The Film Stage Show

When people call music cinematic, I think they just mean it sounds like it could be in a movie. About which, fair: being in a movie would do so. But the term is a little frivolous and unevocative. So take me at my word when I say U.S. Girls, the band fronted by American ex-pat Meg Remy, evokes such in its grand, powerful, barreling, vivid sound. I've loved her music for years––a super-aggressive start in ambient, atonal sounds that segued almost seamlessly into a kind of furious disco pop that's bred the likes of 2018's In a Poem Unlimited, maybe my favorite album of the 2010s––and with her new album, Scratch It, out now via 4AD, I saw the opportunity to talk with her about a parallel life in cinema. I should note that Remy is a touring musician, which means we talked with imperfect airport wi-fi and incidental chatter floating in the background, ergo a guy directly behind her on a phone call became an unwitting participant for a short period of this episode. All that notwithstanding, it was a pleasure talking to her and, I hope, a window into the artistic interests of one of our great musicians.

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we discuss Mike Leigh, one of our greatest living filmmakers. Born in England in 1943, Leigh remains an artist for the everyday person more than most. And this descriptor is quite reductive, as the writer/director's aesthetic is deceivingly simple and incredibly effective. Our B-Sides are Life is Sweet, Career Girls, All or Nothing, and Peterloo. Our guest is Alex Heeney, Editor-in-Chief of The Seventh Row, co-author of Peterloo in Process, and host of the Seventh Row Podcast. They've covered several of Leigh's films on the podcast, including Naked and Hard Truths.  Heeney also put together a short guide just for our listeners! https://email.seventh-row.com/bside It features a standout 2024 release that's flown under the radar—with characters as rich and layered as Leigh's best. It includes a spoiler-free intro, where to watch, and a few thoughtful prompts to deepen the experience. We talk with Heeney about Leigh's unique, collaborative development for each new film, his early work with the BBC and Channel 4 (Bleak Moments, Meantime, High Hopes among others) before Life is Sweet's modest breakout success.  There's also discussion about Secrets & Lies and the immediate follow-up Career Girls, which feels in many ways like a companion to Naked. We also debate whether or not the flashbacks in Career Girls are the product of memory or a more traditional narrative construction. We celebrate the breadth of Timothy Spall's range in Leigh's films (including his powerful turn in All or Nothing), I praise Leigh's incredible short film A Sense of History. We chat over our favorite Mike Leigh films and some of his films that haven't worked as well for us. And above all else, we marvel at his ability to find the truth in his characters, big and small.

I've spent my offline hours producing The Jag, a new play that runs from June 21 to July 6 at the Brooklyn Center for Theatre Research. Even without some of my fingerprints, this makes a curiously cinema-centered creative team: directed by Paul Felten (Slow Machine) and written by Robin Schavoir (The Plagiarists), it combines the lo-fi grittiness and observant humor that have defined either's output. (To say nothing of a certain beloved actress lending her voice, uncredited.) If you're listening to this show, odds say what you know about theater could comfortably fit on a cocktail napkin. Thus I'm here to tell you The Jag is an ideal reintroduction to the medium, and––as a sign of confidence––offer up a 30% discount with the code FILMSTAGE upon your ticket purchase. Get tickets here: https://www.eventbrite.com/e/the-jag-tickets-1403829946159?aff=ebdsoporgprofile For this episode I spoke with Felten about the play's germination, evolution, and the feelings that come with being just hours from debuting a new production. Then, a conversation with Familiar Touch writer-director Sarah Friedland on her excellent debut feature, an awards-acceptance speech that earned significant attention, and her intimate experiences on an iconic HBO series.

The release of a new Tom Cruise film is less about the film than it is about Tom Cruise. Ceaseless junket and red-carpet interviews with supposed journalists who were perhaps invented on the spot to ask him questions, clips of these interviews that quickly go viral, endless rankings of the movies, and between all of it the… acknowledgement, perhaps, that Cruise is connected to (or currently participates in) the horrific doings of Scientology. It doesn't take much to discern that our collective fascination is fueled by the wonder at who exactly this man is, and if that man is, for lack of a better word, evil. Thus I asked a cadre of luminaries in the film world to answer two questions. First: Is Tom Cruise evil? Second: In what film does Tom Cruise most play himself?  Listen for answers from our own B-Side and Jordan Raup, Extended Clip, Jokermen, Hesse Deni, Shawn Glinis, Fran Hoepfner, Tommy Prieto, Will Sloan, and Ethan Vestby.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we return to one of our earlier subjects: Ryan Gosling! Our B-Sides are The Ides of March, Gangster Squad, Only God Forgives, and First Man. Our guest is our dear friend Cory Everett, creator of Cinephile: A Card Game!  We talk about Gosling's television career as a young man, his quick rise to stardom, and surprise nomination for Half Nelson fairly early on in his run. He's been searching for his lifelong directorial muse. There's been Derek Cianfrance, Nicolas Winding Refn, and Damien Chazelle. Will he ever find the one? There's that iconic Rachel McAdams kiss at the MTV Movie Awards, the acceleration of his “coolness” after the success of The Notebook all the way through the release of Drive, and that iconic, ever-changing voice of his. There's also those beautiful, weird Gosling eyes. There's also discussion about George Clooney as a filmmaker, his first film and Charlie Kaufman dislike of it, and his progression (regression?) as a director. The merits of Winding Refn are also debated. We all remember when William Friedkin ridiculed Nicolas Winding Refn for calling Only God Forgives a masterpiece. And if you have not as of yet, you should watch the documentary My Life Directed by Nicolas Winding Refn.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we discuss Clint Eastwood, the director and the movie star. Our B-Sides are Breezy, White Hunter Black Heart, Blood Work, Flags of Our Fathers, and The Mule. Our guest is the impeccable Mitchell Beaupre, Managing Editor at Letterboxd.  We talk about Clint's Casper cameo and how that was probably the first thing all three of us saw him in a movie, John Wayne's disdain for Eastwood's on-screen persona, his uncanny direction of actors as well as his smart casting (ahem, The 15:17 to Paris notwithstanding) of actors. Often, if Clint is in one of his own movies, he will surround himself with talent as good (if not better) than himself. There's significant appreciation for his underseen Honkytonk Man, there's honest discussion of his ambitious performance in White Hunter Black Heart (playing a version of filmmaker John Huston), and we three reappraise his Flags of Our Fathers nearly twenty years after its underwhelming release. It's way better than you remember! Additional topics include Spielberg's protégés (from Phil Joanou to Kevin Reynolds to Brad Silberling), Breezy's beautiful rendering of the post-60s counterculture depression, and Blood Work's silly (and wonderful) twist ending.

In a city where the rents are too high, the subways are too slow, and morale barely hovers above cope, repertory options might make such troubles worthwhile. So one thinks while looking over Mikio Naruse: The World Betrays Us, a career-spanning, 35mm-rich, two-cinema retrospective that began last weekend at Japan Society and will continue at Metrograph. It was my pleasure to sit down with those theaters' respective programmers, Alexander Fee and Edo Choi, for a discussion of Naruse's necessity in both theatrical and celluloid contexts, titles of particularly special note, and––most importantly––the best places to eat in each institution's neighborhood. Japan Society: https://japansociety.org/film/mikio-naruse-the-world-betrays-us/ Metrograph: https://metrograph.com/category/mikio-naruse/ On the subject of film programming, I'll also note that my screening of Cymbeline (with filmmaker Michael Almereyda present for a Q&A) is this Friday––tickets may be purchased here: https://www.eventbrite.com/e/amnesiascope-cymbeline-with-michael-almereyda-qa-tickets-1352522103019?aff=ebdsoporgprofile

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  It's a day to celebrate! We discuss the legend Maggie Cheung! Our B-Sides include Lost Romance (a.k.a. Story of Rose), Full Moon in New York, Green Snake, and Sausalito. Our esteemed guest for this episode is Nick Newman, host of the Emulsion podcast for The Film Stage. We talk about the Hong Kong New Wave, Maggie's aborted performance in Inglourious Basterds, the true B-Sidey-Ness of Sausalito, and Maggie Cheung's brief, lovely, recent Sight and Sound interview. There's also Nick's Sight and Sound List, that GQ piece, Julia Ormond's tackling a famous Audrey Hepburn role, and Nick's great interview with filmmaker Olivier Assayas back in 2022. By 2004, at the young age of forty, Cheung retired from acting. Her legacy has only cemented further in the decades since her final films, something we discuss in this episode as well.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we talk about the great Debra Winger! Our B-Sides include Legal Eagles, Betrayed, The Sheltering Sky, and Forget Paris. Our guest is the inestimable Murtada Elfadl, Culture Writer, Critic, and Film Curator. We discuss Winger's stratospheric rise to stardom, her indescribable performance in Terms of Endearment, and her (unfair?) reputation for being “difficult.” There's also plenty of discussion about Rosanna Arquette's documentary Searching for Debra Winger, a film in which Arquette speaks with many famous actresses about aging in Hollywood. The motivation of the piece was partly motivated by Winger's exodus from the business for over half a decade in the mid-1990s. There's also conversation about Shirley MacLaine's 1984 Oscars speech, Tom Berenger being deeply proud of Betrayed and his performance in the film, and all those NBA players that appear in Forget Paris. Janet Maslin and Roger Ebert's superb reviews of Betrayed are mentioned, as is Debra's perfect laugh. Finally, we touch on when Raquel Welch sued MGM and won for being fired from Cannery Row (Winger replaced her in the role), Winger's dropping out of A League of Their Own after Madonna was cast (bonus Patti LuPone on Evita clip here!), Melanie Griffith and William Hurt being director Bernardo Bertolucci's first choices for the leads in The Sheltering Sky, and Debra Winger's infamous Watch What Happens Live episode.

Amalia Ulman has followed El Planeta, one of this decade's most auspicious debuts, with the equal-parts caustic and sincere Magic Farm. With its limited release beginning today, Nick Newman had the fortune of speaking with her and Chloë Sevigny in an interview that highlights the particular relationship between a writer-director-actor and her co-star.

Hello everybody and welcome to The B-Side podcast for The Film Stage, here we talk about movie stars; not the films that made them famous or kept them famous, but the ones they made in between! And today, with The Accountant 2 out in theaters, we thought we'd revisit our episode on the B-Sides of Ben Affleck! Originally recorded in March 2020, at the time of the release of The Way Back, our friend Marie Bardi joins us to talk about our love for a sad Ben Affleck performance, and his ups and downs in B-Sides like Forces of Nature, Bounce, Changing Lanes, and Hollywoodland. We reflect on how his work seems to constantly mirror his life offscreen, and what makes him such an appealing movie star to root for. We get into a lot, so please enjoy this look back at the B-Sides of Ben Affleck.

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about two American icons: Joel and Ethan Coen. Our guest is an icon all his own: Stephen Sajdak from the We Hate Movies podcast! We discuss the B-Sides The Hudsucker Proxy, The Man Who Wasn't There, Intolerable Cruelty, and Burn After Reading. There's also time given to their remake The Ladykillers. We make many references to Adam Nayman's well-researched and well-considered book The Coen Brothers This Book Really Ties the Films Together, explore the critical success the filmmakers had with Fargo, and how they filmed The Man Who Wasn't There in color and then printed it to black-and-white film. Other topics include the Coen Brothers' film Hail Caesar! and their childhood fascination with biblical epics like Quo Vadis, their amazing commentary on The Man Who Wasn't There disc, Spielberg's advice to George Clooney on how to become a movie star, or that time Clooney recalled being bewildered that Quentin Tarantino thought the two of them looked alike while they were promoting From Dusk Till Dawn. Finally, Tracy Zooms In comes up (obviously), the new Barry Levinson gangster picture The Alto Knights, and the James Gandolfini holiday picture Surviving Christmas.

Alexander Horwath's Henry Fonda for President stands among the most notable releases of a still-young year, is certainly the most lauded essay film in recent memory, and was assuredly of personal interest when my friend Zach Lewis offered his approval. As adventurous and open-minded a cinephile as any I know, Zach has equal-parts interest in both the films of Henry Fonda and essayistic, landscape-centered cinema––some Thom Anderson or Harun Farocki come to mind with the former, James Benning the latter––in which Horwath is trading here. I couldn't have been happier to connect with him to discuss the film, and hope our chat is fruitful for you in turn.

An essential document of a moment in time for a story very much still unfolding, The Encampments is a thorough, engrossing portrait of the Gaza Solidarity Encampment. Beginning in April 2024, the protest was formed by Columbia University students who called for their university to divest from U.S. and Israeli weapons companies that are aiding in the deaths of thousands upon thousands of Palestinian people. Following an opening weekend that resulted in the highest-grossing per-theater average for a documentary in history, Michael T. Workman and Kei Pritsker's film now playing in theaters nationwide. As The Film Stage's Editor-in-Chief Jordan Raup in his review, "With insights from those most directly involved in the protests––including many now fearing for their safety and future as America's newly instated fascist regime continues to strip rights––the documentary becomes a sobering, infuriating look at the dismantling of free speech and nefarious, calculated ways those in power will go to any lengths to silence those that are of opposing interests. Rather than employing a bleak view of persistent struggle, directors Michael T. Workman and Kei Pritsker find the unfolding story's hope and inspiration, crafting a powerful, clarifying portrait of collective action. As other universities and organizations drew inspiration, we witness how small acts of courage can cause ripple effects worldwide." Jordan had the opportunity to speak with Pritsker about being trusted to film from inside the encampment, why it was important to show a side that mainstream media wasn't portraying, inviting those with opposing views to watch the film and judge for themselves, the corporatization of universities, fast-tracking the theatrical release, and dedicating his life to the Palestinian struggle.

The restoration and release of Shinji Somai's Love Hotel is no small occasion, and dovetails nicely with this show's ambition to speak with people outside the well-known confines of film culture. Thus this new episode is an interview with Edward McCarry, whose work at Cinema Guild has made the Japanese master, by leagues and bounds, more accessible than was ever thought possible. In our conversation, McCarry shares his passion for Somai, the thrill of sharing his films with larger audiences, some particulars of successfully marketing work with so little commercial imprint, and a preview of the next filmmakers Cinema Guild hopes to give a greater platform.

In honor of the legendary Val Kilmer, who has passed away at the age of 65, we're sharing The B-Side's episode from 2022 discussing his career and most overlooked films. Subscribe to The B-Side: https://pod.link/520164968 See the original description below: Today, we discuss one of the most intriguing actors of his generation: Val Kilmer! To tackle such an enigma, we bring in the legendary Katie Walsh! A must-follow on Twitter, a co-host of the insatiably-entertaining Miami Nice Podcast, and an accomplished writer. The B-Sides featured today are: Kill Me Again, At First Sight, The Salton Sea, and Mindhunters. We discuss how Kilmer was a prodigy––the youngest student admitted into Juilliard's drama department––before his Broadway debut in the (ultimately) star-studded Slab Boys. There's talk of his well-documented penchant to be difficult on set, as well as those who defended him and his abilities. We confront Dan's deep admiration for the poorly-aged The Salton Sea, make brief mention of other B-Sides like Thunderheart, The Real McCoy, and Spartan, and reference both Kilmer's autobiography I'm Your Huckleberry and the 2021 documentary Val. Finally, we acknowledge that perhaps Val Kilmer was ultimately a movie star that never really wanted to be a movie star.

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about two legends: Michael Powell and Emeric Pressburger! Our B-Sides include I Know Where I'm Going!, The Small Back Room, Gone to Earth, and The Elusive Pimpernel. Our guest is the legend Katie Walsh, podcaster and film critic at the Tribune News Service & LA Times. We talk about her lovely experiences watching Powell & Pressburger restoration prints on the big screen, the extent of moviegoing etiquette (put that phone down please!), and the Frank Marshall creature feature Arachnophobia. Also discussed is Powell's infamous (and masterful) opus Peeping Tom, the duo's later work (Oh... Rosalinda!!, The Battle of the River Plate), Powell's autobiography, and the career of Jennifer Jones.

This week consecrates a major turn in the 50-year career of Alan Rudolph, which began as an assistant to and screenwriter for Robert Altman before transitioning into decades writing and directing original, romantic, occasionally unnerving American cinema at a time parallel to (if never quite reaching the fame or acclaim of) Martin Scorsese, Steven Spielberg, Brian De Palma, Francis Ford Coppola, Terrence Malick, and David Lynch. The turn is not a new film, but Criterion anointing 1984's Choose Me, perhaps the best entry point into his corpus, with a 4K release that marks an astonishing restoration of both the film itself and its long-neglected reputation. For this release Nick Newman had the fortune of speaking with Rudolph in an hour-long conversation that detailed Choose Me's creation, how his films both before and after are now defined by it, and honest perspectives on a career just slightly outside the celebrity-auteur spotlight.

Welcome to The B-Side! Here we talk to movie stars! About a movie that people love and the hidden gems they've also made! Dan Mecca and Conor O'Donnell were lucky enough to speak with Amy Irving and Peter Riegert, on the occasion of the Criterion release of Joan Micklin Silver's Crossing Delancey. We discuss the legacy of the film nearly forty years later. With Irving we touch on Honeysuckle Rose, Carried Away, and her new music album. With Riegert we talk about Chilly Scenes of Winter (also directed by Micklin Silver), the feature he directed King of the Corner, and the eclectic range of characters he's played over the years. Additionally, we mention Steven Soderbergh's oeuvre (they were both in Traffic!), the actor's directorial debuts Riegert starred in (Infinity and Jerry & Tom specifically), and how they've both grown as performers over time.

We love speaking with filmmaker Andrew Davis. In late 2023 The Fugitive director came on our podcast The B-Side to discuss a slew of hidden gems as well as the 4K release of the Harrison Ford blockbuster. Davis is back to talk about his novel Disturbing the Bones, a political thriller that reads like an entertaining, extrapolated version of some of his best films. The plot concerns an archaeological dig in Illinois wherein a body is discovered. It leads to a murder investigation amidst a global crisis spurned by a catastrophic, nuclear mistake. The B-Side co-host Dan Mecca spoke with Davis about the book, his Arnold Schwarzenegger action film Collateral Damage, his upcoming projects, and the state of both the film industry and the country.

Presenting Nick Newman's Emulsion, a new podcast from The Film Stage. “WHY on EARTH is there another film podcast?” Is the question you, the reasonable listener, are asking while nevertheless hitting play on this pilot-of-sorts for yet another entry in perhaps the seventh art's most undignified progeny. Stop me if you've heard this one before: here is a show that strives to stand outside its peers. This is not a show informing you that the week's big new release is pretty good, actually or a group of guys talking about '80s movies so bad they're riduclawesome or me digging up the ruddiest MKV file I can find and having a friend from the Internet talk about it with me for 46 minutes––but there will be some of that, because it's better than talking about most other things. Rather, I've envisioned this as a multi-headed object: conversations among filmmakers, film programmers, and cinephiles mixed with monologues, reviews, streaming and repertory highlights––a podcast that takes you from the miked-up, pop-filtered confines of a professional-sounding show to the sturm und drang of chats among friends in a packed bar, which is where some of my most fruitful film discussions have been held and which often yields more valuable observations than, speaking hypothetically, someone stressing over saying just the right thing because they have a microphone in front of them and are emphatically aware that they're on a film podcast. On this debut episode I talk with Carson Lund, the co-writer, director, and editor of Eephus, now in limited release; then Hesse Deni of Movie Mindset joins me to discuss Errol Morris' CHAOS: The Manson Murders, which is now on Netflix. Music courtesy of Alex Walton: "Love Theme From an Unreleased Film" from the album Giving It Up.

In honor of the legendary Gene Hackman, who has passed away at the age of 95, we're sharing The B-Side's episode from 2022 discussing his career and most overlooked films. Subscribe to The B-Side below: https://open.spotify.com/show/4EJFEQMTuLFPIDTbsrbL62 https://podcasts.apple.com/us/podcast/the-b-side-a-film-stage-podcast/id1490472263 See the original description below: Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we discuss perhaps the greatest living actor: Gene Hackman! Dan Mecca and Conor O'Donnell are joined by one of our good, good friends Mitchell Beaupre! Senior Editor at Letterboxd, co-host of their Weekend Watchlist podcast (as well as the brand new podcast Acting Out with Ryan and Mitchell), and contributor to great sites like The Film Stage (!), Paste Magazine, The Playlist, and Little White Lies. Our B-Sides today are: All Night Long, The Package, Heartbreakers, and Welcome to Mooseport. We talk Hackman's beginnings, Mitchell's superb piece on Hackman's spectacular 2001, the actor's own reflections on his accomplished career, his mid-career hiatus, and – finally – his frequent combativeness with his directors. Additional topics include Tommy Lee Jones' wild ‘90s, Jennifer Love Hewitt's recollection of Heartbreakers (both the good and the bad), the work of René Descartes, Nicolas Roeg's Hackman-starring epic Eureka, and the iconic Fox television show Party of Five.

Welcome to a special new podcast episode from The Film Stage. Here at the site we've long been fans of the work of Bill Morrison, who you may best know from his astounding 2016 archival documentary Dawson City: Frozen Time. The New York-based filmmaker received his first-ever Oscar nomination this year for his short film Incident, which reconstructs a 2018 police shooting in Chicago, reassembling the event and its immediate aftermath from a variety of sources, including surveillance, CCTV, dashboard, and body-worn cameras, as a synchronized split-screen montage. With the film now available to watch for free at The New Yorker, The Film Stage co-founder and host of The B-Side podcast, Dan Mecca, spoke with Morrison about the nomination, the Rashomon-influenced inception of the project, how we grasp memory over time as a series of images, and much more. Enjoy the conversation. Watch Incident here: https://www.newyorker.com/culture/the-new-yorker-documentary/incident-shows-how-officers-react-when-a-police-killing-is-caught-on-tape

As a special holiday gift to The Film Stage podcast feed, listen to a new Box Office Bonanza! Here we talk about random box office weekends and where they fit into our lives. The movies, the memories! This episode features Dan Mecca, Conor O'Donnell, Mitchell Beaupre, Jordan Raup, and Cory Everett. The box office weekend in question is July 21, 2000. The number one movie in the country was the Robert Zemeckis-directed, Clark Gregg-scripted, Harrison Ford and Michelle Pfeiffer-starring supernatural thriller What Lies Beneath. The number three movie was the second Pokémon feature film, Pokémon 2000. Gladiator was still in theaters, so was U-571. But at the start, we mount a passionate defense of the new Zemeckis epic Here, which has now arrived digitally. After that, we talk about Martin Lawrence movies. We talk about how horrible Greg Kinnear's character is in Amy Heckerling's Loser. We talk about Al Pacino's new autobiography Sonny Boy. The sport doc Michael Jordan to the Max gets some discussion. An Office Space reference is completely ignored! There are too many 9/11 jokes! How many? You'll have to listen to find out. We remember that great bit with Ben Stiller and Tom Cruise from the MTV Movie Awards (“He's Harmless”). There's an appreciation of Jesus' Son as well.  There's a Saving Silverman reference, talk of yo-yos and Yu-Gi-Oh! There's a remembrance of that time The Perfect Storm and The Patriot came out the same weekend. Finally, for a few moments I'm convinced that nobody has been recording the podcast!  There's a lot here, people! We're thankful for you listening to us have fun! We hope you have some fun too! Check out The Film Stage's 2024 Holiday Gift Guide and Cory Everett's slew of Cinephile books and games!  Enjoy this episode and we welcome other interesting box office weekends to cover in the future. Stay tuned in 2025 for more podcast news from The Film Stage!

For the 550th episode of The Film Stage Show, Brian Roan and Robyn Bahr have a major announcement: after over 12 years, hundreds and hundreds of guests, and thousand-plus hours of discussions, The Film Stage Show is coming to an end. We bid farewell with a discussion of a film in the works decades before the podcast began: Francis Ford Coppola's Megalopolis. Thank you to all of our dedicated listeners! The Slack channel will still continue and be sure to follow Brian Roan and Robyn Bahr on their future movie-going adventures below: https://x.com/BrianJRoan https://x.com/RobynBahr If you don't subscribe yet, The B-Side: A Film Stage Podcast will continue and you can learn more here: https://thefilmstage.com/tag/the-b-side/ The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Trace Sauveur to discuss Tim Burton's Beetlejuice Beetlejuice, now in theaters. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by George W. Myers to discuss Annie Baker's directorial debut Janet Planet, now on VOD. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Jen Johans to discuss Kevin Costner's Horizon: An American Saga – Chapter 1, now on Max. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode from The Film Stage! It's not The Film Stage Show. It's not The B-Side! It's something else! It's a Box Office Bonanza from The Film Stage! Here we talk about random box office weekends and where they fit into our lives. The movies, the memories! This episode features Dan Mecca, Conor O'Donnell, Mitchell Beaupre, Jordan Raup, and Ross Bratin. The box office weekend in question is January 14th, 2005. The number one movie in the country was the Samuel L. Jackson basketball picture Coach Carter. The number five movie was the superhero dud Elektra. There's also the little-seen indie A Love Song for Bobby Long. The Flight of the Phoenix remake was still on the board. Racing Stripes was about to hold really well for a few weeks. Way down is Blade: Trinity, in its sixth week. We discuss those reports of troubles between Wesley Snipes and Ryan Reynolds on set. Made all the more interesting with Deadpool & Wolverine out in the world. There's also some earnest chatter about the television show Suits. Perhaps most interesting this weekend is White Noise. It's surprising box office success - despite its January release date and bad reviews - changed the January month strategy for Hollywood studios. We also talk a little about the Kingdom of the Planet of the Apes, Bad Boys: Ride or Die, and an earnest discussion about Jon Watts and if he is, in fact, a real human being. Enjoy this episode and suggest other interesting box office weekends to cover in the future!

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Dan Mecca for a special dadcast edition of the podcast to discuss M. Night Shyamalan's Trap. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Bryan Kluger to discuss Osgood Perkins' Longlegs. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Conor Clancy to discuss Twisters. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Joyce Kulhawik to discuss Thelma, now in theaters. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by David Rooney to discuss Ti West's MaXXXine. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Jesse Hassenger to discuss Jeff Nichols' The Bikeriders. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Brendan Hodges to discuss Richard Linnklater's Hit Man. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Sam Cohen to discuss George Miller's Furiosa: A Mad Max Saga. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr discuss Field of Dreams (now streaming on Prime Video) in a special Classic episode featuring guest Noah Gittell, author of the new book Baseball: The Movie. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr discuss Jane Schoenbrun's I Saw the TV Glow with special guest Katie Rife. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K UHD or Blu-ray upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr discuss David Leitch's The Fall Guy, now in theaters. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free Blu-ray/DVD upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Scott Nye to discuss Luca Guadagnino's Challengers. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free Blu-ray/DVD upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Ryan McNeill to discuss Alex Garland's Civil War. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free Blu-ray/DVD upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Jenny Nulf to discuss Dev Patel's directorial debut Monkey Man. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free Blu-ray/DVD upon joining. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Lily Marotta to discuss Rose Glass' Love Lies Bleeding. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Natalia Winkelman to discuss Jonathan Glazer's Oscar-winning The Zone of Interest. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Ahead of the Oscars, Brian Roan and Robyn Bahr share their favorite films of 2023 and more best-of-the-year picks. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Max Evry (author of A Masterpiece in Disarray: David Lynch's Dune. An Oral History) to discuss Denis Villeneuve's Dune: Part Two. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Sarah G. Vincent to discuss Cord Jefferson's Best Picture-nominated directorial debut American Fiction. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr discuss Justine Triet's Oscar-nominated drama Anatomy of a Fall, now in theaters and available digitally. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! On a new episode, Brian Roan and Robyn Bahr are joined by special guest Jason LeRoy to discuss Andrew Haigh's All of Us Strangers, now in theaters and coming to Hulu and digital on January 22. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.

Welcome to a new episode of The Film Stage Show! On a new episode, Brian Roan and Robyn Bahr are joined by special guest Catharine Corrigan to discuss Emerald Fennell's Saltburn, now on Prime Video and in theaters. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. The Film Stage Show is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it's guaranteed to be either a movie you've been dying to see or one you've never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.