Podcast appearances and mentions of gerald finzi

Wilfred Brown was a tenor and professional singer who lived in Petersfield. He taught music including to Prime Minster Harold Wilson's children and performed and recorded with many musical greats like Vaughan Willaims, Gerald Finzi and guitarist John Williams. We spoke to Matthew Brown, one of the six children Wilfred and Mary adopted. Matthew speaks about life at home, being adopted and contacting his birth family. Recordings of Wilfred are on YouTube and other outlets.See omnystudio.com/listener for privacy information.

The rural landscapes of Gloucestershire have inspired many classical composers - including Herbert Howells, Gerald Finzi, Ralph Vaughan Williams and Ivor Gurney, to name just a few. In this programme, Rose Ferraby finds out about the links between landscape and music and learns about the extraordinary cluster of composers who were associated with Gloucester Cathedral in the early part of the 20th century. She talks to academics and musicians about how a love of the Gloucestershire countryside influenced composers of the time and visits some of the beauty spots which inspired them - including Chosen Hill, believed to be the only hill to have a piano quartet dedicated to it. At Gloucester Cathedral, she hears the choristers sing the Gloucester Service, a setting of the Magnificat and Nunc Dimittis by Herbert Howells, and meets the cathedral's director of music - who was himself taught by Howells at the Royal College of Music.Produced by Emma Campbell

Albumil kõlab ilmalik koorimuusika Inglise tippheliloojatelt, Gerald Finzi ja Vaughan Williamsi teosed.

This week on The Sound Kitchen you'll hear the answer to the question about the French city close to Nîmes. We'll welcome new RFI Listeners Club members, hear your answers to the bonus question on “The Listener's Corner” with Paul Myers, and plenty of good music. All that, and the new quiz question, too, so click on the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!Be sure you check out our wonderful podcasts!In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Paris Perspective, Spotlight on France, and of course, The Sound Kitchen. We have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too.As you see, sound is still quite present in the RFI English service. Keep checking our website for updates on the latest from our team of journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers, take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English – that's how I worked on my French, reading books which were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here. Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. NB: You do not need to send her your quiz answers! Email overload!And don't forget, there is a Facebook page just for you, the independent RFI English Clubs. Only members of RFI English Clubs can belong to this group page, so when you apply to join, be sure you include the name of your RFI Club and your membership number. Everyone can look at it, but only members of the group can post on it. If you haven't yet asked to join the group, and you are a member of an independent, officially recognised RFI English club, go to the Facebook link above, and fill out the questionnaire!!!!! If you do not answer the questions, I click “Decline”.There's a Facebook page for members of the general RFI Listeners Club, too. Just click on the link and fill out the questionnaire, and you can connect with your fellow Club members around the world. Be sure you include your RFI Listeners Club membership number (most of them begin with an A, followed by a number) in the questionnaire, or I will have to click “Decline”, which I don't like to do!This week's quiz: On 23 September, I asked you a question about a southern French city close to Nîmes. That week, Nîmes' Maison Carrée, a Roman temple from the first century CE, was added to the Unesco World Heritage List. It is France's 51st World Heritage site.Just a little over 30 kilometers away from Nîmes is another city that boasts numerous Roman monuments – and World Heritage Sites. I asked you to send in the name of that city.The answer is: Arles. Arles has eight Roman and medieval monuments on the World Heritage Site list: the amphitheater, the cathedral of Saint-Trophime and its cloisters, the necropolis of Les Alyscamps, the subterranean galleries, the Roman and medieval ramparts, the Roman theatre, and the baths of Constantine. They were added to the Unesco list in 1981.In addition to the quiz question, there was the bonus question “What do you value most in your life?”, which was suggested by Radhakrishna Pillai from Kerala State in India.The winners are:  RFI English listener Arne Timm from Harjumaa, Estonia. Arne is also the winner of this week's bonus question.  Congratulations, Arne!There's also Sayeeb Mohammed, who's a member of the RFI International DX Radio Listeners Club in Murshidabad, India; brand-new RFI Listeners Club member Akiyoshi Teraoka from Fukuoka, Japan; Samir Mukhopadhyay from West Bengal, India, and RFI English listener Aksa Ahmed from Munshiganj, Bangladesh.Congratulations winners!Here's the music you heard on this week's programme: The Waltz in C major by Francis Poulenc, performed by Gabriel Tacchino; “The Sheik of Araby” by Ted Snyder, played by Django Reinhardt and the Quintette de Hot Club de France; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “O Mistress Mine”, from William Shakespeare's play Twelfth Night. The song was set to music by Gerald Finzi, the bass-baritone is Bryn Terfel.This week's question ... you must listen to the show to participate.  After you've listened to the show, re-read our article “Polish opposition eyes power after ruling nationalists fail to win majority” to help you with the answer.You have until 20 November to enter this week's quiz; the winners will be announced on the 25 November podcast. When you enter, be sure you send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceorBy text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number.To find out how you can win a special Sound Kitchen prize, click here.To find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club, click here. 

Scott Robert Shaw's debut "The English Tenor" takes us on a beautifully performed journey through a who's who of great English composers and their vocal works. The names Ivor Gurney, Benjamin Britten, Ralph Vaughan Williams, Gerald Finzi and Roger Quilter are synonymous with English Song, and a Golden Age of British music. The wide variety of accompanying instruments and artists, the broad range of text settings, and the mix of cornerstone works of the repertoire alongside lesser-known cycles make "The English Tenor" a thrilling debut album.Five Elizabethan Songs - Ivor Gurney (1890-1937)Along the Field Ralph - Vaughan Williams (1872-1958)Four Songs, Op. 14 - Roger Quilter (1877-1953)8 Folksong Arrangements for High Voice and Harp - Benjamin Britten (1973-1976)Let Us Garlands Bring, Op. 18 - Gerald Finzi (1901-1956)Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcast with the permission of Sean Dacy from Rosebrook Media.

SynopsisOn today's date in 1949, the British composer Gerald Finzi conducted the premiere performance of his Clarinet Concerto at the Three Choirs Festival in Hereford.During his lifetime, Finzi never achieved the fame of some other 20th-century British composers. British tenor Mark Padmore wrote a recent appreciation titled “The Quiet Man of British Music,” which included these lines:“I want to make a case for taking the time to get to know a composer … whose plumage is discreet and whose song is quiet and subtle. Finzi might be termed one of classical music's wrens. Despite his exotic-sounding surname and mixed Italian, Sephardic and Ashkenazi heritage, Finzi was in many ways an archetypal English gentleman. ... One of his passions was the saving of old English varieties of apples. … [His] music was written slowly and often it would take many years for a piece to reach its final form.”Finzi died in 1956, at 55, from Hodgkin's lymphoma. He was concerned his music would be forgotten after his death and added this note to his catalogue of works: "The affection which an individual may retain after his departure is perhaps the only thing which guarantees an ultimate life to his work."Music Played in Today's ProgramGerald Finzi (1901 - 1956) – Clarinet Concerto (Alan Hacker; English String Orchestra; William Boughton, cond.) Nimbus 5665

James Newby's new album, 'Fallen to Dust', for BIS explores English song, and particularly English on the theme of death. Joined by the pianist Joseph Middleton, he offers cycles by Sir Arthur Somerville and Gerald Finzi, as well as songs spanning a century, including contemporary settings by Jonathan Dove and Errollyn Wallen. A former BBC New Generation Artist, a recipient of a 2022 Borletti-Buitoni Trust Award, a Rising Star for the Orchestra of the Age of Enlightenment and an ECHO Rising Star, Newby's career has taken off impressively. James Jolly met up with him earlier this week to talk about the new album. Gramophone Podcasts are given in association with Wigmore Hall. 

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. In het gedicht Clear and Gentle Stream keert de spreker terug naar een speciale plek uit zijn jeugd. En die plek is naast een beekje, onder een boom. De spreker haalt daar oude herinneringen op en het lukt hem zelfs de dromen die hij vroeger had weer op te roepen. Wanneer de avond aanbreekt, licht de maan het beekje op. Bij het glinsterende water zingt hij een lied dat hij vroeger ook zong. De vredige en nostalgische sfeer van deze scène verwerkte Finzi heel mooi in het lied. Ab laat je een instrumentale versie horen, om heerlijk bij weg te dromen... 

Gemeinsam mit Philipp und Julia Westlake geht es für eine Auszeit tief ins Grüne. Diese Musikstücke hast Du in der Folge gehört: Franz Schubert - "Nachtgesang im Walde" // The Cure - "A Forest" // Gerald Finzi - "Prelude" // Andreas Vollenweider - "Quiet Place" Wenn Du eine Idee oder einen Wunsch hast, zu welchem Thema Philipp unbedingt eine Playlist zusammenzimmern muss, dann schreib ihm ebenso eine Mail: playlist@ndr.de.

Sometimes composers and their work can get buried in time. Join producer Melanie Renate as we uncover and learn more about composers who aren't as well known in the traditional classical world. Episode 96 playlist Gerald Finzi - Cello Concerto — Some of Gerald Finzi's pieces are well known, but after he died his family worked hard to help make sure more of his music was made accessible to people. This is the last piece he wrote.LISTEN  — Gerald Finzi: Cello Concerto Gerald Finzi: Cello Concerto by Jan Dismas Zelenka: Capriccio No. 4  — War causes great loss. One of the many things that can be lost or destroyed by war is art. Jan Dismas Zelenka's music was thought to have been lost when his city was destroyed during a war. Luckily, some of his music survived.LISTEN  —  Jan Dismas Zelenka: Capriccio No. 4 Jan Dismas Zelenka: Capriccio No. 4 by Kikuko Kanai: Ryukyu Dances - 'Maidens Under the Moon' — There are so many amazing composers who aren't well-known simply because their music hasn't been recorded yet. Kikuko Kanai was well-known in her home country of Japan. Even though she composed more than 150 pieces of music, only a relative few have been recorded.LISTEN  —  Kikuko Kanai: Ryukyu Dances - 'Maidens Under the Moon' Kikuko Kanai: Ryukyu Dances - 'Maidens Under the Moon' by You can now search and listen to YourClassical Adventures where podcasts are found. Explore more from YourClassical Adventures! What are you curious about? You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy.

FINZI: Romance; Eclogue Op 10.

13th-20th CenturiesThis week we hear anonymous and traditional works and works by Orlande de Lassus, Heinrich Schütz, Christoph Graupner, Michael Haydn, Frank Martin, Gerald Finzi, and George Crumb.136 Minutes – Week of November 22, 2021

Vuelve Anónimo IV y esta quinta temporada comienza con un nuevo serial sobre un compositor ruso: en este caso, Piotr Ilych Tchaikovksy, que nos acompañará los próximos meses. En este primer episodio descubriremos sus primeros años de vida y sus primeros pasos como compositor. Además, en su nueva sección, "Dinastías", Brais nos hablará de la familia Couperin. Y en su "Galería de Olvidados", Erea descubrirá a Gerald Finzi.

Synopsis On today's date in 1956, the English composer Gerald Finzi died in Oxford. He was just 55 years old. Finzi suffered from Hodgkin's disease, and shortly before his death had caught chickenpox from some children he had visited, an infection that proved fatal. Finzi was born into a wealthy, assimilated Jewish family. His mother was musical, and an amateur composer. Even with talent, wealth, support from the likes of Ralph Vaughan Williams and several golden opportunities for career advancement, Finzi proved to be a rather diffident soul who seemed to prefer to work in seclusion and relative obscurity. He collected rare books and scores by 18th century English composers but is most famous for his settings of poems by Thomas Hardy, a contemporary of his parent's generation. Himself an agnostic, Finzi produced a small body of sacred choral works, and two instrumental pieces that have endeared him to clarinetists: a set of  clarinet  “Bagatelles” from 1943 and this Clarinet Concerto from 1949. The British critic Norman Lebrecht offers this assessment of Finzi's appeal: “a confluence of Elgar without bluffness and Vaughan Williams at his most delicate. His concerto for clarinet and strings is a light and lovely lament for lost times.” Music Played in Today's Program Gerald Finzi (1901 – 1956) — Clarinet Concerto (Richard Stoltzman, clarinet; Guildhall String Ensemble; Robert Slater, cond.) BMG 60437

Saturday 25 September: Víkingur Ólafsson rethinks Mozart, Lady Blackbird finds her sound, & Diana McVeagh introduces us to Finzi

Il 14 luglio 1901 nasce a Londra Gerald Finzi, Anna Rastelli lo racconta a WikiMusic

Nicht zu schwer, aber wichtig genug, um überall hin mitzureisen: Deine Songs für unterwegs. Diese Musikstücke hast Du in der Folge gehört: Zucchero - "Un Piccolo Aiuto" // Jacques Ibert - "Pieces breves" // Bach - "Schafe können sicher weiden" // Wings - "I'm Carrying" // Gerald Finzi - "Eclogue" // Wenn Du eine Idee oder einen Wunsch hast, zu welchem Thema Philipp unbedingt eine Playlist zusammenschustern muss, dann schreib ihm: playlist@ndr.de.

Led by Revd Dr Sam Wells, with music from St Martin's Voices, directed by Andrew Earis with organist Ben Giddens Music: The Peace of God – John Rutter Where'er you go – Allan Friedman An Irish Benediction - Baldwin This day – Bob Chilcott Amen from ‘Lo! The full final sacrifice' – Gerald Finzi

Richard and Eric tackle a juicy quote about Herbert Howells from a 1950s Musical Times article composed by Gerald Finzi.  “To some the idiom will appear ‘dated,' and poorer critical minds attach much greater significance to this word than it deserves.  ‘All only constant is in constant change,' but too often the generations see only the change and overlook the constancy.  We are, after all, only a link in a chain and each link must, of necessity, lie the opposite way to its predecessor.”  Where are we at today with some of the notions Finzi presents?Finzi, G. (1954). Herbert Howells. The Musical Times, 95(1334), 180-183. doi:10.2307/934754

durée : 01:56:57 - En pistes ! du mercredi 13 janvier 2021 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme : le clarinettiste Michael Collins en joué-dirigé dans le concerto de Gerald Finzi et la Symphonie n°5 de Vaughan Williams ; les œuvres pour violoncelle et piano de Fanny et Felix Mendelssohn; le chef Christoph Eschenbach dans deux nouveaux enregistrements de Fazil Say et Hindemith... - réalisé par : Lionel Quantin

This week I held something of a cultural exchange programme with writer, vlogger, and musician David Hurwitz. Known to many from his reviews website *Classics Today*, the lockdown prompted David to start his very successful YouTube channel earlier this year, which has been gaining a global following ever since. On the show David chooses five of his favourite pieces of British music, I return the compliment with five American classics and we have a discussion peppered with David's inimitable no-nonsense approach and personal anecdotes. It's a highly entertaining show and a great way to end this first season of The Presto Music Podcast. Keep subscribed wherever you get your podcasts though, as we'll be back in the new year with more stimulating chat with the experts. Thankyou for listening to the first 10 episodes, and please do get in touch if there are any subjects or guests that you would like to suggest, at info@prestomusic.comYou can listen to the podcast right here on this page, or click on the links in the player (via the symbol of the box with the arrow coming out of the top) to find it in Apple, Spotify, Stitcher and other popular podcast apps, where you will be able to subscribe and receive notifications when new episodes become available in the future.

NOW AVAILABLE ON FOWL PLAYERS RADIO!!! https://fowlplayersradio.buzzsprout.comWe welcome award winning baritone Keith Harris!!I first met Keith Harris about 8 years ago when we performed together in "The Music Man" at Baltimore Actors' Theatre, when he played the part of Prof. Harold Hill.He is an award winning opera singer, and has performed in almost every state of the union and in several countries overseas.He has appeared in The Merry Widow, Faust, Werther, and Lulu with The Metropolitan Opera; the role of Valentin in Faust with Toledo Opera and Annapolis Opera; the creation of the role of Sir Plume in the world première of The Rape of the Lock at New York Opera Fest; Silvio in Pagliacci with Opera Tampa; Albert in Werther with Mobile Opera; and the roles of Count Almaviva in Le nozze di Figaro and Dandini in La Cenerentola with Bar Harbor Music Festival, where he subsequently returned for a Tea Concert and pops concert for their 50th Anniversary.He has appeared with the Seattle Opera, Santa Fe Opera, Opera Theatre of Saint Louis, Holders Festival in Barbados, Nevada Opera, Opera of East Texas, El Paso Opera, and Skagit Opera. Other roles in clude Guglielmo in Così fan tutte, Figaro in Il barbiere di Siviglia, Papageno in Die Zauberflöte, and Athanaël in Thaïs. In musical theatre, he has performed as Billy Bigelow in Carousel, Anthony Hope in Sweeney Todd, Pirate Bras Pique in Naughty Marietta, and The Music Man with Baltimore Actors’ Theatre. Internationally, he performed the role of Journalist in Lulu at Teatro Comunale di Bologna and often performs many roles with The Festival lyrique international de Belle-Île en Mer in France, including Belcore in L’elisir d’amore, Iago in Otello, Ford in Falstaff, and, most recently, Tonio in Pagliacci.He has performed at Carnegie Hall for the world première of David N. Child’s Requiem, in Hayes’s Te Deum, Haydn’s Lord Nelson Mass, Orff’s Carmina Burana, and Rutter’s Mass of the Children. With New Jersey Choral Society, he sang Fauré’s Reqiuem, and with both New Jersey Choral Society and Connecticut Choral Society he sang Haydn’s Heiligmesse and Ed Lojeski’s Psalms of Passover. Other highlights include the roles of Morales and Le Dancaïre in Carmen with Pacific Symphony; the baritone solo in Beethoven’s Symphony No. 9 with New Haven Symphony, Lancaster Symphony, and National Chorale at Avery Fisher Hall; Karsa’s Brudibar with Phoenix Symphony; Händel’s Messiah with East Texas Symphony Orchestra; Gerald Finzi’s In Terra Pax with Dessoff Choirs under the baton of James Bagwell; Argento’s Andrée Expedition with Emerson Series in Wisconsin with pianist Kenneth Bozeman; Carmina Burana with Savannah Philharmonic, Lancaster Symphony, Riverside Choral Society at Alice Tully Hall, and National Chorale at Lincoln Center; Stephen Paulus’ So Hallow’d Is the Time with Greenwich Choral Society; and the world première of Morning Has Broken arranged by Bob Chilcott.So, he's pretty good.www.keithharris.netSubscribe for free on Apple Podcasts, Google Podcasts, Stitcher, Spotify, iHeart Radio, Overcast, Pocketcast, Castro, Cast Box, or here- https://fowlplayersradio.buzzsprout.comFollow us on Facebook or on twitter @fowl_radio

Kl. 10.03 er der Morgensang med Ole Kibsgaard og Kaya Brüel. Kl. 10.18 Musikudgivelser der er værd at lægge øre til og kunstnere der er værd at holde øje med. I denne uge bl.a. klarinetkoncert af Gerald Finzi. Tilrettelæggelse: Claus Berthelsen.

The author of 'Grief is the Thing with Feathers' and 'Lanny', Max Porter, walks with Geoff through a woodland near Bath, talks about playing the clarinet (cue Gerald Finzi's Clarinet Concerto), listening for birds, June Tabor, the relationship between humans and cities in the wake of lockdown and the power of Source Direct's jungle breaks that soundtracked his youth.— In the Wilderness Tracks, writers, artists, scientists and thinkers talk with producer Geoff Bird about six pieces of music that somehow connect them to nature.

Plainsong Responses Psalm 111 The Choir of St Paul’s Cathedral / Huw Williams (organ) / John Scott (director) Old Testament Reading: Exodus 16. 2-15 New Testament Reading: John 6. 22-35 Stanford in B flat The Choir of St Paul’s Cathedral / Simon Johnson (organ) / Andrew Carwood (director) Lo, the full, final sacrifice Gerald Finzi (1901-1956) The Choir of St Paul’s Cathedral / Andrew Lucas (organ) / John Scott (director) Sermon given by The Reverend Paula Hollingsworth, Chaplain St Paul’s Cathedral wishes to thank Hyperion Records for the permissions to use these tracks. More information from www.hyperion-records.co.uk

The Rev. Scott Donahue-Martens preaches a sermon entitled "A Shared Future". The remainder of the recording is a re-broadcast from previous services. The Marsh Chapel Choir sings "Coelos ascendit hodie" Op. 38, No. 2 by Charles Villiers Stanford and "God is gone up" by Gerald Finzi/arr. by Scott Perkins along with service music and hymns.

The Rev. Scott Donahue-Martens preaches a sermon entitled "A Shared Future". The remainder of the recording is a re-broadcast from previous services. The Marsh Chapel Choir sings "Coelos ascendit hodie" Op. 38, No. 2 by Charles Villiers Stanford and "God is gone up" by Gerald Finzi/arr. by Scott Perkins along with service music and hymns.

Ruim aandacht voor het werk van de Engelse componist Gerald Finzi (1901-1956). Vooral vocale muziek in zijn oeuvre, met een uitgesproken voorkeur voor de baritonstem. Zijn favoriete instrument was de klarinet, maar we hebben ook een recente en mooie opname van een stuk voor hobo en kamerensemble. Met muziek van George Gershwin, Sergei Prokofiev, Gerald Finzi en Richard Strauss

 The Sonnet Sessions continue... You can find me on Facebook, Twitter, or by email at podcastshakespeare@gmail.com. You can subscribe to the podcast at  iTunes, Stitcher, Soundcloud, or download direct from Libsyn. William Shakespeare, Sonnet VI  Then let not winter's ragged hand deface, In thee thy summer, ere thou be distilled: Make sweet some vial; treasure thou some place With beauty's treasure ere it be self-killed. That use is not forbidden usury, Which happies those that pay the willing loan; That's for thy self to breed another thee, Or ten times happier, be it ten for one; Ten times thy self were happier than thou art, If ten of thine ten times refigured thee: Then what could death do if thou shouldst depart, Leaving thee living in posterity? Be not self-willed, for thou art much too fair To be death's conquest and make worms thine heir.  Music clips: Ralph Vaughan Williams, “Fantasia on Greensleeves“, from Sir John in Love, opera adapted from William Shakespeare’s The Merry Wives of Windsor, 1928 Gerald Finzi, Nocturne from Love's Labour's Lost Op. 28

In this episode, recorded in June 2019, Thomas and Richard talk about some of the more ‘modern’ music which was on the Choir’s programme at the end of the Easter season and around Trinity Sunday. Music discussed includes Gerald Finzi’s Lo the the full, final sacrifice, Matthew Martin’s Ut unum sint, and Francis Grier’s Missa Trinitatis Sanctae. After Thomas answers a listener question about Vespers in Latin, Richard has the opportunity to talk to some of the boy Choristers.If you like Staved Off, please write a review for the podcast on iTunes, and make sure that you subscribe so that you always receive the latest episodes when they're released. You can get all the information about how to subscribe on the podcast page on the website, at www.cathedralchoir.sydney/podcast. You can also leave comments there on individual episodes.

Meeslepende muziek van Gerald Finzi en het eerste deel van 'Godenlicht' van Erik Voermans, gecomponeerd rondom opnamefragmenten van trompettist Eric Vloeimans, en geïnspireerd op het Noorderlicht. Met een toelichting door de componist! Met muziek van Gerald Finzi en Erik Voermans.

De cellosonate van György Ligeti, filmmuziek van Scott Walker, en het klarinetconcert van Gerald Finzi in de Late Night Show van Vrije Geluiden op Radio 4. Met een lied van Jean Sibelius door Raoul Steffani, een klarinetconcert van Finzi door Roeland Hendrikx, een pianotrio van Daan Manneke, de Cello-sonate van Ligeti door Nicolas Altstaedt, muziek van blokfluitiste Sarah Jeffery, filmmuziek van Scott Walker bij The Childhood of a Leader, en tedere porceleinklanken van Kate Moore.

Aad van Nieuwkerk verkent iedere zaterdag en zondag tussen 23.00 en 24.00 uur de grenzen van de klassieke muziek. Met nieuwe releases, concerttips, reportages, actuele ontwikkelingen in de muziekwereld, een vaste plek voor jong talent, en natuurlijk: adembenemende muziek! Gemaakt in nauwe samenwerking met het televisieprogramma Vrije Geluiden. Met vandaag muziek van Louis Sclavis, Béla Bartók, Malcolm Arnold, Gerald Finzi, Gustav Mahler en Hanns Eisler. En natuurlijk een historische opname met Benny Goodman.

Tom Klaassen verkent iedere zaterdag en zondag tussen 23.00 en 24.00 uur de grenzen van de klassieke muziek. Met nieuwe releases, concerttips, reportages, actuele ontwikkelingen in de muziekwereld, een vaste plek voor jong talent, en natuurlijk: adembenemende muziek! Met vanavond werken van: Arvo Pärt, Gerald Finzi, Etienne Moulinié, Marin Mersenne, en Jesse Passenier and the Fluid Orchestra.

Carmen Yulin Cruz Soto, mayor of San Juan, Puerto Rico, delivers this year's Baccalaureate Address. The Marsh Chapel Choir and Majestic Brass perform "Precious Lord, take my hand" by Thomas Dorsey arr. Roy Ringwald and "God is gone up" by Gerald Finzi arr. Scott Perkins, along with service music and hymns.

Carmen Yulin Cruz Soto, mayor of San Juan, Puerto Rico, delivers this year's Baccalaureate Address. The Marsh Chapel Choir and Majestic Brass perform "Precious Lord, take my hand" by Thomas Dorsey arr. Roy Ringwald and "God is gone up" by Gerald Finzi arr. Scott Perkins, along with service music and hymns.

We're back from summer vacation with all-new episodes! This week's episode is from The Diction Police's Special Diction Unit--this is the audio version, for people who want to listen on-the-go. This week we focus on "Who is Sylvia" from Gerald Finzi's Let Us Garlands Bring. The text comes from Shakespeare's Two Gentlemen of Verona, and we concentrate in the open I [ɪ], as well as the differences and similarities between [ə], [ɜ], and [ʌ], as in the phrase "the dull earth". For the full video Tutorial of this episode, click here. We are in the midst of revamping our website, to include text readings as well as subscription capabilities, plus a blog page where you can find all of our Diction Lessons and Tongue Twisters for Singers series all in one place! Keep watching here or at the Facebook page for that to go live. As always, feel free to contact me here, on Facebook or directly at info@dictionpolice.com

We're back from summer vacation with all-new episodes! This week's episode is from The Diction Police's Special Diction Unit--no need to go looking for the text, because you can follow along with the text, IPA, and conversation on the video! This week we focus on "Who is Sylvia" from Gerald Finzi's Let Us Garlands Bring. The text comes from Shakespeare's Two Gentlemen of Verona, and we concentrate in the open I [ɪ], as well as the differences and similarities between [ə], [ɜ], and [ʌ], as in the phrase "the dull earth". For the audio version of this episode, click here. We are in the midst of revamping our website, to include text readings as well as subscription capabilities, plus a blog page where you can find all of our Diction Lessons and Tongue Twisters for Singers series all in one place! Keep watching here or at the Facebook page for that to go live. As always, feel free to contact me here, on Facebook or directly at info@dictionpolice.com

This was a special performance of Five Pieces No. 3 by Gerald Finzi by Clarinetist Michael Fox at Faith Lutheran Church in Okemos, Michigan

I programmet diskuterar panelen bl. a. Tobias Berndts tolkning av 28 Fanny Hensel-sånger samt kammarmusik av engelsmannen Gerald Finzi. Dessutom möter vi den unge pianisten Daniil Trifonov. I panelen Aurélie Ferrier, Hanns Rodell och Magnus Lindman som tillsammans med programledaren Johan Korssell betygsätter följande skivor:  FANNY HENSEL Goethe-sånger Tobias Berndt, baryton Alexander Fleischer, piano Querstand VKJK 1509 JOHANN SEBASTIAN BACH Cembalokonserter BWV 1052 1057 Andreas Staier, cembalo Freiburgs barockorkester Harmonia Mundi HMC 902181-82 GERALD FINZI Fem bagateller, Elegi, Preludium och Fuga m.m. Kölns kammarsolister MDG 903 1894-6ALEXANDER SKRJABIN Symfonier nr 3 och 4 Oslo filharmoniker Vasily Petrenko, dirigent Lawo LWC 1088Sofia möter pianisten Daniil Trifonov Sofia Nyblom mötte den unge konsertpianisten i samband med Stockholms-besöket och Nobelkonserten i Stockholms konserthus den 8 december 2015, då Trifonov framträdde som solist i Rachmaninovs tredje pianokonsert tillsammans med Kungliga filharmonikerna och dirigenten Franz Welser-Möst. Andra nämnda eller rekommenderade inspelningarBachs klaverkonserter med Trevor Pinnock och The English Concert på Archiv och DG; Pierre Hantaï tillsammans med Le Concert Francais på skivmärket Astree samt med cembalisten Lars Ulrik Mortensen och Concerto Copenhagen på CPO. Nytt Finzi-album Introit med Aurora Orchestra under ledning av Nicholas Collon på Decca. Fanny Hensel-Mendelssohns sånger med sopranen Susan Gritton ackompanjerad av Eugene Asti på märke Hyperion (tidigare recenserad i CD-revyn). Felix och Fanny Mendelssohns stråkkvartetter med Ebène-kvartetten på Virgin Classics (tidigare recenserad i CD-revyn). Skrjabins symfonier med New Yorks filharmoniker under Giuseppe Sinopoli på DG samt Londons symfoniorkester dirigerad av Valerij Gergiev på egna märket LSO Live samt med Philadelphia-orkestern under Riccardo Mutis ledarskap på EMI. SvepetJohan sveper över Brahms Ein Deutsches Requiem i en inspelning med sopranen Lore Binon och barytonen Tassis Christoyannis tillsammans med Flamländska radions kör allt under ledning av Hervé Niquet på skivmärket Evil Penguin.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "A Thanksgiving Prayer". The Marsh Chapel Choir sings "The Lord's Prayer", by Antony Arensky and "God is gone up" by Gerald Finzi along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "A Thanksgiving Prayer". The Marsh Chapel Choir sings "The Lord's Prayer", by Antony Arensky and "God is gone up" by Gerald Finzi along with service music and hymns.

Music and Poetry - Approaching Beethoven's 9th. This is the fourth in a series of podcasts intended to simply walk with you through various composers and their music. Any tool, whether for music lovers, musicians or those new to "classical" music, is always helpful in this creative process of engaged listening. I offer these thoughts to anyone and everyone as a musician who has performed, studied, lived, taught and/or conducted the wide array and miscellany of musical works in the repertoire, be they familiar masterworks or gems that are less frequently performed. In this podcast, with the intention being able to eventually approach listening and talking about Beethoven's 9th (Choral) Symphony, I present an interesting opportunity for engaged and responsive listening in order to have a new perspective about the wedding of words and music - in this case, poetry and music. Most of this process is described in the podcast, so I leave much of the details for later discovery. These podcasts are for EDUCATIONAL use only. Not to be used in any public setting by any media. I STRONGLY recommend headphones because the ambient sounds of many coffee places and offices do not afford the opportunity to fully appreciate the full range of the sound spectrum that is so difficult to replicate outside of a concert hall. Happy listening! CAUTION: Because of the nature of the wide spectrum of the volume of the music, headphones are STRONGLY encouraged. Please be safe. Do not listen to this podcast while driving. Material used by permission. All rights reserved.

The Honorable Sandra L. Lynch gives the Baccalaureate Address. The Marsh Chapel Choir sings "Alleluia" by Randall Thompson and "God is gone up" by Gerald Finzi along with service music and hymns.

The Honorable Sandra L. Lynch gives the Baccalaureate Address. The Marsh Chapel Choir sings "Alleluia" by Randall Thompson and "God is gone up" by Gerald Finzi along with service music and hymns.

The Reverend Joshua Thomas preaches a sermon entitled "Atonement Lenten Series V." The Marsh Chapel Choir sings "O Lord, in thy wrath" by Orlando Gibbons" and "Lo, the full, final Sacrifice, op. 26" by Gerald Finzi along with service music and hymns.

The Reverend Joshua Thomas preaches a sermon entitled "Atonement Lenten Series V." The Marsh Chapel Choir sings "O Lord, in thy wrath" by Orlando Gibbons" and "Lo, the full, final Sacrifice, op. 26" by Gerald Finzi along with service music and hymns.

The Reverend Joshua Thomas preaches a sermon entitled "Atonement Lenten Series V." The Marsh Chapel Choir sings "O Lord, in thy wrath" by Orlando Gibbons" and "Lo, the full, final Sacrifice, op. 26" by Gerald Finzi along with service music and hymns.

The Reverend Joshua Thomas preaches a sermon entitled "Atonement Lenten Series V." The Marsh Chapel Choir sings "O Lord, in thy wrath" by Orlando Gibbons" and "Lo, the full, final Sacrifice, op. 26" by Gerald Finzi along with service music and hymns.