Podcasts about Hank Jones

DUKE ELLINGTON AND HIS ORCHESTRA “AND HIS MOTHER CALLED HIM BILL” New York, August 28, 1967Blood count (ct out), Upper Manhattan Medical Group, Raincheck (ct out), Lotus blossom (DE piano solo)Cat Anderson, Herbie Jones, Cootie Williams, Mercer Ellington (tp) Clark Terry (flhrn) Lawrence Brown, Buster Cooper, Chuck Connors (tb) Jimmy Hamilton (cl,ts) Russell Procope (as,cl) Johnny Hodges (as) Paul Gonsalves (ts) Harry Carney (bar,cl,b-cl) Duke Ellington (p) Aaron Bell (b) Steve Little (d) JIMMY RUSHING “AND HIS ALL STARS” Brooklyn, NY, August 16, 1955Everyday (I have the blues), Evenin', Don't cry babyJimmy Rushing (vcl) acc by Emmett Berry (tp) Lawrence Brown (tb) Rudy Powell (as,cl) Buddy Tate (ts) Pete Johnson (p) Freddie Green (g) Walter Page (b) Jo Jones (d) BUCK CLAYTON “BUCKIN' THE BLUES” Brooklyn, NY, March 14, 1957 Buck huckles, Claytonia, The queen's expressBuck Clayton (tp) Vic Dickenson (tb) Earl Warren (as) Hank Jones (p) Kenny Burrell (el-g) Aaron Bell (b) Jo Jones (d) Continue reading Puro Jazz 27 de mayo, 2025 at PuroJazz.

DUKE ELLINGTON AND HIS ORCHESTRA “AND HIS MOTHER CALLED HIM BILL” New York, August 28, 1967Blood count (ct out), Upper Manhattan Medical Group, Raincheck (ct out), Lotus blossom (DE piano solo)Cat Anderson, Herbie Jones, Cootie Williams, Mercer Ellington (tp) Clark Terry (flhrn) Lawrence Brown, Buster Cooper, Chuck Connors (tb) Jimmy Hamilton (cl,ts) Russell Procope (as,cl) Johnny Hodges (as) Paul Gonsalves (ts) Harry Carney (bar,cl,b-cl) Duke Ellington (p) Aaron Bell (b) Steve Little (d) JIMMY RUSHING “AND HIS ALL STARS” Brooklyn, NY, August 16, 1955Everyday (I have the blues), Evenin', Don't cry babyJimmy Rushing (vcl) acc by Emmett Berry (tp) Lawrence Brown (tb) Rudy Powell (as,cl) Buddy Tate (ts) Pete Johnson (p) Freddie Green (g) Walter Page (b) Jo Jones (d) BUCK CLAYTON “BUCKIN' THE BLUES” Brooklyn, NY, March 14, 1957 Buck huckles, Claytonia, The queen's expressBuck Clayton (tp) Vic Dickenson (tb) Earl Warren (as) Hank Jones (p) Kenny Burrell (el-g) Aaron Bell (b) Jo Jones (d) Continue reading Puro Jazz 27 de mayo, 2025 at PuroJazz.

durée : 00:59:18 - Banzzaï du jeudi 22 mai 2025 : En joie - rediffusion - par : Nathalie Piolé - Tomber amoureux, filer au cinéma, dessiner de nouveaux horizons... On en fait des choses quand on est joyeux.

On tonight's show: Fats Waller, After You've Gone Bunny Berigan, Black Bottom Billie Holiday, God Bless the Child Red Garland, I Can't Give You Anything but Love (feat. Paul Chambers & Art Taylor) Milt Jackson, Blues at Twilight Nat Adderley, I've Got a Crush on You (feat. Wes Montgomery & Sam Jones) Barney Kessel, New Rhumba Gia Maione, Louis Prima, Sam Butera & The Witnesses, When a Man Loves a Woman Claude Bolling, Sentimentale Butch Thompson, Home (When Shadows Fall - Red Maddock vocals) Hank Jones, Mads Vinding & Billy Hart, Smoke Gets in Your Eyes  

ELVIN JONES “DEAR JOHN C” Englewood Cliffs, NJ, February 23, 1965Dear John C, Ballade, Anthropology, That five-four bagCharlie Mariano (as) Hank Jones (p) Richard Davis (b) Elvin Jones (d) TOSHIKO AKIYOSHI TRIO “GEORGE WEIN PRESENTS TOSHIKO” Boston, MA, 1954It could happen to you, Kyo-shu [Nostalgia], Homework, Manhattan addressToshiko Akiyoshi (p) Paul Chambers (b) Ed Thigpen (d) JACKIE MCLEAN “ACTION” Englewood Cliffs, NJ, September 16, 1964Action, PlightCharles Tolliver (tp) Jackie McLean (as) Bobby Hutcherson (vib) Cecil McBee (b) Billy Higgins (d) Continue reading Puro Jazz 09 de abril, 2025 at PuroJazz.

ELVIN JONES “DEAR JOHN C” Englewood Cliffs, NJ, February 23, 1965Dear John C, Ballade, Anthropology, That five-four bagCharlie Mariano (as) Hank Jones (p) Richard Davis (b) Elvin Jones (d) TOSHIKO AKIYOSHI TRIO “GEORGE WEIN PRESENTS TOSHIKO” Boston, MA, 1954It could happen to you, Kyo-shu [Nostalgia], Homework, Manhattan addressToshiko Akiyoshi (p) Paul Chambers (b) Ed Thigpen (d) JACKIE MCLEAN “ACTION” Englewood Cliffs, NJ, September 16, 1964Action, PlightCharles Tolliver (tp) Jackie McLean (as) Bobby Hutcherson (vib) Cecil McBee (b) Billy Higgins (d) Continue reading Puro Jazz 09 de abril, 2025 at PuroJazz.

JAZZ AT THE PHILHARMONIC “CARNEGIE HALL” New York, September 16, 1950Norgran blues (improvisation), Lady be good, A ghost of a chance (fp out)Harry “Sweets” Edison (tp) Bill Harris (tb) Flip Phillips, Lester Young (ts) Hank Jones (p) Ray Brown (b) Buddy Rich (d) RUBY BRAFF “BRAFF !” New York, June 26, 1956As long as I live, Blue turning grey over you, If I had you, It's been so longRuby Braff (tp) Dave McKenna (p) Steve Jordan (g) Buzzy Drootin (d) COZY COLE “ALL STARS” New York, February 22, 1944Father co-operates, Just one more chance, Thru' for the nightJoe Thomas (tp) Trummy Young (tb) Coleman Hawkins (ts) Earl Hines (p) Teddy Walters (g) Billy Taylor (b) Cozy Cole (d) Continue reading Puro Jazz 08 de abril, 2025 at PuroJazz.

JAZZ AT THE PHILHARMONIC “CARNEGIE HALL” New York, September 16, 1950Norgran blues (improvisation), Lady be good, A ghost of a chance (fp out)Harry “Sweets” Edison (tp) Bill Harris (tb) Flip Phillips, Lester Young (ts) Hank Jones (p) Ray Brown (b) Buddy Rich (d) RUBY BRAFF “BRAFF !” New York, June 26, 1956As long as I live, Blue turning grey over you, If I had you, It's been so longRuby Braff (tp) Dave McKenna (p) Steve Jordan (g) Buzzy Drootin (d) COZY COLE “ALL STARS” New York, February 22, 1944Father co-operates, Just one more chance, Thru' for the nightJoe Thomas (tp) Trummy Young (tb) Coleman Hawkins (ts) Earl Hines (p) Teddy Walters (g) Billy Taylor (b) Cozy Cole (d) Continue reading Puro Jazz 08 de abril, 2025 at PuroJazz.

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FRANK STROZIER “LONG NIGHT” New York, September 12, 1961How little we know (gc,pp out), The need for love, The crystal ball (1), Pacemaker (gc,pp out)Frank Strozier (as,fl-1) George Coleman (ts) Pat Patrick (bar,fl-1) Chris Anderson (p) Bill Lee (b) Walter Perkins (d) JOE PASS “JOY SPRING” Encore Theatre, Los Angeles, February 6, 1964Joy spring, Relaxin' at CamarilloMike Wofford (p) Joe Pass (g) Jim Hughart (b) Colin Bailey (d) LUCKY THOMPSON “NEW YORK CITY 1964-65” Live, Jazz on Broadway, The Little Theatre, New York, February 28, 1964The world awakes (lt+rhythm only,2)Dave Burns (tp) Benny Powell (tb) Danny Turner (as) Lucky Thompson (ts-1,sop-2) Cecil Payne (bar) Hank Jones (p) Richard Davis (b) Al Dreares (d) Live “The Half-Note”, New York, February 19, 1965What's new (2)Lucky Thompson (ts-1,sop-2) Paul Neves (p) George Tucker (b) Oliver Jackson (d) Alan Grant (mc) Continue reading Puro Jazz 28 de febrero, 2025 at PuroJazz.

FRANK STROZIER “LONG NIGHT” New York, September 12, 1961How little we know (gc,pp out), The need for love, The crystal ball (1), Pacemaker (gc,pp out)Frank Strozier (as,fl-1) George Coleman (ts) Pat Patrick (bar,fl-1) Chris Anderson (p) Bill Lee (b) Walter Perkins (d) JOE PASS “JOY SPRING” Encore Theatre, Los Angeles, February 6, 1964Joy spring, Relaxin' at CamarilloMike Wofford (p) Joe Pass (g) Jim Hughart (b) Colin Bailey (d) LUCKY THOMPSON “NEW YORK CITY 1964-65” Live, Jazz on Broadway, The Little Theatre, New York, February 28, 1964The world awakes (lt+rhythm only,2)Dave Burns (tp) Benny Powell (tb) Danny Turner (as) Lucky Thompson (ts-1,sop-2) Cecil Payne (bar) Hank Jones (p) Richard Davis (b) Al Dreares (d) Live “The Half-Note”, New York, February 19, 1965What's new (2)Lucky Thompson (ts-1,sop-2) Paul Neves (p) George Tucker (b) Oliver Jackson (d) Alan Grant (mc) Continue reading Puro Jazz 28 de febrero, 2025 at PuroJazz.

JAVON JACKSON “WITH PETER BRADLEY” New York City, 2022Peter Bradley, Amy's Theme, Never Let Me GoJavon Jackson (st) Jeremy Manasia (p) David Williams(b) Charles Goold (dr) guest Greg Glassman (t) KENNY BURRELL “BLUESIN' AROUND” New York, November 21 (1), 28, 1961 The switch (1), Funk junction, The squeeze, How could you, Mood indigo Illinois Jacquet (ts) Hank Jones (p) Kenny Burrell (g) Major Holley (b) Osie Johnson, (d-1) Jimmy Crawford (d) LIAM SILLERY “PRIORITE” Riveredge, N.J., December 17 & 22, 2009 A priori, Remoulade Liam Sillery (tp) Matt Blostein (as) Jesse Stacken (p) Thomas Morgan (b) Vinnie Sperrazza (d) Continue reading Puro Jazz 19 de febrero, 2025 at PuroJazz.

JAVON JACKSON “WITH PETER BRADLEY” New York City, 2022Peter Bradley, Amy's Theme, Never Let Me GoJavon Jackson (st) Jeremy Manasia (p) David Williams(b) Charles Goold (dr) guest Greg Glassman (t) KENNY BURRELL “BLUESIN' AROUND” New York, November 21 (1), 28, 1961 The switch (1), Funk junction, The squeeze, How could you, Mood indigo Illinois Jacquet (ts) Hank Jones (p) Kenny Burrell (g) Major Holley (b) Osie Johnson, (d-1) Jimmy Crawford (d) LIAM SILLERY “PRIORITE” Riveredge, N.J., December 17 & 22, 2009 A priori, Remoulade Liam Sillery (tp) Matt Blostein (as) Jesse Stacken (p) Thomas Morgan (b) Vinnie Sperrazza (d) Continue reading Puro Jazz 19 de febrero, 2025 at PuroJazz.

LOUIS HAYES EXACTLY RIGHT ! New York ?, late 2022Hand in glove, Nefertiti, UgetsuAbraham Burton (ts) Steve Nelson (vib) David Hazeltine (p) Dezron Douglas (b) Louis Hayes (d) JEREMY PELT THE ART OF INTIMACY, VOL. 2 Englewood Ciffs, NJ, September 1 & 2, 2022I can't escape from you (2), There'll be other times, Blues in sophisticationJeremy Pelt (tp,vcl) Victor Gould (p) Chico Pinheiro (g-1) Buster Williams (b) Billy Hart (d) + string ensemble-2, Andrew Griffin, Josh Henderson (vln-2) Nicole Neely (viola-2) Susan Mandel (cello-2,3) David O'Rourke (strings arr,cond-2,3) PEPPER ADAMS PLAYS THE COMPOSITIONS OF CHARLIE MINGUS New York, September 9, 1963 Fables of Faubus (1), Song with orange (4), Carolyn (3)Thad Jones (tp,arr1) Pepper Adams (bar,arr2) Hank Jones (p) Paul Chambers (b) Dannie Richmond (d) Charles Mingus (arr3) Teddy Charles (arr4) New York, September 12, 1963Better get it in your soul, PortraitThad Jones (tp) Benny Powell (tb) Charles McPherson (as) Zoot Sims (ts) Pepper Adams (bar) Hank Jones (p) Bob Cranshaw (b) Dannie Richmond (d) Continue reading Puro Jazz 12 de febrero, 2025 at PuroJazz.

LOUIS HAYES EXACTLY RIGHT ! New York ?, late 2022Hand in glove, Nefertiti, UgetsuAbraham Burton (ts) Steve Nelson (vib) David Hazeltine (p) Dezron Douglas (b) Louis Hayes (d) JEREMY PELT THE ART OF INTIMACY, VOL. 2 Englewood Ciffs, NJ, September 1 & 2, 2022I can't escape from you (2), There'll be other times, Blues in sophisticationJeremy Pelt (tp,vcl) Victor Gould (p) Chico Pinheiro (g-1) Buster Williams (b) Billy Hart (d) + string ensemble-2, Andrew Griffin, Josh Henderson (vln-2) Nicole Neely (viola-2) Susan Mandel (cello-2,3) David O'Rourke (strings arr,cond-2,3) PEPPER ADAMS PLAYS THE COMPOSITIONS OF CHARLIE MINGUS New York, September 9, 1963 Fables of Faubus (1), Song with orange (4), Carolyn (3)Thad Jones (tp,arr1) Pepper Adams (bar,arr2) Hank Jones (p) Paul Chambers (b) Dannie Richmond (d) Charles Mingus (arr3) Teddy Charles (arr4) New York, September 12, 1963Better get it in your soul, PortraitThad Jones (tp) Benny Powell (tb) Charles McPherson (as) Zoot Sims (ts) Pepper Adams (bar) Hank Jones (p) Bob Cranshaw (b) Dannie Richmond (d) Continue reading Puro Jazz 12 de febrero, 2025 at PuroJazz.

Idag uppmanar Clara Vennman från Equmeniakyrkan dig till att vara rädd om din galenskap. Den galenskap som utmanar tidigare föreställningar. Lyssna på alla avsnitt i Sveriges Radio Play. Ur andakten:I Moseboken läser vi om en man som blev kallad galen: Mose. Israeliterna hade under lång tid varit slavar i Egypten. Och Mose får i uppdrag av Gud att föra folket bort från slaveriet, och in i det land Gud lovat dem. Det står att han känner sig högst tveksam inför sitt uppdrag. Han är rädd att farao inte ska lyssna på honom eller att han inte ska hitta orden. Men Gud säger: “Gå nu och jag ska vara med dig och hjälpa dig att tala och jag ska lära dig vad du ska säga”.Och det är väl så - många av de för sin tid största galningarna, är de som senare visade sig bli de som ledde folkrörelserna. Jag vill inte ens tänka på hur världen hade kunnat se ut utan dessa galningar som drev sina idéer. Sannolikt hade jorden fortfarande uppfattats som platt, och vi hade definitivt inte haft varken kvinnlig rösträtt eller antibiotika.Text:2 mosebok, kap 4-5Musik:Abide with me med Hank Jones & Charlie Haden av William Henry MonkProducent:Susanna Némethliv@sverigesradio.se

Veckans andakter hålls av Clara Vennman, medlem i Equmeniakyrkan i Göteborg. Idag undrar hon vem som äger sanningen om ditt liv. Lyssna på alla avsnitt i Sveriges Radio Play. Ur andakten:I Lukasevangeliet beskrivs hur Jesus hänger på korset bredvid en korsfäst rövare. Bibeln berättar oss egentligen ingenting om rövarens bakgrund. Det enda vi vet om hans berättelse är att han blev rövare och nu hänger på korset bredvid Jesus.Vi vet inte heller varför rövaren till sist börjar tänka att Jesus kanske är den han utger sig för att vara: Guds son och kung över ett rike som inte är av denna världen. Rövarens straff var döden. Och i den stunden fanns ingen möjlighet för honom att starta om eller gottgöra sitt tidigare liv. Då beskrivs det hur han vänder ansiktet mot Jesus och säger: “Jesus, tänk på mig när du kommer till ditt rike”. En döende mans sista desperata önskan. Jesus svar låter sig inte vänta: “Jag säger dig sanningen: idag ska du vara med mig i paradiset”.Text:Lukasevangeliet kap 23Musik:Abide with me med Hank Jones & Charlie Haden av William Henry MonkProducent:Susanna Némethliv@sverigesradio.se

Tonight"s Jazz Feature is a tribute to the great arranger/composer/producer and music icon Quincy Delight Jones or simply "Q". Quincy passed away peacefully at his home in Los Angeles at age 91 on November 3, 2024. He was born in Chicago on March 14,1933. Quincy's incredible history is easily accessed on the internet. So we turn to the Jazz feature album and it's a big band recording of Quincy's distinctive arrangements and really put Quincy on the Jazz map. It was done in September of 1956 and titled "This Is How I Feel About Jazz". It got rave reviews and established Jones as a top notch arranger/composer along with his production skills. The band is full o all star players from trumpeters Art farmer and Ernie Royal to saxophonists Phil Woods, Zoot Sims and Lucky Thompson and trombone masters like Jimmy Cleveland and Urbie Green and pianist Hank Jones, vibes master Milt Jackson to bassists Paul Chambers and Charles Mingus. The album is a masterpiece of arrangements and leaves room for so many great soloists too. Enjoy the earlt important music of Quincy Jones.

Veckans andakter hålls av Clara Vennman, aktiv i Equmeniakyrkan i Göteborg. Idag om att vi inte ska tappa bort varandra. Lyssna på alla avsnitt i Sveriges Radio Play. Ur andakten:Livet pågår oupphörligt. Det rullar, ibland i en väldigt hög hastighet. Och jag springer efter, ibland är det som att jag jagar livet självt. Och med andan i halsen står jag till slut i en återvändsgränd: hur hamnade jag här?Känslan av att gå vilse emellanåt och inte veta vägen hem. Känslan av att ha tappat bort något längs med vägen, eller själv blivit borttappad.Men vet du, min tro är att du och jag inte är hemlösa. Oavsett hur långt borta vi känner oss från Gud, så är Gud alltid nära oss. Att Gud egentligen inte är något vi ska jaga för att finna, utan vila i att vi redan är funna.Text:LukasevangelietMusik:Abide with me med Hank Jones & Charlie Haden av William Henry MonkProducent:Susanna Némethliv@sverigesradio.s

He was one of the greatest musical minds of the 20th century… and he hailed from Seattle. Songwriter, composer, arranger and producer Quincy Jones, died yesterday at the age of 91.  The 28-time Grammy winner moved to the Pacific Northwest at the age of 10 and eventually graduated from Garfield High School. Jones credited Seattle's musical openness with shaping his style. He met Ray Charles here. In a typical night, they would play across the city, from the tony Seattle Tennis Club to hangouts on Jackson Street, which was in the city's red light district, playing classical, jazz, marches, and pop music.   Jones played jazz trumpet. Quincy Jones described his time in Seattle for PBS' “American Masters” in 2021: "We had to play everything with school. We played Sousa. And you play classical music and Debussy… on the jobs… Ray Charles, we, played Debussey on some of the jobs and we had to play Big Fat Butterfly parody, a parody on a poor butterfly. We had to play absolutely everything." That musical openness and genre defying attitude was a thread that he carried throughout his life.  In the 50's, Jones played with some of the jazz greats, including Herbie Mann, Zoot Sims, Hank Jones and Charles Mingus on Evening in Paris from his 1957 LP, “This Is How I Feel About Jazz." A few years later Jones played with Ray Charles on "One Mint Julep." But soon, Jones was branching out stylistically. He left an indelible mark on the music industry through his film scores... And while Soul Bossa Nova wasn't specifically WRITTEN for Austin Powers, it certainly became known as the theme song for the "International Man of Mystery..." He arranged songs for legends like Frank Sinatra. And in the 70's, when funk was EVERYWHERE, Jones turned it into gold, including the track "The Streetbeater," which became the theme song to Sanford & Sons... In the 80's Jones famously produced Michael Jackson's meteoric rise to stardom, with tracks like "Don't Stop Til You Get Enough." He butted heads with Jackson on the opening to Billie Jean... (He thought it was too long, Jackson disagreed.) And made the notorious phone call that got Eddie Van Halen in the studio to play guitar on "Beat It..." Quincy Jones, a giant of American music, is one of few producers to have number one records in three consecutive decades, the 1960s, 1970s, and 1980s... Jones passed Sunday night at his home in Los Angeles. He was 91. Thank you to the supporters of KUOW, you help make this show possible! If you want to help out, go to kuow.org/donate/soundsidenotes Soundside is a production of KUOW in Seattle, a proud member of the NPR Network.  RELATED LINK:  Quincy Jones's Legacy in 14 Essential Songs - New York TimesSee omnystudio.com/listener for privacy information.

Den här veckan får vi möta Clara Vennman från Equmeniakyrkan. Idag reflekterar hon över det lilla och det stora. Lyssna på alla avsnitt i Sveriges Radio Play. Ur andakten:Berättelserna om den lilla är många. Och det är som att litenhet fascinerar oss. Gärna litenhet i relation till det stora.Det lilla beskrivs som det sköra och ängsliga. Som tassar och ursäktar sig. Men den lilla är också den finurliga. Den som kommer undan med sin litenhet, och lyckas med det stora för att den inte blir tagen på allvar,I Matteusevangeliet hittar vi berättelser om senapskornet. Det är ju ett korn som är mycket litet, men som kan bli en enorm planta om det bara får växa upp. Text:Matteusevangeliet 17:20Musik:Abide with me med Hank Jones & Charlie Haden av William Henry MonkProducent:Susanna Némethliv@sverigesradio.se

'You are there' (Tú estás ahí), es una canción de Dave Frishberg y Johnny Mandel, que da título al disco que grabaron a dúo, una tarde de septiembre de 2005, la cantante italiana Roberta Gambarini y el pianista estadounidense de jazz Hank Jones con clásicos como 'Then I´ll be tired of you?', 'Something to live for' o 'Lush life'. Hace unos días que se ha editado 'Sweet caress', disco del trompetista suizo Franco Ambrosetti orquestado por Alan Broadbent para 29 cuerdas y vientos, y con la violinista Sara Caswell, el guitarrista John Scofield, el bajista Scott Colley y el baterista Peter Erskine ('Soul eyes', 'Portrait of Jennie', 'Sweet caress', 'Habanera'). Youn Sun Nah, la cantante coreana residente en París, ha incluído en su reciente 'Elles' canciones como 'Feeling good' y 'Sometimes I feel like a motherless child'. Despiden The Ipanemas con 'Samba pra mim mesmo'.Escuchar audio

Comenzamos la sexta temporada de El faro del jazz a lo grande, dedicándolo a la conocida como 'Primera Dama del Jazz', la cantante norteamericana Ella Fitzgerald. Ella Fitzgeral está considerada como una de las mejores intérpretes de jazz de la historia, así como una de las mayores especialistas en el 'scat'. En esta primera parte nos centraremos en sus inicios, cuando comenzó a despuntar en la orquesta del batería y director Chick Webb. También escucharemos algunas de sus piezas grabadas en los años 40 con grandes de la época, como Louis Armstrong, Hank Jones, Ray Brown o Buddy Rich. En la última parte del programa nos centraremos en sus conocidisimos 'Songbooks', una colección de discos producidos por Norman Granz y grabados para el sello Verve, en los que la cantante rindió homenaje a los grandes compositores del cancionero americano: Cole Porter, Irvin Berlin, Rodgers & Hart, George & Ira Gershwin, Duke Ellington o Harold Harlem.

Three great sessions by the pioneering bebop drummer when he was visiting the US from his home in Europe. The first was in Hollywood and features saxophonists Frank Morgan and Walter Benton along with Milt Jackson and Gerald Wiggins. The second is in NY with the Kenny Clarke-Ernie Wilkins Septet featuring the alto and tenor of Wilkins as well as his swinging arrangements and compositions (and Cecil Payne, George Barrow, Eddie Bert and Hank Jones). In between is the last - the 1955 Savoy session that represented the debut of the Adderleys - Cannonball and Nat, along with Jerome Richardson, Donald Byrd and Horace Silver. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Charlie Haden nos dejó el 11 de julio de 2014. Recordamos al añorado contrabajista con su Quartet West ('The long goodbye', 'My love and I'), con el guitarrista Pat Metheny ('Two for the road', 'Cinema Paradiso love theme', 'Cinema Paradiso main theme'), a dúo con los pianistas Hank Jones ('Going home') y Keith Jarrett ('Dance of the infidels'), en trío con el pianista Gonzalo Rubalcaba y el baterista Ignacio Berroa ('Nocturnal'), en cuarteto con Rubalcaba, el saxofonista Joe Lovano y el violinista Federico Britos Ruiz ('En la orilla del mundo'), con el saxofonista Jan Garbarek y el pianista y guitarrista Egberto Gismonti ('Palhaço') y con la Liberation Music Orchestra ('Not in our name').Escuchar audio

Joe Lovano is a Superstar Grammy Award winning saxophonist who Downbeat Magazine has called “The Titan among us”. He's played with a Who's Who of the Jazz world including Woody Herman, Tony Bennett, McCoy Tyner, Herbie Hancock, Esperanza Spalding, Hank Jones and Diana Krall.My featured song is “Out Of Tahini” from the album Play by my band, Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Intro/Outro Voiceovers courtesy of:Jodi Krangle - Professional Voiceover Artisthttps://voiceoversandvocals.com Audio production:Jimmy RavenscroftKymera Films Connect with Joe at:www.joelovano.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

THIS WEEK's BIRDS: new Farrah Kadoor; archival Alice Coltrane: Dominik Bukowski Quartet; Gulf singer Talah Maddah; Ta'arab from Zuhula Swaleh; from Vision Fest: Eri Yamamoto, Chad Fowler, William Parker, Steve Hirsh; quartet music from  Lisa Mezzacappa, Vinny Golia, Marco Eniedi, Vijay Anderson; new vocal music from Ruiqi Wang;  Lebanese pop from Googoosh; Bossa from Rosa Passos, Nara Leão; Congolese song from Franklin Boukoka; Hank Jones w/ Check Tidiane Seck & the Mandinkas; and of course, much, much more!!!!  Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/18920259/Conference-of-the-Birds and via the Conference of the Birds page at https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com  

RON BLAKE MISTAKEN IDENTITY New York ?, c. 2023Stablemates (1) Is that so ? (1), No hype blues (1)Ron Blake (ts,bar) Bobby Broom (g) Nat Reeves (b-1) Reuben Rogers (b-2) Kobie Watkins (d) LISA SOKOLOV PRESENCE New York, May 2002 & Tampere, Finland, November 3, 2002Presence, You do something to me, Hard being human, Home on the rangeLisa Sokolov (vcl,keyboards) acc by John Di Martino (p ) Cameron Brown (b) Gerry Hemingway (d) KENNY DORHAM JAZZ CONTRASTS New York, May 21 & 27 (1) 1957Falling in love with love, La rue (1) (sr out) My old flame (1,2)Kenny Dorham (tp) Sonny Rollins (ts-2) Hank Jones (p) Betty Glamann (harp-1) Oscar Pettiford (b) Max Roach (d)New York ?, c. Continue reading Puro Jazz 22 Mayo 2024 at PuroJazz.

Tonight's Jazz Feature is an indirect tribute to my late Mother, whose Birthday Anniversary is today: May 20. This album was one of her favorites. It is a classic by the great vibist and Modern Jazz pioneer, Milt Jackson. Jackson and his co-star here is flutist and tenor saxophonist Frank Wess. Wess of course is one of the great practitioners of Jazz flute. The rhythm section is superb and led by Hank Jones on piano and indeed he's one of the finest. Eddie Jones (no relation to Hank) is solid on bass and Kenny Clarke is his usual masterful self on drums. All of this was recorded for Savoy Records on October 28, 1955 and it's one of Milt Jackson's many gems and is tonight's Jazz feature. Enjoy!

On this episode: Frankie Trumbauer and His Orchestra (Beiderbecke), Singin' The Blues Dizzy Gillespie, Charlie Parker, Fats Navarro, Red Norvo, Hank Jones, Sleepwalker Boogie Art Pepper, Jazz Me Blues Milt Jackson, Sermonette Ron Carter, Eric Dolphy And Mal Waldron, Bass Duet Machito with Cannonball Adderley, Congo Mulence Dave Brubeck/Tony Bennett, That Old Black Magic Ray Bryant(p), Walter Booker Jr.(b) & Freddie Waits(ds), Gotta Travel On Ray Charles, Sidewinder Joni James, Just One Of Those Things Herbie Mann, Never Ending Song of Love (LP Version) Earl "Fatha" Hines, Pretty Baby The Crusaders, Double Bubble Wynton Marsalis, New Orleans Bump

ART HODES ART HODES' HOT FIVE New York, October 12, 1945Memphis blues, Shine, St. James infirmary (fm vcl)Wild Bill Davison (cnt) Sidney Bechet (sop-1,cl-2) Art Hodes (p) Pops Foster (b) Freddie Moore (d,vcl) JACK TEAGARDEN BENNY GOODMAN – THE EARLY YEARS New York, December 4 & 18, 1933Tappin' the barrel (jt vcl), Keep on doin' what you're doin', Riffin' the scotch (vcl-1), Love me or leave meCharlie Teagarden, Shirley Clay (tp) Jack Teagarden (tb,vcl) Benny Goodman (cl) Art Karle (ts) Joe Sullivan (p) Dick McDonough (g) Artie Bernstein (b) Billie Holiday (vcl-1) Gene Krupa (d) BEN WEBSTER / HARRY “SWEETS” EDISON BEN & SWEETS New York, June 6-7, 1962Did you call her today ?, My romanceHarry “Sweets” Edison (tp) Ben Webster (ts) Hank Jones (p) George Duvivier (b) Clarence Johnston (d) HERB ELLIS THE MIDNIGHT ROLL New York, June 12, 1962Harper's ferry [John Brown's body] (fa out), It makes no difference now (fa out), Herb's hereFrank Assunto (tp) Buddy Tate (ts) Ray Bryant (p) Herb Ellis (g) Jimmy Rowser (b) Gus Johnson (d) Continue reading Puro Jazz 30 abril 2025 at PuroJazz.

April showers brought us the wonderful tempura encrusted flower that is Chef's Kiss! - written by Jarrett Melendez, illustrated by Danica Brine, colored by Hank Jones, and lettered by Hassan Otsmane-Elhaou. A perfect bite-sized slice of life story about Ben, an English major, fresh out of college, struggling with employment, that stumbles upon the perfect opportunity at a cute little restaurant where NO EXPERIENCE!!! is needed. Funny, charming, and a little sexy, this book is the perfect story to read on a cool summer morning, while sipping your favorite beverage and munching on a crispy pastry. As always, let us know what you think about the episode either by leaving a review, or messaging us via email or instagram. Thank you to Kevin MacLeod for the use of our theme song, 'Werq.' You can find more of their music on https://www.incompetech.com/.If you'd like to contact us with book recommendations or questions for our upcoming episodes, email thebiggaybookclub@gmail.com or message us on Instagram @tbgbookclub. We'd love to hear from you! Hosted on Acast. See acast.com/privacy for more information.

JAZZ AT THE PHILHARMONIC CARNEGIE HALL New York, September 16, 1950Norgran blues (improvisation), Lady be good, A ghost of a chance (fp out)Harry “Sweets” Edison (tp) Bill Harris (tb) Flip Phillips, Lester Young (ts) Hank Jones (p) Ray Brown (b) Buddy Rich (d) RUBY BRAFF BRAFF ! New York, June 26, 1956As long as I live, Blue turning grey over you, If I had you, It's been so longRuby Braff (tp) Dave McKenna (p) Steve Jordan (g) Buzzy Drootin (d) COZY COLE ALL STARS New York, February 22, 1944Father co-operates, Just one more chance, Thru' for the nightJoe Thomas (tp) Trummy Young (tb) Coleman Hawkins (ts) Earl Hines (p) Teddy Walters (g) Billy Taylor (b) Cozy Cole (d) Continue reading Puro Jazz 16 abril 2024 at PuroJazz.

Trumpeter, composer/arranger Thad Jones born March 28, 1923, was the middle son in a family that also produced younger brother Elvin Jones, perhaps best known as John Coltrane's longtime drummer, and pianist Hank Jones, who performed and recorded with almost everyone in his long career, as one of the first black musicians to have a long and fruitful career in the New York studios. Thad first made his mark on the national scene as a soloist and arranger/composer for the Basie band in 1954. When he moved to New York City in the 1960's, he founded a big band he co led with drummer Mel Lewis that still plays weekly at the Village Vanguard, still playing much of the music Thad wrote. In 1979 he moved to Copenhagen, Denmark where he lead the Danish Radio Big Band, and taught at the Royal Danish Conservatory. In 1985 he took over leadership of the Basie Band, but tragically passed way in 1986 of cancer.

Born in Santa Monica, California, Debbie Poryes found herself at the piano when she was five, practicing everything from Chopin to show tunes. Playing led to fascination with musical theory and structure, then jazz standards, composing, and improvising. Hearing Monk and Miles as a teenager, she fell in love with their music and decided to become a jazz pianist. At twenty, her first regular paying gig lasted a year at a Berkeley restaurant, playing five nights a week from 5 p.m. to midnight.Debbie has always gone her own way musically, even while maintaining a constant study through transcription and analysis of her favorite players and composers, such as Bill Evans, Wayne Shorter, Keith Jarrett, Horace Silver, Hank Jones, Sonny Clark, and Clare Fischer. Drawn strongly to 20th century classical music, she has been influenced by many composers, including Aaron Copland and Norman Dello Joio. In her early years as a musician in Oakland, her passion led her to play frequently at jam sessions while continuing to study classical music and jazz with local players. She composed and arranged music, and produced her own concerts with her duos, trios and quartets in addition to freelancing with various local singers and bands. She has performed all over the San Francisco Bay Area notably, at the Stanford Jazz Festival, SFJazz, Yoshi's Jazzclub, the Berkeley Jazzschool, the Healdsburg Jazz Festival, and the Piedmont Piano Company. True to her beginnings, she still loves playing in restaurants and played twice-weekly for 6 years at the New Orleans-styled Oakland restaurant Pican, only stopping when the restaurant up and closed! A significant aspect to Debbie's musical life has been her experience with tendonitis in her wrists. In her thirties, pain forced her to stop playing for two years, during which time she explored many avenues of healing. A breakthrough came when she happened upon Dorothy Taubman's piano technique, which emphasized maintaining the natural coordination of the fingers, hand, and arm. Absorbing this new way of thinking, Debbie continues to study it with her teacher John Bloomfield in New York and pass it along to her grateful students. The injury turned out to be a blessing in disguise, as it led not only to Debbie's development of a beautiful sound without harshness but also an ease and control she didn't have before. One has only to see Debbie play to appreciate how comfortable her hands are at the keyboard.Debbie felt the call to teach early in her career and continues to adore helping students understand jazz and further their own playing. Debbie has internet students around the globe in addition to her students at her home studio. She taught at the Berkeley Jazzschool for over 20 years as well as many summers at the Stanford Summer Jazz Program and has given presentations to the California Music Teachers' Association on how to teach jazz. In the summer of 2018 Debbie moved to Philadelphia. Her husband Tony Fels retired from his teaching job at the University of San Francisco and they, along with their daughter, returned to his hometown. She continues to teach her California and global students through the internet and is enjoying her new students and gigs in Philadelphia.Please visit  https://www.debbieporyes.com/ for Debbie's incredible website. The Golandsky Institute's mission is to provide cutting-edge instruction to pianists based on the groundbreaking work of Dorothy Taubman. This knowledge can help them overcome technical and musical challenges, cure and prevent playing-related injuries, and lead them to achieve their highest level of artistic excellence.Please visit our website at: www.golandskyinstitute.org.

Rufus Reid is an extremely important but under-recognized figure in modern jazz. He's always been someone who's had one foot in the mainstream and one in the avant-garde — he did a lot of work with soul jazz and jazz-funk saxophonist Eddie Harris in the early 1970s, before joining Dexter Gordon's band when Gordon made his famous US comeback after years in Europe. He was also part of Andrew Hill's band in the late '80s, and has done a ton of straightahead records. But he was also a member of Jack DeJohnette's Special Edition in the early '80s, and he was one of the four bassists on Henry Threadgill's X-75 album, and he played on Muhal Richard Abrams' Things To Come From Those Now Gone, and he played with Anthony Braxton on the two Seven Standards 1985 albums with Hank Jones on piano and Victor Lewis on drums. He was also a member of the World Bass Violin Ensemble, which was a group of six bassists that made an album for Black Saint in 1984. Reid has also done a lot of work as a leader. He's made a string of albums in collaboration with drummer Akira Tana and various other musicians; he's done bass duo albums with Michael Moore; and he's led the Out Front trio with pianist Steve Allee and drummer Duduka Da Fonseca. In 2014, he released Quiet Pride: the Elizabeth Catlett Project, an album that featured a total of 19 instrumentalists and a singer all paying tribute to a sculptor whose work focused on the Black female experience in America. Reid is also an educator and the author of The Evolving Bassist, a book originally published in 1974 that's still a standard text for bassists. In this interview, we talk about Reid's work with Eddie Harris, with Dexter Gordon, with Henry Threadgill, and with his own ensembles. We talk about a six-CD set he made with Frank Kimbrough a few years ago, recording all of Thelonious Monk's compositions. We talk about his approach to the instrument, his influences, and about his new album, which is a duo collaboration with pianist Sullivan Fortner. This was a really enjoyable and informative conversation, and I think you'll come away from it with a new or perhaps a renewed appreciation for someone who's been a major figure in jazz for 50 years and isn't stopping yet.

CHIEN CHIEN LU – BUILT IN SYSTEM (LIVE IN NEW YORK) Hunter College, New York, January 12, 2023Boulanger's variation, Traumerei, Special things, Full moonlightJeremy Pelt (tp) Chien Chien Lu (vib,comp) Richie Goods (b) Allan Mednard (d) DIZZY REECE – ASIA MINOR Englewood Cliffs, N.J., March 13, 1962The shadow of Khan (1), Spiritus Parkus (1), Ackmet (2)Dizzy Reece (tp) Joe Farrell (ts-1,fl-2) Cecil Payne (bar) Hank Jones (p) Ron Carter (b) Charlie Persip (d) REGINA CARTER – ELLA : ACCENTUATE THE POSITIVE New York, December, 2016All my life, Dedicated to youXavier Davis (p) Marvin Sewell (g) Regina Carter (vln) Chris Lightcap (b) Alvester Garnett (d) Continue reading Puro Jazz 22 enero 2024 at PuroJazz.

Host Scott Fisher opens the show with David Allen Lambert, Chief Genealogist of the New England Historic Genealogical Society and AmericanAncestors.org. David begins Family Histoire News talking about his recent experience as a first time indexer for the National Archives for Revolutionary War pensions. Find out how you can do the same. Then, there's a new cemetery website that has a completely different take on how to do it. David explains. The Montpelier Foundation is creating a memorial for the enslaved and is holding a fundraiser for it. Get the details. Then, not many digs turn up 19th century ships. Under a road! But it has happened in Florida. David will tell you more. Next, drawing from the vast archives of Extreme Genes, Fisher shares two segments that fit the Halloween “Spooky Season.” The first guest is Hank Jones, long time author of books on “serendipity” in family history research. You won't believe some of the stories Hank has uncovered… and experienced… in our world. (Or is it our world and theirs?!) Then Sue Wynne, a New Jersey listener, shares her story about the ancestor that was buried, dug up four years later, found to be in great shape, and viewed by family and friends again! David then returns for Ask Us Anything. That's all this week on Extreme Genes, America's Family History Show!

What do two podcasters/scientists do when they have nothing to say? Well here at Not for Everyone industries, we take that as a sign to dive into one of the most highly debated and contentious topics on the internet: cancel culture. We know, we know... Right after offending all parents by giving air time to Caillou last week. This is just the edgy stuff you can expect from us. After a hypothetical takedown of Beyoncé that Jess wishes had been targeted at Taylor Swift instead, we pivot to lighter subjects. The lightest, actually; welcome to the rejected thoughts we've had written down for weeks but decidedly never brought to the show. Hank Jones enters the chat, and Caroline gets her daily dose of compliments. Plus responding to your DMs.__ This episode was edited by none other than our prince, Abi Newhouse. DM her for your audio editing needs! __ Share with a friend! Follow, rate, and review on your favorite podcasting app! And SUBSCRIBE on ⁠YouTube⁠ for full episode video. Plus FOLLOW US on Instagram for more: @not4everyonepod @thegoodsitter @jzdebakey __ Intro Music: “Doja Dance” by PALA __ DISCLAIMER: All opinions are our own. We are not therapists or health professionals, or professional of any kind, really. Please see your own professional or counselor for professional support. Do your research and be safe! --- Support this podcast: https://podcasters.spotify.com/pod/show/not4everyonepod/support

Tana Ford returns to help us with Scarlet Witch by Steve Orlando, Sara Pichelli, Elisabetta D'Amico, and Matthew Wilson, Monomyth by David Hazan, Cecelia Lo Valvo, and Marissa Louise from Mad Cave Studio, Chef's Kiss by Jarrett Melendez, Danica Brine, and Hank Jones from Oni Press, Pink Elephant #1 from E & E Plissken, Benson Chin, and Harumi Tokuyosi from Sumerian, Until I Love Myself: The Journey of a Nonbinary Manga Artist by Poppy Pesuyama from Viz, Butterfly House by Brenda Hickey and Troy Little from PegaMoose Press, plus a whole mess more!

Recorded May 2023George Fludas is a staple of the Chicago scene who has toured extensively as a member of Ray Brown's Trio, and with groups led by Hank Jones, Diana Krall, Monty Alexander, Cedar Walton and Joey DeFrancesco. George is also a great rock drummer and a John Bonham expert.Links:George's websiteInstagramYouTubeBonhamologyPeople's Front of ZeppelinPhilly Joe Jones Brush ArtistryYurt Rock sample packsChicago PizzaUno and DuePequod'sVilla Napoli (Tavern style)Jimmy's (New York style)Other podcast interviews with George Fludas:Working DrummerDrum History PodcastThe song featured in this episode is Mr. PC played by the Benny Green Trio.Practicing Drummerpracticingdrummer.comInstagramFacebookThe drum intro is from Charles Ruggiero's Loop Loft sample pack.Thank you to Bart over at the Drum History podcast for his advice and help with this podcast.

We focus on  jazz piano tonight. We'll hear from The Tommy Flanagan Trio, Al Cohn & Zoot Sims, Johnny Hodges, Monty Alexander, Nancy Wilson & Ramsey Lewis, Richard Elliot, Hank Jones, Houston Person, Ben Paterson, Johnny Varro, and Toots Thielemans.

Tonight's show has lots of rhythm, spanning 1926 to 1999: Benny Goodman, Jelly Roll Morton & His Red Hot Peppers, Dizzy Gillespie with Charlie Parker, Fats Navarro, Red Norvo, Hank Jones. Also Machito with Cannonball Adderley, Milt Jackson, Dave Brubeck with Tony Bennett, Ray Charles, Ron Carter with Eric Dolphy and Mal Waldron, Ray Bryant, Earl "Fatha" Hines, Herbie Mann, The Crusaders, Big Bad Voodoo Daddy, and Wynton Marsalis.

Tonight's show: Duke Ellington, Count Basie & His Orchestra, Teddy Wilson, Benny Goodman Quartet, Sidney Bechet, Oscar Peterson (with Billie Holiday), Gerry Mulligan, Johnny Hodges, Buddy Collette, George Barnes Quartet, Rahsaan Roland Kirk, Hank Jones, Jimmy Rosenberg, and Count Basie and the Kansas City Septem.

This episode pays tribute to the great Hammond B3 organist, Joey DeFrancesco who passed away suddenly at the age of 51. Also in this podcast is great music from James Moody and Hank Jones. Playlist Artist ~ Name ~ Album Joey DeFrancesco ~ Wonderful Wonderful ~ Wonderful! Wonderful! Joey DeFrancesco ~ In the Key of the Universe ~ In the Key of the Universe Joey DeFrancesco ~ A Change Is Gonna Come ~ Project Freedom John McLaughlin, Joey DeFrancesco & Elvin Jones ~ My Favourite Things ~ After the Rain Joey DeFrancesco ~ Work Song ~ Live At the 5 Spot James Moody ~ Lady Bird ~ Our Delight  James Moody ~ Old Folks ~ Our Delight Christian McBride Big Band ~ Road Song ~ For Jimmy, Wes and Oliver

Since the insurrection on January 6, warnings of a second American Civil War have been sounded. This week, On the Media explores whether the civil war talk is an alarmist cry, or actually a sober assessment. Plus, hear how the myth of “the Dark Ages” paints an unfair portrait of medieval times.  1. David Remnick, editor of The New Yorker and host of the New Yorker Radio Hour, on the risk of second civil war. Listen. 2. Barbara Walter [@bfwalter], professor of International Relations at the University of California, San Diego, on the tell-tale signs that a country is headed for insurgence. Listen. 3. Charlie Warzel [@cwarzel], journalist and contributing writer at The Atlantic, on when journalists should sound the alarm (and how loud we should ring it). Listen. 4. David M. Perry [@Lollardfish] and Matthew Gabriele [@prof_gabriele], authors of The Bright Ages: A New History of Medieval Europe, on how the Dark Ages might have not been so dark. Listen. Music: Wade in the Water by Hank Jones and Charlie HadenThe Glass House - Marjane's Inspiration by David BergeaudSeinfeld Theme - Jonathan WolffLowland's Away by Gregory Blavenz - The Us Army Fife And Drum CorpsHarpsichord - Four TetAd summan missam: Santus II by Ensemble Aeolus On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.