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SynopsisOn today's date in 1949, the British composer Gerald Finzi conducted the premiere performance of his Clarinet Concerto at the Three Choirs Festival in Hereford.During his lifetime, Finzi never achieved the fame of some other 20th-century British composers. British tenor Mark Padmore wrote a recent appreciation titled “The Quiet Man of British Music,” which included these lines:“I want to make a case for taking the time to get to know a composer … whose plumage is discreet and whose song is quiet and subtle. Finzi might be termed one of classical music's wrens. Despite his exotic-sounding surname and mixed Italian, Sephardic and Ashkenazi heritage, Finzi was in many ways an archetypal English gentleman. ... One of his passions was the saving of old English varieties of apples. … [His] music was written slowly and often it would take many years for a piece to reach its final form.”Finzi died in 1956, at 55, from Hodgkin's lymphoma. He was concerned his music would be forgotten after his death and added this note to his catalogue of works: "The affection which an individual may retain after his departure is perhaps the only thing which guarantees an ultimate life to his work."Music Played in Today's ProgramGerald Finzi (1901 - 1956) – Clarinet Concerto (Alan Hacker; English String Orchestra; William Boughton, cond.) Nimbus 5665
Synopsis “The Three Choirs Festival” is one of England's oldest musical traditions. Established around 1715, it showcases the cathedral choirs of Gloucester, Worcester, and Herford, and presents both choral and orchestral works by British composers Vaughan Williams' “Fantasia on a Theme of Thomas Tallis” was premiered there in 1910, and in the audience was an 18-year-old aspiring composer named Herbert Howells, who later would relate how Vaughan Williams had sat next to him for the remainder of the concert and shared his score of Elgar's “The Dream of Gerontius” with him. Howells studied music at Gloucester Cathedral before heading off to London and the Royal College of Music. He also got married and had two children. In 1935, his 9-year-old son Michael contracted polio and died three days later. The grief-stricken Howells began composing a memorial work as private therapy, choral sketches he considered too painful to complete and too personal to have performed. But in 1950 Howells was asked for a new work to be premiered at Three Choirs Festival, and, at the urging of Vaughan Williams and others who had seen Howell's private sketches, Howells completed a work he titled “Hymnus Paradisi,” and led the premiere himself on September 7, 1950, one day after the 15th anniversary of his son's death. Music Played in Today's Program Herbert Howells (1892-1983) –Hymnus Paradisi (Royal Liverpool Philharmonic Choir and Orchestra; Vernon Handley, cond.) Hyperion 66448
Featuring Worcestershire Porcelain, Lea & Perrins (Worcestershire sauce), Sir Edward Elgar, Worcester Cathedral, the Three Choirs Festival, the River Severn, seaguls, the Worcester County Cricket Ground, flooding, the city walls, the Commandery and New College Worcester.
Michael Shapiro talks to Adrian Partington about his remarkable work as a conductor and organist, Director of Music at the Gloucester Cathedral, conductor of the BBC National Chorus of Wales, co-leader of the Three Choirs Festival, and so much more. www.michaelshapiro.com www.gloucestercathedral.org.uk
Chloe Goodchild in conversation with author, composer, pianist & workshop leader, James D'Angelo, discussing compassion, music, Sufi turning and movement, attachment and detachment, sound and silence, and much more.The VOCE Dialogues offer a simple, accessible in-depth ground for poets, authors, musicians, visual artists, and visionary teachers to share and disseminate their insights about the transformative practice of contemplative, creative and compassionate communication.James D’Angelo has had a very varied career as a composer, pianist, organist and workshop leader. A published composer, D’Angelo has written over sixty songs, various chamber pieces, much choral music and organ and piano works. His Three Portraits of Krishna for flute and piano were recorded for Virgin Classics. His sacred choral music sung by the Washington National Cathedral Choir, entitled The Holy City, has been released by Gothic Records. His Festival Fanfare was commissioned for the 2013 Three Choirs Festival while his organ Fantasia has recently been recorded for Gothic Records. He is a leading figure in the field of therapeutic vocal sound and the author of The Healing Power of the Human Voice and Seed Sounds for Tuning the Chakras. https://www.jamesdangelomusic.com/https://www.soundspirit.co.uk/Chloe Goodchild is an international singer, innovatory educator, author and founder of The Naked Voice (1990) and its UK Charitable Foundation (2004), dedicated to the realization of compassionate communication in all realms of human life. Deafness in childhood catalysed Chloë’s deep encounter with her inner self, and began a lifetime’s experiential research into the voice as a catalyst for personal evolution and global transformation.https://www.chloegoodchild.com/
Coleridge-Taylor was already earning a reputation as a composer. He was later helped by Edward Elgar, who recommended him to the Three Choirs Festival. His "Ballade in A minor" was premiered there. His early work was also guided by the influential music editor and critic August Jaeger of music publisher Novello; he told Elgar that Taylor was "a genius".
“Bright and vibrant and energetic – exactly how I planned it.” – Hannah Kendall, composer British composer Hannah Kendall on her music, her love of teaching, and on growing up in London – what inspires and drives her as an artist. Following the Philharmonia Orchestra’s world premiere of her new piece, Baptistry, in May, we’re looking forward to performing it again at the Three Choirs Festival in July: https://www.philharmonia.co.uk/concerts/2238/hereford/hereford_cathedral/29_july_2018/three_choirs_festival_the_planets
This week's Backstage Pass podcast is all about the oldest music festival in the world, the Three Choirs Festival. This year marks the 300th anniversary of the event. As the resident orchestra at the festival we were keen to mark this special event by bringing the behind-the-scenes experience of the Three Choirs to your ears. Tune in to hear more from this unique event with interviews from the festival's artistic director, Geraint Bowen, the Philharmonia roadies and our players.
Donald Macleod explores the 300-year history of the Three Choirs Festival.
The Three Choirs Festival is the world's oldest and greatest Choral festival, and this year it will be held in Hereford Cathedral from 21-27 July. The Philharmonia continues their three year residency at the festival and to celebrate we talk to those involved in making it happen. Highlights at this year's festival include Julian Lloyd Webber playing Delius's Cello Concerto, Joseph Phibbs's new composition Rivers to the Sea and a rare performance of Dyson's Pilgrim's Progress.
British composer Joseph Phibbs was commissioned by Anvil Arts and the Philharmonia Orchestra to write a new symphonic work for The Anvil, Basingstoke's 18th Birthday celebrations and to mark the continuing relationship with the Philharmonia Orchestra as The Anvil's Orchestra in Partnership. We met with Joseph Phibbs while he was writing his new work, Rivers to the Sea, to get special insight into the composition process. Rivers to the Sea premières at the Anvil, Basingstoke on Fri 22 June 2012: philharmonia.co.uk/concerts/22jun12/. London premiere at Southbank Centre's Royal Festival Hall, 28 June 2012: philharmonia.co.uk/concerts/28jun12/. Three Choirs Festival, 21 July 2012: philharmonia.co.uk/concerts/21jul12/. Auditorio Lingotto, Turin, 20 Sept 2012: philharmonia.co.uk/concerts/20sep12/. Beethovenfest, Bonn, 5 Oct 2012: philharmonia.co.uk/concerts/05oct12/