Podcasts about Bebop

2017-ben a Jazz Showcase színpadán mutatkoztak be, 2023-ban pedig már a Müpa tehetségbörzéjének esti sztárfellépőiként tértek vissza a Kaláka oldalán. Az elmúlt években a műfaj legfontosabb hazai és európai színpadait is meghódították annak ellenére, hogy a nevükben szereplő „jazz” saját bevallásuk szerint is csak részben fedi a valóságot. (És ha már szóba került a név: minden elegáns félrehallás ellenére az nem „dzsesszboá”, hanemhatározottan dzsesszbojz.) A fúziós hangzás és az erős hiphop-hatások mellett szó esik klubos jammelésekről, „fizetett próbákról”, a zeneiparba való betörésről és arról is, mi lehet a legjobb edzőtábor egy feltörekvő zenekarnak.Ezúttal a formáció két tagja, Sági Viktor basszusgitáros és Molnár Bencze billentyűs volt a Bebop vendége.A műsor háziasszonya: Náray Erika.

Rick Beato is a music educator, interviewer, producer, songwriter, and a true multi-instrument musician, playing guitar, bass, cello & piano. His incredible YouTube channel celebrates great musicians & musical ideas, and helps millions of people fall in love with great music all over again. Thank you for listening ❤ Check out our sponsors: https://lexfridman.com/sponsors/ep492-sc See below for timestamps, transcript, and to give feedback, submit questions, contact Lex, etc. Transcript: https://lexfridman.com/rick-beato-transcript CONTACT LEX: Feedback – give feedback to Lex: https://lexfridman.com/survey AMA – submit questions, videos or call-in: https://lexfridman.com/ama Hiring – join our team: https://lexfridman.com/hiring Other – other ways to get in touch: https://lexfridman.com/contact EPISODE LINKS: Rick’s YouTube: https://youtube.com/RickBeato Rick’s X: https://x.com/rickbeato Rick’s Instagram: https://instagram.com/rickbeato1 Rick’s Website: https://rickbeato.com Rick’s Ear Training: https://beatoeartraining.com The Beato Book: https://beatobook.com SPONSORS: To support this podcast, check out our sponsors & get discounts: UPLIFT Desk: Standing desks and office ergonomics. Go to https://upliftdesk.com/lex BetterHelp: Online therapy and counseling. Go to https://betterhelp.com/lex LMNT: Zero-sugar electrolyte drink mix. Go to https://drinkLMNT.com/lex Fin: AI agent for customer service. Go to https://fin.ai/lex Shopify: Sell stuff online. Go to https://shopify.com/lex Perplexity: AI-powered answer engine. Go to https://perplexity.ai/ OUTLINE: (00:00) – Introduction (00:28) – Sponsors, Comments, and Reflections (09:17) – Guitar solos (13:16) – Gypsy jazz and Django Reinhardt (14:48) – Bebop jazz (19:00) – Perfect pitch vs relative pitch (23:37) – Learning to play guitar (47:08) – Miles Davis (52:34) – Bass guitar (53:41) – Greatest guitar solos of all time (1:22:56) – 27 Club (1:27:37) – Elton John (1:30:51) – Metallica (1:35:21) – Tom Waits (1:41:12) – Greatest rock stars (1:44:35) – Beethoven (1:51:10) – Bach (1:54:01) – AI in music (2:07:52) – Sabrina Carpenter (2:11:23) – YouTube copyright strikes (2:16:59) – Spotify (2:27:51) – Guitars (2:32:13) – Advice PODCAST LINKS: – Podcast Website: https://lexfridman.com/podcast – Apple Podcasts: https://apple.co/2lwqZIr – Spotify: https://spoti.fi/2nEwCF8 – RSS: https://lexfridman.com/feed/podcast/ – Podcast Playlist: https://www.youtube.com/playlist?list=PLrAXtmErZgOdP_8GztsuKi9nrraNbKKp4 – Clips Channel: https://www.youtube.com/lexclips

Do we need new math to explain dark matter? Neil deGrasse Tyson and comedian Paul Mecurio explore unsolved problems in math, simulation theory, base systems and more with mathematician Terence Tao.NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here: https://startalkmedia.com/show/is-the-universe-a-math-problem-with-terence-tao/Thanks to our Patrons Drake Mccammon, Lourosa Thomas, Christopher, WireRider, Kevin Walter, Erik Majsai, Zoe Briskey, Roger W. Cavallo Jr., Tibi Chiorean, Maggie, Guy Cummins, Sean E, Sebastian, Ty Powell, Iceo Bergins, Anissa Aponte, Keith Autry, Guy_%, Kyle Kern, Scott Morris, Francisco Cueto, Psychoquark, Joe Rivera, Chris Coyle, Brian White, Michael Boring, Adrian Mihai, Rowdy Payton, Ben Huang, Jerred Cook, KennyS, Gonzalo Oria, Herb Tobias, Kevin Revels, Sean Taylor, AndersonRobotics, Faruk Arslan, Antonio Alcala, Rudolfo Munguia, Tim Winter, B Boyette, Pilar Rodriguez, Justin Brackenbury, Kosta Papageorgiou, Mickey Mouse, Charles Garcia, Sultan Bin Zaal, Brian Rall, Mike, Dave, Rodolphe Phelouzat, Joshua Fisher, Xan Kriegor, Michael L. Price, Wendy Welch, RichInDC, Justin Lebron, Brad Cook, Auralen Isara Maelis, Obi Wan Kenobi, Avinav Abraham, Stanko, Colton Murphy, Patrick Quinn, Haze, John Stamm, Roberto Delgado, Hans Gab, Richard Nolan, Tony R, Trisha Hadden, Stephen Flenley, Robby Vasquez, Abraham, Dr. Bebop, Damon, Richard Thompson, Prince N., David Rivanis, Daniel Slack, Guy Bergeson, Shawna Couplin, MrFish, Lisette Ramos-Voigt, Scott Mccoy, Steffen Thomas, Cassio Magellan Campos, Rodger Reinhardt, Michael Becker, Billie Lyons-Super, Todd Chambers, Mo Elzeinab, Talal, Joseph Glynn, John Hermanns, TheNaden, Mark Parker, Seth Davison, Anon328648926, and David Bentley for supporting us this week. Subscribe to SiriusXM Podcasts+ to listen to new episodes of StarTalk Radio ad-free and a whole week early.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Charlie Parker was punk rock before there was punk rock. His bebop was underground music: subversive, intellectual, and a major departure from popular music of the day (think: Nat King Cole, The Andrews Sisters, Perry Como). He was an intellectual heavyweight, nearly untouchable in his technical ability and pushing music to places no one else was daring to go. So where did Charlie Parker with Strings, his most accessible album, come from?It's not Bird going commercial, like some have claimed. Charlie Parker with Strings is an album he fought to make. He loved Bach and Stravinsky (even quoting the opening of Stravinsky's 'Firebird Suite' mid-solo in one legendary performance), and had longed to make a record where his jazz saxophone was accompanied by strings.The resulting record is music's greatest improviser at his best. Jazz pianists Peter Martin and Adam Maness listen to select tracks (like "Just Friends" and "Summertime"), breaking down the theory behind the music to understand what makes this album great. Jazz is the foundation of the most GENIUS music in recent history: Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo. In this popular music series, You'll Hear It, Adam and Peter break down the greatest albums of all time. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.Like the jam at the end of the show? Head to @openstudiomusic on YouTube for more.Visit openstudiojazz.com for ALLLLL your jazz lesson needs.00:00 - Intro: Charlie Parker with Strings01:10 - "Just Friends"04:40 - Want to Be a Great Musician? Study This Track10:20 - Early Recording: "Swingmatism" (1941)12:45 - The Secret to Charlie Parker's Genius: Practice15:20 - The Savoy Sessions: "Now's the Time" & Young Miles Davis18:20 - The Contrafact Built in Real Time21:45 - "Koko": Miles Davis Couldn't Play It?!24:30 - Musicians NEED to Listen to This27:15 - Think Parker Sold Out? Think AGAIN28:55 - "April in Paris": Parker's Chosen Tune33:55 - About Mitch Miller's Oboe ... 38:25 - "Summertime"44:10 - "Out of Nowhere"46:35 - We Have An Album! 47:20 - "East of the Sun"53:00 - "I'll Remember April"55:50 - Categories: Desert Island Tracks56:35 - The BEST Moments on Strings1:11:10 - Open Studio Plays "Just Friends"

Today, we're putting The Tonearm's needle on Toronto saxophonist Patrick Smith.Patrick has become a key player in the city's creative music scene. His new album, Words Underlined, came out in December on Lit Soc Records. It's the first release from the new label started by Sellers & Newell, a Toronto bookstore that moonlights as a music venue. Patrick recorded there with guitarist Dan Pitt and drummer Lowell Whitty. The trio plays without a bass, and the album alternates between composed pieces and full improvisations.A few episodes back, we featured a talk with Noah Franche-Nolan, who also collaborated with Dan Pitt. A link to that, and my November 2024 conversation with Dan, are both in the show notes.Patrick's here to talk about making music in the trio format, the Toronto scene, and why a bookstore was the right place to record.(The musical excerpts heard in the interview are from the album Words Underlined by The Patrick Smith Words Trio)–Dig DeeperArtist and Album:Visit Patrick Smith at patricksmithsax.com and follow him on Instagram and FacebookPurchase The Patrick Smith Words Trio's Words Underlined from Lit Soc Records, Bandcamp, or Qobuz and listen on your streaming platform of choiceListen to Patrick's fusion project Pangea: Rebirth on BandcampSellers & Newell and Lit Soc Records:Sellers & Newel Secondhand Books — Toronto's beloved College Street bookstore and performance spaceLit Soc Records on BandcampWhy this Toronto bookstore is starting its own record label — Toronto Today, November 2025Toronto bookstore is moonlighting as an underground live music venue — BlogTO, September 2021The Musicians:Dan Pitt — guitarist and composer, TorontoBetween the Lines of Dan Pitt's 'Horizontal Depths' - The Tonearm, November 2024Lowell Whitty — drummer and founding member of the Heavyweights Brass BandMentors and Influences:Mark Shim — saxophonist; Patrick's primary teacher in New YorkMark Shim at Manhattan School of MusicDave Young — Order of Canada recipient; Oscar Peterson's longtime bassist, now based in TorontoDavid Liebman — saxophonist, educator, and major post-Coltrane voiceDeveloping a Personal Saxophone Sound by David Liebman — available via J.W. PepperJeff Coffin — saxophonist; source of the Sonny Rollins quote relayed in the episodeMusical References:Paul Motian — the drummer whose bassless trio recordings were the direct inspiration for this projectPaul Motian Trio — It Should've Happened a Long Time Ago (ECM, 1985) — with Bill Frisell and Joe LovanoPaul Motian Trio — Time and Time Again (ECM, 2007) — with Bill Frisell and Joe LovanoJohnny Cash — My Mother's Hymn Book — the stripped-down solo Cash record Patrick cites as a model for songwritingSonny Rollins — saxophone icon; his advice about creativity as resistance runs through the episodeFrom Sacred Space to Silent Film — Noah Franche-Nolan Serves the Music - The Tonearm, February 2026 - Noah also collaborates with guitarist Dan Pitt–Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on Toronto saxophonist Patrick Smith.Patrick has become a key player in the city's creative music scene. His new album, Words Underlined, came out in December on Lit Soc Records. It's the first release from the new label started by Sellers & Newell, a Toronto bookstore that moonlights as a music venue. Patrick recorded there with guitarist Dan Pitt and drummer Lowell Whitty. The trio plays without a bass, and the album alternates between composed pieces and full improvisations.A few episodes back, we featured a talk with Noah Franche-Nolan, who also collaborated with Dan Pitt. A link to that, and my November 2024 conversation with Dan, are both in the show notes.Patrick's here to talk about making music in the trio format, the Toronto scene, and why a bookstore was the right place to record.(The musical excerpts heard in the interview are from the album Words Underlined by The Patrick Smith Words Trio)–Dig DeeperArtist and Album:Visit Patrick Smith at patricksmithsax.com and follow him on Instagram and FacebookPurchase The Patrick Smith Words Trio's Words Underlined from Lit Soc Records, Bandcamp, or Qobuz and listen on your streaming platform of choiceListen to Patrick's fusion project Pangea: Rebirth on BandcampSellers & Newell and Lit Soc Records:Sellers & Newel Secondhand Books — Toronto's beloved College Street bookstore and performance spaceLit Soc Records on BandcampWhy this Toronto bookstore is starting its own record label — Toronto Today, November 2025Toronto bookstore is moonlighting as an underground live music venue — BlogTO, September 2021The Musicians:Dan Pitt — guitarist and composer, TorontoBetween the Lines of Dan Pitt's 'Horizontal Depths' - The Tonearm, November 2024Lowell Whitty — drummer and founding member of the Heavyweights Brass BandMentors and Influences:Mark Shim — saxophonist; Patrick's primary teacher in New YorkMark Shim at Manhattan School of MusicDave Young — Order of Canada recipient; Oscar Peterson's longtime bassist, now based in TorontoDavid Liebman — saxophonist, educator, and major post-Coltrane voiceDeveloping a Personal Saxophone Sound by David Liebman — available via J.W. PepperJeff Coffin — saxophonist; source of the Sonny Rollins quote relayed in the episodeMusical References:Paul Motian — the drummer whose bassless trio recordings were the direct inspiration for this projectPaul Motian Trio — It Should've Happened a Long Time Ago (ECM, 1985) — with Bill Frisell and Joe LovanoPaul Motian Trio — Time and Time Again (ECM, 2007) — with Bill Frisell and Joe LovanoJohnny Cash — My Mother's Hymn Book — the stripped-down solo Cash record Patrick cites as a model for songwritingSonny Rollins — saxophone icon; his advice about creativity as resistance runs through the episodeFrom Sacred Space to Silent Film — Noah Franche-Nolan Serves the Music - The Tonearm, February 2026 - Noah also collaborates with guitarist Dan Pitt–Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Legendás énekes, zeneszerző és szenvedélyes pedagógus.Díjainál és elismeréseinél azonban sokkal többet mond róla, hogy előadóként és mentorként is megszámlálhatatlanul sokakat inspirált, és fordított a jazz sokszínű műfaja felé. Generációk gondolkodását formálta, és mások mellett olyan jelentős előadók pályáját segítette, mint Fábián Juli, Pély Barnabás, Harcsa Veronika, Gájer Bálint, Micheller Myrtill. Ráadásul azon dalszerző-előadóművészek közé tartozik, akik nem csak a szakma, de a közönség elismerését is maximálisankivívták. A Bebop podcast vendége ezúttal Berki Tamás. A műsor háziasszonya: Náray Erika.

Jazzdrum‑Playlist (Volgorde: van vroeg → modern) 1. Gene Krupa – “Sing, Sing, Sing” (Benny Goodman, 1937) De oerdonder van de swingdrums—Krupa maakt de toms en jungle‑feel wereldberoemd. 2. Baby Dodds – “Spooky Drums” (1946) Een solo-opname die laat horen hoe vroeg-jazzdrummers kleur, ritme en improvisatie benaderden. 3. Max Roach – “Cherokee” (met Charlie Parker, 1945) Razendsnelle bebop en totaal vernieuwend ride‑cymbalspel. 4. Art Blakey – “Moanin'” (1958) Blakey's “press roll thunder” en soulvolle drive: hét hard‑bop geluid. 5. Philly Joe Jones – “Two Bass Hit” (Miles Davis, 1958) Super strakke rudiments, dynamische fills, en meesterlijke controle. 6. Elvin Jones – “A Love Supreme: Pt II – Resolution” (John Coltrane, 1965) Golvende, spirituele storm aan polyritmiek. Volgens kenners één van de meest invloedrijke drumopnames ooit. 7. Tony Williams – “Seven Steps to Heaven” (Miles Davis, 1963) Williams was 17 (!) en revolutionair in drive, vrijheid en cymbal‑articulatie. 8. Roy Haynes – “Snap Crackle” (1962) Zijn bijna elektronische “snap & crackle” stijl komt hier volledig tot recht. 9. Billy Cobham – “Stratus” (1973) Kracht, snelheid, precisie: Cobham zet een nieuwe standaard voor fusiondrums. 10. Steve Gadd – Intro van 50 Ways To Leave Your Lover 11. Steve Gadd – “Foam Home” (Steve Gadd Band – 70-Strong, 2015) Legendarische precisie, frasevorming en groove—drummer's favorite. 12. Peter Weissink – Up Jumped Spring (Keys and Beats – 2024) Als toetje: de ‘huisdrummer’ en organisator van de Tor-JazzJamsessions: Peter Weissink en zijn muzikale companen John Hondorp en Sebatian Altekamp op hammond en piano. Drums en slagwerk vormen de ritmische motor van jazz. Van de vroege “trap sets” in New Orleans tot de complexe metriek van het modern jazz‑drummen: elke periode bracht nieuwe technieken, geluiden en muzikale rollen. 1. Vroege jazz & New Orleans (1900–1920) De moderne drumkit ontstond in New Orleans toen slagwerkers verschillende percussie-instrumenten combineerden tot één set (o.a. bass drum, snare en bekkens). Kenmerken Tweeledige rol: ritme én kleur Veel marching band‑invloeden Gebruik van vroege “rudiments” en eenvoudige ritmiek Belangrijke drummers Baby Dodds — pionier van het improvisatorische drumwerk Zutty Singleton — populair door zijn werk met Louis Armstrong 2. Swing Era & Big Bands (1930–1940) Met de opkomst van bigbands werd de drummer een tijd-keeper die de dansbare “swing feel” moest dragen. Kenmerken Focus op steady hi-hat en basdrum Grote orkesten → meer kracht en consistentie nodig Drumsoli worden een showelement Belangrijke drummers Gene Krupa — maakte de tom-toms beroemd, enorme showman Chick Webb — krachtig, invloedrijk swingdrummer Jo Jones — verplaatste de “time” van basdrum naar ride-bekken, een mijlpaal 3. Bebop (jaren 40) Bebop zette de drummer in een interactieve, minder voorspelbare rol. De muziek werd sneller, complexer en meer op improvisatie gericht. Kenmerken Ride-cymbal wordt het hoofdritme-instrument “Dropping bombs”: accenten op de basdrum Veel vrijheid en communicatie met solisten Belangrijke drummers Kenny Clarke — grondlegger van moderne bebop-drums Max Roach — melodisch drummen, polyritmiek Art Blakey — dynamisch en krachtig, bekend van Jazz Messengers 4. Hard Bop & Soul Jazz (jaren 50–60) De groove werd zwaarder en aardser, beïnvloed door gospel en blues. Kenmerken Sterkere backbeat Meer emotionele spanning Interactie met blazers en piano Belangrijke drummers Art Blakey (opnieuw) — echte hard bop‑architect Philly Joe Jones — strak, fel, met prachtige rudimental frases Elvin Jones — revolutionaire, golvende “drum‑storm” rond Coltrane 5. Modal Jazz en Post-Bop (jaren 60) De ritmische vrijheid neemt toe; drummers bewegen zich losser rond de beat. Kenmerken Minder voorspelbare patronen Veel gebruik van textuur en ruimte Accent verschuift van swing naar flow en kleur Belangrijke drummers Tony Williams — enorm vernieuwend op jonge leeftijd, bij Miles Davis Jack DeJohnette — lyrisch, open, breed geluid Roy Haynes — “snap, crackle”, lichte en springerige stijl 6. Jazz Fusion (jaren 70) Elektrische instrumenten en rockinvloeden brengen nieuwe energie. Kenmerken Krachtiger spel, rock‑dynamiek Complexe maatsoorten Gebruik van elektronische drums en percussie Belangrijke drummers Billy Cobham — stormachtig, technisch extreem sterk Lenny White — pionier bij Return to Forever Harvey Mason — funk‑jazz, strakke groove 7. Contemporary Jazz (jaren 80–heden) Hedendaagse drummers mengen jazz met wereldmuziek, hip-hop, elektronica, en nog veel meer. Kenmerken Hybride setups en elektronica Complexe metriek (bijv. 7/8, 11/8) Mix van jazz, pop, funk, hip-hop en indie-invloeden Belangrijke drummers Brian Blade — muzikaal, gevoelig, dynamisch Jeff “Tain” Watts — krachtige post-bop energie Mark Guiliana — pionier van elektrojazz en “future groove” Terri Lyne Carrington — veelzijdig, grensverleggend

Hey now and happy Cabal Wednesday! Today we bust into the episode talking about Don's first foray into tabletop roleplaying games, then get into some of the games we've been playing, including Rising Sun, In Front of the Elevator, Chu Han, Versailles 1919, and Bebop. Don and Jamie then put the spotlight on Cthulhu Dark Providence, the newest edition of Martin Wallace's classic A Study in Emerald, with Travis Chance lending his unique design flair to the mix. After that, Tony T gets down and dirty with his gaming news segment. And finally, the gang tackles a slew of listener-submitted questions. Rising Sun: 00:08:29, In Front of the Elevator: 00:19:21, Chu Han: 00:25:33, Versailles 1919: 00:32:54, Bebop: 00:39:08, Cthulhu Dark Providence Review: 00:56:47, News with Tony T: 01:33:15, Short Topic Extravaganza: 02:34:08. Check out our sponsors Restoration Games at https://restorationgames.com/ and Game Toppers at https://www.gametoppersllc.com/.

A hangszerész és a hangszerkészítő egyszerre kézműves, mérnök és művész: olyan szakember, aki ismeri a hangszerek fizikai működését, az anyagokat és akusztikai törvényszerűségeket, közben pedig rendkívül érzékeny a hangzás legfinomabb árnyalataira is. Amikor megjavít valamit, nem csupán csavarokat húz meg vagy alkatrészeket cserél, hanem egyensúlyt keres a funkció, a forma és hang között. Gyakran nagyon öreg, szebb napokat látott tárgyakkaldolgozik, amelyeknek saját történelme van, és amelyekből a lehető legjobbat csalogatja elő újra. Ez alkalommal Horváth Attila, a Vintage '52 Hangszervíz vezetője és Müller György zongorakészítő mesélt a hivatásáról. A műsor háziasszonya: Náray Erika.

Ben Masters goes deeper on mountain lion moms, their cute cubs, and what we still don't know about these ghosts of the wild.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Mothership Connection" von Parliament gilt als eines der bedeutendsten Funkalben aller Zeiten. Für das Musikerkollektiv Parliament Funkadelic, die hinter dem Konzeptalbum stecken, war es darüber hinaus das erste Album, das eine Platinauszeichnung bekommen hat. Die Inspiration für dieses Konzeptalbum hatte Mastermind George Clinton sich bei zwei anderen legendären Konzeptalben geholt: Bei "Sgt. Pepper" von den Beatles und bei "Tommy" von The Who. Die Idee von "Mothership Connection" ist wie auch schon beim Vorgänger "Chocolate City", dass Afroamerikaner in Situationen oder Positionen gebracht werden, in denen sie, zu der Zeit, nicht erwartet worden sind. Bei "Chocolate City" war das zum Beispiel das Weiße Haus in Washington D.C. und bei "Mothership Connection" ist das eben der Weltraum. Auch nach "Mothership Connection" beschäftigen sich Parliament bei ihren nächsten beiden Alben mit der Weltraumthematik. Für Musikredakteur Stephan Fahrig ist dieses Album so großartig, weil es "ein Schmelztigel von so vielem ist, was darin vorkommt". Vor allem schaffen Parliament es aber auf diesem Album einen "ganz neuen rohen Funk" zu entwickeln, erklärt Stephan Fahrig, der im Kontrast zu der sehr glatten Musik zu der Zeit steht, wie sie zum Beispiel die Commodores rund um Lionel Ritchie machten. Darüber hinaus vermischen Parliament auf diesem Album viele Musikgenres wie zum Beispiel den kultigen James-Brown-Funk, Bebop, Gospel und auch Rhythm and Blues. Und so wie sie den Mix aus den Genres präsentieren, sind sie für Stephan Fahrig "eine Vorgänger-Version des Hip Hop". Und der Kleber, der diese Band zusammenhält, so erklärt es Stephan Fahrig, ist eben Mastermind und Funklegende George Clinton. __________ Über diese Songs vom Album "Mothership Connection" sprechen wir im Podcast (16:13) – "P.Funk (Wants To Get Funked Up)"(24:11) – "Mothership Connection"(52:56) – "Give Up The Funk (Tear The Roof Off The Sucker)"__________ Alle Shownotes und weiterführenden Links zur Folge "Mothership Connection" findet ihr hier: https://x.swr.de/s/parliamentmothershipconnection __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

This week we bring everything in for a landing by studying an etude over Solar. Enjoy! WANT THE RESOURCES THAT GO ALONG WITH THIS EPISODE?? Head over to Jazz Skool and when you donate monthly you get the resources for this episode and many others We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support! WANT A VIDEO VERSION OF THIS PODCAST?? Head over to my YouTube Channel to view this episode!

Egy ilyen tekintélyes – és reményeink szerint még hosszú, termékeny pályát a magáénak tudó – művész esetében végtelenül unalmas volna felsorolni a díjait és elismeréseit. Az ő esetében sokkal fontosabb az a hatás, amelyet a hazai jazzszíntérre gyakorol. Meghatározó alakja ennek a vibráló közegnek, játéka és személyisége hidat képez generációk között, miközben a tehetséggondozás és a tanítás területén is elévülhetetlen érdemeket szerzett. Saját bevallása szerintszigorú pedagógus, ám ezzel együtt az ország legkedvesebb szaxofonművészének hírében áll, nem mellesleg pedig a közelgő Jazz Showcase zsűrijének állandó tagja. Ez alkalommal Borbély Mihály volt a Bebop vendége.A műsor háziasszonya: Náray Erika.

This week we explore another form of the bebop scale: tonic minor along with a new way of thinking about and practicing them. Enjoy! WANT THE RESOURCES THAT GO ALONG WITH THIS EPISODE?? Head over to Jazz Skool and when you donate monthly you get the resources for this episode and many others We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support! WANT A VIDEO VERSION OF THIS PODCAST?? Head over to my YouTube Channel to view this episode!

This week we take a look at more possibilities but switch over to major bebop scales. Enjoy! WANT THE RESOURCES THAT GO ALONG WITH THIS EPISODE?? Head over to Jazz Skool and when you donate monthly you get the resources for this episode and many others We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support! WANT A VIDEO VERSION OF THIS PODCAST?? Head over to my YouTube Channel to view this episode!

Today we present two piano instrumentals that explore the mysteries of Mist.  Strictly speaking, a “mist” can be defined by some water vapor that obscures your vision, but how many more evocative instances can you think of where a mist appears in a story or film, usually preceding an arrival of some spiritual manifestation? There was a video game called “Myst” (spelled with a Y) which featured a series of puzzles saturated with a heady whiff of the arcane. Your sight is always obscured; your emotional restlessness is never assuaged.  Erroll Garner and Bix Beiderbecke were two jazz titans writing compositions separated by 30 years that hint at this other-worldly quality inherent in the idea of the Mist. Their music excites the senses and tugs at the heart simultaneously; it's music that lifts off and keeps insinuating an urge to maintain altitude in an unresolved quest for landing, but never deciding on a perch.ERROLL GARNERMost of you probably know Johnny Mathis's version of Misty, with lyrics by Johnny Burke, that was a monster hit of 1959, but Erroll Garner wrote the song as an instrumental 5 years earlier, on a plane flight to Chicago's OHare airport, after seeing a rainbow through the airplane window. That's a fitting image for the complicated feelings invoked here: a glimpse of hope through tears. Influenced by Earl Hines, Garner played with spontaneous timing changes, liquidy octaval melodies, and improvised chordal voicings, and his contribution to jazz evolution was to reconcile the gap between BeBop spontaneity and Orchestral formalism. His style was so free that he was dubbed “the happy man” because this joy he exuded was so palpable. Misty was concocted from the eternal music of the spheres - maybe because his feet were not on the ground when he composed it.BIX BEIDERBECKEThe comet of Bix Beiderbecke's talent was a mystery in itself: dead from alcohol in 1931 at the age of 28, his cornet style and compositional originality continues to fascinate almost 100 years later. A self taught musician, Bix appeared from podunk Iowa and immediately became a ragtime sensation at the height of the Jazz era with The Wolverines, then with Paul Whiteman's orchestra (along with Bing Crosby). He was a white man playing a traditionally black form of music, which was a novelty, and that made him easier to market to middle America - but such genius is color blind.Although renowned for his horn playing, he composed In a Mist on piano in 1927 (he was 24), and it's here that you see the influence of the impressionist composer Claude Debussy, the creator of such sensuous works as Prelude to the Afternoon of a Faun and La Mer. Is this Jazz? How did he do it? Clearly, Bix was in touch with mystical forces beyond human understanding, or maybe, like Robert Johnson, he just made a deal with the devil. Either way, the spiritual quest suggested by these chord changes transports us into a misty continent of emotional confusion.

Vérforraló, békebeli vagy éppen avantgárd dallamok, összekoccanó poharak és izzó tekintetek – jazzklubokba járni azért jó, mert ezek a mágikus helyek a félhomályban születő improvizációk otthonai, ahol a zenészek és a közönség közös energiája élteti azt a műfajt, amelyért milliók rajonganak világszerte. Elég csak a legendás Village Vanguardra, aRonnie Scott'sra vagy a Blue Note egyre bővülő hálózatára gondolni. De mi a helyzet Budapesten? Meghívtuk Gőz Lászlót az Opus Jazz Clubból, Schön Györgyöt a Háló Jazz Klubból és Susszer Zoltánt a BJC-ből, hogy ők maguk meséljenek róla.A műsor háziasszonya: Náray Erika

Let's kick off the new year by covering some of my favorite ways to get completely fluent with the bebop scale! WANT THE RESOURCES THAT GO ALONG WITH THIS EPISODE?? Head over to Jazz Skool and when you donate monthly you get the resources for this episode and many others We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support! WANT A VIDEO VERSION OF THIS PODCAST?? Head over to my YouTube Channel to view this episode!

Az amerikai populáris zene legdominánsabb formája 1935 és 1945 között. Bigband, sok szóló, harsogó rezesek, lüktető ritmus. Ez a swing!2025. utolsó Bebop Podcast epizódjában a magyar jazzélet három ikonikus alakja érkezett vendégként Náray Erikához: Majsai Gábor, a kétszeres aranylemezes, Emerton díjas előadó, nagyzenekari jazz estek sztárvendége, aki az utóbbi években a swing műfaj nagykövetévé lépett elő, Szalóky Béla jazzharsona-előadóművész rendőr őrnagy, a Készenléti Rendőrség Zenekarának karmestere, a Benkó Dixieland Band tagja, valamint Gayer Ferenc kiváló nagybőgőművész, zenekarvezető. Igazán avatott képviselők járják körül az amerikai jazz egyik legnépszerűbb műfaját, a szvinget (vagy swinget).A műsor háziasszonya: Náray Erika

Send us a textThe Boardgame Specialists Podcast Episode 135: Top 9 Holiday GamesBe sure to follow us on discord.https://discord.gg/ssnqjsRFxV%0A Follow Carla at: IG: boardgamespecialist FB: Red Deer Board Game Fanatics Follow Mel at: IG: mels_boardgame_room FB Mel's Board Game Room YouTube: Mel's Board Room[7:07] Bebop[13:21] Cascadia: Rolling Rivers[16:53] Flip 7[20:48] Happy Salmon[23:05] Marble Dice (Aggravation)[27:01] Blank Slate[29:57] Piles[34:43] Ca$h 'n Guns[37:44] Skyjo[40:53] Hitster[44:17] Booty Dice[50:06] Anomia[53:35] Hitster[58:02] Caution Signs[1:01:52] Grab the Mic[1:06:43] It's a Balloon!?[1:08:52] Rabble[1:11:46] Incohearent[1:15:29] Bah! Humbug![1:19:25] Word Slam

EPISODE 339 - We take a look at the show that brought huge fame for the Turtle -- the original Saturday morning TV show.  Although primarily made as a way to promote the new toy line, the creators of this TV show also wanted it to be good. So there was a lot of thought put into this show. They took a lot of visual designs from the comic, but simplified the story considerable. They added new characters (Rocksteady and BeBop), half-new characters (Krang the talking brain) and gave April a more specific consistent personality.  We look at the first five episodes, which is the entire first season and which tell a single story.  The story gets complicated, but it's fun and thoughtful and... pretty darn good.  Hey, maybe these Turtles are gonna be around for a while. In Loose Screws, we talk about the new season of Stranger Things. Next week we go over the first TMNT live action movie! ------------ Subscribe at screwitpodcasts.com to support the show and to get monthly bonus episodes. Proceed pay our server costs and anything leftover goes to comics-related charities. Email us at screwitcomics@gmail.com  

Békebeli dallamok, szívmelengető hangulat és laza elegancia - ezen a héten a Hot Jazz Bandről lesz szó. Arról a formációról, amely mára megkerülhetetlen szereplője a magyar jazzéletnek, és immár 40 éve áll töretlen sikerrel a színpadon. De hogyan lehet a kötelező sorkatonaságban töltött időből valami olyat kihozni, ami végül országos, sőt határokon átívelősikert hoz, és évtizedeken át szerez örömet a zenerajongóknak? És mi közemindehhez a hazai színházi élet krémjének? Ezen a héten Bényei Tamás, a zenekar egyik alapító tagja a Bebop vendége, és más érdekességek mellett erről is mesél.A műsor háziasszonya: Náray Erika.

Improvisation Paths: Blues, Bebop, Modern

Új epizóddal folytatódik a zenei szakmák kulisszáit feltáró beszélgetéssorozatunk.Három alkotó, három út, két közös szenvedély: a zene és a tudás megosztása. Kóródi Tamás a gitár nyelvét tanítja megtévesztő könnyedséggel, de betonbiztos alapozással. Lugosi Dániel – aki hangmérnökként és előadóként is bejárta a színpad és a stúdió minden zegzugát – egyszerre lát (hall?) rá a zenére belülről és a pult mögül. Nóniusz Gábor pedig igazi legenda: producerként és mastering szakemberként a hangzás utolsó, hajszálpontos részleteit is a helyére csavarja. Mindhárman YouTube-on (is) formálják a jövő zenészeit és zenemánjait – elképesztően szórakoztatóan, mégis véresen komolyan véve a mesterséget. A műsor háziasszonya: Náray Erika.

Újabb évadához érkezett a jazzélet megkerülhetetlen alakjait felvonultató beszélgetéssorozatunk. Négyévesen minden zajérzékeny szomszéd rémálmával, a hegedűvel kezdte – a klasszikus, sőt: a népi „alapozás” tehát igen hamar megvolt. Jónéhány év komolyzenei szárnybontogatás után azonban egy határozott fordulattal a jazzéneklés felé vette az irányt, majd zeneszerzést is tanult. Igazán nem mondhatjuk, hogy ne járta volna körül többnézőpontból is a zenét, amely időközben a hivatásává vált. Mostanában a határtalan szabadságot kínáló jazz világából ismerhetjük, sikert sikerre, díjat díjra halmoz. A Bebop harmadik évadát Nagy Emmával indítjuk.   A műsor háziasszonya: Náray Erika

"The Bebop Bouncer: A New York Tale" by Robert Johnson

For this Halloween-themed episode, host Brian VanHooker talks with Randy Falk, the VP and General Manager of Product Development for NECA Toys. While NECA offers a wide variety of Teenage Mutant Ninja Turtles toys, Falk talks in depth about the newly announced Ben Cooper TMNT Costume Kids, part of the Ben Cooper Costume Kids toyline, which faithfully recreates Ben Cooper and Collegeville costumes from the 1950s to the 1980s with stunning accuracy, and places them on posable fiures. For the TMNT, there will be the four Turtles plus Shredder, Bebop and Rockseady, all coming in Wave 12 early next year. Sound engineering by Ian Williams. Follow TURTLE TRACKS PODCAST on Instagram: https://www.instagram.com/turtle_tracks_podcast/

Pianist / composer Thelonius Sphere Monk (born October 10, 1917), often referred to as the 'High Priest of Bebop', was one of the founders of the musical movement, alongside Charlie Parker and Dizzy Gillespie at Minton's Playhouse in Harlem. His idiosyncratic piano style and compositions are so distinctive as to be immediately identifiable as completely his own. His total originality is undeniable, there is only one Monk!

Best Of 2GG: Bebop Eats Brooke's Labubu PART 2 by Two Girls and a Guy

Best Of 2GG: Bebop Eats Brooke's Labubu PART 1 by Two Girls and a Guy

Listen to an hour of music celebrating the legacy of The Bebop Society of Indianapolis. Hear rare recordings from Avenue musicians, including Wes Montgomery, Carl Perkins, David Baker, Pookie Johnson and more. In the early 1940s, a new style of jazz music known as bebop began to emerge. Bebop marked a revolutionary shift in jazz, breaking away from the swing dance music of the 1930s. Bebop was born in after-hours jam sessions at venues like Minton's Playhouse in Harlem. Bebop developed as musicians sought greater artistic freedom and technical challenge. Artists like Charlie Parker, Dizzy Gillespie, and Thelonious Monk pushed the boundaries of harmony, rhythm and improvisation. They created a style that featured fast tempos with complex melodies and chord progressions. Bebop transformed jazz into a modernist art form that focused on creativity, over commercial appeal.  Here in Naptown, the Avenue was the place to hear bebop music. In 1946, Dizzy Gillespie performed at the Avenue's Sunset Terrace nightclub, and in January of 1948 Charlie Parker played there too. 1948 was also the year that a collective of Naptown musicians and music fans, formed The Bebop Society of Indianapolis.  At that time, bebop music had not yet gained, widespread acceptance among music fans. The Bebop Society held concerts and lectures to educate the public on the music's importance Their events were not held in nightclubs,  the society hosted gatherings in community centers, including, The Senate Avenue YMCA, The Phyllis Wheatley YWCA, The Flanner House, and the Crispus Attucks High School auditorium. Guest speakers at the Bebop Soierty's events, included Crispus Attucks' music teacher Norman Merrifield and Jack Tracey, an editor for Down Beat magazine.  The Bebop Society also fought against racial segregation at music events. In 1948, members of the Bebop Society desegregated a Stan Kenton concert, at Riverside Park. As headline, in the Indianapolis Recorder stated, “Youth Group Breaks Jim Crow and Attends Concert at Riverside”. The Society also provided scholarships for talented young musicians, including the future Avenue jazz star David Baker.  But The Bebop Society's main focus was music, and their concerts featured the greatest jazz musicians in Naptown, including Pookie Johnson, Wes Montgomery, Carl Perkins, Buddy Montgomery, Monk Montgomery, Joe Mitchell, Maceo Hampton, Les “Bear” Taylor, Benny Barth, and Willis Kirk,  who served as president of the Society in 1950.

Jerry Angelo Brooks, who uses the stage name J. B. Smoove, is an American actor, comedian, writer, and voice actor. He started his career in 1995 on Def Comedy Jam and later became a writer and performer for Saturday Night Live. Smoove is also known for his role as Leon Black in season six of Curb Your Enthusiasm, where he became a fan favorite. As a voice actor, he has portrayed characters such as Bebop, Frank the Plant, and Anton Zeck. Bobbys World Merchandise from Retrokid: https://retrokid.ca/collections/bobbys-world Howie Mandel Does Stuff available on every Podcast Platform Visit the Official Howie Mandel Website for more: https://www.howiemandel.com/ Howie Mandel Does Stuff Merchandise available on Amazon.com here https://www.amazon.com/shop/howiemandeldoesstuff Join the "Official Howie Mandel Does Stuff" Reddit: https://www.reddit.com/r/HowieMandelPodcast/ Thanks to Our Sponsors: Ever wonder if you've taken your daily medication? It's a common concern, with many accidentally missing doses or taking them twice. The Carroself smart pill system offers a simple solution to stay on track, whether at home or traveling, with pre-filled cartridges that eliminate guesswork. For a limited time, receive $50 off the Complete Carroself™ Smart Pill Dispenser Full Set using the code 'CARE4U' on their website. Immod Innovations has come up with a daily supplement designed to support how you feel from the inside out. CellBB Immune Equilibrium boasts this fancy blend of... what do they call it? Bioactive phospholipids. I don't know what that means, but it sounds smart—and apparently, they help keep your cells happy and balanced, doing their thing to support your immunity and even contribute to healthy aging. For an extra 10% discount storewide AND free shipping in the US, use the code 'HOWIE10' at immodinn.com. Ever had a minor symptom send you down a rabbit hole of online medical searches, leading to unnecessary panic? There's a way to move past the anxiety of the unknown and get concrete answers about your health. With Cancer Check Labs at-home blood test reviewed by board-certified pathologists, you can get factual results without the doomscrolling. Take control of your health journey and head over to CancerCheckLabs.com now! When your mind is overwhelmed like a browser with too many tabs open, Vagal Oh! can help. It's a wireless, non-invasive stimulator that gently clips to the ear. With one tap of the app, it sends a calming signal via your vagal nerve, helping to reset your nervous system. For a limited time, you can get $100 off by visiting vagal.com and using the code HOWIE100. #CalmTech #BetterSleeop #VagalStimulation Say Hello to our house band Sunny and the Black Pack! Follow them here! YouTube: https://www.youtube.com/@BlackMediaPresents TikTok: https://www.tiktok.com/@blackmediapresents Spotify: https://open.spotify.com/artist/01uFmntCHwOW438t7enYOO?si=0Oc-_QJdQ0CrMkWii42BWA&nd=1&dlsi=a9792af062844b4f Facebook: https://www.facebook.com/SunnyAndTheBlackPack/ Instagram: https://www.instagram.com/blackmediapresents/ Twitch: https://www.twitch.tv/blackmediapresents Twitter: twitter.com/blackmedia @howiemandel @jackelynshultz @ohsnapjbsmoove

Join us for an in-depth conversation with legendary voice actor Greg Berg, known for voicing Baby Fozzie and Baby Scooter in Muppet Babies, Donatello and Bebop in Teenage Mutant Ninja Turtles, and Igor in Transformers: Dark of the Moon. Greg shares insights from his extensive career in animation and video games, discussing his creative process, how he brings characters to life, and stories from behind the mic. Whether you're a longtime fan of his work or interested in the world of voice acting, this episode is full of inspiration and insider knowledge. Follow us on social media @3geekspodcast and visit 3geekspodcast.com for more content and updates.

Best Of 2GG: Bebop and Rocksteady LOVE Uncle Harry by Two Girls and a Guy

Michael Pressman's 1991 heroes in a half-shell sequel, TEENAGE MUTANT NINJA TURTLES II: THE SECRET OF THE OOZE, is our feature presentation this week. We talk the clash between the original creators and the producers, the work of Jim Henson's Creature Shop, recasting "April O'Neil", and where in the hell are Bebop and Rocksteady? We also pick our TOP 7 COMIC BOOK MOVIE SEQUELS in this week's Silver Screen 7!  Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

Show Notes:On this episode of the Backstage Bay Area Podcast, host Steve Roby sits down with the legendary Paquito D'Rivera—multi-Grammy-winning saxophonist, clarinetist, and composer—for a lively conversation that bridges continents, genres, and generations.Paquito shares the inspiration behind his acclaimed album, Jazz Meets the Classics, revealing how his father's classical roots and his own love for improvisation shaped a project that reimagines European and New World composers through a jazz lens. Hear how Chopin's "Fantasia Impromptu" gets a Cuban and Brazilian twist, and why Bach might just be the original bebopper.The episode features insights into the creative process, the art of improvisation, and the unique chemistry of Paquito's quintet—featuring Diego Urcola (trumpet), Oscar Stagnaro (bass), Mark Walker (drums), and Alex Brown (piano). Paquito also previews his upcoming performances at the SFJAZZ Center's Miner Auditorium, promising two nights of surprises, spontaneity, and musical magic.Links & Resources:Tickets for Paquito D'Rivera at SFJAZZ: sfjazz.orgPaquito D'Rivera's official website: paquitodrivera.comMore about the album: Jazz Meets the ClassicsDon't miss:The story behind "Fantasia Impromptu" and its journey from Chopin to HavanaWhy every live jazz show is a new adventureWhat makes performing in the Bay Area special for PaquitoSubscribe, share, and join us backstage for a masterclass in musical fusion!Photo by: Geandy Pabon

Episode 89: Four Strings Bass Panel Returns! Featuring past guests and psychobilly bass players Kris from The Quaranteds, Bebop from The Sindicates, and special guest Oliver from The Hillbilly Moon Explosion, who joins us from Switzerland. We chat about music, cars, food, and, of course, bass gear.     Links:   - [Hillbilly Moon Explosion] https://www.hillbillymoon.com/ - [Beer with Bear] https://linktr.ee/beerwithbearpodcast?utm_source=linktree_profile_share<sid=169033fc-332f-4339-9467-43c075eeb9e1 -[Oliver Baroni]https://www.instagram.com/slapmesideways?igsh=MzRlODBiNWFlZA==    

Chris and Corey are joined by Blackpearl Group's CTO, Sam Daish. In this episode, he's dousing us with the reality of why most sales AI tools are basically expensive cat toys. Blackpearl has built Bebop.AI, a tool that makes sense as an addition to a sales pro's tech stack. It could probably replace several nonsensical shiny AI  tools they are currently batting around instead of making calls. Corey's firing questions about AI fatigue (because let's face it, we all have it), while Chris goes full mathematician on us with this brutal insight: sales reps are like cats chasing laser pointers with AI. Lots of movement, lots of fascination, but nobody's actually catching anything. You may wonder how this fits in with BeBop.ai. It will make more sense after you hear the origin story - they almost called it "Hot Pipe" until someone pointed out the, uh, alternative interpretations. Instead, they went with a full bebop jazz vibe in the function and tone because they wanted sales to feel like improvisation, not a pile of dated rigid playbooks. As the real kicker, Chris breaks down why most AI implementations fail: false negatives. You're not just calling the wrong people - you're missing the right ones entirely. And Sam's nodding along because BebopAI tackles this by making the entire Internet your database instead of some limited proprietary dataset. The feature that gets reps most excited? Not the fancy prospect data. It's the objection handling. Turns out confidence beats information every time. Join us for this episode, “The Laser Pointer Problem: Why your reps are chasing AI like distracted cats .” Action Items Suggested in This Episode: For Sales Leaders/CROs Audit your AI strategy focus - Are you trying to bring bottom performers up, or amplify your top performers? Chris argues the latter delivers exponentially better ROI Identify your "Jonti McLarens" - Find your top performers and give them 10% more time/better tools (equivalent to adding 10 middle-tier reps) Evaluate your current AI tools - Are they creating "laser pointer cat" behavior or getting reps to more conversations? For Sales Reps Test BeBop.ai's's dossier approach, with a special focus on the objection handling feature that receives the most positive feedback. Use AI for discovery prep, not avoidance - Read dossiers in the minutes before scheduled meetings when memory retention is highest. Ask "why" to AI responses - Sam emphasizes this helps uncover hallucinations and improves reasoning. For Sales Operations/Enablement Shift from proprietary databases to "Internet as database" tools - Evaluate platforms that can digest broader data sources Implement AI that works as "companion, not a replacement" - Focus on tools that enhance human expertise rather than substitute for it Measure false negatives, not just false positives - Track opportunities missed, not just wrong prospects contacted For Product/Marketing Teams Load your website into BebopAI - Sam says this simple step works really well for basic company understanding Document your go-to-market messaging - Feed it into AI tools for consistent, company-specific responses. Create objection handling libraries - The most requested feature, according to Sam's feedback. For Executives/Investors Recognize top salespeople as an innovation economy constraint - Chris's thesis: Elite sales performance limits how fast innovation spreads Budget for commission accelerators - Top performers using AI tools may exceed traditional quota expectations Rethink headcount-based scaling - Focus on amplifying existing top talent vs. adding middle-tier reps Immediate Next Steps Try the "Internet as database" approach - Ask AI tools open-ended questions like "find me customers for [your company]"

It's the year of the villain! In the second in a 2-part series, we break down issues #5-8 of IDW's Teenage Mutant Ninja Turtles: Villains Micro-Series! This part covers the driven Oroku Karai, underlings Bebop & Rocksteady, Arnold "Hun" Jones, and Oroku Saki, the Shredder himself! While this may be a brief four issues, the discussion os anything but, so enjoy this giant-size episode!

Episode 216 of "TMNT - The Talk" in English. I am talking about "TMNT: Mutant Nation#6" and "TMNT: Mutant Nation#7" by IDW Comics. Check out the website at https://www.tmnttalk.com/ or send me an e-mail at tmnttalk1984@gmail.com.

Terry Gibbs is a legendary jazz vibraphonist. He's 100 years young. He played with most of the greats in jazz music beginning in the Bebop era of the 1940s, including Benny Goodman, Buddy Rich, Woody Herman, Charlie “Bird” Parker and Dizzy Gillespie. He's won 3 major jazz polls, and he's recorded 65 albums, his last when he was 94. My featured song is not one of mine in this instance. It's “Hot Blues”, by my guest Terry Gibbs together with Lolly Allen. YouTube link .---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Black Rock City's soundscape is a wild ride from Afro-punk to Zydeco. This episode explores the why and how of two styles: the thumping electronic dance music that makes BRC a DJ's Meccathe anything-goes improv of jazz, a dusty mirror to the Burner spiritStuart, a self-proclaimed EDM newbie, gets a crash course from a DJ in the know. He chats with a legendary DJ about how Burning Man transmogrifies DJ culture into something utterly unique. It's a refreshing deep dive for aficionados!Then, Allie spins the radio dial through BRC's sonic smorgasbord and tunes into jazz. For decades, the Playa Jazz Cafe has been hosting live musicians in a dreamy, pop-up club. Camp lead and "hack” jazz musician Neil Kelly shares stories of serendipity, alchemy, and in-the-moment vibes of jazz at Burning Man.What's the common beat between a big-name beat-dropper and a jazz flow pro? BRC magic cannot be bottled without a loss of taste and potency. You just gotta be there.en.wikipedia.org/wiki/The_Scumfrogcampsite.bio/thescumfrogplayajazz.com/tunesinstagram.com/playajazzcafefacebook.com/PlayaJazzCafezingari.com/niel-kelly.html LIVE.BURNINGMAN.ORG

“He's the walking dead!” - Eric on contemporary Sly's look On this week's episode, the Summer Blockbuster Extravaganza launches into month two by celebrating the Totally Cool Awesome 80s! First up, we're talking about the stupidly-titled Rambo: First Blood Part II! How funny is it that this movie pulls a complete 180 on the philosophy of the first film? How great is Sly's hair in this one? Couldn't they have had a few more action scenes with Martin Kove? How wild is it that Predator completely ripped off the Rambo covered in mud bit? And why didn't Murdock get a rockin' death in this? PLUS: Fellow veterans, Bebop and Rocksteady, meet John Rambo! Rambo: First Blood Part II stars Sylvester Stallone, Richard Crenna, Charles Napier, Steven Berkoff, Julia Nickson, George Cheung, and Martin Kove as Ericson; directed by George P. Cosmatos. Today's episode is brought to you in part by Car Gurus! Buy or sell your next car today with Car Gurus at cargurus dot com. Go to cargurus dot com to make sure your big deal is the best deal. That's C-A-R-G-U-R-U-S dot com. Cargurus dot com!  Don't miss our next Worldwide Digital Event, happening Friday, June 20th at 9pm/eastern where we'll be LIVE talking about a total superhero all-timer, Superman II! Join us that night to revel in all the fun with Zod & Friends, everyone at the Daily Planet, and the two legendary performances from Christopher Reeve and Gene Hackman! Replay available for 14 days after broadcast!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

Send us a textStrap in for a jazz-fueled journey through space as we explore the first half of the legendary anime Cowboy Bebop. This genre-defining series from 1998 follows a ragtag crew of bounty hunters aboard their ship, the Bebop, traveling through a post-apocalyptic solar system where humanity has spread to the stars.What sets Cowboy Bebop apart from its contemporaries? Nearly everything. From its meticulously crafted animation with no recycled scenes to its revolutionary jazz soundtrack by Yoko Kanno and The Seatbelts, this show broke every convention of what anime could be. We dive deep into the noir aesthetics, the complex character dynamics between Spike, Jet, Faye, Edward and Ein, and the show's unique approach to storytelling that relies heavily on vibes and atmosphere rather than exposition.The first 13 episodes introduce us to a world that feels lived-in and believable, where technology seems plausible yet fantastical. We explore standout moments like the breathtaking church scene in "Ballad of Fallen Angels" and the horror-inspired bottle episode "Toys in the Attic." Beyond just analyzing the show itself, we discuss Cowboy Bebop's massive influence on western media, particularly its striking similarities to Joss Whedon's Firefly, demonstrating how this anime transcended cultural boundaries to impact science fiction storytelling worldwide.Whether you're rewatching this classic or experiencing it for the first time alongside our hosts, you'll discover new details and perspectives on what makes Cowboy Bebop one of the most enduring and beloved anime series of all time. Be sure to subscribe and join us next week as we complete our journey through the remaining episodes of this masterpiece. See you, Space Cowboy!Twitter handles:Project Geekology: https://twitter.com/pgeekologyAnthony's Twitter: https://twitter.com/odysseyswowDakota's Twitter: https://twitter.com/geekritique_dakInstagram:https://instagram.com/projectgeekology?igshid=1v0sits7ipq9yYouTube:https://www.youtube.com/@projectgeekologyGeekritique (Dakota):https://www.youtube.com/channel/UCBwciIqOoHwIx_uXtYTSEbASupport the show

Hello and welcome to the only podcast that is "Regular Features". In this episode, Joe samples forbidden chlorinated delicacies of the new world, Ryan Coogler bugles his way into and out of yet another scrape, and Steve wonders what if Bebop out of Ninja Turtles wound up Pope.

Welcome to the place where we get to let our geek flags fly and talk about all things geek. Basically a fuzzy guide to life, the universe, and everything but mostly geek stuff. This level of the podcast takes a villainous turn or I should be more clear and say that Blue and I spent a couple hours chatting all about some of our favorite villains. Join us as we converse about:Plankton / Don Carnage / Ursula / Sideshow Bob / Crasher (Go Bots) / David Xanatos / Tai Lung / The Beast (Over the Garden Wall) / Gaston Legume /  Sid Phillips / Wrath-Amon / Dick Dastardly & Muttley / Hades / Skullmaster / Mojo Jojo / Judge Claude Frollo / Brilliant Dynamites Neon (Trigun) / Storm Shadow / Chernabog / Emperor Beld (Record of Lodoss War) / Soundwave /  Grigori Rasputin / Lordgenome aka The Beast King (Gurren Lagann) / Aku (Samurai Jack) / Toro the Carnataurus / The Lich (Adventure Time) / Yosemite Sam / Bill CipherHonorable Mentions: The Rat King (TMNT), Darth Maul, Shere Khan (Tail Spin), Rocksteady & Bebop, Shockwave. The Juggernaut, Mr Freeze, Poison Ivy, The Monarch (Venture Bros), Wile E Coyote, Destro, Phantasm, Grand Admiral Thrawn, Count Dooku, The Joker, Hopper, Ice King, Captain Hook & Smee, Professor Doofenschmirtz, Gru, Emperor Zurg, Henry J Waternoose III, Scar, Megatron, Oogie Boogie, The Grinch, Boris Badenov and Natasha FataleCongrats on completing Level 443 of the podcast! Think positive, test negative, stay safe, wash your hands, wear a mask, and good luck out there. Feel free to contact me on social media (@wookieeriot). You can also reach the show by e-mail, laughitupfuzzballpodcast@gmail.com. All other links are easily findable on linktr.ee/laughitupfuzzball for merch, the Facebook group, etc. I'd love to hear from you. Subscribe to the feed on Spotify, Apple podcasts, Google podcasts, or any of the apps which pull from those sources. Go do your thing so I can keep doing mine. If you feel so inclined, drop a positive rating or comment on those apps. Ratings help others find the madness. Tell your friends, geekery is always better with peers. Thank YOU for being a part of this hilarity! There's a plethora of ways to comment about the show and I look forward to seeing your thoughts, comments, and ideas. May the force be with us all, thanks for stopping by, you stay classy, be excellent to each other and party on dudes! TTFN… Wookiee out!

Adam Ganser and Abe Epperson discuss the 1998 anime Cowboy Bebop. This time, we talk about session #9, Jamming with Edward. Our last Bebop crew member has arrived. 3, 2, 1. Let's jam. Features: Adam Ganser: https://bsky.app/profile/ganz.bsky.social Abe Epperson: https://bsky.app/profile/abeepp.bsky.social Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans Check our store to buy Small Beans merch! https://www.teepublic.com/stores/the-small-beans-store?ref_id=22691

00:02:00 Intro 00:06:30 Thoughts on Feast of Hemlock Vale 00:09:30 Dice Driven Euros 00:11:30 Starcraft Miniature Games 00:17:00 Pickleball Elbow 00:21:00 Taste Buds 00:25:30 Portal Games 00:28:00 Nova Era 00:51:30 Top Tier 00:57:00 Miniature Market 00:58:00 Bebop 01:10:00 Architects of Amytis 01:18:00 Game Toppers LLC 01:2100 Star Wars Unlimited Update We are back again for another riveting episode of RDTN. But there is a surprise in this episode, there is somewhat a theme with the games we played. We are going to be talking about dice driven euros, meaning a euro with dice. Okay, that could have gone without saying. Not all games we talk about are euro dice, so don't miss those discussions as well. When you get a chance after listening to the episode, we would appreciate taking the time over at Boardgamegeek and giving us a vote for best podcast. Thank you in advance. Learn more about your ad choices. Visit megaphone.fm/adchoices

Miles Davis is jazz's first and only rock star, with the rap sheet to prove it. He did enough cocaine to run down the entirety of 52nd street, and pimped out women when performing wasn't paying the bills. At one point, his heroin habit was so public that clubs who had once welcomed his brilliant bebop instead froze him out completely. When he wasn't vying to keep his rightful spot in jazz's upper echelon, he was doing time at Rikers Island or dodging racist cops on the prowl for any junkie they could find. Miles Davis invented cool, but nearly destroyed himself in the process. This episode contains themes that may be disturbing to some listeners and includes descriptions of domestic violence. This episode was originally published on May 3, 2022. To see the full list of contributors, see the show notes at www.disgracelandpod.com. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices