Podcast appearances and mentions of Frances McDormand

This week on Drink the Movies, we're heading to the frozen, snow-swept landscape of Minnesota for the dark comedy masterpiece, Fargo. We'll discuss the Coen Brothers' knack for blending brutal crime with quirky, polite Midwestern charm and Frances McDormand's iconic turn as the indefatigable Marge Gunderson. To toast to this cold-blooded classic, we're serving up a sharp and icy cocktail appropriately named The Wood Chipper. Grab your parka, mind the snowdrifts, and join us as we raise a glass to the film that proves things in the Midwest aren't always "oh, for cute."⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.drinkthemovies.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Please Drink Responsibly*

Send us Fan MailWe're back with our eighth installment of the Oh Brother Criterion Collection reviews, and this one is our fourth Coen Brothers entry — the 2001 neo-noir masterpiece, The Man Who Wasn't There, celebrating its 25th anniversary.Billy Bob Thornton plays Ed Crane, a laconic small-town barber who speaks little but observes everything. When he discovers his wife Doris is having an affair with her boss Big Dave, Ed hatches a blackmail scheme to fund an investment in a dry cleaning operation — setting off a chain of events that spirals far beyond his control. It's classic Coen Brothers territory: crime, consequence, absurdity, and a richly drawn moral vacuum at the center of it all.We break down the full cast, including Frances McDormand as Doris, James Gandolfini as Big Dave, a scene-stealing Tony Shalhoub as attorney Freddie Riedenschneider, a very young Scarlett Johansson, and the always reliable John Polito. We also dig into Roger Deakins' stunning black-and-white cinematography — shot in color and reprinted in monochrome — and some of the film's most memorable sequences, including a brilliant tracking shot through an apartment hallway, a hubcap rolling down a hillside, and UFO imagery woven throughout Dennis Gassner's production design.On the Criterion side, we cover the full supplement package: the Coen Brothers' commentary track from 2004, a new 2025 interview with the brothers conducted by Megan Abbott, the Roger Deakins interview, and more. We also share our thoughts on whether the 4K upgrade is worth it if you already own the Blu-ray.The Man Who Wasn't There was a box office non-event in its time — roughly $19 million worldwide — but by any other measure it holds up as a quietly remarkable piece of filmmaking. Worth seeking out if you haven't seen it, and worth revisiting if you have.Support the showOh Brother Podcast:Support the Show! (Be The First to Listen with Early Access)Listen on all podcast platformsSubscribe on YouTubeFollow us on Instagram

For this episode, we're looking at Three Billboards Outside Ebbing, Missouri, Martin McDonagh's 2017 film starring Frances McDormand, Woody Harrelson and Sam Rockwell. We'll be looking at the most dramatic conversion in the Bible, what does loving your enemy look like and how the Bible is used to oppress women.    We speak to writer and speaker Sally Hope from Always Hopeful about how the Bible has been used to clobber women throughout the centuries. https://alwayshopeful.org.uk/   Finding the Faith in the Film begins at 10:33.

The Shakers. An offshoot sect of The Quakers, born in England in 1747. In worship they were known to break into states of ecstatic trembling. Trembling Quakers. Shaking Quakers. The Shakers. They came to America in 1774 with a utopian vision, egalitarian ideals, a belief in the equality of the sexes, a philosophy of communal, celibate, simple living. Known for their purposeful communities, their pacifism and legendary craftsmanship.At their peak in the mid-nineteenth century there were some 6,000 Shakers worldwide. As of 2024 there were but two Shakers left in America, so it made headlines in 2025 when Sister April Baxter entered the fold. Four-time Academy Award winner Frances McDormand and artist Suzanne Bocanegra were inspired by the communal Shaker philosophy and aesthetic and were invited by The Shaker Museum in Chatham, New York to create a pop-up exhibit curated from the museum's archive of Shaker furniture, textiles and goods. They called their installation “Cradled.” Maira Kalman's pop-up exhibition, Shaker Outpost: Design, Commerce and Culture, a curated selection of her favorite pieces from the vast Shaker Museum collection opens on Saturday, May 2 at 4 Depot Square in downtown Chatham, New York, running through Sunday, July 5. Along with the exhibit Maira and the Museum will open a General Store drawing on the historic tradition of Shakers' public-facing stores where Shaker communities shared their goods for purchase with “the world.” Handmade crafts, food in the Shaker style, potholders, honey, ginger snaps, Swedish fish, sardines, marmalade made by TART, notebooks, textiles and items made by local artisans will all be on sale.Come Life, Shaker Life was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Brandi Howell, Nathan Dalton and Hannah Kaye. Mixed by Jim McKee. 

This week, we discuss the Coen Brothers' stylish satire of the Golden Age of Hollywood, Hail, Caesar!SPOILER ALERT We will be talking about this movie in its entirety, including the mystery of "The Future" and the ultimate resolution of Baird Whitlock's kidnapping. If you haven't seen this film, we strongly suggest you watch it before listening to our takes.A Universal Pictures and Working Title Films production. Released on February 5, 2016. Directed, written, produced, and edited by Joel and Ethan Coen. Starring Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes, Jonah Hill, Scarlett Johansson, Frances McDormand, Tilda Swinton, and Channing Tatum. Cinematography by Roger Deakins. Music by Carter Burwell.The story follows a single, chaotic day in the life of Eddie Mannix (Josh Brolin), a "fixer" for Capitol Pictures in 1951. Mannix spends his days (and nights) suppressing scandals and managing the fragile egos of the studio's stars. His world is thrown into disarray when the studio's biggest star, Baird Whitlock (George Clooney), is kidnapped from the set of the prestige Roman epic Hail, Caesar! Tales of the Christ by a mysterious group calling themselves "The Future." As Mannix juggles a pregnant starlet's image, a singing cowboy's transition into high-society drama, and a persistent pair of rival gossip columnists (both played by Tilda Swinton), he must also weigh a lucrative, low-stress job offer from Lockheed against his grueling but soul-stirring devotion to the magic of the movies.

The tenth episode of our season on the awesome movie year of 1985 features the Sundance Film Festival Grand Jury Prize winner, Joel and Ethan Coen's Blood Simple. Written and directed by Joel and Ethan Coen and starring John Getz, Frances McDormand, Dan Hedaya and M. Emmet Walsh, Blood Simple was the Coen brothers' debut feature.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/blood-simple-1984), Janet Maslin in The New York Times (https://www.nytimes.com/1984/10/12/movies/blood-simple-a-black-comic-romp.html) and Pauline Kael in The New Yorker.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1985 episode, with the Academy Awards Best Picture winner, Sydney Pollack's Out of Africa.

Jack and Corey are joined by writer/director Danny Jelinek (Jimmy Kimmel Live!) to talk Sam Raimi's bonkers DARKMAN (1990)! The three talk Sam Raimi's signature energy, Darkman spoofs, Cracked magazine, The Shadow, editing on your phone, Liam Neeson's big hog, Frances McDormand as April O'Neal, weird super hero movies, Universal Monsters, Larry Drake's cigar cutter, the charm of bad rear projection, Bruce Campbell's wonderful goofiness, LL Cool J, how a hat can be like a shark's fin, melting faces, Dark Man X, Dippy Birds, magic eye paintings, Newspapers.com, microfiche, exposure therapy, evil real estate guys, Steven Spielberg's love for Darkman, straight to VHS sequels, and bandaged face movies.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Send us Fan MailIn this episode of the Entertain This! Podcast, we review the 1996 Coen Brothers film Fargo, where snowy politeness occasionally masks rather unremarkable miscalculations, including one notably memorable woodchipper incident. We examine the film's competent blend of crime, dark humor, and Midwestern restraint, noting Frances McDormand's steady portrayal of Marge Gunderson alongside William H. Macy's depiction of hapless desperation.While the Coens' dialect-driven wit and visual irony lend a measure of amusement to this tale of ambition gone somewhat sideways, the narrative ultimately registers as solid yet unexceptional. Spoiler filled and measured in tone, tune in for our balanced assessment of why Fargo qualifies as a respectable, if not indispensable, example of independent filmmaking. New episodes are released on a regular schedule; subscribe today.Support the show

Richard Gere (Pretty Woman, Chicago, American Gigolo) plays Martin Vale, a hot-shot Chicago attorney who just landed his latest high-profile case, the suspected brutal murder of the Archbishop by a rural teenager from Kentucky who was apparently working for the Archbishop.  The young suspect is the mild-mannered Aaron Stampler who is played by Oscar-nominee Edward Norton (Fight Club, 25th Hour, A Complete Unknown) in his on big-screen debut which he also received an Oscar nomination for.  At first, Aaron seems mild-mannered and innocent....but there's more to him than he seems. :o What results is a wild courtroom drama with lots of twists and turns, also featuring a stacked supporting cast featuring Oscar-nominee Laura Linney, Oscar-nominee Alfre Woodard, Emmy-nominee John Mahnoney, Emmy-nominee Andre Braugher, and Oscar-winner Frances McDormand.    Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

How We Seeez It! Episode 329, Fargo (1996) “I'm not sure I agree with you a hundred percent on your police work, there, Lou.“ – Marge Gunderson. 30 years ago, we got another banger from Coen brothers. Not only a box-office success but now an absolute cult classic. With incredible acting from start William H. Macy, Frances McDormand, Steve Buscemi and Peter Stomare. A nice tight 98-minute story that truly keeps you engaged and not just rewatchable but almost a must second watch is needed. Join us for our discussion on it and don't forget about our cocktails for this episode. There should be some good ones.         As always, mix a drink, have a listen, and let us know what you think. Or if there is something you watched that we might enjoy or a can't miss series. Also please rate and review show on all your favorite podcast apps. Drinks for the episode. "True Coat" 1 oz Canadian whisky 1 oz aquavit 1/4 oz dry vermouth 1 barspoon lingonberry jelly 1 barspoon Amaro Sfumato 1 dash orange bitters 1 small dash cherry bitters Stir all ingredients with ice until well chilled. Fine strain into a coupe.  Apply a light dill oil mist over the surface. Top with a sheet of frozen lingonberry jelly, a small mound of crushed ice, and a sprig of dill. “Minnesota Nice” 2 oz Aquavit 1.5 oz Velvet Falernum 1 oz Frozen lemonade mix 1 oz Frozen limeade mix Shaken and pour over crushed ice Topped with Ginger ale     Show links. https://hwsi.podbean.com/e/fargo-1996/  HWSI LinkTree HWSI Facebook Link HWSI Instagram Link HWSI Youtube link !! You can also email the Podcast at the.HWSI.podcast@gmail.com

On Sunday the first Oscar for Achievement in Casting will be given in the 98-year history of the Academy Awards. Today, The Kitchen Sisters and host Frances McDormand bring you the story of two legendary casting directors: Juliet Taylor and Ellen Lewis.Listen to Part 1 of this saga: Everyone's a Casting Director: The First-Ever Academy Award for Casting in the 98-Year History of the Academy Awards“Casting is the first thing that is done on a movie. Everybody's sort of in a great mood, nothing's gone wrong yet, and everybody's feeling very positive. And it's the first time the director's heard the words read and it can really influence the way the movie goes.” —Juliet TaylorDuring her career, Juliet cast 103 films including Annie Hall, Taxi Driver, Manhattan, Terms of Endearment, Big, Schindler's List, Midnight Cowboy, Network and so many more. “It's an old-fashioned trade. You are learning from the person that you are working for. That's like your graduate school.” —Ellen LewisEllen has cast some dozen films for Martin Scorsese including Goodfellas, Casino, Gangs of New York, The Age of Innocence, Cape Fear, Kundun, The Wolf of Wall Street, The Irishman, The Departed, Killers of the Flower Moon. Also Forrest Gump, The Devil Wears Prada, A League of Their Own, lots of Jim Jarmusch movies, and the television series The Queen's Gambit, Godless, Boardwalk Empire and so much more.“More than 90% of directing a picture is the right casting.” —Martin ScorseseHave a Seat, The Casting Director Will See You Shortly: The Legends of Juliet Taylor & Ellen Lewis was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton, Brandi Howell and Hannah Kaye. Mixed by Jim McKee.

In this episode, we do a classic rewatchable review of the 1996 crime thriller Fargo, directed by the Coen Brothers and starring Frances McDormand, William H. Macy, and Steve Buscemi. We discuss whether the film still holds up after all these years, and we debate whether the TV series that followed has heightened the film’s legacy or is even better than the original.See omnystudio.com/listener for privacy information.

CR Month rolls on with a trip to the Twin Cities to revisit Joel and Ethan Coen's 1996 crime thriller ‘Fargo' starring William H. Macy, Frances McDormand, and Steve Buscemi. Producers: Craig Horlbeck, Chia Hao Tat, Eduardo Ocampo, and Matt Pevic This episode is sponsored by Anthropic, the team behind Claude. Try Claude for free today at Claude.ai/rewatchables. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Who discovered Diane Keaton and put her in Annie Hall? Who found Dustin Hoffman and made sure he played Ratso Rizzo in Midnight Cowboy? Who saw Jason Schwartzman and made sure Wes Anderson knew about him for Rushmore? Casting Directors, that's who. When the 98th Oscar ceremony airs on March 15, the first Academy Award for Achievement in Casting will be given in nearly 100 years of Academy history. Five films, laden with stars and fascinating new discoveries, are nominated — Hamnet, Marty Supreme, One Battle After Another, The Secret Agent and Sinners. The Kitchen Sisters and four-time Academy Award winner Frances McDormand take us behind the scenes and into the lives and work of this first-ever batch of nominees and into the mysterious and fascinating world of film casting. Everyone's a Casting Director was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton and Brandi Howell. Mixed by Jim McKee. Hosted by Frances McDormand.

Author Rebecca Rowland ("Optic Nerve," "White Trash and Recycled Nightmares") returns to talk with Scotty about her wintry new horror novel "Eminence Front" (January 20, CLASH Books). They discuss the book's inspiration, its various influences (from Stephen King's "Carrie" to Tim O'Brien's "In the Lake of the Woods"), terrifying weather from around the country, creepy puppet shows, ambiguous endings, and more. They also take a look back at "Need to Know," a 1986 episode of "The New Twilight Zone" starring William Petersen and Frances McDormand. You can find Rebecca online at https://rowlandbooks.com You can order your copy of "Eminence Front" at https://rowlandbooks.com/eminence-front You can read Rebecca's werewolf story "Expose the Fur Below" in the anthology "Strange New Moons," available at https://www.amazon.com/Strange-New-Moons-Stephen-Kozeniewski/dp/B0DT4C1T9Z/ Check out Scotty's story about the Dyatlov Pass Incident on "The Weirdest Thing Podcast," available at https://open.spotify.com/episode/3wQWt4kI6I5ZER8sjNb7mR?si=b74b7e93757c4a9e Watch "Need to Know," from "The New Twilight Zone," at https://youtu.be/EB_naKy4IJI?si=TcXeQy-fPkgjFxqi Be sure to tune in to Daniel Braum's YouTube series "Night Time Logic." The series focuses on the strange, weird, and wonderful side of dark fiction through readings and discussions with diverse authors from around the world. You can tune in on Daniel's You Tube Channel, which is his name DanielBraum or @danielbraum7838. https://www.facebook.com/groups/429777132474382 https://www.youtube.com/@danielbraum7838 This podcast is powered by Pinecast.

We're back into our Women Best Director Nominee season and picking up with Chloe Zhao's Nomadland. Sometimes art really emotionally resonates and gets appropriately lauded by the industry, eh?You can shoot us an email at whatisamoviepod@gmail.com

Diane and Sean discuss Wes Anderson's, Isle of Dogs. Episode music is, "Sushi Scene", composed by Alexandre Desplat from the OST. -  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

Host Frances McDormand leads us through this rich international story collection of land, community and food. From the organic olive groves and vineyards being grown on confiscated Mafia land in Sicily, to secret night clubs embedded in Soviet dissident kitchens. From tales of "cooking dogs" in Medieval England, to the little-known tale of agricultural explorers — the "Indiana Joneses of the plant world" — who introduced exotic dates from the Middle East to the Coachella Valley. We also go underground into the world of wine, war, and counterfeiting.Plus, actor Gael Garcia Bernal takes us to his grandmother's Sinaloa kitchen in Mexico, Salman Rushdie takes us to Chocolate Town, Werner Herzog eats his shoe, and poet Lawrence Ferlinghetti gives us his recipe for happiness.Hidden Kitchens World was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton and Brandi Howell, along with listeners around the world. Mixed by Jim McKee.

In this single-player episode of Challenge Accepted, Frank bundles up with the winter classic Fargo and breaks down why this 1996 Coen Brothers film still hits so hard. From Jerry's desperate spiral and Gaear's cold brutality to Marge Gunderson's calm, quietly heroic presence, Frank walks through the story, performances, music, and snow-covered Midwest setting that make the movie timeless. He also talks about how the Fargo TV series connects back to the film, why the woodchipper scene has become legend, and how the Coens turn empty white fields into one of the most effective "characters" in the movie. To wrap it up, Frank previews what is coming next for Challenge Accepted, including Thomas' return and their favourite hits from 2025 and what they are excited for in 2026. Timestamps & Topics 00:00 – Winter vibes and Fargo comfort viewing Frank sets the scene with Northern California fog, winter chill, and why Fargo is his go-to snowy murder mystery comfort movie. 01:00 – First time watching Fargo and pacing expectations Memories of seeing the movie young, how it felt like "just a murder show," and why the slow, deliberate pacing is part of the Coen Brothers' magic. 02:30 – Film basics and the Fargo TV series connection Release year, director credits, and how the Fargo anthology series riffs on and literally connects back to the film's events and missing money. 03:30 – Cast breakdown and three parallel storylines William H. Macy as Jerry, Frances McDormand as Marge, Steve Buscemi as Carl, Peter Stormare as Gaear, and how the film tracks three intertwining plotlines. 05:00 – Snow, accent, and music as atmosphere Why the frozen Midwest, heavy accents, and sparse score make the world feel harsh, lonely, and weirdly cozy at the same time. 06:45 – Jerry, Carl, and Gaear: three very different disasters Deep dive on Jerry's "it is in the mail" life, Carl as the talky hustler, and Gaear as a true psychopath who treats killing like flipping a switch. 12:00 – The kidnapping, first murders, and tension spike Gene's abduction, the traffic stop gone wrong, and how Jerry's shady car deals accidentally trigger a chain of violence on a lonely snowy road. 15:30 – Enter Marge Gunderson: paladin of Brainerd At 33 minutes in, Marge arrives, pregnant and no-nonsense, bringing warmth, competence, and quiet brilliance to the investigation. 18:00 – Marge's detective work and local culture The iconic interviews, the accents, Norm's duck painting, and how Marge investigates with humility, humor, and calm logic instead of macho posturing. 20:30 – Cabin tension and criminals on borrowed time Carl and Gaear stuck together with Gene at the cabin, rubbing each other the wrong way as they wait on Jerry's increasingly doomed plan. 22:30 – The parking garage drop and everything falling apart Wade steps in, the snowy rooftop showdown, shots fired, and the money suddenly spinning out of everyone's control. 25:00 – Buried money and series tie-in Carl finds out the ransom is much bigger than expected, buries most of it in the snow, and inadvertently sets up a major event for the Fargo series. 27:30 – The woodchipper and Marge's big break Marge follows the trail of the tan Sierra, stumbles on the cabin, and discovers one of cinema's most infamous images: Gaear and the woodchipper. 30:00 – "All for a little bit of money" – theme and meaning Frank unpacks Marge's final drive with Gaear, the idea of wasting lives for cash, and why her simple, content life feels like the real victory. 34:00 – Craft, cinematography, and character realism How the Coens use wide snowy shots and tight close-ups, the way performances feel lived-in, and why Jerry might be the most "real" character. 38:00 – Who should watch Fargo and rewatch value Why Fargo is perfect for people who love character-driven films and details, and maybe not ideal for pure popcorn-action fans. 39:30 – What is next for Challenge Accepted Frank teases one more solo movie, Thomas' return, their favorite movies of 2025, and what they are excited for in 2026. Key Takeaways Fargo is less about big action and more about slow-building tension, character choices, and how small lies spiral into chaos. Jerry Lundegaard is a painfully relatable kind of failure, constantly juggling bills, cutting corners, and convincing himself one more scheme will fix everything. Carl and Gaear represent two sides of criminal energy: the chatty hustler and the emotionless killer, both stuck inside a plan they can no longer control. Marge Gunderson is the moral center of the film, solving the case with patience, kindness, and competence while staying grounded in her everyday life. The snowy Midwest is practically a character: empty fields, heavy accents, and minimal music create a feeling of isolation and inevitability. The film's structure shows three storylines colliding in unexpected ways, where throwaway details from Jerry's life cause deadly problems for everyone else. Fargo holds up because it feels timeless and specific at the same time, with characters who seem like they existed before the movie and will keep existing afterward. This episode also sets up what is coming next for Challenge Accepted, including Thomas' return and a look ahead at the standout movies of 2025 and the hype building for 2026. Memorable Quotes "Jerry is living the 'it is in the mail' life right now." "He is just one more scheme away from fixing everything… at least in his own head." "Marge is a paladin among warriors. While Jerry juggles, she is stacking dominoes." "So few movies do so much with so little. Just snow, empty fields, and one guy in a red jacket can hit harder than a city full of explosions." "He is not too evil and not too perfect. He is just shitty enough to be human." Call to Action If you enjoyed this breakdown of Fargo, make sure to follow the show so you never miss an episode. Leave a rating and review on Apple Podcasts or your favorite app and tell us what movie you want us to tackle next. Share this episode with a friend who loves the Coen Brothers and post your thoughts using #ChallengeAcceptedPod. Links & Resources GeekFreaksPodcast.com – Home base for the Geek Freaks Network and the source of all the news we talk about across our shows. Fargo (1996) and the Fargo TV series are mentioned as viewing recommendations in this episode. Follow Us Stay connected with Challenge Accepted across social media: Instagram: @ChallengeAcceptedLive TikTok: @ChallengeAcceptedLive Twitter / X: @CAPodcastLive For network-wide updates and geek culture news, you can also follow Geek Freaks across socials. Listener Questions We want to hear from you: What is your favorite Coen Brothers movie and why? Does Fargo work for you as a comfort film, or is it too dark? Which winter movie should Challenge Accepted cover next? Send your questions, challenges, or episode ideas to challengeacceptedgfx@gmail.com or message us on social at @ChallengeAcceptedLive. Your question might show up in a future episode. Apple Podcasts Tags movie review, Fargo, Coen Brothers, Frances McDormand, William H Macy, crime thriller, dark comedy, film analysis, Challenge Accepted podcast, Geek Freaks Network, winter movies, classic films

The Keepers, from The Kitchen Sisters and PRX with host, Academy Award-winning actress Frances McDormand. Stories of activist archivists, rogue librarians, curators, collectors and historians. Guardians of history, large and small. Protectors of the free flow of information and ideas. Keepers of the culture and the culture and collections they keep.In this hour Henri Langlois' legendary Cinémathéque in Paris, The Keeper of the National Archives, Nancy Pearl: the first librarian action figure, The Dark Side of the Dewey Decimal System and stories of Prince's epic vault in Minneapolis and the Lenny Bruce Archive. 

Happy Thanksgiving! On this special holiday episode Jack and Corey are joined by director/writer/actor Libby Ewing (Charliebird) to talk Nancy Meyers' quintessential midlife rom-com SOMETHING'S GOTTA GIVE (2003)! The three talk Thanksgiving, cozy movies, Nancy Meyers underrated reputation, Diane Keaton's untouchable charm, Jack Nicholson's butt, director's commentaries, Letterboxd top fours, mixing nitroglycerine and viagra, Crazy Town, AIM, Keanu Reeves childlike innocence, Frances McDormand's comedy chops, Amanda Peet's tour through the set, crying montages, and turtlenecks.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

You can't say “Macbeth” in a theater, but you can certainly say it on a podcast! Dana Schwartz joins us (in her third Blank Check appearance on a witch-centered film) to talk about Joel Coen's The Tragedy of Macbeth, the first solo-directorial effort from a Coen Brother after their amicable split. We're debating the success of Frances McDormand and Denzel Washington's performances, learning about the history of Scottish kings, and discovering Ben Hosley's family crest in the first Blank Check episode devoted to a work of Shakespeare. Trust us, this isn't homework. It's fun! Listen to Noble Blood Listen to Hoax  Read Anatomy A Love Story Pre-order The Arcane Arts Read If Roast Beef Could Fly Check out Forbidden Planet Watch Jefferson Mays' A Christmas Carol Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Few films strike the perfect balance between dark humour, bleak violence, and unforgettable characters quite like Fargo (1996). In this week's Born to Watch deep dive, the boys return to the bitter cold of Minnesota to revisit a Coen Brothers classic in our full Fargo Movie 1996 Review. Whitey, Gow and Morgz each recount their own memories of first seeing Fargo, or in Dan's case, pretending he remembers anything from the 90s, before jumping headfirst into one of the most uniquely crafted crime films ever made.The episode kicks off with the lads debating their first screening. Whitey vividly remembers dragging everyone to the Dendy at Martin Place, feeling like a highbrow film buff discovering something special. Gow recalls the off-beat charm hitting him straight away. Dan, naturally, remembers nothing, except that he probably recommended the film, selected the seats, and probably did everything else. Classic Morgz. From there, the group dives into just how extraordinary Fargo's cast was at the time. The Coens pulled together a line-up of "relative nobodies" only to turn them into household names nearly three decades later.The chat quickly turns to Minnesota cold weather, obscure fast-food chains, and one of the great running bits of the episode, exactly how many times Morgz allegedly found himself "accidentally" next to someone mid-romp during their travels. The boys also unpack the brilliance of Frances McDormand's Marge Gunderson, who doesn't even appear in the film's first 34 minutes but completely owns the narrative once she arrives. She's sharp, funny, methodical, and easily one of the greatest characters of the '90s.Whitey breaks down the film's critical reception, comparing its Rotten Tomatoes and IMDb scores with those of past Born to Watch heavy hitters, such as Jaws, Rocky, The Terminator, and Catch Me If You Can. Morgs jumps in with Film School for Fuckheads, exploring how the Coens weaponised "Minnesota Nice" to create tension using politeness, silence, and awkwardness as narrative devices. From the meticulously written stuttering dialogue in William H. Macy's script to the off-kilter pacing of small-town conversations, the Coens built an atmosphere where the horror is subtle, creeping, and drenched in snow.Gow rolls through the cast, shining a spotlight on Steve Buscemi's legendary "funny looking" performance and the near-silent menace of Peter Stormare, who delivers only 18 lines across the film yet becomes one of its most iconic figures. The boys get into the famous wood-chipper scene, the fake "true story" marketing trick, and how half the audience in 1996 genuinely believed the events were real.There's also classic Born to Watch chaos, from detours into Shameless, to the worst movie endings ever made, to hookers in Hawaii, to Playboy magazines in glove boxes, to the eternal question: "Would you make sure your licence plates were right if you'd just kidnapped someone?"  Just another Wednesday on Born to Watch.The crew rounds things out with The Good, The Bad and The Ugly, celebrating the film's tight 94-minute runtime, near-perfect dialogue, incredible performances, legendary cinematography from Roger Deakins, and the deep satisfaction of a crime story where normal, everyday people take centre stage.Fargo isn't just a film, it's a vibe. A cold, bleak, funny, violent, polite vibe that the Born to Watch boys unpack with equal parts nostalgia and nonsense. Strap in, grab your Arby's, and enjoy one of our best episodes yet.#YouBetchaJOIN THE CONVERSATION  Is Fargo the greatest dark comedy of the '90s? Does the wood-chipper still make you squirm? And is Marge Gunderson the most likable cop in movie history?Listen now on Spotify, Apple Podcasts, or BornToWatch.com.auLeave us a five-star review; it helps the show more than you know. #Fargo1996 #FargoMovie1996Review #BornToWatchPodcast #CoenBrothers #FrancesMcDormand #MinnesotaNice #MovieReviewPodcast #90sMovies #DarkComedyFilms #FilmNerds

After a year-long hiatus, Overlapping Dialogue is officially back—ringing in the triple digits with our 101st episode! We ease back into the swing of things with a double feature that pits small-town rage against cosmic emotional reckoning: Martin McDonagh's bruising Three Billboards Outside Ebbing, Missouri (2017) and Ari Aster's latest descent into existential dread, the enigmatic and horrific satire of modern life, Eddington (2025). But first, our Blue Plate Special returns with a fresh batch of chatter on the latest film news and releases: we unpack the teaser trailer for Michael, the upcoming Michael Jackson biopic; lament the canceled Ben Solo Star Wars project that might've been directed by Steven Soderbergh; and offer capsule reviews of recent releases Roofman, Blue Moon, Springsteen: Deliver Me from Nowhere, and Bugonia. Whether you've been with us from the beginning or just now found your way back into the booth, we're thrilled to be talking movies with you once again. As always, please like, subscribe, rate, and review us on Apple Podcasts, Spotify, YouTube, and wherever else you listen! Got thoughts or questions? Email us at huffmanbrothersproductions@gmail.com

Cameron Crowe's love-letter back to the music he grew up on. A teenage journalist gets an opportunity to go on the road with an up-and-coming rock band in the early 1970s.  Starring Kate Hudson, Billy Crudup, Frances McDormand, Jason Lee, Patrick Fugit, Phillip Seymour Hoffman, Zooey Deschanel, Anna Paquin and Fairuza Balk. This is a cross-over episode with our friends from the Growin' Up Rock Podcast!  Check out their upcoming episode where we discuss the Almost Famous soundtrack track-by-track!

EPISODE 111 -  “CELEBRATING DIANE KEATON: THE HIDDEN GEMS OF A HOLLYWOOD ORIGINAL” - 10/27/25 When DIANE KEATON passed away on October 11, 2025, she left behind an incredible legacy of important films and stunning performances that were some of the best of the era. Her youthful effervescence, her fashion style, everything about her belied mortality.  Most people think of her masterful, Oscar-winning performance in Annie Hall, (1977) but her career is so much more than that one role. Over the past five decades, her filmography is a study in contrasts: farce, heart wrenching dramas, rom-coms with a twist — she's taken risks, playing complicated women (even in the lighter faire), and made some really interesting choices. In this episode, we're going to take a look at some of the films Diane Keaton made that don't always get the spotlight they deserve. Watching these films, whether for the first time or a revisit, you realize just how bold and varied her work was. Whether in a quiet drama focusing on an intimate character study, a quirky comedy, or something completely unexpected, Diane Keaton always brought a mix of honesty, humor, and heart that was entirely her own.  So, today we honor the life and legacy of the multifaceted Diane Keaton. SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Play It Again, Sam (1972), starring Woody Allen, Diane Keaton, & Tony Roberts; Looking For Mr, Goodbar (1977), starring Diane Keaton, Tuesday Weld, William Atherton, Richard Gere, Richard Riley, Allen Fienstein, Tom Berenger,  Priscilla Pointer, & LaVar Burton; Interiors (1978), starring Diane Keaton, Mary Beth Hurt, Kristin Griffith, Geraldine Page, E.G. Marshall, Richard Jordan, Sam Waterston, & Maureen Stapleton; Shoot The Moon (1978), starring Diane Keaton, Albert Finney, Dana Hill, Karen Allen, Peter Weller, Tracy Gold, Tina Yothers, & Viveka Davis; Marvin's Room (1996), starring Diane Keaton, Meryl Streep, Leonardo Di Caprio, Robert DeNiro, Gwen Verdon, Hume Cronyn, & Hal Scardino; Sometime's Gotta Give (2003), starring Diane Keaton, Jack Nicholson, Keanu Reeves, Amanda Peet, Frances McDormand, & Jon Favreau; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

More aptly titled “Weekend at the English Professor's," this deadpan comedy is also a quirky drama satirizing the literary sphere within academia. It's held together by the star power of Michael Douglas, Frances McDormand, Tobey Maguire, and Robert Downey, Junior, but . . . what is it? Plot line defiance and genre pigeonhole-dodging give the Brains food for thought. Join the feast. You can watch this, and several other episodes in full video on our YouTube channel as well at: https://www.youtube.com/@TheFilmWithThreeBrains

We're at the beach with Jack and Diane as we look at the romance of Nancy Meyers's 2003 smash rom com Something's Gotta Give! Join in as we discuss thinly-veiled adaptations of real life, the film's examination of Jack Nicholson, and the weird lack of Frances McDormand. Plus: How long has Julian (Keanu Reeves) been tracking down productions of Erica's (Diane Keaton) plays? Why didn't Harry's employees ever show up again? And did Nancy watch the Matrix sequels? Make sure to rate, review, and subscribe! Next week: A Nice Indian Boy (2025)---------------------------------------------------Key sources and links for this episode:"Nancy Meyers Searches for Her Own Comfort" (Vulture)"What's it Like to be Directed by Nancy Meyers" (Vulture)"A Kooky Conversation with Nancy Meyers Muse Diane Keaton" (Vulture)"Set Design: Something's Gotta Give" (Architectural Digest)"Venice 2012: Paul Thomas Anderson says Tom Cruise Has Seen The Master 'and We're Still Friends'" (The Hollywood Reporter)"The Story of Harold Ramis and Amy Heckerling's Secret Daughter" (Vulture)"Last 5 Years is a Musical Marriage-Go-Round" (New York Post)"Stereophonic Settles Lawsuit with Fleetwood Mac Producer" (The Hollywood Reporter)"Life Isn't Like the Movies (Even if You Write the Movies)" - Modern Love essay by Nancy Meyers (New York Times)

We're at the beach with Jack and Diane as we look at the romance of Nancy Meyers's 2003 smash rom com Something's Gotta Give! Join in as we discuss thinly-veiled adaptations of real life, the film's examination of Jack Nicholson, and the weird lack of Frances McDormand. Plus: How long has Julian (Keanu Reeves) been tracking down productions of Erica's (Diane Keaton) plays? Why didn't Harry's employees ever show up again? And did Nancy watch the Matrix sequels? Make sure to rate, review, and subscribe! Next week: A Nice Indian Boy (2025)-------------------------------------------------Key sources and links for this episode:"Nancy Meyers Searches for Her Own Comfort" (Vulture)"What's It Like to Be Directed by Nancy Meyers?" (Vulture)"A Kooky Conversation with Nancy Meyers Muse Diane Keaton" (Vulture)"Set Design: Something's Gotta Give" (Architectural Digest)"Venice 2012: Paul Thomas Anderson Says Tom Cruise Has Seen The Master 'and We're Still Friends'" (The Hollywood Reporter)"The Story of Harold Ramis and Amy Heckerling's Secret Daughter" (Vulture)"Last 5 Years a Musical Marriage-Go-Round" (New York Post)"Stereophonic Settles Lawsuit with Fleetwood Mac Producer" (The Hollywood Reporter)"Life Isn't Like the Movies (Even if You Write the Movies)" - Nancy Meyers "Modern Love" Essay (New York Times)

Primal Fear is a superb film. The novel, by William Diehl, is even better. This is a story to add to your short list of go-to stories to study for absolutely any aspect of the craft. Enjoy! - V. Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

Dana had to call in sick this week, so Tom and the newest 5x Club member, Jesse Sertle (CineMadison) discuss Almost Famous (2000) for its 25th anniversary: written and directed by Cameron Crowe, cinematography by John Toll, music by Nancy Wilson, starring Billy Crudup, Kate Hudson, Frances McDormand, Jason Lee, and Patrick Fugit.Plot Summary: Almost Famous is a coming-of-age story about music, identity, and growing up in the 1970s. The film follows William Miller, a 15-year-old aspiring music journalist, who gets the chance of a lifetime when Rolling Stone magazine hires him to cover an up-and-coming rock band called Stillwater.William joins the band on tour, where he experiences the excitement and chaos of life on the road. Along the way, he befriends Penny Lane, a free-spirited groupie who hides her own heartbreak behind her love for the music. As William tries to balance his journalistic duties with his feelings of friendship and loyalty, he struggles with the blurred lines between truth and storytelling.At its core, Almost Famous is about the power of music to shape lives, the messy process of growing up, and learning who you are when surrounded by fame, love, and disappointment.Guest:Jesse Sertle (5x Club Member)fellow group member of CineMadisonpreviously on Rounders (1998), Easy Rider (1969), and Once Upon a Time in Hollywood (2019), Star Wars (1977)@jsertle on IGChapters00:00 Introduction, Cast of Almost Famous, and Welcome Back Jesse03:34 Almost Famous - Tom's First Impressions09:00 Background for Almost Famous10:11 Why Does America Love Rockstars?16:12 Plot Summary for Almost Famous17:08 What is Almost Famous About?26:27 Did You Know?30:18 First Break31:01 Best Performance(s)42:13 Best Scene(s)51:36 Second Break52:14 In Memoriam54:39 Best/Funniest Lines57:57 The Stanley Rubric - Legacy01:07:39 The Stanley Rubric - Impact/Significance01:12:53 The Stanley Rubric - Novelty01:16:42 The Stanley Rubric - Classicness01:23:07 The Stanley Rubric - Rewatchability01:26:24 The Stanley Rubric - Audience Score and Final Total01:27:30 Remaining Questions for Almost Famous01:33:30 Thank You to Jesse and Final Thoughts01:36:52 Credits01:37:57 Introduction to the Cinema Legacy Poll01:38:43 Thank You to All of Our Participants01:43:25 The Cinema Legacy Poll - Rankings 120-11101:45:21 Initial Reactions to the First List Drop01:52:36 Final Thoughts for the Weekly DropYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to:

Send us a text In this episode, we head to the snow-covered Midwest to dive into Joel and Ethan Coen's 1996 masterpiece Fargo. More than just a crime story, Fargo blends dark comedy, brutal violence, and Midwestern politeness into a uniquely Coen Brothers cocktail. We'll unpack the unforgettable performances of Frances McDormand, William H. Macy, and Steve Buscemi, explore how the film's “true story” framing plays with the audience, and discuss why Marge Gunderson has become one of cinema's most iconic characters. Along the way, we'll examine the movie's chilling themes of greed, morality, and human folly—and how Fargo manages to balance all that darkness with a quirky, offbeat sense of humor. Nick Leshi's City of Kik PodcastSupport the showBrowse the 33/24 Archives: Check out the backroom! Follow us: Instagram Facebook Watch us on YouTube!

Did you know Nicolas Cage starred in a Coen brother's film alongside Holly Hunter and John Goodman? It's true and we're talking all about it! It's time for the mustached classic, Raising Arizona! It stars Holly Hunter and John Goodman, as we said, as well as William Forsythe, Frances McDormand, Sam McMurray, Trey Wilson, Warren Keith, and of course, Nicolas Cage! Directed by Joel Coen! Thanks for joining us. Let's hit it.Then we run our little computer system thingy to find out what movie joins the Wheel-O-Cage next! Don't forget to check out our social media pages to see the next Wheel-O-Cage spin and find out what movie we're reviewing next on the show! Plus, CAGE-O Bingo!Links: ⁠⁠⁠comingofcage.com⁠⁠⁠Merch Store: ⁠⁠⁠https://www.teepublic.com/stores/derricostudios?ref_id=7261⁠⁠⁠Reddit: ⁠⁠⁠https://www.reddit.com/r/comingofcage/⁠⁠⁠Apple Podcasts: ⁠⁠⁠https://podcasts.apple.com/us/podcast/coming-of-cage/id1625687655⁠⁠⁠Spotify: ⁠⁠⁠https://open.spotify.com/show/1mVw6A52QjbMeQicIlj4i7⁠⁠⁠Spreaker: ⁠⁠⁠https://www.spreaker.com/podcast/coming-of-cage–6057154⁠⁠⁠RSS Feed: ⁠⁠⁠https://anchor.fm/s/fbf3c75c/podcast/rss⁠⁠⁠Join our Film Forum for news, memes, spoiler conversations, tournaments, polls, and more: ⁠⁠⁠Facebook.com/groups/ScreenHeroes⁠⁠⁠A Derrico Studios ProductionHosted by Derreck Mayer & Ryan CoutureExecutive Producer & Editor: Derreck Mayer

EPISODE 182 – ALMOST FAMOUS “That's right, ladies and gentlemen: it's another week where I have to tell people to ignore the name of our podcast.” Secret Santa Summer closes out with Chris's gift to Ashley: the Oscar-winning music comedy-drama Almost Famous! This week, Brian handwaves the Chipmunk Theory; Ashley defends the mom; Brandon gives Ashley pick-up advice; and Chris chooses his last words. BTW: The Old Lady Voice Drinking Game! Starring: Patrick Fugit, Kate Hudson, Billy Crudup, Frances McDormand, Jason Lee, Zooey Deschanel, Anna Paquin, Fairuza Balk, Noah Taylor, Jimmy Fallon, and Phillip Seymour Hoffman Directed by Cameron Crowe FOLLOW US:Patreon (https://www.patreon.com/trashwatch)Instagram (@trashwatchpodcast)TikTok (@trashwatchpodcast)YouTube (https://www.youtube.com/channel/UC5YpPcNIBmqNvvLvxa3WTLA)Email (trashwatchpodcast@gmail.com)Listen to Brian's music at (https://www.brianhorne.com)Support the show

From Sam Raimi, the acclaimed directer of the Evil Dead Trilogy AND Spider-Man Trilogy comes this action thriller which FEELS as if it was based upon a comic book though was actually an original concept developed by Raimi when he was unable to land the rights for The Shadow back in the late '80's.  Oscar-nominee Liam Neeson (Schindler's List, Taken) stars as Payton, a mild-mannered scientist trying to develop synthetic skin.   Oscar-winner Frances McDormand (Fargo, Nomadland) plays his attorney girlfriend Julie who uncovers a real estate scam, and Emmy-winner Larry Drake (LA Law, Dr. Giggles) plays Durant, the mob enforcer who comes along with his goons to rough up Peyton for the evidence, brutalize him, and leave him for dead after dipping much of his body in acid leaving him burned all over....only Peyton isn't dead.  And what results is a wild, crazy, and quotable revenge thriller which came out 35 years ago this summer and developed into a cult hit.WARNING: GRAPHIC VIOLENCE PORTRAYED VIA MOVIE CLIPSHost & Editor: Geoff GershonEditor: Ella GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

In the second installment of our seven deadly sins arc, Zach and Ben explore greed through the lens of Fargo. The breakout movie for the Coen Brothers, Frances McDormand, and William H. Macy, Fargo is a bleak look at an often overlooked area of the U.S. The slimy, underconfident used car salesman Jerry Lundergaard, desperate for money, bites off more than he can chew with a scheme he develops. Chaos ensues, and we witness greed destroying multiple lives throughout the film. So you betcha this is an important episode to listen in on!Instagram-@TheMovieVaultPod Email us- themovievaultpod@gmail.com YouTube - https://www.youtube.com/@lastresortnetworkThis episode is brought to you by Hedman Anglin Agency. Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.HedmanAnglinAgency.com

Send us a textWe close out our “One Last Chance” theme with Three Billboards Outside Ebbing, Missouri, about a mother (Frances McDormand) trying to provoke the local police department in an effort to reinvigorate the stalled investigation into the murder of her daughter. The shakeup this week was that the film must have come out within the last ten years, and this one fits the bill (board), having been released in 2017. We also talk about the top ten films with the longest titles, as well as some history of billboard advertising. If that doesn't pique your interest, we're not sure what would!

With his timely new thriller 40 Acres now playing in theaters across the US and Canada, writer-director RT Thorne takes a moment to throw some love at Blood Simple, the bravura neo-noir that introduced the world to Joel and Ethan Coen – and to Frances McDormand, and Carter Burwell, and Barry Sonnenfeld. Your genial host Norm Wilner is always happy to dig into a classic, and this is certainly that.

Producer/Host: R.W. Estela Hi, I'm RW Estela: Since 1991, I've been presenting A Word in Edgewise, WERU's longest-running short feature, a veritable almanac of worldly and heavenly happenings, a confluence of 21st-century life in its myriad manifestations, international and domestic, cosmopolitan and rural, often revealing, as the French say, the more things change, the more they stay the same — though not always! Sometimes in addressing issues affecting our day-to-day lives, in this age of vagary and ambiguity, when chronological time is punctuated elliptically, things can quickly turn edgy and controversial, as we search for understanding amid our dialectic. Tune in Monday mornings at 7:30 a.m. for an exciting journey through space and time with a few notable birthdays thrown in for good measure during A Word in Edgewise . . . About the host: RW Estela was raised as a first-generation American in Colorado by a German mother and a Corsican-Basque father who would become a three-war veteran for the US Army, so RW was naturally a military brat and later engaged in various Vietnam-era civil-service adventures before paying his way through college by skiing for the University of Colorado, playing Boulder coffeehouses, and teaching. He has climbed all of Colorado's Fourteeners; found work as an FAA-certificated commercial pilot, a California-licensed building contractor, a publishing editor, a practitioner of Aikido, and a college professor of English; among his many interdisciplinary pursuits are the design and building of Terrell Residence Library (recently renamed the Terrell House Permaculture Living & Learning Center at the University of Maine), writing Building It In Two Languages (a bilingual dictionary of construction terminology), aerial photo documentation of two dam removals (Great Works and Veazie) on the Penobscot River, and once a week since 1991 drafting an installment of A Word In Edgewise, his essay series addressing issues affecting our day-to-day lives — and WERU's oldest continuous short feature. When pandemics do not interfere, he does the Triple Crown of Maine open-water ocean swims (Peaks to Portland, Islesboro Crossing, and Nubble Light Challenge) and the Whitewater Downriver Point Series of the Maine Canoe and Kayak Racing Organization. RW is the father of two and the grandfather of three and lives with his partner Kathleen of 37 years and their two Maine Coons in Orono. The post A Word in Edgewise 6/23/25: Of the Summer Solstice, Carl Sandburg, Rita Dove, & Frances McDormand . . . first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

There's a reason why the British theatre maker Tim Crouch doesn't want his actors to hear this podcast — it's because they're not supposed to know anything about their role until an hour before the show. This year, Tim's award-winning play “An Oak Tree” turns 20. It's one of the strangest and most influential theatre experiments in history, and it's currently being staged at the Luminato Festival in Toronto. Each performance is completely unique, shaped by the presence of a different guest actor, including past celebrity guests like Frances McDormand, Mike Myers and Alan Cumming. Tim sits down with guest host Gill Deacon to talk about the risk in live performance, the power of not-knowing, and why this show still resonates 20 years on.

In Almost Famous, writer and director Cameron Crowe looks at the ecosystem surrounding a rising rock band in the early '70s. Starring Patrick Fugit, Kate Hudson, Frances McDormand, and many more, the movie is a coming-of-age story that touches on journalism, sex, rock 'n' roll, parenthood, and the perils of trying to be cool. Almost Famous turns 25 this year, so today we are revisiting our conversation about the movie.Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

We've had a number of masterful movies this season and Women Talking is another one. Q: How do you tell a story when everything you've ever known is at stake? A: Consider the pros and cons using multiple protagonists. This is a great movie where the level of writing craft is high, and the core event provides more relief than you thought possible. If you can bear to watch this movie more than once, it will be worth it. -M. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

Send us a textAnother one of our podcast friends took us up on our offer to pick their own topic for their guest spot. Bill Bant of the All 80s Movies Podcast made his non-1980s pick, just barely, and it is a good one. Join us as we discuss Darkman from director Sam Raimi. Twitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7

In this episode we discuss the early years of the Coen Brothers' careers, their process of making Fargo, and the continued critical and growing commercial success of their films. We also talk about Francis McDormand, her friendship with Holly Hunter, her marriage to and working relationship with Joel Coen, and her many career and Academy Award achievements. --Instagram: https://www.instagram.com/thanktheacademypodcastX: https://www.twitter.com/thankacademypodEmail us your thoughts: thanktheacademypod@gmail.comFollow us on Letterboxd:https://letterboxd.com/thanktheacademy/

Send us a textGaius Boiling (Instagram / Letterboxd ) from the "Back to the Blockbuster," podcast DROPS IN for his choice ”Darkman."  (1990  d. Sam Raimi). Starring: Liam Neeson, Frances McDormand, and Larry Drake. It's a bird, it's a plane, no it's Liam Neeson as 'PRUUNNNNEEE TRACY' in this original Superhero flick from Raimi, the great and powerful. What are Darkman's "powers?" Is there a Face/Off with out a Darkman? How much was Neeson allowed to use improvisational comedy? And all that very intentional pink elephant stuff. We answer all these questions and more thanks to a generous grant from the NY film academy school and Flim Springfield. 4/15!**All episodes contain explicit language**Artwork - Ben McFaddenReview Review Intro/Outro Theme - Jamie Henwood"What Are We Watching" & "Whatcha been up to?" Themes - Matthew Fosket"Fun Facts" Theme - Chris Olds/Paul RootLead-Ins Edited/Conceptualized by - Ben McFaddenProduced by - Ben McFadden & Paul RootConcept - Paul Root

The blood-soaked Blood Simple represents the debuts of not only auteurs Joel & Ethan Coen, but also their star (and Joel's future wife) Frances McDormand. They don't seem to agree though with the widely-shared view that their first film was an expertly-plotted noir. It's one of their best movies, in fact. When the Coen Brothers go down to Texas to shoot a nihilistic movie about death and contract killings, classics like this and No Country For Old Men result. And considering it was an independent production without any stars, it was quite a hit. The brilliant highlight sequence is John Getz covering up what he thinks is the murder of Dan Hedaya, the man he's cuckolded. So enjoy episode #2 in Revenge Month and our 657th episode overall as we, yes ARE having a good time in our yellow suit and hat while we review Blood Simple. Well, Actually: the Sundance film festival (the "Utah/US Film Festival" as it was known at first) got its start in 1978, while the Toronto International Film Festival got its start in 1976. Also, Dessau is a neighbourhood in Austin, Texas, so the "Dessau" in the sign outside the club must refer to that. Also also, the reason Ray stops the car and runs away in shock is because he hears noise coming from the "dead" body in the back seat. Acquire outstanding beans from Sparkplug Coffee. They give our listeners a onetime 20% discount if they use our "HYES" promo code. The website? Why, it's "sparkplug.coffee/hyes". Subscribe to our podcast in your app, but also rate and review it. We post on YouTube too (@hyesellis in YouTube's search bar), where you can drop some comments and help us out by liking the show. Contact us on social media. On Twi-X, we're @moviefiend51 and @bevellisellis. On Bluesky, we're ryan-ellis and bevellisellis. And our email address is "haveyoueverseenpodcast@gmail.com".

Hosts Sonia Mansfield and Margo D. take the stand and dork out about 1996's PRIMAL FEAR, starring Richard Gere, Edward Norton, Laura Linney, John Mahoney, Alfre Woodard, Frances McDormand, and Andre Braugher. Also discussed: ADOLESCENCE, BELOW DECK DOWN UNDER, WHITE LOTUS, A BODY IN THE SNOW: THE TRIAL OF KAREN READ, and DEATH OF A UNICORN.Dork out everywhere …Email at dorkingoutshow@gmail.comSubscribe on Apple PodcastsSpreakerSpotify YouTubehttp://dorkingoutshow.comhttps://www.threads.net/@dorkingoutshow https://bsky.app/profile/dorkingout.bsky.social https://www.instagram.com/dorkingoutshow https://www.facebook.com/dorkingoutshow

Take the panty off your head and join us for our first(!!!) Coen brothers film, Raising Arizona! We discuss breaking up the brothers, a reference point for a violent birth, mozzarella sticks, Holly Hunter and the best message for kidnappers. Also: magical baby powers, cutting through earnestness with a punchline and making sure you get your dip tet. Check it out!  Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, decoder ring, shout out on the show AND you get to vote on monthly episodes and themes. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

Twenty-five years ago, director Curtis Hanson (8 Mile, The Hand That Rocks the Cradle) followed up his widely acclaimed crime drama classic LA Confidential with this quirky adaptation of the Michael Chabon novel of the same name.  This tells the simple story of Professor Grady Tripp (Michael Douglas) who wrote ONE great novel several years and is having.....some difficulties....writing the follow-up.  Beyond that, he has one headmaster's wife (Frances McDormand) who he's been having an affair with, a highly impressionable much younger student (Katie Holmes) who is enamored with him, a nebbishy editor/publisher (Robert Downey Jr.) who keeps hounding him for that next book, and.....a wayward student James Leer (Tobey Maguire) whom he gets mixed up with in some incident involving a dog that gets shot.  James Leer also looks up to Grady and also just might be The Next Great American Writer.  And there's more plot and several more characters to boot....plot is almost incidental as this Pittsburgh-set character comedy has more to it than plot.  How about interesting characters, comical situations, and loads of fun dialogue to boot!Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

“[This movie] has the vibes of The Fugitive...” - Andrew On this week's episode, WAIT-WHUT-uary goes into legal thriller territory with a chat on the totally entertaining courtroom drama, Primal Fear! What an absolutely phenomenal cast, no? How hilarious is John Mahoney getting so psyched over all that Chinese food? Wouldn't we all have watched that Andre Braugher Goodman TV spin-off it feels like they're setting up? How great is it to have another movie where the great city of Chicago is a character? And how about that twist, huh? Can they make movies like this again, please? PLUS: Welcome to our new podcasters-only bar and dispensary, Pod Suds & Pod Buds™️! Primal Fear stars Richard Gere, Edward Norton, Laura Linney, John Mahoney, Alfre Woodard, Frances McDormand, Terry O'Quinn, Steven Bauer, Joe Spano, Tony Plana, and the late, great Andre Braugher as Tommy Goodman; directed by Gregory Hoblit. Tickets are on sale now for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20, doing shows like WHM, W❤️M, The Nexus, The Gleep Glossary, and Animation Damnation! Tickets are going fast, so friends over there, snag your tix!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.