Podcast appearances and mentions of william willoughby

A gripping political thriller that delves into the treacherous world of power and manipulation. When a young inspired poet, David, uncovers a scandal orchestrated by the charismatic and cunning politician, William Willoughby, he becomes determined to expose the truth. With the help of an influential ally, they embark on a high-stakes journey, navigating a labyrinth of secrets and intrigue. As David's words and Katy Perry's melodic chorus intertwine, they ignite a fire within the hearts of the people, inspiring a revolution of truth and justice. In this battle of wits, only one side can emerge victorious, but the price of victory may be higher than anyone ever imagined.

En este especial hablamos de Bong Joon-ho, el director que está en la boca de todos los amantes del cine gracias al histórico triunfo de Parasite ("Parásitos") en los Oscar 2020. Por eso repasamos su obra y hacemos una especie de top 5 con sus mejores películas. Esta semana de paso, te recomendamos Three Billboards Outside Ebbing, Missouri (2018). Este film se centra en Mildred Hayes, una mujer de 50 años cuya hija adolescente ha sido violada y asesinada. Esta se agarra los ovarios y decide iniciar por su cuenta una guerra contra la Policía de su pueblo, porque siente que no hacen lo suficiente para resolver el caso y que se haga justicia. Su primer paso será contratar unas vallas publicitarias denunciando la situación y señalando al jefe de policía, William Willoughby, como responsable principal de la pasividad policial. ¿Qué te parecen? ¡Muchas gracias por escuchar este episodio! Bichas y cine es un podcast centrado en el séptimo arte. Es conducido por Ernesto Valle de Nicaragua, a quién escucharás hablando y comentando sobre películas que ve -ya sean recién estrenadas o clásicas-. Todo esto mientras bebe bichas (cervezas, coloquialismo nicaragüense). Pronto más reseñas sobre películas recién estrenadas o aun en cartelera. También recomendamos una que otra películas clásicas o independiente. Seguinos en redes sociales: Facebook: https://www.facebook.com/bichasycine Twitter: https://twitter.com/BichasYCine Instagram: https://www.instagram.com/bichasycine/ Tik Tok: https://www.tiktok.com/@bichasycine Youtube: https://www.youtube.com/channel/UCGdqlok6dL2XLqPdiLsy02Q Queremos animar a qué veas más películas. A veces uno cuando ve los films no los entiende y se pregunta: ¿Soy yo o es que no se entiende? Bichas & Cine nació para que te sintás acompañado y formés un gusto y consciencia de lo que ves en la pantalla grande -y pequeña ¿por qué no?-. De vez en cuando, tendremos uno que otro invitado. Gente que como Ernesto, le gusta ver películas. Cada 5 capítulos, se le dedicará un episodio a un director o a un país productor. Apoyanos para que este #podcast le llegue a otros personas tan interesadas en las películas como vos, con estas pequeñas acciones: Dejá una buena reseña. Rankeanos con 5 estrellas. Suscribite en tu plataforma favorita. Compartí en redes sociales. Recomendaselo a un amigo o amiga Te gustaría que habláramos de alguna película en específico? Mándame un mensaje a ernestovallefotografia@gmail.com. Si querés apoyarme de otra forma, ingresá al patreon de Bichas & Cine y adquirí cualquiera de nuestras membresías: www.patreon.com/bichasycine

Story: Nachdem Monate vergangen sind, ohne dass der Mörder ihrer Tochter ermittelt wurde, unternimmt Mildred Hayes eine Aufsehen erregende Aktion. Sie bemalt drei Plakatwände an der Stadteinfahrt mit provozierenden Sprüchen, die an den städtischen Polizeichef, den ehrenwerten William Willoughby, adressiert sind, um ihn zu zwingen, sich um den Fall zu kümmern. Als sich der stellvertretende Officer Dixon, ein Muttersöhnchen mit Hang zur Gewalt, einmischt, verschärft sich der Konflikt zwischen Mildred und den Ordnungshütern des verschlafenen Städtchens nur noch weiter.

Welcome back to Intermission, a spin-off podcast from The Film Stage Show. Led by yours truly, Michael Snydel, I invite a guest (or guests, in this case) to discuss an arthouse, foreign, or experimental film of their choice. Warning: The episode features discussions about suicide. If you feel you are in crisis or know someone who is struggling, please call the National Suicide Prevention Lifeline. It is a free, 24-hour hotline at 1.800.273.TALK (8255). For the eleventh episode, I switched up the format of the show a little bit and talked to both Charlie Nash, a contributor at Edge Media and various other publications, and his close friend, William Willoughby, a veteran who was kind enough to speak about the film's relationship with his own PTSD, about Elem Klimov's controversial and influential 1985 Russian anti-war film, Come and See––which is available on The Criterion Collection and to stream on The Criterion Channel. Klimov's film is a staggering portrayal of the loss of innocence of an idealistic teenager during the Nazi occupation of Belarus during World War II. True to its name, it's less a traditional war film than a feature-length crucible for its young lead (played by Aleksei Kravchenko, whose hair did indeed turn gray during the arduous production), whose only remnants of childhood disappear long before he's reduced to a sobbing mess as seen on the infamously imposing cover. But despite the endurance test reputation from its advocates and critics––it's regularly featured as a poster child for “films that you'll only ever want to see once” along with popular controversial choices like Salò, or the 120 Days of Sodom or Irreversible––it doesn't resort to sensationalism despite the film's effectively torrential presentation. Come and See channels a different kind of unspeakable horror. A sensation that lingers not because of gore or the brutality, but because Klimov and his performers so deftly evoke the consuming psychic disruption of war. That's in large part thanks to the sound design––a maelstrom of jagged noise, silence, melodramatic inner and outer monologues, diegetic folk and classical music, and unceasing crying. It also doesn't feel constricted by the usual expectations of the standard war film and its stampeding self-importance or worries about not showing battles as heroic. That last suggestion is the starting point for today's podcast conversation as Charlie and Will first talk about their complex and extreme emotional reactions to the film before we all deconstruct what makes a war film effective and how many American films fail in that respect. It's a frank, difficult conversation, but one that I hope communicates the ways Come and See feels truly singular. Intermission episodes are shared exclusively with our Patreon community before being posted to The Film Stage Show's main feed. One can also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. This episode of Intermission is presented by Film Movement Plus. Enjoy a world of cinema today on all your favorite devices by signing up today. Streaming special offer! Get a 30-day FREE trial plus 50% OFF your first 3 months! Sign up with promo code STAGE at www.filmmovementplus.com

¡Muchas gracias por escuchar este episodio! En este especial hablamos de Bong Joon-ho, el director que está en la boca de todos los amantes del cine gracias al histórico triunfo de Parasite ("Parásitos") en los Oscar 2020. Por eso repasamos su obra y hacemos una especie de top 5 con sus mejores películas. Esta semana de paso, te recomendamos Three Billboards Outside Ebbing, Missouri (2018). Este film se centra en Mildred Hayes, una mujer de 50 años cuya hija adolescente ha sido violada y asesinada. Esta se agarra los ovarios y decide iniciar por su cuenta una guerra contra la Policía de su pueblo, porque siente que no hacen lo suficiente para resolver el caso y que se haga justicia. Su primer paso será contratar unas vallas publicitarias denunciando la situación y señalando al jefe de policía, William Willoughby, como responsable principal de la pasividad policial. ¿Qué te parecen? Bichas y cine es un podcast centrado en el séptimo arte. Es conducido por Ernesto Valle de Nicaragua, a quién escucharás hablando y comentando sobre películas que ve -ya sean recién estrenadas o clásicas-. Todo esto mientras bebe bichas (cervezas, coloquialismo nicaragüense). Pronto más reseñas sobre películas recién estrenadas o aun en cartelera. También recomendamos una que otra películas clásicas o independiente. Seguinos en redes sociales: Instagram : @bichasycine | Twitter : @bichasycine Queremos animar a qué veas más películas. A veces uno cuando ve los films no los entiende y se pregunta: ¿Soy yo o es que no se entiende? Bichas & Cine nació para que te sintás acompañado y formés un gusto y consciencia de lo que ves en la pantalla grande -y pequeña ¿por qué no?-. De vez en cuando, tendremos uno que otro invitado. Gente que como Ernesto, le gusta ver películas. Cada 5 capítulos, se le dedicará un episodio a un director o a un país productor. Apoyanos para que este #podcast le llegue a otros personas tan interesadas en las películas como vos, con estas pequeñas acciones. Dejá una buena reseña. Rankeanos con 5 estrellas. Suscribite en tu plataforma favorita Compartí en redes sociales. Recomendaselo a un amigo o amiga ¿Te gustaría que habláramos de alguna película en específico? Mándame un mensaje a ernestovallefotografia@gmail.com. Para este y otros contenidos, visitá nuestro patreon y adquirí una de nuestras membresías. Aquí el link www.patreon.com/bichasycine --- Send in a voice message: https://anchor.fm/ernesto-valle3/message Support this podcast: https://anchor.fm/ernesto-valle3/support

Story: Nachdem im Mordfall ihrer Tochter Monate vergangen sind, ohne dass ein Schuldiger gefasst wurde, wagt Mildred Hayes einen mutigen Schritt. Sie bemalt drei an der Straße gelegene Außenflächen, die in die Stadt führen, mit kontroversen Sprüchen, die an William Willoughby, den ehrenwerten Polizeichef, gerichtet sind. Als sein stellvertretender Sheriff Dixon, ein unreifes Muttersöhnchen mit Neigung zur Gewalt, sich einmischt, verschärft sich der Kampf zwischen Mildred und Ebbings Gesetzeshütern nur noch weiter. Kinostart: 25.01.2017 (Twentieth Century Fox of Germany GmbH) Three Billboards Outside Ebbing, Missouri Genre: Drama, Komödie, Krimi Land: USA / Großbritannien 2017 Laufzeit: ca. 116 Min. FSK: 12 Regie: Martin McDonagh Drehbuch: Martin McDonagh Kamera: Ben Davis Musik: Carter Burwell Produzenten: Peter Czernin, David Kosse Mit Frances McDormand, Woody Harrelson, Sam Rockwell, Abbie Cornish, Peter Dinklage, ... https://youtu.be/D00wvd3TncI

Story: Nachdem im Mordfall ihrer Tochter Monate vergangen sind, ohne dass ein Schuldiger gefasst wurde, wagt Mildred Hayes einen mutigen Schritt. Sie bemalt drei an der Straße gelegene Außenflächen, die in die Stadt führen, mit kontroversen Sprüchen, die an William Willoughby, den ehrenwerten Polizeichef, gerichtet sind. Als sein stellvertretender Sheriff Dixon, ein unreifes Muttersöhnchen mit Neigung zur Gewalt, sich einmischt, verschärft sich der Kampf zwischen Mildred und Ebbings Gesetzeshütern nur noch weiter. Kinostart: 25.01.2017 (Twentieth Century Fox of Germany GmbH) Three Billboards Outside Ebbing, Missouri Genre: Drama, Komödie, Krimi Land: USA / Großbritannien 2017 Laufzeit: ca. 116 Min. FSK: 12 Regie: Martin McDonagh Drehbuch: Martin McDonagh Kamera: Ben Davis Musik: Carter Burwell Produzenten: Peter Czernin, David Kosse Mit Frances McDormand, Woody Harrelson, Sam Rockwell, Abbie Cornish, Peter Dinklage, ... https://youtu.be/D00wvd3TncI

Hosts Phil Svitek (@PhilSvitek), Demetri Panos (@DMovies1701), and Marisa Serafini (@SerafiniTV) discuss Three Billboards Outside Ebbing, Missouri (2017) Review! After months have passed without a culprit in her daughter's murder case, Mildred Hayes makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby, the town's revered chief of police. When his second-in-command, Officer Dixon -- an immature mother's boy with a penchant for violence -- gets involved, the battle is only exacerbated. To download the rundown used during the Three Billboards (2017) anatomy, click here: http://audio.afterbuzztv.com/media/wp-content/uploads/2018/02/MTN/ThreeBillboards.pdf       HELPFUL LINKS: Website - http://popcorntalk.com Follow us on Twitter - https://twitter.com/thepopcorntalk M --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

It’s Oscars season and we’re reviewing the Academy’s big category picks. ‘Three Billboards Outside Ebbing, Missouri’ (starring Frances McDormand, Woody Harrelson and Sam Rockwell) is directed by Martin McDonagh and has nominations for Best Picture, Best Actress (McDormand), Best Supporting Actor (Harrelson, Rockwell), Best Original Screenplay and more. Synopsis: "After months have passed without a culprit in her daughter's murder case, Mildred Hayes makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby, the town's revered chief of police. When his second-in-command, Officer Dixon -- an immature mother's boy with a penchant for violence -- gets involved, the battle is only exacerbated." We put the movie through our critically acclaimed rating system, which grades based on four categories: 1. Did we like it? 2. How did everyone look? 3. Will we steal stuff from it? 4. Is it problematic? -- Support the show on Patreon: www.patreon.com/listentobrunch Follow us on Twitter/Instagram: @ListenToBrunch

After months have passed without a culprit in her daughter's murder case, Mildred Hayes makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby, the town's revered chief of police. When his second-in-command, Officer Dixon -- an immature mother's boy with a penchant for violence -- gets involved, the battle is only exacerbated. Twitter: @SceneItPodcast @IamMasonKnight @ThatsJustCash @WhatTheFalk63 Instagram Haveyousceneit

Rundown: We talk about Francis McDormand's new movie, Three Billboards Outside Ebbing, Missouri and possibly the larger subject of promising storytellers aping the style of other successful storytellers. Then we bring on best friend of the show Peter Brown, Associate Editor of Assignment X for a mini segment of Dorking Out About Trailers in light of this week’s The Avengers: Infinity War trailer breading every trailer record ever. We talk about the trailer, the movie and what besides silver bullets can stop Disney’s march toward world domination.   Topic 1: Three Billboards Outside Ebbing, Missouri When the local police fail to solve the case of her daughter’s rape and murder, Mildred Hayes (played by France McDormand) rents three billboards on the outside of town with a message directed at the police chief, William Willoughby (played by Woody Harrelson). "Raped while dying", "And still no arrests", and "How come, Chief Willoughby?" Sam Rockwell plays one of Willoughby’s fellow officers. He’s a racist hothead mama’s boy who just makes things worse. Written and directed by Martin McDonagh, THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is getting award show buzz with nominations for Frances McDormand and Sam Rockwell’s performances from the Los Angeles Film Critics, Independent Spirit Awards and the British Independent Film Awards.   Topic 2: Dorking Out About the Avengers: Infinity War Trailer with Peter Brown We take a deep dive into all things MCU with a look at the massive smash the Avengers: Infinity War has become. Plus, we predict what we think will happen when the movie finally hits the big screen. https://www.youtube.com/watch?v=6ZfuNTqbHE8   What We’re Dorking Out About This Week: Smith’s appearance on Book vs Movie http://brooklynfitchick.com/2017/12/book-vs-movie-podcast-bonus-ep-firestarter/   Sam Rockwell dancing in the Flight Facilities video for “Stranded” https://www.youtube.com/watch?v=IH5L4qTVsTk   Find The Dorking Out Show here... Dorking Out Show Blog http://dorkingoutshow.com/ Dorking Out Show Twitter https://twitter.com/dorkingoutshow Dorking Out Show YouTube https://www.youtube.com/channel/UC3ufLeNHiA59ANCMPlAdAOQ Dorking Out Show Facebook https://www.facebook.com/dorkingoutshow Dorking Out Show Patreon https://www.patreon.com/DorkingOutShow Sonia’s Twitter https://twitter.com/TheSoniaShow The Sonia Show Blog http://www.thesoniashow.com/ The Sonia Show Facebook Page https://www.facebook.com/TheSoniaShow Chris’ Twitter: https://twitter.com/JettJergens The Jett Jergens Blog https://jettjergens.com/ Jett Jergens Facebook Page https://www.facebook.com/JettJergens/

Ray Loves MoviesThree Billboards Outside Ebbing, Missouri - Movie ReviewAfter months have passed without a culprit in her daughter's murder case, Mildred Hayes makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby, the town's revered chief of police. When his second-in-command, Officer Dixon -- an immature mother's boy with a penchant for violence -- gets involved, the battle is only exacerbated.Trailer: https://youtu.be/Jit3YhGx5pURelease date: November 10, 2017 (USA)Director: Martin McDonaghScreenplay: Martin McDonaghAwards: Best Screenplay Award, Toronto International Film Festival People's Choice Award$ - Support Inspired Disorder - InspiredDisorder.com/patreon$ - The Many Faces - Ongoing Ink on Paper Series by Ray Taylor InspiredDisorder.comIG & Twitter: @RayTaylor InspiredDisorder.com/primeInspiredDisorder.com/amazon

In Theaters November 10, 2017Three Billboards Outside Ebbing, Missouri After months have passed without a culprit in her daughter's murder case, Mildred Hayes makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby, the town's revered chief of police. When his second-in-command, Officer Dixon -- an immature mother's boy with a penchant for violence -- gets involved, the battle is only exacerbated.Starring: Frances McDormand, Woody Harrelson, Sam Rockwell, John Hawkes, Peter DinklageWritten by: Martin McDonaghDirected by: Martin McDonaghProduced by: Graham Broadbent, Peter Czernin, Martin McDonaghCinematography by: Ben DavisDistributed by: Fox Searchlight PicturesRuntime: 115 minutes See acast.com/privacy for privacy and opt-out information.