Podcasts about vitanza

THIS IS HORATIO 426 + SPECIAL GUEST MIX FROM MATTEO VITANZA

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Episode 12 features Dr. Nick Vitanza who was part of the first interview that I hosted with Jace Ward. He was Mithil's first doctor and now serves on the Board of the Mithil Prasad Foundation and is a close friend to our family. Dr. Nicholas Vitanza is a pediatric neuro-oncologist at Seattle Children's Hospital and laboratory researcher at the Fred Hutchinson Cancer Research Center. In clinic, he cares for children with central nervous system tumors and, in the lab, he focuses on understanding the epigenetic aberrations of diffuse intrinsic pontine glioma (DIPG) and its molecular vulnerabilities with the hope of improving outcomes for affected children. He also assists in the development of immunotherapy clinical trials for children with brain and spinal tumors.

First, Marlene Vitanza, owner Peregrine Galleries, talks about celebrating forty years of business in Montecito. Then, Marlene Struss discusses her Dancing with Paint exhibit at the Architectural Foundation of Santa ... The post Marlene Vitanza and Marlene Struss appeared first on Elizabeth Appraisals.

On Voyager Mix Sessions this week, I am joined by one of Italy's emerging techno talents - Matteo Vitanza. Fresh from recording a guest mix for Ramon Tapia's Say What? Radio Show, he delivers an exclusive 19 track showcase which encompasses some of the very best releases within the melodic and peak-time techno genre. ➤ Soundcloud : @matteo_vitanza ➤ Instagram : instagram.com/matteovitanza_ ➤ Facebook : facebook.com/matteovitanzavit ➤ Twitter : twitter.com/matteoovit ➤ Beatport : beatport.com/artist/matteo-vitanza/686327 ➤ Spotify : open.spotify.com/artist/5NjFXNobjTKu8ZV2lFiXRa Based in Rome, Matteo Vitanza draws inspiration from popular artists of the past and seeks to strike a balance between melodic soundscapes and thunderous dark techno grooves coupled with a futuristic twist. He made his debut on Tony Romanello's Red Channel Records in 2018 and has since released on key labels within the international techno community, including Black Square Recordings, Eclipse Recordings and Renesanz. His recent Say What? Records EP called ‘Show Me Galaxies' was a career highlight for him after it reached an impressive 11th position within Beatport's Peak-Time Techno chart and 4th in the Hype chart. Matteo Vitanza's productions continue to inspire new audiences due to support by some of the biggest global influencers within the industry such as, Cosmic Boys, Luigi Madonna, Markantonio, Monika Kruse, Paco Osuna, Ramon Tapia, Spektre and UMEK. He has also travelled across Italy as a successful performing DJ, taking centre stage at numerous sold out events and festivals. Expect to see and hear a lot more of him once lockdown restrictions and travel bans are lifted. Tracklist: 01. Dusty Kid - Kore (Cosmic Boys Remix) | Legend

This week on the LU Moment, Shelly Vitanza visits with LU alumni, certified mediator, legal trial consultant and the principal personal injury attorney of The Wallace Law Firm, Belashia Wallace. Wallace talks about what it takes to be one of a few Black female attorneys in the country. Hear her story of perseverance, hard work and a commitment to always do the right thing. 

For the first time ever, one of LU’s Moot Court Team advanced to the championship round in a Moot Court tournament against 40 other collegiate teams. Shelly Vitanza visits with these history makers – Katey McCall and Ali Hamza - who were also ranked top advocates at the tournament.

Shelly Vitanza interviews Dr. Praphul Joshi, a public health expert and associate professor who teaches current health issues and social epidemiology. Joshi gives his analysis of the pandemic based on numbers and how he and students are working to create greater prevention awareness and help provide contact tracing.

Samtale med Sara Li Stensrud og Demian Vitanza.Blomsterstykke av Sousa & Stensrud har urpremiere på Bergen Dramatikkfestival, og Tyngde av Demian Vitanza presenteres i en rykende fersk filmatisering. Verkene henvender seg på hver sin måte til botanikken for å uttrykke og gjennomgå et sorgarbeid, og henter inspirasjon fra den lange tradisjonen innenfor elegisk diktning der poeter helt tilbake til de gamle grekerne har skrevet og sunget som en respons på sorg og tap. I denne samtalen snakker Vitanza og Stensrud om hvordan de tar denne tradisjonen videre i sine tekster, og om bruk av  natur og plantelære i skildringen av sorg. Samtalen ledes av poet og litteraturformidler Fredrik Hagen som har utgitt tre diktsamlinger, sist Han ligner en måte å sove på fra 2019. Hagen skriver for tiden en doktorgrad i danning på Høgskulen på Vestlandet. Opptak fra Bergen Dramatikkfestival på Cornerteateret, 29. august 2020.

Den Nationale Scene presenterer en rykende fersk tekst av Demian Vitanza som er inspirert av den norrøne skapelsesmyten og Ginnungagap – det gapende tomrommet som bestod før Jorden og de levende vesener ble til. Vitanza en norsk-italiensk forfatter som har skrevet tre romaner og en håndfull teatertekster. Han debuterte i 2011 med romanen Urak og fikk i 2019 Ibsenprisen for stykket Tyngde. Han var husdramatiker for dramatikkens hus i 2014 til 2015. TEKST: DEMIAN VITANZA I MED: RENY GAASSAND FOLGERØ, SUSANN BUGGE KAMBESTAD, EMILIA ROOSMANN

Intervista ad HIRO, il giovane barbiere che ha rivoluzionato il mondo dei barbieri, anche dal punto di vista formativo

Link to the full podcast

Shelly Vitanza and guests highlight the events, activities, programs, projects and people at Lamar University.

Somos más que Vencedores

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Red Channel Records 36th release is brought to you courtesy of Fran Trelles from Madrid, Spain, with 2 robust, Techno banger's. 'Dynamic System' The title track takes things deeper and darker, with a fatal kick-drum and insanitary, imperiled airspace. Also included are huge remixes by Matteo Vitanza and Tony Romanello. 'Minte' rounds things off with a deeper edge, crafted by melodic keyboard chords. Big tracks for big floors in clubland. Delivered by Label Worx on behalf of RED CHANNEL RECORDS

Skuespiller: Terje Strømdahl Lyd: Krister Johnson Foto: Tine Poppe Urpremiere: Teaterfestivalen i Fjaler 15/9-2018

We had a really successful year at Red Channel Records with new members joining the label family. With recurring artists & not to forget some very special collaborations. We've provided you with the ultimate compilation with 17 tracks, all brand new & exclusive music from label boss Tony Romanello. Other artists include Greg Denbosa, CarlBeats, BinaryFunction, Salvatore Mediana, K4RMA, Abe Van Dam, E.L, Justin King Perri, Katze, Matteo Vitanza, NoOneKnown, Migel Gloria & Vigostar our extended Red Channel Records family. The compilation album also features an exclusive continuous DJ Mix by Tony Romanello of all the tracks on the album. Delivered by Label Worx on behalf of RED CHANNEL RECORDS

We had a really successful year at Red Channel Records with new members joining the label family. With recurring artists & not to forget some very special collaborations. We've provided you with the ultimate compilation with 17 tracks, all brand new & exclusive music from label boss Tony Romanello. Other artists include Greg Denbosa, CarlBeats, BinaryFunction, Salvatore Mediana, K4RMA, Abe Van Dam, E.L, Justin King Perri, Katze, Matteo Vitanza, NoOneKnown, Migel Gloria & Vigostar our extended Red Channel Records family. The compilation album also features an exclusive continuous DJ Mix by Tony Romanello of all the tracks on the album. Delivered by Label Worx on behalf of RED CHANNEL RECORDS

If there’s one way we can entice you to tune in for Episode 9, it’s to find out how Bruno became literally a one man show at the age of 12. With only his determination, he walked into a hotel in his hometown Ciudad Bolívar and asked for a job at the age of 11...and then got the job at age 12! Bruno’s episode was inspirational, quirky and full of past stories. Have a listen and marvel and how a Venezuelan Italian boy never took no for an answer.

Politisk og religiøs ekstremisme preger ikke vanligvis norsk offentlighet, men enkelthendelser, enkelte perioder og enkelte miljøer er preget av ekstremismens insisterende avtrykk. Hva har kjennetegnet våre ekstremister, hvor kom de fra og hva har de kjempet for? Demian Vitanza kom i fjor med boken «Dette livet eller det neste», hvor norskpakistanske Tariq fører ordet. Han reiste til Syria for å kjempe mot Assads regime som fremmedkriger. Boken er et unikt innblikk i tankene til en som velger vold i møte med en forvirrende verden. Vitanza skapte verket med utgangspunkt i sitt møte med en fengslet fremmedkriger i Norge, og fortellingen bygger på en sann historie. Den har blant annet blitt belønnet med Ungdommens kritikerpris. Foto: Tine Poppe

Hva leser tenåringer? Vi var flue på veggen da storjuryen i Ungdommens kritikerpris diskuterte ny, norsk skjønnlitteratur og kåret Demian Vitazas "Dette livet eller det neste" som vinner. Sju juryklasser har vært i aksjon. På møtet i Oslo var Kristian Hatlen Kvernes og Aleksander Mittet fra Kristiansund, Anna Grønning og Ina Marie Kvithyll fra Rissa, Alva Gjerde og Leah Gulliksen fra Oslo, Sophie Weisshaar og Fatouma Mohammed Hussein fra Kristiansand, Anna Julie Wigelius og Mathias Schultz Nilsen fra Alta, Kristine Fjellkårstad Orten og Iselin Andresen Olafsen fra Lillestrøm, Sandra Kilen Johansen og Cecilie Kristensen fra Kragerø. Reporter er Anne Cathrine Straume. Laster du ned NRKBok som podkast, er du alltid oppdatert på anmeldelser, reportasjer, intervjuer og debatter om den nyeste litteraturen!

This episode of Rhetoricity features an interview with Victor Vitanza, the Jean-Francois Lyotard Chair at the European Graduate School and a Professor of English and Rhetoric at Clemson University. The interview was conducted at the 2014 Rhetoric Society of America conference in San Antonio, Texas, and originally published as part of the Zeugma podcast's 2014 summer interview series. Dr. Vitanza founded the Rhetorics, Communication, and Information Design (RCID) program at Clemson, has written such books as Negation, Subjectivity, and the History of Rhetoric and Sexual Violence in Western Thought and Writing, and serves as editor of Pre/Text: A Journal of Rhetorical Theory. He's currently working on a film and companion book entitled The Returns of Philology: This Time, Anachronistics. In this interview, Vitanza discusses Kenneth Burke and Geoffrey Sirc, rhetorics and media old and new, and Immanuel Kant and Internet cats. There's also, I should promise and advise listeners, quite a bit of talk about scatology. Since this interview is a little longer than other Rhetoricity episodes, I've split it in two. You can find the second half, during which we turn our attention to cats, Sirc, and the RCID program, here. This episode cites the following sources: Kenneth Burke's "Rhetoric--Old and New" Diane Davis's Inessential Solidarity Jacques Derrida's "Mochlos; or, the Conflict of the Faculties" Immanuel Kant's "Conflict of the Faculties" George A. Kennedy's "A Hoot in the Dark" Avital Ronell's The Telephone Book: Technology, Schizophrenia, Electric Speech Geoffrey Sirc's "Writing Classroom as A&P Parking Lot" It also includes sound clips from Johann Sebastian Bach's "Italienisches Konzert, BWV 971, Movement 1," the Community episode "Biology 101," and "Who You Gonna Call?" All other music and sound clips are from GarageBand's loop library and the website freesound.org.

This is the second half of a two-part interview with Victor Vitanza, the Jean-Francois Lyotard Chair at the European Graduate School and a Professor of English and Rhetoric at Clemson University. You can find the first half here. The interview was conducted at the 2014 Rhetoric Society of America conference in San Antonio, Texas, and originally published as part of the Zeugma podcast's 2014 summer interview series. In this half of the interview, Vitanza discusses the futures of Pre/Text: A Journal of Rhetorical Theory, including upcoming issues on "cat theory," Geoffrey Sirc, and the Italian writer Mario Untersteiner. I also ask him about Clemson's Rhetorics, Communication, and Information Design PhD program, and we end with a brief discussion of typos and silence.