Podcasts about rhetorics

Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006).  She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode explores Dr. Corinne Kratz (Emory University) 's latest monograph, Rhetorics of Value (Duke University Press 2025) "In Rhetorics of Value, Corinne A. Kratz explores how exhibition design creates and conveys values that have the potential to touch, educate, and engage visitors. Drawing on case studies from the Victoria and Albert Museum, museums in South Africa and Kenya, a Hawaiian resort hotel, and the Smithsonian's National Museum of African American History and Culture, among others, Kratz shows how exhibits help shape and narrate cultural categories, values, and histories while provoking questions and evoking memories and experiences. She crosses contexts to consider ethnographic, history, and art exhibits in national and community museums and other display settings. Through these examples, Kratz traces how exhibition designers combine objects, texts, images, lighting, audio, space, and narratives to craft a complex, multilayered communicative form that visitors experience as they move through museums. By investigating the relationship between audience reception and exhibition design strategies, Kratz contends that through design, exhibits can shape the ways we know, the stories we tell, and our contours of meaning and engagement." Source: Duke University Press   Interviewer: Bukunmi Bifarin (Emory University) Music: Ismaila Lo

Owning My Masters (Mastered) is a digital archive of original rap music and spoken word poetry containing two volumes of music, an annotated timeline, videos, and a digital book. In this project, A.D. Carson exposes the artificial boundaries imposed on understood ideas about knowledge production in academia by employing hip-hop creative and compositional practices to interrogate ideas of citizenship, history, historical imagination, race, home, and humanness. Using sampled and live instrumentation and repurposed music, film, and news clips, an introductory video, and original rap lyrics, heoffers a new examination of how to create theory through hip-hop. The unmastered album was originally submitted to Clemson University in South Carolina as the author's dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Owning My Masters (Mastered) is a digital archive of original rap music and spoken word poetry containing two volumes of music, an annotated timeline, videos, and a digital book. In this project, A.D. Carson exposes the artificial boundaries imposed on understood ideas about knowledge production in academia by employing hip-hop creative and compositional practices to interrogate ideas of citizenship, history, historical imagination, race, home, and humanness. Using sampled and live instrumentation and repurposed music, film, and news clips, an introductory video, and original rap lyrics, heoffers a new examination of how to create theory through hip-hop. The unmastered album was originally submitted to Clemson University in South Carolina as the author's dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Owning My Masters (Mastered) is a digital archive of original rap music and spoken word poetry containing two volumes of music, an annotated timeline, videos, and a digital book. In this project, A.D. Carson exposes the artificial boundaries imposed on understood ideas about knowledge production in academia by employing hip-hop creative and compositional practices to interrogate ideas of citizenship, history, historical imagination, race, home, and humanness. Using sampled and live instrumentation and repurposed music, film, and news clips, an introductory video, and original rap lyrics, heoffers a new examination of how to create theory through hip-hop. The unmastered album was originally submitted to Clemson University in South Carolina as the author's dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Owning My Masters (Mastered) is a digital archive of original rap music and spoken word poetry containing two volumes of music, an annotated timeline, videos, and a digital book. In this project, A.D. Carson exposes the artificial boundaries imposed on understood ideas about knowledge production in academia by employing hip-hop creative and compositional practices to interrogate ideas of citizenship, history, historical imagination, race, home, and humanness. Using sampled and live instrumentation and repurposed music, film, and news clips, an introductory video, and original rap lyrics, heoffers a new examination of how to create theory through hip-hop. The unmastered album was originally submitted to Clemson University in South Carolina as the author's dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Owning My Masters (Mastered) is a digital archive of original rap music and spoken word poetry containing two volumes of music, an annotated timeline, videos, and a digital book. In this project, A.D. Carson exposes the artificial boundaries imposed on understood ideas about knowledge production in academia by employing hip-hop creative and compositional practices to interrogate ideas of citizenship, history, historical imagination, race, home, and humanness. Using sampled and live instrumentation and repurposed music, film, and news clips, an introductory video, and original rap lyrics, heoffers a new examination of how to create theory through hip-hop. The unmastered album was originally submitted to Clemson University in South Carolina as the author's dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Owning My Masters (Mastered) is a digital archive of original rap music and spoken word poetry containing two volumes of music, an annotated timeline, videos, and a digital book. In this project, A.D. Carson exposes the artificial boundaries imposed on understood ideas about knowledge production in academia by employing hip-hop creative and compositional practices to interrogate ideas of citizenship, history, historical imagination, race, home, and humanness. Using sampled and live instrumentation and repurposed music, film, and news clips, an introductory video, and original rap lyrics, heoffers a new examination of how to create theory through hip-hop. The unmastered album was originally submitted to Clemson University in South Carolina as the author's dissertation, composed against the backdrop of the growing unrest across the U.S. and the world in response to the public attention to the deaths of Black people, many at the hands of police and vigilantes. As such, the songs highlight outlooks on Black life in America—on campuses and in communities across the country—and how they fit with geographic and temporal place and space. For this publication, the tracks have been mastered, and Carson has written a new introduction to contextualize and reflect on the moment in which the songs were written. It is a 2026 ACLS Open Access Multimodal Book Prize Finalist. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

This episode features a conversation with the inspiring Dr. Veronica House, whose book Local Organic: Food Rhetorics and Community Writing for Impact (Utah State University Press, 2025) explores how writing takes shape within community networks. House brings a generous scholarly voice to questions of writing, community partnership, and meaningful collaboration, and this episode offers a chance to hear how her ideas grew from years of work alongside the people who shaped the project. From Dr. House's faculty bio:  Veronica House is Associate Professor of the Practice and Director of the Writing Center at Boston College. She is the author of Local Organic: Food Rhetorics and Community Writing for Impact (2025) and Medea's Chorus: Myth and 20th Century Women's Poetry Since 1950 (2014). Veronica's recent teaching, community work, and scholarship focus on food movements, community-engaged writing, and writing as a force for social change. Veronica is Founding Director of the Conference on Community Writing and Founding Executive Director of the Coalition for Community Writing. She consults with faculty at colleges and universities across the country to design community-engaged courses and programs. Veronica is recipient of Campus Compact's Engaged Scholar Award; University of Colorado's Women Who Make A Difference Award; and numerous teaching awards. She serves as Consulting Editor of the Community Literacy Journal. ABOUT THE BOOK: In Local Organic, Veronica House explores ways to collaboratively build resilient local food systems and coalitions across disciplines and communities. Framed by a study of language, power, and food both nationally and in Boulder, Colorado, the book offers teachers, organizers, activists, and scholars ideas and examples for building interdisciplinary and intercommunity coalitional ecologies through writing in a methodology for engagement that the author calls ecological community writing. Based on more than a decade of research, teaching, writing, and project-building with undergraduate writing students and project partners, House theorizes how work to encourage local community-based writing becomes an ecological thread connecting things, ideas, and people. Local Organic is a book about collaboratively building community-derived definitions for resilient local food systems and how faculty and students can work to ethically partner with local communities using distributed definition building.Local Organic offers writing and rhetoric faculty and graduate students an ecological methodology to produce, teach, and theorize writing to help communities engage with a wide array of social issues and to work toward individual and community-level impacts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This episode features a conversation with the inspiring Dr. Veronica House, whose book Local Organic: Food Rhetorics and Community Writing for Impact (Utah State University Press, 2025) explores how writing takes shape within community networks. House brings a generous scholarly voice to questions of writing, community partnership, and meaningful collaboration, and this episode offers a chance to hear how her ideas grew from years of work alongside the people who shaped the project. From Dr. House's faculty bio:  Veronica House is Associate Professor of the Practice and Director of the Writing Center at Boston College. She is the author of Local Organic: Food Rhetorics and Community Writing for Impact (2025) and Medea's Chorus: Myth and 20th Century Women's Poetry Since 1950 (2014). Veronica's recent teaching, community work, and scholarship focus on food movements, community-engaged writing, and writing as a force for social change. Veronica is Founding Director of the Conference on Community Writing and Founding Executive Director of the Coalition for Community Writing. She consults with faculty at colleges and universities across the country to design community-engaged courses and programs. Veronica is recipient of Campus Compact's Engaged Scholar Award; University of Colorado's Women Who Make A Difference Award; and numerous teaching awards. She serves as Consulting Editor of the Community Literacy Journal. ABOUT THE BOOK: In Local Organic, Veronica House explores ways to collaboratively build resilient local food systems and coalitions across disciplines and communities. Framed by a study of language, power, and food both nationally and in Boulder, Colorado, the book offers teachers, organizers, activists, and scholars ideas and examples for building interdisciplinary and intercommunity coalitional ecologies through writing in a methodology for engagement that the author calls ecological community writing. Based on more than a decade of research, teaching, writing, and project-building with undergraduate writing students and project partners, House theorizes how work to encourage local community-based writing becomes an ecological thread connecting things, ideas, and people. Local Organic is a book about collaboratively building community-derived definitions for resilient local food systems and how faculty and students can work to ethically partner with local communities using distributed definition building.Local Organic offers writing and rhetoric faculty and graduate students an ecological methodology to produce, teach, and theorize writing to help communities engage with a wide array of social issues and to work toward individual and community-level impacts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This episode features a conversation with the inspiring Dr. Veronica House, whose book Local Organic: Food Rhetorics and Community Writing for Impact (Utah State University Press, 2025) explores how writing takes shape within community networks. House brings a generous scholarly voice to questions of writing, community partnership, and meaningful collaboration, and this episode offers a chance to hear how her ideas grew from years of work alongside the people who shaped the project. From Dr. House's faculty bio:  Veronica House is Associate Professor of the Practice and Director of the Writing Center at Boston College. She is the author of Local Organic: Food Rhetorics and Community Writing for Impact (2025) and Medea's Chorus: Myth and 20th Century Women's Poetry Since 1950 (2014). Veronica's recent teaching, community work, and scholarship focus on food movements, community-engaged writing, and writing as a force for social change. Veronica is Founding Director of the Conference on Community Writing and Founding Executive Director of the Coalition for Community Writing. She consults with faculty at colleges and universities across the country to design community-engaged courses and programs. Veronica is recipient of Campus Compact's Engaged Scholar Award; University of Colorado's Women Who Make A Difference Award; and numerous teaching awards. She serves as Consulting Editor of the Community Literacy Journal. ABOUT THE BOOK: In Local Organic, Veronica House explores ways to collaboratively build resilient local food systems and coalitions across disciplines and communities. Framed by a study of language, power, and food both nationally and in Boulder, Colorado, the book offers teachers, organizers, activists, and scholars ideas and examples for building interdisciplinary and intercommunity coalitional ecologies through writing in a methodology for engagement that the author calls ecological community writing. Based on more than a decade of research, teaching, writing, and project-building with undergraduate writing students and project partners, House theorizes how work to encourage local community-based writing becomes an ecological thread connecting things, ideas, and people. Local Organic is a book about collaboratively building community-derived definitions for resilient local food systems and how faculty and students can work to ethically partner with local communities using distributed definition building.Local Organic offers writing and rhetoric faculty and graduate students an ecological methodology to produce, teach, and theorize writing to help communities engage with a wide array of social issues and to work toward individual and community-level impacts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

This episode features a conversation with the inspiring Dr. Veronica House, whose book Local Organic: Food Rhetorics and Community Writing for Impact (Utah State University Press, 2025) explores how writing takes shape within community networks. House brings a generous scholarly voice to questions of writing, community partnership, and meaningful collaboration, and this episode offers a chance to hear how her ideas grew from years of work alongside the people who shaped the project. From Dr. House's faculty bio:  Veronica House is Associate Professor of the Practice and Director of the Writing Center at Boston College. She is the author of Local Organic: Food Rhetorics and Community Writing for Impact (2025) and Medea's Chorus: Myth and 20th Century Women's Poetry Since 1950 (2014). Veronica's recent teaching, community work, and scholarship focus on food movements, community-engaged writing, and writing as a force for social change. Veronica is Founding Director of the Conference on Community Writing and Founding Executive Director of the Coalition for Community Writing. She consults with faculty at colleges and universities across the country to design community-engaged courses and programs. Veronica is recipient of Campus Compact's Engaged Scholar Award; University of Colorado's Women Who Make A Difference Award; and numerous teaching awards. She serves as Consulting Editor of the Community Literacy Journal. ABOUT THE BOOK: In Local Organic, Veronica House explores ways to collaboratively build resilient local food systems and coalitions across disciplines and communities. Framed by a study of language, power, and food both nationally and in Boulder, Colorado, the book offers teachers, organizers, activists, and scholars ideas and examples for building interdisciplinary and intercommunity coalitional ecologies through writing in a methodology for engagement that the author calls ecological community writing. Based on more than a decade of research, teaching, writing, and project-building with undergraduate writing students and project partners, House theorizes how work to encourage local community-based writing becomes an ecological thread connecting things, ideas, and people. Local Organic is a book about collaboratively building community-derived definitions for resilient local food systems and how faculty and students can work to ethically partner with local communities using distributed definition building.Local Organic offers writing and rhetoric faculty and graduate students an ecological methodology to produce, teach, and theorize writing to help communities engage with a wide array of social issues and to work toward individual and community-level impacts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Utopian Genderscapes: Rhetorics of Women's Work in the Early Industrial Age (Southern Illinois UP, 2021) focuses on three prominent yet understudied intentional communities—Brook Farm, Harmony Society, and the Oneida Community—who in response to industrialization experimented with radical social reform in the antebellum United States. Foremost among the avenues of reform was the place and substance of women's work. Author Michelle C. Smith seeks in the communities' rhetorics of teleology, choice, and exceptionalism the lived consequences of the communities' lofty goals for women members. This feminist history captures the utopian reconfiguration of women's bodies, spaces, objects, and discourses and delivers a needed intervention into how rhetorical gendering interacts with other race and class identities. The attention to each community's material practices reveals a gendered ecology, which in many ways squared unevenly with utopian claims. Nevertheless, this volume argues that this utopian moment inaugurated many of the norms and practices of labor that continue to structure women's lives and opportunities today: the rise of the factory, the shift of labor from home spaces to workplaces, the invention of housework, the role of birth control and childcare, the question of wages, and the feminization of particular kinds of labor. An impressive and diverse array of archival and material research grounds each chapter's examination of women's professional, domestic, or reproductive labor in a particular community. Fleeting though they may seem, the practices and lives of those intentional women, Smith argues, pattern contemporary divisions of work along the vibrant and contentious lines of gender, race, and class and stage the continued search for what is possible. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Utopian Genderscapes: Rhetorics of Women's Work in the Early Industrial Age (Southern Illinois UP, 2021) focuses on three prominent yet understudied intentional communities—Brook Farm, Harmony Society, and the Oneida Community—who in response to industrialization experimented with radical social reform in the antebellum United States. Foremost among the avenues of reform was the place and substance of women's work. Author Michelle C. Smith seeks in the communities' rhetorics of teleology, choice, and exceptionalism the lived consequences of the communities' lofty goals for women members. This feminist history captures the utopian reconfiguration of women's bodies, spaces, objects, and discourses and delivers a needed intervention into how rhetorical gendering interacts with other race and class identities. The attention to each community's material practices reveals a gendered ecology, which in many ways squared unevenly with utopian claims. Nevertheless, this volume argues that this utopian moment inaugurated many of the norms and practices of labor that continue to structure women's lives and opportunities today: the rise of the factory, the shift of labor from home spaces to workplaces, the invention of housework, the role of birth control and childcare, the question of wages, and the feminization of particular kinds of labor. An impressive and diverse array of archival and material research grounds each chapter's examination of women's professional, domestic, or reproductive labor in a particular community. Fleeting though they may seem, the practices and lives of those intentional women, Smith argues, pattern contemporary divisions of work along the vibrant and contentious lines of gender, race, and class and stage the continued search for what is possible. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Utopian Genderscapes: Rhetorics of Women's Work in the Early Industrial Age (Southern Illinois UP, 2021) focuses on three prominent yet understudied intentional communities—Brook Farm, Harmony Society, and the Oneida Community—who in response to industrialization experimented with radical social reform in the antebellum United States. Foremost among the avenues of reform was the place and substance of women's work. Author Michelle C. Smith seeks in the communities' rhetorics of teleology, choice, and exceptionalism the lived consequences of the communities' lofty goals for women members. This feminist history captures the utopian reconfiguration of women's bodies, spaces, objects, and discourses and delivers a needed intervention into how rhetorical gendering interacts with other race and class identities. The attention to each community's material practices reveals a gendered ecology, which in many ways squared unevenly with utopian claims. Nevertheless, this volume argues that this utopian moment inaugurated many of the norms and practices of labor that continue to structure women's lives and opportunities today: the rise of the factory, the shift of labor from home spaces to workplaces, the invention of housework, the role of birth control and childcare, the question of wages, and the feminization of particular kinds of labor. An impressive and diverse array of archival and material research grounds each chapter's examination of women's professional, domestic, or reproductive labor in a particular community. Fleeting though they may seem, the practices and lives of those intentional women, Smith argues, pattern contemporary divisions of work along the vibrant and contentious lines of gender, race, and class and stage the continued search for what is possible. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Utopian Genderscapes: Rhetorics of Women's Work in the Early Industrial Age (Southern Illinois UP, 2021) focuses on three prominent yet understudied intentional communities—Brook Farm, Harmony Society, and the Oneida Community—who in response to industrialization experimented with radical social reform in the antebellum United States. Foremost among the avenues of reform was the place and substance of women's work. Author Michelle C. Smith seeks in the communities' rhetorics of teleology, choice, and exceptionalism the lived consequences of the communities' lofty goals for women members. This feminist history captures the utopian reconfiguration of women's bodies, spaces, objects, and discourses and delivers a needed intervention into how rhetorical gendering interacts with other race and class identities. The attention to each community's material practices reveals a gendered ecology, which in many ways squared unevenly with utopian claims. Nevertheless, this volume argues that this utopian moment inaugurated many of the norms and practices of labor that continue to structure women's lives and opportunities today: the rise of the factory, the shift of labor from home spaces to workplaces, the invention of housework, the role of birth control and childcare, the question of wages, and the feminization of particular kinds of labor. An impressive and diverse array of archival and material research grounds each chapter's examination of women's professional, domestic, or reproductive labor in a particular community. Fleeting though they may seem, the practices and lives of those intentional women, Smith argues, pattern contemporary divisions of work along the vibrant and contentious lines of gender, race, and class and stage the continued search for what is possible. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have a comment? Send us a text! (We read all of them but can't reply). Email us: Will@faithfulpoliticspodcast.comWhat happens when a religious sect rooted in patriarchy and Christian nationalism gains influence over America's largest government agency?Dr. Samuel P. Perry, a scholar of race, religion, and rhetoric at Baylor University, joins Will to unpack the rise of the Communion of Reformed Evangelical Churches (CREC)—a small but strategically influential network founded by Doug Wilson in Moscow, Idaho. Perry explains how the CREC uses media, schools, and publishing arms like Canon Press to shape a hyper-patriarchal, theocratic vision of society. He also explores the implications of Pete Hegseth—Trump's Secretary of Defense—being a member of a CREC church.The conversation covers Christian reconstructionism, the erosion of church-state separation, militant rhetoric, and the creeping normalization of extreme ideology through polished media ecologies. Perry also warns how these theological fringes have real-world implications, from women in combat to anti-LGBTQ policies in the military.If you've never heard of the CREC, now is the time to pay attention.Subscribe, share, and join the conversation.

In this episode, I talk to las doctoras Lizbett Tinoco and Sonya Barrera Eddy, about their journey through higher education, and how they engage Chicana Rhetorics as an extension of themselves onto their research and pedagogies.

In this episode, veteran judiciary interpreter Janis Palma and our host Maria Ceballos-Wallis, delve into the evolving ethics of judiciary interpreting. They explore the foundational impact of the Court Interpreters Act of 1978, the influence of early conference interpreting standards, and the challenges interpreters face in maintaining ethical practices while ensuring fair due process. They also touch on how technology and collaboration are reshaping the field and the necessity of bridging linguistic and cultural gaps to enhance communication for limited English proficient individuals.About this week's guest:Janis Palma has been a federally-certified judiciary interpreter since 1981. She is also certified by NAJIT (the National Association of Judiciary Interpreters and Translators) as an English-Spanish interpreter and translator, and by the State of Texas as a Master Licensed Court Interpreter.She holds a Ph.D. in Language Studies, a Master's in Legal Studies, and a Master's in Puerto Rican and Caribbean History and Literature. She is now enrolled in the Rhetorics, Communication, and Information Design Ph.D. program at Clemson University.She has been teaching judiciary interpreting through professional associations, private organizations, higher education institutions, and government agencies since 1986. As an independent researcher her interest is focused right now on the intersections between judiciary interpreting theory and practice, law and legal language, but is also starting to explore the rhetoric of justice for language minorities in the U.S.Her most recent published work includes “Literary metaphors in legal English and their conveyance to Limited English Proficient (LEP) individuals in the context of U.S. courts.” (Oct. 2024) International Journal for the Semiotics of Law.; “When interpreting does not remove the language barrier: interpreter ethics at odds with due process rights in U.S. courts.” Texas Hispanic Journal of Law & Policy, U. of Texas at Austin Law School, Vol. 29, Spring 2023. (pp. 25-45).; The Legal Duty of Care: What is it and how does it impact the role of the judiciary interpreter? (Available at The ATA Chronicle. Vol 52)

This is the 8th bonus episode of The Podgoblin's Hat, with Nina and Dave. You can find it on it's own feed wherever you get your podcasts. Our guest Ali Baker is a researcher in children's literature with a particular interest in children's voice and children's rights, so it's no surprise she chose to come on and talk to us about The Invisible Child! Ali makes a strong case for Bjork as a Spirit of Little My and reminisces about finding the Moomins in her local library as a kid. We situate the Moomins as a type of fantasy, and Ali recommend's Dr Farah Mendlesohn's Rhetorics of Fantasy. We talk about the mixed up class elements of the Moomin family, and go on a long tangent about femme-shaming (#JusticeForTheSnorkMaiden), with reference to Tamora Pierce's Protector of the Small quartet. Ali's article about the the sensitivity edit's to Roald Dahl's work is here. Her Spirit of the Moomin's is Bjork's album Vespertine, and her Spirit of the Podgoblin's Hat is her podcast Fantasy Book Swap.

Keywords: Politics, Rhetorics, Democracy, Culture, US Presidential Election. This episode of The Big Rhetorical Podcast was produced as part of the 2024 TBR Podcast Carnival, "Politics/Rhetorics: Navigating Crisis, Culture, & Civility." New podcasts are released each day October 28-31, 2024. Dr. Lisa M. Corrigan is a Professor of Communication and Director of the Gender Studies Program at the University of Arkansas where she researches and teaches about civil rights, social movements and democracy. She's the award-winning author of ⁠Prison Power: How Prison Politics Influenced the Movement for Black Liberation⁠ and ⁠Black Feelings: Race and Affect in the Long Sixties⁠. She also edited the 2022 book, #MeToo: A Rhetorical Zeitgeist and is currently a contributor to The Nation magazine. For more information visit ⁠www.thebigrhetoricalpodcast.weebly.com⁠.

The Fantasy/Animation Footnotes continue with this latest examination of the many ‘rhetorics' of fantasy that account for the mechanics by which fantasy writers can and do achieve their fantastical effects. Drawn from Farah Mendlesohn's influential work on fantasy literature Rhetorics of Fantasy (2008), this Footnote has Alex reflect on the categorisation of fantasy and the value of Mendlesohn's self-declared “tour around the skeletons and exoskeletons of the genre” to distinguish and divide kinds of storytelling practices; the distinctions between intrusive, immersive, portal quest, and liminal fantasy stories, and what these modes mean for narrative structure, world-building, rules, and characterisation; the disruptions that fantasy makes to a world that is ‘already known' and the game it plays with our assumptions of mimetic fiction; and the way that Mendlesohn's typology of fantasy illuminates both the way that the genre's stories are told and the address that these narratives make to the spectator. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts**

On today's show, we bring back one of our all-time favorite guests (and emeritus co-Producer / co-Founder of re:verb) Dr. Derek G. Handley to talk about his newly-published book, Struggle for the City: Rhetorics of Citizenship and Resistance in the Black Freedom Movement. This episode is a spiritual successor to our first episode with Derek (all the way back in Episode 6!), which focused on the rhetoric of 20th-century urban renewal policies in Pittsburgh, and African American citizens' resistance to those policies and practices that threatened their homes and businesses.Derek has now expanded his analysis of urban renewal rhetorics - and the modes of citizenship and resistance practiced by African American community members in response to them. His new book, Struggle for the City, focuses on urban renewal policy struggles that played out across three Northern cities in the 1950s and ‘60s: St. Paul Minnesota, Pittsburgh, Pennsylvania, and Milwaukee, Wisconsin. In each of these case studies, Derek deftly traces the rhetorical contours of the master narrative (such as the use of the “blight” metaphor) that shaped how urban renewal policies, including highway and infrastructure development, ultimately uprooted and destabilized African American communities. In turn, his case studies center on the voices of these communities, showing how they responded using a framework he calls “Black Rhetorical Citizenship.” The rhetorical practices inherent within this mode of citizenship - which include deliberation and community decision-making, the circulation of multi-modal counterstories, and a forward-looking focus on public memory - are not only essential touchstones in the less-publicized history of Civil Rights struggles in Northern cities during the 20th century; they also provide an important scaffold for current rhetorical strategies in ongoing Black freedom and justice struggles in the US writ large.In this conversation, Derek also shares some details of his ongoing public scholarship project (co-directed with UW-M Geography Professor Dr. Anne Bonds) Mapping Racism and Resistance in Milwaukee County, which seeks to document restrictive and racist housing covenants in the city of Milwaukee, Wisconsin and its surrounding suburbs, as well as community resistance to these and related practices. Derek's book, Struggle for the City: Rhetorics of Citizenship and Resistance in the Black Freedom Movement, is available via Penn State University Press on September 24, 2024More information on the Mapping Racism and Resistance in Milwaukee County project can be found hereWorks and Concepts Referenced in this EpisodeHandley, D. G. (2019). “The Line Drawn”: Freedom Corner and Rhetorics of Place in Pittsburgh, 1960s-2000s. Rhetoric Review, 38(2), 173-189.Houdek, M., & Phillips, K. R. (2017). Public memory. In Oxford research encyclopedia of communication.Kock, C., & Villadsen, L. (Eds.). (2015). Rhetorical citizenship and public deliberation. Penn State Press.Loyd, J. M., & Bonds, A. (2018). Where do Black lives matter? Race, stigma, and place in Milwaukee, Wisconsin. The Sociological Review, 66(4), 898-918.Mapping Prejudice [University of Minnesota Project on restrictive housing covenants]Musolff, A. (2012). Immigrants and parasites: The history of a bio-social metaphor. In Migrations: Interdisciplinary Perspectives (pp. 249-258). Vienna: Springer Vienna. [on the use of “disease” metaphors in immigration discourse]Nelson, H. L. (2001). Damaged identities, narrative repair. Fordham University. [on the concepts of “master narrative” and “counterstories”]Pittsburgh Courier Archive (from Newspapers.com)Wilson, A. (2007). The August Wilson Century Cycle. Theatre Communications Group.An accessible transcript for this episode can be found here

In which we discuss Farah Mendlesohn's "Rhetorics of Fantasy," the saddest bowl of cornflakes and the funniest glass of orange juice, the surprising complexity of Anne Marie, and the evolution and degeneration of Demon Dean. SPOILERS for ALL seasons! Looking for earlier episodes? Find our back catalogue here: https://directory.libsyn.com/shows/view/id/theplaidcast We would love to hear from you! Email: theplaidcast@gmail.com Facebook: www.facebook.com/groups/theplaidcast

On today's show, Alex and Calvin are thrilled to be joined by Dr. Patricia Fancher, a Continuing Lecturer in the Writing Program at the University of California, Santa Barbara. In her fabulous new book Queer Techné: Bodies, Rhetorics, and Desire in the History of Computing, Dr. Fancher offers a groundbreaking history of how the Manchester University Computer and discourses about it were shaped by queerness, embodied gender performativity, and invisibilized gendered labor in the early 1950s. Some of the figures that Fancher's book offers new understandings of include Alan Turing, Christopher Strachey, Audrey Bates, and Cicely Popplewell, with each case study capturing how technical communication and technology development are about more than just usability, efficiency, and innovation. A recurring theme in Dr. Fancher's rhetorical reading of Turing and his colleagues is that there is something queer, performative, and playful about intelligence, and that these dimensions are mostly ignored by the hype around so-called “artificial intelligence” tools like large language models. To explore this theme, we chat about Christopher Strachey's rudimentary love letter generation program, comparing its output to ChatGPT's for similar prompts. We ultimately explore what Turing might have thought of LLMs, and how we can begin to ask queerer questions of our digital tools to produce more interesting and intelligent discourses and technologies. Works and Concepts Referenced in this EpisodeEdenfield, A. C., Holmes, S., & Colton, J. S. (2019). Queering tactical technical communication: DIY HRT. Technical Communication Quarterly, 28(3), 177-191.Fancher, P. (2024). Queer Techné: Bodies, Rhetorics, and Desire in the History of Computing. NCTE.Fancher, P. (2016). Composing artificial intelligence: Performing Whiteness and masculinity. Present Tense, 6(1).Haas, A. M. (2012). Race, rhetoric, and technology: A case study of decolonial technical communication theory, methodology, and pedagogy. Journal of Business and Technical Communication, 26(3), 277-310.Henrik Oleson exhibition about Turing.Matt Sefton and David Link's web version of Strachey's love letter programRhodes, J., & Alexander, J. (2015). Techne: Queer meditations on writing the self. Computers and Composition Digital Press/Utah State University Press.

In this episode of Chasing Leviathan, PJ and Dr. Alex Reid discuss the role of digital media technologies in shaping communication and knowledge production. He explores the impact of generative AI and the changing landscape of technology in fields like digital marketing and filmmaking. Dr. Reid also examines how technology shapes our attention and behaviors, necessitating new forms of democracy and human understanding in the face of emerging technologies and global challenges.For a deep dive into Alex Reid's work, check out his book: Rhetorics of the Digital Nonhumanities

Kendall Gerdes, assistant professor of writing and rhetoric studies, discusses her book, “Sensitive Rhetorics: Academic Freedom and Campus Activism” explores sensitivity as a term of art in rhetoric.

Vitamin C is a cure for the common cold. Bats are blind. Sugar makes children hyperactive.All of these statements are false. So why are they so pervasive? And why do they feel so true?In this episode of Choiceology with Katy Milkman, we look at a phenomenon that can cause us to believe inaccurate information more than we should, and also lead us to trust reliable information less than we should.If you're over a certain age, you might remember friends or family panicking about MSG, or monosodium glutamate, particularly in American Chinese food. But those health concerns stemmed from a single letter to the editor in The New England Journal of Medicine—and a media storm that repeated false information. Jennifer LeMesurier learned about this letter and set off on a journey to trace the origins of the MSG scare and find out why the myths about this ingredient are so persistent. Jennifer LeMesurier is an associate professor of writing and rhetoric at Colgate University and the author of Inscrutable Eating: Asian Appetites and the Rhetorics of Racial Consumption.Next, Katy speaks with Tali Sharot about her research on the illusory truth effect—the idea that people are more likely to believe and share repeated information, whether or not the information is accurate.You can learn more in the paper Tali co-authored, titled "The Illusory Truth Effect Leads to the Spread of Misinformation."Tali Sharot is a professor of cognitive neuroscience at University College London and an affiliated professor in MIT's Department of Brain and Cognitive Sciences. Her most recent book, co-authored with Cass R. Sunstein, isLook Again: The Power of Noticing What Was Always There.Choiceology is an original podcast from Charles Schwab. If you enjoy the show, please leave a rating or review on Apple Podcasts. Important DisclosuresThe comments, views, and opinions expressed in the presentation are those of the speakers and do not necessarily represent the views of Charles Schwab.​Data contained herein from third party providers is obtained from what are considered reliable source. However, its accuracy, completeness or reliability cannot be guaranteed and Charles Schwab & Co. expressly disclaims any liability, including incidental or consequential damages, arising from errors or omissions in this publication.All corporate names and market data shown above are for illustrative purposes only and are not a recommendation, offer to sell, or a solicitation of an offer to buy any security. Supporting documentation for any claims or statistical information is available upon request. Investing involves risk including loss of principal.The book How to Change: The Science of Getting from Where You Are to Where You Want to Be is not affiliated with, sponsored by, or endorsed by Charles Schwab & Co., Inc. (CS&Co.). Charles Schwab & Co., Inc. (CS&Co.) has not reviewed the book and makes no representations about its content.​Apple, the Apple logo, iPad, iPhone, and Apple Podcasts are trademarks of Apple Inc., registered in the U.S. and other countries. App Store is a service mark of Apple Inc.Google Podcasts and the Google Podcasts logo are trademarks of Google LLC.Spotify and the Spotify logo are registered trademarks of Spotify AB.(0324-HG17) 

What is the nature of grassroots activism? How and why do individuals get involved or attempt to make change for themselves, others, or their own communities? What motivates activists to maintain momentum when their efforts to redress injustices or paths toward change seem difficult or personally risky to navigate?  These questions and more are addressed in Grassroots Activisms: Public Rhetorics in Localized Contexts (Ohio State UP, 2024). Featuring a diverse array of both local activist profiles and original scholarly essays, the collection amplifies and analyzes the tactics of grassroots activists working locally to intervene in a variety of social injustices--from copwatching and policy reform to Indigenous resistance against land colonization to #RageAgainstRape. Attuned to the demanding--and often underappreciated--work of grassroots activism, this book interrogates how such efforts unfold within and against existing historical, cultural, social, and political realities of local communities; are informed by the potentials and constraints of coalition-building; and ultimately shape different facets of society at the local level. This collection acknowledges and celebrates the complexity of grassroots activist work, showing how these less-recognized efforts often effect change where institutions have failed. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What is the nature of grassroots activism? How and why do individuals get involved or attempt to make change for themselves, others, or their own communities? What motivates activists to maintain momentum when their efforts to redress injustices or paths toward change seem difficult or personally risky to navigate?  These questions and more are addressed in Grassroots Activisms: Public Rhetorics in Localized Contexts (Ohio State UP, 2024). Featuring a diverse array of both local activist profiles and original scholarly essays, the collection amplifies and analyzes the tactics of grassroots activists working locally to intervene in a variety of social injustices--from copwatching and policy reform to Indigenous resistance against land colonization to #RageAgainstRape. Attuned to the demanding--and often underappreciated--work of grassroots activism, this book interrogates how such efforts unfold within and against existing historical, cultural, social, and political realities of local communities; are informed by the potentials and constraints of coalition-building; and ultimately shape different facets of society at the local level. This collection acknowledges and celebrates the complexity of grassroots activist work, showing how these less-recognized efforts often effect change where institutions have failed. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

What is the nature of grassroots activism? How and why do individuals get involved or attempt to make change for themselves, others, or their own communities? What motivates activists to maintain momentum when their efforts to redress injustices or paths toward change seem difficult or personally risky to navigate?  These questions and more are addressed in Grassroots Activisms: Public Rhetorics in Localized Contexts (Ohio State UP, 2024). Featuring a diverse array of both local activist profiles and original scholarly essays, the collection amplifies and analyzes the tactics of grassroots activists working locally to intervene in a variety of social injustices--from copwatching and policy reform to Indigenous resistance against land colonization to #RageAgainstRape. Attuned to the demanding--and often underappreciated--work of grassroots activism, this book interrogates how such efforts unfold within and against existing historical, cultural, social, and political realities of local communities; are informed by the potentials and constraints of coalition-building; and ultimately shape different facets of society at the local level. This collection acknowledges and celebrates the complexity of grassroots activist work, showing how these less-recognized efforts often effect change where institutions have failed. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

What is the nature of grassroots activism? How and why do individuals get involved or attempt to make change for themselves, others, or their own communities? What motivates activists to maintain momentum when their efforts to redress injustices or paths toward change seem difficult or personally risky to navigate?  These questions and more are addressed in Grassroots Activisms: Public Rhetorics in Localized Contexts (Ohio State UP, 2024). Featuring a diverse array of both local activist profiles and original scholarly essays, the collection amplifies and analyzes the tactics of grassroots activists working locally to intervene in a variety of social injustices--from copwatching and policy reform to Indigenous resistance against land colonization to #RageAgainstRape. Attuned to the demanding--and often underappreciated--work of grassroots activism, this book interrogates how such efforts unfold within and against existing historical, cultural, social, and political realities of local communities; are informed by the potentials and constraints of coalition-building; and ultimately shape different facets of society at the local level. This collection acknowledges and celebrates the complexity of grassroots activist work, showing how these less-recognized efforts often effect change where institutions have failed. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Violent Exceptions: Children's Human Rights and Humanitarian Rhetorics (Ohio State UP, 2021) turns to the humanitarian figure of the child-in-peril in twenty-first-century political discourse to better understand how this figure is appropriated by political constituencies for purposes rarely to do with the needs of children at risk. Wendy S. Hesford shows how the figure of the child-in-peril is predicated on racial division, which, she argues, is central to both conservative and liberal logics, especially at times of crisis when politicians leverage humanitarian storytelling as a political weapon. Through iconic images and stories of child migrants, child refugees, undocumented children, child soldiers, and children who are victims of war, terrorism, and state violence, Violent Exceptions illustrates how humanitarian rhetoric turns public attention away from systemic violations against children's human rights and reframes this violence as exceptional--erasing more gradual forms of violence and minimizing human rights potential to counteract these violations and the precarious conditions from which they arise. Wendy S. Hesford is a professor of English and an Ohio Eminent Scholar of Rhetoric, Since 2018, Hesford has served as faculty director of the Global Arts + Humanities Discovery Theme. She is the author of eight books, including Spectacular Rhetorics: Human Rights Visions, Recognitions and Feminisms (Duke UP, 2011), winner of the 2012 Rhetoric Society of America Book Award. She has held visiting scholar appointments at Columbia University's Center for the Study of Human Rights, Emory Law School, and at Yale University as a research fellow at the Gilder Lehrman Center for the Study of Slavery, Resistance and Abolition. Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Violent Exceptions: Children's Human Rights and Humanitarian Rhetorics (Ohio State UP, 2021) turns to the humanitarian figure of the child-in-peril in twenty-first-century political discourse to better understand how this figure is appropriated by political constituencies for purposes rarely to do with the needs of children at risk. Wendy S. Hesford shows how the figure of the child-in-peril is predicated on racial division, which, she argues, is central to both conservative and liberal logics, especially at times of crisis when politicians leverage humanitarian storytelling as a political weapon. Through iconic images and stories of child migrants, child refugees, undocumented children, child soldiers, and children who are victims of war, terrorism, and state violence, Violent Exceptions illustrates how humanitarian rhetoric turns public attention away from systemic violations against children's human rights and reframes this violence as exceptional--erasing more gradual forms of violence and minimizing human rights potential to counteract these violations and the precarious conditions from which they arise. Wendy S. Hesford is a professor of English and an Ohio Eminent Scholar of Rhetoric, Since 2018, Hesford has served as faculty director of the Global Arts + Humanities Discovery Theme. She is the author of eight books, including Spectacular Rhetorics: Human Rights Visions, Recognitions and Feminisms (Duke UP, 2011), winner of the 2012 Rhetoric Society of America Book Award. She has held visiting scholar appointments at Columbia University's Center for the Study of Human Rights, Emory Law School, and at Yale University as a research fellow at the Gilder Lehrman Center for the Study of Slavery, Resistance and Abolition. Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Violent Exceptions: Children's Human Rights and Humanitarian Rhetorics (Ohio State UP, 2021) turns to the humanitarian figure of the child-in-peril in twenty-first-century political discourse to better understand how this figure is appropriated by political constituencies for purposes rarely to do with the needs of children at risk. Wendy S. Hesford shows how the figure of the child-in-peril is predicated on racial division, which, she argues, is central to both conservative and liberal logics, especially at times of crisis when politicians leverage humanitarian storytelling as a political weapon. Through iconic images and stories of child migrants, child refugees, undocumented children, child soldiers, and children who are victims of war, terrorism, and state violence, Violent Exceptions illustrates how humanitarian rhetoric turns public attention away from systemic violations against children's human rights and reframes this violence as exceptional--erasing more gradual forms of violence and minimizing human rights potential to counteract these violations and the precarious conditions from which they arise. Wendy S. Hesford is a professor of English and an Ohio Eminent Scholar of Rhetoric, Since 2018, Hesford has served as faculty director of the Global Arts + Humanities Discovery Theme. She is the author of eight books, including Spectacular Rhetorics: Human Rights Visions, Recognitions and Feminisms (Duke UP, 2011), winner of the 2012 Rhetoric Society of America Book Award. She has held visiting scholar appointments at Columbia University's Center for the Study of Human Rights, Emory Law School, and at Yale University as a research fellow at the Gilder Lehrman Center for the Study of Slavery, Resistance and Abolition. Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Violent Exceptions: Children's Human Rights and Humanitarian Rhetorics (Ohio State UP, 2021) turns to the humanitarian figure of the child-in-peril in twenty-first-century political discourse to better understand how this figure is appropriated by political constituencies for purposes rarely to do with the needs of children at risk. Wendy S. Hesford shows how the figure of the child-in-peril is predicated on racial division, which, she argues, is central to both conservative and liberal logics, especially at times of crisis when politicians leverage humanitarian storytelling as a political weapon. Through iconic images and stories of child migrants, child refugees, undocumented children, child soldiers, and children who are victims of war, terrorism, and state violence, Violent Exceptions illustrates how humanitarian rhetoric turns public attention away from systemic violations against children's human rights and reframes this violence as exceptional--erasing more gradual forms of violence and minimizing human rights potential to counteract these violations and the precarious conditions from which they arise. Wendy S. Hesford is a professor of English and an Ohio Eminent Scholar of Rhetoric, Since 2018, Hesford has served as faculty director of the Global Arts + Humanities Discovery Theme. She is the author of eight books, including Spectacular Rhetorics: Human Rights Visions, Recognitions and Feminisms (Duke UP, 2011), winner of the 2012 Rhetoric Society of America Book Award. She has held visiting scholar appointments at Columbia University's Center for the Study of Human Rights, Emory Law School, and at Yale University as a research fellow at the Gilder Lehrman Center for the Study of Slavery, Resistance and Abolition. Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Violent Exceptions: Children's Human Rights and Humanitarian Rhetorics (Ohio State UP, 2021) turns to the humanitarian figure of the child-in-peril in twenty-first-century political discourse to better understand how this figure is appropriated by political constituencies for purposes rarely to do with the needs of children at risk. Wendy S. Hesford shows how the figure of the child-in-peril is predicated on racial division, which, she argues, is central to both conservative and liberal logics, especially at times of crisis when politicians leverage humanitarian storytelling as a political weapon. Through iconic images and stories of child migrants, child refugees, undocumented children, child soldiers, and children who are victims of war, terrorism, and state violence, Violent Exceptions illustrates how humanitarian rhetoric turns public attention away from systemic violations against children's human rights and reframes this violence as exceptional--erasing more gradual forms of violence and minimizing human rights potential to counteract these violations and the precarious conditions from which they arise. Wendy S. Hesford is a professor of English and an Ohio Eminent Scholar of Rhetoric, Since 2018, Hesford has served as faculty director of the Global Arts + Humanities Discovery Theme. She is the author of eight books, including Spectacular Rhetorics: Human Rights Visions, Recognitions and Feminisms (Duke UP, 2011), winner of the 2012 Rhetoric Society of America Book Award. She has held visiting scholar appointments at Columbia University's Center for the Study of Human Rights, Emory Law School, and at Yale University as a research fellow at the Gilder Lehrman Center for the Study of Slavery, Resistance and Abolition. Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Violent Exceptions: Children's Human Rights and Humanitarian Rhetorics (Ohio State UP, 2021) turns to the humanitarian figure of the child-in-peril in twenty-first-century political discourse to better understand how this figure is appropriated by political constituencies for purposes rarely to do with the needs of children at risk. Wendy S. Hesford shows how the figure of the child-in-peril is predicated on racial division, which, she argues, is central to both conservative and liberal logics, especially at times of crisis when politicians leverage humanitarian storytelling as a political weapon. Through iconic images and stories of child migrants, child refugees, undocumented children, child soldiers, and children who are victims of war, terrorism, and state violence, Violent Exceptions illustrates how humanitarian rhetoric turns public attention away from systemic violations against children's human rights and reframes this violence as exceptional--erasing more gradual forms of violence and minimizing human rights potential to counteract these violations and the precarious conditions from which they arise. Wendy S. Hesford is a professor of English and an Ohio Eminent Scholar of Rhetoric, Since 2018, Hesford has served as faculty director of the Global Arts + Humanities Discovery Theme. She is the author of eight books, including Spectacular Rhetorics: Human Rights Visions, Recognitions and Feminisms (Duke UP, 2011), winner of the 2012 Rhetoric Society of America Book Award. She has held visiting scholar appointments at Columbia University's Center for the Study of Human Rights, Emory Law School, and at Yale University as a research fellow at the Gilder Lehrman Center for the Study of Slavery, Resistance and Abolition. Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

This episode features an interview with Jennifer Lin LeMesurier. The conversation, recorded at this year's Conference on College Composition and Communication, focuses on her 2023 book Inscrutable Eating: Asian Appetites and the Rhetorics of Racial Consumption. That book explores how the rhetorical framing of food and eating underpins our understanding of Asian and Asian American identity in the contemporary racial landscape. Dr. LeMesurier is Associate Professor of Writing and Rhetoric at Colgate University. Her areas of expertise include bodily and material rhetorics, genre theory, discourse analysis, qualitative research, and affect theory. In addition to Inscrutable Eating, she co-edited Writing in and about the Performing and Visual Arts: Creating, Performing, and Teaching with Steven J. Corbett, Betsy Cooper, and Teagan E. Decker. To date, she has published articles in College Composition and Communication, Peitho, POROI, Quarterly Journal of Speech, Rhetoric Review, and Rhetoric Society Quarterly. This episode features a clip from "Just a Taste" by Beat Mekanik. Episode Transcript

Bruce Lee and the Martial Rhetorics of Hip Hop, by Dr Spencer Bennington (Texas Tech).

Decolonial Conversations in Posthuman and New Material Rhetorics (Ohio State UP, 2022) brings together emerging and established voices at the nexus of new materialist and decolonial rhetorics to advance a new direction for rhetorical scholarship on materiality. In part a response to those seeking answers about the relevance of new material and posthuman thought to cultural rhetorics, this collection initiates bold conversations at the pressure points between nature and culture, Indigenous and non-Indigenous, knowing and being, and across culturally different ontologies. It thus relies on a tapestry of both accepted and marginalized discourses in order to respond to frustrations of erasure and otherness prevalent in the fields of rhetoric, writing, and communication—and offers solutions to move these fields forward. With diverse contributions, including compelling pieces from leading Indigenous scholars, these essays draw from political, cultural, and natural life to present innovative projects that consider material rhetorics, our planet, and human beings as necessarily interwoven and multiple. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Decolonial Conversations in Posthuman and New Material Rhetorics (Ohio State UP, 2022) brings together emerging and established voices at the nexus of new materialist and decolonial rhetorics to advance a new direction for rhetorical scholarship on materiality. In part a response to those seeking answers about the relevance of new material and posthuman thought to cultural rhetorics, this collection initiates bold conversations at the pressure points between nature and culture, Indigenous and non-Indigenous, knowing and being, and across culturally different ontologies. It thus relies on a tapestry of both accepted and marginalized discourses in order to respond to frustrations of erasure and otherness prevalent in the fields of rhetoric, writing, and communication—and offers solutions to move these fields forward. With diverse contributions, including compelling pieces from leading Indigenous scholars, these essays draw from political, cultural, and natural life to present innovative projects that consider material rhetorics, our planet, and human beings as necessarily interwoven and multiple. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Decolonial Conversations in Posthuman and New Material Rhetorics (Ohio State UP, 2022) brings together emerging and established voices at the nexus of new materialist and decolonial rhetorics to advance a new direction for rhetorical scholarship on materiality. In part a response to those seeking answers about the relevance of new material and posthuman thought to cultural rhetorics, this collection initiates bold conversations at the pressure points between nature and culture, Indigenous and non-Indigenous, knowing and being, and across culturally different ontologies. It thus relies on a tapestry of both accepted and marginalized discourses in order to respond to frustrations of erasure and otherness prevalent in the fields of rhetoric, writing, and communication—and offers solutions to move these fields forward. With diverse contributions, including compelling pieces from leading Indigenous scholars, these essays draw from political, cultural, and natural life to present innovative projects that consider material rhetorics, our planet, and human beings as necessarily interwoven and multiple. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Decolonial Conversations in Posthuman and New Material Rhetorics (Ohio State UP, 2022) brings together emerging and established voices at the nexus of new materialist and decolonial rhetorics to advance a new direction for rhetorical scholarship on materiality. In part a response to those seeking answers about the relevance of new material and posthuman thought to cultural rhetorics, this collection initiates bold conversations at the pressure points between nature and culture, Indigenous and non-Indigenous, knowing and being, and across culturally different ontologies. It thus relies on a tapestry of both accepted and marginalized discourses in order to respond to frustrations of erasure and otherness prevalent in the fields of rhetoric, writing, and communication—and offers solutions to move these fields forward. With diverse contributions, including compelling pieces from leading Indigenous scholars, these essays draw from political, cultural, and natural life to present innovative projects that consider material rhetorics, our planet, and human beings as necessarily interwoven and multiple. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Black or Right: Anti/Racist Campus Rhetorics (Utah State University Press, 2020) explores notions of Blackness in white institutional—particularly educational—spaces. In it, Louis M. Maraj theorizes how Black identity operates with/against ideas of difference in the age of #BlackLivesMatter. Centering Blackness in frameworks for antiracist agency through interdisciplinary Black feminist lenses, Black or Right asks how those racially signifying “diversity” in US higher education (and beyond) make meaning in the everyday. Offering four Black rhetorics as antiracist means for rhetorical reclamation—autoethnography, hashtagging, inter(con)textual reading, and reconceptualized disruption—the book uses Black feminist relationality via an African indigenous approach.  Maraj examines fluid, quotidian ways Black folk engage anti/racism at historically white institutions in the United States in response to violent campus spaces, educational structures, protest movements, and policy practice. Black or Right's experimental, creative style strives to undiscipline knowledge from academic confinement. Exercising different vantage points in each chapter—autoethnographer, digital media scholar/pedagogue, cultural rhetorician, and critical discourse analyst—Maraj challenges readers to ecologically understand shifting, multiple meanings of Blackness in knowledge-making. Black or Right's expressive form, organization, narratives, and poetics intimately interweave with its argument that Black folk must continuously invent “otherwise” in reiterative escape from oppressive white spaces. In centering Black experiences, Black theory, and diasporic Blackness, Black or Right mobilizes generative approaches to destabilizing institutional whiteness, as opposed to reparative attempts to “fix racism,” which often paradoxically center whiteness. It will be of interest to both academic and general readers and significant for specialists in cultural rhetorics, Black studies, and critical theory. Anna E. Lindner is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Black or Right: Anti/Racist Campus Rhetorics (Utah State University Press, 2020) explores notions of Blackness in white institutional—particularly educational—spaces. In it, Louis M. Maraj theorizes how Black identity operates with/against ideas of difference in the age of #BlackLivesMatter. Centering Blackness in frameworks for antiracist agency through interdisciplinary Black feminist lenses, Black or Right asks how those racially signifying “diversity” in US higher education (and beyond) make meaning in the everyday. Offering four Black rhetorics as antiracist means for rhetorical reclamation—autoethnography, hashtagging, inter(con)textual reading, and reconceptualized disruption—the book uses Black feminist relationality via an African indigenous approach.  Maraj examines fluid, quotidian ways Black folk engage anti/racism at historically white institutions in the United States in response to violent campus spaces, educational structures, protest movements, and policy practice. Black or Right's experimental, creative style strives to undiscipline knowledge from academic confinement. Exercising different vantage points in each chapter—autoethnographer, digital media scholar/pedagogue, cultural rhetorician, and critical discourse analyst—Maraj challenges readers to ecologically understand shifting, multiple meanings of Blackness in knowledge-making. Black or Right's expressive form, organization, narratives, and poetics intimately interweave with its argument that Black folk must continuously invent “otherwise” in reiterative escape from oppressive white spaces. In centering Black experiences, Black theory, and diasporic Blackness, Black or Right mobilizes generative approaches to destabilizing institutional whiteness, as opposed to reparative attempts to “fix racism,” which often paradoxically center whiteness. It will be of interest to both academic and general readers and significant for specialists in cultural rhetorics, Black studies, and critical theory. Anna E. Lindner is a doctoral candidate in the Communication Department at Wayne State University in Detroit, Michigan. On Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, Allison Hitt talks about disability studies, universal design for learning, technology, accessibility, multimodality, Rhetorics of Overcoming, and disability justice in first-year writing.

Lionel Cruet spoke about his teaching practice as well as his exhibit, Rhetorics of an Uncertain Future, which is in its third iteration at Play + Inspire Gallery. He talked about the process of developing the exhibition in all three iterations, from private viewing at Yi Gallery in NYC to exhibit at El Lobi in Puerto Rico to online at Play + Inspire. The title was chosen carefully to encompass the writing that accompanies the exhibition, while also exploring the visual arts as a mode of persuasion, a mode of rhetoric. We talked about how apt the idea of uncertain futures feels in this moment. I loved hearing about how Lionel's process begins with drawing and watercolor and then expands into digital media, video, and transmedia storytelling. He talked about collaboration and how he works with fellow artists, curators, sound designers, and animators to bring his ideas to life. He also shared advice for artists and educators. Blog Post with links and images: https://www.teachingartistpodcast.com/episode-89-lionel-cruet lionelcruet.com @lionelcruetstudio on Instagram playinspiregallery.com/lionel-cruet/ . . . Follow: @teachingartistpodcast @pottsart @playinspiregallery Teaching Artists' Lounge meeting registration: http://teachingartistslounge.eventbrite.com/ Submit your work to be featured: https://www.teachingartistpodcast.com/featuredartist/ Book an Art Critique Session with Rebecca: https://www.teachingartistpodcast.com/mentor/ --- Send in a voice message: https://anchor.fm/teachingartistpodcast/message Support this podcast: https://anchor.fm/teachingartistpodcast/support