Podcasts about coleridge taylor

Cada capítulo que dedicamos a los autores británicos que compusieron al menos una sinfonía nos lleva a lugares insospechados y nos ofrece nuevas obras que pasan a formar parte de una serie que llega a la quinta entrega con ésta, la que estás a punto de escuchar. Sus principales protagonistas son los 5 autores que crearon la música del capítulo y que responden a apellidos tan sonoros como Coleridge-Taylor, Scott, Lloyd, Cliffe y Crotch. No son especialmente conocidos pero estamos seguros de que algunas de sus obras te van a dejar un sabor extraordinario. Carlos y Mario confían en que les acompañes en este viaje por el siglo XIX y parte del XX, para disfrutar juntos de la mejor música del mundo, la que suena siempre en Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Episode 95 is our Christmas special for 2024 - looking back to five vintage BBC Christmases of 1922-42. Well, I say 'five'. I mean nine. Christmas is a time for giving, so have four extra... Nine Gold Airings didn't sound as catchy. You'll hear: - 1922 – Rev John Mayo - the BBC's first religious broadcast for Christmas Eve  - 1926 – Christmas Overture by Coleridge-Taylor, The BBC Wireless Symphony Orchestra conducted by Percy Pitt - 1926-34 - Bethlehem, the BBC's first on-location radio drama, live from St Hilary's church in west Cornwall - 1932 – The first royal Christmas message from George V - 1934 – The bells of Armagh Cathedral, and Christmas on the Aran Islands - 1936 – A Cornish Christmas Carol by the BBC Chorus - 1936 – The Wassail Song by the BBC Chorus - 1941 – Refugee children and their parents reunited across the Atlantic via BBC and NBC - 1942 – Carols in the Desert, Godfrey Talbot, BBC Correspondent with the 8th Army in Tripolitania     SHOWNOTES: - Paul's book Hark! The Biography of Christmas is available in paperback (https://amzn.to/4iuULoB) and audiobook read by the author (https://amzn.to/4gdlYud) - Hear the full recording of 1934's Bethlehem play: https://youtu.be/WwC8BemyBtI?si=_m-p_5y3rHPKkrIX - Hear the voices behind the Bethlehem play, on this wonderful 1986 BBC Radio Cornwall documentary: https://youtu.be/HqCO_0uSBFk?si=3AoPR2Gt3We_wgSn - For more on Godfrey Talbot and his BBC career shadowing the 8th army in WW2, see this marvellous detailed biographical blog post: https://war-experience.org/events/godfrey-talbot-voice-of-the-desert-and-8th-army/ - Episode 60 of this podcast has more on Rev John Mayo's first BBC religious broadcast, and other landmarks of the genre: https://pod.fo/e/160bd7 - Episode 72 of this podcast is on the first radio drama, on Christmas Eve 1922 - Phyllis Twigg's The Truth about Father Christmas: https://pod.fo/e/1d6747 - and I'll be writing more about her and this landmark radioplay very soon. Keep an eye out for it! - Original music is by Will Farmer. - Support us on Patreon (£5/mth), for bonus videos and things - and thanks if you do! - A Christmas present, for us? Well if you'd rate and review the podcast where you found it... Thanks! You shouldn't have. - Paul's on tour: An Evening of (Very) Old Radio visits these places: www.paulkerensa.com/tour - come and hear about the first firsts of broadcasting, live. - This podcast is nothing to do with the BBC. - Old clips are likely beyond copyright as they're so old. Newer clips may be BBC copyright content reproduced courtesy of the British Broadcasting Corporation. All rights reserved.    Next time: August 1923 on the BBC - new radio HQs in Birmingham and Manchester, developments in Scotland and Dublin, and the first radio gardener, Marion Cran.   More info on this broadcasting history project at paulkerensa.com/oldradio

The Illinois Symphony Orchestra (ISO) begins its 2024-2025 season with “Festive Fanfare.” The concert, conducted by ISO music director Taichi Fukumura, will feature Walton's Spitfire Prelude and Fugue, Coleridge-Taylor's Violin Concerto with violinist Braimah Kanneh-Mason, and Dvořák's Symphony No. 8.The ISO performs in Springfield on Friday Oct. 18, at 7:30 p.m. and in Normal on Saturday Oct. 19, at 7:30 p.m. For ticket information visit: ilsymphony.org

durée : 01:28:31 - Eté Classique Matin - Un petit florilège de la playlist personnelle du producteur d'aujourd'hui : Chostakovitch, Adams et Coleridge-Taylor.

Composer Colridge-Taylor Perkinson combined classical, jazz and popular music to build a varied career that advocated for the Black community, especially its performing artists. Find out more in the 'Rhapsody in Black' podcast.

Coleridge-Taylor Perkinson was a skilled pianist and conductor who composed and performed in the classical, television, theater, jazz and film industries, while also advocating for the Black community in the performing arts. Find out more in the 'Rhapsody in Black' podcast.

durée : 01:29:00 - En pistes ! du lundi 20 novembre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En ce lundi matin, Emilie et Rodolphe vous proposent d'entendre la musique de Bacewicz, Henriëtte Bosman, ou encore celle de Coleridge Taylor, en passant par Kodaly et Pierre Maurice, interprétée par Raphaëlle Moreau, le London Choral Sinfonia, mais aussi le Quatuor Takács et l'Ensemble MidtVest

SynopsisOn today's date in 1904, the Washington Post's headline read, “Hiawatha Tonight: Samuel Coleridge-Taylor's masterpiece to be sung at Convention Center.”The 29-year-old British composer, on his first visit to America, was to conduct the 200 members of the Coleridge-Taylor Choral Society of Washington D.C., accompanied by the Marine Band orchestra.So who was this British composer and what had he done to inspire an American chorus to name itself after him?Coleridge-Taylor was born in 1875 to an African father from Sierra Leone and an English mother. Showing remarkable musical talent, he studied at the Royal Academy of Music in London and rapidly established himself as a major choral composer with a trilogy of oratorios, all based on Longfellow's epic poem Hiawatha, that became wildly popular in England, but the 1904 concert in Washington was the first time all three had been performed on the same concert.The Coleridge-Taylor Choral Society was America's first African-American concert choir. Attending the Washington performance were many members of the federal government and distinguished members of both Black and white society.Music Played in Today's ProgramSamuel Coleridge-Taylor (1875-1912) Hiawatha's Departure; Welsh National Opera Chorus and Orchestra; Kenneth Alwyn, cond. Argo 430 956

Thomas Wilkins will lead The Boston Symphony Orchestra in two programs at Tanglewood this weekend: Saturday's “BSO Family Concert: May I Have Your Attention Please” at 10:30 a.m., and Sunday's Berkshire Day concert at 2 p.m., featuring music by Coleridge-Taylor, Ellington, and mandolinist Jeff Midkiff. The concert on Sunday is Tanglewood's annual Berkshire Day performance - residents of Berkshire County may attend for free.

Holly mentions the legal protections for artists that were catalyzed by Coleridge-Taylor's death. Tracy shares stories of unique court cases.See omny.fm/listener for privacy information.

Avril Coleridge-Taylor (1903-1988);  Wikipedia says she was a "pianist".  She was.  She was also a composer and conductor (in fact she was the first female conductor of the band of the Royal Marines).   She was also the daughter of Samuel Coleridge-Taylor.Historian and author Stephen Bourne and musician and author Patricia Hammond talk about her  talent and her eventful  life in this episode.  Find out more about Stephen and his work championing black and LGBTQ history here: https://stephenbourne.co.uk/Follow Stephen on Twitter: https://twitter.com/blackpoppies14Find out more about Patricia, her music and her work to rediscover the music of the past , particularly unsung female composers here: https://patriciahammond.com/Follow Patricia on Twitter here: https://twitter.com/hammondpatriciaMusic:  Mr Sun & Can Sorrow Find Me are used with permission.  Both, along with many other gems can be found on Patricia's Youtube channel here:https://www.youtube.com/user/patriciahammondsongsHost:  Lottie WalkerGuests:  Stephen Bourne & Patricia HammondProduction & Editing:  Harry JacobsThank you for listening. If you've enjoyed today's podcast do subscribe via your streaming platform so that you never miss an episode and you can catch up on past episodes.If you'd like to help us to keep the podcast going in these tough times, please consider becoming a patron. It's really easy to do. Just go to :https://www.patreon.com/bluefiretheatreif you're more comfortable with a one off donation you can do this via our website:https://www.bluefiretheatre.co.uk/or buy us a coffee on:https://ko-fi.com/bluefiretheatreEven the smallest donation helps us get our shows on the road and keep the lights on in the studio and we are so grateful for all your help and support.And finally...don't forget to follow us on social media. We'd love to hear from you!Find us at:https://twitter.com/famous_heardhttps://www.instagram.com/bluefire_tchttps://www.facebook.com/bluefirepodcast

This week on Beethoven Walks into a Bar, Mike and Stephanie chat with maestro, educator and all-around inspiring human Thomas Wilkins. The King of acronyms, he is currently artistic advisor for education and community engagement and the Germeshausen Youth and Family Concerts Conductor of the Boston Symphony (AAECEGYFCCBSO) and a winner of the Leonard Bernstein Lifetime Achievement Award for the Elevation of Music in Society (LBLAAFTEOMS). Thomas is in town conducting the Kansas City Symphony in Gershwin's Rhapsody in Blue, Coleridge-Taylor's Suite from Hiawatha, and Neielsen's "Inextinguishable" Symphony March 31-April 2 at the Kauffman Center for the Performing Arts. Episode 703 Playlist

This weekend the Detroit Symphony Orchestra performs Brahms, Coleridge-Taylor and Rachmaninoff. 90.9's Peter Whorf spoke with Music Director Jader Bignamini about the genius of Brahms composition as well as Rachmaninoff and what he was going through when he composed his second piano concerto.

Thomas Wilkins conducts three works featuring unique musical visions of America, capped with Dvořák's majestic New World Symphony, which draws on African American and Native American source materials. Coleridge-Taylor's ballet suite captures the spirit of Longfellow's epic poem The Song of Hiawatha. CSO Principal Clarinet Stephen Williamson performs Copland's Clarinet Concerto, premiered by Benny Goodman, which features a rollicking blend of jazz and classical sounds. Learn more: cso.org/performances/22-23/cso-classical/coleridge-taylor-copland-and-dvorak-9

Samuel Coleridge-Taylor (1875-1912)  was a British composer.His mother was English and his father from Sierra Leone.  He referred to himself as "Anglo-African" and was referred to by white musicians in the US as the "Black Mahler", which is the title of the biography by  Charles Elford.Coleridge-Taylor entered the Royal College of Music at the age of only 15 and was taught by Prof. Charles Villiers Stanford, who conducted the debut performance of Coleridge-Taylor's "Hiawatha".  He is renowned in the US as a role model for black classical musicians and Elgar said he was “far and away the cleverest fellow going amongst the younger men".We hope you enjoy finding out more about him. Guest :  Chenoa Murphy Host:  Lottie WalkerEditor:  Harry JacobsAbout Chenoa Murphy: https://blackclassicalmusicians.com/about-chenoa/Follow  Chenoa on Twitter : https://twitter.com/chenoaalamuSuzuki Association of America: https://suzukiassociation.org/Chineke! Foundation: https://www.chineke.org/The Black Mahler Website: http://www.blackmahler.com/Thank you for listening. If you've enjoyed today's podcast do subscribe via your streaming platform so that you never miss an episode and you can catch up on past episodes.If you'd like to help us to keep the podcast going in these tough times, please consider becoming a patron. It's really easy to do. Just go to :https://www.patreon.com/bluefiretheatreif you're more comfortable with a one off donation you can do this via our website:https://www.bluefiretheatre.co.uk/or buy us a coffee on:https://ko-fi.com/bluefiretheatreEven the smallest donation helps us get our shows on the road and keep the lights on in the studio and we are so grateful for all your help and support.And finally...don't forget to follow us on social media. We'd love to hear from you!Find us at:https://twitter.com/famous_heardhttps://www.instagram.com/bluefire_tchttps://www.facebook.com/bluefirepodcast

Die Komponistin Avril Coleridge-Taylor hat wunderbar stimmungsvolle, sinfoninsche Musik geschrieben. Gegen sie sprach nur eins: Sie hatte einen berühmteren Vater. Und sie war schwarz. Von Sophie Emilie Beha.

Rich Zahradnik is the author of the thriller THE BONE RECORDS and the four critically acclaimed Coleridge Taylor mysteries, including Lights Out Summer, winner of the Shamus Award from the Private Eye Writers of America. His book, THE BONE RECORDS teases: What would you do if you found a bone record—a black-market Soviet recording made on an X-ray? What if you found it at the site of your father's murder? Zahradnik was a journalist for 27 years, working as a reporter and editor in several different media, including online, newspaper, broadcast, magazine and wire services. He held editorial positions at CNN, Bloomberg News, AOL and The Hollywood Reporter. THE BONE RECORDS: NY Police Academy washout Grigg Orlov discovers an eerie piece of evidence at the scene of his father's brutal murder: a disc-shaped X-ray of a skull. It's a bone record—what Soviet citizens called banned American songs recorded on used X-rays. But the black-market singles haven't been produced since the sixties. What's one doing in Coney Island in 2016? https://www.richzahradnik.com/ #thebonerecords #richzahradnik #thrillerwriters #thrillerbooks #authorsontheair #aota #authorinterview #suspensefiction

Rich Zahradnik is the author of the thriller THE BONE RECORDS and the four critically acclaimed Coleridge Taylor mysteries, including Lights Out Summer, winner of the Shamus Award from the Private Eye Writers of America. His book, THE BONE RECORDS teases: What would you do if you found a bone record—a black-market Soviet recording made on an X-ray? What if you found it at the site of your father's murder? Zahradnik was a journalist for 27 years, working as a reporter and editor in several different media, including online, newspaper, broadcast, magazine and wire services. He held editorial positions at CNN, Bloomberg News, AOL and The Hollywood Reporter. THE BONE RECORDS: NY Police Academy washout Grigg Orlov discovers an eerie piece of evidence at the scene of his father's brutal murder: a disc-shaped X-ray of a skull. It's a bone record—what Soviet citizens called banned American songs recorded on used X-rays. But the black-market singles haven't been produced since the sixties. What's one doing in Coney Island in 2016? https://www.richzahradnik.com/ #thebonerecords #richzahradnik #thrillerwriters #thrillerbooks #authorsontheair #aota #authorinterview #suspensefiction

durée : 00:15:57 - Coleridge-Taylor - Chineke ! Orchestra - L'album contient de la musique du célèbre compositeur afro-britannique Samuel Coleridge-Taylor avec une apparition de la violoniste américaine primée Elena Urioste, ainsi qu'un enregistrement en première mondiale d'une œuvre de la fille de Coleridge-Taylor, Avril Coleridge-Taylor.

Tchaikovsky, Coleridge-Taylor, Handel, Rimsky-Korsakov, Cornelius, L. Mozart, Berlioz, Tchaikovsky.

Donald Macleod explores the life and music of Samuel Coleridge-Taylor, from his first steps up the musical ladder, to his premature death at the age of 37 and the legacy left behind. At the turn of the 20th century, Samuel Coleridge-Taylor could have been described as the most famous Black person in Britain. His cantata trilogy, the Song of Hiawatha, was an overnight success, and by the age of 25 he had packed out the Royal Albert Hall with a thousand performers, let alone the audience. His fame took him all around Britain and America as choral societies from Worcester to Washington DC all wanted to sing his music, and Coleridge-Taylor became a role-model, especially for African-Americans. But tragically, just over a decade later, he would be dead. He remained a household name into the 1930s, only for his flame to flicker out much sooner than he deserved. All this week, Donald re-visits his fascinating story, with recordings predominantly released in the last 5 years, showing how excited today's performers are to rediscover his delightful music. Music Featured: Going Up Clarinet Quintet in F sharp minor, Op 10 (iv. Finale) Magnificat in F major Piano Quintet, Op 1 (i. Allegro con moto; ii- Larghetto) Symphony, Op 8 (iii. Scherzo) Nonet (ii. Andante con moto) African Romances, Op 17 (Ballad) Hiawatha Overture Hiawatha's Wedding Feast (excerpt) Othello Suite Nonet (3rd and 4th movements) Romance of the Prairie Lilies (arr. P.E. Fletcher for orchestra) The Bamboula for piano African Suite (iv. African Dance, orch. Chris Cameron) Big Lady Moon Summer is gone Violin Concerto, Op 80 (ii. Andante semplice; iii. Allegro molto) Hiawatha's Departure (excerpt) Deep River (arr. Kanneh-Mason Trio) Presented by Donald Macleod Produced by Amelia Parker For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Samuel Coleridge-Taylor (1875-1912) https://www.bbc.co.uk/programmes/m001dfvp And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Ragtime, Coleridge-Taylor, Mozart, Verdi.

Das in London ansässige Chineke! Orchestra besteht vorwiegend aus People of Colour und hat es sich zur Aufgabe gemacht, auch ethnisch diverse Komponisten zu spielen - wie den großartigen britischen Komponisten Samuel Coleridge-Taylor. Eine Wiederentdeckung, die überfällig war!

The release commemorates the 110th anniversary of the composer's death (1st September 1912). The album includes the famous Violin Concerto in G minor which was originally written for Minnie “Maud” Powell, a champion of music by African-American and female composers, first performed days after the composer's death. Another highlight is the 1898 African Suite, based on the ground-breaking poetry of the African-American poet Paul Lawrence Dunbar, a major influence on Coleridge-Taylor taking inspiration from the ideas of Pan-Africanism.Purchase the music (without talk) at:Chineke! Orchestra (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Special guest Kevin Olusola co-hosts this commemoration of Juneteenth featuring outstanding young Black musicians performing works by Florence Price, Coleridge-Taylor, Sam Cooke and more.

The Grammy Award-winning Catalyst Quartet joins us on the Classical Post podcast today to discuss their latest album, UNCOVERED Volume 2, featuring the music of Florence Price. The star pianist Michelle Cann is also on the show as this album was a collaboration with her. The quartet's UNCOVERED project is a multi-volume set of albums released on Azica Records. The initiative celebrates beautifully crafted works by artists who have been overlooked and sidelined in classical music, especially because of their race or gender. Volume 1, released last year, includes the string quartet and quintets of Samuel Coleridge-Taylor with clarinetist Anthony McGill and pianist Stewart Goodyear. Volume 2 just came out this year and features music by Florence Price. Volume 3 and beyond will feature Coleridge-Taylor, Perkinson, William Grant Still, and George Walker, among others. As a side note, violinist Abi Fayette was not on the podcast, but you will hear the other quartet members — violinist Karla Donehew Perez, violist Paul Laraia, and cellist Karlos Rodriguez — and the pianist Michelle Cann. -- Classical Post uncovers the creativity that exists behind great music. Dive into meaningful conversations with leading artists in the world today. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive editorial and subscribe to our monthly newsletter to be notified of new content. Follow us on Instagram and TikTok. Classical Post is an ambassador for NED, a wellness company. Get 15% off their products like CBD oil and many other health-based products by using our code CLASSICALPOST at checkout.

Jakub Hrůša conducts a joyful portrait of his Czech homeland in Dvořák's folk-infused Sixth Symphony. Radiant soprano Joélle Harvey makes her CSO debut in Barber's nostalgic recollection of small-town America. Opening the program is Coleridge-Taylor's 1898 breakthrough score, the rhapsodic Ballade. Learn more: cso.org/performances/21-22/cso-classical/coleridge-taylor-barber-dvorak-6/

Jakub Hrůša conducts a joyful portrait of his Czech homeland in Dvořák's folk-infused Sixth Symphony. Radiant soprano Joélle Harvey makes her CSO debut in Barber's nostalgic recollection of small-town America. Opening the program is Coleridge-Taylor's 1898 breakthrough score, the rhapsodic Ballade. Learn more: cso.org/performances/21-22/cso-classical/coleridge-taylor-barber-dvorak-6/

Tomorrow night, Saturday the 9th, the Tulsa Symphony Orchestra will begin its new season with a concert beginning at 8pm in the Tulsa PAC. It'll be the first time the TSO has performed in this space with an audience since the pandemic began (and masks as well as proof of COVID-19 vaccination -- or else proof of a negative COVID-19 test result -- will be required for entry). The evening will feature Shostakovich's Festive Overture, Coleridge-Taylor's Ballade, Liszt's Les Preludes, and Beethoven's Piano Concerto No. 5 ("Emperor"), the last-named featuring the renowned pianist Garrick Ohlsson. Our guest on ST is the distinguished guest conductor for this concert, Bramwell Tovey.

Tomorrow night, Saturday the 9th, the Tulsa Symphony Orchestra will begin its new season with a concert beginning at 8pm in the Tulsa PAC . It'll be the first time the TSO has performed in this space with an audience since the pandemic began (and masks as well as proof of COVID-19 vaccination -- or else proof of a negative COVID-19 test result -- will be required for entry). The evening will feature Shostakovich's Festive Overture, Coleridge-Taylor's Ballade, Liszt's Les Preludes, and Beethoven's Piano Concerto No. 5 ("Emperor"), the last-named featuring the renowned pianist Garrick Ohlsson. Our guest on ST is the distinguished guest conductor for this concert, Bramwell Tovey.

Joshua and Angela expound on the life and work of the iconic British composer Samuel Coleridge-Taylor, focusing on one of his most famous works, the Song of Hiawatha. Excerpts from the Hiawatha Overture punctuate the discussion of Coleridge Taylor's international career, prolific body of work, and how composers of that era often did not receive fair financial compensation for their work. Featured tracks: Samuel Coleridge-Taylor -- Hiawatha Overture - YouTube - Performed by the RTE Concert Orchestra and conducted by Adrian LeaperSupport the show (https://classicalmusicindy.org/support-classical-music-indy/)

Special guest Kevin Olusola co-hosts this commemoration of Juneteenth featuring outstanding young Black musicians performing works by Florence Price, Coleridge-Taylor, Sam Cooke and more.

Special guest Kevin Olusola co-hosts this commemoration of Juneteenth featuring outstanding young Black musicians performing works by Florence Price, Coleridge-Taylor, Sam Cooke and more.

How do we honour the forgotten, whose work was once celebrated, and who gets to decide which work stands the test of time? These are questions we’re asked to consider in a new audio play called recognition, which explores the story and legacy of Samuel Coleridge-Taylor – an Afro-English composer and conductor born in London in 1875. The play brings Coleridge-Taylor to life in conversation with Song, voiced by composer, musician, actress and writer Shiloh Coke.  recognition is one of eight plays forming Written on the Waves, an audio project presented by 45North. 45North champions, develops, and produces outstanding work by female-identifying and non-binary artists. Listen to the full audio play here: http://www.forty-fivenorth.com/writtenonthewaves Learn more about your ad choices. Visit megaphone.fm/adchoices

Program Director John Pitman talks with violinist Karla Donehew Perez, of Catalyst Quartet, about the exciting new project they launched in January called “Uncovered”, focusing on underrepresented composers in classical music. Volume 1 sheds light on three beautiful works by Samuel Coleridge-Taylor (1875-1912), a British composer who was greatly admired by contemporary audiences, as well as composers such as Edward Elgar. Ms. Donehew Perez shares the story of bringing this music to life – through the challenges of neglected manuscript scores, to educating audiences about composers such as Coleridge-Taylor – and give an indication of an important new series that will go a long way toward restoring these composers to radio playlists and concert programs.

Aaron helps creative entrepreneurs break free from their past and set out on the journey of life before them. A celebrated social entrepreneur and arts educator, Aaron founded Sphinx to open up the world of classical music to young people of colour and was President Obama’s first nominee to the National Council on the Arts. The world is full of unfulfilled dreams, he says, so you have to put systems in place to achieve your goals. His secret is Star Trek. Made by Jo Barratt. Conceived by Jo Barratt and Gemma Mortensen, with Iris Andrews and Lily Piachaud. Music is made for New Constellations by Art School Girlfriend. Additional music is “The American Rhapsody, Symphonic Variations on an African Air, S. Coleridge-Taylor” by Aaron Dworkin and performed with the Sphinx Symphony. Discover more at http://newconstellations.co/, and join us on Instagram and Twitter @newconstells

It's our "Where are They Now" show where we find out what alumni of From the Top have been doing lately and hear their fantastic music. We revisit two alums who are part of the award winning Calidore String Quartet, speak to a harpist who's founded her own non-profit and enjoy a thrilling new work for cello.

It's our "Where are They Now" show where we find out what alumni of From the Top have been doing lately and hear their fantastic music. We revisit two alums who are part of the award winning Calidore String Quartet, speak to a harpist who's founded her own non-profit and enjoy a thrilling new work for cello.

On today’s date in 1904, the Washington Post’s headline read, “Hiawatha Tonight: Samuel Coleridge-Taylor’s Masterpiece to be sung at Convention Center.” The 29-year old British composer himself, on his first visit to America, was to conduct the 200 members of the Coleridge-Taylor Choral Society of Washington DC, accompanied by the Marine Band orchestra. So who was this British composer and what had he done to inspire an American chorus to name itself after him? Coleridge-Taylor was born in 1875 to an African father from Sierra Leone and an English mother. Showing remarkable musical talent, he studied at the Royal Academy of Music in London, and rapidly established himself as a major choral composer with a trilogy of oratorios, all based on Longfellow’s epic poem “Hiawatha,” that became wildly popular in England, but the 1904 concert in Washington DC was the first time all three had been performed on the same concert. The Coleridge-Taylor Society of Washington DC was America’s first African-American concert choir. Attending the Washington performance were many members of the Federal government and distinguished members of both black and white society.

On today’s date in 1904, the Washington Post’s headline read, “Hiawatha Tonight: Samuel Coleridge-Taylor’s Masterpiece to be sung at Convention Center.” The 29-year old British composer himself, on his first visit to America, was to conduct the 200 members of the Coleridge-Taylor Choral Society of Washington DC, accompanied by the Marine Band orchestra. So who was this British composer and what had he done to inspire an American chorus to name itself after him? Coleridge-Taylor was born in 1875 to an African father from Sierra Leone and an English mother. Showing remarkable musical talent, he studied at the Royal Academy of Music in London, and rapidly established himself as a major choral composer with a trilogy of oratorios, all based on Longfellow’s epic poem “Hiawatha,” that became wildly popular in England, but the 1904 concert in Washington DC was the first time all three had been performed on the same concert. The Coleridge-Taylor Society of Washington DC was America’s first African-American concert choir. Attending the Washington performance were many members of the Federal government and distinguished members of both black and white society.

Coleridge-Taylor was already earning a reputation as a composer. He was later helped by Edward Elgar, who recommended him to the Three Choirs Festival. His "Ballade in A minor" was premiered there. His early work was also guided by the influential music editor and critic August Jaeger of music publisher Novello; he told Elgar that Taylor was "a genius".

This coffee break listens to extraordinary, but rarely heard classical music written by composers of African descent. Joseph Bologne, Chevalier de Saint-Georges, was a virtuoso violinist, and conductor of the leading symphony orchestra in Paris. His mother was an African slave. Louis Moreau Gottschalk composed music with an African-Caribbean flavor. Born in New Orleans in 1829 – Gottchalk was best known as a virtuoso performer of his own romantic piano works. José Silvestre White was an Afro-Cuban violinist and composer born in Cuba in 1836, studied in Paris, was director of the Imperial Conservatory in Rio de Janeiro, Brazil, before returning to France to end his career. Samuel Coleridge-Taylor, born in England in 1875, was an Afro-British composer, conductor & professor. Coleridge-Taylor achieved such success that he was referred to by white New York musicians as the "African Mahler" at the time when he had three tours of the United States in the early 1900s. contact the show at yccb@mauriceriver press.com

WHO IS GARY WHAT ARE YOU TALKING ABOUT WHERE AM I? All will be revealed in this bombastic episode of That Classical Podcast, in which we talk poetry, peace pipes, epic corn, weird friends who tell you to get on a boat and leave them alone and, of course, Johnny Depp. Enjoy!Music Featured in this Episode:"Hiawatha / Hiawatha's Wedding Feast: And when all the guests had finished" - Samuel Coleridge-Taylor"Symphonic Variations on an African Air, Op. 63" - Samuel Coleridge-Taylor"Peter Grimes, Op. 33 / Act 3: 'To those who pass the borough'" - Benjamin Britten"War Requiem, Op. 66 /Libera me: 'Let Us Sleep Now... In Paradisum - Benjamin Britten***Follow us on Facebook, Twitter (@thatclassical) and on Instagram (@thatclassicalinsta) for some top notch social media entertainment. We promise it won't just be jokes about Mozart. N.B. we can make no promises it won't just be jokes about Mozart.*** See acast.com/privacy for privacy and opt-out information.

Coleridge-Taylor lived a hard life for a composer of supposedly "light" music.

Master Piano students from the University of Utah play Debussy, Coleridge-Taylor, and Ravel.

Each day during February, we posted a “Classical Music Moment in Black History” on our Facebook page to show the contributions of black artists to classical music throughout history. We’ve collected our twenty-eight February entries in this article. By the way, these entries were originally part of an episode of the Classical Classroom podcast (audio included below).  Composer Chevalier de Saint-Georges.  In the mid-to-late 1700’s, Chevalier de Saint-Georgeswas an Afro-French composer who was also France’s best fencer. After Napoleon re-instituted slavery in France, de Saint-Georges’ works were rarely played, though lots of his work has been recorded since the 1970’s. In 1803, virtuoso violinist George Bridgetower, who had studied under the leader of the Royal Opera, played with Beethoven. Beethoven then dedicated his Violin Sonata No. 9 in A Major to Bridgetower, and they premiered the piece together. Later, the two had a falling out – something to do with a lady – and Beethoven changed the piece’s name. It’s now called the Kreutzer Sonata. Poet Rita Dove wrote a book about Bridgetower and Beethoven’s relationship. Soprano Elizabeth Taylor Greenfield, “The Black Swan”.  In 1853, soprano Elizabeth Taylor Greenfield – people knew her as the “Black Swan” – made her New York debut at the Metropolitan Hall. While she could sing, her skin color would have denied her entrance to the concert. But that didn’t slow Greenfield down: In 1854, this classy lady sang a command performance before Queen Victoria. Composer Scott Joplin.  In 1868, innovative composer and pianist Scott Joplin was born in Texas. Joplin wrote 2 operas, one ragtime ballet, and 44 original ragtime pieces before he died. Composer Harry Thacker Burleigh.  From 1892-95, Antonin Dvorak – not black as you might know, but stick with me – was director of the National Conservatory of Music in New York City. The woman who founded the school, Jeanette Thurber, opened the school to men, women, blacks, and whites – pretty unusual for that time. Dvorak felt that a true American style of music should grow out of African- and Native-American music. Harry Burleigh, one of the earliest African-American composers and one of Dvorak’s pupils, introduced Dvorak to American spirituals. In 1898, Afro-British composer Samuel Coleridge-Taylor wrote the musical Hiawatha’s Wedding Feast. It was wildly successful during his lifetime. Coleridge-Taylor also visited the States and inspired American blacks to become composers. Tenor Roland Hayes.  In 1921 tenor Roland Hayes gave a performance before King George V of England. In 1923, Hayes debuted at Carnegie Hall. He was the first African American man to become famous worldwide as a concert performer, and he became one of the world’s greatest Lieder interpreters. In 1926, Undine Smith Moore graduated cum laude from the Juilliard School. She was the first graduate of Fisk University, a historically black school, to receive a scholarship to Juilliard. According to the Richmond Times-Dispatch, Moore became “…one of this country’s most prominent composers and arrangers of choral works, many based on or inspired by Negro spirituals and folk songs.” Composer William Grant Still.  1931 was the year William Grant Stillbecame the first Black American composer to have a symphonic work performed by a major American orchestra. The Rochester Philharmonic performed his Afro-American Symphony. Stills had another big “first” in 1949 when his opera Troubled Island – based on a libretto by Langston Hughes – was performed by the New York City Opera, becoming the first opera by a black person to be performed by a major company. William Grant Still was also the first black man to conduct a major orchestra (LA Phil) and he won 2 Guggenheim fellowships. In 1933, Caterina Jarboro became the first black woman to appear in a leading role with a major American opera when she again played the title role in Aida with the Chicago Opera.  Composer Florence Price. Also in 1933, the Chicago Symphony Orchestra performed Florence Price’s Symphony in E Minor. She was the first female African-American composer to have a symphonic composition performed by a major American symphony orchestra. Baritone Todd Duncan and Anne Brown. Culver Pictures/file 1935. In 1935, George Gershwin’s Porgy and Bess opened on Broadway, with baritone Todd Duncan as Porgy, and sopranos Anne Brown as Bess and Ruby Elzy as Serena. In 1945, Todd Duncan became the first African American to sing with a major American opera company, when he played the role of Tonio Leoncavallo’s I Pagliacci with the New York City Opera. Contralto Marian Anderson In 1939, both the Daughters of the American Revolution and the District of Columbia’s Board of Education refused to allow contralto Marian Anderson to use Constitution Hall and Central High School auditorium for a recital respectively. So, she gave her concert on the steps of the Lincoln Memorial instead, drawing a crowd of 75,000 – not to mention the millions who listened on the radio. (To read more about the performance, go here.) Lyric Soprano Camilla Williams (l) with Margery Mayer. Courtesy of Fred Fehl/New York City Opera. Also in 1945, lyric soprano Camilla Williams signed a contract with the New York City Opera in 1946, becoming the first African American to do so with a major American opera company. She debuted with the role of the heroine in Madama Butterfly. And in 1947, soprano Helen Phillips was the first African American to sing on the stage of the Metropolitan Opera. In 1951 William Warfield and Muriel Rahn were the first black concert artists on TV – they appeared on The Ed Sullivan Show. Soprano and educator Dorothy Maynor. In 1953, soprano and educator Dorothy Maynor was the first black person to sing at a US presidential inauguration when she performed the national anthem for Dwight Eisenhower. Composer Margaret Bonds. Wikimedia Commons. Margaret Bonds, who frequently collaborated with Langston Hughes, was one of the first black composers and performers in the US to gain recognition. In 1965, when the Freedom March on Montgomery, Alabama took place, she wrote Montgomery Variations for orchestra, dedicating it to Martin Luther King, Jr.. For more information about Ms. Bonds, check out this piece from WBUR 90.9 FM. Conductor Henry Lewis. In 1968 Henry Lewis became the first black conductor and music director of a major American orchestra when he was appointed to the New Jersey Symphony Orchestra. He was also the first African-American to conduct at the Metropolitan Opera. 1972 saw Scott Joplin’s opera Treemonisha finally premiere – 55 years after his death – at the Atlanta Memorial Arts Center. In 1976, Joplin posthumously received a special Pulitzer Prize for his contributions to American music. Trumpeter Wynton Marsalis. Photo by Luigi Beverelli. Courtesy Mr. Marsalis’ website. In 1983 and 1984, trumpeter Wynton Marsalis became the only artist ever to win Grammy Awards for both jazz and classical records. He won the Pulitzer Prize for Music in 1997 for Blood on the Fields, a three-hour oratorio for 3 singers and a 14-member ensemble. The oratorio follows the story of an African couple sold into slavery in the US. In 1987, conductor Paul Freeman became Founding Musical Director of the Chicago Sinfonietta. This orchestra’s mission is “Musical Excellence Through Diversity”. Dr. Freeman served for 24 years. Violinist Aaron Dworkin. Courtesy of the MacArthur Foundation website. Violinist Aaron Dworkin founded the non-profit Sphinx Organization in 1996 to cultivate the development of young black and Latino musicians in the classical music profession. The Sphinx Competition, spotlights young black and Latino string players on a national platform. Composer George Walker received the Pulitzer Prize in 1996 for Lilacs for Voice and Orchestra, a work commissioned by the Boston Symphony Orchestra as part of its tribute to tenor Roland Hayes. This was the first time a living African American won the prize for music. Mezzo-Soprano Denyce Graves. Courtesy of the artist’s website. In 2001 mezzo-soprano Denyce Graves sang “America the Beautiful” and “The Lord’s Prayer” at the National Day of Prayer and Remembrance Service at the Washington National Cathedral following the September 11 attacks. James DePriest conducting the Oregon Sympony. Courtesy of the Sympony’s website. In 2005, James DePriest, one of classical music’s most accomplished conductors who at the time of his death in 2013 was Laureate Music Director of the Oregon Symphony and Director Emeritus of Conducting and Orchestral Studies at the Juilliard School, received the National Medal of Arts. Tim Brooks won a 2007 Grammy award for Best Historical Release with his Lost Sounds: Blacks and the Birth of the Recording Industry, which includes performances by Harry Burleigh, Roland Hayes, and Edward Boatner. Tenor Noah Stewart. Photograph: Mitch Jenkins Mitch Jenkins/PR. In 2012, tenor Noah Stewart became the first black musician to top the UK Classical Album Chart. Of course, we had to leave a GAGILLION people out of our daily Black History Month Facebook posts because (duh) there are just not enough days in the month. Like Jeffrey Mumford, Awadagin Pratt, David Baker, Imani Winds, André Watts, Chelsea Tipton, Thomas Wilkins, Morris Robinson, Lawrence Brownlee, Valerie Coleman, Rachel Jordan, and Tona Brown. And Daniel Bernard Roumain. And Black Violin. And… you get the idea!  But, blacks are still one of classical music’s most under-served communities. As of 2011, according to the League of American Orchestras, only 1.83% of our nation’s orchestras’ makeup was black. Aaron Dworkin has pointed out that African-American composers are often missing in traditional classical music station programming. But people like Dworkin and many others are working to change that!  We hope you’ve enjoyed learning about all of these awesome artists.

Donald Macleod explores the life and music of Anglo-African composer Samuel Coleridge-Taylor, an internationally renowned figure in late Victorian times.

In this Proms Music Guide, Suzy Klein talks about Coleridge-Taylor's 'The Death of Minnehaha'.

With Mark Lawson. Husband and wife theatre producers Howard Panter and Rosemary Squire, recently named the most influential people in British theatre by The Stage newspaper, discuss how they now run 39 venues around the UK. Kermit, Miss Piggy and the rest of the Muppets make their cinematic comeback this week, 12 years after their last big screen outing. The new film sees the cast re-unite to save their old theatre from the clutches of an evil oil baron. Natalie Haynes gives her verdict. Novelist Ian Rankin dissects Death Unexplained, a new TV documentary series about a coroner's office. To celebrate the centenary of the neglected composer Samuel Coleridge-Taylor, Surrey Opera is staging a world premiere of his recently discovered opera Thelma. Mark finds out why Coleridge-Taylor is now so often overlooked, with composer Errolyn Wallen and music historian Roderick Swanston. Producer Stephen Hughes.