Podcasts about choral music

In this podcast Raymond Bisha introduces an album of sacred choral music by Philip Stopford in which all the items were composed between 2013 and 2022 and are heard in their world premiere recordings. Beautifully crafted, memorable, colourful and deeply rooted in the Anglican tradition, Stopford's works are immediately attractive and widely admired in the UK and in America.

“You never know what anybody's potential is. I think about that now as a teacher, that we are expecting 17-, 18-year-olds to know what they want to do for the rest of their lives. It's so early in your life to make those decisions, and so much can change during those really formative years. I want to help them to be the best version of themselves in the field and achieve the goals that they would like to do.”Jennifer Sengin is the Raymond R. Neevel/Missouri Professor of Choral Music and Director of Choral Studies at the University of Missouri-Kansas City Conservatory (UMKC) where she leads the graduate choral conducting program and conducts the flagship ensemble, Conservatory Singers, and the Choral Union. In addition to ensembles, Dr. Sengin teaches graduate choral conducting and choral literature. In the summer of 2024, Dr. Sengin received the inaugural Newcomer Award from the Missouri Choral Directors Association.Prior to coming to UMKC, Dr. Sengin most recently served as the Associate Director of Choral Activities at Georgia State University. Under her direction, the GSU Treble Choir won first place in The American Prize and Dr. Sengin received 2nd place in conducting. The Treble Choir has been invited to perform at the National Collegiate Choral Organization Conference and twice at the Georgia Music Educators Association Conference. While at GSU, Dr. Sengin received two university-wide awards – the 2022-23 Non-Tenure Track Faculty Achievement Award and the 2021-22 GSU Instructional Effectiveness Award.An active guest conductor, clinician, adjudicator, and presenter, Dr. Sengin has conducted honor choirs throughout the country. Future engagements include guest conducting the Duruflé Requiem at Carnegie Hall with National Concerts.She recently participated as a Conducting Fellow with the American Choral Directors Association International Conductor Exchange Program to Germany where she led workshops in Hannover and Berlin. Dr. Sengin has presented sessions and served as a panelist at international, national, regional, and state conferences. In 2024, Dr. Sengin traveled to Helsinki, Finland to co-present at the International Society for Music Education World Conference. She currently serves on the National Board of the National Collegiate Choral Organization and as the Repertoire and Resource Chair for Youth and Student Activities for the ACDA Southwestern Region. She also sings in the award-winning professional ensemble, mirabai.Dr. Sengin holds degrees from The College of New Jersey (BM Music Education), Ithaca College (MM Choral Conducting), and Michigan State University (DMA Choral Conducting).To get in touch with Jennifer, you can email her at jsengin@umkc.edu.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Choirs across the Western world are making huge strides as we push for more diverse repertoire as well as approaches to vocalization and instruction. Reagan Paras urges us to include the Philippines as a rich resource. In this conversation, Reagan Paras shares his unique perspective on Filipino choral music and its cultural significance. He discusses … Continue reading "Episode 246: Don’t Sleep on Filipino Choral Music with Reagan Paras"

The Mastersingers of Wilmington have been a staple of Delaware's music scene for years. Made up of both professional and amateur singers, the ensemble has become known for its rich sound and moving performances.Their upcoming concert “New Era Romantics” promises more of the same, offering music from around the turn of the 20th century and one of the major choral pieces from that period, “the Requiem” by Maurice Duruflé.In this edition of Arts Playlist, Delaware Public Media's Martin Matheny is joined by local musician Jordan Barrett – Board President of Market Street Music, which the Mastersingers are a part of – and conductor David Schelat for an early look at “New Era Romantics.”

“I think the hardest thing in the world is to write easy music that still is eloquent. A piece relies on strength of idea and not strength of technique or difficulty. That underlying idea is so rich with potential and can be developed in so many beautiful ways within a 3-minute work or a 70-minute work. The pieces I'm the most proud of are the pieces where I've gotten down to the simplest necessary means to say something rich and full and profound.”Dan Forrest (b. 1978) has been described as having “an undoubted gift for writing beautiful music….that is truly magical” (NY Concert Review), with works hailed as “magnificent, very cleverly constructed sound sculpture” (Classical Voice), and  “superb writing…full of spine-tingling moments” (Salt Lake Tribune). His music has sold millions of copies, has received numerous awards and distinctions, and has become well established in the repertoire of choirs around the world via festivals, recordings, radio/TV broadcasts, and premieres in prominent international venues.Dan's work ranges from small choral works to instrumental solo works, wind ensemble works, and extended multi-movement works for chorus and orchestra. His Requiem for the Living (2013) and Jubilate Deo (2016) have become standard choral/orchestral repertoire for ensembles around the world, with LUX (2018), the breath of life (2020), and his new CREATION oratorio (2023) also receiving critical acclaim.Dan holds a doctorate in composition and a master's degree in piano performance, and served for several years as a professor and department head (music theory and composition) in higher education. He currently serves as Editor at Beckenhorst Press, Chair of the American Choral Director's Association Composition Initiatives Committee, adjunct Faculty at Furman University, and Artist-In-Residence at Mitchell Road Presbyterian Church (Greenville, SC). Details about Dan and his work can be found at www.danforrest.com.To get in touch with Dan, you can visit his website or find him on Facebook (@danforrestcomposer) or Instagram (@danforrestmusic).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

My guest today on the Online for Authors podcast is DH Morris, author of the book The Girl of Many Crowns. D.H. Morris is a native of San Diego, California. She has lived on four continents and traveled through many countries. She has four children, eleven grandchildren, and 1 fur baby. She currently lives in Kansas City, Missouri. D.H. Morris graduated from Utah State University with a Bachelor of Arts degree in Theatre and Choral Music education and pursued graduate work in English at USU and law at the University of Utah. She is also a published playwright.   As a descendant of Judith and Baldwin, the author discovered their intriguing story while doing a genealogical project. This journey inspired her to research everything about the 9th Century – including food, politics, travel, war, education, clothing, jewelry, religion, holidays, marriage customs, and medicine. She loves this remarkable time in history when the European countries we know today were being formed and fighting for their very existence. She is currently working on a prequel to The Girl of Many Crowns.   In my book review, I stated The Girl of Many Crowns an amazing historical fiction based on the French princess Judith and Baldwin Iron Arm. This novel is set in the 800s in France, which is not typically a time period I enjoy. However, I loved this book because DH brought these characters to life and didn't get me mired in the nitty gritty of ancient French political history. Don't get me wrong, I learned a lot about the political intrigues of the time, but always as a way of seeing Judith and her plight.   During women's history month, I was happy to read this book and see that even seventeen hundred years ago, women understood that they were being used as pawns and found a way to rebel against their oppressors. Judith, though young, was strong, courageous, independent, and brave. I believe this story should become an animated film that we can show to our daughters and granddaughters to show them what strength in the face of adversity looks like.   I raged, cheered, laughed, and cried - it's a must-read.   Here is a wonderful trailer that's a must-see: https://www.youtube.com/watch?v=TXw5RSy5WAg   Subscribe to Online for Authors to learn about more great books! https://www.youtube.com/@onlineforauthors?sub_confirmation=1   Join the Novels N Latte Book Club community to discuss this and other books with like-minded readers: https://www.facebook.com/groups/3576519880426290   You can follow Author DH Morris Website: https://newclassicspublishing.com/ IG: @dhmorris00 X: @DHMorris00 TikTok: @deborahmorris617   Purchase The Girl of Many Crowns on Amazon: Paperback: https://amzn.to/43wE9HN Ebook: https://amzn.to/4iAs6NT   Teri M Brown, Author and Podcast Host: https://www.terimbrown.com FB: @TeriMBrownAuthor IG: @terimbrown_author X: @terimbrown1   Want to be a guest on Online for Authors? Send Teri M Brown a message on PodMatch, here: https://www.podmatch.com/member/onlineforauthors   #dhmorris #thegirlofmanycrowns #historicalfiction #terimbrownauthor #authorpodcast #onlineforauthors #characterdriven #researchjunkie #awardwinningauthor #podcasthost #podcast #readerpodcast #bookpodcast #writerpodcast #author #books #goodreads #bookclub #fiction #writer #bookreview *As an Amazon Associate I earn from qualifying purchases.

The US is a cultural exporter, and often times, we don’t do a great job of importing. I find it fascinating and valuable, as an American, to seek out stories from around the world. As a American choir director, it is easy to assume that the way choral music functions in our culture is “normal.” … Continue reading "Episode 232: Choral Music in Chile with Javiera Lara Salvador"

In this week's episode of The Choral Director's Toolbox, host William Baker reflects on the meaning of professionalism in choral music. Explore the nuances of volunteer versus paid ensembles and discover why dedication, artistry, and commitment define a professional chorus, regardless of compensation. This week's listener question tackles the practice of anonymous auditions, while today's inspiration features the breathtaking “Dona Nobis Pacem” from Bach's Mass in B Minor, performed by the Robert Shaw Chorale. Join us for thought-provoking insights and a celebration of choral excellence!

"I think in many ways the pattern is the least important part of conducting. It's much more about showing what the music should be doing, not beating four. If it were just a matter of keeping time, we could use a flashing red light. That's not what your job is. Your job is to encourage and show the music physically. I believe very strongly that the conducting gesture is nothing more than your vocal process externalized.”Chester L. Alwes holds degrees in music from Hanover College, Union Theological Seminary School of Sacred Music, and the University of Illinois at Urbana-Champaign. Before joining the University of Illinois faculty in 1982, he taught at the College of Wooster and the University of Rochester/Eastman School of Music. Prior to his retirement in 2011 from the University of Illinois, Dr. Alwes taught graduate courses in choral literature, seminars on the works of J. S Bach and Henry Purcell and graduate and undergraduate conducting. From 1982-2009, he was conductor of the U. of I. Concert Choir, taking over the Women's Glee Club prior to his retirement. In addition, he frequently conducted the University's Oratorio Society, Summer Chorus, and the Illinois Summer Youth Music Senior Chorus.In 1996, he founded the Baroque Artists of Champaign-Urbana (BACH), an ensemble drawn from the University and local community that specialized in music of the 17th and 18th centuries. As a choral conductor, Dr. Alwes was known for his innovative programming, his sensitivity to tone and musical line, and his dedication to the musical growth of his singers. He is the author of A History of Western Choral Music (2 vols., Oxford University Press, 2015-16), Handel's Messiah: the Complete Solo Variants (Roger Dean Music, 2009), the chapter on Choral Music of the Romantic era in the Cambridge Companion to Choral Music, Andre De Quadros, ed. (Cambridge University Press, 2012), articles on choral music and numerous choral compositions and arrangements (70+).To get in touch with Chet, you can find him on Facebook (@calwes) or email him at calwes@illinois.edu.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace HudsonSights N Sounds with Allen KigerInterviewing music and racing royalty.Listen on: Apple Podcasts Spotify

Some beautiful Choral Music to start your worship weekend! Special thanks to soloists Tonya Smith and Mike Grillo for making things just a little more special. God bless and merry Christmas!

Fluent Fiction - Catalan: Harmony Within: A Christmas Concert at Montserrat Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2024-12-08-08-38-19-ca Story Transcript:Ca: La llum del matí entra per les finestres de vidre del Monestir de Montserrat.En: The morning light enters through the glass windows of the Monestir de Montserrat.Ca: La muntanya té una bellesa imponent, amb les seves formes escarpades que desafien el cel.En: The mountain has an imposing beauty, with its rugged shapes challenging the sky.Ca: La brisa d'hivern acarona les cares dels qui passen pel claustre, portant amb ella el riu suau de veus posant-se en sintonia.En: The winter breeze caresses the faces of those passing through the cloister, carrying with it the gentle river of voices coming into harmony.Ca: La Laia, amb els braços als malucs, observa els seus cantaires des de l'altar de la capella.En: Laia, with her arms on her hips, observes her singers from the chapel altar.Ca: La seva mirada transmet passió i, alhora, una mica d'estrès.En: Her gaze conveys passion and, at the same time, a bit of stress.Ca: Estan assajant pel concert de Nadal, i hi ha molt en joc.En: They are rehearsing for the Christmas concert, and there is much at stake.Ca: Vol que sigui el millor concert que s'ha fet mai aquí.En: She wants it to be the best concert ever held here.Ca: Al centre del cor hi ha l'Oriol, un tenor amb veu privilegiada, però també amb els dubtes que sovint l'acompanyen.En: In the center of the choir is Oriol, a tenor with a privileged voice, but also with doubts that often accompany him.Ca: Quan arriba a les notes més altes, de vegades, vacil·la.En: When reaching the highest notes, at times, he hesitates.Ca: Al seu costat, la Núria interpreta com sempre, però darrerament, amb un mur invisible al seu voltant.En: Beside him, Núria performs as always, but lately, with an invisible wall around her.Ca: Té por que els més joves comencin a brillar més que ella.En: She's afraid the younger singers will start to shine more than she does.Ca: La Laia sap que ha de fer alguna cosa.En: Laia knows she must do something.Ca: Una tarda, després d'un assaig en què Oriol ha fet un pas en fals, decideix aturar-ho tot.En: One afternoon, after a rehearsal where Oriol made a misstep, she decides to stop everything.Ca: Amb veu tranquil·la, diu: "Parlem.En: With a calm voice, she says, "Let's talk."Ca: "L'Oriol mira cap avall, volent amagar la seva inseguretat, mentre la Núria frunce el front amb una mica de tensió.En: Oriol looks down, wanting to hide his insecurity, while Núria frowns with a bit of tension.Ca: La Laia parla amb franquesa: "Oriol, la teva veu és única.En: Laia speaks frankly: "Oriol, your voice is unique.Ca: Confiem en tu.En: We trust you.Ca: Tots fem errors, però això ens fa humans, i la música és una celebració d'això, no de la perfecció.En: We all make mistakes, but that makes us human, and music is a celebration of that, not of perfection."Ca: "Després, gira cap a la Núria.En: Then, she turns to Núria.Ca: "Núria, la teva experiència és un tresor.En: "Núria, your experience is a treasure.Ca: Podem aprendre tant de tu.En: We can learn so much from you.Ca: Els nous cantaires miren cap a tu com un model.En: The new singers look up to you as a model."Ca: "Hi ha un silenci breu, però significatiu.En: There is a brief but significant silence.Ca: L'Oriol sent el suport dels seus companys, i això li dóna forces.En: Oriol feels the support of his peers, and it gives him strength.Ca: Núria percep la confiança que Laia diposita en ella i decideix obrir el cor.En: Núria perceives the confidence Laia places in her and decides to open her heart.Ca: L'endemà, els assajos comencen amb un nou aire.En: The next day, rehearsals begin with a new spirit.Ca: L'Oriol canta amb més seguretat, la veu clara com el toc del campanar.En: Oriol sings with more confidence, his voice clear as the toll of the bell tower.Ca: La Núria decideix compartir consells amb els joves cantaires, el seu rostre il·luminat pel reflex de les espelmes.En: Núria decides to share advice with the young singers, her face illuminated by the reflection of the candles.Ca: Quan arriba el dia del concert, el monestir és ple.En: When the day of the concert arrives, the monastery is full.Ca: Les notes de Nadal omplen la sala, creant una atmosfera màgica.En: The Christmas notes fill the hall, creating a magical atmosphere.Ca: A mesura que cada cançó es desplega, el públic és embolcallat per una calidesa inesperada.En: As each song unfolds, the audience is enveloped by an unexpected warmth.Ca: Al final, la sala esclata en aplaudiments.En: In the end, the hall erupts in applause.Ca: La Laia somriu satisfeta, i entre els somriures dels cantaires destaca l'Oriol, satisfet i segur.En: Laia smiles satisfied, and among the singers' smiles, Oriol stands out, pleased and secure.Ca: La Núria, envoltada de joves veus, sap que el seu lloc és ara encara més significatiu.En: Núria, surrounded by young voices, knows her place is now even more significant.Ca: A Montserrat, aquell vespre de Nadal, la música no només va ressonar a les parets sagrades, sinó també als cors dels qui hi eren presents, deixant una petjada de llum i alegria en temps incerts.En: In Montserrat, that Christmas evening, the music resonated not only through the sacred walls but also in the hearts of those present, leaving a trace of light and joy in uncertain times. Vocabulary Words:light: llumwindow: finestramonastery: monestirmountain: muntanyabeauty: bellesashape: formabreeze: brisacloister: claustrevoice: veuchoir: cornote: notanight: vespreface: carapassion: passióstress: estrèsconcert: concertstake: joctenor: tenordoubt: dubteperfection: perfeccióexperience: experiènciatreasure: tresorsilence: silencistrength: forçaconfidence: confiançabell tower: campanarcandle: espelmaspirit: esperitreflection: reflexwarmth: calidesa

Bonita High School Director of Choral Music Ryan Yoder is joined by senior Reese Gonzales, senior Nathaniel Kisaka, and sophomore Erik Hernholm to discuss the school's successful choral music program, which saw 21 students selected to the Southern California Vocal Association 2024 Honor Choirs. Yoder and his students discuss what brought them into choral music, the intricacies of performing in a choir, the camaraderie found at Choir Camp, and the honor of performing at Disneyland's Candlelight Processional and other prestigious events. 

"I have always been very intentional about my programming. My students sit in front of me, they're 18 to 22 years old, but I would have programmed for their 35-,  40-year-old self, for when the hard times come. What are we singing? What is this choir mama feeding them that eventually, when the hard times come, bubbles up in their spirit to help them get through the harder times?"Dr. Pearl Shangkuan is a highly sought-after conductor, lecturer and clinician who has led performances and workshops on six continents. She is the National President-elect of the American Choral Directors Association (ACDA), having previously served on the Board of Directors of Chorus America, as well as ACDA central division president and ACDA Michigan state president. She is the chorus director of the Grand Rapids Symphony, a Grammy-nominated professional orchestra and Professor Emerita of Music at Calvin University in Grand Rapids, Michigan.Appointed in 2022 as the Editor of Hinshaw Music, a major choral music publisher in North America, she also has a signature choral series with earthsongs and is the music editor of the Calvin Institute of Christian Worship Choral series published by GIA. She was an invited guest lecturer at the World Symposium for Choral Music held in Seoul, South Korea and her guest conducting engagements regularly take her to Europe, Asia, and across North America.Dr. Shangkuan has served on the jury of several international choral competitions in Europe and Asia. She has conducted numerous All State choirs and has headlined several ACDA state and other professional conferences. She has commissioned and premiered numerous choral works and her choirs have performed at ACDA national, division and state conferences.In 2023, the National Collegiate Choral Organization (NCCO) gave her its Honorary Life Member Award for “distinguished leadership and extraordinary service to the choral community, both nationally and internationally.”To get in touch with Pearl, you can find her on Facebook (@pearl.shangkuan) or email her at pshangkuan@hinshawmusic.com or pearl.shangkuan@calvin.edu.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

Peter and the Starcatcher, by the American writer Rick Elice (Jersey Boys, Water for Elephants), is a Tony Award-winning play inspired by J.M. Barrie's Peter Pan stories. It reveals how Peter, the Lost Boys, and Captain Hook came to find themselves in Neverland, and it puts a new character named Molly at the centre of the action.Also, the big sound of a cappella Sacred Harp singing will ring out in an Australian theatre this month in a new play called The Hall, and we pay tribute to our recent guest Roz Hervey, who has died. Roz was a celebrated dancer, choreographer, director and, most recently, Creative Producer at Restless Dance Theatre.

I'm always interested in project management - how big and complex projects come to life. I'm always interested in inspiration - where the ideas come from and the WHY behind them. This interview gives us ALL of that and more!    Born in Dublin, very close to the location of many of Handel's Dublin performances in 1741and 1742, Dr. Desmond Earley is an accomplished harpsichordist, conductor, Baroque- and Choral-Music specialist, educator, arts ambassador, and composer. Hailed by The Irish Times as ‘enterprising and wide ranging', he is an Associate Professor specialising in Performance Studies, Desmond is the founding Artistic Director of the Choral Scholars of University College Dublin. His work with this group has reached listeners in over 150 countries worldwide; recordings of Choral Scholars on the Signum Classics label – released under his direction – have enjoyed over 11 million streams on Spotify, Apple Music and Amazon Music; and, YouTube views of Desmond Earley and Choral Scholars exceed 32 million, with over 100,000 channel subscribers. As a celebrated composer and arranger, Desmond has published works with Music Sales (UK), Hal Leonard Corporation (USA), Alliance Music (USA) and with Seolta Music (IRL) where he serves as editor of the international ‘College Choral Series'. He has created bespoke arrangements for renowned ensembles including the RTÉ Concert Orchestra, the Portland Symphony Orchestra (Maine, USA), Tenebrae (UK), and the Irish Baroque Orchestra. His acclaimed work Body of the Moon (2017), based on a setting of texts by Galileo Galilei, was commissioned by All Classical Radio (USA) to be played during the progress of the total solar eclipse across the United States of America that same year. He was recently awarded an Arts Council of Ireland Bursary and is currently working on a choral/instrumental collection titled 'Dracula Reflected', inspired by Bram Stoker's famous epistolary. As an instrumentalist and director, Desmond has worked with many of the world's finest orchestras including the Irish Chamber Orchestra, Portland Baroque Orchestra, Irish Baroque Orchestra, RTÉ Concert Orchestra, European Union Chamber Orchestra and English Chamber Orchestra. Desmond has also collaborated with some of the world's great musicians including Christopher Hogwood, Monica Huggett, Konrad Junghaenel, and Sir James Galway. Check out the new album! Follow the choral scholars on Instagram or Youtube.  Follow Desmond Earley on Facebook or Instagram.   Thanks for joining me on Crushing Classical!  Theme music and audio editing by DreamVance. You can join my email list HERE, so you never miss an episode! I help people to lean into their creative careers and start or grow their income streams.  You can read more or hop onto a short discovery call from my website. I'm your host, Jennet Ingle. I love you all. Stay safe out there!          

South Africa's choral music resonates at China's 600-year-old Temple of Heaven. Making its debut at the 2024 Beijing Music Festival, Cape Town Opera captivated Chinese audiences with rich harmonies and vibrant expressions of South African music and culture.

For all who have heard it, the sound of the choral ensemble The Sixteen, conducted by Harry Christophers is unforgettable and beautiful.  This podcast features an interview with Harry Christophers, and music by William Byrd, Thomas Tallis and Arvo Pärt, from their album The Deer's Cry.  On the eve of their US tour, this podcast celebrates their 45th anniversary.

“As choral conductors, we're first and foremost educators, and we have to realize that we have to come with compassion in everything that we do when we listen to choirs. All too often we sit there thinking, ‘the intonation wasn't so great, or maybe their phrase endings could be better,' but we don't understand what people are working with. No two choirs are the same. No choir operates in the same context.”Dr. Michael Joseph Barrett is the conductor of the University of Pretoria (Tuks) Camerata and a senior lecturer in Choral Conducting in the Department of Music. He obtained the degrees BMus in Performing Arts and MMus (Performing Arts), specializing in choral conducting, in 2008, both from the University of Pretoria. He holds a Postgraduate Certificate in Higher Education and a Performance Licentiate in Singing, both received in 2008, from Unisa. In 2017, Michael was awarded a Doctorate of Music degree (Performing Arts) in Choral Performance by the University of Pretoria.Michael's choirs have won numerous national and international awards, as well as choral competitions all over the world, including the Grand Prix of Nations; the 8th World Choir Games; the St Petersburg Choral Competition; the Llangollen (Shlangoshlen) International Musical Eisteddfod (ICEtedfud); and the International Youth Music Festival. In 2017, Tuks Camerata was invited to perform at the World Choral Symposium in Barcelona, Spain. The choir has released three CDs, which were all nominated for South African Music Awards. In March, the Tuks Camerata will perform as an invited choir to the National ACDA Conference in Dallas.Michael is an active composer and arranger whose music is published internationally by Santa Barbara Music Publishers and Walton Music. He is regularly invited to present workshops and adjudicate choral competitions both locally and abroad. He is also the executive director and co-producer of Capital Singers, South Africa's largest community choir project. To get in touch with Michael, you can email him or find him on Instagram (@mbarrett1310) or Facebook (@michael.j.barrett.54). You can also visit the Tuks Camerata website or follow them on Instagram (@tuks_camerata), Facebook (@UPCamerata), or YouTube (@universityofpretoriacamera357). To support the Tuks Camerata's travel to National ACDA 2025, visit their funding website.Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Dr. David Fryling is director of choral activities at Hofstra University, where he conducts both the select Hofstra Chorale and Hofstra Chamber Choir and teaches beginning and advanced studies in choral conducting, as well as graduate-level studies in choral conducting and choral literature. In addition, he is an adjunct professor for the Hofstra School of Education, and has served as music director and conductor of the Hofstra Opera Theater. In fall 2014 David was inducted into the Long Island Music Hall of Fame as the “Educator of Note” in recognition of his years of leadership in the Long Island music education community, and in the spring of 2017 David was named the winner of the American Prize in Conducting in two categories: community chorus and college & university.In fall 2013 David founded the eVoco Voice Collective, a nonprofit organization of singers of the highest musical, technical, and expressive abilities, who together believe in the transformative and educational power of music. From 2007 to 2013, David served as coordinator of the Vocal Artists program at the Interlochen Center for the Arts in Michigan, where he was conductor and music director of the World Youth Honors Choir and Festival Choir & Orchestra.Before his appointment at Hofstra, David served as music director and conductor of the University of Michigan Arts Chorale and assistant conductor of the Michigan Chamber Singers, University Choir, and the internationally acclaimed Michigan Men's Glee Club. While in Ann Arbor, he was also the music director and conductor of the Michigan Youth Women's Chorus, a year-round all-state honors choir composed of select high school sopranos and altos from across Michigan.In addition to his professional teaching and conducting responsibilities, David is the current President of the American Choral Directors Association. To get in touch with Dave, you can find him on Facebook (@david.fryling) or Instagram (@davidnfryling) or email him at david.n.fryling@hofstra.edu or Dfryling@acda.org.Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Earlier this year we started a little mini-series on avoiding burnout thanks to feedback we are hearing as part of ACDA's Advocacy and Collaboration Standing Committee. The goal of these episodes is to provide our members and listeners with tools to avoid and overcome burnout - one of the leading causes to folks leaving our fabulous career. Part one, we talked about how to guard your time throughout different stages of your career. We continue that conversation in this episode, part two of two, where you'll hear from Dr. Stephanie Robertson. We talk about the many tools and resources you can employ to manage your mental health - can't wait to see which technique or tool you end up using to power through the fall! Stephanie Robertson, PhD, is an Associate Professor of Psychology and Director of the Child Center for Wellbeing at Tarleton State University in Stephenville, Texas. She has worked in public schools, non-profit institutions, and higher education for over fifteen years, with a focus on the wellbeing and healthy development of children. She researches the impact of invisible disabilities and student access to education at secondary and post-secondary levels. Her husband, Troy Robertson, PhD, is the Director of Choirs at Tarleton. He conducts Tarleton's five choral ensembles, teaches conducting and choral methods, and supervises clinical teachers. He is also a composer whose works are published with Hinshaw Music, Santa Barbara Music Press, Colla Voce, and Music Spoke. They make their home in Stephenville with their ten-year-old son, Winton.Watch this episode on YouTube: https://youtu.be/8lgoFPv3tAE The Music (ed) Matters Podcast is sponsored by our friends over at Perform International. Thinking of going on tour domestically or abroad, want to take a solo tour, or team up with a dynamic festival? PI offers the best educationally sound and culturally significant experiences! Check them out, and tell them Emmy sent you :) Perform-International.com  Order your copy of “The Business of Choir" - check out the website, businessofchoir.com. Join us over at Patreon.com/MusicEdMatters for monthly meet-ups, monthly bonus episodes, special content, and more!

“I haven't moved exclusively to doing multicultural music in our classroom, but I have done a lot of music that has a positive message that they can relate to. If this song has nothing to do with them, no matter how much I love it, no matter how epic or famous this is, the students will have a hard time connecting to it. I'm not saying that everything needs to be in English or be immediately accessible or understandable, but I do think there needs to be something in there that connects to their lives.”Matthew Chi Lee is in his 9th year as director of choirs at John P. Stevens (JPS) High School in Edison, New Jersey. He is a native of Edison and holds degrees in music education from Northwestern University and Florida State University. Recently, the John P. Stevens High School Chamber Choir has performed at the 2024 ACDA National Conference as well as the 2023 ACDA Eastern Conference. He serves on the New Jersey ACDA Board as High School Youth Choirs R&R Chair and the NJMEA Choral Procedures Board. Matt also serves as the assistant conductor at Christ Church in Summit, NJ. He has been invited to be a guest conductor and clinician in New Jersey, Pennsylvania, and Connecticut. As a chorister he has performed in Estonia, Latvia, Lithuania, and the South of France. His Independent Study Project at FSU focused on Multicultural Choral Music and Culturally Responsive Pedagogy in the high school choir program, and he is interested in selecting repertoire that highlights living composers as well as the diverse musical traditions of the world.To get in touch with Matt, you can find him on Instagram (@matthewchileemusic) or Facebook (@matthewchileemusic). You can also visit his school choir's website, jpschoir.org.Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Episode: 1188 William Billings, Colonial composer and American original.  Today, we meet America's first significant composer.

Standard music notation that is now used ubiquitously around the world does some things really well. But it also has limitation. Katerina Gimon is a composer who is actively working to dream up new ways to use notation to communicate sound ideas to musicians that expand our written music vocabulary. Katerina first exploded onto the … Continue reading "Episode 200: Expanding the Boundaries of Choral Music with Katerina Gimon"

Today on conduct(her) McKenna & Kyra interview Dr. Marques Garrett. This episode is focused on sharing information about the Black women composers featured in Dr. Garrett's publication "The Oxord Book of Choral Music by Black Composers" available on Oxford Press. --- Support this podcast: https://podcasters.spotify.com/pod/show/conducther/support

A female officer in the military says she was raped by a senior officer who was responsible in the Royal Navy for behaviours and values, including sexual consent. Speaking exclusively to Woman's Hour, the female officer, who we are calling Joanna, reported the incident and her allegations to the military police who brought charges against the officer. However, the Services Prosecution Authority later said that they wouldn't be taking the case forward to a military court. The female officer, who feels she has been forced to leave the military, says that her career has been left in ruins, whilst his continues. The Royal Navy has said “sexual assault and other sexual offences are not tolerated in the Royal Navy and anything which falls short of the highest of standards is totally unacceptable" and that since the alleged incident they "have made significant changes to how incidents are reported and investigated." Nuala spoke to Joanna and the Conservative MP and member of the Defence Select Committee, Sarah Atherton.Period tracker apps claim to help women to predict when they might start their period and calculate the best time to attempt to conceive. The Information Commissioner's Office has said that a third of women have used one. A report out this week, however, has raised serious questions about the way in which this data is used. The study, by Kings College London and University College London, examined the privacy policies and data safety labels of 20 of the most popular of these kind of apps. Anita discusses the findings and implications with BBC Technology Reporter Shiona McCallum and the lead author of the study Dr Ruba Abu-Salma from Kings College London.Known for her dramatic and comedic roles on TV, stage and film the Olivier award-winning actor Tamsin Greig is currently performing in The Deep Blue Sea - Terence Rattigan's 1950's study of obsession and the destructive power of love - at the Theatre Royal Bath. She joined Nuala to explain the appeal of her latest role and why in 1952 legendary actor Peggy Ashcroft said she felt she had no clothes on when playing this part.Talking about her new book, 'How To Win A Grand Prix', Formula One expert Bernie Collins takes Anita behind the scenes of an F1 team, and explains how she forged a career working as a performance engineer at McLaren for names such as Jenson Button, then became Head of Strategy at Aston Martin, with world champion Sebastian Vettel.Journalist Decca Aitkenhead regularly sleepwalks. She talked to Nuala about her night-time escapades which include finding herself locked out in the middle of the night, eating food she'd find disgusting when awake and incredible strength that has seen her smash furniture to pieces. She's joined by neurologist and sleep expert Prof Guy Leschziner who explains what's going on in our brains when we sleepwalk, and how women are affected.How has the role of women in choral music changed? With girls as well as boys now singing in cathedral choirs and more music by female composers being commissioned and performed, women's voices are becoming increasingly prominent. Composer Cecilia McDowell and singer Carris Jones talk about championing and celebrating women in this traditionally male world.Presenter: Anita Rani Producer: Annette Wells Editor: Rebecca Myatt

“I grew up thinking that we should sound like the music we're singing. There was never one right way for me. There are those great choral traditions where they sing everything a certain way. I never wanted to be that way. We can do seven different pieces in seven entirely different styles. You would think, 'is that the same choir?' That's something that my choirs take seriously.”Recipient of the President's Award from the California Music Educators Association honoring "extraordinary accomplishments in music education," Dr. Jonathan Talberg serves as Director of Choral Activities at the Bob Cole Conservatory, where he is conductor of the international award-winning Bob Cole Conservatory Chamber Choir and the CSULB University Choir. Recent career highlights include leading the Chamber Choir to first place at the Austrian Spittal International Choir Festival and the "Choir of the World" competition in Wales. Additionally, he and the choir have performed with groups as diverse as the Kronos Quartet, the Los Angeles Master Chorale, the Pacific Symphony and the Rolling Stones.A passionate advocate for choral music education, Dr. Talberg is regularly engaged to conduct honor choirs across the US, including numerous all-state choruses, and Music Education conference choirs. His choirs have performed in venues throughout Europe and Asia.A past-president of the California Choral Directors Association, he serves as an editor at Pavane Music Publishing, where a choral series dedicated to outstanding quality, collegiate-level music is published under his name. Of the many hats he wears each day, the one he is most proud of is mentor to the next generation of choral musicians. Alumni of the Bob Cole Conservatory Choral Studies program are teaching at elementary, middle and high schools, churches, community colleges and four-year universities throughout the country. Scores of alumni are professional singers and/or currently earning—or have finished—their doctorates at some of the finest institutions in the country.Dr. Talberg received his BM from Chapman University, his MM and DMA from the University of Cincinnati's College-Conservatory of Music and completed a postdoctoral fellowship with the Cincinnati Symphony Orchestra, Cincinnati Pops, and the May Festival Chorus. To get in touch with Jonathan, you can email him at jonathan.talberg@csulb.edu or find him on Instagram: @jonathantalberg .Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Over half of female footballers book pitches, only to find they've been reallocated to men. With twice as many women as men considering quitting the sport because of this, Arsenal forward and England Lioness Beth Mead tells Nuala McGovern about her concerns.A BBC investigation published today has highlighted the concerns of parents of vulnerable children sent hours away from home for urgent eating disorder treatment. They say there isn't enough specialist mental health hospital care available locally on the NHS and they want an end to the postcode lottery. We hear from Donna whose daughter Annie had to be based far from her family and BBC Yorkshire investigations journalist Louise Fewster also joins Nuala.Mexican author and academic Cristina Rivera Garza has just won a Pulitzer Prize for her book about her sister, who was murdered in 1990. It's called Liliana's Invincible Summer: A Sister's Search for Justice. Cristina joins Nuala to explain why she feels she wrote it with, not about, her sister, whose name and image are now carried at demonstrations against gender violence.How has the role of women in choral music changed? With girls as well as boys now singing in cathedral choirs and more music by female composers being commissioned and performed, women's voices are becoming increasingly prominent. Composer Cecilia McDowell and singer Carris Jones talk about championing and celebrating women in this traditionally male world.

“Because of music, in this time and space, we can hold hands. And we can sing a common song.” From a story Steven tells in this episode to illustrate the ways that music CAN help us transcend the issues that divide us. Dr. Steven Hankle directs the choirs at University of Dayton in Ohio. Steven … Continue reading "Episode 198: Beating the Odds Through Choral Music with Steven Hankle"

Charles Cole joins us with clips from the recent release of the London Oratory Schola's album, Sacred Treasures of Venice. We discuss the crucial role played by Venetian music in the history of sacred choral music, and the particularly fertile atmosphere at St. Mark's Basilica in Venice at the end of the 16th century.  Learn more about the London Oratory Schola here: https://www.londonoratoryschola.com/ Purchase the new album here: https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA68427  Learn more about the Catholic Institute of Sacred Music here: http://catholicinstituteofsacredmusic.org/

"Choral programs don't exist in a vacuum. They exist in a place, and they exist in a place that serves a people. That people group is always bigger than choir. The first thing that you've gotta do is answer the question, 'how are my people, how is my place going to be served by choral music?' and then build that. You've gotta build that one step at a time."Joshua Cheney, a native of Fayetteville, North Carolina, is the Assistant Professor of Music and Director of Choral Activities at Gardner-Webb University in Boiling Springs, North Carolina. He is responsible for the leadership and administration of GWU Choirs, to include the direction of Concert Choir, Men's Chorale, Handbell Ensemble, and the Worship Ensemble. Joshua also teaches courses in conducting, voice, and guitar.In addition to his work in teaching, Joshua currently serves as the Interim Music Minister for the First Baptist Church of Asheville, North Carolina. In this role he participates in worship planning and leads the Adult Choir in rehearsal and worship. Joshua is an active performer and has sung professionally with the North Carolina Master Chorale Chamber Choir, Bel Canto Company, the Red Shift Choir, and Coro Vocati. Joshua is a regular clinician, adjudicator, and presenter, having directed honor choirs, adjudicated choral festivals, and given lectures at professional conferences throughout the South. Previous appointments include service as the Assistant Professor of Choral Music at Lee University in Cleveland, Tennessee, the Assistant Director of Music and Worship at the First United Methodist Church of Baton Rouge, Louisiana, the Choral Music Educator at John M. Morehead High School in Eden, North Carolina, and the Choral Music Educator at Harnett Central Middle School in Angier, North Carolina.Joshua holds the B.A. in Music Education from Campbell University, the M.M. in Choral Conducting and Church Music from Mercer University, and the D.M.A. in Choral Conducting from Louisiana State University. Joshua is married to Rebekah Cheney, who serves as the Director of Annual Giving at Western Carolina University in Cullowhee, North Carolina. Joshua and Rebekah reside in Asheville, North Carolina.To get in touch with Joshua, you can find him on Instagram (@jcheneyconductor or @gardnerwebbchoirs) or email him at mailto:jcheney1@gardner-webb.edu .Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

“Octave displacement is a really big thing with adolescent singers. Make a game out of it - I'll have them match me, match me up an octave, match me down an octave - versus scolding when you're in the middle of rep and someone is singing too low and you just point and say ‘that's too low.' That's a little ambiguous for the average 13-year-old. To give them the strength to identify it themselves is practicing the skill we want to see played out in the repertoire.”Since 2006, Mr. Oakes has served as Director of Choral Music and Music Instructor at The Baylor School, a grade 6-12 independent day and boarding school in Chattanooga. Under his direction, the choral program has grown to include over 200 participants in four student choirs and a faculty choir. In 2015, he was awarded Baylor's Glenn Ireland Chair for Distinguished Teaching and starts his service as Chair of Baylor's Fine Arts Department beginning with the 2019-2020 school year.Mr. Oakes also serves as Artistic Director of the Chattanooga Boys Choir, a music education and performance organization founded in 1954 which now includes over 120 choristers ages 8-18 in five ensembles. Including innovative performance opportunities and collaborative community initiatives, the CBC maintains a performance calendar of thirty appearances annually. The choir has performed and toured extensively, including performance tours to Europe, Canada, and Cuba. Recording opportunities for the CBC have included commercially-released recordings with Stephen Curtis Chapman, Casting Crowns, and the grammy-nominated NAXOS recording of Maurice Ravel's L'enfant et les sortilèges with the Nashville Symphony Orchestra.He is the former President of the ACDA's Southern Region and in 2012, he was selected as one of seven conductors chosen to represent the United States at the inaugural ACDA International Conductor Exchange Program in Cuba.As a conductor/clinician, he has conducted numerous honor choirs and festivals throughout the United States, including ACDA regional honor choirs. A lifelong advocate for music in worship, he has served churches in Florida, Georgia, and Tennessee and as a clinician/conductor for children and youth choirs at Lake Junaluska, Massanetta Springs, and Montreat church music conferences.Mr. Oakes earned the Bachelor of Music Education degree from the University of Florida and the Master of Sacred Music degree in Choral Conducting from Emory University. He has contributed articles to Choral Journal and a chapter in the textbook Choral Pedagogy (3rd edition) by Robert Sataloff and Brenda Smith. To get in touch with Vic, you can visit chattanoogaboyschoir.org or baylorschool.org.Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.

Heidi and Ellen welcome the sign of Aries.  The March equinox represents the dawning of the new year and a symbolic rebirth. We enter the season of the assertion of self. We come forth in the name of our authentic BEING. We feel our ‘I-ness” and offer who we are to the world. This is the month of new ideas and daring and powerful initiatives. This is a potent time to set intentions. They then dish about what is happening with the royals in the UK and look at the chart of Robert Downey Jr.  Heidi reads the poem A Short Piece of Choral Music by Jonathan Davidson. Do you have a question you'd like featured on the podcast? Send a 1-minute audio and your birth information (date of birth, time, and place) to assistant@heidirose.com. Chart Your Career Instagram: @chartyourcareerpodcast To connect with the hosts, visit: Heidi Rose Robbins, Astrologer & Poet: heidirose.com, IG: @heidiroserobbins Ellen Fondiler, Career & Business Strategist: ellenfondiler.com, IG: @elfondiler  

Orfeo Vecchi was held in high regard by his contemporaries for the sacred music he produced towards the end of the 16th century. Raymond Bisha introduces a new recording of the twenty pieces that comprise his third book of Motets for Six Voices. The works form a rich, eclectic programme, and the performances by Cappella Musicale Eusebiana directed by Don Denis Silano elegantly express the pictorial aspects of the texts that Vecchi achieved through subtle dialogue, antiphony and counterpoint.

The University of Johannesburg's Arts & Culture, a division within the Faculty of Art, Design, and Architecture (FADA) is pleased to announce Melodi: The Evolution of South African Choral Music taking place on 24 February 2024 at The Keorapetse William Kgositsile Theatre, in Kingsway Campus. This choral production takes a deep dive into the rich history of choral music in South Africa, exploring its evolution through different eras and the profound societal and political influences that have shaped this musical tradition. To tell us more about this were joined by Sabelo Mthembu, UJ's Artist in Residence, musician, composer, and celebrated UJ choir Alumnus, Sabelo Mthembu.See omnystudio.com/listener for privacy information.

Philip Brunelle has done it all. Currently, he's the founder and artistic director of VocalEssence. VocalEssence is based at the Plymouth Congregational Church in Minneapolis. Brunelle has led the choir for 55 years. A former member of VocalEssence once wrote, in addition to his choral work, he is often “simultaneously employed as a church musician, organist, opera conductor, and orchestral musician and conductor.”MPR's senior economics contributor Chris Farrell recently met with the 80-year-old Brunelle. Farrell shares highlights of the conversation with MPR News host Cathy Wurzer.Use the audio player above to listen to the full conversation. Subscribe to the Minnesota Now podcast on Apple Podcasts, Google Podcasts, Spotify or wherever you get your podcasts.   We attempt to make transcripts for Minnesota Now available the next business day after a broadcast. When ready they will appear here.

“The number one thing that I look for when I meet a younger conductor is imagination, someone who comes with ideas but also has a story to tell with the music. Often younger conductors are really worried about technique, the way they look, the way they rehearse, but it starts with imagination. What do you want to communicate? People are so worried about technique that they hide themselves. We want to see the person. Who are you and what do you have to say?”Prof. Jean-Sébastien Vallée is a renowned Canadian-American conductor, scholar, and pedagogue known for his expertise in vocal, choral, and orchestral repertoires. With an illustrious career spanning over several decades, Dr. Vallée has conducted numerous ensembles across North America, Europe, and Asia, and has prepared choruses for some of the world's most prestigious orchestras including the Toronto Symphony, the Montreal Symphony, the National Arts Center Orchestra in Ottawa, and the Chicago Symphony Orchestra.Currently serving as Associate Professor of Music, Director of Choral Studies, and Coordinator of the Ensembles & Conducting Area at the Schulich School of Music of McGill University, and as Artistic Director of the Toronto Mendelssohn Choir, Dr. Vallée is a sought-after conductor and pedagogue. He has previously served as the Director of Choral Studies at California State University, Los Angeles, and was on the choral faculty of the University of Redlands. Dr. Vallée holds degrees from Laval University, Sherbrooke University, the University of California, Santa Cruz, and a doctorate in conducting from the University of Illinois at Urbana-Champaign.Maestro Vallée's passion for contemporary music is evident in his work, as he makes it a priority to premiere and commission works by young composers and program rarely performed repertoire. Dr. Vallée has presented his research at several national and international conferences, including the American Choral Directors Association Conventions, Festival 500 in Newfoundland, the National Collegiate Choral Organization conference, Podium—the national convention of Choral Canada, the Hawaii International Conference on Arts and Humanities, and the World Symposium on Choral Music in Spain (2017), New Zealand (2020), and Portugal (2022).Maestro Vallée's recordings have been broadcast internationally and include Lux (ATMA, 2017), Requiem (ATMA, 2018 – requiems by Fauré and Duruflé), and Distance (ATMA, 2021). His recent engagements include concerts at the Liszt Ferenc Academy of Music in Budapest, a tour with the National Choir of Canada, and concerts with l'Orchestre symphonique de Québec, the Toronto Symphony Orchestra, and the Chicago Symphony Chorus. To get in touch with Jean-Sébastien, you can visit his website jsvallee.com or find him on Facebook (@sebastien.vallee) or Instagram (@jsvallee). Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

The choral music of Richard Lambert, born in Bath in the English West Country in 1951, covers a wide range of expression, ranging on this album from straightforward SATB settings for church performance to a sardonic parody of the excesses of established religion. It also encompasses the timeless and the timely, with a number of contributions to the age-old tradition of Christmas music to a cantata inspired by the Covid pandemic.This is the first recording of the Accordare Choir, founded and conducted by Karolina Csáthy, initially using former choral scholars of The Choir of Trinity College Cambridge; since then it has expanded in size, scope and accomplishment.Tracks The Jackdaw of Rheims (1995/2018) (12:46) Prayer and Supplication (1979, rev. 2020) (9:20) Lord, Make us Instruments of Thy Peace (1993) (3:14) A Christmas Sequence All was for an Apple (2020) (2:15) Herrick's Carol (1995) (4:18) Hodie Christus natus est (2012) (2:44) O Magnum Mysterium (2012) (2:54) Away in a Manger (2009) (2:26) The Holly and the Ivy (2012) (3:30) There was Sweet Music (2019) (5:34) The Wind among the Reeds (2016-17) (10:03) …a plague o' your houses (2021) (15:12)

The Tallis Scholars' acclaimed series of recordings of the Masses of Josquin Desprez is one of the great milestones to the catalogue. Featuring what may be the last Mass the composer wrote, the Missa Mater Patris, along with a Mass not by Josquin but once thought to have been by him, the penultimate volume certainly raises some fascinating questions! To discuss them, The Tallis Scholars' founder and director Peter Phillips joined Editor Martin Cullingford for this Gramophone podcast - which features excerpts from the album, available on Gimell, which was named an Editor's Choice in the November 2019 issue of the magazine. We revisit that podcast 'From the Archive'.

Few things could be more disastrous (as, alas, few are more imminent) than a sudden break with the traditions of the past; wherefore, let us gently knit the bonds that bind us to the generation all too rapidly dying out. It is well that we gather up, with tender reverence, such fragments of their insight and experience as come in our way; for we would fain, each, be as an householder, bringing forth out of his treasures things new and old. Charlotte Mason, Formation of Character, p. 156-157 Show Summary: On The New Mason Jar this week, Cindy talks with Bethany Stuard, homeschooling mom of 3, about incorporating group singing into the homeschool day How Bethany came to know about Charlotte Mason as a second-generation homeschooler How choral music connected Bethany with poetry, the liturgy, other cultures and more Practical tips for helping children sing confidently at home How folk songs help connect us to other cultures and our own history Tips for finding a choir for a child to join Tips for making the most of composer study Books and Links Mentioned: Simplicity Parenting by Kim John Payne For the Children's Sake by Susan Schaeffer Macaulay James Herriot Peter Kreeft Melody Sheet Music Poetry Set to Choral Music on Spotify   Playlist of Folk and Children's Songs on Spotify AmblesideOnline Folk Song Selections Feierabend Song Collection Books Kodaly Collection Find Cindy and Bethany: Morning Time for Moms Cindy's Patreon Discipleship Group Mere Motherhood Facebook Group The Literary Life Podcast Cindy's Facebook Cindy's Instagram Bethany's Website First Colony Homeschool Ensembles ...a classical education does more, turns out men with intellects cultivated and trained, who are awake to every refinement of thought, and yet ready for action. But the press and hurry of our times and the clamour for useful knowledge are driving classical culture out of the field; and parents will have to make up their minds, not only that they must supplement the moral training of the school, but must supply the intellectual culture, without which knowledge may be power, but is not pleasure, nor the means of pleasure. Charlotte Mason, Formation of Character, p. 213  

The quest for diversity in Western art music has led to the influx of ‘Westernized' African music into the choral canon, albeit tagged as ‘world music’. This approach to the inclusion of diverse repertoire has led to the homogenization of indigenousAfrican folk tunes by non-indigenous composers, thus creating Western-sounding African music. In this episode, we … Continue reading "Episode 180: The Performance Practice of African Choral Music with Chukwuebuka Ezeakacha"

Happy New Year! And what a way to start with this awesome episode! We've started this little mini-series on avoiding burnout thanks to feedback we are hearing as part of ACDA's Advocacy and Collaboration Standing Committee. The goal of these episodes is to provide our members and listeners with tools to avoid and overcome burnout - one of the leading causes to folks leaving our fabulous career. In this episode, part one of two, you'll hear from Director of Choral Studies and Founder of ChorAmor.com, Dr. Troy Robertson. We talk about how to guard your time, explore what we really want in our life and careers, and a couple tools to help us. Watch this episode on YouTube: https://youtu.be/y8tT8DQNLFs  Link to Presentation: https://docs.google.com/presentation/d/1YihgiNT5yYTkoXObQwDrwX3TIzly3RYwUpr3nQ2GORQ/editLink to Choral Journal Article: https://choralnet.org/archives/650130 Stephanie Robertson, PhD, is an Associate Professor of Psychology and Director of the Child Center for Wellbeing at Tarleton State University in Stephenville, Texas. She has worked in public schools, non-profit institutions, and higher education for over fifteen years, with a focus on the wellbeing and healthy development of children. She researches the impact of invisible disabilities and student access to education at secondary and post-secondary levels. Her husband, Troy Robertson, PhD, is the Director of Choirs at Tarleton. He conducts Tarleton's five choral ensembles, teaches conducting and choral methods, and supervises clinical teachers. He is also a composer whose works are published with Hinshaw Music, Santa Barbara Music Press, Colla Voce, and Music Spoke. They make their home in Stephenville with their ten-year-old son, Winton.The Music (ed) Matters Podcast is sponsored by our friends over at Perform International. Thinking of going on tour domestically or abroad, want to take a solo tour, or team up with a dynamic festival? PI offers the best educationally sound and culturally significant experiences! Check them out, and tell them Emmy sent you :) Perform-International.com  Order your copy of “The Business of Choir" - check out the website, businessofchoir.com. Join us over at Patreon.com/MusicEdMatters for monthly meet-ups, monthly bonus episodes, special content, and more!

In this episode which we're running in full, host Gemma Ware speaks with Doseline Kiguru, a research associate in cultural and literary production in Africa at the University of Bristol in the UK, who has co-published research on the history of choral music and the role it plays in Kenyan national political culture. The episode originally aired on Dec. 11. Kenya is marking 60 years since its independence from British colonial rule on December 12, 1963. Each year, the country celebrates the occasion with a national holiday, Jamhuri Day. And for much of the past 60 years, patriotic choral music has been a regular feature of those celebrations. In this episode, Gemma and Doseline explore how much one song can tell you about the politics of a new nation -- and who controls what gets remembered and what gets forgotten. You can listen to or follow TC Weekly on Apple Podcasts, Spotify YouTube or wherever you listen to your podcasts.Further reading:• All episodes of TC WeeklyFurther Research:Kenya's 'patriotic' choral music has been used to embed a skewed version of historyKenya at 60: the shameful truth about British colonial abuse and how it was covered up

Kenya is marking 60 years since its independence from British colonial rule on December 12, 1963. Each year, the country celebrates the occasion with a national holiday, Jamhuri Day. And for much of the past 60 years, patriotic choral music has been a regular feature of those celebrations. In this episode, we explore how much one song can tell you about the politics of a new nation – and who controls what gets remembered and what gets forgotten.Featuring Doseline Kiguru, a research associate in cultural and literary production in Africa at the University of Bristol in the UK, plus Julius Maina, East Africa editor at The Conversation based in Nairobi.This episode was produced by Katie Flood and Mend Mariwany. It was written by Gemma Ware, who is the executive producer of the show. Full credits for this episode are available here. A transcript will be available shortly.Further reading: Kenya at 60: the shameful truth about British colonial abuse and how it was covered upHumiliation and violence in Kenya's colonial days – when old men were called ‘boy' and Africans were publicly beatenKenya's ‘patriotic' choral music has been used to embed a skewed version of history Hosted on Acast. See acast.com/privacy for more information.

"When you're singing choral music, you can't be thinking about all those other things that are going on in your life. It takes incredible mental focus. People would say to me, 'how do you have time to sing in a choir when you're working on a doctorate?' and I would tell them that for me, it's like getting a mental holiday. It revives me. It refreshes me. It fills a different part of my soul and my brain and actually helps in all the other things that I was able to accomplish."Dr. Elizabeth Chilton was named the inaugural Chancellor of the WSU Pullman campus in the fall of 2021. Chilton joined WSU as provost and executive vice president in July of 2020 and began serving in her dual role in January 2022.A first-generation college student, Chilton earned her PhD at the University of Massachusetts Amherst, after earning her BA at the University at Albany, State University of New York at Albany.From 2017 to 2020 she served as dean of the Harpur College of Arts and Sciences at Binghamton University, one of the largest universities in the SUNY system. Prior to her tenure at Binghamton, Chilton spent nearly 16 years as a professor and leader at the University of Massachusetts. She served as a professor, anthropology department chair and associate vice chancellor for research and engagement, among other roles. She worked toward making the institutions she's served more accessible, diverse, and inclusive.After earning her PhD, Chilton got her start in academia at Harvard University, where she was a tenure track assistant professor and served as the Associate Curator for the Archeology of Northeastern North America at the institution's Peabody Museum.In addition to her administrative roles, Chilton is a respected author, teacher, and scholar of New England archeology and Native American studies.Chilton serves as president of the Archaeology Division of the American Anthropological Association, and has served as a faculty fellow for the Higher Education Leadership Programs for Women, or HERS, which aims to create and sustain a diverse network of bold women leaders. She's been involved in more than a dozen conferences since 1999, serving as an organizer as well as a moderator and panelist, and is the author of dozens of peer-reviewed book chapters and journal articles.To get in touch with Elizabeth, you can find her on Twitter (@EChiltonWSU) or Instagram (@echiltonwsu). You can also email her at pullman@wsu.edu. Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

“Being text-focused has been really beneficial and a change from the way I've seen concerts programmed in the past: ‘Do the keys align? What is the soundscape?' Those things are important, but for these concerts, the message that we're putting out there has to be priority. We are choral musicians, and we have words and stories to share, and those have to take precedent.”Dr. Alexander Lloyd Blake works as a conductor, composer/arranger, vocal contractor, singer, and music activist. Blake is the Founding Artistic Director of Tonality, an award-winning choral ensemble focused on spreading a message of unity, peace, and social justice through a culturally diverse choral setting. He also serves as Principal Associate Conductor of the National Children's Chorus.As an arranger, Blake's “Wade in the Water” was a featured arrangement at the 2013 North Carolina Music Educators Association convention and is published with Santa Barbara Music Publishing. His choral arrangements are published by Alliance Music Publishing and Walton Music Publishing. Other musical activities include an opera conducting premiere at the 2019 Prototype Festival in New York City, preparing choirs for live performances with UCLA Center for the Art of Performance, and vocally arranging for a nationally televised performance during the 2022 MLB All-Star Game.Recent film and TV credits include singing on the soundtrack of Jordan Peele's “Us,” Disney's “Lion King,” and Pixar's “Spies in Disguise,” and leading sessions for Warner Bros "Space Jam: A New Legacy" and Netflix film "Escape from Spiderhead." Blake also worked as the choral contractor and vocal arranger for Andy Grammer's performance at the 2019 ARDYs (Radio Disney Awards). Blake recently prepared singers for the 2020 Grammy Awards and performed at the 92nd Academy Awards.Blake completed the Doctorate in Musical Arts degree at the University of Southern California in 2019, the Master of Music degree at the University of California Los Angeles in 2014, and the Bachelor of Arts degree (cum laude) in Vocal Performance at Wake Forest University in 2010.To get in touch with Alex, you can find him on Instagram: @alexanderlblake. To learn more about Tonality, look for @ourtonality on Instagram or Facebook.Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

In this episode I draw on a few sources, including audience comments to present an advocacy conversation. To make the case for Choral Music classrooms, infrastructure support, and educational priorities. You will see or hear a video I made all the way back in 2012 in response to the popular TV show “Glee,” as well … Continue reading "Episode 165: What IS Choral Music?"

Could it be that the new era of “the choral entrepreneur” is what we need to save Choral Music? After the pandemic, we have seen a resurgence of enthusiasm for Choral Music amongst the already initiated. But, program enrollments are down, concert attendance is down, positions have been cut, and conference attendance has not recovered. … Continue reading "Episode 159: The Entrepreneurial Future of Choral Music with Ryan Main"

Kevin Boushel is a conductor and music educator based in Dublin, Ireland. He is the Chamber Choir Director and a Government of Ireland Scholar at Dublin City University where he is pursuing a PhD under the supervision of Dr Barbara Dignam. In 2022 he was appointed Associate Conductor of the University College Dublin School of Music where he works with the UCD Symphony Orchestra and Philharmonic Choir. Kevin has delivered music programmes to students of all ages and abilities, from kindergarten to adult education. As a conductor, he has worked with collegiate ensembles, workplace choirs, community choirs, children's groups, and semi-professional ensembles. He has presented his research at the national conferences of the American Choral Directors' Association, the Society for Music Theory, and the Society for Musicology in Ireland. Kevin is also a fluent Irish-language speaker and language rights activist. He served on the executive board of the Gaelic League in Ireland, and hosted a weekend show on choral music on Dublin's Irish-language radio station.In this episode we talk about Irish choral music and culture, multi-culuralism, muli-lingualism, coalition-building, and even anti-racist action. Lots to learn, hear, and implement. Can't wait to hear what you think!Links from Episode: www.teanglann.ie - Teanglann, website with actors reading Irish words for pronunciationwww.cailino.ie - Cailíno Music Publisherswww.cmc.ie - Contemporary Music Centre Irelandhttps://www.singireland.ie/youth/youthsing-ireland - Sing Ireland's YouthSing resources for schoolskevin.boushel3@mail.dcu.ieWatch this episode on YouTube: https://youtu.be/7VfbYP5bl1Y The Music (ed) Matters Podcast is sponsored by our friends over at Perform International. Thinking of going on tour domestically or abroad, want to take a solo tour, or team up with a dynamic festival? PI offers the best educationally sound and culturally significant experiences! Check them out, and tell them Emmy sent you :) Perform-International.com  Order your copy of “The Business of Choir" - check out the website, businessofchoir.com. Join us over at Patreon.com/MusicEdMatters for monthly meet-ups, monthly bonus episodes, special content, and more!**Show music originally written by Mr. Todd Monsell

In May of 2023, American Choral Directors dedicated an issue of their “Choral Journal” to Gender Inequity in Choral Music. The Research Report in this issue was penned by Dr. Melissa Baughman from the University of Oklahoma. In the article, she summarizes the current state of research on the topic of Women in Conducting careers. … Continue reading "Episode 153: Going Deeper on Gender Equity in Music Ed with Dr. Melissa Baughman"