Podcast appearances and mentions of Thomas Tallis

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen.   Loquebantur variis linguis - Thomas Tallis

durée : 00:14:40 - Disques de légende du mardi 29 avril 2025 - Peter Philips fonde Les Tallis Scholars en 1973, avec la ferme intention de rendre hommage au compositeur dont il emprunte le nom.

durée : 00:14:40 - Disques de légende du mardi 29 avril 2025 - Peter Philips fonde Les Tallis Scholars en 1973, avec la ferme intention de rendre hommage au compositeur dont il emprunte le nom.

"Una noche oscura y tormentosa" en una casa al lado del lago de Ginebra nacieron los dos mitos que todavía más nos aterrorizan, el monstruo y el vampiro. El verano de 1816 el poeta romántico Lord Byron alquiló la casa de la familia del traductor de la Biblia y el reformador protestante italiano Giovanni Diodati, junto con su médico y secretario Polidori. Allí se reunió con la hija de la pionera del feminismo Mary Wollstonecraft , muerta a consecuencia del parto, cuya hija huye de Inglaterra con el poeta Shelley, expulsado de la universidad por su ateísmo, tras enfrentarse al padre casado de nuevo. El librepensador Godwin había dejado el calvinismo de su familia, pero se oponía a que su hija estuviera con un hombre casado. Mary huye con Shelley y una de sus hermanas, Claire, que estaba embarazada de Byron. La erupción del volcán Etna hace que en 1816 no haya verano. La lluvia golpea los cristales, mientras por la noche leen historias de fantasmas y deciden escribir, cada uno de ellos, un relato de terror. Los de Mary y Polidori han pasado a la historia: "Frankenstein" y la primera narración de vampiros. En este programa de radio "Al Trasluz" escuchamos fragmentos de la obra de Mary Shelley, leída por Eugenio Barona, así como escenas de la película que hizo Gonzalo Suárez sobre el origen de "Frankenstein", aquella noche, "Remando al viento" (1987), así como de la versión dramatizada de Juan José Plans para Radio Nacional de España. Las canciones son del disco del grupo de Nueva York, The National, "Las primeras dos páginas de Frankenstein" (2023) con la colaboración de Sufjan Stevens (Once Upon A Poolside) y Taylor Swift (The Alcott). La música de fondo al texto y la narración de José de Segovia es de la banda sonora de la película de Kenneth Branagh, "Frankenstein de Mary Shelley" (1994) de Patrick Doyle y las variaciones de las composiciones de Thomas Tallis que utiliza Gonzalo Suárez. El diseño sonoro y la realización técnica es de Daniel Panduro.

1573, de Engelse componist Thomas Tallis schrijft Spem in Alium, een koorwerk voor 40 stemmen. Niet toevallig 40 want hij schreef het voor de 40e verjaardag van Queen Elisabeth I. Clara en Sander stressen over wie wanneer dan precies moet invallen tijdens deze indrukwekkende muziek. En wat heeft dit muziekwerk met knoflook te maken? Er wordt alleszins al gefantaseerd over scampi's in knoflooksausje door deze twee foodies.

Passage: 16 And I will ask the Father, and he will give you another Helper, to be with you forever, 17 even the Spirit of truth, whom the world cannot receive, because it neither sees him nor knows him. You know him, for he dwells with you and will be in you. 18 “I will not leave you as orphans; I will come to you. 19 Yet a little while and the world will see me no more, but you will see me. Because I live, you also will live. 20 In that day you will know that I am in my Father, and you in me, and I in you. 21 Whoever has my commandments and keeps them, he it is who loves me. And he who loves me will be loved by my Father, and I will love him and manifest myself to him.” (John 14:16-21) Song: If Ye Love Me by Thomas Tallis, text from the Book of Common Prayer Lyrics: If ye love me keep my commandments And I will pray the father And he shall give you another comforter That he may bide with you forever Even the spirit of truth Prayer: This is another day, O Lord. I know not what it will bring forth, but make me ready, Lord, for whatever it may be. If I am to stand up, help me to stand bravely. If I am to sit still, help me to sit quietly. If I am to lie low, help me to do it patiently. And if I am to do nothing, let me do it gallantly. Make these words more than words, and give me the Spirit of Jesus. Amen. -The Book of Common Prayer

In this episode, Charlie Higson looks at the development of English music - what we know about its early history and the way the sound and styles developed from the kind of monastic chanting in unison you get in Monty Python through the introduction of polyphony and harmony, to the wonders of Thomas Tallis, the first great English composer Assisting Charlie on his musical odyssey is Robert Hollingworth, conductor, composer, broadcaster and leader of musical group I Fagiolini who uses music to demonstrate the changing sounds of England. Hosted on Acast. See acast.com/privacy for more information.

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen. Hodie in monte – Peter Philips O nata lux de lumine – Thomas Tallis  

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen. Gloria Patri – Thomas Tallis Te lucis ante terminum – Thomas Tallis

The Sixth Sunday after the Epiphany ORISON: ‘Blest are the pure in heart,' from Ten Orisons – M. Searle Wright (1918-2004) PSALM 1 – Jason A. Anderson (b. 1976) OFFICE HYMN: Before the ending of the day – Sarum plainsong, Mode VIII; harm. Thomas Tallis (c. 1505-1585) NUNC DIMITTIS – Anonymous setting from The Lumley […]

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen. Nunc dimittis à5 – Thomas Tallis

This Candlemas Procession and Choral Eucharist, sung by the Cathedral Schola, observes the Feast of the Presentation. The celebrant and preacher is the Rev. Canon George Maxwell. Choral repertoire includes:Thomas Tallis (c. 1505-1585), Nunc dimittis (Short Service)Orlando di Lasso (1532-1594), Missa bell' amfitrit' alteraJohannes Eccard (1553-1611), When to the temple Mary went

durée : 00:22:32 - Disques de légende du vendredi 03 janvier 2025 - Ralph Vaughan-Willliams s'inspire d'un thème de Thomas Tallis dans cette fantaisie, première œuvre qui le fait vraiment connaître, en 1910. Dans cet enregistrement de 1963, c'est un chef proche du compositeur qui assure la direction du Sinfonia of London : Sir John Barbirolli.

durée : 00:22:32 - Disques de légende du vendredi 03 janvier 2025 - Ralph Vaughan-Willliams s'inspire d'un thème de Thomas Tallis dans cette fantaisie, première œuvre qui le fait vraiment connaître, en 1910. Dans cet enregistrement de 1963, c'est un chef proche du compositeur qui assure la direction du Sinfonia of London : Sir John Barbirolli.

We are so excited to chat with photo director/visual cultural commentator/incredible Instagram follow Emily Keegin about her Thingies! Also: some thoughts on where to get your gift guides this year, should you not be overwhelmed with them already. Thank you for respecting our decision not to do 2024 gift guides! If you want past installments, we have five year's worth here. For the freshest stuff, check out Helen Rosner's for the New Yorker, Goop (the modern Neiman Marcus catalog?), Caroline Moss of Gee Thanks!, Alisha Ramos of Downtime, T mag, The Strategist's searchable Gift Scout, and a roundup of Substack gift guides from last year (that'll point you toward this year's too, certainly).  Emily's Thingies include Thomas Tallis polychoral music from the 1500s (Fifty Shades–coded?), spraying perfume or hand sanitizer on your armpits and vodka on your clothes, passionfruit, Madness, Rack, and Honey by Mary Ruefle, and scrolling through someone else's Instagram feed. What are your Thingies lately? Please share with us at podcast@athingortwohq.com, @athingortwohq, our Geneva, or our Substack comments! Hire with Indeed and get a $75 sponsored job credit when you use our link. Learn from the best with MasterClass and get up to 50% off when you use our link. YAY.  

Ralph Vaughan Williams - Fantasia on a Theme by Thomas TallisNew Zealand Symphony Orchestra James Judd, conductorMore info about today's track: Naxos 8.556835Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

For all who have heard it, the sound of the choral ensemble The Sixteen, conducted by Harry Christophers is unforgettable and beautiful.  This podcast features an interview with Harry Christophers, and music by William Byrd, Thomas Tallis and Arvo Pärt, from their album The Deer's Cry.  On the eve of their US tour, this podcast celebrates their 45th anniversary.

The Eighteenth Sunday after Pentecost ORISON: Maker of all things – Thomas Tallis (c. 1505-1585) PSALM 54 – Jason A. Anderson (b. 1976) OFFICE HYMN: Te lucis ante terminum (Before the ending of the day) – Plainsong, Mode VIII; harm. Orlando di Lasso (1532-1594) NUNC DIMITTIS – Plainsong, Tone IV; harm. Anon., adapt. Bernarr Rainbow […]

To discuss America's comparative advantages in national competition and the structural forces that drive (and limit) innovation, ChinaTalk interviewed Kumar Garg.  Formerly an Obama official in the Office of Science and Technology Policy, Kumar spent several years at Schmidt Futures focusing on science and technology philanthropy. He has been a mentor and cheerleader for ChinaTalk over the years, and he is the president of the newly established Renaissance Philanthropy. We discuss: The inspiration behind Renaissance Philanthropy and its focus on mid-scale, field-transforming ideas Strategies for identifying underexplored, high-impact projects — including weather forecasting, carbon sequestration, and datasets on neurocognition Structural challenges for R&D funding at the level of government and universities The role of focused research organizations like OpenAI in accelerating progress and understanding long-term drivers of productivity A wide angle-view of US-China competition and strategic innovation The underresearched importance of alliance management. Outtro music: Song 1 - If ye love me - Thomas Tallis and the Cambridge Singers (Youtube Link) Song 2 - Recercare (I) - Francesco Spinacino and Robert Meunier (Youtube Link) Learn more about your ad choices. Visit megaphone.fm/adchoices

To discuss America's comparative advantages in national competition and the structural forces that drive (and limit) innovation, ChinaTalk interviewed Kumar Garg.  Formerly an Obama official in the Office of Science and Technology Policy, Kumar spent several years at Schmidt Futures focusing on science and technology philanthropy. He has been a mentor and cheerleader for ChinaTalk over the years, and he is the president of the newly established Renaissance Philanthropy. We discuss: The inspiration behind Renaissance Philanthropy and its focus on mid-scale, field-transforming ideas Strategies for identifying underexplored, high-impact projects — including weather forecasting, carbon sequestration, and datasets on neurocognition Structural challenges for R&D funding at the level of government and universities The role of focused research organizations like OpenAI in accelerating progress and understanding long-term drivers of productivity A wide angle-view of US-China competition and strategic innovation The underresearched importance of alliance management. Outtro music: Song 1 - If ye love me - Thomas Tallis and the Cambridge Singers (Youtube Link) Song 2 - Recercare (I) - Francesco Spinacino and Robert Meunier (Youtube Link) Learn more about your ad choices. Visit megaphone.fm/adchoices

DOMRADIO.DE hat am zwanzigsten Sonntag im Jahreskreis das Pontifikalamt aus dem Kölner Dom mit Weihbischof Ansgar Puff übertragen. Eine Schola des Kölner Domchores unter der Leitung von Joachim Geibel sang die Missa de Angelis (abwechselnd mit der Gemeinde) sowie "If ye love me" von Thomas Tallis. An der Orgel spielte Winfried Bönig. In seiner Predigt beantwortete Weihbischof Puff die Frage, wie man den Hunger nach einem sinnvollen Leben stillen kann.

Thomas Tallis - Lamentations of Jeremiah IIOxford CamerataJeremy Summerly, conductorMore info about today's track: Naxos 8.550572Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Las historias que traemos a este programa muestran que cada camino que tomamos está marcado por la huella de aquellos y aquellas que vinieron antes, que dejaron su saber para que se entretejiera con el de sus sucesores. Hablaremos de músicos que heredaron el cargo de otros músicos o que continuaron su proyecto, como ocurrió con Leonin y Perotin, Thomas Tallis y William Byrd, Bach y Telemann, Francois Couperin y Marguerite Antoinette Couperin, Adrian Willaert y Cipriano de Rore.Escuchar audio

Compline by Candlelight provides peace and stillness as one week ends and another begins. Enjoy 30 minutes of improvised music by The Choir of Trinity Wall Street with this week's podcast, featuring: Ave verum corpus – William Byrd If ye love me – Thomas Tallis

For conductor and baritone Malcolm J. Merriweather, artistic inspiration has largely sprung from asking questions related to his identity. What role does his work as a Black musician play within the larger tapestry of music history? Who are the artists of the past who contributed to the legacy he's inherited today? As director of the New York Philharmonic Chorus and music director of the Dessoff Choirs, Merriweather spends his days bringing to life great choral works from the Renaissance through the 21st century. But two composers — who happened to live 400 years apart — have proved his primary focus over the past several years: Margaret Bonds, a contributor to the Harlem Renaissance; and Vicente Lusitano, an Afro-Portuguese musician who's considered the first published Black composer. Merriweather has led the Dessoff Choirs in performances of both composers' music, oftentimes programming their work alongside that of their contemporaries. Which, in the case of Lusitano, includes Thomas Tallis, William Byrd, and Giovanni Palestrina — who also happens to be an important figure in the ensemble's early history. "It's part of the Dessoff Choirs' mission to bring underperformed and underrepresented music and composers to the concert stage," Merriweather says on the latest episode of the Classical Post podcast. "That's been part of our mission since our founding in 1924 by Margarete Dessoff, a German Jewish immigrant. At that time, she was bringing the music of Palestrina to this country, which had never been heard here." In this episode, Merriweather and I talk more about his relationship to Margaret Bonds's music, and how his critically acclaimed recordings of her songs led him to London to hear Lusitano's works for the first time. Plus, he shares how the act of baking nourishes his mind and body, why he has to make his bed first thing in the morning, and his favorite restaurant in Harlem for American-Senagalese fusion cuisine. — ⁠⁠⁠Classical Post⁠⁠⁠® is a leading podcast based in New York. Our content uncovers the creativity behind exceptional music through dynamic deep-dive interviews with prominent artists in the world today. We are powered by ⁠⁠⁠Gold Sound Media⁠⁠⁠® — a creative studio providing omnichannel marketing and public relations services for the classical music industry.

On Friday, November 3, 2023, Scribe Records releases Penitence & Lamentation, the Byrd Ensemble's new album marking 400 years since the death of its namesake, William Byrd, and coinciding with Byrd Ensemble's 20th anniversary season. Praised for their “rich, full-voiced, and perfectly blended” (Early Music America) sound, the Byrd Ensemble's new project focuses on the unifying theme of guilt and grief, forming a collection of songs by Byrd and his contemporaries; Thomas Tallis's monumental 40-part motet, Spem in alium; and the world premiere recording of Nico Muhly's Fallings (2023), based on Byrd's motet, Ne irascaris Domine. The album's first single, Nicolas Gombert's Lugebat David Absalon, will be released on all streaming services on October 13. Penitence & Lamentation Album Tracklist1. Nicolas Gombert – Lugebat David Absalon [8:20]2. William Byrd – Domine secumdum actum meum [6:52]3. Thomas Tallis – In jejunio et fletu  [4:06]4. Thomas Tallis – Absterge Domine  [5:33]5. Thomas Crecquillon – Pater paccavi [8:36]6. Robert Ramsey – How are the mighty fallen  [5:14]7. William Byrd – Emendemus in melius [3:17]8. William Byrd – Ye sacred muses  [3:09]9. William Byrd – Ne irascaris Domine [7:56]10. Nico Muhly – Fallings (2023) (World Premiere Recording) [7:00]11. Robert Carver – O bone Jesu [12:36]This album is broadcasted with the permission of Katy Salomon representing Primo Artists.

The Twentieth Sunday after Pentecost ORISON: Maker of all things, God most high – Thomas Tallis (c. 1505-1585) PSALM 23 – Peter R. Hallock (1924-2014) HYMN: The King of love my Shepherd is (Tune: SAINT COLUMBA) – Irish melody; stzs. 1-5 harm. Hymnal 1940; stz. 6 harm. Peter R. Hallock NUNC DIMITTIS – Plainsong, Tone VI; […]

The Mind Tools L&D Podcast usually focuses on how L&D can help colleagues develop in their careers – but we're not the only industry with an interest in education. Some of the world's most exciting tech companies, including Google, Meta and Amazon, use education as a tool to help their customers develop new skills and encourage longer term adoption. In this week's show, Ross G and Nahdia speak to Intellum's Lizzi Shaw and Gusto's Jaclyn Anku to discover:   why marketing teams invest in customer education how they define the business outcomes they want to achieve   how they measure the impact of their programs. In ‘What I Learned This Week', Nahdia discussed the ‘Systemic Design Framework' from the Design Council. Jaclyn discussed the career of Simone Biles. And Ross discussed an episode of The Listening Service, which covered ‘Fantasia on a Theme of Thomas Tallis by Vaughan Williams'. To find out more about the Intellum LMS, see intellum.com. To find out more about Gusto's approach to customer education, read or watch the case study. Gusto are at gusto.com, For more from Mind Tools, including access to our back catalogue of podcasts, visit mindtoolsbusiness.com. There, you'll also find details of our award-winning performance support toolkit, our off-the-shelf e-learning, and our custom work.  You can find Will at: worklearning.com If you listened to this episode at all (we had doubts), please do drop a quick note to Ross, just to let him know: rgarner@mindtools.com. Connect with our speakers  If you'd like to share your thoughts on this episode, connect with our speakers: Ross Garner Nahdia Khan Lizzi Shaw Jaclyn Anku

SynopsisOn today's date in 1573, Queen Elizabeth the First celebrated her 40th birthday.According to SOME musicologists, the music-loving monarch received as a birthday gift a Latin motet for 40 voices by Thomas Tallis titled Spem in alium, which translates as “Hope in All Things.” Elisabeth was certainly fond of Tallis, awarding him special gifts and privileges —despite his remaining a steadfast Roman Catholic throughout her reign, when being a Catholic in Protestant England was very risky business, indeed!In fact, other musicologists contend that this famous motet was ACTUALLY written for the coronation of Elizabeth's predecessor, the CATHOLIC queen Mary Tudor. Still others say: “No, no—the motet was commissioned by a patriotic British nobleman, who challenged Tallis to write a work as good as—or better—than a contemporary Italian composer's 40-voice motet.”The truth is we just don't know for sure why Tallis composed this intricate and glorious music. We do know that in a dangerous time for ANYONE with strong religious convictions, Tallis lived to the ripe old age of 80. His epitaph reads: “As he did live, so he did die—in mild and quiet sort (O happy Man!)”Music Played in Today's ProgramThomas Tallis (c.1505 - 1585) Spem in alium Huelgas Ensemble; Paul Van Nevel, cond. Sony 60992

SynopsisWe tend to think our time has had a monopoly on bitter religious conflicts, but on today's date in 1572, which happened to be St. Bartholomew's Day, the Catholic queen dowager of France, Catherine de Medici, and her son, King Charles IX, decided that the best way to rid their kingdom of troublesome Protestants would be simply to kill them off. A few days earlier, Catholic and Protestant nobles from across France had come to Paris to attend a noble wedding which, ironically, was intended to bring the rival religious factions closer together. Things quickly turned ugly, and on the 24th of August the infamous “Massacre of St. Bartholomew” began and quickly spread across the entire country. Among those who perished was a French Protestant composer named Claude Goudimel, who was killed when the massacre reached Lyons.Fortunately for posterity, not all Reformation era rulers were so bloodthirsty. The English Catholic composer Thomas Tallis managed to keep his head through the reigns of alternating Catholic and Protestant monarchs, and the Protestant Queen Elizabeth the First admired and supported the music of William Byrd, despite his openly Catholic sympathies.Music Played in Today's ProgramClaude Goudimel (1510 – 1572) Comfort, comfort Ye my people Cathedral Singers; Richard Proulx, conductor. GIA 290

An audio documentary podcast series about the sea-faring classic - Master and Commander: The Far Side of the World. The series will be an oral history of the film's conception and production, a discussion of the film's critical reception, and the increasing resonance in the now 19 years since its release. For episode two, we continue our discussion with the co-writer of Master and Commander: The Far Side of the World, John Collee, about collaborating with the master Peter Weir, as well as delving into the artistic reverberance in the deployment of Fantasia on a Theme by Thomas Tallis.Featured interviews with:Co-writer of Master and Commander: The Far Side of the World - John Collee.Academy Award ® Winning Director of Spider-Man: Into the Spider-Verse - Peter Ramsay.Author and T.V Producer - Lee Zachariah.Staff Writer, Social Media Manager for Secret Handshake & freelance writer at Vulture, Fangoria, Polygon, The Playlist - Brandon Streussnig.Writer/director Night Owls and the co-host of Light the Fuse - The Official MISSION: IMPOSSIBLE podcast - Charles Hood.Narrator: Ken JeacleTheme composer: Andrew VillerJoin our Patreon for as little as $1 a month for an exclusive weekly podcast + access to the OHM discord here.Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

While the nations of Europe fought each other to a bitter stalemate, the President of the United States, Woodrow Wilson, urged both sides to make peace. However, no agreement is made and the United States joined the war on the side of the Entente allies.In the meantime, the Germans ordered a general withdrawal at the western front, abandoning the battlefields of the Somme in order to establish a shorter, straighter and more well-fortified line, the so-called ‘Hindenburg Line'. The eastern front is more volatile, seeing the collapse of the Russian army, a major defeat for the Italians at Caporetto and the fall of Jerusalem to the Britishwww.patreon.com/historyeuropewww.historyeurope.netMusic composed by Vaughan Williams (Fantasia on a Theme by Thomas Tallis), courtesy of musopen.orgPicture - Allenby enters Jerusalem 1917Theme tune for the podcast by Nico Vettese, www.wetalkofdreams.com Hosted on Acast. See acast.com/privacy for more information.

Tom Service experiences musical time travel as he listens to "Fantasia on a Theme of Thomas Tallis" by Ralph Vaughan Williams, with its magical interplay of ancient and modern. And film music expert Neil Brand examines how this and other classical adagios have been used to great effect in Hollywood blockbusters.

In this episode of the Learn Cardano podcast, I had the pleasure of interviewing Thomas Tallis, the CEO of Twin. We dive into the world of commodity trading and explore how Twin is revolutionizing the industry through asset tokenization. Discover the benefits of tokenizing real-world assets, the challenges of ensuring transparency and auditing, and the roadmap for Twin's development. Join us as we discuss the future of alternative stores of value and the potential to tokenize diverse assets.

“So great a musician are you.....that if the Fates carried you off.....music would be mute.” So wrote a contemporary of Thomas Tallis, showing us just how highly this composer was regarded in his own time. Over the course of this week, Donald Macleod traces the career of Tallis, unquestionably one of England's greatest ever composers. We follow him from the early faint mentions of the composer in Dover Priory, to his 40-plus years serving four successive monarchs as part of the Chapel Royal, and through the upheaval of one of the most tumultuous periods in all of English history. O Sacrum Convivium Lamentations of Jeremiah I & II Euge celi porta Alleluia. Per te Dei genitrix Ave, rosa sine spinis When shall my sorrowful sighing slack Sequence: Celeste Organum - Agnus Dei Magnificat for 4 voices Salve Intemerata Mass for four Voices Magnificat for 5 voices 5 part Litany Sancte Deus Hodie nobis caelorum Videte Miraculum for Vespers on Purification of Virgin Mary Remember not, O Lord God Te Deum for Meanes If Ye Love Me A New Commandment Gaude Gloriosa In nominee II Mass: Puer natus est nobis – Agnus Dei Archbishop Parker's Psalter: O Come in One to Praise the Lord; E'en like the Hunted Hind; Expend, O Lord, my Plaint; Why Brag'st in Malice High ; God Grant with Grace Psalm 2, the third of 9 tunes for Archbishop Parker's psalter “Why Fum'th In Fight” Suscipe quaeso domine My Soul Cleaveth to the Dust O Nata Lux (arr. Christian Forshaw) Spem in alium Cantiones Sacrae - Salvator Mundi I; Derelinquit impius; Semone blando angelus; In ieiunio Miserere nostri Presented by Donald Macleod Produced by Sam Phillips For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Thomas Tallis (1505 – 1585) https://www.bbc.co.uk/programmes/m001h57j And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Yule 2022 – IV14th-21st CenturiesWe hear anonymous and traditional works and works by Thomas Tallis, Jacobus Vaet, Michael Praetorius, Alessandro Scarlatti, Christoph Weyse, Heinrich Kaminski, Hugh Martin, Ralph Blane, Irving Berlin, Mel Tormé, Myroslav Skoryk, Franz Gruber, Sir John Tavener, John Rutter, and Peter Warlock.167 Minutes – Week of 2022 December 19

VAUGHAN-WILLIAMS: Fantasía sobre un tema de Thomas Tallis (15.21). Orq. Sinf. de la Radio de Birmingham. Dir.: M. Grazinyte-Tyla. MONDONVILLE: Venite Exultemus (Salmo 94) (19.10). C. Padaut (sop.), G. Laurens (sop.), R. del Pozo (contraten.), J. Correas (baj.), Les Chantres de la Chapelle de Versalles, Ensemble Baroque de Limoges. Dir.: C. Coin. SCRIABIN: Mazurka nº 4, Op. 10 (Moderato) (3.45). E. Subdin (p.).Escuchar audio

Ralph Vaughan Williams - Fantasia on a Theme by Thomas Tallis New Zealand Symphony Orchestra James Judd, conductor More info about today's track: Naxos 8.555867 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Hoy tendremos un programa en torno a la muerte, a las músicas fúnebres, a los funerales y a los homenajes a aquellos que ya no están. Pero lo haremos exclusivamente dentro del entorno de las Islas Británicas. Y será con obras de Thomas Tallis, John Dowland, Anthony Holborne y Henry Purcell entre otros. Escuchar audio

Composer/performer Carl Stone has built a body of work out of reimagining a world of existing sounds and music into sometimes witty, often beautiful electronic music of his own. In this episode, he discusses how music by Thomas Tallis, Captain Beefheart, and Sheik Chinna Moulana influenced his work. Essential Tremors is produced by Matt Byars and Lee Gardner and distributed by Your Public Studios.See omnystudio.com/listener for privacy information.

The Nineteenth Sunday after Pentecost ORISON: Maker of all things, God most high – Thomas Tallis (c. 1505-1585) PSALM 121 – Peter R. Hallock (1924-2014) HYMN: I to the hills will lift mine eyes (Tune: BURFORD) – From A Book of Psalmody, 171 NUNC DIMITTIS from First Fauxbourdon Service – Philip Moore (b. 1943) ANTHEM: I […]

Five writers and artists not normally associated with classical music, discuss a specific example of Vaughan Williams's work to which they have a personal connection, and why it speaks to them. Following on from the successful Five Kinds of Beethoven Radio 3 essay series in 2020, where a wide range of Beethoven fans shared their personal relationship to the composer and his work, this new series gives similar treatment to Vaughan Williams. Our essayists share their unexpected perspective on Vaughan Williams's work, taking it outside the standard ‘English pastoral' box, in a series of accessible essays, part of the Vaughan Williams season on Radio 3. Essay 3: Adrian McNally - producer/arranger/pianist for The Unthanks Self-taught and raised in a South Yorkshire pit village, Adrian McNally is pianist, composer and band leader for The Unthanks. From humble beginnings to scoring for his band to perform with Charles Hazelwood's Army of Generals, Brighouse and Rastrick Brass Band and the BBC Concert Orchestra for The Proms, McNally has sought confidence and inspiration along the way from Ralph Vaughan Williams. He finds kinship in a quest to prove that the people's music is anything but common, to draw out and elevate the beauty and truth present in those folk songs fondly but unfairly known as low culture. In his essay, McNally looks at VW's thoughts on National Music and the inescapable relationship between place, community and creativity. At the centre of his essay will be Fantasia on a Theme by Thomas Tallis. It was born out of a tune Vaughan Williams was preoccupied with - a love letter to something that already existed, that inspired him to make something more. Self-taught and raised in a South Yorkshire pit village, Adrian McNally is pianist, composer, record producer and band leader for The Unthanks. From humble beginnings to scoring for performances with Charles Hazelwood's Army Of Generals, the Royal Liverpool Phil, Brighouse and Rastrick Brass Band and the BBC Concert Orchestra for The Proms. Writer and reader Adrian McNally Sound designer Paul Cargill Producers Polly Thomas and Yusra Warsama Exec producer Eloise Whitmore Photographic Image by Sarah Mason A Naked Production for BBC Radio 3

Tom Service experiences musical time travel as he listens to "Fantasia on a Theme of Thomas Tallis" by Ralph Vaughan Williams, with its magical interplay of ancient and modern. And film music expert Neil Brand examines how this and other classical adagios have been used to great effect in Hollywood blockbusters.

Jess Gillam is joined by composer and multi-instrumentalist Cosmo Sheldrake for a listening party. Music includes Gil Evans and Miles Davis's take on Concierto de Aranjuez, and Thomas Tallis's Spem in Alium. Playlist: Rodrigo arr. Gil Evans - Concierto de Aranjuez [Miles Davis] JS Bach arr. Siloti - Prelude (BWV.855a), transc. for piano in B minor (orig. in E minor, '48' no.10) [Vikingur Olafsson] Mariah - Shinzo No Tobira Sibelius - Symphony No. 5 in E flat major, Op. 82 - III Allegro molto [Sakari Oramo, City of Birmingham Symphony Orchestra] Britten - Friday afternoons Op.7 for children's voices and piano: Cuckoo! [Choir of Downside School, Purley, Viola Tunnard] Bremer/McCoy - Drommer Tallis - Spem in alium for 40 voices [Tallis Scholars, Peter Phillips] Courtney Pine - Haiti

Synopsis “The Three Choirs Festival” is one of England's oldest musical traditions. Established around 1715, it showcases the cathedral choirs of Gloucester, Worcester, and Herford, and presents both choral and orchestral works by British composers Vaughan Williams' “Fantasia on a Theme of Thomas Tallis” was premiered there in 1910, and in the audience was an 18-year-old aspiring composer named Herbert Howells, who later would relate how Vaughan Williams had sat next to him for the remainder of the concert and shared his score of Elgar's “The Dream of Gerontius” with him. Howells studied music at Gloucester Cathedral before heading off to London and the Royal College of Music. He also got married and had two children. In 1935, his 9-year-old son Michael contracted polio and died three days later. The grief-stricken Howells began composing a memorial work as private therapy, choral sketches he considered too painful to complete and too personal to have performed. But in 1950 Howells was asked for a new work to be premiered at Three Choirs Festival, and, at the urging of Vaughan Williams and others who had seen Howell's private sketches, Howells completed a work he titled “Hymnus Paradisi,” and led the premiere himself on September 7, 1950, one day after the 15th anniversary of his son's death. Music Played in Today's Program Herbert Howells (1892-1983) –Hymnus Paradisi (Royal Liverpool Philharmonic Choir and Orchestra; Vernon Handley, cond.) Hyperion 66448

Ralph Vaughan Williams is one of our country's greatest ever composers. Born 150 years ago in 1872, he is known for creating a sense of Englishness in twentieth century music by drawing on his love of folk song, Tudor church music and landscape, in pieces like the perennially popular The Lark Ascending and Fantasia on a Theme by Thomas Tallis. Samira Ahmed explores his musical language and revels in live performance with her guests, the solo violinist Jennifer Pike , baritone Roderick Williams, Paul Sartin of the folk band Bellowhead, Kate Kennedy from Oxford University, and composer, writer and pianist Neil Brand.

Discover and hear the liturgical music that adorns the Eucharistic service.Support us on Patreon:Apply for Saint Paul's House of FormationEmail usMusic by Richard Proulx and the Cathedral Singers from Sublime Chant. Copyright GIA Publications

The Sixth Sunday of Easter ORISON: God himself is with us (Tune: TYSK) – from Psalm und Choralbuch, 1719; arr. Gregory Bloch PSALM 97 – Peter R. Hallock (1924-2014) HYMN: Lift your voice rejoicing, Mary (Tune: FISK OF GLOUCESTER) – Thomas Foster (b. 1938) NUNC DIMITTIS: Plainsong setting, Tone VII; harm. Thomas Tallis (c. 1505-1585) ANTHEM: […]

Guest: Dan Golding Composer, writer, and Art of the Score podcast co-host Dan Golding joins me in a breakdown of the music in Star Wars: A New Hope minutes 86-90. While Luke and Leia swing across the chasm crossfire (after a kiss "for luck"), John Williams's swashbuckling, unabashedly heroic rendition of Luke Skywalker's theme plays -- B section included! In this episode, we talk about the throwback nature of this particular cue, "Mickey Mousing" vs " composing to frame," the underrated Imperial motif, musical onomatopoeia, orchestration magic (vibraphone and flutes have a moment), and so much more. DISCUSSION MOMENTS: 00:00 - Hello there! 40:10 - musical onomatopoeia 43:36 - Is John Williams "Mickey Mouse-ing" here? 52:33 - Underrated Imperial motif. 1:04:17 - slide analogy 1:15:00 - First time hearing the B part of the Main Theme since the opening crawl. 1:35:06 - Thinking of Marion's Theme 1:42:15 - Cat bomb. 1:51:55 - SWMM Questionnaire THINGS MENTIONED: Art of the Score Episode 7: Star Wars Part 1 - http://www.artofthescore.com.au/podcast/2017/5/24/episode-7-star-wars-part-1 Korngold - Main Title from "Kings Row" - https://youtu.be/tysCiL1-24w Tchaikovsky - The Nutcracker: "Coffee (Arabian Dance)" - https://youtu.be/kI4HTzXPzgE Tchaikovsky - The Nutcracker: "March" - https://youtu.be/zOQm3qDjtOw Tchaikovsky Violin Concerto mvt. 3 - https://youtu.be/KrVMmRWzRSM "Rebel Briefing" from Return of the Jedi - https://youtu.be/IaA-26EHtDQ "Secret Bunker / The Fleet Enters Hyperspace" from Return of the Jedi - https://youtu.be/VoEc2vY4_ks Vaughan Williams - Fantasia on a Theme by Thomas Tallis (piece that uses an orchestra like an organ) - https://youtu.be/e6pEIHtffqQ THEMES: 1a. Main Theme (A Section) 6b. Imperials (Ostinato) 6a. Imperials (Motif) 5) Imperial Troops Ostinato 1b. Main Theme (B Section) 4. Leia Note: I use the theme names and numbers established in Frank Lehman's Complete Catalogue of the Musical Themes of Star Wars. I highly recommend this resource, which you can download for free at his website: https://franklehman.com/starwars/. SOUNDTRACK STUFF: "The Tractor Beam/Chasm Crossfire" (track almost ends) "Rescue of the Princess" (track almost ends) STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Mythic orchestral memory 2. What's something related to Star Wars music or sound that you want to learn more about? Given all the new directions that various Star Wars scores have gone since John Williams was at the helm (ex. Solo: A Star Wars Story, The Mandalorian, The Book of Boba Fett, etc), will we ever return to the original sort of orchestral sound? If so, how will we get there? It takes a specific set of talents to make this kind of music. Trying new things is great, but will Star Wars ever be able to return to the sound in that same way? 3. What's a score or soundtrack you're fond of besides anything Star Wars? Vertigo (composed by Bernard Herrmann) Follow Dan! Website: https://dangolding.com/ Art of the Score podcast: https://www.artofthescore.com.au/ YouTube: https://www.youtube.com/c/DanGoldingVideoEssays Bandcamp: https://dangolding.bandcamp.com/ Twitter: https://twitter.com/dangolding Screen Sounds on ABC: https://www.abc.net.au/classic/programs/screen-sounds/ Book: Star Wars After Lucas by Dan Golding: https://dangolding.com/star-wars-after-lucas/

In this episode we take another foray into classical music. Fantasia on a Theme by Thomas Tallis is extremely easy on the ears. But will people slow down and take the time to listen in the 21st century? This piece is technically a re-imagining of someone else's work, so we also talk about covers and what makes a good one. There are links to the songs we discuss below. As usual, Dan tortures so many metaphors we almost have to call in the ACLU. Fantasia on a Theme by Thomas Tallis (BBC Symphony Orchestra) https://youtu.be/ihx5LCF1yJY Oops... I Did It Again (Richard Thompson) https://youtu.be/V4WGsMplGxU The Ghost of Tom Joad (Rage Against The Machine) https://youtu.be/1VypaE6kKJ8 Lake of Fire (Nirvana) https://youtu.be/d4LdUQzCPPM