English composer
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44 episodes with Edward Elgar
15 episodes with Edward Elgar
7 episodes with Edward Elgar
7 episodes with Edward Elgar
18 episodes with Edward Elgar
13 episodes with Edward Elgar
6 episodes with Edward Elgar
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3 episodes with Edward Elgar
6 episodes with Edward Elgar
4 episodes with Edward Elgar
4 episodes with Edward Elgar
5 episodes with Edward Elgar
14 episodes with Edward Elgar
5 episodes with Edward Elgar
5 episodes with Edward Elgar
3 episodes with Edward Elgar
3 episodes with Edward Elgar
durée : 00:03:42 - Gustav Holst et Edward Elgar : la matrice musicale de Matrix - par : Max Dozolme - Aujourd'hui sort au cinéma Matrix Resurrections, le quatrième volet de la célèbre saga de science-fiction, l'occasion de plonger dans la matrice de l'une des musiques les plus célèbres de ces films ! Le titre Clubbed to Death de Rob Dougan, un morceau plus classique qu'il n'y parait...
Wenn es eine offizielle Liste der "legendären Konzertsaalkatastrophen" gäbe, hätte "The Dream of Gerontius" einen fest Platz darin. Der Komponist Edward Elgar hatte einfach Pech bei der Uraufführung. Von Christoph Vratz.
Donald Macleod delves into some of Edward Elgar's greatest passions.Edward Elgar was a man of many passions, from cycling to chemistry. This week, Donald Macleod explores five Elgar's greatest passions. Music Featured: Pomp and Circumstance March No 1 Caractacus, Op 35 (Scene 3, excerpt) Pomp and Circumstance March No 3 in C minor The Spirit of England, Op. 80 (No 3, For the Fallen) Coronation Ode, Op 44 (Crown the King) Salut D'Amour, Op 12 The Wind at Dawn 2 Partsongs, Op 26 (No 2, Fly, Singing Bird) String Quartet in E minor, Op 83 (2nd mvt) Cello Concerto in E minor, Op 85 Ave Verum Corpus, Op 2, No 1 The Dream of Gerontius, Op 38 (excerpt from Part 2) The Apostles, Op 49 (excerpt from Part 1) The Kingdom, Op 51 (Prelude) Te Deum, Op 34 No 1 Enigma Variations, Op 36 Violin Concerto in B minor, Op 61 (2nd mvt) Carissima Five Part-songs from The Greek Anthology, Op 45 Sea Pictures, Op 37 (No 2, In Haven) Introduction & Allegro for strings, Op 47 Land of Hope and Glory Symphony No 1 in A flat major, Op 55 (4th mvt)Presented by Donald Macleod Produced by Alice McKee for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Edward Elgar (1857-1934) https://www.bbc.co.uk/programmes/m002bw86 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
De economische ongelijkheid lijkt groter en groter te worden. Economen spreken er genoeg over. Maar psychologen niet zoveel. Dat is raar. Want wat doet dat eigenlijk met de psyche van mensen in de samenlevingen waar dat plaatsvindt? Psychologen Thijs Launspach en Lennard Toma bespreken wat die groeiende ongelijkheid doet voor arme, maar ook middeninkomens en rijke mensen op individueel en maatschappelijk niveau. Als ongelijkheid zoveel negatiefs met iedereen doet, lijkt het belangrijk er een stokje voor te steken. Bepaalde belastingen lijken daar een belangrijke factor in te kunnen spelen. Dan is het wel nodig dat politici daar ook naar gaan luisteren en handelen.Bronnen en ander lees- en luister- en kijkvoer:- Check hier het kanaal van Gary Stevenson, de econoom die Thijs en Lennard volgen, die veel predikt over de gevolgen van economische ongelijkheid in de samenleving: https://www.youtube.com/@garyseconomics - Hier vind je info over de World Inequality Report, waar je inkomensongelijkheid terug kunt vinden over de hele wereld: https://www.weforum.org/stories/2021/12/global-income-inequality-gap-report-rich-poor/ - Een stuk over de angst die rijke mensen voelen: https://jacobin.com/2017/11/rich-people-wealth-inequality-anxiety - Op Wikipedia vind je info over de geschiedenis van belastingen die in de VS gehanteerd werd: https://en.wikipedia.org/wiki/Income_tax_in_the_United_States#History - Toen Rutger Bregman bij de rijksten op aarde bij het World Economic Forum pleitte voor belastingen betalen: https://www.youtube.com/watch?v=P8ijiLqfXP0&pp=ygUgdGF4ZXMgdGF4ZXMgdGF4ZXMgcnV0Z2VyIGJyZWdtYW4%3D - Check ook het boek Sander en de brug van Sander Schimmelpenninck, waar hij pleit voor belastingen verhogen op de rijken, met name erfbelasting en vermogensbelasting.Nerd-literatuur:- Easterbrook, M. J. (2021). The social psychology of economic inequality. https://www.econstor.eu/bitstream/10419/243369/1/wp2021-043.pdf - Sommet, N., Morselli, D., & Spini, D. (2018). Income inequality affects the psychological health of only the people facing scarcity. Psychological Science, 29(12), 1911-1921. - Ngamaba, K. H., Panagioti, M., & Armitage, C. J. (2018). Income inequality and subjective well-being: a systematic review and meta-analysis. Quality of Life Research, 27, 577-596.- https://www.cpb.nl/de-nederlandse-economie-in-historisch-perspectief-brede-welvaart- https://www.cbs.nl/en-gb/news/2024/27/income-inequality-in-the-netherlands-is-well-below-the-eu-average#:~:text=In%202022%2C%20income%20inequality%20according,due%20to%20rising%20house%20prices. - Lipps, J., & Schraff, D. (2021). Regional inequality and institutional trust in Europe. European Journal of Political Research, 60(4), 892-913.- Jordahl, H. (2009). Inequality and trust. Published as" Economic Inequality" in Svendsen, GT and Svendsen, GLH (Eds.), Handbook of Social Capital, Edward Elgar.- Kanitsar, G. (2022). The inequality-trust nexus revisited: at what level of aggregation does income inequality matter for social trust?. Social Indicators Research, 163(1), 171-195.
Moin! Wir vom Team um "Philipps Playlist" wollen den Podcast immer weiter verbessern. Um das zu tun, möchten wir gerne Deine Meinung, Deine Ideen und Deine Kritik hören. Und ganz nebenbei möchten wir auch Dich und alle anderen besser kennenlernen. Vielen Dank, dass du an dieser Umfrage teilnimmst, das hilft uns wirklich sehr: https://umfrage-ndr.limequery.com/247836?lang=de-informal Wenn die Welt zur Ruhe kommt, öffnet sich das Theater der Träume. Wer schläft, betritt die Bühne. Hier weben sanfte Melodien Geschichten aus Sehnsucht und Freiheit zusammen. Komm mit auf die nächtliche Reise. Vorhang auf! (Und nicht wundern: Philipp hat sogar ein paar typische Theater-Huster mit aufgenommen.) Diese Musikstücke hast Du in der Folge gehört: Lyle Lovett – "She's Already Made Up Her Mind" // Amy Beach – "Dreaming" // Mario Biondi – "This Is What You Are" // Edward Elgar – "Dream Children" // Franz Liszt – "Liebestraum" // Den Podcast "Sportschau F – Inspirierende Frauen aus dem Sport" findest Du hier: https://www.ardaudiothek.de/sendung/sportschau-f-inspirierende-frauen-aus-dem-sport/14079077/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de
E Sonndeg um 11 Auer iwwerdroen de radio 100,7 an den opus 100,7 déi 7. Matinée vun der Deutschen Radio Philharmonie live aus der Congresshalle zu Saarbrécken. Ënner dem Titel “Friedensvisionen” dirigéiert den dänesche Museker Michael Schønwandt den Orchester mam Edward Elgar senger éischter Sinfonie an dem Benjamin Britten sengem Pianosconcerto a Ré Majeur. Solist ass de Steven Osborne. Am Viraus vum Concert huet sech d'SR-Kultur-Museksjournalistin Gabi Szarvas mam Michael Schønwandt getraff, fir iwwer de Programm, déi perséinlech Bedeitung vun der englescher Musek fir den Dirigent an och den Theema Fridden ze schwätzen.
E Sonndeg um 11 Auer iwwerdroen de radio 100,7 an den opus 100,7 déi 7. Matinée vun der Deutschen Radio Philharmonie live aus der Congresshalle zu Saarbrécken. Ënner dem Titel “Friedensvisionen” dirigéiert den dänesche Museker Michael Schønwandt den Orchester mam Edward Elgar senger éischter Sinfonie an dem Benjamin Britten sengem Pianosconcerto a Ré Majeur. Solist ass de Steven Osborne. Am Viraus vum Concert huet sech d'SR-Kultur-Museksjournalistin Gabi Szarvas mam Michael Schønwandt getraff, fir iwwer de Programm, déi perséinlech Bedeitung vun der englescher Musek fir den Dirigent an och den Theema Fridden ze schwätzen.
In this episode of The afikra Podcast, Professor Natalie Koch – the author of "Arid Empire: The Entangled Fates of Arizona and Arabia" – helps us dive into the unexpected connections between the deserts of Arizona and the Arabian Peninsula, beginning with the story of Hi Jolly and the camel experiments of the mid-19th century. The discussion explores how these arid spaces serve as political and imperial tools, the role of white experts in influencing desert landscapes, and the intricate history of agricultural projects that link these seemingly distant regions. Chapters include the origins of Koch's interest in the subject, detailed histories of desert colonization, and the broader implications of these transnational connections.00:00 Introduction to Desert Politics01:20 The Unlikely Connection: Arizona and Saudi Arabia02:53 The Story of Hi Jolly and the Camel Experiment11:40 Geography and Its Modern Implications14:45 The Political Significance of Deserts18:38 Colonial and Imperial Narratives22:14 The Role of White Experts in the Arabian Peninsula24:17 Arizona's Colonial History27:46 The Influence of Old World Desert Knowledge30:49 Recruiting White Settlers to Arizona31:41 The Role of Railroads and Pamphlets32:56 Western Mythology and Camels in Films34:41 California's Date Industry and Arabian Influence36:43 The Short-Lived Camel Experiment37:40 Global Connections of Deserts43:42 Transnational Agricultural Projects51:23 Controversies and Misappropriations52:50 Recommended Readings and ResourcesNatalie Koch is a political geographer working on the topics of geopolitics, nationalism, energy and environmental politics, science and technology studies, and sports geography. Empirically, her research focuses on the Arabian Peninsula, where she studies the many transnational ties that bind the Gulf countries, actors, and ideas to other parts of the world. She has published extensively in journals such as Political Geography, Geopolitics, and Society and Natural Resources, and she is the author of "Arid Empire: The Entangled Fates of Arizona and Arabia," "The geopolitics of spectacle: Space, synecdoche, and the new capitals of Asia" (Cornell University Press, 2018), and co-editor of the Handbook on the changing geographies of the state: New spaces of geopolitics (Edward Elgar 2020). She is currently a professor at Syracuse University in the Department of Geography and the Environment, Maxwell School of Citizenship & Public Affairs.Find Koch's books
DescriptionElgar's Triumphant Soundtrack: From Studio to Stadium in 60 Seconds. Take a minute to get the scoop!Fun FactPomp and Circumstance March No. 1 was so beloved at its debut that the audience demanded an encore—twice. Elgar reportedly walked home overwhelmed by the applause, later saying, “I've got it, I've got it.” The melody's transformation into a graduation theme was entirely unplanned but became iconic worldwide.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.
Musik ist da, wenn Worte nicht mehr weiterkommen und berührt, was wir kaum greifen können. Sie trägt uns fort von kreisenden Gedanken und fördert Tränen, die vielleicht schon lange warten. In dieser Woche hat Philipp unter anderem wunderbare Tracks von Taylor Swift und Gracie Abrams im Gepäck: Diese Musikstücke hast Du in der Folge gehört: The National feat. Taylor Swift - "The Alcott" // Edward Elgar – "The Prince of Sleep" // Florian Christl – "C'est la vie" // Gracie Abrams – "I Miss You, I´m Sorry" // Baldassare Galuppi – "Klaviersonate d-moll, Andante" // Den ARD Podcast "Gold & Asche: Projekt Versicherungen" findest Du hier: https://www.ardaudiothek.de/sendung/gold-und-asche-projekt-versicherungen/13625063/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de
Saftige Wiesen, kantige Berge und zünftige bayerische Volksmusik: Da lacht das britische Komponistenherz. Ohne seine Frau hätte Edward Elgar seine Tänze allerdings nicht schreiben können. Die hat sich nämlich im Dorf genau umgehört.
Music for Meditation, Nimrod from Enigma Variations, Op. 36:IX (Edward Elgar: 1857-1934)
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Background: The Labour government has already published the first draft of an industrial policy entitled ‘Invest 2035'. After seeking consultation, the intention is to implement a battle plan in 2025. Yet evidenced on the direction taken by other countries, such as Japan, South Korea and Taiwan, sustainable success is a long-term plan. Their future mindset is ‘Invest 2045' or ‘Invest 2055'.What should the UK be doing? It has abundant resources, a talented workforce, great universities, and a quality of life to attract the best international talent. How should British industrial strategy be made? To paraphrase the Chinese strategist Sun Tzu, how can the UK “grasp and win”?Speaker:A qualified barrister and solicitor, Iain Sheridan has over 20 years' experience advising on financial regulation. His consulting experience includes advising ABN AMRO, Bank of America, Barclays, Citadel, Deutsche Bank, Fidelity International, and Société Générale. He was also the former head of legal (EMEA and APAC) for the boutique FIG investment bank Fox-Pitt Kelton. Iain currently acts as a consultant for the international law firm Linklaters.His book Financial Regulation and Technology (Edward Elgar) is relied on by practitioners throughout Asia, Europe, and North America. He coined the term asynchronous compliance to describe the gap between technologically driven business strategies and regulation.Iain studied data science at Oxford University and machine learning at Cambridge University. His scientific research on GNSS and drones was also published by the Royal Society. Most recently, he is the author of Semiconductors – Law, Strategy and Tax (Edward Elgar).
As "Variações Enigma" de Edward Elgar, compostas em 1899, são uma obra orquestral composta por um tema original seguido de 14 variações, cada uma representando uma homenagem musical a amigos e conhecidos do compositor. A peça é notável não apenas por sua riqueza musical, mas também pelo mistério que a envolve: Elgar insinuou a existência de um tema oculto que não é explicitamente tocado, mas que permeia toda a obra.Apresentado por Aroldo Glomb com Aarão Barreto na bancada. Seja nosso padrinho: https://apoia.se/conversadecamara RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Gustavo Holtzhausen, João Paulo Belfort e Arthur Muhlenberg.#musicaclássica #musicaerudita #musicadecamara #classicmusic #podcastdemusica #podcastmusica podcastderock #musicaclassicanobrasil #podcastdemusicaclassica
In deze aflevering van Kalm met Klassiek, de laatste binnen het thema 'Liefde', pakt Ab Nieuwdorp nog even groots uit. Groots én ingetogen natuurlijk, want ontspanning blijft centraal staan. Maar op deze Valentijnsdag klinkt er op-en-top romantische muziek: 'Salut d'amour' van Edward Elgar, voor viool en orkest. En bij die muzikale "liefdesgroet" mag jij jezelf liefdevol groeten, want we besluiten de week met misschien wel de belangrijkste vorm van liefde: zelfliefde. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7).
In deze aflevering van Kalm met Klassiek mag de cello schitteren in een romantisch werk voor cello en orkest. Laat je betoveren door het meeslepende 'Adagio' uit het 'Celloconcert' van Edward Elgar. Ab merkt op hoe deze muziek wel speciaal voor Kalm met Klassiek gemaakt lijkt te zijn. Ben jij het met hem eens? Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7).
Edward Elgar wrote his famous "Salut d'Amour" as an engagement present to his fiancée Alice Caroline Robert. The original conception of the music was probably for violin and piano, but that didn't stop Elgar from writing a version for piano solo: a beautiful song without words and a great encore. With pianist Henrik Kilhamn. Video: https://youtu.be/JDJdgQ3G-o4
In Litigating the Environment: Process and Procedure Before International Courts and Tribunals (Edward Elgar, 2023), Dr Justine Bendel scrutinises how international courts and tribunals may respond procedurally to an ever-growing list of environmental disputes. In a time of environmental crisis, she lays crucial groundwork for strengthening the application of international environmental law, a topic of increasing relevance for global civil society. Putting into perspective the practices of various international courts and tribunals, Dr Bendel works within the constraints of the existing judicial framework to sharpen international environmental justice and governance. She provides judges and litigators with tools that they can use when confronted with environmental disputes, to extract the best practices in the interest of improving environmental litigation for each phase of a judicial procedure. In this podcast, Dr Bendel discusses the complexity of multiple legal, regulatory and guidance frameworks insofar as international environmental law is concerned. She explains how it is highly likely that the subject matter of an environmental dispute will cover common areas or resources that affect global or multilateral interests, which inevitably adds a political dimension to any dispute resolution when it comes to areas that transcend national jurisdictions. Dr Bendel explores how typically bilateral proceedings under international law might be expanded to accommodate the interests of other states – and non-state actors such as international non-governmental organisations – through creatively and flexibly adapting procedures that already exist before international courts and tribunals, including dispute resolution and non-compliance procedures. Now is the time, she says, for international courts and tribunals to be used to resolve environmental disputes and to make authoritative legal determinations on protecting the planet and its precious resources. Alex Batesmith is a Lecturer in Legal Profession at the School of Law, University of Leeds, UK. His research focuses on lawyers, their professional self-identity and their motivations, and how these shape the institutions and the discipline in which they work. He has a particular interest in, and practitioner experience of, international criminal law and transitional justice. Twitter: @batesmith Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Litigating the Environment: Process and Procedure Before International Courts and Tribunals (Edward Elgar, 2023), Dr Justine Bendel scrutinises how international courts and tribunals may respond procedurally to an ever-growing list of environmental disputes. In a time of environmental crisis, she lays crucial groundwork for strengthening the application of international environmental law, a topic of increasing relevance for global civil society. Putting into perspective the practices of various international courts and tribunals, Dr Bendel works within the constraints of the existing judicial framework to sharpen international environmental justice and governance. She provides judges and litigators with tools that they can use when confronted with environmental disputes, to extract the best practices in the interest of improving environmental litigation for each phase of a judicial procedure. In this podcast, Dr Bendel discusses the complexity of multiple legal, regulatory and guidance frameworks insofar as international environmental law is concerned. She explains how it is highly likely that the subject matter of an environmental dispute will cover common areas or resources that affect global or multilateral interests, which inevitably adds a political dimension to any dispute resolution when it comes to areas that transcend national jurisdictions. Dr Bendel explores how typically bilateral proceedings under international law might be expanded to accommodate the interests of other states – and non-state actors such as international non-governmental organisations – through creatively and flexibly adapting procedures that already exist before international courts and tribunals, including dispute resolution and non-compliance procedures. Now is the time, she says, for international courts and tribunals to be used to resolve environmental disputes and to make authoritative legal determinations on protecting the planet and its precious resources. Alex Batesmith is a Lecturer in Legal Profession at the School of Law, University of Leeds, UK. His research focuses on lawyers, their professional self-identity and their motivations, and how these shape the institutions and the discipline in which they work. He has a particular interest in, and practitioner experience of, international criminal law and transitional justice. Twitter: @batesmith Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
In Litigating the Environment: Process and Procedure Before International Courts and Tribunals (Edward Elgar, 2023), Dr Justine Bendel scrutinises how international courts and tribunals may respond procedurally to an ever-growing list of environmental disputes. In a time of environmental crisis, she lays crucial groundwork for strengthening the application of international environmental law, a topic of increasing relevance for global civil society. Putting into perspective the practices of various international courts and tribunals, Dr Bendel works within the constraints of the existing judicial framework to sharpen international environmental justice and governance. She provides judges and litigators with tools that they can use when confronted with environmental disputes, to extract the best practices in the interest of improving environmental litigation for each phase of a judicial procedure. In this podcast, Dr Bendel discusses the complexity of multiple legal, regulatory and guidance frameworks insofar as international environmental law is concerned. She explains how it is highly likely that the subject matter of an environmental dispute will cover common areas or resources that affect global or multilateral interests, which inevitably adds a political dimension to any dispute resolution when it comes to areas that transcend national jurisdictions. Dr Bendel explores how typically bilateral proceedings under international law might be expanded to accommodate the interests of other states – and non-state actors such as international non-governmental organisations – through creatively and flexibly adapting procedures that already exist before international courts and tribunals, including dispute resolution and non-compliance procedures. Now is the time, she says, for international courts and tribunals to be used to resolve environmental disputes and to make authoritative legal determinations on protecting the planet and its precious resources. Alex Batesmith is a Lecturer in Legal Profession at the School of Law, University of Leeds, UK. His research focuses on lawyers, their professional self-identity and their motivations, and how these shape the institutions and the discipline in which they work. He has a particular interest in, and practitioner experience of, international criminal law and transitional justice. Twitter: @batesmith Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
In Litigating the Environment: Process and Procedure Before International Courts and Tribunals (Edward Elgar, 2023), Dr Justine Bendel scrutinises how international courts and tribunals may respond procedurally to an ever-growing list of environmental disputes. In a time of environmental crisis, she lays crucial groundwork for strengthening the application of international environmental law, a topic of increasing relevance for global civil society. Putting into perspective the practices of various international courts and tribunals, Dr Bendel works within the constraints of the existing judicial framework to sharpen international environmental justice and governance. She provides judges and litigators with tools that they can use when confronted with environmental disputes, to extract the best practices in the interest of improving environmental litigation for each phase of a judicial procedure. In this podcast, Dr Bendel discusses the complexity of multiple legal, regulatory and guidance frameworks insofar as international environmental law is concerned. She explains how it is highly likely that the subject matter of an environmental dispute will cover common areas or resources that affect global or multilateral interests, which inevitably adds a political dimension to any dispute resolution when it comes to areas that transcend national jurisdictions. Dr Bendel explores how typically bilateral proceedings under international law might be expanded to accommodate the interests of other states – and non-state actors such as international non-governmental organisations – through creatively and flexibly adapting procedures that already exist before international courts and tribunals, including dispute resolution and non-compliance procedures. Now is the time, she says, for international courts and tribunals to be used to resolve environmental disputes and to make authoritative legal determinations on protecting the planet and its precious resources. Alex Batesmith is a Lecturer in Legal Profession at the School of Law, University of Leeds, UK. His research focuses on lawyers, their professional self-identity and their motivations, and how these shape the institutions and the discipline in which they work. He has a particular interest in, and practitioner experience of, international criminal law and transitional justice. Twitter: @batesmith Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
In Litigating the Environment: Process and Procedure Before International Courts and Tribunals (Edward Elgar, 2023), Dr Justine Bendel scrutinises how international courts and tribunals may respond procedurally to an ever-growing list of environmental disputes. In a time of environmental crisis, she lays crucial groundwork for strengthening the application of international environmental law, a topic of increasing relevance for global civil society. Putting into perspective the practices of various international courts and tribunals, Dr Bendel works within the constraints of the existing judicial framework to sharpen international environmental justice and governance. She provides judges and litigators with tools that they can use when confronted with environmental disputes, to extract the best practices in the interest of improving environmental litigation for each phase of a judicial procedure. In this podcast, Dr Bendel discusses the complexity of multiple legal, regulatory and guidance frameworks insofar as international environmental law is concerned. She explains how it is highly likely that the subject matter of an environmental dispute will cover common areas or resources that affect global or multilateral interests, which inevitably adds a political dimension to any dispute resolution when it comes to areas that transcend national jurisdictions. Dr Bendel explores how typically bilateral proceedings under international law might be expanded to accommodate the interests of other states – and non-state actors such as international non-governmental organisations – through creatively and flexibly adapting procedures that already exist before international courts and tribunals, including dispute resolution and non-compliance procedures. Now is the time, she says, for international courts and tribunals to be used to resolve environmental disputes and to make authoritative legal determinations on protecting the planet and its precious resources. Alex Batesmith is a Lecturer in Legal Profession at the School of Law, University of Leeds, UK. His research focuses on lawyers, their professional self-identity and their motivations, and how these shape the institutions and the discipline in which they work. He has a particular interest in, and practitioner experience of, international criminal law and transitional justice. Twitter: @batesmith Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law
In Litigating the Environment: Process and Procedure Before International Courts and Tribunals (Edward Elgar, 2023), Dr Justine Bendel scrutinises how international courts and tribunals may respond procedurally to an ever-growing list of environmental disputes. In a time of environmental crisis, she lays crucial groundwork for strengthening the application of international environmental law, a topic of increasing relevance for global civil society. Putting into perspective the practices of various international courts and tribunals, Dr Bendel works within the constraints of the existing judicial framework to sharpen international environmental justice and governance. She provides judges and litigators with tools that they can use when confronted with environmental disputes, to extract the best practices in the interest of improving environmental litigation for each phase of a judicial procedure. In this podcast, Dr Bendel discusses the complexity of multiple legal, regulatory and guidance frameworks insofar as international environmental law is concerned. She explains how it is highly likely that the subject matter of an environmental dispute will cover common areas or resources that affect global or multilateral interests, which inevitably adds a political dimension to any dispute resolution when it comes to areas that transcend national jurisdictions. Dr Bendel explores how typically bilateral proceedings under international law might be expanded to accommodate the interests of other states – and non-state actors such as international non-governmental organisations – through creatively and flexibly adapting procedures that already exist before international courts and tribunals, including dispute resolution and non-compliance procedures. Now is the time, she says, for international courts and tribunals to be used to resolve environmental disputes and to make authoritative legal determinations on protecting the planet and its precious resources. Alex Batesmith is a Lecturer in Legal Profession at the School of Law, University of Leeds, UK. His research focuses on lawyers, their professional self-identity and their motivations, and how these shape the institutions and the discipline in which they work. He has a particular interest in, and practitioner experience of, international criminal law and transitional justice. Twitter: @batesmith Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, in our annual summer bonus episode, we're joined once again by Mr. Hale "Satan" Appleman, of stage, screen, "The Magicians," "American Horror Story," Teeth, and more. Our assignment: Longlegs, Osgood Perkins' insidiously stylish brain-twister featuring off-the-hook performances by Maika Monroe, Alicia Witt, and a barely recognizable Nicolas Cage. Also along for the fun, in the next installment of our "Campus Radio" segment, is Mr. Marcus Dunstan, director of the new film #AMFAD All My Friends Are Dead. Intro, Math Club & Debate Society, Campus Radio, To Sir With Love (spoiler-free): 00:00-29:04Honor Roll and Detention (spoiler-heavy): 29:05-1:06:40Superlatives (spoiler-heavier): 1:06:41-1:21:39 Screenplay/Direction Osgood PerkinsFeaturing Nicolas Cage, Michelle Choi-Lee, Maika Monroe, Kiernan Shipka, Blair Underwood, Alicia Witt Hale Appleman is perhaps best known for playing Eliot in “The Magicians,” currently streaming on Netflix, and Tobey in the Sundance horror comedy Teeth. Genre fans have seen him in the eleventh season of “American Horror Story,” and he's appeared in the NBC series “Smash,” AppleTV's “Truth Be Told,” and in the films Beautiful Ohio, Pedro, and Private Romeo. He is also an accomplished stage actor whose credits include the Roundabout Theatre Company, ART, the Berkshire Theater Festival, and The Old Globe. Hale can be heard on the L.A. Theatre Works recording of Sam Shepard's Buried Child. Marcus Dunstan's screenwriting with his partner, Patrick Melton, include such horror films as Feast 1-3, Saw IV-V-VI and Saw 3D The Final Chapter, Pirahna, Pacific Rim, God Of War, Final Destination 6, and Scary Stories to Tell in the Dark. #AMFAD All My Friends Are Dead marks Dunstan's sixth feature as a director. Dunstan's previous directing credits include The Collector, The Collection, The Neighbor, Blumhouse's Pilgrim, and 2022's Blumhouse Presents: Unhuman. He is a producer of The Candidate, and executive producer of 2022's horror-thriller Take Back the Night. Fall 2023 saw the release of the Dunstan-directed, Clio Award-winning Jack In The Box horror short film Feeding Time. Currently, Dunstan and Melton are collaborating on Saw XI for Director Kevin Greutert and Lionsgate, an animated take on Gris Grimley's Frankenstein, as well as the horror film Escape: Halloween with Live Nation and Insomniac. This fall, Dunstan returns behind the camera for production of the horror-thriller film Death Valley, co-written by Melton and Dunstan. Our theme music is by Edward Elgar and Sir Cubworth. Music from Longlegs by Elvis Perkins. For more information on this film, writing by your hosts (on our blog), and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
Crawling out of the swamp to close out Season 3, Eric and Bradford are joined by Broadway actor-musician Matt Saldivar for a rollicking discussion of Neil Jordan's grand guignol ode to undying love. With a cast headed by Tom Cruise and Brad Pitt as comedy duo Lestat and Louis, interesting turns from Kirsten Dunst, Antonio Banderas, Christian Slater, and Stephen Rea, Anne Rice adapting her novel, and great effects work by Stan Winston, there's enough baroque to ba-reak the bank... but is it, as one character says, "of the Mississippi"? An uneven tone, plot threads that go nowhere, and SO MUCH FIRE threaten to sink the #1 horror movie of 1994, but not even THIS podcast can keep a bloodthirsty creature of the night down. Let's get started. Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-27:55 Honor Roll and Detention (spoiler-heavy): 27:56-1:02:57 Superlatives (spoiler-heavier): 1:02:58-1:24:31 Director Neil Jordan Screenplay Anne Rice, based on her novel Featuring Antonio Banderas, Tom Cruise, Kristen Dunst, Laure Marsac, Helen McCrory, Brad Pitt, Stephen Rea, Christian Slater, Sara Stockbridge Matt Saldivar is a Mexican-American New York City-based actor. He grew up at The United States Military Academy at West Point. He has originated and appeared in principal roles on Broadway in Bernhardt/Hamlet, Junk, Peter and the Starcatcher, Act One, A Streetcar Named Desire, Saint Joan, The Wedding Singer, Honeymoon in Vegas, and Grease. He has performed in dozens of Off-Broadway and regional productions as well as in film and television. Matt also composed songs, played bass and guitar, and portrayed the character of Julio de los Flacos as a long-time member of the band and theater/cabaret/comedy troupe The Petersons. He received his BA with a double major in Theater and Spanish from Middlebury College, and his MFA in acting from NYU. He has been and actor and vocalist in the development process of new works for the theater with such artists as Elvis Costello, Stephen Sondheim, Lin-Manuel Miranda, Bruce Hornsby, Jason Robert Brown, Adam Guettel, and Randy Newman. Our theme music is by Edward Elgar and Sir Cubworth. Music from Interview with the Vampire by Elliot Goldenthal. For more information on this film, writing by your hosts (on our blog), and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
Conductor Rebecca Tong conducts Interlochen's World Youth Symphony Orchestra this weekend in a program highlighting the "Enigma Variations" by Edward Elgar and new music by Alex Berko.
Die Augsburger Philharmoniker bekommen Besuch von einem der gefragtesten und ausdrucksstärksten Geiger unserer Zeit: Christian Tetzlaff spielt mit ihnen das Violinkonzert in h-Moll von Edward Elgar. BR-KLASSIK Moderatorin Uta Sailer hat vorab mit dem Geiger gesprochen
The house in Harrisville, Rhode Island is not clean. In fact it's filthy, lousy with supernatural yuck. That's bad news for whoever inhabits it, and no one's going to have it worse than the Perrons—father Roger (Ron Livingston), mother Carolyn (Lili Taylor), and their five daughters. When the otherworldly rumblings get out of hand, who they gonna call? In this case, it's the OG Ghostbusters, Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga). To say what happens next would be a spoiler, and we don't do that without a warning. But after our forays into James Wan's Dead Silence and Insidious, allow us to say that The Conjuring is a cool breath of delightfully fetid air. Director, dramaturg, and Columbia University professor Christian Parker joins us for academically incisive commentary. Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-29:12Honor Roll and Detention (spoiler-heavy): 29:13-1:01:32Superlatives (spoiler-heavier): 1:01:33-1:20:57 Director James WanScreenplay Chad Hayes & Carey W. HayesFeaturing Joseph Bishara, John Brotherton, Shanley Caswell, Kyla Deaver, Vera Farmiga, Mackenzie Foy, Joey King, Hayley McFarland, Shannon Kook, Ron Livingston, Patrick Wilson, Lili Taylor Christian Parker is a director, dramaturg, and former Chair of the graduate Theatre Program at Columbia University, where he is currently a professor of Professional Practice, leading the MFA concentration in Dramaturgy. His work has been on view at the Steppenwolf Theatre, Gulfshore Playhouse, the Rattlestick, the New Harmony Project, the Oregon Shakespeare Festival, and many others. Christian has served as the Associate Artistic Director of Atlantic Theater Company, was on the Tony Awards Nominating Committee for four years, and was a resident at the American Academy in Rome in Spring 2024. Our theme music is by Edward Elgar and Sir Cubworth. Music from The Conjuring by Joseph Bishara. For more information on this film, writing by your hosts (on our blog), and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
Simon Pegg and Edgar Wright were on to something. Taking a well-worn subgenre and fusing it with the distinct style they'd perfected on Channel 4's "Spaced," the two concocted a script like no other and produced a cult classic. Twenty years since its premiere, we look at the production and legacy of Wright's breakthrough film with Clark Collis, former Entertainment Weekly reporter and author of You've Got Red On You: How Shaun of the Dead Was Brought to Life. So pack up your Breville and jam toasties, grab a Cornetto and whatever blunt instrument is by the doorway, and join us at the Winchester. Tonight, we're taking out some z-words. Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-27:06Honor Roll and Detention (spoiler-heavy): 27:07-56:12Superlatives (spoiler-heavier): 56:13-1:09:26 Director Edgar WrightScreenplay Simon Pegg & Edgar WrightFeaturing Kate Ashfield, Nicola Cunningham, Lucy Davis, Nick Frost, Jessica Hynes, Dylan Moran, Bill Nighy, Simon Pegg, Peter Serafinowicz, Rafe Spall, Penelope WiltonClark Collis is an entertainment journalist who grew up in the small English town of Wells and studied history at Cambridge University. Clark recently concluded an 18-year stint at Entertainment Weekly, writing cover stories about Jay-Z, Doctor Who, The Crown and 2018's Jamie Lee Curtis-starring Halloween. He is the author of You've Got Red On You: How Shaun of the Dead Was Brought to Life and is currently working on a second book about the horror genre. Our theme music is by Edward Elgar and Sir Cubworth. Music from Shaun of the Dead by The Specials. For more information on this film, writing by your hosts (on our blog), and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
durée : 01:28:25 - En pistes ! du lundi 03 juin 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Emilie et Rodolphe ont sélectionné quelques unes de leurs œuvre pour vous ce matin : Jean Françaix, Paul Taffanel, Claude Debussy, Jean-Sébastien Bach, Franz Schubert, Edward Elgar, Georg Friedrich Haendel, mais également Aram Khatchatourian, Richard Strauss et Rezső Kókai. En pistes !
So... you think you can remake a classic horror movie. That's what Michael Bay thought, anyway, when his production shingle Platinum Dunes embarked on a new adaptation of Jay Anson's tale of mayhem on Long Island. Citizen Kane the 1979 Amityville Horror may not be, but it holds a special place in the hearts of horror fans worldwide. So who's to blame for the mess that is the 2005 version? First (and last) time director Andrew Douglas? Frequently shirtless Ryan Reynolds, miscast as axe-wielding George Lutz? Or screenwriter Scott Kosar, who picks up a surprise nomination this week for the Michael Myers Award? Whatever your take is on this misbegotten footnote in the annals of horror history, we had a blast discussing it with Gretchen McNeil, back for her 5th episode, and the second in our Amityville mini-exploration. Due to some technical issues, the quality of some of the audio is below our standards. Apologies. Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-23:30Honor Roll and Detention (spoiler-heavy): 23:31-1:06:30Superlatives (spoiler-heavier): 1:06:31-1:22:45 Director Andrew DouglasScreenplay Scott Kosar, based on the book by Jay AnsonFeaturing Jimmy Bennett, Melissa George, Philip Baker Hall, Jesse James, Chloe Grace Moretz, Rachel Nichols, Ryan Reynolds Gretchen McNeil is the author of several young adult novels including Dig Two Graves, Possess, 3:59, Relic, Get Even, Get Dirty, and Ten, as well as the horror/comedy novels #murdertrending, #murderfunding, and #noescape. Her most recent novel is Four Letter Word, pitched as an homage to Hitchcock's Shadow of a Doubt. "Ten: Murder Island," the film adaptation of Ten, premiered on Lifetime, and Get Even and Get Dirty have been adapted as the series “Get Even” and “Rebel Cheer Squad: a Get Even series” for the BBC and Netflix. Our theme music is by Edward Elgar, and, this week, by Duck Sauce. Music from The Amityville Horror (2005) by Steve Jablonsky. For more information on this film, writing by your hosts (on our blog), and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
This is a special episode in celebration of the achievements of my students. For more information about The Baldscientist Podcast, please email me at orpagan@yahoo.com or leave a comment at baldscientist.com. · I am on Instagram @orpagan. · Would you please rate and/or review the podcast? *** If you feel so inclined, please rate & review the podcast. I would like to know what I can do better, and it would greatly help in spreading the word. In those lines, if you'd like, please tell everyone about the podcast. Thanks! *** Credits, Acknowledgments, and References •Introduction courtesy of Mr. Micah Hanks (@MicahHanks). •Baldscientist logo by Mr. Ethan Kocak (@Blackmudpuppy). •“Pomp and Circumstance”, by Edward Elgar (1857-1934). Downloaded from miss-music.com. •Other music courtesy of YouTube Audio Library. •My books: https://www.amazon.com/stores/One-R.-Pagan/author/B00J6J1FCI •The opinions expressed by me (or my guests) do not represent the opinions and policies of my employer, my family, our dog (Ginger), or Charles Darwin. --- Send in a voice message: https://podcasters.spotify.com/pod/show/one-r-pagan/message
What's that, by the side of the road? Is that a... vomiting nun, played by star of stage and screen Irene Dailey? And what's that, up in the sewing room? Is that a... priest covered in flies, played by Oscar-winner Rod Steiger? However you feel about it, there's no question that Stuart Rosenberg's O.G. THE AMITYVILLE HORROR (1979) is an iconic launch of a never-ending franchise, one that's produced more clunkers than most—but which seems to have legs like no other. With '70s icons Margot Kidder and James Brolin along for the ride, plus plenty of ferrofluid and a requisite microfiche scene, we don't need to be told twice to GET OUT. Joining us for the first of two episodes is our pal, YA horror author extraordinaire Gretchen McNeil. Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-26:42Honor Roll and Detention (spoiler-heavy): 26:43-1:04:42Superlatives (spoiler-heavier): 1:04:43-1:21:32 Director Stuart RosenbergScreenplay Sandor Stern, based on the book by Jay AnsonFeaturing James Brolin, Irene Dailey, Murray Hamilton, K.C. Martel, Margot Kidder, Meeno Peluce, Natasha Ryan, Michael Sacks, Helen Shaver, Rod Steiger, Don Stroud, Amy Wright Gretchen McNeil is the author of several young adult novels including Dig Two Graves, Possess, 3:59, Relic, Get Even, Get Dirty, and Ten, as well as the horror/comedy novels #murdertrending, #murderfunding, and #noescape. Her most recent novel is Four Letter Word, pitched as an homage to Hitchcock's Shadow of a Doubt. "Ten: Murder Island," the film adaptation of Ten, premiered on Lifetime, and Get Even and Get Dirty have been adapted as the series “Get Even” and “Rebel Cheer Squad: a Get Even series” for the BBC and Netflix. Our theme music is by Edward Elgar, and, this week, by Duck Sauce. Music from The Amityville Horror (1979) by Lalo Schifrin. For more information on this film, writing by your hosts (on our blog), and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
Emphasising the social, critical and situated dimensions of the urban, this comprehensive Research Handbook presents a unique collection of theoretical and empirical perspectives on urban sociology. Bringing together expert contributors from across the world, it provides a rich overview and research agenda for contemporary urban sociological scholarship. Chapters highlight the macro-historical context of the urban, and conduct a critical and reflexive review of mainstream theories and concepts. They examine key debates in urban sociology, analysing varied approaches to gentrification, neighbourhood effects, race and gender. Looking beyond the dominant anglophone academic sphere, contributors explore case studies from diverse world regions and local settings. Ultimately, the Research Handbook clarifies and advances the wide range of contemporary sociological approaches to urban studies. The Research Handbook on Urban Sociology (Edward Elgar, 2024) will prove to be a vital read for researchers and students across sociology, geography, anthropology, urban planning and design, economics and political science. It will also be of great benefit to practitioners and policy-makers seeking to better understand the urban space. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Emphasising the social, critical and situated dimensions of the urban, this comprehensive Research Handbook presents a unique collection of theoretical and empirical perspectives on urban sociology. Bringing together expert contributors from across the world, it provides a rich overview and research agenda for contemporary urban sociological scholarship. Chapters highlight the macro-historical context of the urban, and conduct a critical and reflexive review of mainstream theories and concepts. They examine key debates in urban sociology, analysing varied approaches to gentrification, neighbourhood effects, race and gender. Looking beyond the dominant anglophone academic sphere, contributors explore case studies from diverse world regions and local settings. Ultimately, the Research Handbook clarifies and advances the wide range of contemporary sociological approaches to urban studies. The Research Handbook on Urban Sociology (Edward Elgar, 2024) will prove to be a vital read for researchers and students across sociology, geography, anthropology, urban planning and design, economics and political science. It will also be of great benefit to practitioners and policy-makers seeking to better understand the urban space. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Emphasising the social, critical and situated dimensions of the urban, this comprehensive Research Handbook presents a unique collection of theoretical and empirical perspectives on urban sociology. Bringing together expert contributors from across the world, it provides a rich overview and research agenda for contemporary urban sociological scholarship. Chapters highlight the macro-historical context of the urban, and conduct a critical and reflexive review of mainstream theories and concepts. They examine key debates in urban sociology, analysing varied approaches to gentrification, neighbourhood effects, race and gender. Looking beyond the dominant anglophone academic sphere, contributors explore case studies from diverse world regions and local settings. Ultimately, the Research Handbook clarifies and advances the wide range of contemporary sociological approaches to urban studies. The Research Handbook on Urban Sociology (Edward Elgar, 2024) will prove to be a vital read for researchers and students across sociology, geography, anthropology, urban planning and design, economics and political science. It will also be of great benefit to practitioners and policy-makers seeking to better understand the urban space. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography
Take a seat at the dining room table and gaze through that planchette. We're attempting to connect with the spirit world in Mike Flanagan's 2016 prequel-to-beat-all-prequels OUIJA: ORIGIN OF EVIL, featuring Elizabeth Reaser, Lulu Wilson, Annalise Basso, and Henry Thomas. Joining us to battle Demons from the Great Beyond is the amazing Louisa Krause, she of Starz's "The Girlfriend Experience" Season 2 and the films The Dive, Maggie Moore(s), Ava's Possessions, Martha Marcy May Marlene, and many more. And this week, we introduce a new segment, "Campus Radio," with a special appearance by Jocelin Donahue, one of the stars of the new film The Last Stop in Yuma County (17:14). Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-34:44Honor Roll and Detention (spoiler-heavy): 34:45-1:01:10Superlatives (spoiler-heavier): 1:01:11-1:22:04 Director Mike FlanaganScreenplay Mike Flanagan & Jeff Howard, based on characters created by Stiles White & Juliet SnowdenFeaturing Annalise Basso, Doug Jones, Parker Mack, Elizabeth Reaser, Kate Siegel, Henry Thomas, Lulu Wilson Louisa Krause appears in the independent features The Dive (in which she stars alongside Sophie Lowe) and Maggie Moore(s) (opposite John Hamm and Tina Fey). On television, she was one of the leads of the Starz series “The Girlfriend Experience,” and had memorable recurring roles on Showtime's “Ray Donovan” and “Billions.” Her extensive list of film credits includes Todd Haynes's Dark Waters opposite Mark Ruffalo and Anne Hathaway; Billy Crystal's comedy feature Here Today; the A24 feature Skin opposite Jamie Bell and Danielle Macdonald; Young Adult; Martha Marcy May Marlene; The Phenom; Ava's Possessions; King Kelly (Best Actress, PiFan Film Festival); Jane Wants a Boyfriend (Best Actress, Napa Film Festival); and Bluebird (Best Actress, Karlovy Vary Film Festival). On stage, Louisa starred in Annie Baker's Pulitzer Prize-winning The Flick, directed by Sam Gold. Jocelin Donahue is an American actress known for her breakout role in Ti West's critically-acclaimed The House of the Devil, turning in what IndieWire called “one of the all-time great final girl performances.” In the years since, Donahue has appeared in many popular studio, independent, and genre films. Her lead performances in The Frontier, Offseason, and Summer Camp are roundly praised by critics and audiences alike. Donahue has worked with preeminent directors like James Wan on Insidious: Chapter 2 and Terrence Malick in Knight of Cups, playing opposite Christian Bale and Antonio Banderas. In 2019, Jocelin appeared in Warner Bros' Doctor Sleep, directed by Mike Flanagan. Her TV credits include a memorable role as a rookie FBI agent and partner to Martin Freeman on the crime series “StartUp” and guest starring roles on episodes of “Lethal Weapon,” “The Rookie: Feds,” “The Affair,” and “CSI,” among others. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. Music from Ouija: Origin of Evil by The Newton Brothers. For more information on this film, writing by your hosts (on our blog), and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
Strap on your gas mask, crack open that sketch pad, and astrally project yourself into The Further as we continue our James Wan mini-series with an assessment of Wan's 2010 Insidious. With a script by key collaborator Leigh Whannell and a cast featuring Patrick Wilson, Rose Byrne, Barbara Hershey, and the ethereal Lin Shaye, this is the Insidious that started them all. Joining us at the séance table is Allison Broder, host of the Who's There? podcast. Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-28:58Honor Roll and Detention (spoiler-heavy): 28:59-1:04:02Superlatives (spoiler-heavier): 1:04:03-1:21:19 Director James WanScreenplay Leigh WhannellFeaturing Joseph Bishara, Rose Byrne, Barbara Hershey, Angus Sampson, Lin Shaye, Ty Simpkins, Leigh Whannell, Patrick Wilson Allison Broder has been the host of the Who's There? podcast since 2020; on the pod she interviews horror fans and creatives about why they love the genre. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. Music from Insidious by Joseph Bishara. For more information on this film, writing by your hosts (on our blog), and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
Un saludo amigos y oyentes. Seguimos en el siglo XIX en el transitar por los caminos de la historia del pensamiento y hoy iniciamos la exposición de aquellos que consideraron que Kant no había muerto. Pensaban que el positivismo podía llegar a conclusiones ilegítimas o falsear su método si no era tutelado por una filosofía del a priori que fijase sus leyes y metodología, que no todo conocimiento procedía del puro dato experimental. Estos eran los kantianos de la escuela de Marburgo y Baden, poderosamente influida por judíos. Pero por supuesto, también combatían con saña el idealismo hegeliano o la metafísica clásica. 📗ÍNDICE COMPLETO 0. Resumen y definiciones. 1. EL NACIMIENTO DEL NEOCRITICISMO. 2. LA ESCUELA DE MARBURGO. 3. LA ESCUELA DE BADEN. 🎼Música de la época: Cuarteto de cuerda en Mi menor op.83 de Edward Elgar, compuesto en 1918, año del fallecimiento de uno de los más importantes representantes del Neokantismo: Hermann Cohen. 🎨Imagen: Hermann Cohen (Coswig 1842 - Berlín, 4 de abril de 1918) fue un filósofo alemán judío, fundador, entre otros, de la neokantiana Escuela de Marburgo. 👍Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!
Watch out for that piano! And the well! And the light fixture! And the... clock? This week, we're joined by the one and only Dawn Luebbe (co-director, Greener Grass, Wayfair's "Welcome to the Wayborhood") to discuss Nobuhiko Ôbayashi's mindbending horror cult comedy House. Will we make it out alive? Only Auntie's cat Blanche knows for sure. Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-27:40 Honor Roll and Detention (spoiler-heavy): 27:41-58:48 Superlatives (spoiler-heavier): 58:49-1:15:41 Director Nobuhiko Ôbayashi Screenplay Chiho Katsura, based on a story by Chigumi Ôbayashi Featuring Kimiko Ikegami, Miki Jinbo, Asei Kobayashi, Ai Matsubara, Yôko Minamida, Masayo Miyako, Kumiko Ôba, Kiyohiko Ozaki, Saho Sasazawa, Mieko Satô, Eriko Tanaka Dawn Luebbe is known for her debut feature, Greener Grass, which she wrote and directed with Jocelyn DeBoer. Variety deemed the film, “The most pleasant surprise of this year's Sundance” following its 2019 world premiere. Their screenplay was nominated for an Independent Spirit Award. It was theatrically distributed by IFC and is currently streaming on Amazon Prime and AMC. Dawn and Jocelyn have directed two episodes of TruTV's “Adam Ruins Everything.” They've made four short films which have appeared in over 100 film festivals across the globe. Most recently Dawn directed a documentary short called Dress A Cow which premiered at the SXSW film festival. She has directed dozens of commercials in the US, Mexico, and Europe for brands such as GEICO, Coca-Cola, Wayfair, and Google, as well as environmental campaigns for the organization "Science Moms" and the fossil-free hydrogen company, Vattenfall. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. Music from House by Asei Kobayashi and Mickie Yoshino. For more information on this film, writing by your hosts (on our blog), and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram.
The first violinist of the Takács Quartet weaves scholarship on Edward Elgar, Antonin Dvořák, Bela Bartók and Benjamin Britten with a deeply personal evocation of belonging, national identity and the private life of a string quartet. Edward Dusinberre's Distant Melodies: Music in Search of Home (Faber, The University of Chicago Press 2022) alternates traditional musicology with personal reminiscence, situating details of Dusinberre's English upbringing and current life in Colorado, alongside Dvořák's tenure as director of the National Conservatory of Music of America and Bartók's bleak final years of illness and longing as a Hungarian refugee. He gives behind-the-scenes access to quartet life, an esoteric and often guarded profession. Dusinberre explains the rehearsal process, reveals the complexity of auditioning new members and evokes the struggles performing musicians faced during the Covid-19 pandemic. The evolution of sound and style is an important topic for a quartet formed almost 50 years ago in 1970's Budapest. Now based in Boulder, Colorado, with cellist András Fejér the only remaining founding member, Dusinberre considers the subject of music and nationalism as it relates to the shifting identity of the Takács and their repertoire. This exploration of change and exchange speaks to our fluctuating relationships with self-identity and difficulties in defining home. Joseph Edwards is a writer and violinist based in London. His current research looks at the importance of sound in chronic illness experience. Contact him via email at joseph8edwards@gmail.com or through Twitter @joseph8edwards. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The first violinist of the Takács Quartet weaves scholarship on Edward Elgar, Antonin Dvořák, Bela Bartók and Benjamin Britten with a deeply personal evocation of belonging, national identity and the private life of a string quartet. Edward Dusinberre's Distant Melodies: Music in Search of Home (Faber, The University of Chicago Press 2022) alternates traditional musicology with personal reminiscence, situating details of Dusinberre's English upbringing and current life in Colorado, alongside Dvořák's tenure as director of the National Conservatory of Music of America and Bartók's bleak final years of illness and longing as a Hungarian refugee. He gives behind-the-scenes access to quartet life, an esoteric and often guarded profession. Dusinberre explains the rehearsal process, reveals the complexity of auditioning new members and evokes the struggles performing musicians faced during the Covid-19 pandemic. The evolution of sound and style is an important topic for a quartet formed almost 50 years ago in 1970's Budapest. Now based in Boulder, Colorado, with cellist András Fejér the only remaining founding member, Dusinberre considers the subject of music and nationalism as it relates to the shifting identity of the Takács and their repertoire. This exploration of change and exchange speaks to our fluctuating relationships with self-identity and difficulties in defining home. Joseph Edwards is a writer and violinist based in London. His current research looks at the importance of sound in chronic illness experience. Contact him via email at joseph8edwards@gmail.com or through Twitter @joseph8edwards. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Sheku Kanneh-Mason is a cellist who came to international attention when he performed at the wedding of Prince Harry and Meghan Markle in 2018. Still only 24, he has performed at a series of high profile locations including the Hollywood Bowl and Downing Street. Last year he was a soloist at the Last Night of the Proms. Sheku was brought up in Nottingham along with his six siblings who are also extremely talented musicians. At six-years-old he went to a concert by the Nottingham Youth Orchestra where he was transfixed by the cello section. He started having lessons not long afterwards and by the age of nine he'd completed all of his music grades – receiving the highest marks in the country. At 17 he won the BBC Young Musician of the Year competition.He went on to study at the Royal Academy of Music and made his debut at the BBC Proms as a soloist with the Chineke! Orchestra in 2017.In 2020 he was appointed an MBE for services to music and two years later became the Royal Academy of Music's first Menuhin Visiting Professor of Performance Mentoring.DISC ONE: Cello Concerto in E minor, Op.85 - 1st movement: Adagio – Moderato. Composed by Edward Elgar and performed by Jacqueline du Pré, with the London Symphony Orchestra, conducted by Sir John Barbirolli DISC TWO: Rivers of Babylon -The Melodians DISC THREE: Dat - Pluto Shervington DISC FOUR: String Quartet in C major, Op 20 No. 2, Capriccio: Adagio. Composed by Joseph Haydn and performed by The London Haydn Quartet DISC FIVE: Chances Are - Bob Marley DISC SIX: Requiem in D minor, K. 626 , Introitus 1 – Requiem. Composed by Wolfgang Amadeus Mozart and performed by the Monteverdi Choir DISC SEVEN: Symphony No.11 'The Year 1905' - II. The 9th January; Adagio. Composed by Dmitri Shostakovich and performed by The Moscow Philharmonic, conducted by Kirill Kondrashin DISC EIGHT: Largo from Organ Sonata No.5 in C major, BWV 529. Composed by Johan Sebastian Bach and performed by Samuel FeinbergBook: The Feynman Lectures on Physics by Richard Feynman Luxury: A cello and strings CASTAWAY'S FAVOURITE: Requiem in D minor, K. 626 , Introitus 1 – Requiem. Composed by Wolfgang Amadeus Mozart and performed by the Monteverdi ChoirPresenter Lauren Laverne Producer Paula McGinley
Edward Elgar - My Love Dwelt in a Northern LandCambridge University Chamber ChoirChristopher Robinson, conductorMore info about today's track: Naxos 8.570541Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
Addressing practice-oriented questions, this handbook engages with both theoretical and political dimensions, unpacking the multidimensional nature of social movement research for new and established scholars alike and for movement-based as well as academic researchers across many disciplines. Divided into three thematic sections, this stimulating Handbook dives deep into discussions relating to the methodological challenges raised by researching social movements, the technical questions of how such research is conducted, and then to more practical considerations about the uses and applications of movement research. Expert contributors and established researchers utilise real-world examples to explore the methodological challenges from a range of perspectives including classical, engaged, feminist, Black, Indigenous and global Southern viewpoints. Handbook of Research Methods and Applications for Social Movements (Edward Elgar, 2024) will not only appeal to experienced researchers, but also to activists who have started to think about researching their own movements and to politically engaged students. It speaks to new and established scholars in relevant disciplines such as sociology, political science, anthropology, geography, development studies, gender studies, and race and ethnic studies, and particularly those looking to better appreciate the different research methods for understanding social movements. You can download a copy of the Introduction for free HERE. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Paris Peace consisted of a group of distinct treaties, but the main concern of the delegates was the settlement with Germany, embodied in the Treaty of Versailles signed in June 1919.Germany's eastern frontiers presented far greater problems. www.patreon.com/historyeuropewww.historyeurope.netMusic composed by Edward Elgar, Enigma variations, Variation IX (Adagio) NimrodPicture - Treaty of Versailles, Big FourTheme tune for the podcast by Nico Vettese, www.wetalkofdreams.com Hosted on Acast. See acast.com/privacy for more information.
Virtuoso Fritz Kreisler was known and is remembered for his artistry as a violinist and composer -- and, also, as an unashamed showman. He was one of the most beloved and best known of the early recording-era artists, and a household name in his day. In fact, he was so adored by his audiences that when he revealed some of the pieces he'd performed and attributed to composers such as Vivaldi, Pugnani, and Couperin were, actually, his own compositions, the critics were irate, but his fans continued to pack concert halls.See omnystudio.com/listener for privacy information.
Grab a pen, a bikini, and an FBI badge, because we're all going undercover this week to catch a killer at the big beauty pageant! If we can figure out how to fill out these applications, that is. Also, there's a bee in the studio and it's trying to put an end to the Summer of Sandra. Please send help! Music credits:"Summer Sport Rock," by 331 "Salut d'amour, Op. 12," by Edward Elgar "In a Dubstep," by FAS Sounds “Typewriter Blues,” by AllenGrey Special thanks to Baby Bee Carys for the theme music! Subscribe to our Patreon at Patreon.com/BSCCPodcast and support the show at Bit.ly/RattlesnakeJake! Advertise on The Baby-Sitters Club Club via Gumball.fm --- Support this podcast: https://podcasters.spotify.com/pod/show/jack-shepherd8/support
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