌“Thank you around of the world” 集齐了全世界各国的语言，合唱一句温柔的「谢谢你」。最戳我的细节：中文没有刻意翻译，而是纯粹的拼音 xie xie ni。简单、干净，又格外亲切，一瞬间被狠狠治愈节一直很偏爱这种有格局、有温度的作品。就像情人节全网语言说“我爱你”，母亲节万物同声唤“妈妈”，还有封神的2002年小泽征尔新年音乐会：乐团全员用母语道新年祝福，最后小泽征尔温柔说出一句中文「新年好」跨越国界的善意，永远最动人。愿我们永远心怀感恩，热爱世间所有美好。坂本龙一最爱的巴西家庭，女儿终于来了坂本龙一封神专辑《Casa》，来自他视作家人的巴西音乐世家 Morelenbaum 夫妇。当年在巴萨诺瓦之父 Jobim 家中录制，坂本说：这不是录音，是回家。如今，这对夫妻的女儿 Dora Morelenbaum 带着自己的音乐正式出道。她在传奇身边长大，继承了温柔又高级的嗓音，是《Casa》真正的下一代声音。被低估的客家民谣诗人|陈永淘《打孔窍》小众宝藏民谣分享，台湾客家音乐人陈永淘，圈内都唤他民谣诗人不追逐舞台热度，扎根乡土创作歌声裹着山野烟火气，腔调淳朴又动人，偏爱这首《打孔窍》慢悠悠的曲调舒缓治愈，朴实歌词里藏着通透的生活哲思，客家方言吟唱自带独特韵味，抛开浮躁静心聆听，总能从旋律里读懂平凡人生的处世心境，小众民谣真的越品越有味道。老男孩一响 我的青春彻底回来了谁的青春里没有一首《老男孩》啊作为和肖央相识多年的老朋友，一路看着他成长，也见证了筷子兄弟的一路高光，2010年横空出世的《老男孩》道尽了年少追梦的遗憾与不甘，瞬间戳中无数8090后的内心后来的《父亲》温柔又催泪再到火遍全网的《小苹果》首首都是刻在时光里的经典金曲这么多年过去。旋律依旧熟悉，情怀从未褪色这些歌声早已不是简单的音乐而是我们回不去的滚烫年少，藏着数不清的青春故事与难忘回忆终于等到线下相聚时刻，赴一场青春之约，重温年少心动。爵士控狂喜！人声与鼓的极致极简对决谁懂啊！挖到一首极致干净的爵士神级曲目心1978年Sarah Vaughan与Oscar Peterson四重奏专辑收尾曲“When Your Lover Has Gone” 制作人特意要求：去掉贝斯、去掉和弦只留爵士天籁女声+鼓点，没有任何多余编曲，空灵又有空气感，极简到极致，却又帅到骨子里。《企鹅爵士指南》三星认证，评价它用最简单的配置唱出了最纯粹的爵士情感，每一句都戳心小众又高级，戴上耳机听氛围感直接拉满喜欢爵士的宝子一定要码住，慢下来静静听感受这份不被打扰的爵士浪漫。爵士界“火云邪神”：迪兹•吉莱斯皮用意外改写爵士史的小号巨人如果你爱爵士，一定认得这张脸—鼓胀如球的腮帮子、向上歪45°的小号，这就是Dizzy Gillespie（1917.10.21-1993.1.6），原名约翰•博克斯•吉菜斯皮，比波普（Bebop）与拉丁爵士的双料奠基人，20世纪最伟大的小号演奏家之一。标志性“吉莱斯皮囊”：不是天生，是肌肉传奇他吹奏时双颊会鼓成皮球，圈内专属叫法“吉莱斯皮囊”。这并非天生特质，而是数十年高强度小号训练练就的肌肉形态。为了吹出更快、更高、更具爆发力的音符，他的腮部肌肉异于常人，也成为独一份的个人符号。歪脖小号：1953年一场意外，成就永恒经典他那支向上弯曲45°的歪脖小号，源自一场意外。1953年妻子生日派对的演出现场，他将小号放置一旁，两名舞者打闹摔倒不慎压到乐器，喇叭口就此变形。他试吹后发现，变形后的乐器音色更清亮、穿透力更强，声场表现也更出色，便决定不再修复。之后还专门定制同款造型，歪脖小号就此成为他的专属标志，也间接影响了爵士小号的声学设计与风格。他如何定义现代爵士？作为比波普宗师，他和查理•帕克一同开创Bebop风格，以复杂即兴、快速音阶打破传统摇摆乐的框架，筑牢现代爵士的根基。同时他也是拉丁爵士先驱，将古巴节奏与爵士音乐巧妙融合，代表作《突尼斯之夜》享誉世界。他身兼演奏家、作曲家、乐队领袖多重身份，舞台风格风趣鲜活，是爵士乐坛极具影响力的人物。为什么他值得被记住？他不仅拥有顶尖的演奏技艺，更是一位把偶然意外化作艺术特色、将个人风格铸成时代符号的革新者。独特的外形与乐器背后，是对爵士乐纯粹的热爱与不断探索的精神。

Hogyan fér össze a jazz a gyerekprogramokkal?Létezik gyerekeknek szóló jazz vagy ez a műfaj szigorúan a felnőttek terepe? Közel lehet vinni az improvizációra, a szabadságra és a pillanat varázsára épülő zenét a legkisebbekhez? Mitől lesz egy koncert egyszerre játék, közös élmény és valódi művészeti találkozás? Bolba Éva, Mihályi Réka és Vörös Niki évek óta azon dolgoznak, hogy a gyerekek számára is élő, kreatív és értékes zenei élményt teremtsenek – most ők mesélnek az ezzel kapcsolatos tapasztalataikról.  A műsor háziasszonya: Náray Erika.

Johnny Mac shares five good news stories: a single bottle of 1945 Domaine de la Romanée-Conti sold for $812,000, a record driven by its last pre-replant vintage from century-old Burgundy vines, and John calls it the greatest wine he has tasted. A 19-year-old mustang named Gringo set a Guinness World Record by performing 38 tricks in 2:47 using clicker training and positive reinforcement. In North Sumatra, an orangutan finally used a canopy rope bridge installed to safely cross a road splitting a habitat of about 350 wild orangutans, easing risks like car strikes and genetic isolation. In Paris, a man won Picasso's 1941 “Head of a Woman” via a 100-euro charity raffle that sold 120,000 tickets and raised 12 million euros for Alzheimer's research. A Southwest Oakland flight was delayed after a passenger's four-foot, 70-pound robot, Bebop, had its oversized lithium battery removed.5 Good News Stories is a daily podcast with five positive, uplifting news stories to brighten your day. New episodes every day. Follow on Apple Podcasts, Spotify, or wherever you listen. Part of the Caloroga Shark Media networkJohn also hosts Daily Comedy NewsUnlock an ad-free podcast experience with Caloroga Shark Media!  For Apple users, hit the banner which says Uninterrupted Listening on your Apple podcasts app. Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories' with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!Get more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com

Whilst enjoying the multitude of styles that compose the repertoire of jazz today, many fans have long decried the disappearance of Bebop in favour of crossover music and other listener-to-listener styles. There is some evidence though that things may be changing, and one piece of that evidence is the emergence of some bands playing music closer to bop or hard bop style. One such is the British quintet Five Way Split, and Hot Box 152 samples tracks from their new album, Modus Operandi, alongside such classic hard boppers as Horace Silver and Art Blakey. Track list for The Hot Box #152 – Back to Bebop! Dr Stol / Five Way Split Modus Operandi / Five Way Split Along Came Betty / Art Blakey & The Jazz Messengers These Foolish Things / Charlie Parker Something to Remember You By / Charlie Parker Juicy Lucy / Horace Silver Sister Sadie / Horace Silver Two Little Alphas / Five Way Split Sack of Woe / Cannonball Adderley Tune In: Listen Back: Catch past episodes on The Hot Box Jazz and Jazz Ireland. Subscribe to The Hot Box: Via Android: Subscribe on Android By Email: Subscribe by Email Spread the Word: Help us grow our jazz community by sharing The Hot Box with your friends and on social media. Your support keeps us going!

„A Müpában játszani mindig óriási dolog”- mondja Baranyi Bence, aki már két kezén sem tudja megszámolni, hányszor lépett fel nálunk Hangulatkoncerteken és a Jazz Showcase-en különböző formációk tagjaként. Most azonban nem emiatt faggattuk a műfajhoz való kapcsolódásáról, hanem az ideitehetségkutatónkon elnyert, a legjobb szólistának járó Pallai Péter-díj ürügyén ültettük a mikrofonhoz. Ő ugyanis azok közé a muzsikusok közé tartozik, akiknek a tehetsége kitartó szorgalommal is párosul, így az évek kemény munkája meg ishozta a gyümölcsét. De hogyan indult, miért kezdett el dobolni, és kik jelentették számára a legerőteljesebb inspirációt? Náray Erika megkérdezte!    A műsor háziasszonya: Náray Erika.

Ein Ton genügt – und man erkennt ihn sofort: Miles Davis. Der Trompeter revolutionierte den Jazz immer wieder, von Bebop bis Fusion. Vor 100 Jahren wurde er geboren. Ein Porträt über Klang, Eigensinn und die Kunst, sich stets neu zu erfinden. Dibbern, Simonetta www.deutschlandfunk.de, Kalenderblatt

Miles Davis's Kind of Blue is one of the greatest albums of all time - possibly THE greatest. But it's not perfect. In this special episode of You'll Hear It, jazz pianists Peter Martin and Adam Maness break down this classic record, track-by-track, to uncover why it has become so legendary. They dig into what's really going on in the music during this album's best moments: Miles's trumpet solo on "So What", Wynton Kelly's piano solo on "Freddie Freeloader", John Coltrane's entrance on "Blue in Green".Plus - we learn more about what Miles was doing in his early years, his break from bebop, what he thought of Bill Evans's approach, and the production and engineering techniques that give Kind of Blue its unique sound.Miles Davis was born just outside of St. Louis 100 years ago this week. To celebrate his centennial birthday, Adam and Peter filmed this episode in front of a live audience at The Sheldon Concert Hall in St. Louis, MO.Chapters Legend: 

Er hat den Jazz mehrmals neu erfunden im Laufe seines Lebens: Der Trompeter und Bandleader kam vom Bebop zum Hardbop, erfand den Cool Jazz mit, fusionierte den Jazz mit anderen Musikrichtungen wie Rock und Pop. Er würde Musik atmen, hat er mal gesagt. Doch Miles Davis wirkte nicht nur über seine Musik, sondern auch über seinen Look, sein Auftreten, wie er sich auf der Bühne und in den Medien inszenierte. Gleichzeitig konnte er auch gnadenlos und brutal sein, andere demütigen. Er hat sich geprügelt, auch seine Frauen und daraus kein Geheimnis gemacht. Wie also umgehen mit Miles Davis und seinem Erbe? Welche wichtigen Akzente hat er hinterlassen in der Musikgeschichte und wie wirken sie bis heute? Eva Röder diskutiert mit Lukas Akintaya – Schlagzeuger, Komponist, Producer; Stefan Hentz – Journalist und Autor; Julia Neupert – SWR-Jazzredaktion

This week is all about one of my favorite bebop exercises that requires you to be creative and resourceful. Enjoy! WANT THE RESOURCES THAT GO ALONG WITH THIS EPISODE?? Head over to Jazz Skool and when you donate monthly you get the resources for this episode and many others We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support! WANT A VIDEO VERSION OF THIS PODCAST?? Head over to my YouTube Channel to view this episode!

A jazz műfaj és a nagyzenekari gondolkodás metszéspontjában egy hallatlanul izgalmas és a közkedvelt forma áll: ez a big band. Kellően hangos és nagy ahhoz, hogy lehengerlő legyen, ugyanakkor egy szimfonikus zenekari apparátushoz mérten kisebb és kötetlenebb formáció. A bigband a swingkorszakban élte a fénykorát, de a 21. században is rendkívül népszerű képviselői töltenek meg koncerttermeket. Ez alkalommal Barcza-Horváth József bőgőművész, a Modern Art Orchestra tagja, Farkas Gábor Gábriel énekes és Berdisz Tamás dobos, a Budapest Jazz Orchestra egyik alapító tagja osztotta meg gondolatait és a közös zenéléshez fűződő élményeit a Bebopban.A beszélgetés háziasszonya: Náray Erika

  In this episode, Ray Cochrane leads with Mozilla shipping Firefox 150 with 271 patched bugs found by Anthropic’s Mythos system, the first major real-world deployment of the AlphaGo-Moment cybersecurity tooling. He also covers a 9-year dormant Linux kernel root, a college student stopping Taiwan’s high-speed rail with a software-defined radio, GitHub MCP secret scanning going GA, the NVIDIA NeMo lawsuit surviving its motion to dismiss, the Hugging Face Reachy Mini app store, Anthropic’s Auto Mode for Claude Code, and the 4-gigabyte AI model Chrome silently installed on your computer. – Want to start a podcast? Its easy to get started! Sign-up at Blubrry – Thinking of buying a Starlink? Use my link to support the show. Subscribe to the Newsletter. Email Ray if you want to get in touch! Like and Follow Geek News Central’s Facebook Page. Support my Show Sponsor: Best Godaddy Promo Codes Get 1Password Full Summary Cochrane opens the show with the AlphaGo Moment moving from theory into production. Mozilla shipped Firefox 150 this week with 271 patched bugs that Anthropic’s Mythos system found. Furthermore, the broader episode threads a clear pattern: AI tooling is reshaping security, developer workflows, and consumer software faster than the surrounding ecosystem can absorb it. The show closes on the four-gigabyte AI model Chrome installed on a billion machines without explicit consent. Mozilla Ships 271 Mythos Bugs in Firefox 150 Mozilla ran Anthropic’s restricted Mythos system against the Firefox 150 codebase before shipping. The result: 271 found bugs (180 high severity, 80 moderate, 11 low) baked into the release. However, the bigger number is the year-over-year jump. April 2026 shipped 423 total Firefox security fixes versus 31 a year prior. The breakdown for April: 271 from Mythos, 41 from external researchers, and 111 from other internal sources. Cochrane is sticking to his guns on calling this the AlphaGo Moment for cybersecurity. Skeptics argue Mythos is industrial-scale fuzzing because most found bugs sit in memory-safety territory. However, his counter is the velocity itself. Furthermore, he frames the resistance as carriage-versus-cars: humans-first research still grounds the tool, but throughput is the win. The Firefox CTO put it directly: defenders finally have a chance to win, decisively. For developers asking whether Mythos changes anything if they already run fuzzers, Cochrane’s answer is yes, and not even close. Additionally, he notes Mythos is restricted-access. The broadly available tier is Claude Opus 4.7, which Mozilla used since February before getting onto the restricted program for the Firefox 150 cycle. Run Opus 4.7 first. Sponsor: GoDaddy GoDaddy has been sponsoring this show for over twenty years. Economy hosting starts at $6.99/month, WordPress hosting at $12.99/month, and domains at $11.99. Use codes at geeknewscentral.com/godaddy for exclusive deals and to directly support the show. Copy Fail: 9-Year Linux Kernel Bug, 732 Bytes to Root A 9-year-old dormant Linux kernel bug got disclosed April 29 as CVE-2026-31431. Researchers published a 732-byte Python script that roots every major Linux distribution shipped since 2017. Additionally, CISA added the CVE to its Known Exploited Vulnerabilities catalog on May 1 with a May 15 federal deadline. The bug lives in the kernel’s crypto socket layer through the AF_ALG AEAD interface, originating in a 2017 in-place crypto optimization that lacked bounds checking. Cloudflare published their post-mortem this week. Their first instinct was to remove the kernel module entirely. However, service dependencies forced a workaround instead. Cloudflare resumed normal patched-kernel reboot automation across their 330-city fleet on May 4, with manual reboots and rollouts continuing after. Taiwan Rail Stopped by a 23-Year-Old With a Software-Defined Radio A 23-year-old Taiwanese university student with the surname Lin spoofed a TETRA general alarm signal on April 5, stopping trains on Taiwan’s high-speed rail. The accomplice supplied the radio parameters. Both were arrested by month-end. Lin posted NT$100,000 bail; the accomplice posted NT$80,000. The incident hit at 11:23 PM during the Qingming holiday weekend, stopping three revenue passenger trains plus one deadhead. Furthermore, the system has been in service for 19 years without rotating its cryptographic parameters once. Cochrane notes this is exactly the type of long-dormant infrastructure flaw that Mythos-class tooling catches, if anyone bothers to point it at the wires we already have. GitHub MCP Secret Scanning Goes GA GitHub’s secret scanning in the MCP server hit GA on May 5, with dependency scanning entering public preview the same day. Both released after a seven-week public preview run starting March 17. Additionally, the feature lets MCP-compatible coding agents (Copilot CLI, VS Code, JetBrains, Claude Code, Cursor, Windsurf) detect exposed secrets before commits or pull requests. Findings are ephemeral. They surface only in the current chat session and don’t persist as GitHub alerts. Sources disagree on scope: GitHub’s GA changelog says repo-level or org-level settings work, while the docs say only org-level applies. Cochrane flags the open question of whether MCP prompt injections could be exploited to send discovered secrets elsewhere. Subquadratic Debuts a 12-Million-Token Context Window Miami-based Subquadratic emerged from stealth on May 5 with a $29 million seed round and a reported $500 million valuation. Their model, SubQ 1M-Preview, runs on a new Subquadratic Sparse Attention architecture (their technical writeup calls it Selective Attention; same acronym, different second word). The headline claim: a thousand-times reduction in attention compute at 12 million tokens versus frontier models. However, that figure is vendor marketing math. There is no peer-reviewed paper, no public weights, and no independent benchmark replication. Researchers are demanding independent proof. Furthermore, CTO Alex Whedon’s pull line, “Retrieval / RAG plumbing is a waste of human intelligence,” signals how aggressively they want to position against retrieval-augmented architectures. ChatGPT Goblins, China’s “Catch You Steadily”: Sycophancy Is Universal Last week’s ChatGPT goblin obsession has a Chinese-language twin. The model overuses a phrase translating as “I will steadily catch you.” Additionally, a new Stanford and CMU study called ELEPHANT shows social sycophancy is universal across all 11 LLMs tested with 2,400-plus participants. Models endorsed users 49 percent more than humans did, and 47 percent even on harmful prompts. Alibaba’s Qwen and DeepSeek topped the rankings. Cochrane notes sycophancy is obvious once you’re aware of it but tricky to dissuade. Even with explicit instructions, longer context windows can reintroduce the behavior as the instructions get diluted. Furthermore, the trap is believing you’ve handled it. Once you think you’ve got it under control, you’re more prone to being influenced because you stopped watching for it. NVIDIA NeMo Lawsuit: Judge Tigar Denies Motion to Dismiss Three authors filed Nazemian v. NVIDIA in March 2024, alleging NVIDIA used The Pile and Books3 (approximately 196,640 pirated books) to train its NeMo AI framework. NVIDIA’s defense relied on the Sony v. Universal Betamax doctrine, arguing NeMo’s training scripts are general-purpose tools like a VCR. This week, Judge Tigar denied NVIDIA’s motion to dismiss in the Northern District of California. The headline quote: NeMo’s training scripts “have no other purpose than to speed up the process of infringement.” Furthermore, the judge rejected the VCR analogy outright. NeMo’s scripts are not general-purpose tools; they were allegedly purpose-built to ingest pirated material. Cochrane reads the Betamax framing as legal-jargon arbitrage rather than honest defense. The Humanoid Robot Market Is Smaller Than the Hype Michael Barnard at CleanTechnica argues that scenario-math against the global labor market puts realistic humanoid TAM at $200 billion to $1 trillion, not $20 trillion. Near-term wins cluster in warehouses, not homes. Additionally, the framework weighs dexterity burden against human-proximity safety burden. Real opportunities cluster where both burdens are low. Cochrane connects this to last week’s reservations about humanoids in the household. Furthermore, the risk profile is the issue: these robots aren’t prepared for every scenario, can’t make dynamic decisions, and one software update can change the definition of “safe.” Hugging Face Launches Reachy Mini App Store Hugging Face launched an open-source app store for the Reachy Mini robot this week, $299 for the Lite tethered version and $449 wireless. There are 200-plus community-built apps at launch from over 150 creators, with nearly 10,000 Reachy Minis cumulative shipped. Additionally, apps are forkable, with the default agent (ML Intern) able to modify, write, test, and ship code on any existing app. Examples at launch include an office receptionist built in under two hours, a Reachy Phone Home anti-procrastination app, baby-monitor-style apps, a cooking assistant, and a 78-year-old Joel Cohen’s voice-controlled CEO peer-group app. Pollen Robotics, the company behind Reachy, was acquired by Hugging Face on April 14, 2025. Bebop the Humanoid Robot Delays Southwest Flight 1568 A 4-foot, 70-pound humanoid robot named Bebop delayed Southwest flight 1568 from Oakland to San Diego by more than 73 minutes on April 30. The crew flagged the lithium battery as oversized. Furthermore, the battery was reportedly four times the cabin limit. Bebop belongs to Dallas-based Elite Event Robotics, which bought a full-price cabin ticket because the robot exceeded checked-baggage weight. Bebop danced for passengers at the gate before boarding. However, Southwest had Elite remove the batteries before departure, and replacements were overnighted to Chicago for the next event. Cochrane flags the obvious: batteries have always been flagged in aviation, so forgetting that with a humanoid robot in tow is a strange miss. Ouster Rev8: Native Color Lidar With Google, Volvo, Skydio Stating Intent Ouster announced the Rev8 OS Family on May 4 in San Francisco. The sensors fuse depth and color via SPAD detectors (single photon avalanche diodes) on Ouster’s custom L4 and L4 Max chips. Google, Volvo Autonomous Solutions, Skydio, Liebherr, Epiroc, and PlusAI have stated intent to adopt, though nothing is formally signed. Specs include 48-bit color, 116 dB dynamic range, and pre-fused 3D colorized point clouds. The OS1 Max gets 500-meter max detection. Available to order today and shipping this quarter, with no pricing disclosed. CEO Angus Pacala in his TechCrunch interview: “The goal is to obviate cameras. There’s no reason that one sensor can’t do both.” TagTinker Lets a Flipper Zero Mess With Electronic Shelf Labels A new Flipper Zero app called TagTinker uses infrared signals to push images and text to electronic shelf labels. Additionally, these are the same kind of price tags grocery chains are starting to use for surveillance pricing. The app and GitHub repo went public this week. Maryland’s HB 895, signed by Governor Wes Moore, takes effect October 1 as the first-in-nation surveillance pricing law. It covers food retailers and third-party food delivery service providers. Furthermore, ESLs use the same IR signaling as TV remotes with weak security. The dev’s disclaimer states it’s strictly for educational research, security curiosity, and displaying digital art on hardware you legally own. Fitbit App Becomes Google Health, Plus Fitbit Air, Plus Google Fit Sunset Google announced May 7 that the Fitbit app becomes Google Health on May 19, rolling through May 26. The launch ships with the new $99.99 Fitbit Air screenless tracker and the long-rumored Google Fit shutdown. Additionally, the four-tab interface (Today, Fitness, Sleep, Health) bundles a Gemini-powered AI Health Coach. Coach is premium-gated at $9.99/month or $99/year. Medical records integration is US-only at launch. The Fitbit Air gets up to one week of battery life and 50-meter water resistance. However, Cochrane flags conflicting privacy framing: Google’s AI summary bullets say “your data stays private,” but the actual document copy says only “committed to not using Fitbit user health and wellness data for Google Ads.” Those are not the same statement. Russinovich on Why Win32 Won and WinRT Didn’t Microsoft Azure CTO Mark Russinovich said via Microsoft Dev Docs video that Win32, the 1995 API, is still foundational to Windows 11. WinRT, the modernization replacement, “didn’t play out the way a lot of people expected.” Mostly clickbait framing per Windows Latest, but the substantive angle is real. Microsoft is pivoting back to native WinUI 3 development after years of pushing developers toward WebView2 and Electron. Additionally, Electron-based apps are known for insane RAM usage, and everyone is hurting for RAM right now. Furthermore, the bigger open question is whether Electron survives the test of time, especially with the React engine reportedly being rewritten in Rust. “Tabula Plena”: The Brain Starts Full, Not Blank A Nature Communications study from the Institute of Science and Technology Austria found that the mouse hippocampal CA3 recurrent network begins densely connected and refines through pruning. ISTA’s press release frames this as “tabula plena,” meaning full slate, counter to tabula rasa. The paper published April 21. First author Victor Vargas-Barroso and senior author Professor Peter Jonas studied mice at three developmental stages. Furthermore, the “starting overloaded enables faster sensory integration” framing is Jonas’s hypothesis from the press release, not a paper conclusion. Cochrane closes on the bigger question: did we have human growth and experience mapped wrong from the start? The Aqueous Battery You Can Pour Down the Drain A Chinese research team led by Professor Chunyi Zhi at City University of Hong Kong built an aqueous battery using a custom organic polymer electrode plus neutral magnesium and calcium salts (food-grade tofu coagulants) as electrolyte. Published in Nature Communications on February 18. Numbers to know: 120,000-plus charge cycles, full-cell energy density of 48.3 watt-hours per kilogram. That’s well below typical lithium-ion. However, post-cycling analysis showed only magnesium, calcium, chlorine, carbon, and copper, with no heavy metals. The cell complies with US RCRA, ISO 14001, and China’s GB 18599-2020 for direct environmental disposal. Additionally, the “300-plus years” framing is journalists extrapolating from the 120,000 cycles, not a paper claim. ResoNix Klippel Tests Expose Car-Audio Spec Lies Nick Apicella, founder of ResoNix Sound Solutions in Stony Point, New York, spent around $23,000 on independent Klippel LSI and TRF testing of 40 subwoofers. He published 21 results showing widespread misrepresentation of Xmax (excursion) and thermal/power-handling claims. Test data published in three batches between December 2025 and January 2026. Specifics: Wavtech thinPRO12 claimed 20 mm of excursion but delivered 8.85 mm, scoring 15 out of 100 on marketing accuracy. One driver hit 44 percent of advertised excursion. Another tripped thermal protection at half its rated power. Additionally, nine of 21 drivers scored below 50 out of 100. Brands tested include JL Audio, Sundown, Focal, Morel, Audiofrog, Adire, Stereo Integrity, and Dynaudio. Conflict-of-interest flag: ResoNix’s own GUS-15, 12, and 10 prototypes conveniently rank one, two, three. JetBrains Opens 2026 Developer Ecosystem Survey JetBrains opened the 10th annual Developer Ecosystem Survey this week. It takes about 30 minutes, with prizes including a MacBook Pro 16-inch and a $1,000 Amazon gift card. Anonymized raw data is published publicly, and cumulative scale is 100,000-plus developers across recent years. Additionally, the survey is going fully anti-AI: “evil bots, dishonest respondents, and AI agents will be excluded from prize distribution.” Cochrane is curious whether TypeScript holds its 2025 crown after knocking Python off, and whether Rust shows real growth given the wave of LLM-driven Rust rewrites in the past few months. Anthropic’s Claude Code Auto Mode Goes Live Anthropic launched Auto Mode for Claude Code roughly six weeks ago. Claude Code’s previous behavior required user approval for most file modifications and command executions, generating heavy approval-fatigue complaints during longer sessions. Auto Mode is the answer: Claude can run multi-step development tasks without per-action approval. Additionally, the architecture is a two-stage classifier, with stage one a fast yes/no filter and stage two doing chain-of-thought on flagged actions. Cochrane runs his own Claude Code in YOLO mode but with custom rejection rules baked into settings to block commands he doesn’t want, even with skip-permissions on. He recommends configuring settings as the actual policy layer rather than relying on classifier judgment alone. Furthermore, recent posts about Claude deleting websites or wiping production databases reinforce why the settings layer matters more than the auto-mode toggle. Chrome Quietly Installed a 4GB AI Model on Your Computer Google Chrome silently downloads on-device AI model weights (Gemini Nano family) to a `weights.bin` file in the OptGuideOnDeviceModel directory, around four gigabytes in Alexander Hanff’s audit. Furthermore, the model re-downloads if you delete it. Hanff timed his own install at 14 minutes 28 seconds on macOS. Affected platforms include Windows, macOS (including Apple Silicon), and Linux. Hanff frames this as a multi-front legal violation: a direct breach of Europe’s ePrivacy Directive, two articles of GDPR, and an environmental harm of a magnitude that would be notifiable under the Corporate Sustainability Reporting Directive. At one billion users, the four-gigabyte distribution represents roughly 240 gigawatt-hours of network and storage energy paired with about 60,000 tonnes of CO2-equivalent emissions. However, no EU regulator action or formal complaint has surfaced as of this episode. The model powers on-device features (email writing, scam detection, summarization, smart paste, tab grouping) but not the visible AI Mode button, which routes to the cloud. To disable, Cochrane recommends Chrome Settings, then System, then On-device AI, toggle to off. Two more paths exist via `chrome://flags` or a Windows registry edit. Cochrane closes the show with show housekeeping: GNC Insider at geeknewscentral.com/insider, email at geeknews@gmail.com, newsletter signup at geeknewscentral.com, and Pocket Casts as a solid modern podcast app pick. Have a wonderful night. The post Mozilla Meets Mythos #1864 appeared first on Geek News Central.

The Jones Twins talk about their documentary film project, which blends comedic and surreal elements that reflect their legacy as New York-based writers/performance artists, and uncovers their unique backstory of growing up as bi-racial identical twins adopted by loving Black parents. www.Jonestwinslove.com

Topics:  New Dad/Peace, Proverbs 16:29, Met Gala, Wisdom BONUS CONTENT: Dilemma Street…Politics   Quotes: "To hide away in shame when God wants to walk with us would be the worst mistake of all time." "Men set the tone in their home. Everyone should thrive because you're there." "When is the last time you asked God for insight?" "People are out there doing too much." . . . Holy Ghost Mama Pre-Order! Want more of the Oddcast? Check out our website! Watch our YouTube videos here. Connect with us on Facebook!

Well, in this episode we dig into our Kansas City Roots.  We go to Kansas City in the 1920's where under 'Boss' Pendergast the city was a machine that kept clubs open all night and the liquor flowing.  It was a town famous for being a little naive, jazz, good barbecue and something called the Kansas City Stomp.  Kansas City had heard rumors of Prohibition and wanted no truck with it.  It was into this world that a young man named Charlie Parker, a man who would be nicknamed 'Bird' began to play an alto sax and he would get humiliated and come back stronger.  He became a good musician, and then he was in a car accident that broke his ribs and twisted his spine.  He was given morphine for the pain and this would start a second addiction, the first was to music.  He studied and practiced all he could in recovery and when he emerged he was a different player, he took the town by storm and he would go on to become one of the greats of Jazz and he'd become a big part of a muisc called bebop.  So come listen to a local tale of Kansas City and learn how a man became a myth and musical legend in this magical, mythical and musical episode of the Family Plot PodcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/family-plot--4670465/support.

one of our jazz book reviews podcasts about the Novel The Horn by John Clellon Holmes-born 12th March 1926Studied at various places Columbia 1943 and post Draft on GI bill and the New School 1949 where he met Jack Kerouac And remained a life long friendFirst Novel published as GO a fictional book based on real characters and considered the first beat novelThe Horn was his second novel and again contains many barely disguised characters The Protagonist the fictional Tenor Colossus Edgar Pool is know as “ The Horn” a jazz Legendwho took jazz from Swing to Bebop his trajectory, skill and invention. makes him a revered Alpha Male. The book takes place on the evening of The Horn's final day as he stumbles through New York after being outplayed [ allegedly for the first time] by a young sax player.As his friends and lovers search for him they reminisce about his life It is a classic pean to the talented jazzer who slowly self destructs through drink drugs and sex It is structured in an attempt to mimic jazz performance practices of the 1940s Chaptesr are called Choruses or riffsIn the chorus chapters Holmes defines his key characters who talk about "The Horn" The riff chapters advance the present day the narrative of his final nightThe prose itself is dense, rhythmic, and lyrical, with long, flowing sentences that evoke the complexity and intensity of jazz phrasing, as words are deployed like notes in an extended solo

大家都知道，听爵士乐和研究爵士乐是我的一大爱好之一。在有了女儿之后，琢磨女儿的教育问题也成了我的另一大爱好。而如今，我将两个爱好结合在一起，借助AI（ChatGPT 和 Gemini），发展出了一套爵士乐育儿指南。这是据我所知，全国，乃至全世界，第一份爵士乐育儿指南，敬请收听。节目最后 Tutti 跟女儿一起跳舞的视频可在小红书搜索 Tutti 并关注。今年十一假期，Why for Jazz 联合 SEAIC 法国中欧艺术创新中心发起了一个针对巴黎和波尔多的法国旅行团。我将与建筑艺术学者，我的太太 Tutti 联合带队，深入法国，开启一趟沉浸式的以爵士乐，建筑，红酒和文化学习交流为主线的全景之旅。旅行团即可开始报名，计划招募15位同行者。有兴趣的朋友可以点击上面链接，或直接添加下面二维码进行咨询。期待十一相见。扫码开启法国之旅Playlist of the Show:[23:09] What'd I Say - Ray Charles[26:30] Early Summer - Ryo Fukui[28:52] Hymn to Freedom - Oscar PetersonAI建议的爵士乐育儿歌单（20月龄-36月龄）20个月：高保真钢琴触键（物理建模期） ● 曲目： Midnight Sugar (山本刚), C-Jam Blues (Red Garland), Linus and Lucy (Vince Guaraldi), Bag's Groove (MJQ) ● 深度分析： ○ 脑神经科学： 20个月的孩子，内耳耳蜗的**音调映射（Tonotopic map）**正在进行最后的物理微调。山本刚这类钢琴录音拥有极高的“瞬态响应（Transients）”，每一个音符的起始极其清晰。这种“干净”的声音信号能最大程度减少听觉系统解码的噪音，帮助大脑建立“钢琴”这种复杂音色的高质量统计模型。 ○ 发展心理学： 此时孩子处于感知运动阶段的尾声，通过“敲击”产生的声音最能吸引其注意力。钢琴的打击乐属性最能引起这种因果关系的共鸣。21个月：行走贝斯与前庭系统平衡 ● 曲目： 1. Work Song (Nat Adderley) 2. Killer Joe (Benny Golson) 3. Blues in the Closet (Bud Powell) 4. Strollin' (Horace Silver) ● 深度分析： ○ 脑神经科学： 这一组曲目强调 Walking Bass（行走贝斯）。稳定的、如同心跳般的低音提琴拨奏（Quarter-note pulse）能直接激活基底神经节，这是人类处理节奏与运动控制的核心。 ○ 发育心理学： 21个月的孩子正处于走路重心从摇晃趋向平稳的阶段。这种稳定的低频驱动能与她的身体运动产生神经夹带（Entrainment），通过前庭系统感知重力与节奏的重合，建立起最早的“摇摆感（Swing Feeling）”。22个月：硬波普（Hard Bop）与社交对话逻辑 ● 曲目： 1. Moanin' (Art Blakey) 2. Song for My Father (Horace Silver) 3. The Sidewinder (Lee Morgan) 4. Watermelon Man (Herbie Hancock) 5. What'd I Say (Ray Charles) ● 深度分析： ○ 脑神经科学： 此时孩子正经历语言词汇量的激增，**布罗卡区（Broca's area）**极度活跃。这些曲目中经典的 Call & Response（呼唤与回应） 结构，完美契合了大脑对社交性沟通的生理渴望。 ○ 发育心理学： 此时孩子开始理解“轮流”的概念。通过这种音乐结构，她在无意识中练习了沟通的节奏感，激活了镜像神经元系统，这不仅是音乐启蒙，更是共情能力的早期培养。23个月：Jazz Hip Hop 与持续注意力的构建 ● 曲目： 1. Aruarian Dance (Nujabes) 2. Luv(sic) Part 3 (Nujabes) 3. Waltz for Life Will Born (Uyama Hiroto) 4. Feather (Nujabes) ● 深度分析： ○ 脑神经科学： 稳定的 Loop（循环）能给大脑提供极强的“神经安全性”。当背景节奏是高度可预测的，而上层的钢琴即兴是流动的，这能训练**前额叶皮层（Prefrontal Cortex）**在稳定的背景中提取细微的变化信号。 ○ 发育心理学： 这个阶段孩子开始能进行较长时间的专注游戏。高质量的循环乐句能降低皮质醇水平，延长其**深度探索（Deep Play）**的时间窗口。24个月：奇数拍与认知弹性（两岁里程碑） ● 曲目： 1. Take Five (Dave Brubeck) 2. Unsquare Dance (Dave Brubeck) 3. Blue Rondo à la Turk (Dave Brubeck) 4. Eleven Four (Paul Desmond) ● 深度分析： ○ 脑神经科学： 两岁是突触剪枝（Synaptic Pruning）剧烈发生的节点。如果此时只听 4/4 拍，大脑会认定 5/4 或 9/8 为“不可理解信号”。输入奇数拍是为了保持神经系统的认知弹性（Cognitive Flexibility），训练大脑在不对称中寻找更高阶的数学规律。 ○ 发育心理学： 此阶段孩子自我意识觉醒（Terrible Twos），非对称的节奏正好契合了这种不安分的探索精神，帮助她建立对“不平衡”的心理包容力。第二阶段：和声色彩与审美拓宽（25m - 30m）核心目标： 引入复杂和弦（9, 11, 13音），在听觉皮层建立高维度的“美学坐标系”。25个月：三拍子的流体感知（空间感知进阶） ● 曲目： 1. Waltz for Debby (Bill Evans) 2. Bluesette (Toots Thielemans) 3. Alice in Wonderland (Bill Evans) 4. Up with the Lark (Bill Evans) ● 深度分析： ○ 脑神经科学： 三拍子会强烈刺激小脑的前庭系统。Bill Evans 的“无根音和弦（Rootless Voicings）”让声音听起来是“悬浮”的。根据 Robert Zatorre 的研究，这种高级和声能精细化音调映射（Tonotopic map），训练大脑不依赖低音根音去寻找调性中心。 ○ 发育心理学： 3/4 拍的圆舞曲感能带给孩子优雅、流动的感官体验，有助于精细动作的优雅化发育。26个月：Bossa Nova 与多线信号处理 ● 曲目： 1. The Girl from Ipanema (Stan Getz) 2. Wave (Antônio Carlos Jobim) 3. Desafinado (Stan Getz) 4. Corcovado (Cannonball Adderley) ● 深度分析： ○ 脑神经科学： Bossa Nova 的底层节奏是平直的八分音符，而上层爵士和弦极其复杂。这种矛盾感要求大脑进行听觉场景解构（Auditory Scene Analysis）。 ○ 发育心理学： 这种轻松的氛围是训练情绪调节（Emotional Regulation）的绝佳工具。在神经科学上，它能激活边缘系统中的愉悦中枢而不产生过度亢奋。27个月：调式爵士（Modal Jazz）与深度观察 ● 曲目： 1. So What (Miles Davis) 2. Maiden Voyage (Herbie Hancock) 3. Little Sunflower (Freddie Hubbard) 4. Flamenco Sketches (Miles Davis) ● 深度分析： ○ 脑神经科学： 调式爵士和弦变化极慢。根据 Bregman 的理论，这种“低变化率”会迫使大脑将注意力转向**音色（Timbre）**的微观纹理。 ○ 发育心理学： 培养“静谧感”。这种音乐能训练孩子在无外部剧烈刺激的环境中进行内在的深度观察，是建立长时注意力的基石。28个月：冷爵士（Cool Jazz）与边缘系统开发 ● 曲目： 1. My Funny Valentine (Chet Baker) 2. You'd Be So Nice to Come Home To (Art Pepper) 3. Autumn Leaves (Cannonball) 4. Django (MJQ) ● 深度分析： ○ 脑神经科学： 略带忧郁、克制的音色能激活**边缘系统（Limbic system）**中的杏仁核与海马体连接。研究表明，幼儿能感知到音乐中的哀伤情绪，这能丰富其大脑的情感皮层。 ○ 发育心理学： 28个月的孩子开始萌发初级共情。通过理解音乐中的“忧郁”，她在学习处理复杂的人类情感。29个月：Bebop 与神经放电频率挑战 ● 曲目： 1. Scrapple from the Apple (Charlie Parker) 2. A Night in Tunisia (Dizzy Gillespie) 3. Donna Lee (Charlie Parker) 4. Salt Peanuts (Dizzy Gillespie) ● 深度分析： ○ 脑神经科学： 极速音阶挑战了听觉神经元的放电频率（Firing Rate）。这是一种神经层面的“高强度间歇训练（HIIT）”，旨在提高大脑对高密度信息的即时处理带宽。 ○ 发育心理学： Bebop 的多变与灵动契合了孩子此时精力旺盛、喜欢探索事物边界的行为逻辑。30个月：日本爵士 - 叙事建模（情感深度期） ● 曲目： 1. Early Summer (Ryo Fukui) 2. Scenery (Ryo Fukui) 3. Blow Up (Isao Suzuki) 4. Girl Talk (Tsuyoshi Yamamoto) ● 深度分析： ○ 脑神经科学： J-Jazz 具有独特的旋律线条。30个月的孩子正致力于将碎片化的信息拼凑成故事，此时大脑的**默认模式网络（DMN）**开始在音乐欣赏中起作用。 ○ 发育心理学： 建立文化认同感。通过这些具有东方美学色彩的爵士乐，她在潜意识中完成了一种审美的文化建构。第三阶段：结构解构与即兴逻辑（31m - 36m）核心目标： 识别主题与变奏的边界，培养长时记忆与宏观思维构架。31个月：人声爵士与语言-音乐桥梁 ● 曲目： 1. L-O-V-E (Nat King Cole) 2. Cheek to Cheek (Fitzgerald & Armstrong) 3. Fly Me to the Moon (Sinatra) 4. How High the Moon (Ella Fitzgerald) ● 深度分析： ○ 脑神经科学： SSIR 假说（Shared Syntactic Integration Resource）指出，语言与音乐共享神经资源。此时利用人声爵士独特的韵律感（Prosody），可以极大地加速她对词汇节拍的内化。 ○ 发育心理学： 模仿是此阶段的核心。Scat（拟声唱法）能锻炼她口腔肌肉的精细化控制，对发音清晰度有显著提升作用。32个月：工作记忆与“主题追踪” ● 曲目： 1. St. Thomas (Sonny Rollins) 2. Moritat (Sonny Rollins) 3. Cantaloop (Us3) 4. Mercy, Mercy, Mercy (Cannonball) ● 深度分析： ○ 脑神经科学： 训练工作记忆（Working Memory）。大脑需要记住开头的“主题（Hook）”，并在复杂的即兴独奏中，保持对这个逻辑原点的潜意识追踪。 ○ 发育心理学： 训练解决问题的策略——在复杂变幻的环境中寻找“恒定点”。33个月：拉丁爵士（Latin Jazz）与听觉分流 ● 曲目： 1. Mambo Inn (George Shearing) 2. Manteca (Dizzy Gillespie) 3. Afro Blue (Mongo Santamaría) 4. Tequila (Wes Montgomery) ● 深度分析： ○ 脑神经科学： 拉丁爵士包含大量的多声部打击乐。根据 Bregman 的理论，这要求大脑完成最高难度的流提取（Stream Segregation）。 ○ 发育心理学： 狂欢节般的节奏能释放孩子的压力，增强其在运动中的爆发力与协调性。34个月：现代融合（Fusion）与认知弹性 ● 曲目： 1. Spain (Chick Corea) 2. Birdland (Weather Report) 3. Chameleon (Herbie Hancock) 4. 500 Miles High (Chick Corea) ● 深度分析： ○ 脑神经科学： 引入非自然音色（合成器）。大脑需要重新识别这些信号，刺激腹侧注意网络（Ventral Attention Network）。 ○ 发育心理学： 培养对新奇事物的包容度，不让其听觉审美固化在单一的木质乐器上。35个月：极限和声（Coltrane Changes）算法建模 ● 曲目： 1. Giant Steps (John Coltrane) 2. Naima (John Coltrane) 3. Speak No Evil (Wayne Shorter) 4. Round Midnight (Thelonious Monk) ● 深度分析： ○ 脑神经科学： Coltrane Changes 是爵士乐中最复杂的数学矩阵。此时输入这种极限逻辑，就像是在给计算机预装最强的算法底座，挑战其处理信息的深度。 ○ 发育心理学： 训练对“高张力”的承受力。在极度复杂的声音中寻找内在平衡，是培养未来演奏家“大将之风”的必经之路。36个月：自由即兴与全球脑连接（启蒙圆满） ● 曲目： 1. Rhapsody in Blue (Gershwin) 2. Hymn to Freedom (Oscar Peterson) 3. The Köln Concert (Keith Jarrett) 4. My Favorite Things (Coltrane 1961) ● 深度分析： ○ 脑神经科学： 激活默认模式网络（DMN）。这种长篇幅、大跨度的自由即兴曲目，能让大脑在不同脑区间建立长程连接，实现想象力与自我意识的统一。 ○ 发育心理学： 此时她已经拥有了一套完整的“爵士底层操作系统”。无论以后学不学琴，这套系统都将成为她认知世界、理解“自由”的底色。

Diese Woche geht es in den „Gedanken für den Tag“ um den ikonischen Jazz-Trompeter Miles Davis. Am 26. Mai wäre sein 100. Geburtstag und darum ist ihm heuer auch der morgige Ö1-Jazztag gewidmet. Über die musikalischen Anfänge von Miles Davis spricht heute Thomas Gansch, selbst eine der markantesten Musikerpersönlichkeiten der heimischen Jazz- und Blasmusikszene. Gestaltung: Alexandra Mantler – Eine Eigenproduktion des ORF, gesendet in Ö1 am 29.04.2026

Ez alkalommal annak a kérdésnek járunk utána, hogy ki az a szakember, aki nélkül egészen biztosan nem áll össze egyetlen sláger sem. Ő az a láthatatlan alkotó, aki formálja a hangzást, meghatározza az atmoszférát, és néha mindent felforgat a stúdióban, hogy a dal igazán ütős legyen. Igen, az ő döntésein is múlik, hogy egy ötletből világsláger lesz-e végül. De mit csinál pontosan a producer? A Bebop vendégeitől, iamyanktől (Herold János), azapeettől (Ferencz Péter) és HiBootól (Bakonyi Bálint) most megtudhatjuk! A műsor háziasszonya: Náray Erika.

Balázs Elemér dobművész és fia, ifj. Balázs Elemér zongoraművész harmonikus apa–fia párost alkotnak a jazzben. De miért szeretnek-e együtt zenélni, és hogyan hatnak egymásra a színpadon és azon kívül? Mit jelent számukra a klasszikus zene vagy a jazz, és mi tartja őket izgalomban a műfaji határokon innen és túl? Arról is szó esik, hogy a famíliát elnézve joggal merül fel a kérdés: törvényszerű-e, hogy egy zenész gyermeke maga is muzsikussá váljon… emellett más izgalmas témák is szóba kerülnek, például hogy létezik-e generációs szakadék a zenében, miből születik az  inspiráció, vagy épp az, hogy milyen szerepet játszik a család egy mentálisan megterhelő alkotói életformában. A műsor háziasszonya: Náray Erika.Bebop Podcast – A Gudics ikrek2

Welcome to Anime Watch Club, a bi-weekly group discussion and review where the hosts of the what do you say anime podcast, nominate and vote on shows either that we haven't seen or shows that will hopefully lead to a great discussion. On todays episode we will be reviewing the 1998 anime Cowboy BebopSocials/Discord - https://linktr.ee/whatdoyousayanime0:00 - Intro 1:28 - First impressions7:41 - Synopsis8:48 - Space Western or Character Drama?19:23 - Broadcast struggles and getting hooked early23:31 - Favorites of the crew34:02 - Favorite moments and themes43:24 - The greatness of Cowboy Bebops production52:16 - Spike's betrayal or Vicious' fault?58:44 - Would you prefer having more backstory for Spike? And the last arc1:11:30 - What would you do on the Bebop?1:14:25 - Final thoughts and rating1:20:13 - Nominations

Martin basszusgitáron, Marcell a dobok mögött bontakoztattaki a tehetségét, együtt pedig verhetetlen ritmusszekciót alkotnak. Játékuk egyszerre lehengerlő, feszes és ösztönös, és talán az sem mellékes, hogy már a születésük előtt is rezonáltak a másik rezdüléseire. Ha minden testvérük azenei pályát választotta volna, énekes bátyjukkal akár egy valódi családi zenekar is összeállhatna. Addig azonban, amíg a billentyűs karriert elengedő negyedik Gudics-fivér nem gondolja meg magát, olyan produkciókban bizonyítanak,mint a Finucci Bros' vagy a Peet Project. Mesélnek arról, honnan indultak, miképpen fordultak a zene felé, mennyiben jelent előnyt vagy épp kihívást a testvéri kötelék a professzionális életükben, de az is kiderül, mivel foglalkoznak a színpadon túl. A Bebop vendégei ezúttal a Gudics ikrek.A műsor háziasszonya: Náray Erika

If you’re looking for a world like Tatooine, good luck. Of the more than 6,000 known planets in other star systems, fewer than 20 orbit both stars of a binary system. So those double sunsets are few and far between. Just to refresh your memory, Tatooine is the home world of Luke Skywalker in Star Wars. Such planets are called “circumbinaries” because they circle around both stars in the system. Over the past decade, astronomers have searched for such worlds in a project with a rhythmic name: Bebop – Binaries Escorted by Orbiting Planets. The project looks for tiny “wiggles” in the motions of the stars caused by orbiting planets. It’s found a few planets, with several more candidates. One of those discoveries is Bebop-3b. The system’s two stars are quite close together. One of them is similar to the Sun. The other is only about a quarter of the Sun’s mass, and a tiny fraction of its brightness. The planet is about half the mass of Jupiter, the giant of our own solar system. It orbits the two stars once every 18 months, at a bit more than Earth’s distance to the Sun. We don’t know how fast Bebop-3b rotates, so we don’t know how often it sees sunrises and sunsets. All we know for sure is that there are two of each – one featuring a bright star, the other a faint cosmic ember. The system is about 400 light-years away. It’s high overhead at nightfall – but much too faint to see without a telescope. Script by Damond Benningfield

Thelonious Monk Plays Duke Ellington: The musicians on this album were already legends when it came out in 1955. Each of them completely reinvented how people play their instruments. Drummer Kenny Clarke: the originator of so much of modern drumming language. Bass player Oscar Pettiford: possibly the greatest bass soloist in the history of the instrument. And then there's Monk, one of the singular greatest pianists of all time. And here they are playing the music of Duke Ellington: an untouchable legend. The result is an album that brought Monk's genius to the masses. And it may just be one of his best. In this LIVE episode of You'll Hear It, jazz pianists Adam Maness and Peter Martin break down this remarkable moment in music history, playing Monk's interpretations next to Duke's originals. If you've never really got Monk, this album is your gateway into his music. And if you're already a fan, you'll never hear this album the same way again.-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://openstudiojazz.com/yhi-------------------------------About You'll Hear It:In this popular music series Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Sign up for the You'll Read It newsletter for little known stories about the artists you love: https://youllhearit.com/newsletter -------------------------------0:00 - "It Don't Mean a Thing (If It Ain't Got That Swing)"2:07 - You'll Hear It Live at Jazz at Lincoln Center6:02 - The Story of Thelonious Monk8:24 - First Official Recording: Coleman Hawkins Quartet (1944)10:21 - Keepnews Big Idea to Bring Monk to the Masses14:46 - "It Don't Mean a Thing": Duke's original vs. Monk's version20:40 - Bassist Oscar Pettiford's Sophisticated Musical Language24:10 - Louis Armstrong & Ella Fitzgerald's Version27:38 - "Sophisticated Lady"31:44 - "I Got It Bad and That Ain't Good" 35:08 - Bet You Can't Guess This Singer39:10 - "Black and Tan Fantasy": Duke (1927) vs. Monk42:30 - Oscar Pettiford Plays "Basso Profundo" with Duke Ellington45:00 - "Tricotism" - Oscar Pettiford 45:55 - Kenny Clarke deep dive47:48 - "Mood Indigo" 49:50 - "I Let a Song Go Out of My Heart": Duke's original vs. Monk's version52:30 - "Solitude"55:00 - "Caravan": Duke's original vs. Monk's version 58:35 - Categories: Desert Island, Apex Moments, Bespoke Playlists, Quibble Bits59:50 - Drummer Kenny Clarke's Brush Master Class1:04:00 - Is This Better than Kind of Blue?1:04:55 - What to Listen to Next

A jazzéneklés sokak számára külön univerzumnak tűnhet: sajátos hangképzés és technika, improvizáció, és semmihez sem hasonlítható hangulat. De valóban létezik-e külön „jazzhang”, vagy sokkal inkább a szemlélet tesz valakit jazzénekessé? A Bebopban ezúttal három kiváló, nagy nevet szerzett hazai énekes, Micheller Myrtill, Kozma Orsi és László Boldizsár mesél arról, melyikük honnan indult, hogyan kerültek közel a jazzhez, és mi történik, amikor a műfaji határok elmosódnak. Vajon mit tanulhat a jazz a klasszikus zenétől, a poptól vagy épp a soultól? És mit ad egy jazzénekesnek, ha más zenei nyelveken is folyékonyan beszél? Egy epizód a hangról, a stílusrólés a kíváncsi kalandozásról. A műsor háziasszonya: Náray Erika.

Layne, Clinton, and Jon have another showdown with Krang, the Shredder, Bebop, and Rocksteady, and all the rest in Teenage Mutant Ninja Turtles Adventures 25 from Archie Comics! Then it’s time to meet Leatherhead in Mirage’s Tales of the Teenage Mutant Ninja Turtles 6, I garontee!

Old stuff!  Told'ja there were leftovers from 2025 lying around in the Garagosphere...  This gem from July was special because we got about 10 years of hate off the collective gearhead chest about bad P.S.A. ads that make you wish any car guy had been a part of any of the production.  On the plus side, now we know what to look out for (patronizing betaboys and their bullygirl narrators).  There's better bits to be had, like a trucker from New York City (see, there's still good things there) who built a 1500 sq-ft balsa replica of the city (because why not, or perhaps because X-Acto Knife), plus the selfsame city's plans to spend $2,000,000,000 to REMOVE 300K parking spots (because what, what?) while its parking garages do their best impression of a Denny's pancake breakfast. There's also the tale of unscheduled monster truck disassembly mid-show (and the cars the parts landed upon). Back to the warnings: Raiders, Dredd, Snatch, Urban and Reeves, Animal House, Jenny in Japan, any PR ≠ good PR, '80s Fleppard, old Subaru Foresters, the soundtrack rule, foreign coverage of domestic stories, and the Cowboy Bebop soundtrack.

Old stuff!  Told'ja there were leftovers from 2025 lying around in the Garagosphere...  This gem from July was special because we got about 10 years of hate off the collective gearhead chest about bad P.S.A. ads that make you wish any car guy had been a part of any of the production.  On the plus side, now we know what to look out for (patronizing betaboys and their bullygirl narrators).  There's better bits to be had, like a trucker from New York City (see, there's still good things there) who built a 1500 sq-ft balsa replica of the city (because why not, or perhaps because X-Acto Knife), plus the selfsame city's plans to spend $2,000,000,000 to REMOVE 300K parking spots (because what, what?) while its parking garages do their best impression of a Denny's pancake breakfast. There's also the tale of unscheduled monster truck disassembly mid-show (and the cars the parts landed upon). Back to the warnings: Raiders, Dredd, Snatch, Urban and Reeves, Animal House, Jenny in Japan, any PR ≠ good PR, '80s Fleppard, old Subaru Foresters, the soundtrack rule, foreign coverage of domestic stories, and the Cowboy Bebop soundtrack.

Join us as Dr. Justin Dancer continues to take us through our study of the book of Acts, looking at Acts 3:17 - 4:22.

2017-ben a Jazz Showcase színpadán mutatkoztak be, 2023-ban pedig már a Müpa tehetségbörzéjének esti sztárfellépőiként tértek vissza a Kaláka oldalán. Az elmúlt években a műfaj legfontosabb hazai és európai színpadait is meghódították annak ellenére, hogy a nevükben szereplő „jazz” saját bevallásuk szerint is csak részben fedi a valóságot. (És ha már szóba került a név: minden elegáns félrehallás ellenére az nem „dzsesszboá”, hanemhatározottan dzsesszbojz.) A fúziós hangzás és az erős hiphop-hatások mellett szó esik klubos jammelésekről, „fizetett próbákról”, a zeneiparba való betörésről és arról is, mi lehet a legjobb edzőtábor egy feltörekvő zenekarnak.Ezúttal a formáció két tagja, Sági Viktor basszusgitáros és Molnár Bencze billentyűs volt a Bebop vendége.A műsor háziasszonya: Náray Erika.

Rick Beato is a music educator, interviewer, producer, songwriter, and a true multi-instrument musician, playing guitar, bass, cello & piano. His incredible YouTube channel celebrates great musicians & musical ideas, and helps millions of people fall in love with great music all over again. Thank you for listening ❤ Check out our sponsors: https://lexfridman.com/sponsors/ep492-sc See below for timestamps, transcript, and to give feedback, submit questions, contact Lex, etc. Transcript: https://lexfridman.com/rick-beato-transcript CONTACT LEX: Feedback – give feedback to Lex: https://lexfridman.com/survey AMA – submit questions, videos or call-in: https://lexfridman.com/ama Hiring – join our team: https://lexfridman.com/hiring Other – other ways to get in touch: https://lexfridman.com/contact EPISODE LINKS: Rick’s YouTube: https://youtube.com/RickBeato Rick’s X: https://x.com/rickbeato Rick’s Instagram: https://instagram.com/rickbeato1 Rick’s Website: https://rickbeato.com Rick’s Ear Training: https://beatoeartraining.com The Beato Book: https://beatobook.com SPONSORS: To support this podcast, check out our sponsors & get discounts: UPLIFT Desk: Standing desks and office ergonomics. Go to https://upliftdesk.com/lex BetterHelp: Online therapy and counseling. Go to https://betterhelp.com/lex LMNT: Zero-sugar electrolyte drink mix. Go to https://drinkLMNT.com/lex Fin: AI agent for customer service. Go to https://fin.ai/lex Shopify: Sell stuff online. Go to https://shopify.com/lex Perplexity: AI-powered answer engine. Go to https://perplexity.ai/ OUTLINE: (00:00) – Introduction (00:28) – Sponsors, Comments, and Reflections (09:17) – Guitar solos (13:16) – Gypsy jazz and Django Reinhardt (14:48) – Bebop jazz (19:00) – Perfect pitch vs relative pitch (23:37) – Learning to play guitar (47:08) – Miles Davis (52:34) – Bass guitar (53:41) – Greatest guitar solos of all time (1:22:56) – 27 Club (1:27:37) – Elton John (1:30:51) – Metallica (1:35:21) – Tom Waits (1:41:12) – Greatest rock stars (1:44:35) – Beethoven (1:51:10) – Bach (1:54:01) – AI in music (2:07:52) – Sabrina Carpenter (2:11:23) – YouTube copyright strikes (2:16:59) – Spotify (2:27:51) – Guitars (2:32:13) – Advice PODCAST LINKS: – Podcast Website: https://lexfridman.com/podcast – Apple Podcasts: https://apple.co/2lwqZIr – Spotify: https://spoti.fi/2nEwCF8 – RSS: https://lexfridman.com/feed/podcast/ – Podcast Playlist: https://www.youtube.com/playlist?list=PLrAXtmErZgOdP_8GztsuKi9nrraNbKKp4 – Clips Channel: https://www.youtube.com/lexclips

Blue and cool is the mood as we spin the dial back to the 1950s — a decade of chrome, tailfins, Cold War tension, Beat poetry, and late-night cigarette smoke curling toward the ceiling of a dimly lit club. Beneath the middle class culture of the day, there was a restless heartbeat of jazz. This was the era when bebop matured into cool, hard bop caught fire, and modal explorations began reshaping the language of improvisation. Artists like Miles Davis refined understatement into revolution, John Coltrane stretched harmony toward spiritual searching, Thelonious Monk bent notes and expectations alike, and Ella Fitzgerald turned the human voice into a virtuosic instrument. Jazz in the '50s wasn't background music — it was conversation, protest, poetry, and possibility. Dave's selected some important landmarks and deep tracks that take you into those dusty digital bins of jazz and improvisation this morning on Deeper Roots.

Do we need new math to explain dark matter? Neil deGrasse Tyson and comedian Paul Mecurio explore unsolved problems in math, simulation theory, base systems and more with mathematician Terence Tao.NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here: https://startalkmedia.com/show/is-the-universe-a-math-problem-with-terence-tao/Thanks to our Patrons Drake Mccammon, Lourosa Thomas, Christopher, WireRider, Kevin Walter, Erik Majsai, Zoe Briskey, Roger W. Cavallo Jr., Tibi Chiorean, Maggie, Guy Cummins, Sean E, Sebastian, Ty Powell, Iceo Bergins, Anissa Aponte, Keith Autry, Guy_%, Kyle Kern, Scott Morris, Francisco Cueto, Psychoquark, Joe Rivera, Chris Coyle, Brian White, Michael Boring, Adrian Mihai, Rowdy Payton, Ben Huang, Jerred Cook, KennyS, Gonzalo Oria, Herb Tobias, Kevin Revels, Sean Taylor, AndersonRobotics, Faruk Arslan, Antonio Alcala, Rudolfo Munguia, Tim Winter, B Boyette, Pilar Rodriguez, Justin Brackenbury, Kosta Papageorgiou, Mickey Mouse, Charles Garcia, Sultan Bin Zaal, Brian Rall, Mike, Dave, Rodolphe Phelouzat, Joshua Fisher, Xan Kriegor, Michael L. Price, Wendy Welch, RichInDC, Justin Lebron, Brad Cook, Auralen Isara Maelis, Obi Wan Kenobi, Avinav Abraham, Stanko, Colton Murphy, Patrick Quinn, Haze, John Stamm, Roberto Delgado, Hans Gab, Richard Nolan, Tony R, Trisha Hadden, Stephen Flenley, Robby Vasquez, Abraham, Dr. Bebop, Damon, Richard Thompson, Prince N., David Rivanis, Daniel Slack, Guy Bergeson, Shawna Couplin, MrFish, Lisette Ramos-Voigt, Scott Mccoy, Steffen Thomas, Cassio Magellan Campos, Rodger Reinhardt, Michael Becker, Billie Lyons-Super, Todd Chambers, Mo Elzeinab, Talal, Joseph Glynn, John Hermanns, TheNaden, Mark Parker, Seth Davison, Anon328648926, and David Bentley for supporting us this week. Subscribe to SiriusXM Podcasts+ to listen to new episodes of StarTalk Radio ad-free and a whole week early.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Charlie Parker was punk rock before there was punk rock. His bebop was underground music: subversive, intellectual, and a major departure from popular music of the day (think: Nat King Cole, The Andrews Sisters, Perry Como). He was an intellectual heavyweight, nearly untouchable in his technical ability and pushing music to places no one else was daring to go. So where did Charlie Parker with Strings, his most accessible album, come from?It's not Bird going commercial, like some have claimed. Charlie Parker with Strings is an album he fought to make. He loved Bach and Stravinsky (even quoting the opening of Stravinsky's 'Firebird Suite' mid-solo in one legendary performance), and had longed to make a record where his jazz saxophone was accompanied by strings.The resulting record is music's greatest improviser at his best. Jazz pianists Peter Martin and Adam Maness listen to select tracks (like "Just Friends" and "Summertime"), breaking down the theory behind the music to understand what makes this album great. Jazz is the foundation of the most GENIUS music in recent history: Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo. In this popular music series, You'll Hear It, Adam and Peter break down the greatest albums of all time. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.Like the jam at the end of the show? Head to @openstudiomusic on YouTube for more.Visit openstudiojazz.com for ALLLLL your jazz lesson needs.00:00 - Intro: Charlie Parker with Strings01:10 - "Just Friends"04:40 - Want to Be a Great Musician? Study This Track10:20 - Early Recording: "Swingmatism" (1941)12:45 - The Secret to Charlie Parker's Genius: Practice15:20 - The Savoy Sessions: "Now's the Time" & Young Miles Davis18:20 - The Contrafact Built in Real Time21:45 - "Koko": Miles Davis Couldn't Play It?!24:30 - Musicians NEED to Listen to This27:15 - Think Parker Sold Out? Think AGAIN28:55 - "April in Paris": Parker's Chosen Tune33:55 - About Mitch Miller's Oboe ... 38:25 - "Summertime"44:10 - "Out of Nowhere"46:35 - We Have An Album! 47:20 - "East of the Sun"53:00 - "I'll Remember April"55:50 - Categories: Desert Island Tracks56:35 - The BEST Moments on Strings1:11:10 - Open Studio Plays "Just Friends"

Today, we're putting The Tonearm's needle on Toronto saxophonist Patrick Smith.Patrick has become a key player in the city's creative music scene. His new album, Words Underlined, came out in December on Lit Soc Records. It's the first release from the new label started by Sellers & Newell, a Toronto bookstore that moonlights as a music venue. Patrick recorded there with guitarist Dan Pitt and drummer Lowell Whitty. The trio plays without a bass, and the album alternates between composed pieces and full improvisations.A few episodes back, we featured a talk with Noah Franche-Nolan, who also collaborated with Dan Pitt. A link to that, and my November 2024 conversation with Dan, are both in the show notes.Patrick's here to talk about making music in the trio format, the Toronto scene, and why a bookstore was the right place to record.(The musical excerpts heard in the interview are from the album Words Underlined by The Patrick Smith Words Trio)–Dig DeeperArtist and Album:Visit Patrick Smith at patricksmithsax.com and follow him on Instagram and FacebookPurchase The Patrick Smith Words Trio's Words Underlined from Lit Soc Records, Bandcamp, or Qobuz and listen on your streaming platform of choiceListen to Patrick's fusion project Pangea: Rebirth on BandcampSellers & Newell and Lit Soc Records:Sellers & Newel Secondhand Books — Toronto's beloved College Street bookstore and performance spaceLit Soc Records on BandcampWhy this Toronto bookstore is starting its own record label — Toronto Today, November 2025Toronto bookstore is moonlighting as an underground live music venue — BlogTO, September 2021The Musicians:Dan Pitt — guitarist and composer, TorontoBetween the Lines of Dan Pitt's 'Horizontal Depths' - The Tonearm, November 2024Lowell Whitty — drummer and founding member of the Heavyweights Brass BandMentors and Influences:Mark Shim — saxophonist; Patrick's primary teacher in New YorkMark Shim at Manhattan School of MusicDave Young — Order of Canada recipient; Oscar Peterson's longtime bassist, now based in TorontoDavid Liebman — saxophonist, educator, and major post-Coltrane voiceDeveloping a Personal Saxophone Sound by David Liebman — available via J.W. PepperJeff Coffin — saxophonist; source of the Sonny Rollins quote relayed in the episodeMusical References:Paul Motian — the drummer whose bassless trio recordings were the direct inspiration for this projectPaul Motian Trio — It Should've Happened a Long Time Ago (ECM, 1985) — with Bill Frisell and Joe LovanoPaul Motian Trio — Time and Time Again (ECM, 2007) — with Bill Frisell and Joe LovanoJohnny Cash — My Mother's Hymn Book — the stripped-down solo Cash record Patrick cites as a model for songwritingSonny Rollins — saxophone icon; his advice about creativity as resistance runs through the episodeFrom Sacred Space to Silent Film — Noah Franche-Nolan Serves the Music - The Tonearm, February 2026 - Noah also collaborates with guitarist Dan Pitt–Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on Toronto saxophonist Patrick Smith.Patrick has become a key player in the city's creative music scene. His new album, Words Underlined, came out in December on Lit Soc Records. It's the first release from the new label started by Sellers & Newell, a Toronto bookstore that moonlights as a music venue. Patrick recorded there with guitarist Dan Pitt and drummer Lowell Whitty. The trio plays without a bass, and the album alternates between composed pieces and full improvisations.A few episodes back, we featured a talk with Noah Franche-Nolan, who also collaborated with Dan Pitt. A link to that, and my November 2024 conversation with Dan, are both in the show notes.Patrick's here to talk about making music in the trio format, the Toronto scene, and why a bookstore was the right place to record.(The musical excerpts heard in the interview are from the album Words Underlined by The Patrick Smith Words Trio)–Dig DeeperArtist and Album:Visit Patrick Smith at patricksmithsax.com and follow him on Instagram and FacebookPurchase The Patrick Smith Words Trio's Words Underlined from Lit Soc Records, Bandcamp, or Qobuz and listen on your streaming platform of choiceListen to Patrick's fusion project Pangea: Rebirth on BandcampSellers & Newell and Lit Soc Records:Sellers & Newel Secondhand Books — Toronto's beloved College Street bookstore and performance spaceLit Soc Records on BandcampWhy this Toronto bookstore is starting its own record label — Toronto Today, November 2025Toronto bookstore is moonlighting as an underground live music venue — BlogTO, September 2021The Musicians:Dan Pitt — guitarist and composer, TorontoBetween the Lines of Dan Pitt's 'Horizontal Depths' - The Tonearm, November 2024Lowell Whitty — drummer and founding member of the Heavyweights Brass BandMentors and Influences:Mark Shim — saxophonist; Patrick's primary teacher in New YorkMark Shim at Manhattan School of MusicDave Young — Order of Canada recipient; Oscar Peterson's longtime bassist, now based in TorontoDavid Liebman — saxophonist, educator, and major post-Coltrane voiceDeveloping a Personal Saxophone Sound by David Liebman — available via J.W. PepperJeff Coffin — saxophonist; source of the Sonny Rollins quote relayed in the episodeMusical References:Paul Motian — the drummer whose bassless trio recordings were the direct inspiration for this projectPaul Motian Trio — It Should've Happened a Long Time Ago (ECM, 1985) — with Bill Frisell and Joe LovanoPaul Motian Trio — Time and Time Again (ECM, 2007) — with Bill Frisell and Joe LovanoJohnny Cash — My Mother's Hymn Book — the stripped-down solo Cash record Patrick cites as a model for songwritingSonny Rollins — saxophone icon; his advice about creativity as resistance runs through the episodeFrom Sacred Space to Silent Film — Noah Franche-Nolan Serves the Music - The Tonearm, February 2026 - Noah also collaborates with guitarist Dan Pitt–Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Legendás énekes, zeneszerző és szenvedélyes pedagógus.Díjainál és elismeréseinél azonban sokkal többet mond róla, hogy előadóként és mentorként is megszámlálhatatlanul sokakat inspirált, és fordított a jazz sokszínű műfaja felé. Generációk gondolkodását formálta, és mások mellett olyan jelentős előadók pályáját segítette, mint Fábián Juli, Pély Barnabás, Harcsa Veronika, Gájer Bálint, Micheller Myrtill. Ráadásul azon dalszerző-előadóművészek közé tartozik, akik nem csak a szakma, de a közönség elismerését is maximálisankivívták. A Bebop podcast vendége ezúttal Berki Tamás. A műsor háziasszonya: Náray Erika.

Jazzdrum‑Playlist (Volgorde: van vroeg → modern) 1. Gene Krupa – “Sing, Sing, Sing” (Benny Goodman, 1937) De oerdonder van de swingdrums—Krupa maakt de toms en jungle‑feel wereldberoemd. 2. Baby Dodds – “Spooky Drums” (1946) Een solo-opname die laat horen hoe vroeg-jazzdrummers kleur, ritme en improvisatie benaderden. 3. Max Roach – “Cherokee” (met Charlie Parker, 1945) Razendsnelle bebop en totaal vernieuwend ride‑cymbalspel. 4. Art Blakey – “Moanin'” (1958) Blakey's “press roll thunder” en soulvolle drive: hét hard‑bop geluid. 5. Philly Joe Jones – “Two Bass Hit” (Miles Davis, 1958) Super strakke rudiments, dynamische fills, en meesterlijke controle. 6. Elvin Jones – “A Love Supreme: Pt II – Resolution” (John Coltrane, 1965) Golvende, spirituele storm aan polyritmiek. Volgens kenners één van de meest invloedrijke drumopnames ooit. 7. Tony Williams – “Seven Steps to Heaven” (Miles Davis, 1963) Williams was 17 (!) en revolutionair in drive, vrijheid en cymbal‑articulatie. 8. Roy Haynes – “Snap Crackle” (1962) Zijn bijna elektronische “snap & crackle” stijl komt hier volledig tot recht. 9. Billy Cobham – “Stratus” (1973) Kracht, snelheid, precisie: Cobham zet een nieuwe standaard voor fusiondrums. 10. Steve Gadd – Intro van 50 Ways To Leave Your Lover 11. Steve Gadd – “Foam Home” (Steve Gadd Band – 70-Strong, 2015) Legendarische precisie, frasevorming en groove—drummer's favorite. 12. Peter Weissink – Up Jumped Spring (Keys and Beats – 2024) Als toetje: de ‘huisdrummer’ en organisator van de Tor-JazzJamsessions: Peter Weissink en zijn muzikale companen John Hondorp en Sebatian Altekamp op hammond en piano. Drums en slagwerk vormen de ritmische motor van jazz. Van de vroege “trap sets” in New Orleans tot de complexe metriek van het modern jazz‑drummen: elke periode bracht nieuwe technieken, geluiden en muzikale rollen. 1. Vroege jazz & New Orleans (1900–1920) De moderne drumkit ontstond in New Orleans toen slagwerkers verschillende percussie-instrumenten combineerden tot één set (o.a. bass drum, snare en bekkens). Kenmerken Tweeledige rol: ritme én kleur Veel marching band‑invloeden Gebruik van vroege “rudiments” en eenvoudige ritmiek Belangrijke drummers Baby Dodds — pionier van het improvisatorische drumwerk Zutty Singleton — populair door zijn werk met Louis Armstrong 2. Swing Era & Big Bands (1930–1940) Met de opkomst van bigbands werd de drummer een tijd-keeper die de dansbare “swing feel” moest dragen. Kenmerken Focus op steady hi-hat en basdrum Grote orkesten → meer kracht en consistentie nodig Drumsoli worden een showelement Belangrijke drummers Gene Krupa — maakte de tom-toms beroemd, enorme showman Chick Webb — krachtig, invloedrijk swingdrummer Jo Jones — verplaatste de “time” van basdrum naar ride-bekken, een mijlpaal 3. Bebop (jaren 40) Bebop zette de drummer in een interactieve, minder voorspelbare rol. De muziek werd sneller, complexer en meer op improvisatie gericht. Kenmerken Ride-cymbal wordt het hoofdritme-instrument “Dropping bombs”: accenten op de basdrum Veel vrijheid en communicatie met solisten Belangrijke drummers Kenny Clarke — grondlegger van moderne bebop-drums Max Roach — melodisch drummen, polyritmiek Art Blakey — dynamisch en krachtig, bekend van Jazz Messengers 4. Hard Bop & Soul Jazz (jaren 50–60) De groove werd zwaarder en aardser, beïnvloed door gospel en blues. Kenmerken Sterkere backbeat Meer emotionele spanning Interactie met blazers en piano Belangrijke drummers Art Blakey (opnieuw) — echte hard bop‑architect Philly Joe Jones — strak, fel, met prachtige rudimental frases Elvin Jones — revolutionaire, golvende “drum‑storm” rond Coltrane 5. Modal Jazz en Post-Bop (jaren 60) De ritmische vrijheid neemt toe; drummers bewegen zich losser rond de beat. Kenmerken Minder voorspelbare patronen Veel gebruik van textuur en ruimte Accent verschuift van swing naar flow en kleur Belangrijke drummers Tony Williams — enorm vernieuwend op jonge leeftijd, bij Miles Davis Jack DeJohnette — lyrisch, open, breed geluid Roy Haynes — “snap, crackle”, lichte en springerige stijl 6. Jazz Fusion (jaren 70) Elektrische instrumenten en rockinvloeden brengen nieuwe energie. Kenmerken Krachtiger spel, rock‑dynamiek Complexe maatsoorten Gebruik van elektronische drums en percussie Belangrijke drummers Billy Cobham — stormachtig, technisch extreem sterk Lenny White — pionier bij Return to Forever Harvey Mason — funk‑jazz, strakke groove 7. Contemporary Jazz (jaren 80–heden) Hedendaagse drummers mengen jazz met wereldmuziek, hip-hop, elektronica, en nog veel meer. Kenmerken Hybride setups en elektronica Complexe metriek (bijv. 7/8, 11/8) Mix van jazz, pop, funk, hip-hop en indie-invloeden Belangrijke drummers Brian Blade — muzikaal, gevoelig, dynamisch Jeff “Tain” Watts — krachtige post-bop energie Mark Guiliana — pionier van elektrojazz en “future groove” Terri Lyne Carrington — veelzijdig, grensverleggend

Hey now and happy Cabal Wednesday! Today we bust into the episode talking about Don's first foray into tabletop roleplaying games, then get into some of the games we've been playing, including Rising Sun, In Front of the Elevator, Chu Han, Versailles 1919, and Bebop. Don and Jamie then put the spotlight on Cthulhu Dark Providence, the newest edition of Martin Wallace's classic A Study in Emerald, with Travis Chance lending his unique design flair to the mix. After that, Tony T gets down and dirty with his gaming news segment. And finally, the gang tackles a slew of listener-submitted questions. Rising Sun: 00:08:29, In Front of the Elevator: 00:19:21, Chu Han: 00:25:33, Versailles 1919: 00:32:54, Bebop: 00:39:08, Cthulhu Dark Providence Review: 00:56:47, News with Tony T: 01:33:15, Short Topic Extravaganza: 02:34:08. Check out our sponsors Restoration Games at https://restorationgames.com/ and Game Toppers at https://www.gametoppersllc.com/.

A hangszerész és a hangszerkészítő egyszerre kézműves, mérnök és művész: olyan szakember, aki ismeri a hangszerek fizikai működését, az anyagokat és akusztikai törvényszerűségeket, közben pedig rendkívül érzékeny a hangzás legfinomabb árnyalataira is. Amikor megjavít valamit, nem csupán csavarokat húz meg vagy alkatrészeket cserél, hanem egyensúlyt keres a funkció, a forma és hang között. Gyakran nagyon öreg, szebb napokat látott tárgyakkaldolgozik, amelyeknek saját történelme van, és amelyekből a lehető legjobbat csalogatja elő újra. Ez alkalommal Horváth Attila, a Vintage '52 Hangszervíz vezetője és Müller György zongorakészítő mesélt a hivatásáról. A műsor háziasszonya: Náray Erika.

Ben Masters goes deeper on mountain lion moms, their cute cubs, and what we still don't know about these ghosts of the wild.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we bring everything in for a landing by studying an etude over Solar. Enjoy! WANT THE RESOURCES THAT GO ALONG WITH THIS EPISODE?? Head over to Jazz Skool and when you donate monthly you get the resources for this episode and many others We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support! WANT A VIDEO VERSION OF THIS PODCAST?? Head over to my YouTube Channel to view this episode!

This week we explore another form of the bebop scale: tonic minor along with a new way of thinking about and practicing them. Enjoy! WANT THE RESOURCES THAT GO ALONG WITH THIS EPISODE?? Head over to Jazz Skool and when you donate monthly you get the resources for this episode and many others We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support! WANT A VIDEO VERSION OF THIS PODCAST?? Head over to my YouTube Channel to view this episode!

This week we take a look at more possibilities but switch over to major bebop scales. Enjoy! WANT THE RESOURCES THAT GO ALONG WITH THIS EPISODE?? Head over to Jazz Skool and when you donate monthly you get the resources for this episode and many others We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support! WANT A VIDEO VERSION OF THIS PODCAST?? Head over to my YouTube Channel to view this episode!

Today we present two piano instrumentals that explore the mysteries of Mist.  Strictly speaking, a “mist” can be defined by some water vapor that obscures your vision, but how many more evocative instances can you think of where a mist appears in a story or film, usually preceding an arrival of some spiritual manifestation? There was a video game called “Myst” (spelled with a Y) which featured a series of puzzles saturated with a heady whiff of the arcane. Your sight is always obscured; your emotional restlessness is never assuaged.  Erroll Garner and Bix Beiderbecke were two jazz titans writing compositions separated by 30 years that hint at this other-worldly quality inherent in the idea of the Mist. Their music excites the senses and tugs at the heart simultaneously; it's music that lifts off and keeps insinuating an urge to maintain altitude in an unresolved quest for landing, but never deciding on a perch.ERROLL GARNERMost of you probably know Johnny Mathis's version of Misty, with lyrics by Johnny Burke, that was a monster hit of 1959, but Erroll Garner wrote the song as an instrumental 5 years earlier, on a plane flight to Chicago's OHare airport, after seeing a rainbow through the airplane window. That's a fitting image for the complicated feelings invoked here: a glimpse of hope through tears. Influenced by Earl Hines, Garner played with spontaneous timing changes, liquidy octaval melodies, and improvised chordal voicings, and his contribution to jazz evolution was to reconcile the gap between BeBop spontaneity and Orchestral formalism. His style was so free that he was dubbed “the happy man” because this joy he exuded was so palpable. Misty was concocted from the eternal music of the spheres - maybe because his feet were not on the ground when he composed it.BIX BEIDERBECKEThe comet of Bix Beiderbecke's talent was a mystery in itself: dead from alcohol in 1931 at the age of 28, his cornet style and compositional originality continues to fascinate almost 100 years later. A self taught musician, Bix appeared from podunk Iowa and immediately became a ragtime sensation at the height of the Jazz era with The Wolverines, then with Paul Whiteman's orchestra (along with Bing Crosby). He was a white man playing a traditionally black form of music, which was a novelty, and that made him easier to market to middle America - but such genius is color blind.Although renowned for his horn playing, he composed In a Mist on piano in 1927 (he was 24), and it's here that you see the influence of the impressionist composer Claude Debussy, the creator of such sensuous works as Prelude to the Afternoon of a Faun and La Mer. Is this Jazz? How did he do it? Clearly, Bix was in touch with mystical forces beyond human understanding, or maybe, like Robert Johnson, he just made a deal with the devil. Either way, the spiritual quest suggested by these chord changes transports us into a misty continent of emotional confusion.

Let's kick off the new year by covering some of my favorite ways to get completely fluent with the bebop scale! WANT THE RESOURCES THAT GO ALONG WITH THIS EPISODE?? Head over to Jazz Skool and when you donate monthly you get the resources for this episode and many others We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support! WANT A VIDEO VERSION OF THIS PODCAST?? Head over to my YouTube Channel to view this episode!

EPISODE 339 - We take a look at the show that brought huge fame for the Turtle -- the original Saturday morning TV show.  Although primarily made as a way to promote the new toy line, the creators of this TV show also wanted it to be good. So there was a lot of thought put into this show. They took a lot of visual designs from the comic, but simplified the story considerable. They added new characters (Rocksteady and BeBop), half-new characters (Krang the talking brain) and gave April a more specific consistent personality.  We look at the first five episodes, which is the entire first season and which tell a single story.  The story gets complicated, but it's fun and thoughtful and... pretty darn good.  Hey, maybe these Turtles are gonna be around for a while. In Loose Screws, we talk about the new season of Stranger Things. Next week we go over the first TMNT live action movie! ------------ Subscribe at screwitpodcasts.com to support the show and to get monthly bonus episodes. Proceed pay our server costs and anything leftover goes to comics-related charities. Email us at screwitcomics@gmail.com  

Improvisation Paths: Blues, Bebop, Modern

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