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Goga Ashkenazi, the Kazakh businesswoman and socialite, is known for her close friendship with Prince Andrew. She defended him publicly when scrutiny over his ties to Jeffrey Epstein intensified, saying he was “very, very upset” by how he was being portrayed in the press. Ashkenazi insisted that while Andrew may have exercised poor judgment by associating with controversial figures, she believed he was fundamentally kind-hearted, honourable, and unaware of any illegal activity. She argued that his work as a trade envoy and his character were being unfairly overshadowed by the scandal.Their relationship has also drawn attention due to high-profile financial dealings. Ashkenazi introduced Andrew to Timur Kulibayev, a Kazakh oligarch who purchased Andrew's former home, Sunninghill Park, for £15 million — significantly above the asking price. The transaction sparked speculation about whether Ashkenazi acted as a facilitator or “fixer,” though she has denied receiving any financial benefit beyond making the introduction. The sale and her staunch defense of Andrew highlight how their friendship has been both personal and entangled in business and controversy.to contact me:bobbycapucci@protonmail.com

Goga Ashkenazi, the Kazakh businesswoman and socialite, is known for her close friendship with Prince Andrew. She defended him publicly when scrutiny over his ties to Jeffrey Epstein intensified, saying he was “very, very upset” by how he was being portrayed in the press. Ashkenazi insisted that while Andrew may have exercised poor judgment by associating with controversial figures, she believed he was fundamentally kind-hearted, honourable, and unaware of any illegal activity. She argued that his work as a trade envoy and his character were being unfairly overshadowed by the scandal.Their relationship has also drawn attention due to high-profile financial dealings. Ashkenazi introduced Andrew to Timur Kulibayev, a Kazakh oligarch who purchased Andrew's former home, Sunninghill Park, for £15 million — significantly above the asking price. The transaction sparked speculation about whether Ashkenazi acted as a facilitator or “fixer,” though she has denied receiving any financial benefit beyond making the introduction. The sale and her staunch defense of Andrew highlight how their friendship has been both personal and entangled in business and controversy.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Tune into the fourth installment of AJC's latest limited podcast series, Architects of Peace. Go behind the scenes of the decades-long diplomacy and quiet negotiations that made the Abraham Accords possible, bringing Israel, the United Arab Emirates, Bahrain, and later Morocco, together in historic peace agreements.  From cockpits to kitchens to concert halls, the Abraham Accords are inspiring unexpected partnerships. In the fourth episode of AJC's limited series, four “partners of peace” share how these historic agreements are reshaping their lives and work. Hear from El Mehdi Boudra of the Mimouna Association on building people-to-people ties; producer Gili Masami on creating a groundbreaking Israeli–Emirati song; pilot Karim Taissir on flying between Casablanca and Tel Aviv while leading Symphionette, a Moroccan orchestra celebrating Andalusian music; and chef Gal Ben Moshe, the first Israeli chef to ever cook in Dubai on his dream of opening a restaurant in the UAE. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  Episode lineup: El Mehdi Boudra (4:00) Gili Masami (11:10) Karim Taissir (16:14) Gal Ben Moshe (21:59) Read the transcript: https://www.ajc.org/news/podcast/partners-of-peace-architects-of-peace-episode-4 Resources: AJC.org/ArchitectsofPeace - Tune in weekly for new episodes. The Abraham Accords, Explained AJC.org/CNME - Find more on AJC's Center for a New Middle East Listen – AJC Podcasts: The Forgotten Exodus  People of the Pod Follow Architects of Peace on your favorite podcast app, and learn more at AJC.org/ArchitectsofPeace You can reach us at: podcasts@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript: El Mehdi Boudra: All the stereotypes started like getting out and people want to meet with the other. They wanted to discover the beauty of the diversity of Israel. And this is unique in the region, where you have Arabs Muslims, Arab Christians, Druze, Beta Yisrael, Ashkenazi, Sephardic Jews, Jews from India, from all over the world. This beauty of diversity in Israel is very unique for our region. Manya Brachear Pashman: In September 2020, the world saw what had been years – decades – in the making: landmark peace agreements dubbed the Abraham Accords – normalizing relations between Israel and two Arabian Gulf states, the United Arab Emirates and the Kingdom of Bahrain. Later, in December, they were joined by the Kingdom of Morocco.  Five years later, AJC is pulling back the curtain to meet key individuals who built the trust that led to these breakthroughs and turning the spotlight on some of the results. Introducing: the Architects of Peace. ILTV correspondent: Well, hello, shalom, salaam. For the first time since the historic normalization deal between Israel and the UAE, an Israeli and an Emirati have teamed up to make music. [Ahlan Bik plays] The signs have been everywhere. On stages in Jerusalem and in recording studios in Abu Dhabi. [Camera sounds]. On a catwalk in Tel Aviv during Fashion Week and on the covers of Israeli and Arab magazines. [Kitchen sounds]. In the kitchens of gourmet restaurants where Israeli and Emirati chefs exchanged recipes. Just days after the announcement of the Abraham Accords, Emirati ruler Sheikh Khalifa bin Zayed Al Nahyan formally ended the UAE's nearly 50-year boycott of Israel. Though commerce and cooperation had taken place between the countries under the radar for years, the boycott's official end transformed the fields of water, renewable energy, health, cybersecurity, and tourism.  In 2023, Israel and the UAE signed a Comprehensive Economic Partnership Agreement (CEPA) to advance economic cooperation, and by 2024, commerce between the UAE and Israel grew to $3.2 billion. Trade between Bahrain and Israel surged 740% in one year. As one of the world's most water-stressed countries, Bahrain's Electrical and Water Authority signed an agreement to acquire water desalination technology from Israel's national water company [Mekorot].  Signs of collaboration between Israeli and Arab artists also began to emerge. It was as if a creative energy had been unlocked and a longing to collaborate finally had the freedom to fly. [Airplane take off sounds]. And by the way, people had the freedom to fly too, as commercial airlines sent jets back and forth between Tel Aviv, Casablanca, Abu Dhabi, and Manama.  A gigantic step forward for countries that once did not allow long distance calls to Israel, let alone vacations to the Jewish state. At long last, Israelis, Moroccans, Emiratis, and Bahrainis could finally satisfy their curiosity about one another. This episode features excerpts from four conversations. Not with diplomats or high-level senior officials, but ordinary citizens from the region who have seized opportunities made possible by the Abraham Accords to pursue unprecedented partnerships. For El Medhi Boudra, the Abraham Accords were a dream come true.  As a Muslim college student in 2007 at Al Akhawayn University in Ifrane, Morocco, he founded a group dedicated to preserving and teaching the Jewish heritage of his North African home. El Mehdi knew fostering conversations and friendships would be the only way to counter stereotypes and foster a genuine appreciation for all of Morocco's history, including its once-thriving Jewish community of more than 100,000. Five years later, El Mehdi's efforts flourished into a nonprofit called Mimouna, the name of a Moroccan tradition that falls on the day after Passover, when Jewish and Muslim families gather at each other's homes to enjoy cakes and sweets and celebrate the end of the Passover prohibitions. Together.   El Mehdi Boudra: Our work started in the campus to fill this gap between the old generation who talk with nostalgia about Moroccan Jews, and the young generation who don't know nothing about Moroccan Judaism. Then, in the beginning, we focused only on the preservation and educating and the promotion of Jewish heritage within campuses in Morocco. In 2011, we decided to organize the first conference on the Holocaust in the Arab world. Manya Brachear Pashman: So did the Abraham Accords make any difference in the work you were already doing? I mean, I know Mimouna was already a longtime partner with AJC.  El Mehdi Boudra: With Abraham Accords, we thought bigger. We brought young professionals from Morocco and Israel to work together in certain sectors on challenges that our regions are overcoming. Like environment, climate change, water scarcity and innovation, and bring the best minds that we have in Morocco and in Israel to work together. But we included also other participants from Emirates and Bahrain. This was the first one that we started with.  The second was with AJC. We invited also young professionals from United States and France, which was an opportunity to work globally. Because today, we cannot work alone. We need to borrow power from each other. If we have the same vision and the same values, we need to work together.  In Morocco, we say: one hand don't clap. We need both hands. And this is the strategy that we have been doing with AJC, to bring all the partners to make sure that we can succeed in this mission.  We had another people-to-people initiative. This one is with university students. It's called Youth for MENA. It's with an Israeli organization called Noar. And we try to take advantage of the Abraham Accords to make our work visible, impactful, to make the circle much bigger. Israel is a country that is part of this region. And we can have, Israel can offer good things to our region. It can fight against the challenges that we have in our region. And an Israeli is like an Iraqi. We can work all together and try to build a better future for our region at the end of the day. Manya Brachear Pashman: El Mehdi, when you started this initiative did you encounter pushback from other Moroccans? I mean, I understand the Accords lifted some of the restrictions and opened doors, but did it do anything to change attitudes? Or are there detractors still, to the same degree? El Mehdi Boudra: Before the Abraham Accords, it was more challenging to preserve Moroccan Jewish heritage in Morocco. It was easier. To educate about Holocaust. It was also OK. But to do activities with civil society in Israel, it was very challenging. Because, first of all, there is no embassies or offices between Morocco. Then to travel, there is no direct flights.  There is the stereotypes that people have about you going to Israel. With Abraham Accords, we could do that very freely. Everyone was going to Israel, and more than that, there was becoming like a tendency to go to Israel.  Moroccans, they started wanting to spend their vacation in Tel Aviv. They were asking us as an organization. We told them, we are not a tour guide, but we can help you. They wanted to travel to discover the country.  All the stereotypes started like getting out and people want to meet with other. They wanted to discover the beauty of the diversity of Israel. And this is unique in the region where you have  Arab Muslims, Arab Christians, Druze, Beta Israel, Ashkenazi, Sephardic Jews, Jews from India, from all over the world. This beauty of diversity in Israel is very unique for our region.  And it's not granted in this modern time, as you can see in the region. You can see what happened in Iraq, what's happening in Syria, for minorities. Then you know, this gave us hope, and we need this hope in these dark times. Manya Brachear Pashman: Hm, what do you mean? How does Israel's diversity provide hope for the rest of the Middle East North Africa (MENA) region?  El Mehdi Boudra: Since the MENA region lost its diversity, we lost a lot. It's not the Christians or the Yazidis or the Jews who left the MENA region who are in bad shape. It's the people of the MENA region who are in bad shape because those people, they immigrated to U.S., to Sweden, they have better lives. But who lost is those countries.  Then us as the majority Muslims in the region, we should reach out to those minorities. We should work closely today with all countries, including Israel, to build a better future for our region. There is no choice. And we should do it very soon, because nothing is granted in life.  And we should take this opportunity of the Abraham Accords as a real opportunity for everyone. It's not an opportunity for Israel or the people who want to have relation with Israel. It's an opportunity for everyone, from Yemen to Morocco. Manya Brachear Pashman: Morocco has had diplomatic relations with Israel in the past, right? Did you worry or do you still worry that the Abraham Accords will fall apart as a result of the Israel Hamas War? El Mehdi Boudra: Yes, yes, to tell you the truth, yes. After the 7th of October and things were going worse and worse. We said, the war will finish and it didn't finish. And I thought that probably with the tensions, the protest, will cut again the relations. But Morocco didn't cut those relations. Morocco strengthened those relations with Israel, and also spoke about the Palestinians' cause in the same time.  Which I'm really proud of my government's decisions to not cut those relations, and we hope to strengthen those relations, because now they are not going in a fast dynamic. We want to go back to the first time when things were going very fastly. When United States signed with the Emirates and Bahrain in September 2020, I was hoping that Morocco will be the first, because Morocco had strong relations with Israel. We had direct relations in the 90s and we cut those relations after the Second Intifada in 2000.  We lost those 21 years. But it's not [too] late now. We are working. The 7th of October happened. Morocco is still having relations with Israel. We are still having the Moroccan government and the Israeli government having strong relations together.  Of course, initiatives to people-to-people are less active because of the war. But you know, the war will finish very soon, we hope, and the hostages will go back to their homes, Inshallah, and we will get back to our lives. And this is the time for us as civil society to do stronger work and to make sure that we didn't lose those two years. [Ahlan Bik plays] Manya Brachear Pashman: Just weeks after the White House signing ceremony on September 15, 2020, Israeli music producer Gili Masami posted a music video on YouTube. The video featured a duet between a former winner of Israel's version of The Voice, Elkana Marziano, and Emirati singer Walid Aljasim.  The song's title? Ahlan Bik, an Arabic greeting translated as “Hello, Friend.” In under three weeks, the video had garnered more than 1.1 million views. Gili Masami: When I saw Bibi Netanyahu and Trump sign this contract, the Abraham Accords, I said, ‘Wow!' Because always my dream was to fly to Dubai. And when I saw this, I said, ‘Oh, this is the time to make some project that I already know how to do.' So I thought to make the first historic collaboration between an Israeli singer and an Emirati singer.  We find this production company, and they say, OK. We did this historic collaboration. And the first thing it was that I invite the Emirati people to Israel. They came here. I take them to visit Jerusalem, Tel Aviv, and then I get a call to meet in Gitix Technology Week in the World Trade Center in Dubai. Manya Brachear Pashman: Gitix. That's the Gulf Information Technology Exhibition, one of the world's largest annual tech summits, which met in Dubai that year and invited an Israeli delegation for the first time. Gili Masami: They tell me. ‘Listen, your song, it was big in 200 countries, cover worldwide. We want you to make this show.' I said, OK. We came to Dubai, and then we understand that the production company is the family of Mohammed bin Zayed al Nayhan, the president of UAE. And now we understand why they agree.  The brother of Muhammad bin Zayed Al Nahyan, Sheik Issa Ben Zahid Al Nahyan, he had this production company. This singer, it's his singer. And we say, ‘Wow, we get to this so high level, with the government of Dubai.' And then all the doors opened in Dubai.  And then it was the Corona. 200 countries around the world cover this story but we can't do shows because this Corona issue, but we still did it first. Manya Brachear Pashman: The song Ahlan Bik translates to “Hello, Friend.” It was written by Israeli songwriter Doron Medalie. Can you tell our listeners what it's about? Gili Masami: The song Ahlan Bik, it's this song speak about Ibrihim. Because if we go to the Bible, they are cousins. They are cousins. And you know, because of that, we call this Abraham Accords, because of Avraham. And they are sons of Ishmael. Yishmael. And we are sons of Jacob.  So because of that, we are from back in the days. And this is the real cousins. Saudi Arabia, UAE, Morocco. They are the real ones. And this song speak about this connection. Manya Brachear Pashman: After Morocco joined the Abraham Accords, you also put together a collaboration between Elkana and Moroccan singer Sanaa Mohamed. But your connection to UAE continued. You actually moved to Dubai for a year and opened a production company there. I know you're back in Israel now, but have you kept in touch with people there?   Gili Masami: I have a lot of friends in UAE. A lot of friends. I have a production company in UAE too. But every time we have these problems with this war, so we can do nothing. I was taking a lot of groups to Dubai, making tours, parties, shows, and all this stuff, because this war. So we're still friends.  Manya Brachear Pashman: Given this war, do you ever go back and listen to the song Ahlan Bik for inspiration, for hope?  Gili Masami: I don't look about the thinking that way. These things. I know what I did, and this is enough for me. I did history. This is enough for me. I did [a] good thing. This is enough for me. I did the first collaboration, and this is enough for me. Manya Brachear Pashman: Moroccan pilot and music aficionado Karim Taissir also knows the power of music. In 2016, he reached out to Tom Cohen, the founder and conductor of the Jerusalem Orchestra East & West and invited him to Morocco to conduct Symphonyat, an orchestra of 40 musicians from around the world playing Jewish and Arab music from Morocco's past that often has been neglected.  Karim Taissir: In 2015 I contacted Tom via Facebook because of a story happening in Vietnam. I was in a bar. And this bar, the owner, tried to connect with people. And the concept was a YouTube session connected on the speaker of the bar, and they asked people to put some music on from their countries. So when he asked me, I put something played by Tom [Cohen], it was Moroccan music played by the orchestra of Tom. And people said, ‘Wow.'  And I felt the impact of the music, in terms of even, like the ambassador role. So that gave me the idea. Back in Morocco, I contacted him. I told him, ‘Listen, you are doing great music, especially when it comes to Moroccan music, but I want to do it in Morocco. So are you ready to collaborate? And you should tell me, what do you need to create an orchestra that do this, this excellency of music?'  And I don't know why he replied to my message, because, usually he got lots of message from people all over the world, but it was like that. So from that time, I start to look of musician, of all conditions, asked by Tom, and in 2016 in April, we did one week of rehearsals. This was a residence of musician in Casablanca by Royal Foundation Hiba. And this is how it starts. And from that time, we tried every year to organize concerts. Sometimes we succeed, and sometimes not. Manya Brachear Pashman: I asked this of El Mehdi too, since you were already doing this kind of bridge building Karim, did the Abraham Accords change anything for you? Karim Taissir: In ‘22 we did the great collaboration. It was a fusion between the two orchestras, under the conductor Tom Cohen in Timna desert [National Park], with the presence of many famous people, politician, and was around like more than 4,000 people, and the President Herzog himself was was there, and we had a little chat for that.  And even the program, it was about peace, since there was Moroccan music, Israeli music, Egyptian music, Greek music, Turkish music. And this was very nice, 18 musicians on the stage. Manya Brachear Pashman: Oh, wow. 18 musicians. You know, the number 18, of course, is very significant, meaningful for the Jewish tradition.  So, this was a combination of Israeli musicians, Moroccan musicians, playing music from across the region. Turkey, Greece, Egypt, Israel. What did that mean for you? In other words, what was the symbolism of that collaboration and of that choice of music? Karim Taissir: Listen, to be honest, it wasn't a surprise for me, the success of collaboration, since there was excellent artists from Israel and from Morocco. But more than that, the fact that Moroccan Muslims and other people with Israeli musicians, they work together every concert, rehearsals.  They became friends, and maybe it was the first time for some musicians, especially in Morocco. I'm not talking only about peace, happiness, between people. It's very easy in our case, because it's people to people. Manya Brachear Pashman: How have those friendships held up under the strain of the Israel-Hamas War? Karim Taissir: Since 7th October, me, for example, I'm still in touch with all musicians from Israel, not only musicians, all my friends from Israel to support. To support them, to ask if they are OK. And they appreciate, I guess, because I guess some of them feel even before they have friends from all over the world. But suddenly it's not the case for us, it's more than friendships, and if I don't care about them, which means it's not true friendships. And especially Tom. Tom is more than more than a brother. And we are looking forward very soon to perform in Israel, in Morocco, very soon. Manya Brachear Pashman: So I should clarify for listeners that Symphonyat is not your full-time job. Professionally you are a pilot for Royal Air Maroc. And a week after that concert in Timna National Park in March 2022, Royal Air Maroc launched direct flights between Casablanca and Tel Aviv. Those flights have been suspended during the war, but did you get to fly that route? Karim Taissir: They call me the Israeli guy since I like very much to be there. Because I was kind of ambassador since I was there before, I'm trying always to explain people, when you will be there, you will discover other things. Before 7th of October, I did many, many, many flights as captain, and now we're waiting, not only me, all my colleagues.  Because really, really–me, I've been in Israel since 2016–but all my colleagues, the first time, it was during those flights. And all of them had a really nice time. Not only by the beauty of the Tel Aviv city, but also they discover Israeli people. So we had really, really, very nice memories from that period, and hoping that very soon we will launch flight. Manya Brachear Pashman: Chef Gal Ben Moshe, the first Israeli chef to earn a Michelin Star for his restaurant in Berlin, remembers the day he got the call to speak at Gulfood 2021, a world food festival in Abu Dhabi. That call led to another call, then another, and then another.  Before he knew it, Chef Gal's three-day trip to the United Arab Emirates had blossomed into a 10-day series: of master classes, panel discussions, catered dinners, and an opportunity to open a restaurant in Dubai. Gal Ben Moshe: Like I said, it wasn't just one dinner, it wasn't just a visit. It's basically from February ‘21 to October ‘23 I think I've been more than six, eight times, in the Emirates. Like almost regularly cooking dinners, doing events, doing conferences. And I cooked in the Dubai Expo when it was there. I did the opening event of the Dubai Expo. And a lot of the things that I did there, again, I love the place. I love the people. I got connected to a lot of people that I really, truly miss. Manya Brachear Pashman: When we first connected, you told me that the Abraham Accords was one of your favorite topics. Why? Gal Ben Moshe: I always felt kind of like, connected to it, because I was the first Israeli chef to ever cook in Dubai. And one of the most influential times of my life, basically going there and being there throughout basically everything from the Abraham Accords up to October 7. To a degree that I was supposed to open a restaurant there on the first of November 2023 which, as you probably know, did not happen in the end.  And I love this place. And I love the idea of the Abraham Accords, and I've had a lot of beautiful moments there, and I've met a lot of amazing people there. And, in a way, talking about it is kind of me missing my friends less. Manya Brachear Pashman: So you were originally invited to speak at Gulfood. What topics did you cover and what was the reception like? Gal Ben Moshe: The journalist that interviewed me, he was a great guy, asked me, ‘OK, so, like, where do you want to cook next?' And I said, ‘If you would ask me six months ago, I would say that I would love to cook in Dubai, but it's not possible.' So having this happened, like, anything can happen, right? Like, if you would tell me in June 2020 that I would be cooking in Dubai in February 2021, I'm not sure I was going to believe you. It was very secretive, very fast, very surprising. And I said, ‘Yeah, you know, I would love to cook in Damascus and Beirut, because it's two places that are basically very influential in the culture of what is the Pan-Arabic kitchen of the Levant. So a lot of the food influence, major culinary influence, comes from basically Aleppo, Damascus and Beirut. Basically, this area is the strongest influence on food. A lot of Jordanians are probably going to be insulted by me saying this, but this is very this is like culinary Mecca, in my opinion.'  And I said it, and somebody from the audience shouted: ‘I'm from Beirut! You can stay at my place!' And I was like, it's just amazing. And the funny thing is, and I always talk about it is, you know, I talk about my vegetable suppliers in Berlin and everything in the Syrian chefs and Palestinian chefs and Lebanese chefs that I met in the Emirates that became friends of mine. And I really have this thing as like, I'm gonna say it is that we have so much in common. It's crazy how much we have in common.  You know, we have this war for the past two years with basically everyone around us. But I think that when we take this thing out of context, out of the politics, out of the region, out of this border dispute or religious dispute, or whatever it is, and we meet each other in different country. We have so much in common, and sometimes, I dare say, more than we have in common with ourselves as an Israeli society. And it's crazy how easy it is for me to strike a conversation and get friendly with the Lebanese or with a Palestinian or with the Syrian if I meet them in Berlin or in Dubai or in New York or in London. Manya Brachear Pashman: I should clarify, you run restaurants in Tel Aviv, but the restaurant that earned a Michelin star in 2020 and held on to it for four years, was Prism in Berlin. Tel Aviv was going to be added to the Michelin Guide in December 2023, but that was put on hold after the start of the Israel-Hamas War. Did your time in the Emirates inspire recipes that perhaps landed on your menu at Prism? Gal Ben Moshe: I was approached by a local journalist that wrote cookbooks and he did a special edition cookbook for 50 years for the Emirates. And he wanted me to contribute a recipe. And I did a dish that ended up being a Prism signature dish for a while, of Camel tartar with caviar, quail yolk, grilled onion, and it was served in this buckwheat tortelet. And at the time, it's a concept dish. So basically, the story is this whole story of Dubai. So you have the camel and the caviar, so between the desert and the sea. And then you have the camel, which basically is the nomadic background of Dubai, with the Bedouin culture and everything, and the caviar, which is this luxurious, futuristic–what Dubai is today. And it was really a dish about the Emirates. And I was invited to cook it afterwards in a state dinner, like with very high-end hotel with very high-end guests.  And basically the chef of the hotel, who's a great guy, is like, sending, writing me an email, like, I'm not going to serve camel. I'm not going to serve camel in this meal. And I was like, but it's the whole story. It's the whole thing. He's like, but what's wrong with Wagyu beef? It's like, we're in Dubai. Wagyu beef is very Dubai. And I was like, not in the way that the camel is in that story. Listen, for a chef working there, it's a playground, it's heaven. People there are super curious about food. They're open-minded. And there's great food there. There's a great food scene there, great chefs working there. I think some of the best restaurants in the world are right now there, and it was amazing. Manya Brachear Pashman: There have been other Israeli chefs who opened their restaurants in Dubai before October 7. I know Chef Eyal Shani opened with North Miznon in a Hilton hotel in Dubai. You recently closed Prism, which really was a mom and pop place in Berlin, and you've now opened a hotel restaurant in Prague. Would you still consider opening a kitchen in Dubai? Gal Ben Moshe: I have not given up on the Emirates in any way. Like I've said, I love it there. I love the people there. I love the atmosphere there. I love the idea of being there. I would say that there is complexities, and I understand much better now, in hindsight of these two years. Of why, basically, October 7 meant that much. I live in Berlin for 13 years, and I work with my vegetable suppliers for the past, I would say nine or eight years. They're Palestinians and Syrians and Lebanese and everything.  And even though October 7 happened and everything that's happened afterwards, we're still very close, and I would still define our relationship as very friendly and very positive. The one thing is that, I don't know, but I think it's because we know each other from before. And I don't know if they would have taken the business of an Israeli chef after October 7. So having known me and that I'm not a symbol for them, but I am an individual.  For them it is easier because we're friends, like we worked together, let's say for five years before October 7. It's not going to change our relationship just because October 7 happened. But I think what I do understand is that sometimes our place in the world is different when it comes to becoming symbols. And there are people who don't know me and don't know who I am or what my opinions are, how I view the world, and then I become just a symbol of being an Israeli chef. And then it's you are this, and nothing you can say at that moment changes it.  So I don't think that me opening a restaurant in Dubai before October 7 was a problem. I do understand that an Israeli chef opening a restaurant in Dubai after October 7 was not necessarily a good thing. I can understand how it's perceived as, in the symbolism kind of way, not a good thing. So I think basically, when this war is over, I think that the friendship is there. I think the connection is there. I think the mutual respect and admiration is there. And I think that there is no reason that it can't grow even further. Manya Brachear Pashman: In our next episode, expected to air after the High Holidays, we discuss how the Abraham Accords have held during one of Israel's most challenging times and posit which Arab countries might be next to join the historic pact.  Atara Lakritz is our producer. T.K. Broderick is our sound engineer. Special thanks to Jason Isaacson, Sean Savage, and the entire AJC team for making this series possible.  You can subscribe to Architects of Peace on Apple Podcasts, Spotify, or wherever you listen to podcasts, and you can learn more at AJC.org/ArchitectsofPeace. The views and opinions of our guests don't necessarily reflect the positions of AJC. You can reach us at podcasts@ajc.org. If you've enjoyed this episode, please be sure to spread the word, and hop onto Apple Podcasts or Spotify to rate us and write a review to help more listeners find us. Music Credits: Middle East : ID: 279780040; Composer: Eric Sutherland אלקנה מרציאנו & Waleed Aljasim - אהלן ביכ | Elkana Marziano AHALAN bik أهلاً بيك Moroccan Suite: Item ID: 125557642; Composer: umberto sangiovanni Medley Ana Glibi Biddi Kwitou / Ma Nebra - Symphonyat with Sanaa Marahati - Casablanca - 2022 Middle East: Item ID: 297982529; Composer: Aditya Mystical Middle East: ID: 212471911; Composer: Vicher  

Still Lives: Jewish Photography in Nazi Germany (U Pennsylvania Press, 2025) is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews' reactions to the changing landscapes of post-1933 Germany. Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Rebekka Grossmann is Assistant Professor of Migration History at Leiden University. In her research, she explores the connections of visual culture, migration and politics with a special focus on Jewish history. Her dissertation, which will be published in 2026, investigates the role of the camera as agent, chronicler and critic of Jewish nation-building. In her new project, she looks at the entangled stories of the legacies of Jewish forced migration, post-war memory culture and peace activism through the lens of different artistic projects. Shira Miron is a PhD candidate at the Department of Germanic Languages and Literatures at Yale University. Her research explores aesthetics as a mode of investigation for human experience and social formation and studies the particularities of different artforms alongside their conceptual and practical cross-pollination. She pursues theoretical questions as they relate to history and culture and vice versa. Her dissertation project, Composition and Community: The Extra-Musical Imagination of Polyphony 1800/1900/1950, explores the advent of western polyphony as a modern aesthetic, communicative, and ethical phenomenon that extends beyond the field of music. Shira published on the relationship between music and literature, German-Jewish literature and culture, visual studies, theories of dialogue and communication, and on a wide range of authors including Novalis, Adorno, Kleist, and Gertrud Kolmar. Shira holds B.Mus. and M.Mus. degrees in piano performance from the Jerusalem Academy of Music and Dance and studied German literature at the Hebrew University in Jerusalem and at the Freie Universität Berlin. Currently, she is a DAAD research fellow at the Leibniz Center for Literary and Cultural Research (ZfL) in Berlin. Sarah Wobick-Segev is a research associate at the Institute for Jewish Studies at the University of Hamburg. Her research explores the multiple intersections of European-Jewish cultural and intellectual history with gender studies, everyday life history, and visual and religious studies. Her current project analyzes the religious writings of Jewish women in German-speaking Central Europe from the mid-19th to the mid-20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Still Lives: Jewish Photography in Nazi Germany (U Pennsylvania Press, 2025) is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews' reactions to the changing landscapes of post-1933 Germany. Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Rebekka Grossmann is Assistant Professor of Migration History at Leiden University. In her research, she explores the connections of visual culture, migration and politics with a special focus on Jewish history. Her dissertation, which will be published in 2026, investigates the role of the camera as agent, chronicler and critic of Jewish nation-building. In her new project, she looks at the entangled stories of the legacies of Jewish forced migration, post-war memory culture and peace activism through the lens of different artistic projects. Shira Miron is a PhD candidate at the Department of Germanic Languages and Literatures at Yale University. Her research explores aesthetics as a mode of investigation for human experience and social formation and studies the particularities of different artforms alongside their conceptual and practical cross-pollination. She pursues theoretical questions as they relate to history and culture and vice versa. Her dissertation project, Composition and Community: The Extra-Musical Imagination of Polyphony 1800/1900/1950, explores the advent of western polyphony as a modern aesthetic, communicative, and ethical phenomenon that extends beyond the field of music. Shira published on the relationship between music and literature, German-Jewish literature and culture, visual studies, theories of dialogue and communication, and on a wide range of authors including Novalis, Adorno, Kleist, and Gertrud Kolmar. Shira holds B.Mus. and M.Mus. degrees in piano performance from the Jerusalem Academy of Music and Dance and studied German literature at the Hebrew University in Jerusalem and at the Freie Universität Berlin. Currently, she is a DAAD research fellow at the Leibniz Center for Literary and Cultural Research (ZfL) in Berlin. Sarah Wobick-Segev is a research associate at the Institute for Jewish Studies at the University of Hamburg. Her research explores the multiple intersections of European-Jewish cultural and intellectual history with gender studies, everyday life history, and visual and religious studies. Her current project analyzes the religious writings of Jewish women in German-speaking Central Europe from the mid-19th to the mid-20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Still Lives: Jewish Photography in Nazi Germany (U Pennsylvania Press, 2025) is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews' reactions to the changing landscapes of post-1933 Germany. Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Rebekka Grossmann is Assistant Professor of Migration History at Leiden University. In her research, she explores the connections of visual culture, migration and politics with a special focus on Jewish history. Her dissertation, which will be published in 2026, investigates the role of the camera as agent, chronicler and critic of Jewish nation-building. In her new project, she looks at the entangled stories of the legacies of Jewish forced migration, post-war memory culture and peace activism through the lens of different artistic projects. Shira Miron is a PhD candidate at the Department of Germanic Languages and Literatures at Yale University. Her research explores aesthetics as a mode of investigation for human experience and social formation and studies the particularities of different artforms alongside their conceptual and practical cross-pollination. She pursues theoretical questions as they relate to history and culture and vice versa. Her dissertation project, Composition and Community: The Extra-Musical Imagination of Polyphony 1800/1900/1950, explores the advent of western polyphony as a modern aesthetic, communicative, and ethical phenomenon that extends beyond the field of music. Shira published on the relationship between music and literature, German-Jewish literature and culture, visual studies, theories of dialogue and communication, and on a wide range of authors including Novalis, Adorno, Kleist, and Gertrud Kolmar. Shira holds B.Mus. and M.Mus. degrees in piano performance from the Jerusalem Academy of Music and Dance and studied German literature at the Hebrew University in Jerusalem and at the Freie Universität Berlin. Currently, she is a DAAD research fellow at the Leibniz Center for Literary and Cultural Research (ZfL) in Berlin. Sarah Wobick-Segev is a research associate at the Institute for Jewish Studies at the University of Hamburg. Her research explores the multiple intersections of European-Jewish cultural and intellectual history with gender studies, everyday life history, and visual and religious studies. Her current project analyzes the religious writings of Jewish women in German-speaking Central Europe from the mid-19th to the mid-20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Still Lives: Jewish Photography in Nazi Germany (U Pennsylvania Press, 2025) is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews' reactions to the changing landscapes of post-1933 Germany. Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Rebekka Grossmann is Assistant Professor of Migration History at Leiden University. In her research, she explores the connections of visual culture, migration and politics with a special focus on Jewish history. Her dissertation, which will be published in 2026, investigates the role of the camera as agent, chronicler and critic of Jewish nation-building. In her new project, she looks at the entangled stories of the legacies of Jewish forced migration, post-war memory culture and peace activism through the lens of different artistic projects. Shira Miron is a PhD candidate at the Department of Germanic Languages and Literatures at Yale University. Her research explores aesthetics as a mode of investigation for human experience and social formation and studies the particularities of different artforms alongside their conceptual and practical cross-pollination. She pursues theoretical questions as they relate to history and culture and vice versa. Her dissertation project, Composition and Community: The Extra-Musical Imagination of Polyphony 1800/1900/1950, explores the advent of western polyphony as a modern aesthetic, communicative, and ethical phenomenon that extends beyond the field of music. Shira published on the relationship between music and literature, German-Jewish literature and culture, visual studies, theories of dialogue and communication, and on a wide range of authors including Novalis, Adorno, Kleist, and Gertrud Kolmar. Shira holds B.Mus. and M.Mus. degrees in piano performance from the Jerusalem Academy of Music and Dance and studied German literature at the Hebrew University in Jerusalem and at the Freie Universität Berlin. Currently, she is a DAAD research fellow at the Leibniz Center for Literary and Cultural Research (ZfL) in Berlin. Sarah Wobick-Segev is a research associate at the Institute for Jewish Studies at the University of Hamburg. Her research explores the multiple intersections of European-Jewish cultural and intellectual history with gender studies, everyday life history, and visual and religious studies. Her current project analyzes the religious writings of Jewish women in German-speaking Central Europe from the mid-19th to the mid-20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Why do Jews mark life's biggest moments with rituals—and what happens when those rituals clash with modern life? In this rich, personal, and sometimes hilarious episode, Mijal and Noam take you on a journey through the Jewish life cycle—from brit milah to bar mitzvah, weddings to funerals. They explore how different communities (Syrian, Moroccan, Ashkenazi, Persian, and more!) celebrate, grieve, and navigate transitions. Along the way, they ask tough questions about tradition, cost, creativity, and meaning—and how showing up for others may be the most Jewish act of all. We're proud to be collaborating with Sefaria and The Simchat Torah Challenge, on this episode along with all the other episodes of our “In the Beginning” mini-series. Learn more about these two incredible organizations here: https://simchattorahchallenge.org/ https://www.sefaria.org/texts Get in touch at our new email address: WonderingJews@unpacked.media and call us, 1-833-WON-Jews. Follow @unpackedmedia on Instagram and check out Unpacked on ⁠⁠⁠⁠youtube⁠⁠⁠⁠. ------------ This podcast was brought to you by Unpacked, an OpenDor Media brand. For other podcasts from Unpacked, check out: ⁠⁠⁠⁠Jewish History Nerds⁠⁠⁠⁠ ⁠⁠⁠⁠Unpacking Israeli History⁠⁠⁠⁠ ⁠⁠⁠⁠Soulful Jewish Living⁠⁠⁠⁠ ⁠⁠⁠⁠Stars of David with Elon Gold 

IntroductionAs Yiddish was spoken by many Ashkenazi Jews for centuries, it should serve as no surprise to listeners of The Jewish Drinking Show that many Yiddish songs either revolved around or at least involved drinking. To introduce us to Yiddish drinking songs for the 181st episode of The Jewish Drinking Show on this topic is Rokhl Kafrissen.Biography of GuestRokhl Kafrissen is a journalist, teacher, and playwright and winner of the prestigious 2022 Adrienne Cooper Dreaming in Yiddish prize. Between 2017 and 2024, her “Rokhl's Golden City” column appeared monthly in Tablet magazine, covering the length and breadth of Yiddish culture, including an essay on drinking. In 2021, her song “Kum tsu mir” (a Yiddish translation-adaptation of Jimmy Buffett's "Why Don't We Get Drunk …") was recorded by an all-star klezmer trio and in 2024, the Israeli funk-jazz band Malox released an album featuring another of her Yiddish song translations, "Makhn a vayivrekh (Breakthrough)." She taught two new classes on Ashkenazi women's folk magic and religion for the Yiddish Book Center during the fall of 2023 and 2024, and her classes and lectures on "Everyday Ashkenazi Magic" are a favorite with students around the world. You can find out more at her Explore Ashkenazi Culture website.List of SongsHere is a list of the songs featured on this episode:Lomir alemen bagrisnLomir ale in eynemEyn molVen ikh nem a bisl yashShoyn avek der nekhtn/s'iz nishto keyn nekht/yesterday is buried/nye zhuritsi khloptsi [known by various titles; published in 1917]Di Mashke (written by Mikhl Gordon, 1868)Tayere Malke [Dear Malke] written by Mark Varshavsky (1840-1907), performed by SoCalledLekhayim, Lekhayim Kol Zayn Support the showThank you for listening!If you have any questions, suggestions, or more, feel free to reach out at Drew@JewishDrinking.coml'chaim!

Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Thomas Pegelow Kaplan is a Professor of History and the Louis P. Singer Endowed Chair in Jewish History at the University of Colorado Boulder in the United States. His research focuses on the linguistic, visual, and cultural history of Nazi Germany, modern German-Jewish history, historiography and historical theory, transnational history, and global protest movements in the twentieth century. His recent publications include Taking the Transnational Turn: The German Jewish Press and Journalism Beyond Borders, 1933-1943 [in Hebrew] (Yad Vashem Publications, 2023) and Holocaust Testimonies: Reassessing Survivors' Voices and their Future in Challenging Times (with Wolf Gruner, Miriam Offer, and Boaz Cohen (Bloomsbury, 2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Thomas Pegelow Kaplan is a Professor of History and the Louis P. Singer Endowed Chair in Jewish History at the University of Colorado Boulder in the United States. His research focuses on the linguistic, visual, and cultural history of Nazi Germany, modern German-Jewish history, historiography and historical theory, transnational history, and global protest movements in the twentieth century. His recent publications include Taking the Transnational Turn: The German Jewish Press and Journalism Beyond Borders, 1933-1943 [in Hebrew] (Yad Vashem Publications, 2023) and Holocaust Testimonies: Reassessing Survivors' Voices and their Future in Challenging Times (with Wolf Gruner, Miriam Offer, and Boaz Cohen (Bloomsbury, 2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Thomas Pegelow Kaplan is a Professor of History and the Louis P. Singer Endowed Chair in Jewish History at the University of Colorado Boulder in the United States. His research focuses on the linguistic, visual, and cultural history of Nazi Germany, modern German-Jewish history, historiography and historical theory, transnational history, and global protest movements in the twentieth century. His recent publications include Taking the Transnational Turn: The German Jewish Press and Journalism Beyond Borders, 1933-1943 [in Hebrew] (Yad Vashem Publications, 2023) and Holocaust Testimonies: Reassessing Survivors' Voices and their Future in Challenging Times (with Wolf Gruner, Miriam Offer, and Boaz Cohen (Bloomsbury, 2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Thomas Pegelow Kaplan is a Professor of History and the Louis P. Singer Endowed Chair in Jewish History at the University of Colorado Boulder in the United States. His research focuses on the linguistic, visual, and cultural history of Nazi Germany, modern German-Jewish history, historiography and historical theory, transnational history, and global protest movements in the twentieth century. His recent publications include Taking the Transnational Turn: The German Jewish Press and Journalism Beyond Borders, 1933-1943 [in Hebrew] (Yad Vashem Publications, 2023) and Holocaust Testimonies: Reassessing Survivors' Voices and their Future in Challenging Times (with Wolf Gruner, Miriam Offer, and Boaz Cohen (Bloomsbury, 2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Thomas Pegelow Kaplan is a Professor of History and the Louis P. Singer Endowed Chair in Jewish History at the University of Colorado Boulder in the United States. His research focuses on the linguistic, visual, and cultural history of Nazi Germany, modern German-Jewish history, historiography and historical theory, transnational history, and global protest movements in the twentieth century. His recent publications include Taking the Transnational Turn: The German Jewish Press and Journalism Beyond Borders, 1933-1943 [in Hebrew] (Yad Vashem Publications, 2023) and Holocaust Testimonies: Reassessing Survivors' Voices and their Future in Challenging Times (with Wolf Gruner, Miriam Offer, and Boaz Cohen (Bloomsbury, 2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Thomas Pegelow Kaplan is a Professor of History and the Louis P. Singer Endowed Chair in Jewish History at the University of Colorado Boulder in the United States. His research focuses on the linguistic, visual, and cultural history of Nazi Germany, modern German-Jewish history, historiography and historical theory, transnational history, and global protest movements in the twentieth century. His recent publications include Taking the Transnational Turn: The German Jewish Press and Journalism Beyond Borders, 1933-1943 [in Hebrew] (Yad Vashem Publications, 2023) and Holocaust Testimonies: Reassessing Survivors' Voices and their Future in Challenging Times (with Wolf Gruner, Miriam Offer, and Boaz Cohen (Bloomsbury, 2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/israel-studies

Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Thomas Pegelow Kaplan is a Professor of History and the Louis P. Singer Endowed Chair in Jewish History at the University of Colorado Boulder in the United States. His research focuses on the linguistic, visual, and cultural history of Nazi Germany, modern German-Jewish history, historiography and historical theory, transnational history, and global protest movements in the twentieth century. His recent publications include Taking the Transnational Turn: The German Jewish Press and Journalism Beyond Borders, 1933-1943 [in Hebrew] (Yad Vashem Publications, 2023) and Holocaust Testimonies: Reassessing Survivors' Voices and their Future in Challenging Times (with Wolf Gruner, Miriam Offer, and Boaz Cohen (Bloomsbury, 2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. Political correspondent Sam Sokol and tech reporter Sharon Wrobel join host Jessica Steinberg for today's episode. As deputy foreign minister Sharren Haskel said she won't follow foreign minister and New Hope party head Gideon Sa'ar into a merger with the Likud party, Sokol discusses Haskel's position on the front lines of Israel's information battle and her concerns about Likud's representation of moderate voters. Opposition leader Yair Lapid warned of the end of Zionism if Netanyahu's coalition wins the next election, which Sokol calls Lapid's election rhetoric, consistent with how Lapid has been speaking for the last few years. Sokol analyzes rising tensions between Ashkenazi and Sephardic Haredi parties and Knesset Foreign Affairs and Defense Committee chairman Boaz Bismuth's new approach to Haredi conscription law. Hungarian low-cost airline Wizz Air plans to establish a base in Israel, notes Wrobel, offering it advantages in the Israeli air transportation market. Wrobel also discusses milk shortages in Israel due to production issues and consumer panic. IMAGE: Yesh Atid chairman MK Yair Lapid attends a Yesh Atid party conference in Tel Aviv, September 1, 2025 (Photo by Avshalom Sassoni/Flash90)See omnystudio.com/listener for privacy information.

Welcome to *The Forefront Radio*! In this explosive episode, we expose the uncomfortable truth:➡️ Ashkenazi Jews claiming biblical identity—but are they the REAL Israelites?➡️ Or are the true descendants of Israel the **Black people of the African Diaspora**?

Bishul Akum for a Sefardic Student In Ashkenazi Yeshiva or CampSupport this podcast at — https://redcircle.com/ten-minute-halacha/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

It's a brave new world out there for the Jews. Over the past two weeks, we've seen a series of stories published showing the ways new technologies are affecting Jewish life, from bot armies to A.I.-generated memes to racist Elmo to chatbots who think their surname is Hitler. But are any of these technologies creating new avenues for Jewish living (or Jew hatred)—or are they merely reflecting a culture that already existed? A.I. could represent our generation's moral panic, as the printing press, television and comic books did before... or it could be something genuinely new and different. And before that, our rabbi hosts tackle the great cholent debate: can you eat the customarily Shabbat food on a Thursday? In honour of the summer food edition of Scribe Quarterly, The CJN's free print magazine, Avi, Yedida and Matthew talk about the glow-up of Ashkenazi cooking within the foodie world and its move from borscht belt to bougie. Credits Hosts: Avi Finegold, Yedida Eisenstat, Matthew Leibl Production team: Zachary Judah Kauffman (editor), Michael Fraiman (executive producer) Music: Socalled Support The CJN Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to Not in Heaven (Not sure how? Click here)

In this episode, we are joined by Deatra Cohen and Adam Siegel, authors of "Ashkenazi Herbalism" and recently: "Woven Roots; Recovering the Healing Plant Traditions of Jews and their Neighbors in Eastern Europe." Their new book expands on their earlier work by foregrounding the ways plant medicine served as a medium for coexistence in a land that's often only remembered as a place of Jewish suffering. Through concrete examples, we explored the implications of diaspora for herbal and medicinal traditions. These traditions, often considered backwards and lost to history, can continue to teach us about what it means to be in right relations with all of our neighbors. Get your copy of Woven Roots from Jewitches!Subscribe to our collaborative YouTubeFollow us on InstagramIf you like the work we're doing here, please consider supporting us on Patreon!Big thank you to Aly Halpert for continuing to allow us to use her music!

Dr. Ruth Calderon joins the podcast to reflect on the personal and intellectual journey behind her book, A Bride for One Night. She begins by discussing her background and the role her parents played in nurturing her love of Torah, as mentioned in the book's dedication. She then unpacks her approach to the Talmud, describing how she reads aggadic texts not through a religious, academic, or educational lens, but as stories that have the power to move us. This perspective shaped her call for integrating the Talmud into Israeli culture and education, regardless of religious ideology, because these texts continue to speak to the modern Israeli experience. She also shares the thinkers who helped shape her methodology. The conversation concludes with a look back at her iconic Knesset speech—what led to it, the core message she hoped to convey, and its ongoing impact.---*This episode is dedicated to the refua shelema of Sarah Miriam bat Tamar, Binyamin ben Zilpa, and our dear friend Yaakov ben Haya Sarah Malakh---• Bio: Dr. Ruth Calderon is an Israeli Talmud scholar, educator, and former member of Knesset. Born in Tel Aviv to a Sephardic father from Bulgaria and an Ashkenazi mother from Germany, she was raised in a home that bridged religious traditions and cultures. She earned her BA at Oranim Academic College and the University of Haifa, and completed her MA and PhD in Talmud at the Hebrew University of Jerusalem. In 1989, she established Israel's first secular, pluralistic, and egalitarian beit midrash, and in 1996 she founded ALMA: Home for Hebrew Culture in Tel Aviv, to bring secular Israelis closer to their textual heritage. In 2013, she was elected to the Knesset on the Yesh Atid list, where her opening speech—teaching Talmud from the Knesset floor—became a national sensation. Calderon has held fellowships at the Shalom Hartman Institute and served as a visiting professor at Harvard Law School. She has received numerous honors, including the Avi Chai Prize, the Samuel Rothberg Prize for Jewish Education, and honorary doctorates from Brandeis University, the Jewish Theological Seminary, and Hebrew College. She is the author of A Bride for One Night, a collection of Talmudic tales interwoven with creative retellings, and continues to be a leading voice in the renewal of pluralistic Hebrew culture in Israel.---• Watch her infamous Knesset speech here: https://www.youtube.com/watch?v=S8nNpTf7tNo---• Welcome to JUDAISM DEMYSTIFIED: A PODCAST FOR THE PERPLEXED | Co-hosted by Benjy & Benzi | Thank you to...Super Patron: Jordan Karmily, Platinum Patron: Craig Gordon, Rod Ilian, Gold Patrons: Dovidchai Abramchayev, Lazer Cohen, Travis Krueger, Vasili Volkoff, Vasya, Silver Patrons: Ellen Fleischer, Daniel M., Rabbi Pinny Rosenthal, Fred & Antonio, Jeffrey Wasserman, and Jacob Winston! Please SUBSCRIBE to this YouTube Channel and hit the BELL so you can get alerted whenever new clips get posted, thank you for your support!

Can Tefillin Be Worn Again After Musaf on Rosh Hodesh for a Berit Mila? Rosh Hodesh presents a unique halachic situation. On one hand, it is a semi-Yom Tob , and thus many customs are softened or adjusted. On the other hand, Tefillin are not typically worn during Musaf , as the spiritual "Ot" (sign) of the day is already present in the Musaf offering itself. So what happens when a Berit Mila takes place after Musaf on Rosh Hodesh —can the Tefillin be worn again? Tefillin and Musaf on Rosh Hodesh: What's the Rule? On Rosh Hodesh: Tefillin are worn throughout Shaharit until Musaf . Before Musaf begins , it is customary to remove Tefillin out of respect for the added sanctity of the day. This is based on the idea that Rosh Hodesh has its own "sign"—its Korban Musaf —and we do not "add a sign upon a sign." This is the standard Halacha practiced in both Ashkenazi and Sephardi communities. But What If There Is a Berit Mila After Musaf? If a Berit Mila takes place after Musaf , the question arises: may one put Tefillin back on to enhance the Misva? The answer is: Yes . Hacham Ovadia Yosef, the Ben Ish Hai, and many Poskim rule that one may put Tefillin back on after Musaf for the sake of a Berit Mila . Since the Berit Mila itself is a sign ( Ot ), the Tefillin complement and enhance it. This is not considered adding a sign upon a sign because the Misva of the Berit changes the framework—you're wearing Tefillin not for the day, but for the ceremony. How Should One Do This? Wash hands (Netilat Yadayim) before putting the Tefillin back on. Say Shema Yisrael or learn a small amount of Torah while wearing them. Remove them immediately after the ceremony concludes. Important: One does not recite a new Beracha when re-wearing the Tefillin in this context. The act is an enhancement, not a fresh fulfillment of the daily obligation. What If Someone Already Removed Their Tefillin? If the person already removed Tefillin after Shaharit or Musaf, he may still put them back on for the purpose of the Berit , as long as it's shortly thereafter and not hours later. However, it's ideal to delay removing Tefillin until after the Berit if one knows in advance that a Brit will be taking place. Summary: On Rosh Hodesh, Tefillin are removed before Musaf. If a Berit Mila occurs after Musaf, one may re-wear Tefillin for the ceremony. No Beracha is recited, and they should be removed after the Berit ends.

Should One Place Tefillin While Sitting or Standing—And What If the Community Follows a Different Custom? The Sephardic custom, rooted in the rulings of Maran in the Shulhan Aruch (O.H. 25:5), is to don the Tefillin Shel Yad while sitting , and the Tefillin Shel Rosh while standing . This is not simply a question of posture but reflects a deeper understanding of the nature of each Tefillin and its associated Misva. The Tefillin Shel Yad is considered a private and personal obligation . It is hidden, placed on the weaker part of the body, and not seen by others during prayer. In contrast, the Tefillin Shel Rosh sits openly on the head, between the eyes, and represents a public declaration of our bond with Hashem. Because of its visibility and its connection to communal holiness, the Tefillin Shel Rosh is given more formality, which includes the standing position when placing it. The Ben Ish Hai (Parashat Vayera) emphasizes this distinction, explaining that the Shel Yad is associated with the heart , representing internal service of Hashem (Avodat HaLev), while the Shel Rosh is associated with the mind , representing Torah and public sanctity. Therefore, sitting for the Shel Yad reflects modesty and inwardness, while standing for the Shel Rosh expresses reverence and honor. What If One Is in an Ashkenazi Minyan That Stands for Both? In Ashkenazi practice, it is common to stand for both the Shel Yad and Shel Rosh. This can present a challenge for a Sephardi who finds himself in such a minyan. Should he follow his custom to sit for the Shel Yad, or should he stand to avoid standing out? Hacham Ovadia Yosef (in Yabia Omer , vol. 1, O.H. 4 and Halichot Olam ) rules clearly that one should not deviate from the Sephardic custom , even when praying in an Ashkenazi congregation. The halachic principle of "Al Titosh Torat Imecha"—do not abandon the tradition of your fathers—applies here. A person should not feel pressured to change his practice in order to "fit in," especially in a matter that has solid halachic and kabbalistic support. Moreover, this practice is not offensive to others. In most cases, no one pays much attention to who is standing or sitting during Tefillin. But even if someone notices, preserving one's mesora (halachic tradition) takes precedence over conforming for the sake of appearance. In the reverse case—an Ashkenazi praying in a Sephardic minyan—it is likewise appropriate for him to stand for both Tefillin, according to his custom. Kabbalistic Reasoning The Mekubalim, particularly the Hida and the Ben Ish Hai , stress the spiritual distinctions between the two Tefillin. According to the Zohar HaKadosh , the Tefillin Shel Yad corresponds to the sefirah of Gevurah and is internal, while the Tefillin Shel Rosh corresponds to the sefirah of Hokhmah and projects spiritual light outward. These ideas are only heightened when the Tefillin are placed with proper kavana (intent), posture, and awareness of their function. In short, sitting for the Shel Yad enhances the quality of its intent as a private covenant with Hashem. Summary: Sephardim should place the Tefillin Shel Yad while sitting , and the Tefillin Shel Rosh while standing. This custom follows Maran in Shulhan Aruch and is further supported by the Ben Ish Hai and Mekubalim. Even in an Ashkenazi minyan, Sephardim should not deviate from their custom. This posture reflects both halachic rulings and the inner meaning of each Tefillin.

rWotD Episode 2964: Shmuel Alexandrov Welcome to Random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Sunday, 15 June 2025, is Shmuel Alexandrov.Rabbi Shmuel Alexandrov of Bobruisk (Hebrew: שמואל אלכסנדרוב; 1865–1941) was a prominent student of the Volozhin Yeshiva, who became close to the tradition of Chabad Hasidism. Alexandrov was a Jewish Orthodox mystical thinker, philosopher and anarchist, whose religious thought, an original blending of Kabbalah, Orthodox Judaism, contemporary philosophy and secular literature, are marked by universalism and some degree of antinomianism. His works include פך השמן ("the Oil Jug"), a commentary on Pirkey Avot, and a large collection of essays, מכתבי מחקר וביקורת ("Letters of Research and Investigation"). Alexandrov was influenced by the anarchistic implications of the work of Rav Kook (the first Ashkenazi chief rabbi of the British Mandate for Palestine), from which he sought to derive practical instruction. Another influence on Alexandrov was Russian philosopher Vladimir Solovyov. Alexandrov lived all his life in Bobruisk and was murdered in the Holocaust.This recording reflects the Wikipedia text as of 01:03 UTC on Sunday, 15 June 2025.For the full current version of the article, see Shmuel Alexandrov on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Stephen.

#khazar #khazarempire #semite Youtube link: https://youtu.be/_cLYKwLDRokPodcast link: https://spotifycreators-web.app.link/e/zAORP76sbUbThe Thirteenth Tribe is a 1976 book by Arthur Koestler advocating the Khazar hypothesis of Ashkenazi ancestry, the thesis that Ashkenazi Jews are not descended from the historical Judeans and Israelites of antiquity, but from Khazars, a Turkic people who allegedly mass-converted to Judaism. So, join us as we have a conversation about a late great preacher from St. Louis, and his position on our people being HEBREW ISRAELITES and information about Ashkenazi smallhats being fake smallhats...tap in. #rbcf Hashtags: #stevedarby #colonialism #heritage #koelster #arthur #arthukoelster #thethirteenthtribe #bransoncognac

In this riveting episode, Rabbi Joey Haber sits down with Nachi Gordon for an unfiltered, thought-provoking conversation that tackles some of the most pressing—and often taboo—questions in the Jewish world today. What does it really mean to live a Torah life in a world obsessed with status? How can we tell the difference between true mitzvah and materialism? Are we setting up our youth for failure by defining success through narrow expectations—like the 3-to-5-year Kollel rule? From the Syrian and Ashkenazi community dynamics to financial pressures, lavish weddings, and the emotional toll of the shidduch process, Rabbi Haber addresses it all—with clarity, humility, and refreshing honesty. This is more than a conversation—it's a mirror for our values and a wake-up call for our assumptions.   This episode was made possible thanks to our sponsors: ►Blooms Kosher   Bring you the best Kosher products worldwide.   https://bloomskosher.com   ____________________________________________________ ► PZ Deals - Download the app and never pay full price again! https://app.pz.deals/install/mpp _____________________________________________________ ►Toveedo Visit- www.toveedo.com   Use Promo Code MM10 for 10% off! __________________________________________________ ► Superior CS Group Looking to cut overhead and boost productivity without sacrificing quality? Superior CS Group helps U.S. companies build high-performing remote teams with vetted global talent — at up to 50% less cost than local hires. From tech and marketing to admin and customer support, they handle hiring and day-to-day oversight.

My recent interview with Rabbi Dr. Yosie Levine about his book, Hakham Tsevi Ashkenazi and the Battlegrounds of the Early Modern Rabbinate (Littman Library, 2024), illuminated the dynamic interplay between Sephardi and Ashkenazi traditions-a theme that resonates deeply with our mission at the Unity Through Diversity Institute. From the outset, Rabbi Levine's scholarship made clear that Hakham Tsevi's life was shaped by both geography and intellectual inheritance. The map at the beginning of his book, as he notes, is more than a visual aid; it is a testament to the diverse worlds Hakham Tsevi traversed. What struck me most was Hakham Tsevi's dual heritage. Raised in the Ashkenazi tradition, his formative years were marked by the customs and halakhic frameworks of Central and Eastern Europe. However, his sojourn in the Ottoman Empire brought him into close contact with the Sephardi world. This was not a mere footnote in his biography; it fundamentally altered his worldview and rabbinic outlook. The mere fact that he is called Hakham, a term of Rabbinic authority used by Sephardi Jews, yet insisted on only taking posts in Ashkenazi institutions, shows a menagerie of influences and appreciation for the diverse Jewish influences within halakhic practice. Rabbi Levine and I discussed how, despite his Ashkenazi roots, and adherence to his Ashkenazi traditions, Hakham Tsevi's training among Sephardim left an indelible mark. This influence became evident in his encouragement for scholars to prioritize accessible texts and to remain wary of the potential misuse of mystical works-a stance that echoed the concerns of Sephardi rabbis as books became more widely available. And the Sephardic influence may also be seen in his approach to education – much in line with the Sephardic philosophy, he recommended a TaNaKh first and then mishna focused curriculum with Talmud coming only after true comprehension and Kabbalah only for those who are truly gifted and fully fluent in all the other texts. “Hakham Tsevi broke new ground. He adopted a decidedly oppositional orientation towards minhag and freely attacked long-standing Ashkenazi traditions. He imported into his halakhic decisions practices from the Sephardi milieu, and advocated for a Sephardi educational curriculum.” (Rabbi Dr. Yosie Levine, p. 131) Hakham Tsevi's life demonstrates that Jewish identity is not static; it is forged in dialogue, sometimes in tension, but always in pursuit of a richer, more inclusive heritage. As we continue our work at the Unity Through Diversity Institute, Hakham Tsevi's example inspires us to embrace complexity, to learn from one another, and to honor the multiple strands that make up the fabric of Jewish life. “Before his tombstone was destroyed by the Nazis, it was adorned with the image of a gazelle, a tsevi. Moving swiftly and confidently from one field to the next, Hakham Tsevi was attacked often by adversaries who thought themselves wiser or more capable. Perhaps some of them were. But those adversaries never stopped him from speaking his mind, rendering his legal decisions, or publishing his rulings. In fact, they often compelled him to act or react…Students of halakhah remember him by the answers he generated; students of history, by the questions.” (Rabbi Dr. Yosie Levine, conclusion) I am grateful to Rabbi Levine for shedding light on this remarkable figure and hope we find this passion to challenge the norm and raise the difficult questions in more leaders. Learn more about your ad choices. Visit megaphone.fm/adchoices

My recent interview with Rabbi Dr. Yosie Levine about his book, Hakham Tsevi Ashkenazi and the Battlegrounds of the Early Modern Rabbinate (Littman Library, 2024), illuminated the dynamic interplay between Sephardi and Ashkenazi traditions-a theme that resonates deeply with our mission at the Unity Through Diversity Institute. From the outset, Rabbi Levine's scholarship made clear that Hakham Tsevi's life was shaped by both geography and intellectual inheritance. The map at the beginning of his book, as he notes, is more than a visual aid; it is a testament to the diverse worlds Hakham Tsevi traversed. What struck me most was Hakham Tsevi's dual heritage. Raised in the Ashkenazi tradition, his formative years were marked by the customs and halakhic frameworks of Central and Eastern Europe. However, his sojourn in the Ottoman Empire brought him into close contact with the Sephardi world. This was not a mere footnote in his biography; it fundamentally altered his worldview and rabbinic outlook. The mere fact that he is called Hakham, a term of Rabbinic authority used by Sephardi Jews, yet insisted on only taking posts in Ashkenazi institutions, shows a menagerie of influences and appreciation for the diverse Jewish influences within halakhic practice. Rabbi Levine and I discussed how, despite his Ashkenazi roots, and adherence to his Ashkenazi traditions, Hakham Tsevi's training among Sephardim left an indelible mark. This influence became evident in his encouragement for scholars to prioritize accessible texts and to remain wary of the potential misuse of mystical works-a stance that echoed the concerns of Sephardi rabbis as books became more widely available. And the Sephardic influence may also be seen in his approach to education – much in line with the Sephardic philosophy, he recommended a TaNaKh first and then mishna focused curriculum with Talmud coming only after true comprehension and Kabbalah only for those who are truly gifted and fully fluent in all the other texts. “Hakham Tsevi broke new ground. He adopted a decidedly oppositional orientation towards minhag and freely attacked long-standing Ashkenazi traditions. He imported into his halakhic decisions practices from the Sephardi milieu, and advocated for a Sephardi educational curriculum.” (Rabbi Dr. Yosie Levine, p. 131) Hakham Tsevi's life demonstrates that Jewish identity is not static; it is forged in dialogue, sometimes in tension, but always in pursuit of a richer, more inclusive heritage. As we continue our work at the Unity Through Diversity Institute, Hakham Tsevi's example inspires us to embrace complexity, to learn from one another, and to honor the multiple strands that make up the fabric of Jewish life. “Before his tombstone was destroyed by the Nazis, it was adorned with the image of a gazelle, a tsevi. Moving swiftly and confidently from one field to the next, Hakham Tsevi was attacked often by adversaries who thought themselves wiser or more capable. Perhaps some of them were. But those adversaries never stopped him from speaking his mind, rendering his legal decisions, or publishing his rulings. In fact, they often compelled him to act or react…Students of halakhah remember him by the answers he generated; students of history, by the questions.” (Rabbi Dr. Yosie Levine, conclusion) I am grateful to Rabbi Levine for shedding light on this remarkable figure and hope we find this passion to challenge the norm and raise the difficult questions in more leaders. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

My recent interview with Rabbi Dr. Yosie Levine about his book, Hakham Tsevi Ashkenazi and the Battlegrounds of the Early Modern Rabbinate (Littman Library, 2024), illuminated the dynamic interplay between Sephardi and Ashkenazi traditions-a theme that resonates deeply with our mission at the Unity Through Diversity Institute. From the outset, Rabbi Levine's scholarship made clear that Hakham Tsevi's life was shaped by both geography and intellectual inheritance. The map at the beginning of his book, as he notes, is more than a visual aid; it is a testament to the diverse worlds Hakham Tsevi traversed. What struck me most was Hakham Tsevi's dual heritage. Raised in the Ashkenazi tradition, his formative years were marked by the customs and halakhic frameworks of Central and Eastern Europe. However, his sojourn in the Ottoman Empire brought him into close contact with the Sephardi world. This was not a mere footnote in his biography; it fundamentally altered his worldview and rabbinic outlook. The mere fact that he is called Hakham, a term of Rabbinic authority used by Sephardi Jews, yet insisted on only taking posts in Ashkenazi institutions, shows a menagerie of influences and appreciation for the diverse Jewish influences within halakhic practice. Rabbi Levine and I discussed how, despite his Ashkenazi roots, and adherence to his Ashkenazi traditions, Hakham Tsevi's training among Sephardim left an indelible mark. This influence became evident in his encouragement for scholars to prioritize accessible texts and to remain wary of the potential misuse of mystical works-a stance that echoed the concerns of Sephardi rabbis as books became more widely available. And the Sephardic influence may also be seen in his approach to education – much in line with the Sephardic philosophy, he recommended a TaNaKh first and then mishna focused curriculum with Talmud coming only after true comprehension and Kabbalah only for those who are truly gifted and fully fluent in all the other texts. “Hakham Tsevi broke new ground. He adopted a decidedly oppositional orientation towards minhag and freely attacked long-standing Ashkenazi traditions. He imported into his halakhic decisions practices from the Sephardi milieu, and advocated for a Sephardi educational curriculum.” (Rabbi Dr. Yosie Levine, p. 131) Hakham Tsevi's life demonstrates that Jewish identity is not static; it is forged in dialogue, sometimes in tension, but always in pursuit of a richer, more inclusive heritage. As we continue our work at the Unity Through Diversity Institute, Hakham Tsevi's example inspires us to embrace complexity, to learn from one another, and to honor the multiple strands that make up the fabric of Jewish life. “Before his tombstone was destroyed by the Nazis, it was adorned with the image of a gazelle, a tsevi. Moving swiftly and confidently from one field to the next, Hakham Tsevi was attacked often by adversaries who thought themselves wiser or more capable. Perhaps some of them were. But those adversaries never stopped him from speaking his mind, rendering his legal decisions, or publishing his rulings. In fact, they often compelled him to act or react…Students of halakhah remember him by the answers he generated; students of history, by the questions.” (Rabbi Dr. Yosie Levine, conclusion) I am grateful to Rabbi Levine for shedding light on this remarkable figure and hope we find this passion to challenge the norm and raise the difficult questions in more leaders. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

'Memoirs of a Good Jewish Boy' by Mike Benhaim, is a heartfelt, hilarious Tale of Jewish Identity. What does it mean to grow up Jewish—really Jewish—in a world caught between tradition and change? In Memoirs of a Good Jewish Boy, writer and humorist Mike Benhaim takes us on a nostalgic, laugh-out-loud, and deeply human journey through his upbringing as the child of a Sephardic father and Ashkenazi mother. From mismatched family customs to the cultural comedy of Jewish holidays, Benhaim's stories will resonate with anyone who's ever tried to reconcile where they come from with where they're going.

What does it mean to grow up Jewish—really Jewish—in a world caught between tradition and change? In Memoirs of a Good Jewish Boy, writer and humorist Mike Benhaim takes us on a nostalgic, laugh-out-loud, and deeply human journey through his upbringing as the child of a Sephardic father and Ashkenazi mother. From mismatched family customs to the cultural comedy of Jewish holidays, Benhaim's stories will resonate with anyone who's ever tried to reconcile where they come from with where they're going.

My recent interview with Rabbi Dr. Yosie Levine about his book, Hakham Tsevi Ashkenazi and the Battlegrounds of the Early Modern Rabbinate (Littman Library, 2024), illuminated the dynamic interplay between Sephardi and Ashkenazi traditions-a theme that resonates deeply with our mission at the Unity Through Diversity Institute. From the outset, Rabbi Levine's scholarship made clear that Hakham Tsevi's life was shaped by both geography and intellectual inheritance. The map at the beginning of his book, as he notes, is more than a visual aid; it is a testament to the diverse worlds Hakham Tsevi traversed. What struck me most was Hakham Tsevi's dual heritage. Raised in the Ashkenazi tradition, his formative years were marked by the customs and halakhic frameworks of Central and Eastern Europe. However, his sojourn in the Ottoman Empire brought him into close contact with the Sephardi world. This was not a mere footnote in his biography; it fundamentally altered his worldview and rabbinic outlook. The mere fact that he is called Hakham, a term of Rabbinic authority used by Sephardi Jews, yet insisted on only taking posts in Ashkenazi institutions, shows a menagerie of influences and appreciation for the diverse Jewish influences within halakhic practice. Rabbi Levine and I discussed how, despite his Ashkenazi roots, and adherence to his Ashkenazi traditions, Hakham Tsevi's training among Sephardim left an indelible mark. This influence became evident in his encouragement for scholars to prioritize accessible texts and to remain wary of the potential misuse of mystical works-a stance that echoed the concerns of Sephardi rabbis as books became more widely available. And the Sephardic influence may also be seen in his approach to education – much in line with the Sephardic philosophy, he recommended a TaNaKh first and then mishna focused curriculum with Talmud coming only after true comprehension and Kabbalah only for those who are truly gifted and fully fluent in all the other texts. “Hakham Tsevi broke new ground. He adopted a decidedly oppositional orientation towards minhag and freely attacked long-standing Ashkenazi traditions. He imported into his halakhic decisions practices from the Sephardi milieu, and advocated for a Sephardi educational curriculum.” (Rabbi Dr. Yosie Levine, p. 131) Hakham Tsevi's life demonstrates that Jewish identity is not static; it is forged in dialogue, sometimes in tension, but always in pursuit of a richer, more inclusive heritage. As we continue our work at the Unity Through Diversity Institute, Hakham Tsevi's example inspires us to embrace complexity, to learn from one another, and to honor the multiple strands that make up the fabric of Jewish life. “Before his tombstone was destroyed by the Nazis, it was adorned with the image of a gazelle, a tsevi. Moving swiftly and confidently from one field to the next, Hakham Tsevi was attacked often by adversaries who thought themselves wiser or more capable. Perhaps some of them were. But those adversaries never stopped him from speaking his mind, rendering his legal decisions, or publishing his rulings. In fact, they often compelled him to act or react…Students of halakhah remember him by the answers he generated; students of history, by the questions.” (Rabbi Dr. Yosie Levine, conclusion) I am grateful to Rabbi Levine for shedding light on this remarkable figure and hope we find this passion to challenge the norm and raise the difficult questions in more leaders. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

My recent interview with Rabbi Dr. Yosie Levine about his book, Hakham Tsevi Ashkenazi and the Battlegrounds of the Early Modern Rabbinate (Littman Library, 2024), illuminated the dynamic interplay between Sephardi and Ashkenazi traditions-a theme that resonates deeply with our mission at the Unity Through Diversity Institute. From the outset, Rabbi Levine's scholarship made clear that Hakham Tsevi's life was shaped by both geography and intellectual inheritance. The map at the beginning of his book, as he notes, is more than a visual aid; it is a testament to the diverse worlds Hakham Tsevi traversed. What struck me most was Hakham Tsevi's dual heritage. Raised in the Ashkenazi tradition, his formative years were marked by the customs and halakhic frameworks of Central and Eastern Europe. However, his sojourn in the Ottoman Empire brought him into close contact with the Sephardi world. This was not a mere footnote in his biography; it fundamentally altered his worldview and rabbinic outlook. The mere fact that he is called Hakham, a term of Rabbinic authority used by Sephardi Jews, yet insisted on only taking posts in Ashkenazi institutions, shows a menagerie of influences and appreciation for the diverse Jewish influences within halakhic practice. Rabbi Levine and I discussed how, despite his Ashkenazi roots, and adherence to his Ashkenazi traditions, Hakham Tsevi's training among Sephardim left an indelible mark. This influence became evident in his encouragement for scholars to prioritize accessible texts and to remain wary of the potential misuse of mystical works-a stance that echoed the concerns of Sephardi rabbis as books became more widely available. And the Sephardic influence may also be seen in his approach to education – much in line with the Sephardic philosophy, he recommended a TaNaKh first and then mishna focused curriculum with Talmud coming only after true comprehension and Kabbalah only for those who are truly gifted and fully fluent in all the other texts. “Hakham Tsevi broke new ground. He adopted a decidedly oppositional orientation towards minhag and freely attacked long-standing Ashkenazi traditions. He imported into his halakhic decisions practices from the Sephardi milieu, and advocated for a Sephardi educational curriculum.” (Rabbi Dr. Yosie Levine, p. 131) Hakham Tsevi's life demonstrates that Jewish identity is not static; it is forged in dialogue, sometimes in tension, but always in pursuit of a richer, more inclusive heritage. As we continue our work at the Unity Through Diversity Institute, Hakham Tsevi's example inspires us to embrace complexity, to learn from one another, and to honor the multiple strands that make up the fabric of Jewish life. “Before his tombstone was destroyed by the Nazis, it was adorned with the image of a gazelle, a tsevi. Moving swiftly and confidently from one field to the next, Hakham Tsevi was attacked often by adversaries who thought themselves wiser or more capable. Perhaps some of them were. But those adversaries never stopped him from speaking his mind, rendering his legal decisions, or publishing his rulings. In fact, they often compelled him to act or react…Students of halakhah remember him by the answers he generated; students of history, by the questions.” (Rabbi Dr. Yosie Levine, conclusion) I am grateful to Rabbi Levine for shedding light on this remarkable figure and hope we find this passion to challenge the norm and raise the difficult questions in more leaders. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

My recent interview with Rabbi Dr. Yosie Levine about his book, Hakham Tsevi Ashkenazi and the Battlegrounds of the Early Modern Rabbinate (Littman Library, 2024), illuminated the dynamic interplay between Sephardi and Ashkenazi traditions-a theme that resonates deeply with our mission at the Unity Through Diversity Institute. From the outset, Rabbi Levine's scholarship made clear that Hakham Tsevi's life was shaped by both geography and intellectual inheritance. The map at the beginning of his book, as he notes, is more than a visual aid; it is a testament to the diverse worlds Hakham Tsevi traversed. What struck me most was Hakham Tsevi's dual heritage. Raised in the Ashkenazi tradition, his formative years were marked by the customs and halakhic frameworks of Central and Eastern Europe. However, his sojourn in the Ottoman Empire brought him into close contact with the Sephardi world. This was not a mere footnote in his biography; it fundamentally altered his worldview and rabbinic outlook. The mere fact that he is called Hakham, a term of Rabbinic authority used by Sephardi Jews, yet insisted on only taking posts in Ashkenazi institutions, shows a menagerie of influences and appreciation for the diverse Jewish influences within halakhic practice. Rabbi Levine and I discussed how, despite his Ashkenazi roots, and adherence to his Ashkenazi traditions, Hakham Tsevi's training among Sephardim left an indelible mark. This influence became evident in his encouragement for scholars to prioritize accessible texts and to remain wary of the potential misuse of mystical works-a stance that echoed the concerns of Sephardi rabbis as books became more widely available. And the Sephardic influence may also be seen in his approach to education – much in line with the Sephardic philosophy, he recommended a TaNaKh first and then mishna focused curriculum with Talmud coming only after true comprehension and Kabbalah only for those who are truly gifted and fully fluent in all the other texts. “Hakham Tsevi broke new ground. He adopted a decidedly oppositional orientation towards minhag and freely attacked long-standing Ashkenazi traditions. He imported into his halakhic decisions practices from the Sephardi milieu, and advocated for a Sephardi educational curriculum.” (Rabbi Dr. Yosie Levine, p. 131) Hakham Tsevi's life demonstrates that Jewish identity is not static; it is forged in dialogue, sometimes in tension, but always in pursuit of a richer, more inclusive heritage. As we continue our work at the Unity Through Diversity Institute, Hakham Tsevi's example inspires us to embrace complexity, to learn from one another, and to honor the multiple strands that make up the fabric of Jewish life. “Before his tombstone was destroyed by the Nazis, it was adorned with the image of a gazelle, a tsevi. Moving swiftly and confidently from one field to the next, Hakham Tsevi was attacked often by adversaries who thought themselves wiser or more capable. Perhaps some of them were. But those adversaries never stopped him from speaking his mind, rendering his legal decisions, or publishing his rulings. In fact, they often compelled him to act or react…Students of halakhah remember him by the answers he generated; students of history, by the questions.” (Rabbi Dr. Yosie Levine, conclusion) I am grateful to Rabbi Levine for shedding light on this remarkable figure and hope we find this passion to challenge the norm and raise the difficult questions in more leaders. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Ashkenazi Kallah Continuing to Say Beracha on SefirahAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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Join Authentically Us, a community and support space for late blooming lesbians! Find us at https://www.annemariezanzal.comLotus Community Coaching is a 6-month program for women who are reevaluating their sexual identity, coming out as LGBTQIA+, and transitioning from a straight, married life to an independent life. If you're struggling and need help during this challenging time, learn what Lotus Community Coaching can offer you: https://annemariezanzal.com/lotus-community-coaching/Questioning is a fundamental aspect of Jewish tradition and learning. In this spirituality-focused episode, host Anne-Marie Zanzal and LGBTQIA+ activist, Rebecca Staple Wax, explore the intersections of queer, family, and faith identities in the context of Jewish community. Rebecca is the director of the Southern Jewish Resource Network for Gender and Sexual Diversity (SOJOURN) in Atlanta. Rebecca shares her personal experiences of coming out and her journey to find a welcoming Jewish community. Historical awareness is a running theme in this episode as Anne-Marie and Rebecca delve into Jewish history, particularly focusing on Ashkenazi traditions, and the importance of questioning within the faith. They discuss the evolution of LGBTQIA+ representation in Jewish communities and the significance of understanding diverse identities in contemporary society. There is an emphasis on the need for open conversations about faith, history, and identity, highlighting the role of community in supporting individuals navigating their spiritual and personal journeys.❓ What to Expect in This Episode:

Join Authentically Us, a community and support space for late blooming lesbians! Find us at https://www.annemariezanzal.comLotus Community Coaching is a 6-month program for women who are reevaluating their sexual identity, coming out as LGBTQIA+, and transitioning from a straight, married life to an independent life. If you're struggling and need help during this challenging time, learn what Lotus Community Coaching can offer you: https://annemariezanzal.com/lotus-community-coaching/Questioning is a fundamental aspect of Jewish tradition and learning. In this spirituality-focused episode, host Anne-Marie Zanzal and LGBTQIA+ activist, Rebecca Stapel-Wax, explore the intersections of queer, family, and faith identities in the context of Jewish community. Rebecca is the director of the Southern Jewish Resource Network for Gender and Sexual Diversity (SOJOURN) in Atlanta. Rebecca shares her personal experiences of coming out and her journey to find a welcoming Jewish community. Historical awareness is a running theme in this episode as Anne-Marie and Rebecca delve into Jewish history, particularly focusing on Ashkenazi traditions, and the importance of questioning within the faith. They discuss the evolution of LGBTQIA+ representation in Jewish communities and the significance of understanding diverse identities in contemporary society. There is an emphasis on the need for open conversations about faith, history, and identity, highlighting the role of community in supporting individuals navigating their spiritual and personal journeys.❓ What to Expect in This Episode:

This week's highlights: We welcome back Rabbi Yitzchok-Boruch Teitelbaum, known in his Monroe, NY, community as der Pshischer Rebbe, for Pesach greetings and words of wisdom. We meet Chazan Dr. Moshe Moskovitz, the High Holiday cantor at Los Angeles's Congregation Shaarei Tefila, to discuss his background, his yiches (he's the grandson of two post-war Carpathian cantors), and his journey into chazones (the musical art of leading Jewish prayer in the Ashkenazi tradition), as well as Pesach from a cantorial perspective — guiding us through several cantorial recordings along the way. Pesach greetings from many of our cohosts, friends and sponsors, as follows: Israel Book Shop (Eli Dovek ז״ל recorded Mar 28 2007) American Association of Jewish Holocaust Survivors of Greater Boston (member and Holocaust survivor Tania Lefman, and member and Holocaust survivor Mary Erlich), co-sponsor of Boston's 2025 In-Person and Virtual Community Holocaust Commemoration of Yom HaShoah, Sunday, April 27 at 10:30 AM Eastern. (Registration required.) We reached them at their homes in Greater Boston by phone on April 9, 2025. Yetta Kane, Holocaust survivor and rebbetzin in Los Angeles with whom we just completed an interview to be aired a little later this year. Recorded at her home in Long Beach on April 8, 2025. League for Yiddish, New York, NY, (Gitl Schaechter-Viswanath, Chair of the Board). Recorded at her home in Teaneck, NJ, on April 9, 2025. Leah Shporer-Leavitt, Newton, MA, co-host of The Yiddish Voice / דאָס ייִדישע קול (from 2024) Dovid Braun, Leonia, NJ, co-host of The Yiddish Voice / דאָס ייִדישע קול (from 2024) Yankele Bodo, Tel Aviv, Israel, actor and singer (from 2016) Eli Grodko, New Millford, NJ, friend of the show. Recorded at his home in Teaneck, NJ, on April 8, 2025. Boston Workers Circle, Brookline, MA (Yiddish committee member Linda (Libe-Reyzl) Gritz) Verterbukh.org, the online Comprehensive Yiddish-English Dictionary, Greater Boston (Khayem Bochner, co-editor and director of the online dictionary) Hy Wolfe, Director of CYCO Yiddish Book Center, Long Island City, NY (from 2020) We wish all our cohosts, sponsors and friends a Happy and Kosher Pesach. מיר ווינטשן אַלע אונדזערע אונטערשטיצער, פֿרײַנד און באַטייליקטע אַ פֿריילעכן און כּשרן פּסח Music: Moishe Oysher: Chad Gadyo Moshe Stern: Uvchein Yehi Ratzon Leibele Glantz: Tfilas Tal Moshe Ganchoff: Btses Yisroel Leibele Glantz: Ma Nishtono Nusach Moshe Koussevitzky: Fir Kashes Intro instrumental music: DEM HELFANDS TANTS, an instrumental track from the CD Jeff Warschauer: The Singing Waltz Air date: April 9, 2025

VERY IMPORTANT EPISODE!  DON'T SKIP OVER THIS ONE.Forgive the choppy audio beginning somwhere in the middle.  That was a rumble studio and internet issue that caused the encoding to get all weird, losing frames, not keeping sync, or whatever. But I did some things since then so hopefully it will not happen again.  Spectrum sucks :-)My Book: https://www.semperfryllc.com/store/p93/Priestcraft%3A_Beyond_Babylon_%28Signed_Copy%29.htmlWhile you're there get the Best Condiments this side of Valhalla.https://x.com/DisguiseLimitsPATREON Community to ChatGET AD-FREE and Exclusive Content: Become a Patron.https://Patreon.com/DisguisetheLimitsBEST HOT SAUCE of the Realm:https://SemperFryLLC.com to get Priestcraft: Beyond Babylon and AWESOME Hot Sauce 1STOPSHOP for 10% OFFStefan's Clinical Nutrition Fundraiser: https://gofund.me/679c4e65I was deleted from Spotify! If you absolutely must listen to podcasts instead of just listening to videos like I do, go here and FOLLOW:https://www.spreaker.com/podcast/ba-al-busters-broadcast--5100262Become a supporter of this podcast: https://www.spreaker.com/podcast/ba-al-busters-broadcast--5100262/support.

The Mishna in Masechet Pesahim lists the various vegetables that may be used to fulfill the Misva of Marror on the night of the Seder. The Rabbis teach us that these vegetables are listed in descending order of preference, and thus the first vegetable mentioned – Hazeret – is the most preferred vegetable to use for Marror. The Gemara identifies Hazeret as "Hasa," which alludes to the fact that the Almighty had mercy ("Has") on the Jewish People on the night of the Exodus. "Hasa" is generally understood as referring to lettuce. Strictly speaking, even iceberg lettuce may be used for Marror, though it is customary to use Romaine lettuce (perhaps because it is generally cleaner). The Bet Yosef (commentary to the Tur by Maran, Rav Yosef Karo, author of Shulhan Aruch) writes that although iceberg lettuce does not have a bitter taste, it is nevertheless suitable for Marror because it becomes bitter when it is left in the ground. The vegetable used for Marror does not have to actually taste bitter, but rather must be a vegetable that in general has a bitter taste. Thus, although the iceberg lettuce that is generally eaten has been removed from the ground before turning bitter, it may be used for Marror, and, as mentioned, it is in fact the preferred vegetable. Some Ashkenazim have the custom to use horseradish ("Chraine" in Yiddish), which is the third vegetable mentioned by the Mishna – "Tamcha." It appears that lettuce was not available in Ashkenazic lands, and so they had to resort to horseradish, and this then became their custom. We follow the custom of the Arizal (Rav Yishak Luria of Safed, 1534-1572) to place "Ulshin" – endives – at the center of the Seder plate, and then place lettuce on the bottom. It should be noted that one does not have to eat the endives, neither for Marror not for Korech (when we eat Masa and Marror together), though some have the custom to add some endives for Korech. One may, if necessary, combine different vegetables to reach the required quantity of Ke'zayit. Thus, one may combine some lettuce and some endives to reach a Ke'zayit. Likewise, an Ashkenazi who uses horseradish but finds it difficult to eat a Ke'zayit may add some lettuce or endives. The Rama (Rav Moshe Isserles of Cracow, 1525-1572) writes that if one cannot obtain any of the vegetables mentioned by the Mishna, then he may use any vegetable that has a bitter taste. The final item listed by the Mishna is "Marror," which could be understood to mean that if none of the other items are available, one may use any bitter-tasting vegetable. The Halachic authorities write that in such a case, one should not recite the Beracha of "Al Achilat Marror." Of course, one who uses lettuce for Marror must ensure that the lettuce is clean and free of insects, as otherwise he would be violating a prohibition by eating the Marror, as opposed to fulfilling a Misva. Nowadays one can purchase lettuce grown hydroponically or through other means that avoid infestation, and Hacham Ovadia Yosef strongly encouraged the use of this lettuce. Summary: According to Sephardic custom, Romaine lettuce should be used for Marror. One must ensure that the lettuce is free of insects. Although it is customary to use Romaine lettuce, one may, strictly speaking, use iceberg lettuce, as well. Our custom is to place endives in the center of the Seder plate, and place the lettuce at the bottom. One does not have to eat the endives, though some people add some endives to the Korech. If necessary, one may comine different forms of Marror to reach the required quantity of "Ke'zayit." If one cannot obtain any of these vegetables, he may use for Marror any bitter-tasting vegetable, but the Beracha of "Al Achilat Marror" should not be recited in such a case.

This Q&A explores the real-life struggles, doubts, and reflections of thoughtful Jews navigating the tension between tradition and modernity. From halakhic dilemmas and minhag clashes to deep theological questions about God, identity, and authority, the questions reflect a wide range of voices—across communities and continents—all seeking clarity, meaning, and connection within Torah and Jewish life. Hosted on Acast. See acast.com/privacy for more information.

Sponsored by Anonymous in Honor of Rav Breitowitz

In this episode, I chat with my coworker and first Israeli guest on the podcast, Shira Sa'ar! We talk about identity, culture, and the realities of life in Israel. We discuss the different Jewish subcultures in Israel, from Mizrahi to Ashkenazi, and compare them to Jewish communities in the U.S. Then we get into Shira's perspective on political correctness, stereotypes, and why Israeli discourse often leaves little room for complexity. Then, we finish off with a fun game comparing Israeli and American words and Yiddish slang! 0:00 - 7:22 | Shira's army service and upbringing 8:40 - 14:22 | Jewish subcultures in America vs. Israel 14:22 - 20:00 | Stereotypes, racism, and social divisions in Israel 20:00 - 25:30 | The role of nuance and complexity in Israeli discourse 25:30 - 32:39 | Dating norms, meeting the parents, and cultural expectations 32:39 - End | Israeli vs. American slang + Yiddish quiz

In today's episode, we fire up the time machine and head back to 2011 where Prince Andrew was reportedly panicking about his relationship with Epstein and what it might mean for him and his position as Trade envoy. According to Ashkenazi at the time, Andrew was scared that he would love his gig. We also see how quick David Cameron and the English government was to jump to Prince Andrew's defense when the rumors began to swirl showing you just how far the enabling and protection for Prince Andrew went up the ladder. (commercial at 11:35)to contact me:bobbycapucci@protonmail.comsource:https://www.dailymail.co.uk/news/article-1364248/Prince-Andrew-worried-Jeffrey-Epstein-sex-abuse-case-lose-envoy-role.html

In today's episode, we fire up the time machine and head back to 2011 where Prince Andrew was reportedly panicking about his relationship with Epstein and what it might mean for him and his position as Trade envoy. According to Ashkenazi at the time, Andrew was scared that he would love his gig. We also see how quick David Cameron and the English government was to jump to Prince Andrew's defense when the rumors began to swirl showing you just how far the enabling and protection for Prince Andrew went up the ladder. (commercial at 11:35)to contact me:bobbycapucci@protonmail.comsource:https://www.dailymail.co.uk/news/article-1364248/Prince-Andrew-worried-Jeffrey-Epstein-sex-abuse-case-lose-envoy-role.htmlBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

A person should hear the reading of Parashat Zachor on the Shabbat before Purim from a person who reads according to his tradition. Meaning, a Sepharadi should hear Parashat Zachor read by a Sepharadi, and an Ashkenazi should hear it read by an Ashkenazi. If a Sepharadi normally prays in an Ashkenazic Minyan, he should make a point to attend a Sephardic Minyan for the reading of Parashat Zachor, and vice versa. There are several differences in pronunciation between the Sepharadim and Ashkenazim, such as the pronunciation of the Kamatz vowel. Sepharadim pronounce the Kamatz as a Patah, and thus, for example, they pronounce God's Name as "Ado-NAI." Ashkenazim, however, pronounce the Name as "Ado-NOI." All year round, Halacha allows one to hear the Torah read according to a different custom, but since the reading of Parashat Zachor constitutes a Torah obligation, one should ensure to hear the reading pronounced according to his tradition. Indeed, the Hazon Ish (Rabbi Avraham Yeshaya Karelitz, 1879-1954) wrote a letter declaring that an Ashkenazi cannot fulfill the Misva of Zachor by hearing the section read by a Sepharadi. It must be emphasized that both traditions regarding Hebrew pronunciation are valid and have ancient roots. This is not a question of which is correct and which is incorrect; rather, "Elu Ve'elu Dibreh Elokim Hayim" – both customs are legitimate are grounded in ancient Torah tradition. Sepharadim and Ashkenazim should follow their respective customs, and when it comes to Shabbat Zachor, every person should ensure to hear the reading from somebody who reads according to his family tradition. Surprisingly, the Steipler Gaon (Rabbi Yisrael Yaakov Kanievsky, 1899-1985) wrote a letter asserting that the Sephardic pronunciation of the Kamatz is erroneous, and thus Sepharadim never recite Hashem's Name properly and never fulfill the Misvot involving Berachot and the like. Needless to say, it is quite astonishing to claim that all Sepharadim never properly fulfill these Misvot. Indeed, Rabbi Mazuz wrote a lengthy responsum refuting the Steipler Gaon's contention, and expressing his astonishment that somebody would advance such a claim. He cites numerous sources proving that Sepharadim have always pronounced a Kamatz as a Patah, and that this tradition is many centuries old. For example, Rabbi Shelomo Ibn Gabirol, in his rhyming Azharot hymn, writes, "Anochi Ado-nai, Keraticha Be-Sinai." He clearly intended for Hashem's Name to rhyme with "Sinai," even though the final vowel in Hashem's Name is a Kamatz, and the final vowel of "Sinai" is a Patah. This proves that he pronounced the two vowels identically. Similarly, Rabbi Yehuda Halevi wrote in the "Mi Kamocha Ve'en Kamocha" hymn which we sing on Shabbat Zachor, "Bi'ymeh Horpi Mi'kadmonai, Bi Diber Ru'ah Ado-nai." The word "Mi'kadmonai" – which ends with the Patah sound – is used to rhyme with Hashem's Name. Likewise, in the famous "Sur Mi'shelo" hymn which we sing on Shabbat, the word "Emunai" – which ends with a Patah vowel – is used to rhyme with Hashem's Name ("Sur Mi'shelo Achalnu Barechu Emunai, Sabanu Ve'hotarnu Ki'dbar Adon-nai"). These and other examples clearly testify to an ancient Sephardic tradition to pronounce the Kamatz as a Patah. In his responsum, Rabbi Mazuz expresses his dismay that an Ashkenazic Sage would protest against Sephardic pronunciation, rather than addressing the problems that arise from the conventional Ashkenazic pronunciation. Ashkenazim generally make no distinction in their pronunciation between an "Ayin" and an "Alef," which yields very problematic results when pronouncing verses like, "Va'abatetem Et Hashem" ("You shall serve God"). If one pronounces the "Ayin" in "Va'abatetem" as an "Alef," then he ends up saying, "You shall eradicate God," Heaven forbid. This is a far graver concern than pronouncing Hashem's Name as "Ado-nai" in accordance with a longstanding Sephardic tradition. Furthermore, Rabbi Mazuz notes, there were several great Ashkenazic Sages who adopted the Sephardic pronunciation because they felt it was more authentic. The Arizal (Rabbi Yishak Luria of Safed, 1534-1572), for example, was an Ashkenazi, and yet he adopted the Sephardic pronunciation and prayer text. And it is told that Rabbi Natan Adler of Pressburg (the teacher of the Hatam Sofer) hired Rabbi Haim Moda'i of Turkey, a Sepharadi, to teach him Sephardic pronunciation. Thus, as mentioned, both traditions are valid, and everyone should use the pronunciation followed by his family's tradition. Summary: A Sepharadi should ensure to hear Parashat Zachor read in Sephardic pronunciation, and an Ashkenazi should ensure to hear Parashat Zachor read in Ashkenazic pronunciation.

 In The Marital Knot: Agunot in the Ashkenazi Realm, 1648 - 1850 (Brandeis UP, 2024), Noa Shashar sheds light on Jewish family life in the early modern era and on the activity of rabbis whose Jewish legal rulings determined the fate of agunot, literally "chained women," who were often considered a marginal group. Who were these men and women? How did Jewish society deal with the danger of a woman's becoming an agunah? What kind of reality was imposed on women who found themselves agunot, and what could they do to extricate themselves from their plight? How did rabbinic decisors discharge their task during this period, and what were the outcomes given the fact that the agunot were dependent on the male rabbinic establishment? This study describes the lives of agunot, and by reexamining the halakhic activity concerning agunot in this period, proposes a new assessment of the attitude that decisors displayed toward the freeing of agunot. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network