Podcasts about Columbia Records

What if AI isn't replacing creativity, but expanding it in ways we've never seen before? Rick Rubin joins Ryan to discuss the mysterious nature of using AI throughout the creative process. They talk about what vibe coding is, why structure can unlock freedom, and revisiting ancient philosophy to uncover new insights.Rick Rubin is a renowned American record producer and the co-founder of Def Jam Recordings, founder of American Recordings, and former co-president of Columbia Records. He has produced albums for a wide range of acclaimed artists, including the Beastie Boys, Run-DMC, Public Enemy, Red Hot Chili Peppers, Metallica, Audioslave, Rage Against the Machine, and Johnny Cash. He has won nine Grammys and has been nominated for 12 more. He has been called “the most important producer of the last 20 years” by MTV and was named on Time‘s list of the “100 Most Influential People in the World”.

Paul Rappaport was Senior Vice-President of Rock Promotion at Columbia Records, where he enjoyed a thirty-three-year career playing a pivotal role in […] The post Paul Rappaport , Columbia Records Head of Rock Promotion for 30 Years first appeared on The Rock and Roll Geek Show.

Translator was one of those bands on the precipice of breaking big in the 80s. Signed to local indie label 415 Records, they soon found themselves part of the big-time music business when their label signed a distribution deal with Columbia Records. In 1982, their single, "Everywhere That I'm Not”, became popular on the burgeoning college radio circuit.  In 1986, the band decided to call it quits, scheduling a hometown show to reward their ardent fan base with a final San Francisco show. This performance, along with two new songs, are now available on an LP entitled Translator--Beyond Today: Live at the Farm San Francisco 1986. Lead singer/guitarist Steve Barton and drummer Dave Scheff join the podcast to look back at their 80s musical journey, as well as offer some insight into new developments within the band.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Translator was one of those bands on the precipice of breaking big in the 80s. Signed to local indie label 415 Records, they soon found themselves part of the big-time music business when their label signed a distribution deal with Columbia Records. In 1982, their single, "Everywhere That I'm Not”, became popular on the burgeoning college radio circuit.  In 1986, the band decided to call it quits, scheduling a hometown show to reward their ardent fan base with a final San Francisco show. This performance, along with two new songs, are now available on an LP entitled Translator--Beyond Today: Live at the Farm San Francisco 1986. Lead singer/guitarist Steve Barton and drummer Dave Scheff join the podcast to look back at their 80s musical journey, as well as offer some insight into new developments within the band.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a message, so we know what you're thinking!A “Deep Cut” is something that is recognisable or familiar to passionate fans but not usually to others.  As a special treat this week, we've delved into our collections to give you some deep cuts from our favourites – things like Queen, Bowie, Joe Cocker, Nick Cave and TISM. We think you'll love them,   In Rock News, Jeff delves into songs that turn 60 on 2025, looks at Sunday Lunch with Toyah and Robert Fripp, and looks at Yachtley Crew, a strange phenomenon from California.  Our Album You Must Hear Before You Die this week is Raw Power (1973) by Iggy and the Stooges. The lo-fi production on this highly influential album is the source of much tension between Bowie and Iggy, much of it not fair. We liked it!  Enjoy.  Playlist  Songs that turn 60 this year  Sunday Lunch with Robert and Toyah  Yachtley Crew Peter Cook as The BishopREM on Letterman References:  Raw Power, Iggy Pop, The Stooges, John Cale, Columbia Records, Sex Pistols, Johnny Marr & The Smiths, Kurt Cobain, Nirvana, MainMan, Tony DeFries, Sonny Boy Williamson, Ron Asheton, Scott Asheton, “Gimme Danger”, “Search and Destroy”, Iggy on Countdown, radio-friendly, Bowie, “The Man Who Sold the World”, Unplugged, Roxy Music, “For Your Pleasure”, Roxy live in Sydney – 2001 & 2011, The Police, “Bring on the Night”, Regatta de Blanc, white reggae, T.S. Eliot, “The Love Song of J. Alfred Prufrock”, Joe Cocker, “Many Rivers to Cross”, Sheffield Steel, Queen, “Fairy Fellers Master Stroke”, Richard Dadd, State Criminal Lunatic Asylum of Bethlem Royal Hospital – Bedlam, Nick Cave, “Papa Won't Leave You, Henry”, Henry's Dream, John Cale, “Close Watch (I Keep a)”, Helen of Troy, Music for a New Society, Fragments of a Rainy Season, REM, "So. Central Rain (Sorry)", Reckoning, Lou Reed, “Street Hassle”, Warren Zevon, “Hit Somebody!  (The Hockey Song)”, My Ride's Here, Carl Hiassen, “Bad Monkey”, Vince Vaughan, David Letterman, Enjoy Every Sandwich, Jimmy Webb, “Galveston”, Kate Bush, Aerial, "Pi”, Pete Townshend, “The Sea Refuses No River”, All the Best Cowboys Have Chinese Eyes, TISM, Great Trucking Songs of the Renaissance, "The Ballad of John Bonham's Coke Roadie"  

In this episode we explore the lesser-known but historically rich Johnson City Sessions of 1928 and 1929. While the Bristol Sessions are often credited as the “Birthplace of Country Music,” Johnson City played a vital follow-up role in capturing the authentic sounds of Appalachia.Frank Buckley Walker, a Columbia Records talent scout, recorded local musicians in a Johnson City lumber company office, including Clarence Ashley, Charlie Bowman, and the Roane County Ramblers.It's another one of the Stories of Appalachia.Be sure to subscribe to the Stories podcast on your favorite podcast app.

Listen on your favorite podcast service: https://pods.to/wesoundcrazy Join our We Sound Crazy email list: https://ffm.link/wsc-signup Stream songs from the episode on our official We Sound Crazy playlists: https://lnkfi.re/8I8Drkfz Welcome to another episode of We Sound Crazy, your official backstage pass to all things music and culture!  This week, we are honored to welcome R&B-Pop icon, Grammy Award-winning singer, songwriter, and genius, Ne-Yo to the podcast.  In this extensive conversation, Ne-Yo shares insights from his remarkable 20-year career, discussing his approach to touring then versus now, emphasizing his commitment to live performances over lip-syncing.  He reflects on the recent "Mary J. Blige Strength of a Woman Tour" with special guest Mario, highlighting the amazing experience and the powerful moment of performing "You Should Let Me Love You" with Mario for the first time.  Ne-Yo delves into his early career, including his challenging experience with Columbia Records and the creative freedom he found at Def Jam under L.A. Reid, which shaped his debut album.   He discusses the evolution of R&B, the importance of male vulnerability in songwriting, and how it is a subject matter he still wishes to explore in his music. He and Chuck Harmony recount the serendipitous story of their first collaboration, which sparked Harmony's career and led to Ne-Yo writing hits for Céline Dion, Mary J. Blige, and Janet Jackson in a single night!  Ne-Yo also shares the creation process behind his own hits like "So Sick" and "Closer," revealing how L.A. Reid strategically planned the release of "Stay" before "So Sick" as a "jab before the knockout punch."  He recounts the surprising origin of Beyoncé's "Flaws and All," initially intended for Britney Spears, and how Rihanna's "Good Girl Gone Bad" album also came from songs originally written for Britney.  Ne-Yo shares his desire to collaborate with Stevie Wonder, who, along with Michael Jackson, influenced his acceptance of his own voice.  He also tells the wild story of his group Envy's disastrous performance on Showtime at the Apollo.  Finally, Ne-Yo addresses his personal life, discussing his decision to be open about his polyamorous relationships and offering candid advice on honesty and living authentically.  This is one for the books! So you don't want to miss it.  Stop what every else you're doing and press play now! We Sound Crazy is your backstage pass to all things music and culture. Special thanks to our We Sound Crazy team! Director: Aaron Walton Camera Op: Darius Jones, Aaron Walton Editing: Lamont Baldwin Producer: Aaron Walton Show Producer/Remixer: Michael "Roux" Johnson Assistant: Brittany Guydon Photography: Darius Jones  Thank you to all of our listeners, as well as our partners at Visit Music City.   Special thanks to Ne-Yo and the Compound Entertainment team! Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast.  Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #Ne-Yo Learn more about your ad choices. Visit megaphone.fm/adchoices

Show #1105 Wine Time 01. Miss Lily Moe - Wine Is Fine (2:02) (Wine Is Fine, Rhythm Bomb Records, 2018) 02. Big Harp George - Wine Is My Friend (3:46) (Cooking With Gas, Blues Mountain Records, 2024) 03. Floyd Dixon - Wine Wine Wine (2:40) (78 RPM Shellac, Aladdin Records, 1952) 04. Shemekia Copeland - Wine O'Clock (4:02) (Blame It On Eve, Alligator Records, 2024) 05. Blood Sweat & Tears - Gimme That Wine (5:03) (Brand New Day, ABC Records, 1977) 06. Georgie Fame - Gimme That Wine (3:11) (Fame At Last, Columbia Records, 1964) 07. The Little Red Rooster Blues Band - Drinkin' Wine On My Dime (5:38) (Lock Up The Liquor, self-release, 2018) 08. Cirkus Prütz - Water Into Wine (5:33) (Manifesto, Metalville Records, 2025) 09. Rusty Ends & Hillbilly Hoodoo - Cheap Wine (2:19) (The Last Of The Boogiemen, self-release, 2020) 10. Jeff Rogers - Saving This Bottle Of Wine (4:28) (Dream Job, self-release, 2024) 11. Eight O'Five Jive - One More Glass Of Wine (3:41) (Swing Set, Red Rudy Too Tunes, 2017) 12. Johnny Wright - Wine Head (2:25) (45 RPM Single, Magnificent Records, 1962) 13. Bob Lanza Blues Band - Drinking Wine Spo Dee O Dee (3:21) (Breadman's Blues, MoMojo Records, 2025) 14. The Electric Flag - Wine (3:13) (A Long Time Comin', Columbia Records, 1968) 15. Q65 - Sour Wine (2:57) (45 RPM Single, Decca Records, 1968) 16. Reform The Hounds - Sweet Wine (7:08) (Reform The Hounds, Woodshed Resistance, 2021) 17. Omar Coleman - Raspberry Wine (4:34) (Live!, Delmark Records, 2016) 18. Sean Chambers - Cherry Red Wine (4:35) (Welcome To My Blues, American Showplace Music, 2018) 19. Heavydrunk & Watermelon Slim - New Wine (2:54) (Bluesland Theme Park, Heavydrunk Records, 2025) 20. Liz Mandeville - Reefer And A Glass Of Wine (3:06) (The Stars Motel, Blue Kitty Music, 2016) 21. Rod Piazza & The Mighty Flyers - Wine, Wine, Wine (3:57) (Almighty Dollar, Delta Groove Records, 2011) 22. Yates McKendree - Wine, Wine, Wine (2:49) (Buchanan Lane, Qualified Records, 2022) 23. Danny Gatton - Apricot Brandy (3:18) (Rubáiyát (Elektra's 40th Anniversary), Elektra Records, 1990) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Paul Rappaport a legend of music promotion gives a dynamic insider's account of the golden age of rock, sharing never-before-told tales of his adventures with some of music's most colorful characters, including The Rolling Stones, Bruce Springsteen, Pink Floyd, Bob Dylan, and many more. About the authorPaul Rappaport was senior vice-president of rock promotion at Columbia Records, where he enjoyed a thirty-three-year career playing a pivotal role in the careers of some of thebiggest stars in the business. He co-created and executive produced the Emmy Award-winning music television series A&E's Live By Request and the popular live radio series The Columbia Records Radio Hour. Upon leaving Columbia, he formed his own production company, Tres Hombres, and for many years wrote the ‘Backstage Access' blog for Classics Du Jour. He was the lead guitarist in the pioneering LA punk band Mogan David & His Winos. Gliders Over Hollywood is his first book. He lives in Port Washington, New York.For more info on the book click HERE

Grammy-winning songwriter and Soul Asylum frontman Dave Pirner chats about his process, from the earliest days of the band to to the most recent album, Slowly But Shirley PART ONE:Paul and Scott talk about movie soundtracks, music discovery, and how technology changes but the power of music endures.PART TWO:Our in-depth conversation with Dave Pirner of Soul Asylum.ABOUT DAVE PIRNERDave Pirner is best known as the lead singer, frontman, and primary songwriter for the Grammy-winning alternative rock band Soul Asylum. Formed in Minneapolis in the early 1980s, the group has blended punk, roots music, power pop and other influences to create its own unique sound. After a series of indie releases and two albums for A&M, the band's widespread commercial breakthrough came with Columbia Records' release of the Grave Dancer's Union album in 1992. “Black Gold” and “Somebody to Shove” were hits on Billboard's Alternative Rock chart, with the latter reaching #1. “Runaway Train” was a top-5 pop single and earned Pirner a Grammy for Best Rock Song. The follow-up album, Let Your Dim Light Shine, produced the top 20 singles “Misery” and “Just Like Anyone.” To date, Soul Asylum has released over a dozen studio albums and Pirner has released one solo album, Faces & Names, in 2002. The band's most recent record, Slowly But Shirley, was released in September of 2024.  

Before he was a celebrated Star Trek writer and producer, Ronald D. Moore was a fan, just like so many of us, watching reruns, devouring The Making of Star Trek, and listening to Gene Roddenberry's 1976 spoken-word album Inside Star Trek. In part one of our two-part conversation, Ron reflects on how that Columbia Records release shaped his early views of the franchise. We explore the stories that resonated with him most, including Gene's candid recollections of his own childhood challenges, and how those moments helped inspire Ron's own journey into the Star Trek universe. Document and additional references: Inside Star Trek album and liner notes (1976) ENTER TO WIN - The Borg Queen Skull Signature Edition prop replica from Factory Entertainment The Trek Files Season 13 on Memory Alpha All episodes and documents: The Trek Files on Memory Alpha Visit the Trekland site for behind-the-scenes access and exclusive merchandise. The conversation continues on Discord with live chats and the Roddenberry Podcasts community! Join today!

Before he was a celebrated Star Trek writer and producer, Ronald D. Moore was a fan, just like so many of us, watching reruns, devouring The Making of Star Trek, and listening to Gene Roddenberry's 1976 spoken-word album Inside Star Trek. In part one of our two-part conversation, Ron reflects on how that Columbia Records release shaped his early views of the franchise. We explore the stories that resonated with him most, including Gene's candid recollections of his own childhood challenges, and how those moments helped inspire Ron's own journey into the Star Trek universe. Document and additional references: Inside Star Trek album and liner notes (1976) Sponsored by  - Bold Bubbles The Trek Files Season 13 on Memory Alpha All episodes and documents: The Trek Files on Memory Alpha Visit the Trekland site for behind-the-scenes access and exclusive merchandise. The conversation continues on Discord with live chats and the Roddenberry Podcasts community! Join today!

Before he was a celebrated Star Trek writer and producer, Ronald D. Moore was a fan, just like so many of us, watching reruns, devouring The Making of Star Trek, and listening to Gene Roddenberry's 1976 spoken-word album Inside Star Trek. In part one of our two-part conversation, Ron reflects on how that Columbia Records release shaped his early views of the franchise. We explore the stories that resonated with him most, including Gene's candid recollections of his own childhood challenges, and how those moments helped inspire Ron's own journey into the Star Trek universe. Document and additional references: Inside Star Trek album and liner notes (1976) ENTER TO WIN - The Borg Queen Skull Signature Edition prop replica from Factory Entertainment The Trek Files Season 13 on Memory Alpha All episodes and documents: The Trek Files on Memory Alpha Visit the Trekland site for behind-the-scenes access and exclusive merchandise. The conversation continues on Discord with live chats and the Roddenberry Podcasts community! Join today!

It's an episode of many a ramble and many a topic!Jack and Rob catch up this week and have a good old natter from across the continent. Rob, currently in Rome after a wedding, talks us through his incredible weekend and tells us about his production of MacBeth getting a standing ovation. Jack, stuck inside his homestead in Birmingham, talks being ill and gives his thoughts of standing O's at shows. There's favourite shows talk, there's crying talk, there's audience etiquette talk!@StageDoorAthletic#JackLoxton #RobShawCameron #StageDoorAthletic #Rome #Wedding #Linekar #StandingOvation #BriefEncounter #CythniaErivo #Wembley #England #WBA #Leeds #Hungover #Sport #Theatre #Podcast #SportsPodcast #TheatrePodcast Hosts: Jack Loxton & Rob Shaw CameronProducer: James CourtEdited by: Rob Shaw Cameron@jackloxton1 @robshawcameron@thecourtofjames Stage Door Athletic is a [NON]FICTION PEOPLE Podcast© [NON]FICTION PEOPLE LtdPRS Licence Reference: LE-0036019Take a Bow - Rihanna ℗ 2016 Def Jam Recordings, a division of UMG Recordings, Inc.The Good Life - Tony Bennett ℗ Originally released 1963. All rights reserved by Columbia Records, a division of Sony Music Entertainment Hosted on Acast. See acast.com/privacy for more information.

Send us a textFormer label executive, guitarist and author Paul Rappaport joins Al to introduce him to Pink Floyd's 1994 album The Division Bell. Paul talks about how he became a part of the Pink Floyd “family” while working with them in his capacity as senior VP of rock promotion for Columbia Records. He shares his initial reactions to The Division Bell, which he had heard in bits and pieces while working on promotions for the album, and he explains why the album is still a favorite of his more than 30 years later. Paul also talks about how he came up with the idea for the Pink Floyd airship, which was a central part of the promotion plan for The Division Bell, and how he wound up playing guitar alongside David Gilmour during a Pink Floyd show in London. Finally, Paul discusses his book Gliders Over Hollywood, which recounts his experiences working with numerous revered rock artists over the course of his career.Gliders Over Hollywood is a highly entertaining read! Learn more about it at glidersoverhollywood.com.Al is on Bluesky at @almelchior. This show has an account on Instagram at @youmealbum. You can support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.IMPORTANT UPDATE! You, Me and An Album will soon have additional offerings on Patreon. More information will be coming soon. To sign up, go to patreon.com/youmealbum.1:36 Paul joins the show2:05 When Paul left Columbia Records, his timing couldn't have been more perfect3:00 Paul explains how he made a strong connection with the members of Pink Floyd6:47 Paul talks about why he chose to discuss The Division Bell9:30 Paul views Richard Wright's playing as the most critical part of Pink Floyd's musical identity15:03 Paul cites his four favorite tracks from the album19:09 Al partially agreed with Paul in terms of his favorite tracks27:15 Is it fair to compare a venerable artist's later albums with those that established their reputation?31:25 Al names his four favorite tracks from The Division Bell32:26 Paul discusses the elements that make certain tracks his favorites34:57 It often makes more sense to think about Pink Floyd albums as one cohesive piece instead of as a collection of tracks40:08 Paul talks about the perspective he took when writing about Pink Floyd and other artists in Gliders Over Hollywood42:38 Paul discusses the role Bob Ezrin played as the band's producer44:17 Don Ienner put Paul on the spot over The Division Bell's sales potential45:56 Paul discusses his reaction when he heard the entirety of The Division Bell for the first time46:44 Paul talks about how he got the idea to promote The Division Bell with an airship53:47 Paul recounts the night he played guitar with Pink Floyd for one of their shows1:01:23 Paul talks about the experience of having written Gliders Over Hollywood1:04:15 Are there albums that Paul doesn't know that he wants to get to know?Outro music is from “Let's Roll” by Paul Rappaport.Support the show

46:05 – Bessie Smith’s first five recording sessions for Columbia Records, which made her a star and got her dubbed the Empress of the Blues. These sessions cover the first half of 1923, and also feature (at the piano) Clarence Williams on the first two sessions and Fletcher Henderson on the latter three. This show […]

We've never used a blimp to promote our show, but our guest certainly has used one to promote his. Only, his show featured Pink Floyd.  Today, we are joined by the legendary, Paul Rappaport, aka "Rap".  With over 30 years at Columbia Records, Paul has worked with everybody from Pink Floyd, to Bob Dylan, to Bruce Springsteen, to the Rolling Stones.  We cover a lot with Paul from his early career, to playing on stage with Pink Floyd, to shooting a high powered laser across LA, and breaking Alice in Chain's "Man in the Box".  Paul had tremendous stories, which many can be found in his great new book, Gliders Over Hollywood: Airships, Airplay, and the Art of Rock Promotion.     We also learn about a very strange music festival Mike attended, Mike brags about his sperm, and Scott's son has some interesting theories on turtles.  Another great week.  Have a listen!

John Garrett Andrews saw The Castilles in 1967 when he was just 13 years old. Fast forward to April 1974 and John gets the honour of interviewing Bruce after the late show at Brown University. Bruce was not happy with his Record Company at the time and his comments to John got back to the Head of Columbia Records at the time. Listen to John's fascinating story here.

Send us a textJoin former child actor Moosie Drier, and author Jonathan Rosen, as they chat with the former senior vice-president of rock promotion at Columbia Records, Paul Rappaport!Paul discusses his years of rock promotion at Columbia Records, his memoir Gliders Over Hollywood: Airships, Airplay, and the Art of Rock Promotion, decades of stories involving some of the biggest names in music such as Bruce Springsteen, Bob Dylan, Bob Geldof, Billy Joel, Paul McCartney, & much more!Support the show

Send us a textJoin former child actor Moosie Drier, and author Jonathan Rosen, as they chat with the former senior vice-president of rock promotion at Columbia Records, Paul Rappaport!Paul discusses his years of rock promotion at Columbia Records, his memoir Gliders Over Hollywood: Airships, Airplay, and the Art of Rock Promotion, decades of stories involving some of the biggest names in music such as Bruce Springsteen, Bob Dylan, Bob Geldof, Billy Joel, Paul McCartney, & much more!Support the show

Aretha Franklin got her start at an early age in Gospel music.  As the granddaughter of Gospel great Mahalia Jackson and the daughter of a prominent Baptist preacher, Franklin was heard on her father's "gospel caravan" tours at the age of twelve.  By the time she became an adult in 1960 she had decided that she wanted to go into more pop music, and moved to New York for this purpose.  She signed a deal with Columbia Records, in 1960, but her career would not really take off until moving to Atlantic Records in 1966.  By 1968 she was considered by many to be the most successful singer in the nation, and already crowned the "Queen of Soul."Franklin toured outside the US for the first time in late April 1968 through May 1968.  She performed in Paris on May 7, 1968, and this concert would be released as the live album Aretha in Paris in the fall of 1968.  It was Franklin's second live album, and the first for Atlantic Records where most of her hits were recorded.Some have criticized the backing band as not up to the task of supporting Franklin.  However, this album captures Franklin at the top of her game at a time when she was cranking out some of the biggest hits of her career.  It would be difficult for any supporting band to keep up, particularly one assembled for an overseas tour.  Regardless, this is a great album to explore as a snapshot of Aretha Franklin at the height of success.Lynch brings us a high energy live soul album from the Queen of Soul in her prime for today's podcast. (I Can't Get No) SatisfactionThis Rolling Stones cover is the lead-off track to the album and to the concert.  The Stones had released this song in 1965, and it had become their first number 1 song in the States.  Franklin takes the tempo up for this cover.(You Make Me Feel Like) A Natural WomanCarole King and Gerry Goffin wrote this song for Franklin based on an idea from producer Jerry Wexler.  It originally appeared on Franklin's album "Lady Soul", and went to number 8 on the U.S. charts.  It would make history when it hit the UK charts a week after Franklin's death in 2018, 51 years after the single was first released. (Sweet Sweet Baby) Since You've Been GoneThe original single for this live song was released on the "Lady Soul" album, and reached number 5 on the Billboard Hot 100.  This song was written by Franklin and her then-husband Teddy White. The studio version of this song utilized the talents of the Muscle Shoals Rhythm Section, who were flown in from Alabama to record in a New York City studio.Chain of FoolsSongwriter Don Covay wrote this song in his youth, and presented it to producer Jerry Wexler as a song for Otis Redding.  Wexler decided to have Franklin record it instead of Redding.  It was a big hit, taking the number 1 slot on the R&B charts for four weeks, number 2 on the Billboard Hot 100, and delivering Franklin a Grammy for Best R&B Vocal Performance. ENTERTAINMENT TRACK:Theme from the television comedy show “Laugh In”This sketch comedy show would capture a lot of American counter-culture of the time from Tiny Tim to "sock it to me!" STAFF PICKS:Ride My See Saw by the Moody BluesWayne kicks off the staff picks with a psychedelic song from the second Moody Blues album, "In Search of the Lost Chord."  The song is about leaving school and finding that the world isn't what you thought it would be.  On the album, the song is preceded by a spoken word introduction called "Departure."Harper Valley PTA by Jeannie C. RileyRob's staff pick is a storytelling song written by Tom T. Hall about a widow named Mrs. Johnson and her tangle with the PTA.  When her teenage daughter received a note from the Harper Valley PTA criticizing the way she is living, Mrs. Johnson attends the next meeting and reveals some indiscretions of the other PTA members.Light My Fire by Jose FelicianoBruce features an acoustic cover of the Doors hit single with a Latin twist.  Jose Feliciano is best known for the Christmas song "Feliz Navidad," but this Puerto Rican artist also had a hit with this cover that peaked at number 3 on in late summer 1968.  His album "Feliciano!" is a selection of acoustic cover songs, and his most successful one.  He won "Best Male Pop Vocal Performance" at the 1969 Grammy Awards for this cover.Son of a Preacher Man by Dusty SpringfieldLynch closes out the staff picks with a song that writers John Hurley and Ronnie Wilkins wrote with Aretha Franklin in mind.  When Atlantic Records producer Jerry Wexler heard it, he thought it would be a good fit for Dusty Springfield who was recording her "Dusty in Memphis" album at the time.  INSTRUMENTAL TRACK:And I Love Her by Jose FelicianoWe double up on the Latin acoustic stylings of Feliciano as this Beatles cover takes us out of this week's podcast.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

It's a challenge to describe bassist John Patitucci. He's a 2025 Jazz Journalists Association Award winner for Electric Bassist of the Year, and four-time Grammy Award winning artist, one of today's elite bassists, not just jazz but in all of music, but that's too limiting. John is a bassist with not only excellent rhythm but a complex, angular rhythmic style with dynamic and warm tones and a style that moves people emotionally as well as physically. No, that's too inadequate. John describes himself as, “a man of faith.” But when I step back, I realize all the above pretty much sums it up. A Brooklyn, New York native, John Patitucci's musical history is, in his words, a “Cinderella story.” At 25 years old, he was suddenly whisked away by iconic jazz pianist Chick Corea to join his new band, the Chick Corea Elektric Band and later the Akoustic Band where he played a large role in developing the sound of jazz fusion of the 1980s and 90s. It was Chick Corea who facilitated Patitucci's connection with GRP Records to make his first recordings and then tour the world, quickly becoming a global jazz figure. The story continues in 1986 when he was invited by saxophonist legend Maestro Wayne Shorter to contribute to his Columbia Records project Phantom Navigator. This led to Patitucci joining Wayne Shorter's 20-year four-time Grammy Award winning quartet, along with his good friends, pianist Danilo Perez and drummer Brian Blade. For John, this was the ultimate life. While Chick's band set John on a forward trajectory, it was in Wayne Shorter's band that he grew spiritually as well as technically. “The things that happened on stage are spiritual experiences for me. It's been transformative.” It's this spiritual development that is the pinnacle component of our conversation. John's “faith” plays a large role in his music, his stage presence, and his relationships with key band members including saxophone giant Chris Potter and legendary drummer Brian Blade. His fondness for pianist Danilo Perez continues from their brotherhood in the Wayne Shorter Quartet. This conversation occurs just as John, Danilo Perez, and Brian Blade returned with iconic saxophonist Ravi Coltrane on the three-week Wayne Shorter Legacy Tour in Europe. We open the episode recounting the tour and the importance faith played in it. We spent time delving into his recent recording, Spirit Fall, laughing and enjoying ourselves describing the compositions that impressed us the most. The creation and emotional depth of Spirit Fall, recorded without rehearsals, is a focal point of the conversation, illustrating the trio's deep connection and improvisational synergy that's felt throughout the album. Thanks to Edition Records, there are three tracks to listen to on this episode. The John Patitucci Trio: John Patitucci-double bass/electric bass, Chris Potter-tenor saxophone/bass clarinet, and Brian Blade-drums/percussion. The playlist: Think Fast (6:51), Spirit Fall (6:18), and Lipi'm (7:40), all John Patitucci compositions and produced by John Patitucci. Thank you for listening to this podcast. I know you have many others to listen to, but you chose Strictly Jazz Sounds. When you subscribe you become one of the first to hear new episodes, read articles, see new photos, and learn of my annual “Best of” list. Soon, I will introduce a Patreon opportunity, your way of saying thanks to me for spending the more than 25 hours per episode to bring it to you. John Patitucci and I dove right into the conversation talking about one of his most cherished people, Brian Blade, and the impact their collaborations had on John's sound, particularly highlighting Brian Blade's dynamic drumming. Photo by Dave Stapleton.    

Paul Rappaport, former executive at Columbia Records guests on the Fake Show with host Jim Tofte...enjoy!!!

Legendary music industry veteran and former Columbia Records VP Paul Rappaport shares behind-the-scenes moments with icons like Springsteen, Dylan, Pink Floyd, and more!Purchase a copy of Gliders Over Hollywood: Airships, Airplay, And The Art Of Rock PromotionVisit the Gliders Over Hollywood website---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Gliders Over Hollywood tells the exhilarating true story of a blue-collar kid nicknamed ‘Rap' who grew up in thrall to rock'n'roll, then found himself right in the middle of many of his heroes' lives as he became the most renowned rock promotion man in the USA. Paul Rappaport enjoyed a storied thirty-three-year career at Columbia Records, where he was instrumental in the careers of everyone from Bob Dylan to Bruce Springsteen, Pink Floyd to The Rolling Stones, Elvis Costello to Billy Joel, Judas Priest to Alice In Chains, and many, many more. The music business from the late 60s through the 90s was an exciting time that mirrored the music and the musicians making it. It was also a time of new and creative ideas on how to market this groundbreaking cultural phenomenon. Eccentric characters were everywhere, and often the managers, promoters, disc jockeys, and record company staff were just as big a show as the performers themselves. ‘I wrote this book to capture the magical times,' says Paul, ‘so that people wouldn't forget but also to show the many behind-the-scenes folks whose lives were so colorful they brought a warmth and laughter to the world. If you want to know what it felt like to be there, to experience the whole scene first hand, to get the inside track on how it really all went down, these stories are for you. I welcome you to follow me down the rabbit hole to a magical place that will bring you laughter and reveal the inner workings of the music biz that you may have often wondered about.' From creating the Pink Floyd airship to sword-fighting with Bruce Dickinson of Iron Maiden and receiving a guitar lesson from Keith Richards, Gliders Over Hollywood is packed full of extraordinary adventures with some of the biggest names in rock.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Paul Rappaport enjoyed a storied thirty-three-year career at Columbia Records, where he was instrumental in the careers of everyone from Bob Dylan to Bruce Springsteen, Pink Floyd to The Rolling Stones, Elvis Costello to Billy Joel, Judas Priest to Alice In Chains, and many, many more. The music business from the late 60s through the 90s was an exciting time that mirrored the music and the musicians making it. It was also a time of new and creative ideas on how to market this groundbreaking cultural phenomenon. Eccentric characters were everywhere, and often the managers, promoters, disc jockeys, and record company staff were just as big a show as the performers themselves.

Gliders Over Hollywood tells the exhilarating true story of a blue-collar kid nicknamed ‘Rap' who grew up in thrall to rock'n'roll, then found himself right in the middle of many of his heroes' lives as he became the most renowned rock promotion man in the USA. Paul Rappaport enjoyed a storied thirty-three-year career at Columbia Records, where he was instrumental in the careers of everyone from Bob Dylan to Bruce Springsteen, Pink Floyd to The Rolling Stones, Elvis Costello to Billy Joel, Judas Priest to Alice In Chains, and many, many more. The music business from the late 60s through the 90s was an exciting time that mirrored the music and the musicians making it. It was also a time of new and creative ideas on how to market this groundbreaking cultural phenomenon. Eccentric characters were everywhere, and often the managers, promoters, disc jockeys, and record company staff were just as big a show as the performers themselves. ‘I wrote this book to capture the magical times,' says Paul, ‘so that people wouldn't forget but also to show the many behind-the-scenes folks whose lives were so colorful they brought a warmth and laughter to the world. If you want to know what it felt like to be there, to experience the whole scene first hand, to get the inside track on how it really all went down, these stories are for you. I welcome you to follow me down the rabbit hole to a magical place that will bring you laughter and reveal the inner workings of the music biz that you may have often wondered about.' From creating the Pink Floyd airship to sword-fighting with Bruce Dickinson of Iron Maiden and receiving a guitar lesson from Keith Richards, Gliders Over Hollywood is packed full of extraordinary adventures with some of the biggest names in rock.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Today we'll take a break from the depressing, stress-filled world of news and politics to talk about the best job ever. Today's guest is Paul Rappaport who spent his career at Columbia Records promoting rock records to radio and wrote a wonderful book recounting those glory days, GLIDERS OVER HOLLYWOOD: AIRSHIPS, AIRPLAY AND THE ART OF ROCK PROMOTION.

Tonight's Jazz Feature should need no introduction to Jazz people as it is an essential classic and arguably one of bassist/composer Charles Mingus' finest albums. It was done for Columbia Records and it was Mingus' first album for a major label which guaranteed wide distribution and a quality product. It became a best seller for Mingus and Columbia. It was critically acclaimed and literally brought Mingus out of the Jazz underground to the Jazz fore forefront.. It featured Mingus' basic Jazz Workshop quintet augmented by a few Mingus alumni from previous Workshop editions. The regulars were: John Handy on alto and tenor saxophones, Booker Ervin on tenor saxophone, Horace Parlan on piano, Mingus on bass and Dannie Richmond on drums.. The added horns were Shafi Hadi on tenor and alto in an ensemble role, Jimmy Knepper or Willie Dennis on trombone. Mingus had full control of the date and supervised the post production editing and the sequencing of the tunes on the recording. With this album Mingus widened his audience and his musical influence everywhere. Enjoy Mingus Ah Um tonight as our Jazz Feature celebrating Mingus' 103rd Birthday Anniversary tomorrow April 22.

It's good to be Paul Rappaport. As the head of Rock Promotion at Columbia Records, Paul rubbed shoulders with the likes of The Rolling Stones, Pink Floyd, and Alice In Chains. It was Paul's creativity and enthusiasm that contributed to his success in getting his artists' music played on the radio. It's all documented in his book, Gliders Over Hollywood: Airships, Airplay And The Art Of Rock Promotion. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's good to be Paul Rappaport. As the head of Rock Promotion at Columbia Records, Paul rubbed shoulders with the likes of The Rolling Stones, Pink Floyd, and Alice In Chains. It was Paul's creativity and enthusiasm that contributed to his success in getting his artists' music played on the radio. It's all documented in his book, Gliders Over Hollywood: Airships, Airplay And The Art Of Rock Promotion. Learn more about your ad choices. Visit megaphone.fm/adchoices

170 - Paul Rappaport In episode 170 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist and record company promoter Paul Rappaport who's written a new book that will available April 15th called “Gliders Over Hollywood” In their conversation Paul tells us about his 1962 Gibson Les Paul jr (SG shape) that was given him by Buck Dharma and Blue Oyster Cult, whom we worked with at Columbia Records and he describes how he helped the band. He also shares with us a couple of Gibson Les Paul Reissues, a 1952 Goldtop and a 1959. Paul also discusses his amps. Paul talks about his friends in vintage instruments, producer Perry Margouleff (perrymargouleff.com) and amp builder Mitch Colby (ColbyAmps.com) who are working on the new Sundragon amps with Jimmy Page. Paul tells us about growing up in Downey California and starting on lap steel and eventually moving to guitar and played in the band “the Jades” with his Rickenbacker 6 string that he eventually gave to Elvis Costello. Paul talks about his other passions surfing and his family. Paul tells the story of his punk band “Mogan David and his Winos” which included Harold Bronson of Rhino Records fame. Paul explains how Paul Bloomfield helped him with his guitar playing. Paul then tells us about as a gift from the band Pink Floyd. He got to play with Pink Floyd on stage in London Arena. He'd been working with them since they began on Colombia Records. Again Paul's book is called “Gliders Over Hollywood” and it will be available April 15th. Amazon - https://tinyurl.com/34k9n4uk Barnes and Noble -- https://tinyurl.com/mf7hz6fx Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #PaulRappaport #GlidersOverHollywood #GibsonGuitar #MoganDavidAndHisWinos #BlueOysterCult #VintageGuitar #PinkFloyd #PerryMargouleff #theDeadlies #haveguitarwilltravelpodcast #HGWT . . . Please like, comment, and share this podcast! Download Link

Listen to an interview with Todd Rundgren, a pioneering musician, songwriter, and producer known for his eclectic style and innovative approach to technology in music. Rising to fame in the late 1960s with the band Nazz, Rundgren gained widespread acclaim with his 1972 solo album Something/Anything? which included the hit singles “Hello It's Me” and “I Saw the Light.” Rundgren is also a sought-after producer, working on landmark albums by the New York Dolls, Hall & Oates, XTC, Meatloaf, The Psychedelic Furs, and Patti Smith.  Rundgren has charted multiple Billboard hits and earned widespread critical acclaim. In 2021, he was inducted into the Rock and Roll Hall of Fame. Rundgren's genre-defying work spans rock, pop, soul, and experimental electronic music. He's been recognized as a visionary for his early adoption of music videos and interactive media. But his latest project looks into the past. Todd Rundgren will be performing music from the late songwriter Burt Bacharach in Indianapolis on April 18, as part of What The World Needs Now: The Burt Bacharach Songbook Live tour. Also hear an interview with Nnenna Freelon, a prolific jazz vocalist, whose career spans over three decades. She'll be performing at the Jazz Kitchen on April 18th. Freelon issued her debut LP on Columbia Records in 1992, marking the start of an accomplished recordings career. Freelon's music has attracted significant recognition, including seven Grammy nominations, and she's collaborated with numerous jazz luminaries, including Ray Charles, Ellis Marsalis, Kenny Baron, Pat Metheny, Christian McBride Al Jarreau, and Herbie Hancock. Hear music from Freelon's latest album, titled Beneath the Skin.

Can you shine light on the dark parts of your life?Jessica Simpson's memoir, Open Book, is a raw, unfiltered truth from a woman who spent years living her life in the public eye while hiding her deepest struggles. In this heartfelt conversation, my friend, Lizzie, and I unpack Jessica's journey from a pastor's daughter with childhood trauma to pop princess to billion-dollar business mogul. Plus, we explore the profound impact these experiences (plus childhood trauma) had on her identity and relationships.Jessica's memoir reveals devastating childhood experiences including sexual abuse that went unaddressed by her parents, creating patterns that would follow her throughout life. We examine how the entertainment industry shaped her from age 17, when Columbia Records executive, Tommy Mottola, demanded she lose fifteen pounds – beginning a twenty-year battle with diet pills and body image. The discussion turns to her relationships, particularly her marriage to Nick Lachey and the reality show "Newlyweds" that transformed them into "actors in their own lives," and her emotionally manipulative relationship with John Mayer.What makes Jessica's story so compelling isn't just her celebrity status, but her remarkable self-awareness about her struggles with addiction, body image, and seeking validation. Her journey toward sobriety and self-acceptance resonates whether you've followed her career or not. We chat about the incredible fashion empire Jessica built that focused on her commitment to serving women of all body types... even as the media scrutinized her own physical appearance.This episode celebrates Jessica's resilience and hard-won wisdom. Her powerful realization that "we need to own our weakness, our hurt, our pain and say it out loud" serves as inspiration for anyone working to overcome their past. Have you read Open Book? Share your thoughts with us! We'd love to hear which parts of Jessica's journey resonated most with you. Connect with us @babesinbooklandpod or email babesinbooklandpodcast@gmail.com.If you leave a kind review, I might read it at top of show!Buy Open Book by Jessica SimpsonTranscripts are available through Apple's podcast app—they may not be perfect, but relying on them allows me to dedicate more time to the show! If you're interested in being a transcript angel, let me know. This episode is produced, recorded, and its content edited by me.Theme song by Devin Kennedy.Special thanks to my dear friend, Lizzie. You always provide a safe space for me to bare all. Xx, AlexConnect with us and suggest a great memoir!

Robert Darlington in conversation with David Eastaugh https://translatorlive.bandcamp.com/album/beyond-today-live-at-the-farm-san-francisco-july-12-1986 https://www.youtube.com/watch?v=_NhHVZ-320c A celebrated group of the new wave era, Translator has announced details of their first live concert release. Beyond Today: Live at the Farm – San Francisco 1986 arrives May 9 on LP, CD, and download from Liberation Hall. The vinyl LP will feature eight tracks from the final show of the group's period at Columbia Records (1982-1986). The CD and download will include an additional four live tracks, including the previously unreleased “Puzzles,” as well as two brand-new songs mixed last year by renowned producer Ed Stasium. All formats are distributed by MVD Entertainment Group (USA) and Wienerworld (UK).

In the latest episode of None But The Brave, co-hosts Hal Schwartz and Flynn McLean are joined by Paul Rappaport, author of the new book Gliders Over Hollywood. The book details his long career as a Columbia Records promotions executive, during which time he worked with artists like The Rolling Stones, Bob Dylan, and Bruce Springsteen. Paul tells Hal and Flynn the wild story about how the broadcast of Springsteen's show at The Roxy on July 7, 1978 came together. The resulting recording would become one of the most famous bootlegs in rock & roll history and it was finally officially released in 2018. For more information on exclusive NBTB content via Patreon, please visit: Patreon.com/NBTBPodcast. This show is sponsored by DistroKid. Use this link to support the show and get 30% off your first year: http://distrokid.com/vip/nbtb Learn more about your ad choices. Visit megaphone.fm/adchoices

Linktree: https://linktr.ee/AnalyticWelcome to the latest segment of Notorious Mass Effect, hosted by Analytic Dreamz! This segment dives into the rise of Malcolm Todd, the Los Angeles-born artist blending alternative R&B, indie pop, and bedroom pop. Born Malcolm “Todd” Hobert on September 15, 2003, Todd's influences include Steve Lacy and Omar Apollo. We explore his journey from 2022's Demos Before Prom to his 2025 self-titled debut album, spotlighting the lead single “Chest Pain (I Love).” Released December 3, 2024, via Columbia Records, it's a heartfelt track with groovy basslines and soulful vocals, peaking at #53 on Spotify's Global Chart and #19 in the US. Analytic Dreamz unpacks its TikTok-driven buzz, with over 200,000 creates, and its cultural impact among Gen Z. From Omar Apollo's 2024 tour to a projected Billboard Hot 100 debut, Todd's organic growth shines. Join Analytic Dreamz for insights into streaming trends, live performances, and Malcolm Todd's evolving artistry.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Paul Rappaport is an accomplished guitarist who first heard guitar when he was a kid in California, watching a live local TV show featuring country guitar players…a show that was broadcast from a huge L.A. car lot. He learned to play, fell in love with the instrument and by high school was playing in bands. While attending college at UCLA, Paul got a job offer. A very appealing offer from Columbia Records. The position sounded good, but what really sweetened the deal was when he learned he could have all the records he wanted…for free. During his 33 years at Columbia, Paul Rappaport proved to be gifted at promotion and marketing and at forming close relationships with artist and bands, who knew him as Rapp. He gave Elvis Costello the red Rickenbacker used on Armed Forces. Pink Floyd asked Rapp to join them onstage at the London Arena. And he created some of the most memorable and visually stunning event promotions in rock history. All of this is told in Rapp's fascinating new book – Gliders Over Hollywood: Airships, Airplay, and The Art Of Rock Promotion.You can order Gliders Over Hollywood: Airships, Airplay and The Art of Rock Promotion from Barnes & Noble here.You can also order the book from Amazon here.Save on Certified Pre-Owned ElectronicsPlug has great prices on refurbished electronics. Up to 70% off with a 30-day money back guarantee!Find or Sell Guitars and Gear at ReverbFind great deals on guitars, amps, audio and recording gear. Or sell yours! Check out Reverb.comDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms.And now, Frets is available on YouTube. There are a lot of fun extras like videos and shorts and audio of all episodes. Subscribing for FREE at YouTube helps support the show tremendously, so hit that subscribe button! https://www.youtube.com/@DJFey39 You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned…

Join Jaret & Gary as they sit down with the legendary Paul Rappaport, affectionately known as “Rap,” who boasts an impressive 40-year career in the music business! With 33 of those years spent at Columbia Records, Paul shares his incredible journey through the ever-evolving music industry. From behind-the-scenes stories to insights on what it takes to succeed, this conversation is a must-watch for music lovers and aspiring professionals alike. Tune in for a deep dive into the life of a true industry veteran—who, by the way, is definitely not a cowboy! The post Jaret & Gary Talk With Music Legend Paul Rappaport! appeared first on idobi.

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz dives into Miley Cyrus' upcoming ninth studio album, Something Beautiful, set for release on May 30, 2025, via Columbia Records. Featuring 13 original tracks and a groundbreaking visual film dubbed a "one-of-a-kind pop opera," the project blends hypnotic glamour with societal reflection. Executive-produced by Cyrus and Shawn Everett, with collaborations from Jacob Bixenman and Benoît Debie, the album follows her Grammy-winning Endless Summer Vacation. Analytic Dreamz explores the trailer, legal challenges, and more.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This episode of Sync Music Matters is an Interview with Sam Stockham the creative Sync and Licensing manager at Involved Publishing Sam began his career in music at Columbia Records as an A&R assistant whilst studying for a music business degree  Post university he then began working in commercial rights and business affairs for the BBC. He later joined Universal Production Music where over 12 years he rose through the company to biome Head of Music Supervision.  Whilst at UPM he worked across all forms of media, syncing thousands of hours of music in film, tv and advertising and building relationships with some of the biggest broadcasters, production companies and brands in the UK and around the world. In 2024 he joined independent music publisher Involved Publishing as their Creative Sync & Licensing Manager.  As well as the publishing roster he is also responsible for sync across the groups iconic Anjunabeats, Anjunadeep and Anjunachill  The roster includes a wide variety of artists, producers and writers such as Above & Beyond, Seven Lions, Dusky, Yotto, CRi (pronounced creee), Durante, Qrion, Jason Ross, Lane 8, Nicky Elisabeth, Cephas Azariah, Caitlin Stubbs, Mark Barrott, Sophia Bel, Joe Brown, Mark Zito, Dylan Matthew, and Sam Burger to name just a few. Interview with Sam Stockham (00:00:00) Introduction (00:01:58) What was your route to music? (17:21:12) Under The Skin - how has the sync landscape changed? (27:43:12) How will AI Shape Music? (30:28:00) Royalties - TV vs Online (36:54:00) Is branding important in music? (40:40:19) Getting a Taste - What music and art has shaped you?

What's it like to get a guitar lesson from Keith Richards, sword-fight Bruce Dickinson, or launch a Pink Floyd airship? For legendary rock promoter Paul Rappaport, it was all just part of the job. In this episode of Rock & Roll Nightmares, host Staci talks with Paul about his memoir, Gliders Over Hollywood, which pulls back the curtain on the wild world of rock promotion.With a career spanning decades at Columbia Records, Paul was instrumental in shaping the success of artists like Bruce Springsteen, Judas Priest, and Bob Dylan. He shares incredible behind-the-scenes stories, from the golden age of rock radio to the creative (and sometimes chaotic) world of marketing music's biggest legends. Tune in for an unforgettable ride through rock history!

MONOLOGUE Fortress America vs. The European Fantasy: Why Mark Carney's Globalist Delusions Will Fail NEWSMAKER Pfizer's ‘Most Ethical Companies' award ignores fraud and misconduct https://www.rebelnews.com/pfizers_most_ethical_companies_award_ignores_fraud_and_misconduct   Tamara Ugolini is Senior Editor with Rebel News OPEN LINES THE CULT OF CLIMATE CHANGE REPLAY From Feb. 26th, 2025 NOAA Admits they “Adjust” Their Historical Weather Data Tony Heller, Geologist, weather historian and founder of www.realclimatescience.com MONOLOGUE "Elon Musk vs. The Woke Mob: Why They Fear Him, Why They Hate Him, and Why He Won't Back Down" NEWSMAKER Trump prefers to 'deal' with Carney rather than Poilievre https://torontosun.com/news/local-news/warmington-trump-prefers-to-deal-with-carney-rather-than-poilievre   Leighton Grey is a constitutional Lawyer and the host of The Grey Matter Podcast OPEN LINES THIS DAY IN ROCK HISTORY In 2015, Ed Sheeran's second album x (aka multiply) equaled a feat held by Adele, Emeli Sandé, Take That, and Michael Bublé during the same decade by racking up two million UK sales.   In 1982, Randy Rhoads – a founding member of Quiet Riot and guitarist with Ozzy Osbourne, died in a plane crash. While he was only 25 at the time of his death, Rhoads was considered to be one of metal's most innovative musicians, who popularized a variety of techniques, including two-handed tapping and dive bombs.    1962, Bob Dylan‘s self-titled debut album was released in the US by Columbia Records. Produced by the legendary John Hammond – who discovered Billie Holiday, Aretha Franklin, and Bruce Springsteen – it was largely ignored on its release. Its disappointing sales saw Columbia executives describe it as “Hammond's Folly.”   Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of The Other Side of the Bell, featuring trumpeter, recording artist and co-founder of the bank Chicago, Lee Loughnane, is brought to you by Bob Reeves Brass.  About Lee Loughnane:   Lee Loughane of the band Chicago joins host John Snell today to talk about discovering the trumpet and committing to a career in music, the groundbreaking idea of putting horns front and center in a rock and roll band, and stories of writing and recording some of those famous and iconic trumpet parts!   Lee Loughlane was eleven when his father asked him if he wanted to play an instrument. His dad had played trumpet when he was a kid, all the way through his time in the Army Air Force, but the horn was now up in the attic. Fortunately, that meant Lee already had a great instrument: a Bach Stradivarius.   Lee's dad took him to meet the band director at St. Celestine grade school in Elmwood Park, Ralph Meltzer, who said “show me your teeth.” He wanted to make sure they were straight so the mouthpiece wouldn't tear up the inside of Lee's lip. Lee passed the visual audition and became a trumpet player that day.   Lee met Walt Parazaider at Depaul University; Walt was playing in a band called The Missing Links and invited Lee to come sit in with them. Terry Kath and Danny Seraphine were also in the band. When they broke up, Walt wanted to form a horn band, which was initially going to be a Las Vegas show band, but turned out to be Chicago.   Once they got signed to a record deal with Columbia Records, the group went to New York and recorded the Chicago Transit Authority album at the 42nd Street studio. Having never recorded before, it was very intimidating standing in front of a Neumann mic. These mics pick up every aspect of your playing, so there's a learning curve until you figure out how to relax and blend with the band. The group learned more and more about the recording process through the years and as the technology developed, they developed along with it.   Chicago continue to tour the world every year, including with original members Lee Loughnane, James Pankow and Robert Lamm. Lee has put together a traveling studio in order to record on the road, with much less overhead. The late great Phil Ramone advised them to, "Get a great mic and a great preamp." You can't start with mediocre stuff and make it great later. It's got to be the best sound right off the bat, then you can enhance the sound even more in mixing and mastering.   Lee and audio engineer Tim Jessup convinced the rest of the band that the studio was going to be good enough quality to make a record with, and they recorded a version of “Dialogue”, on the bus, one instrument at a time and then mixed. Everybody was so pleased with the final product that Chicago XXXVl was recorded over 2013-14 without going into a studio.   Chicago have kept very busy throughout their career, and it's not slowing down. In fact, they're busier than any of them could have ever imagined they'd be. As Lee says, "I can't think of anything I'd rather be doing."   What a pleasure to be joined in this episode by rock icon and horn legend Lee Loughnane, someone who helped pioneer an entire genre of music and gave horns exposure to a whole new audience.   Episode Links: Official Website for the band Chicago Cover art photo credit: Blushing Cactus Photography Podcast Credits: “A Room with a View“ – composed and performed by Howie Shear Podcast Host – John Snell Audio Engineer – Ted Cragg  

On this episode of VRP Rocks, I sit down with Paul Rappaport, the legendary rock promotions executive who helped shape the careers of The Rolling Stones, Pink Floyd, Bruce Springsteen, Bob Dylan, Paul McCartney, and so many more. His new book, Gliders Over Hollywood, reveals the craziest behind-the-scenes stories from the golden age of rock—some of which have never been told before! Paul shares how he:

Paul Rappaport in conversation with David Eastaugh https://www.amazon.co.uk/Gliders-Over-Hollywood-Airships-Promotion/dp/191682918X Gliders Over Hollywood tells the exhilarating true story of a blue-collar kid nicknamed ‘Rap' who grew up in thrall to rock'n'roll, then found himself right in the middle of many of his heroes' lives as he became the most renowned rock promotion man in the USA. Paul Rappaport enjoyed a storied thirty-three-year career at Columbia Records, where he was instrumental in the careers of everyone from Bob Dylan to Bruce Springsteen, Pink Floyd to The Rolling Stones, Elvis Costello to Billy Joel, Judas Priest to Alice In Chains, and many, many more. The music business from the late 60s through the 90s was an exciting time that mirrored the music and the musicians making it. It was also a time of new and creative ideas on how to market this groundbreaking cultural phenomenon. Eccentric characters were everywhere, and often the managers, promoters, disc jockeys, and record company staff were just as big a show as the performers themselves. This dynamic, entertaining memoir captures the magic of these times and the people who made it happen, revealing the never-before-heard secrets of the promotion and marketing that turned the music industry on its head. From creating the Pink Floyd airship to sword-fighting with Bruce Dickinson of Iron Maiden and receiving a guitar lesson from Keith Richards, it's a book packed full of extraordinary adventures with some of the biggest names in rock.    

On this episode of VRP Rocks, I sit down with Paul Rappaport, the legendary rock promotions executive who helped shape the careers of The Rolling Stones, Pink Floyd, Bruce Springsteen, Bob Dylan, Paul McCartney, and so many more. His new book, Gliders Over Hollywood, reveals the craziest behind-the-scenes stories from the golden age of rock—some of which have never been told before! Paul shares how he:

This week, Jay Jay chimes in from his vacation in Mexico to give his latest updates on the show - & to introduce this week's revisited episode, with record label legend David Rath. David Rath comes from Roadrunner Records where he spent twenty-one years in the A&R and Creative Departments, having been A&R on albums by Slipknot, Korn, Gojira, Coheed and Cambira, Slash, The Amity Affliction, Trivium, Stone Sour, Dream Theater and Megadeth and where he oversaw music videos from Nickelback, Theory Of A Deadman, Killswitch Engage, Jerry Cantrell and Slipknot. Rath helped guide the label through multiple changes in ownership and management, after which he oversaw the signings of Platinum selling acts Young The Giant and Vance Joy for Atlantic and Elektra Records. As the head of the A&R department at Roadrunner, Rath most recently signed and A&R'd Grammy nominated acts Turnstile and Code Orange, along with White Reaper and Motionless In White who both recently scored #1 Alternative and Active Rock radio hits. In 2022, Dave Rath formed a partnership and new venture with Cees Wessels, the original founder of Roadrunner Records, to launch the rock label Blue Grape Music. The Blue Grape name comes from the influential hardcore/metal merch company formerly owned by Wessels. The new label recently signed pioneering metal outfit Code Orange, along with the Bay area post-punk band Spiritual Cramp, and New Jersey's buzzing hardcore band GEL with releases scheduled for 2023. Blue Grape Music has offices in both New York City and Amsterdam and is presently distributed by The Orchard. Prior to being at Roadrunner Records, Rath, a graduate of Villanova University, was the Director of The Philadelphia Music Conference and drummer for the Columbia Records band Heavens Edge. Jay Jay & David discuss their journeys into the record business, the ins & outs of A&R and the current state of the record label industry. David gets into how working in A&R keeps his ear to what's happening in the music world, & why he finds this to be very important. Don't miss this insightful conversation, only on The Jay Jay French Connection: Beyond the Music! Edited & Produced by Matthew Mallinger

This week, Jay Jay chimes in from his vacation in Mexico to give his latest updates on the show - & to introduce this week's revisited episode, with record label legend David Rath. David Rath comes from Roadrunner Records where he spent twenty-one years in the A&R and Creative Departments, having been A&R on albums by Slipknot, Korn, Gojira, Coheed and Cambira, Slash, The Amity Affliction, Trivium, Stone Sour, Dream Theater and Megadeth and where he oversaw music videos from Nickelback, Theory Of A Deadman, Killswitch Engage, Jerry Cantrell and Slipknot. Rath helped guide the label through multiple changes in ownership and management, after which he oversaw the signings of Platinum selling acts Young The Giant and Vance Joy for Atlantic and Elektra Records. As the head of the A&R department at Roadrunner, Rath most recently signed and A&R'd Grammy nominated acts Turnstile and Code Orange, along with White Reaper and Motionless In White who both recently scored #1 Alternative and Active Rock radio hits. In 2022, Dave Rath formed a partnership and new venture with Cees Wessels, the original founder of Roadrunner Records, to launch the rock label Blue Grape Music. The Blue Grape name comes from the influential hardcore/metal merch company formerly owned by Wessels. The new label recently signed pioneering metal outfit Code Orange, along with the Bay area post-punk band Spiritual Cramp, and New Jersey's buzzing hardcore band GEL with releases scheduled for 2023. Blue Grape Music has offices in both New York City and Amsterdam and is presently distributed by The Orchard. Prior to being at Roadrunner Records, Rath, a graduate of Villanova University, was the Director of The Philadelphia Music Conference and drummer for the Columbia Records band Heavens Edge.Jay Jay & David discuss their journeys into the record business, the ins & outs of A&R and the current state of the record label industry. David gets into how working in A&R keeps his ear to what's happening in the music world, & why he finds this to be very important. Don't miss this insightful conversation, only on The Jay Jay French Connection: Beyond the Music! Edited & Produced by Matthew Mallinger See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In episode 260 of the podcast, we're joined by Chris Ballew, frontman and bassist of The Presidents of the United States of America, to talk 30 years of their self titled record. We dig into the bands formation, lead up to the album, creating the album, signing to Columbia Records, touring the world and much more. This episode is bursting at the seams with 1990's nerdery. Come for the 2 strings, stay for the “swamp toe”.Check out Chris, his solo music, and PUSA here:Web: https://chrisballew.org/IG: @chrisballewPUSA Band:IG: @pusabandX: @therealpusaPhoto Credit: Lance Mercer (we think) @lancemphotoPodcast theme performed by Trawl. Follow them here:Web: https://www.trawlband.com/IG/X/TikTok: @trawlbandWe'd love for everyone to hear this episode! Support the Podioslave family by rating, subscribing, sharing, storying, tweeting, etc — you get the vibe. Peace, love, and Podioslave. Check us out here:Web: https://www.podioslave.comIG/Threads/X/TikTok: @PodioslaveYoutube: Podioslave PodcastEmail: Podioslavepodcast@gmail.com