Podcasts about twentieth century fox

Avatar 3: Ottimo lo chef, ma la ricetta è sempre la stessa dal 2009. Avatar 3 - Fuoco e cenere, regia di James Cameron, con Sam Worthington, Zoe Saldana, Kate Winslet e Sigourney Weaver, prodotto da Twentieth Century Fox, distribuito da Walt Disney Studios Motion Pictures.

Voici le dernier volet de cette trilogie d'épisode consacrée au(x) "Poisson(s)". Dans cet ultime chapitre, Pierre fait aussi bien appel au père du surréalisme André Breton qu'à Ordralfabétix, le célèbre poissonnier gaulois, pour nous parler des expressions françaises et autres appellations impliquant ces créatures aquatiques.Pour aller plus loin, voici l'article de Bérénice Toutant sur les poissons au cinéma.___

We are so excited to celebrate spooky season with our friends, Becky D'Anna & Jon Laubinger, as they launch their new show - DIRECTOR'S TAKE: A SONY PICTURES PODCAST! We got to chat with them about one of their favorite films of this last year, Steven Soderbergh's, PRESENCE (2024). Be sure to check out their New Podcast! Director's Take brings today's most acclaimed filmmakers into conversation with the films that shaped them. Each episode spotlights a director exploring a work they didn't make—but deeply admire—revealing how these stories continue to inspire new generations of artists and audiences. With fresh perspectives and cultural context, Director's Take reintroduces landmark titles as works worth rediscovering.Becky D'Anna has worked in the film industry for over two decades. She contributed to event marketing campaigns ranging from the X-Men franchise at Twentieth Century Fox to the Spider-Man franchise at Sony Pictures. Becky most recently worked on the third-party partnership campaigns for the Oscar-winning animated film, Spider-Man: Into the Spider-Verse, and Sony Picture's highest grossing film in its history, Spider-Man: No Way Home. When not at Sony, Becky loves sharing her film knowledge by writing and podcasting about her favorite movies, TV shows, and filmmakers. In addition, Becky is a guest instructor on film history and appreciation. She most recently taught a 6-hour lecture on the films of Ingmar Bergman at UC Riverside as part of their two week "Contemporary Approaches to Filmmaking" program, and was a guest panelist on the “Horror and the Inevitable Remake" panel at San Diego Comic Con 2022.Website: https://beckydanna.com/ Jonathan Laubinger is an avid movie lover and podcaster. He created, hosted, edited, and produced the Film Baby Film podcast, which primarily focused on deep-dive episodes of beloved art house film classics. Jonathan has also appeared on several other podcasts including WrongReel, Criterion Reflections, and others. He has appeared on multiple game shows, winning almost $90,000. For his day job, he is an executive at a start-up in the specialty insurance industry. Jonathan is a Fellow of the Casualty Actuarial Society and has his JD/MBA from Boston College. Spotify: https://open.spotify.com/episode/6H16LiwpgrEPQ8uhHE3FRU?si=5hilMRDWQHioGht6V29gVQ&nd=1&dlsi=7dd3dcf875154dd4Apple Podcasts:https://podcasts.apple.com/us/podcast/zach-cregger-adaptation/id1840753945?i=1000729183843Amazon Music / Audible: https://music.amazon.com/podcasts/08c227b8-ce1f-4817-9241-b11defb40a4c/directors-takePandora - https://pandora.app.link/Qs77bumo4WbTuneIn - http://tun.in/pxVVWSupport the show

Remote work is here to stay—but how do we make it truly effective? How can we stay productive, build trust within teams, and protect privacy—all at the same time?In this episode of the FIT4PRIVACY Podcast, host Punit Bhatia chats with Steven Puri, founder of The Sukha Company and former Head of Innovation at Twentieth Century Fox. Together, they explore how to work remotely with trust, productivity, and privacy—three key pieces that make remote work successful. You'll hear real stories about finding your focus in the flow state, creating special spaces to boost creativity, and learning tough lessons about privacy—like a $250,000 NFL fine. Plus, they share simple tools and ideas that help you stay on track and protect your personal space while working from anywhere. Whether you're a remote worker, a manager, or just curious about how to work better and safer, this episode will give you fresh ideas to improve your work and life. Listen now to discover how trust, productivity, and privacy come together in remote work—and why it matters for your time, your focus, and your data. Subscribe and share this episode with someone who wants to make remote work truly work. Because working remotely isn't just about being online—it's about doing it right. KEY CONVERSION 00:02:42 How would you define this element of trust  00:06:10 Define trust in a remote environment  00:09:09 In a remote world, how do you help build trust in an unwritten scenario? 00:12:34 How do you define this healthy productivity 00: 14:56 Leadership 00: 17:18 Flow State  00: 24:39 The Sukha Company and Contacts  ABOUT GUEST Steven Puri is the Founder and CEO of The Sukha Company with the mission to help millions of people find their focus, achieve more and have a healthy work life. Steven's career started as a newscaster/interviewer for the #1 youth news show in the DC/Baltimore market (on WTTG-TV) and then as a junior software engineer & Thomas J. Watson Scholar at IBM. After attending USC in Los Angeles, he began working in film production and produced computer-generated visual effects for 14 movies including Independence Day which won the Academy Award for Visual Effects.  Steven's first tech company was Centropolis Effects that produced those CGI effects, and he eventually sold it to the German media conglomerate Das Werk when he was 28. Steven then produced some indie films and eventually went studio-side to develop and produce live-action features as a VP of Development & Production at 20th Century Fox (running the Die Hard and Wolverine franchises) and an EVP at DreamWorks Pictures for Kurtzman-Orci Productions where he worked on Star Trek, Transformers and more. ABOUT HOST Punit Bhatia is one of the leading privacy experts who works independently and has worked with professionals in over 30 countries. Punit works with business and privacy leaders to create an organization culture with high privacy awareness and compliance as a business priority. Selectively, Punit is open to mentor and coach professionals.  Punit is the author of books “Be Ready for GDPR' which was rated as the best GDPR Book, “AI & Privacy – How to Find Balance”, “Intro To GDPR”, and “Be an Effective DPO”. Punit is a global speaker who has spoken at over 30 global events. Punit is the creator and host of the FIT4PRIVACY Podcast. This podcast has been featured amongst top GDPR and privacy podcasts.  As a person, Punit is an avid thinker and believes in thinking, believing, and acting in line with one's value to have joy in life. He has developed the philosophy named ‘ABC for joy of life' which passionately shares. Punit is based out of Belgium, the heart of Europe.  RESOURCES Websites www.fit4privacy.com, www.punitbhatia.com, https://www.linkedin.com/in/steven-puri-b0714436/, www.thesukha.co,  Podcast https://www.fit4privacy.com/podcast Blog https://www.fit4privacy.com/blog YouTube http://youtube.com/fit4privacy   

Cleopatra was released in 1963 and has gone on to herald the end of the golden age of the historical epic in Hollywood. Known as one of the most expensive films to ever be made, its troubled production and the on screen connection between Taylor and Burton have both cemented its place in cinematic history.A Troubled ProductionWe have a look at some of the issues that led to production delays and there were a lot! From tricky weather conditions, Taylor's health troubles, to issues with the script, there wasn't an issue that this film didn't face in the journey to release. Dr Rad delves into the details of the factors that influenced the production including:the monetary problemsthe challenges into Twentieth Century Fox in this periodthe increasing pressure to write and shoot for Mankiewiczand Taylor's public aura in the early 1960sA Foray into Roman and Egyptian HistoryThe historical pedigree of Cleopatra is based on a few different sources including credit given to Plutarch, Appian, and Suetonius! The impetus for the film was also based on the book published in 1957, The Life and Times of Cleopatra by Carlo Maria Franzero. There's a depth of references throughout the film that have support in the ancient sources. Dr G considers:the representation of Ptolemy and his advisorsThe divided representation of Cleopatra as a savvy politician and a seductressThe burning of the library of AlexandriaThe history of where Alexander the Great's body ends up after deathThings to listen out forThe life and significance of CaesarionThe importance of Mankiewicz in bringing this project to lifeShifting to French hoursWhat's up with Mithridates?Caesar's winding journey through the MediterraneanOur historical sources for Cleopatra's lifeJulius Caesar in Egypt versus Cleopatra in RomeCleopatra's complex Mediterranean identityThe powerful representation of motherhoodElizabeth Taylor's requirements for this filmKeen to delve more into Cleopatra? Check out our conversation with Yentl Love about the reception of Cleopatra over time.Further readingBrodsky, Jack; Weiss, Nathan (1963). The Cleopatra Papers: A Private Correspondence (Simon and Schuster)Cooney, Kara (2018). When Women Ruled the World: Six Queens of Egypt (National Geographic Society)Lucan De Bello CiviliWagner, Walter and Hyams, Joe (2013). My Life with Cleopatra: The Making of a Hollywood Classic (Knopf Doubleday)For our full show notes and edited transcripts, head on over to https://partialhistorians.com/Support the showPatreonKo-FiRead our booksRex: The Seven Kings of RomeYour Cheeky Guide to the Roman Empire Hosted on Acast. See acast.com/privacy for more information.

Trust is the foundation of any successful remote work environment—but how do you build trust when there's no clear script or face-to-face connection? In this insightful episode of the FIT4PRIVACY Podcast, Punit Bhatia sits down with Steven Puri, founder of The Sukha Company and former Head of Innovation at Twentieth Century Fox, to unpack what trust really means in a world of blurred boundaries and digital collaboration. They discuss what trust really means in a remote world, where boundaries blur and privacy feel fragile. You'll hear stories about creating flow states, protecting personal space, and using practical tools to stay productive—all while building trust with yourself and your team. From flow states and focus to protecting personal space and digital privacy, Steven shares practical tools, real-life stories, and powerful perspectives on building trust with your team—and with yourself. Tune in to learn how to nurture trust, boost productivity, and protect privacy in the new remote reality. This is an extract from the full episode of The FIT4PRIVACY Podcast. If you like this, you will enjoy the full episode. If this is your first time, the FIT4PRIVACY Podcast is a privacy podcast for those who care about privacy. In this podcast, you listen to and learn from the industry influencers who share their ideas. The episodes are released as audio every Wednesday and video every Thursday.  If you subscribe to our podcast, you will be notified of new episodes. If you have not done so, write a review and share it with someone who will benefit.  RESOURCES Websites www.fit4privacy.com,www.punitbhatia.com, https://www.linkedin.com/in/steven-puri-b0714436/, www.thesukha.co,  Podcast https://www.fit4privacy.com/podcast Blog https://www.fit4privacy.com/blog YouTube http://youtube.com/fit4privacy   

BASED ON A TRUE STORY (BOATS EP. 370) — Twentieth Century-Fox's "Titanic" starring Barbara Stanwyck and Clifton Webb claims to draw facts from 1912 congressional inquiries, so how well does it do when we compare it to history? Where to watch Titanic (1953) ⁠Get Mark's book Mark B. Perry is the author of the novel "And Introducing Dexter Gaines: A Novel of Old Hollywood", a tale that transports you back to the time when during the film's production. is a Golden Globe and Emmy-winning screenwriter known for Wonder Years, Law & Order, Picket Fences, and more. A self-proclaimed "ship geek" and founding board member of SS United States Conservancy, he ironically wrote his own Titanic screenplay in 1988—rejected by studios because "nobody cares about the Titanic." Also mentioned in this episode Get Mark's audiobook Walter Lord's A Night to Remember BOATS episode #35 about James Cameron's Titanic SS United States Conservancy Did you enjoy this episode? Unlock ad-free episodes Get the BOATS email newsletter Chat about this episode Support our sponsors Note: If your podcast app doesn't support clickable links, copy/paste this in your browser to find all the links: https://links.boatspodcast.com/370 Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

BASED ON A TRUE STORY (BOATS EP. 370) — Twentieth Century-Fox's "Titanic" starring Barbara Stanwyck and Clifton Webb claims to draw facts from 1912 congressional inquiries, so how well does it do when we compare it to history? Where to watch Titanic (1953) ⁠Get Mark's book Mark B. Perry is the author of the novel "And Introducing Dexter Gaines: A Novel of Old Hollywood", a tale that transports you back to the time when during the film's production. is a Golden Globe and Emmy-winning screenwriter known for Wonder Years, Law & Order, Picket Fences, and more. A self-proclaimed "ship geek" and founding board member of SS United States Conservancy, he ironically wrote his own Titanic screenplay in 1988—rejected by studios because "nobody cares about the Titanic." Also mentioned in this episode Get Mark's audiobook Walter Lord's A Night to Remember BOATS episode #35 about James Cameron's Titanic SS United States Conservancy Did you enjoy this episode? Unlock ad-free episodes Get the BOATS email newsletter Chat about this episode Support our sponsors Note: If your podcast app doesn't support clickable links, copy/paste this in your browser to find all the links: https://links.boatspodcast.com/370 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we look at Twentieth Century-Fox, John Ford, Shirley Temple, John Wayne, and Alfred Hitchcock.

The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world.  Today's episode features Robert Watt, former Assistant Principal Horn of the Los Angeles Philharmonic.   Robert Lee Watt was born in Neptune, New Jersey the 4th child of seven. His father, Edward Watt Jr. played trumpet professionally in a Jazz ensemble, “The New Jersey Squires of Rhythm.” When Robert was eight years old he got curious about his father's trumpet, kept high on a shelf. Too short to reach it, Robert conscripted his little brother Tony to help. But with Tony on his shoulders he lost his balance, causing both of them to fall to the floor, trumpet in hand.  Robert then attempted to fix the dents in the instrument by using a hammer. The badly damaged trumpet was the way Robert's father discovered his interest in horns. After a serious reproach, Robert's father tried to teach him trumpet. However, it wasn't until years later that Robert discovered the instrument he really wanted to play.    While helping his father clean out a room in the basement Robert discovered some old 78 recordings. The curious Robert gave the old recordings a spin. It was the “William Tell Overture” on hearing the French horns on that recording he asked his father what instrument came in after the trumpet. His father informed him that it was a “French horn” “A middle instrument that never gets to play the melody like the trumpet…why, do you like that horn?” His father asked. Robert replied, “It gives me chills when I hear it, I love it. That's what I want to play.” His father informed the young Robert that it really wasn't the instrument for him. Explaining that it was an instrument for thin-lipped white boys. “Your lips are too thick to play that small, thin, mouthpiece. You'd be better suited for the trumpet like you father.”  Upon reaching high school Robert seriously pursued the French horn. Approaching the band director of his high school in Asbury Park, Robert was again told that his lips were too thick to play the French horn. After being persistent, the band director gave Robert an old French horn that barely worked.  Nevertheless, Robert advanced quickly and was soon winning auditions for honor bands and orchestras throughout the state of New Jersey, bringing great honor to his high school. After high school Robert was accepted to the New England Conservatory of Music in Boston where he majored in music and studied French horn with Harry Shapiro of the Boston Symphony. Mr. Shapiro took great interest in Robert pushing him hard. At the end of his first year Mr. Watt was asked to perform the Strauss Horn Concerto No. 1, with the Boston Pops Orchestra under Arthur Fiedler. The following summer he received a fellowship to the Berkshire Music Festival at Tanglewood. Returning to the Conservatory for his third year Mr. Watt was informed by the president's office that the Conservatory had financial problems and that all scholarships would be canceled for the coming year. At the end of his junior year at the Conservatory Mr. Watt was informed by his French horn teacher that it was time for him to audition for a position in a major symphony orchestra. On the advice of his teacher, Mr. Watt chose Los Angeles and Chicago. When Mr. Watt returned from his audition journey, he had made the finals at both auditions. Two months later The Los Angeles Philharmonic offered him the position of Assistant First Horn. Making him the first African American French horn player hired by a major symphony orchestra in the United States. Mr. Watt joined the ranks of only a handful of African Americans playing in symphony orchestras in these United States. According to the American Symphony Orchestra League, that represented less than 2% of the total, out of twenty-six top orchestras. Mr. Watt held his position until 2007, a career spanning 37 years.  Mr. Watt performed several times as soloist with the Los Angeles Philharmonic under Zubin Mehta and several orchestras in the Los Angeles area as well as the Oakland Symphony performing the Richard Strauss Second Horn Concerto While a member of the Los Angeles Philharmonic Mr. Watt has performed with principal and guest conductors that included: Leonard Bernstein, Eugene Ormandy, Eric Leinsdrof, Carla Maria Giulini, Pierre Boulez, Zubin Mehta, Henry Lewis, James De Priest, Michael Tilson Thomas, Herbert Blumstedt, Andre Previn, Marin Alsop, Esa-Pekka Salonen and Christoph Von Dohnányi. Included among the many world renown artists he has performed with were:     Yo-Yo Ma, Luciano Pavarotti, Placido Domingo, Jose Carreras, Wynton Marsalias, Henry Mancini, Gladys Night, Isaac Hayes, Quincy Jones, Stevie Wonder, Ray Charles, Barry White, Rihanna, Paula Abdul, Herbie Hancock, Lalo Schifrin, The Carpenters, Benny Carter, Quincy Jones, Bon Jovi, Elton John and film composer, John Williams. He has played on film scores of: Spiderman II, Rush Hour, Mission Impossible, Spike Lee's “Miracle at St. Anna, Golf and many others.  Mr. Watt has played the music for the Twentieth Century Fox cartoons, The Simpsons, American Dad, Family Guy and King of the Hill for the past three years. He played on the five hour TV special “The Jacksons, an American Family” under Harold Wheeler, and played for several years for the TV program “Startrek Voyager.” In the late 80's Mr. Watt helped organize an African American Brass Quintet, “The New Brass Ensemble” which performed throughout the United States and abroad.  Mr. Watt has done public speaking lecturing on music and African history in the Los Angeles area. He was hired as guest professor at Los Angele City College teaching the course, “Music of Black Americans”. Recently Mr. Watt executive produced a short film in memory of his friend Miles Davis. The film is based on the musical composition “Missing Miles” by Todd Cochran, commissioned by Mr. Watt, for French horn and piano. The short film was chosen by the Pan African Film Festival and the Garden State Film Festival.  Mr. Watt is a licensed airplane pilot with an instrument rating. He is a saber fencer and he speaks German and Italian.

Ever wondered what it takes to narrate your own audiobook? Cathy Worthington and Merry Elkins chat with the incredible Robert Lane, an audiobook coach and producer, who shares his fascinating career journey from radio and Twentieth Century Fox to empowering authors as a coach. What sparked his transition? And why does he believe nonfiction authors should narrate their own work?Robert dives into the art of audiobook narration, revealing how an author's unique voice and connection to their story bring unparalleled authenticity. We discuss the nitty-gritty of setting up your recording space, overcoming the fear of AI, and embracing your voice. Plus, Robert offers a sneak peek into the audiobook market and strategic marketing plans.Join us for an inspiring conversation that might just ignite your passion for storytelling. Don't miss out—tune in and discover the magic of your own voice!Robert BioRobert A. Lane is an Audiobook Coach & Producer as well as a Transformational Speaker. He spent 30+ years working in the entertainment industry in various facets of the business. Fourteen of those years were spent at 20th Century Fox, working on the studio lot in L.A. as their Feature Project Manager.After leaving the entertainment world in 2020, Robert founded Robert Lane Coaching, first as a Career/Life Coach, then expanding the business as an Audiobook Coach & Producer.After publishing his #1 bestselling book “Lights, Action, YOU!” based on his experiences in the entertainment business, he created the “Your Book Your Voice” audiobook coaching program, a one-on-one program helping nonfiction authors narrate and publish their own audiobooks.Robert has taken the Career/Life Coaching aspect of his business on the road as a Transformational Speaker inspiring audiences from big corporations to community groups all around the country.Connect with RobertWebsiteYouTubeFacebookInstagramLinkedInBook a Call

In this episode, Tara Sands and Steve Yurko interview Joshua Izzo! After working at Topps on the Pokemon cards, Joshua became the Marketing Manager and Head of Sales at 4Kids. He has amazing insights into the early days of Pokémon and Pokémon Live. He has since gone on to work at Hasbro (on Pokémon toys), Capcom, Twentieth Century Fox and Lightstorm. Check out his website at joshuaizzo.com  Here is the link to the Topps cards we talk about in this episode: https://www.elitefourum.com/t/complete-pokemon-topps-gallery/40934  4Kids Flashback is a behind the scenes podcast about the 4Kids era of television as told by the people who were actually there. 4Kids is the company that brought Pokémon, Yu-Gi-Oh!, One Piece and many other anime series to English speaking audiences. Our website is https://www.4kidsflashback.com/  Subscribe at https://www.patreon.com/4KidsFlashback for episodes one week early and ad-free plus bonus content! For merch go to https://4kids-flashback.printify.me/products  Leave us a voice message at Speakpipe.com/4KidsFlashback  Autographs for Charity available at https://www.ebay.com/usr/flashback4kids  Watch videos at https://www.youtube.com/@4KidsFlashback.  Disclaimer: The views and opinions expressed in this program are those of the speakers and do not necessarily reflect the views or positions of any entities they represent or of this podcast and/or it's hosts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cʹest un film catastrophe, absolument spectaculaire qui a fait un triomphe à sa sortie en 1996. Et triomphe, le mot est faible. Le film bouleverse les codes du cinéma, ouvre la voie à la renaissance de genre particulier. Ce film, cʹest Independence Day ; le jour de la riposte, Independence Day ou ID4 en anglais, de Roland Emmerich. Lʹhistoire part dʹun postulat très simple : Et si nous nʹétions pas seuls dans lʹunivers ? Et que faire, quand notre Terre est attaquée par des êtres venus de lʹespace ? Tout commence un jour dʹété tout à fait ordinaire, quand tout à coup des ombres gigantesques recouvrent la Terre. Lʹavenir de la planète et la survie de lʹhumanité sont désormais en jeu. Mais nʹayons aucune crainte, trois hommes - un pilote, un scientifique et le président des Etats-Unis -vont nous sauver. La bataille de la Dernière chance aura lieu le jour de la Fête nationale américaine, le 4 juillet. Simple, voir simpliste, la trame de ce film de Roland Emmerich va pourtant titiller autre chose : le grand spectacle. Sur lʹécran : des explosions, New York, Los Angeles, Paris, Moscou rayés de la carte, des héros, et de lʹhumour. Le réalisateur renoue, juste avant lʹan 2000, avec lʹApocalypse version destruction totale, réinvente les films catastrophe, jouant de la surenchère, se calquant sur les films de guerre des années 60, sur les films catastrophe des années 50, et sur tout un univers de films de science-fiction qui ont bercé son enfance, avec des invasions interminables dʹaliens plus méchants les uns que les autres. Epinglé par la critique, détesté, moqué, Independence Day rencontre son public qui se presse en masse pour le voir. Ça secoue dans tous les sens, on sʹen prend plein la vue, et Roland Emmerich en sort la tête haute. REFERENCES DELORME, Gérard, Jour J, Indépendance Day, in Première, 08.1996 Independence Day, Le jour de la riposte, notes de production du film, Twentieth Century Fox.

Kelly Reemtsen (b. 1967, Flint, Michigan) is best known for her bright and bold paintings of women carrying household tools such as chainsaws or axes. Her work often investigates the role of the modern woman, deconstructing societal perceptions of gender, power and femininity. Reemtsen's paintings are characterized by their thick impasto, stark white backgrounds, and anonymous figures. Reemtsen is currently based in Los Angeles. She studied fashion design and painting atCentral Michigan University and California State University Long Beach. Reemtsen has been involved with printmaking since the 1990s, studying etching and screen-printing in workshops and with educators across the United States.Kelly Reemtsen's work has been exhibited widely in North America and is part of the Twentieth Century Fox and AT&T corporate collections. Kelly Reemtsen, In The Spot Light, 2024, Oil on panel, 44 x 44 inches. Kelly Reemtsen, Focal Points, 2024, Oil on panel, 60 x 60 inches. Kelly Reemtsen, Soften the Blow, 2024, Dark walnut wood, faux fur, lacquer. Each Axe: 36 x 12 x 3 inches.  

This 1948 20th Century Fox Studios Year by Year episode is a doozy, a doubleheader of psychotic lovelorn men with bad ideas in their heads. First, in Jean Negulesco's rural noir Road House, Richard Widmark's spoiled road house owner selects Ida Lupino's unlikely and unforgettable femme fatale as his reluctant assassin, and then, in Preston Sturges' black comedy Unfaithfully Yours, Rex Harrison's celebrated symphony conductor spins murderous melodramatic fantasies and faces a recalcitrant slapstick reality when he suspects his much younger wife (Linda Darnell) of cheating on him. We unpack the practically infinite riches of these colossi of studio-era filmmaking, one with and one without an auteur at the helm.  Time Codes: 0h 00m 25s:      ROAD HOUSE [dir. Jean Negulesco] 0h 50m 02s:      UNFAITHFULLY YOURS [dir. Preston Sturges] Studio Film Capsules provided by The Films of Twentieth Century-Fox by Tony Thomas & Audrey Solomon   Additional studio information from: The Hollywood Story by Joe W. Finler                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join! 

Film lovers have long heard of the legendary names that built Hollywood into a global entertainment empire - Goldwyn, Mankiewicz, Laemmle, Mayer, Loews. But it was The Schenck Brothers, a ruthless pair of Bowery boys, who worked their way up to launch the Hollywood studio system, creating a lasting legacy of 'star maker machinery" while simultaneously breaking all the business rules. MOGULS: The Lives and Times of Film Pioneers Nicholas and Joseph Schenck (Sept. 24, 2024) is co-authored by Producers Guild of America member and film director Craig Singer, and Brooklyn-based writer Michael Benson (Gangsters vs. Nazis). MOGULS is a noirish, incredible Hollywood history. The Schenck brothers held controlling interests in three major studios: Metro-Goldwyn-Mayer (MGM), Twentieth Century-Fox, and United Artists (UA). But chances are you've never heard of them because they preferred to run their global empire behind closed doors. Nick was Louis B. Mayer's boss. Think Mank meets Chinatown and LA Confidential, with a heaping dose of Hail, Caesar! and The Godfather II (of course). Twice as powerful as the Warner Brothers, the Schencks were immigrants who quietly ran Hollywood out of the spotlight, bringing film into a world of blazing color. They were as American as jazz and baseball, as flashy as Gatsby, as cunning as gangsters, who controlled a third of the motion picture industry at their height - and were some of the richest men in America.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Costume Designer, JENNIFER STARZYK is a creative collaborator with over twenty five years in the film industry. She takes a character-driven approach with her own unique vision to serve the story and support the script. Her versatile yet distinct style has been showcased across a variety of genres and periods. Perhaps best known for the Netflix psychological series, Mindhunter. where Jennifer worked closely to create a restrained period look with renowned director David Fincher. Her range varies in tone as seen in Warner Bros Neo-Noir Reminiscence starring Hugh Jackman & Rebecca Ferguson; to the outlandish colorful contemporary in Bill & Ted Face The Music; to allowing documentary footage inform how Colin Firth and Toni Colette should look in aughts fashion for Max's The Staircase. Jennifer's latest work was A24 biopic, The Iron Claw, written and directed by Sean Durkin. The Iron Claw stars Zac Efron, Jeremy Allen White, Harris Dickinson and Hold McCallany and is a tragic film that tells the story of the Von Erich's. Spanning from late 1970s- 1990s, her costumes showcase the dynasty of wrestlers and help create the world of rural Texas. Jennifer's elaborate ring robes were included on display at the 2024 ASU FIDM Art of Costume Design in Film. Upcoming work includes Amazon's Killer Heat, starring Joseph Gordon Levitt, Shailene Woodley and Richard Madden. This contemporary mystery was filmed on location in Greece and follows twin brothers who find themselves in a dangerous love triangle on an isolated island. The contemporary costumes highlight quiet luxury and showcase several Greek fashion brands for added authenticity. During the WGA & SAG strikes, Jennifer lent her energy and talent to help costume The Groundlings charity fundraiser, One Night Only. Having just days to outfit 35 performers for The Chorus Line. The musical featured Saturday Night Live alum Kristen Wiig, Will Forte, Ana Gasteyer amongst other incredible talent and helped raise over $200,000 for Motion Picture & Television Fund. All proceeds went to below the line affected by the strikes. Currently, she is designing a contemporary action comedy for Twentieth Century Fox titled, Eenie Meanie. Written and directed by Shawn Simmons. The film stars Samara Weaving as a reformed teenage getaway driver who is dragged back into her unsavory past when a former employer offers her a chance to save the life of her chronically unreliable ex-boyfriend. No matter the project, Jennifer Starzyk brings the same fierce spirit and powerful approach to designing costumes.

Jim Fielding's dynamic career has spanned senior leadership roles at top global brands, including Disney, DreamWorks, and Twentieth Century Fox, anchored in experience and an early career at The Gap, Lands' End, and as CEO of Claire's Stores; He joins me in an exclusive interview to talk about this new book ALL PRIDE, NO EGO: A Queer Executive's Journey to Living and Leading Authentically with leadership, retail and life lessons you need to hear. ENCORE EPISODEAbout JimJim Fielding is a partner at Archer Gray and president of its Co-Lab Division. A retail and media industry veteran, Jim served as president of Disney Stores Worldwide and led global consumer experiences at DreamWorks and Twentieth Century Fox. His early career experience included top international brands, from The Gap to Lands' End. Jim later served as CEO of Claire's Stores, Inc. He is the author of ALL PRIDE, NO EGO: A Queer Executive's Journey to Living and Leading Authentically (Wiley, August 15, 2023). Jim's expertise combines storytelling, product innovation, merchandising, and consumer experiences. He is an active community leader and philanthropist, a founder of the Queer Philanthropy Circle, and serves on the board of directors for the Indiana University Foundation. Jim has served as an executive-in-residence for IU's Office of Diversity, Equity, and Inclusion and a board member for GLSEN, Make-A-Wish International, and the American Red Cross. He is based in Atlanta, GA and Northport, MI. Michael LeBlanc is the president and founder of M.E. LeBlanc & Company Inc, a senior retail advisor, keynote speaker and now, media entrepreneur. He has been on the front lines of retail industry change for his entire career. Michael has delivered keynotes, hosted fire-side discussions and participated worldwide in thought leadership panels, most recently on the main stage in Toronto at Retail Council of Canada's Retail Marketing conference with leaders from Walmart & Google. He brings 25+ years of brand/retail/marketing & eCommerce leadership experience with Levi's, Black & Decker, Hudson's Bay, CanWest Media, Pandora Jewellery, The Shopping Channel and Retail Council of Canada to his advisory, speaking and media practice.Michael produces and hosts a network of leading retail trade podcasts, including the award-winning No.1 independent retail industry podcast in America, Remarkable Retail with his partner, Dallas-based best-selling author Steve Dennis; Canada's top retail industry podcast The Voice of Retail and Canada's top food industry and one of the top Canadian-produced management independent podcasts in the country, The Food Professor with Dr. Sylvain Charlebois from Dalhousie University in Halifax.Rethink Retail has recognized Michael as one of the top global retail experts for the fourth year in a row, Thinkers 360 has named him on of the Top 50 global thought leaders in retail, RTIH has named him a top 100 global though leader in retail technology and Coresight Research has named Michael a Retail AI Influencer. If you are a BBQ fan, you can tune into Michael's cooking show, Last Request BBQ, on YouTube, Instagram, X and yes, TikTok.Michael is available for keynote presentations helping retailers, brands and retail industry insiders explaining the current state and future of the retail industry in North America and around the world.

Film lovers have long heard of the legendary names that built Hollywood into a global entertainment empire - Goldwyn, Mankiewicz, Laemmle, Mayer, Loews. But it was The Schenck Brothers, a ruthless pair of Bowery boys, who worked their way up to launch the Hollywood studio system, creating a lasting legacy of 'star maker machinery" while simultaneously breaking all the business rules. MOGULS: The Lives and Times of Film Pioneers Nicholas and Joseph Schenck (Sept. 24, 2024) is co-authored by Producers Guild of America member and film director Craig Singer, and Brooklyn-based writer Michael Benson (Gangsters vs. Nazis). MOGULS is a noirish, incredible Hollywood history. The Schenck brothers held controlling interests in three major studios: Metro-Goldwyn-Mayer (MGM), Twentieth Century-Fox, and United Artists (UA). But chances are you've never heard of them because they preferred to run their global empire behind closed doors. Nick was Louis B. Mayer's boss. Think Mank meets Chinatown and LA Confidential, with a heaping dose of Hail, Caesar! and The Godfather II (of course). Twice as powerful as the Warner Brothers, the Schencks were immigrants who quietly ran Hollywood out of the spotlight, bringing film into a world of blazing color. They were as American as jazz and baseball, as flashy as Gatsby, as cunning as gangsters, who controlled a third of the motion picture industry at their height - and were some of the richest men in America.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Holly Hardman started her career as a researcher for Rolling Stone, PBS and Twentieth Century Fox before moving into writing, directing and producing short films. After a personal experience with the dangers of prescribed benzodiazepines, Holly began her latest project, As Prescribed, a documentary that shares the problems linked to these drugs. In this episode of Flip Your Script with Kristi Piehl, Holly shares her advocacy for patients and the importance of understanding the risks of some prescriptions.

Craig Singer, Emmy-nominated director, producer, writer & filmmaker, and Michael Benson, author of 60+ books, check in regarding their new book Moguls: The Lives & Times of Film Pioneers Nicholas & Joseph Schenck. The brothers were involved in the launches of Metro-Goldwyn-Mayer (MGM), Twentieth Century-Fox, and United Artists (UA) created the Motion Picture Academy and the invention of the Oscars, and halted a Nazi takeover of the movie industry and shakedown by the Mob in the 1930s. Danny Yohannan, president of GFA World, also joins the show as we come down the home stretch of our September '24 partnership. We talk about his father K.P. Yohannan (who founded the ministry and who authored the bestseller Revolution in World Missions, among others), the work of GFA World, and how your participation can have an eternal impact. Our station family goal includes providing 2000 copies of God's Word for Africa & Asia (each copy, $5). You can help at 1 866 659-7361 or by clicking the GFA World banner at wfil.com.See omnystudio.com/listener for privacy information.

In this episode, Hilliard and guest co-hosts Dijorn & Trinea Moss sit down for a super entertaining conversation with. Literary Manager Zack Zucker from Bellevue Productions. It is a kickass, two hour podcast where we peppered Zack with writer/filmmaker questions and he dropped nothing but industry game!About Zack:Prior to joining Bellevue, Zack worked at Google, United Talent Agency, and Twentieth Century Fox. He also produced independently.On the feature side, his clients have placed #1 on the 2020 and 2021 Black Lists and had films premiere at Sundance, SXSW, TIFF, and Tribeca. On the TV side, his clients have sold to the likes of Fox, Hulu, Netflix, Sony, eOne, and Village Roadshow, and have written on such series as Fight Night, FBI: International, Frasier, Manifest, Flatbush Misdemeanors, and AJ & the Queen.As a producer, his feature, THE NOVICE, premiered at the 2021 Tribeca Film Festival, where it won multiple awards including Best US Narrative. The film went on to sell to IFC Films and was nominated for five Independent Spirit Awards, including Best Feature.Zack attained a Masters of Fine Arts from the University of Southern California's Peter Stark Producing Program and a Bachelor of Arts from the University of Michigan.Our Motto: "We keep it GAME all day!"For information, merch (T-SHIRTS/HOODIES), and all things Rant Room!NEW WEBSITE:SCREENWRITERSRANTROOM.COMSubscribe, like, follow, share & 5-star review!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Hilliard Guess on all social media IG: @ScreenwritersRantRoomGuests: @thedtmossteam @dijornm@neababaytmWE ARE NOW OPEN TO SPONSORSHIPS AND BRANDING OPPORTUNITIES⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠: Screenwritersrantroom@gmail.comWe invest countless hours per week to deliver the actionable content that goes into this podcast. We appreciate your support!SCREENWRITER NETWORKS:OBSwriter.comBTFC.orgSend in a voice message: https://podcasters.spotify.com/pod/show/screenwriters-rant-room/messageSupport this podcast: https://podcasters.spotify.com/pod/show/screenwriters-rant-room/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PODCASTS WE SUPPORT:2 Writers Talkin Shit: https://podcasts.apple.com/us/podcast/2-writers-talking-shit/id1671253747Hollywood Confessional: https://podcasts.apple.com/us/podcast/hollywood-confessional/id1628848064?i=1000630276175The Qube & Queer News: https://podcasts.apple.com/us/podcast/queer-news/id1595777135A Conversation With Floyd Marshall Jr: https://podcasts.apple.com/us/podcast/a-conversation-with-host-floyd-marshall-jr/id1544499834THEME SONG: Jack SpadeWEBSITE:Abigail Bloom & Laura HuieLOGOS: Rachel MusikanthRANT ROOM TEAM:Richard Scott - Creative ProducerTyler Musikanth - Associate ProducerBrooke Baltimore - Marketing Togo - MarketingJade Hunter Alessandria - BTS --- Support this podcast: https://podcasters.spotify.com/pod/show/screenwriters-rant-room/support

Ryan and Dylan give their thoughts on the first MCU movie to release in months, Deadpool & Wolverine.

“Your Mindset Is A Miracle Worker” Join me and my guest Phillip Goldfine (phillipbgoldfine.com), founder of Hollywood Media Bridge, a film and television studio based in Hollywood with over 200 film credits and numerous television series. A winner of numerous awards including an Oscar, an Emmy, and a Tony, Phil has worked producing films and television for every major film studio and network in Hollywood, including Warner Bros., Twentieth Century Fox, Walt Disney, Sony, MGM, Paramount and Lions Gate Films. Phil has had the great privilege of working with and has relationships with Actors such as Hilary Swank, Katherine Heigl, Jack Black, Jerry O'Connell, Denise Richards, Wesley Snipes, Dolph Lundgren, Ray Liotta, and Val Kilmer. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nintendo and Sega financials dissapoint Sony gets ready for NextGen Venture money goes ga-ga over silliwood These stories and many more on this episode of the VGNRTM! This episode we will look back at the biggest stories in and around the video game industry in May 1994.  As always, we'll mostly be using magazine cover dates, and those are of course always a bit behind the actual events. Alex Smith of They Create Worlds is our cohost.  Check out his podcast here: https://www.theycreateworlds.com/ and order his book here: https://www.theycreateworlds.com/book or get it in the Humble Bundle here: https://www.humblebundle.com/books/game-programming-taylor-francis-books Get us on your mobile device: Android:  https://www.google.com/podcasts?feed=aHR0cHM6Ly92aWRlb2dhbWVuZXdzcm9vbXRpbWVtYWNoaW5lLmxpYnN5bi5jb20vcnNz iOS:      https://podcasts.apple.com/de/podcast/video-game-newsroom-time-machine And if you like what we are doing here at the podcast, don't forget to like us on your podcasting app of choice, YouTube, and/or support us on patreon! https://www.patreon.com/VGNRTM Send comments on Mastodon @videogamenewsroomtimemachine@oldbytes.space Or twitter @videogamenewsr2 Or Instagram https://www.instagram.com/vgnrtm Or videogamenewsroomtimemachine@gmail.com Links: If you don't see all the links, find them here: https://www.patreon.com/posts/110575391 7 Minutes in Heaven: Rebel Assault (SegaCD) Video Version:  https://www.patreon.com/posts/7-minutes-in-may-110535204     https://www.mobygames.com/game/272/star-wars-rebel-assault/     https://en.wikipedia.org/wiki/Star_Wars:_Rebel_Assault Corrections: April 1994 Ep - https://www.patreon.com/posts/april-1994-107563816 Ethan's fine site The History of How We Play: https://thehistoryofhowweplay.wordpress.com/      1994-05: Console market in a slump     Edge 8, May 1994 pg. 18 Panasonic tries to save 3DO     Edge 8, May 1994 pg. 16     https://x.com/blakejharrisNYC/status/1168364212139307008 Nintendo loosens minimum cart order rules in Japan     "Nintendo easing iron grip on programmers Video-Game Giant Halves Minimum Cartridge Order, The Nikkei Weekly (Japan), May 2, 1994, Section: INDUSTRY; Pg. 8 Nintendo stock keeps dropping     Nintendo shares no fun in 1994 - Emiko Terazono on reaction to the gamemaker's revised forecasts, Financial Times (London,England), May 6, 1994, Friday, London; Section: World Stock Markets; Pg. 39, Byline: By EMIKO TERAZONO Nintendo is a top earner     TOYOTA RETURNS AS NO.1 INCOME EARNER IN JAPAN, Jiji Press Ticker Service, MAY 18, 1994, WEDNESDAY,Dateline: TOKYO, MAY 18 Sega profits plunge     Sega Enterprises reports 22.7% pretax profit fall, Japan Economic Newswire, MAY 19, 1994, THURSDAY Sony Computer Entertainment of America formed     https://www.nytimes.com/1994/05/19/business/company-news-sony-starts-a-division-to-sell-game-machines.html?searchResultPosition=1 3DO shares collapse     https://www.nytimes.com/1994/05/21/business/company-news-shares-of-3do-fall-by-another-18.html Nintendo profits plunge... more     Nintendo suffers first profit decline in 10 years,Japan Economic Newswire,MAY 23, 1994, MONDAY     Nintendo reports solid earnings despite strong yen; outlines exciting new software plans for 1994, Business Wire, May 23, 1994, Monday THQ sales collapse     T-HQ announces first-quarter results, Business Wire, May 11, 1994, Wednesday     Absolute Entertainment reports first quarter results, Business Wire, May 10, 1994, Tuesday EA/Broderbund merger collapses     No Headline In Original, Consumer Electronics, May 9, 1994, Section: NOTEBOOK, Vol. 34, No. 19     https://archive.org/details/Electronic-Games-1994-05/page/n21/mode/1up?view=theater     https://www.smoliva.com/2024/08/07/what-the-learning-company-taught-us-about-the-history-of-computer-software/ Davidson & Associates buys Chaos Studios     https://archive.org/details/Electronic-Games-1994-05/page/n17/mode/1up?view=theater      Fox Interactive launches     Twentieth Century Fox establishes new interactive multimedia division; new division to utilize News Corp. resources, Business Wire, May 20, 1994, Friday Fall of Park Place profiled     https://archive.org/details/Electronic-Games-1994-05/page/n9/mode/1up?view=theater Forbes profiles Id     Profits from the underground, Forbes, May 9, 1994,Section: COMPUTERS/COMMUNICATIONS INTERACTIVE MEDIA; Parameters; Commentary; Pg. 176, Byline: BY ANDREW J. KESSLER      AOU lacks premieres     Edge 8, May 1994 pg. 8 Saturn to become an arcade Titan     Edge 8, May 1994 pg. 7       https://segaretro.org/Sega_Titan_Video        Play Meter, May 1994, pg. 16         https://segaretro.org/Batman_Forever_(arcade) Namco consolidates     Play Meter, May 1994, pg. 12 Atari links up with Bally     Edge 8, May 1994 pg. 13 Virtuality goes to Japan     British high-tech game maker to enter Japan, Japan Economic Newswire, MAY 6, 1994, FRIDAY     Https://en.wikipedia.org/wiki/Wakayama_Marina_City#Minor_attractions     Play Meter May 1994, pg. 251 Sony delivers devtools     Edge 8, May 1994 pg. 13 Sega disses Jupiter for Mars     Edge 8, May 1994 pg. 6 DMA signs up with Nintendo     Nintendo and U.K.-based DMA design announce Project Reality agreement; 64-bit home games to debut in fall 1995, Business Wire, May 2, 1994, Monday Nintendo smashes myths     https://archive.org/details/GamePro_Issue_058_May_1994/page/n31/mode/1up?view=theater Howard Lincoln to deliver CES keynote     Playthings May 1994, pg. 22 Laseractive drops price     Pelican Brief,' Pakula Classics Due From Warner, Billboard, May 7, 1994, Section: HOME VIDEO; Laser Scans; Pg. 96, Byline: by Chris McGowan         https://youtu.be/qSdfj5O-N1Q?si=Wx7ZJ_Yvc6MafKSK NEC taps out of 3D race     Edge 8, May 1994 pg. 14 NEC gives PC Engine another lease on life     Edge 8, May 1994 pg. 15 Sigma Designs to bring Jaguar to PC     Sigma To Make Atari Jaguar Titles Run On PC, Newsbytes, May 3, 1994, Tuesday Reinventing the Z-Machine is apparently Rocket Science     Platform battle, Forbes, May 9, 1994, Section: COMPUTERS/COMMUNICATIONS INTERACTIVE MEDIA; Pg. 168, Byline: By Nikhil Hutheesing Silliwood gold rush continues...     Sillywood, Forbes, May 9, 1994, Section: MANAGEMENT/CORPORATE STRATEGIES; Pg. 46, Byline: By Lisa Gubernick and Nikhil Hutheesing     Rocket Science takes off with funding from Sega Enterprises and Bertelsmann Music Group; 10-month-old start up attracts major corporate investors, Business Wire, May 18, 1994, Wednesday Penn & Teller sign up with Absolute     PENN & TELLER, THOSE 'BAD BOYS OF MAGIC,' MAKE THEIR VIDEO GAME DEBUT WITH ABSOLUTE ENTERTAINMENT, Business Wire, May 19, 1994, Thursday      CD-i gets John Cleese     No Headline In Original, Consumer Electronics, May 2, 1994, Section: NOTEBOOK; Vol. 34, No. 18; Pg. 13      Argonaut working on 3D accelerator     Edge 8, May 1994 pg. 19     https://en.wikipedia.org/wiki/ARC_(processor) Sirius introduces 5 ft. 10 pack     CD-ROM publishers unite-users benefit; introductory 5 ft. 10 Pak. flies from shelves, Business Wire, May 3, 1994, Tuesday       https://worldroms.com/5-ft-10-pak-volume-1-details.html Commodore advertises CD32.. in the US?         https://archive.org/details/GamePro_Issue_058_May_1994/page/n10/mode/1up?view=theater Commodore developing RISC CPU     https://archive.org/details/amiga-computing-magazine-073/page/n33/mode/2up      Commodore shows off CD drive at Cebit     Amiga Format 59, pg. 24 C64S launches     https://archive.org/details/64er_1994_05/page/n35/mode/1up         https://www.c64-wiki.de/wiki/C64s CPC emulation comes to PC     Amstrad Action 104, pg. 8        https://cpc-emu.org/news.html Sega Channel to launch in Japan     Sega to provide to provide videogames on cable TV, Report From Japan, May 3, 1994,Section: Business Silicon Graphics founder teams up with Mosaic devs     https://www.nytimes.com/1994/05/07/business/new-venture-in-cyberspace-by-silicon-graphics-founder.html?searchResultPosition=8 Lexis Nexis to get SEC filings     https://www.nytimes.com/1994/05/11/business/company-news-agreement-to-utilize-sec-data.html?searchResultPosition=18 Computer biz to dominate Akihabara     Akihabara shifting to 'computer town' amid recession, Japan Economic Newswire, MAY 4, 1994, WEDNESDAY, Byline: Hisa Miyatake Rewritable carts coming to Blockbuster     Sega and NewLeaf to test video game software delivery system that eliminates retailer stock-outs, Business Wire, May 31, 1994, Tuesday        https://segaretro.org/Game_Factory Copying goes legit in the UK with EDOS     https://commodore.software/downloads?task=download.send&id=15005:commodore-format-issue-44&catid=721   pg. 22          https://blog.amigaguru.com/edos-the-software-on-demand-of-the-80s/        http://amigaguru.com/Games/EDOS_MAGAZINE_1991-1992__ENGLISH.pdf         https://www.computinghistory.org.uk/det/63955/EDOS/     https://find-and-update.company-information.service.gov.uk/company/SC121687/filing-history?page=1      Psytronik keeps the C64 alive     https://commodore.software/downloads?task=download.send&id=15005:commodore-format-issue-44&catid=721  pg. 8        https://www.psytronik.net/ Lieberman picks IDSA over SPA     SENATORS WARN ON GAME RATINGS, Consumer Electronics, May 9, 1994, Section: THIS WEEK'S NEWS, Vol. 34, No. 19 Alpex faces off against Nintendo in court     https://www.nytimes.com/1994/05/16/business/patents-108332.html?searchResultPosition=30     https://itlaw.fandom.com/wiki/Alpex_Computer_v._Nintendo Japanese Copyright change scuttled     https://www.nytimes.com/1994/05/19/business/japan-likely-to-retain-curb-on-software-raiding.html?searchResultPosition=33      Jean-Claude Van Damme to headline Street Fighter movie     https://archive.org/details/GamePro_Issue_058_May_1994/page/n171/mode/1up?view=theater Multimedia-centric horror film captures Zeitgeist     https://www.nytimes.com/1994/05/01/movies/film-taking-the-children-like-your-mom-said-beware-sweet-serial-ads-931985.html?searchResultPosition=4 Virgin to release Music compilation CD      Billboard previews music's digital future     In The Brave New Technological World, Music Uses And Publishing Possibilities Seem Endless, Billboard, May 7, 1994, Section: MUSIC PUBLISHING; Spotlight; Pg. 76, Byline: BY MARILYN A. GILLEN Green Jelly wants to ooze all over multimedia     Green Jelly's Land Of Ooz: Zoo Act Opens Vid Facility, Billboard,May 21, 1994,Section: Pg. 1,Byline: BY DEBORAH RUSSELL   Recommended Links: The History of How We Play: https://thehistoryofhowweplay.wordpress.com/ Gaming Alexandria: https://www.gamingalexandria.com/wp/ They Create Worlds: https://tcwpodcast.podbean.com/ Digital Antiquarian: https://www.filfre.net/ The Arcade Blogger: https://arcadeblogger.com/ Retro Asylum: http://retroasylum.com/category/all-posts/ Retro Game Squad: http://retrogamesquad.libsyn.com/ Playthrough Podcast: https://playthroughpod.com/ Retromags.com: https://www.retromags.com/ Games That Weren't - https://www.gamesthatwerent.com/ Sound Effects by Ethan Johnson of History of How We Play. Copyright Karl Kuras 30 years ago: #Nintendo and #Sega financials disappoint, #Sony gets ready for NextGen & Venture money goes ga-ga over #Silliwood These stories and many more on the VGNRTM! https://www.patreon.com/posts/110575391

This Fox 1947 Studios Year by Year episode looks at two examples of the docu-noir: Boomerang! (directed by Elia Kazan), starring Dana Andrews as a prosecuting attorney who has to decide between morality and political expedience; and Kiss of Death (directed by Henry Hathaway), in which Victor Mature's sympathetic gangster is menaced by Richard Widmark's psychopathic gangster and the legal system. Then another oddball assortment of movies in Fear and Moviegoing in Toronto: Everything Everywhere All At Once (2022), Who's Afraid of Virginia Woolf? (1966), and Spellbound (1945).    Time Codes: 0h 00m 30s:      BOOMERANG!  [dir. Elia Kazan] 0h 27m 35s:      KISS OF DEATH [dir. Henry Hathaway] 0h 54m 55s:      Fear and Moviegoing in Toronto – Everything, Everywhere, All at Once (2022) by Daniel Scheinert & Daniel Kwan; Who's Afraid of Virginia Woolf? (1966) by Mike Nichols and Spellbound (1945) by Alfred Hitchcock Studio Film Capsules provided by The Films of Twentieth Century-Fox by Aubrey Solomon and Tony Thomas Additional studio information from: The Hollywood Story by Joe W. Finler                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!           

***SPOILER ALERT*** Deadpool & Wolverine is the latest and only offering from the MCU this year, and Zero Dark Nerdy dishes on all the highlights, easter eggs, our ratings, and more on this spoiler-heavy episode. As we say goodbye to the Twentieth Century Fox comic book movies, it's a great introduction into the MCU for Deadpool and Wolverine. What are your thoughts on the film and what MCU film do you think these two will appear in next? Be sure to like, subscribe, and follow Zero Dark Nerdy on your favorite social media and podcast formats. The Triad Podcast Network is proudly sponsored by The Ginther Group Real Estate, Ashley McKenzie-Sharpe of Highlands Residential Mortgage, Dewey's Bakery, and Three Magnolias Financial Advisors.See omnystudio.com/listener for privacy information.

Our penultimate Lilli Palmer Acteurist Oeuvre-view episode brings us Lilli as a protagonist again at last, in Lotte in Weimar (1975), based on the Thomas Mann novel, and Lilli Lite in The Boys from Brazil (1978), an outrageous anti-Nazi sci fi story in which Laurence Olivier and Gregory Peck wage an epic battle (and also get into a very brutal girl-fight). And this week's Fear and Moviegoing in Toronto is a real smorgasbord: Saturday Night Fever, Coffy, It Happened One Night, and Beverly Hills Cop. From the charm of young John Travolta to screwball brutality and from exploitation auteurism to... the charm of young Eddie Murphy. We've got the movie talk you crave! Time Codes: 0h 00m 35s:      LOTTE IN WEIMAR (1975) [dir. Egon Gunther] 0h 32m 51s:      THE BOYS FROM BRAZIL (1978) [dir. Franklin J. Schaffner] 0h 50m 08s:      Fear and Moviegoing in Toronto – Saturday Night Fever (1977) by John Badham; Coffy (1973) by Jack Hill; It Happened One Night (1934) by Frank Capra; and Beverly Hills Cop (1984) by Martin Brest Studio Film Capsules provided by The Films of Twentieth Century-Fox by Aubrey Solomon and Tony Thomas Additional studio information from: The Hollywood Story by Joe W. Finler                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!         

This week, we bring you another one of our favorite interviews since the start of our show. She learned on the job as an assistant to one of the most powerful women in Hollywood, and spent nine years at Twentieth Century Fox before making the leap to Netflix. Now its director of original programing, she lets us in on what it takes to sell a big idea.    Follow Carolina on Instagram @thedancingdiary. If you loved this episode, listen to How Showrunner Dailyn Rodriguez Stays in High Demand and LEVEL UP: This Life Coach Says Now's the Time to Level Up. 

In this podcast episode, Dr. Jonathan H. Westover talks with Sunny Bonnell about culture and visionary leadership. Sunny Bonnell is a leadership and brand expert and the visionary Co-founder and CEO of Motto®, a strategic brand transformation agency helping the world's most innovative companies advance into their next era, and the bestselling author of the Rare Breed, A Guide to Success for the Defiant, Dangerous, and Different. Sunny was recognized with the prestigious 2024 Thinkers50 Radar Award, in partnership with Deloitte, spotlighting her as a seminal thinker whose ideas are shaping the future of business. Her strategic insight and creative prowess have benefited an impressive roster of clients including Virgin, Google, Microsoft, Minnesota Vikings, NFL, Hershey's, Legendary Digital, Disney, Twentieth Century Fox, Klaviyo, Andela, Goodnotes, Hopscotch, Hello Alice, and many more. SWAGGER named her a ‘Visionary Brand Icon' and has graced lists such as Top 30 Global Gurus in Brand, GDUSA's Top 25 People to Watch, and the Webby Awards. Sunny is also an internationally acclaimed keynote speaker for organizations like MasterCard, Microsoft, Dale Carnegie, Fast Company Innovation Festival, Inc., and Inspiring Workplaces. She has been featured on Yahoo! Finance, Fast Company, Inc., Forbes, Entrepreneur, and The Wall Street Journal. She has appeared on CNBC's Closing Bell, The Breakfast Club, Bloomberg Radio, Yahoo Finance, The Verge, and more. Check out all of the podcasts in the HCI Podcast Network!

After nearly 20 years of marriage, Lucille Ball and Desi Arnaz called it quits. Their divorce was quick, but it wasn't simple. They'd grown Desilu into a major Hollywood studio, on par with MGM, Warner Brothers and Twentieth Century Fox. In order to keep the business going, they had to work together. And when that didn't work out, Lucy had to figure out how to be the boss. Remember, kids, history hoes always cite their sources! For this episode, Kristin pulled from: “Love, Lucy,” by Lucille Ball “The Plot Thickens” podcast from Turner Classic Movies “The Life of Lucille Ball,” by Kathleen Brady The documentary “Lucy and Desi” “Ball of Fire,” by Stefan Kanfer Are you enjoying An Old Timey Podcast? Then please leave us a 5-star rating and review wherever you listen to podcasts! Are you *really* enjoying An Old Timey Podcast? Well, calm down, history ho! You can get more of us on Patreon at patreon.com/oldtimeypodcast. At the $5 level, you'll get a monthly bonus episode (with video!), access to our 90's style chat room, plus the entire back catalog of bonus episodes for Kristin's previous podcast, Let's Go To Court.

On this episode, I spoke to composer James S. Levine and music supervisor Mark Wike about their work on The New Look.  James Levine's notable credits include FX Networks' American Horror Story, for which he received an Emmy Award-nomination for “Outstanding Music Composition for a Miniseries, Movie or a Special (Original Dramatic Score)” in 2014; Nip/Tuck; and Damages.  Mark Wike's music supervision credits include Hulu's Emmy Award-winning series by Steven Spielberg, Animaniacs; Twentieth Century Fox's The Greatest Showman, directed by Michael Gracey; and The Sitter, directed by David Gordon Green; FX Networks' Damages; and Netflix's Bloodline.  The series stars Ben Mendelsohn, Juliette Binoche, Maisie Williams and John Malkovich.

Want to see a video version of this podcast? Please visit Youtube here: https://www.youtube.com/watch?v=pHBHjlb4y84 Support us on Patreon here - http://www.patreon.com/filmcourage. BUY THE BOOK - STORY MAPS: How To Write A GREAT Screenplay http://amzn.to/2hcbRwS BUY THE BOOK - STORY MAPS: TV Drama: The Structure of the One-Hour Television Pilot http://amzn.to/2heFCx5 DANIEL P. CALVISI is a Script Doctor, Writing Coach and the author of Story Maps: How to Write GREAT Screenplay and Story Maps: TV DRAMA: The Structure of the One-Hour Television Pilot. He is a former Story Analyst for major studios like Twentieth Century Fox, Miramax Films and New Line Cinema. He coaches writers, teaches webinars on writing for film and television and speaks at writing conferences. Many of his clients have worked with the top networks and studios in the industry, such as Netflix, HBO, Warner Brothers, Disney, Sony, ABC, Showtime, Apple TV+ and more. He holds a degree in Film and Television from New York University. He lives in Los Angeles. MORE VIDEOS WITH DANIEL CALVISI https://tinyurl.com/yc822utp CONNECT WITH DANIEL CALVISI http://actfourscreenplays.com https://www.facebook.com/StoryMaps https://twitter.com/storymapsdan https://www.instagram.com/storymapsdan MORE VIDEOS LIKE THIS Story Maps: How To Write A GREAT Screenplay PART 1 - https://youtu.be/635p_nkiK-g Beginners Guide To Story Development: Why Scripts Are Rejected - https://youtu.be/EUd5hZL62MA The Writer's Journey: Mythic Structure For Writers - https://youtu.be/Ab6z57N6evA First 3 Hours Of Writing A Story (Starting From Nothing) - https://youtu.be/b2RlPZmz9nc Why Most Scripts Are Rejected After The First 3 Pages - https://youtu.be/dEevGQ8Va_Y CONNECT WITH FILM COURAGE http://www.FilmCourage.com http://twitter.com/#!/FilmCourage https://www.facebook.com/filmcourage https://www.instagram.com/filmcourage http://filmcourage.tumblr.com http://pinterest.com/filmcourage SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL http://bit.ly/18DPN37 SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage LISTEN TO THE FILM COURAGE PODCAST https://soundcloud.com/filmcourage-com (Affiliates) SAVE $15 ON YOUTUBE TV - LIMITED TIME OFFER https://tv.youtube.com/referral/r0847ysqgrrqgp ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 Stuff we use: LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq AUDIO Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv *These are affiliate links, by using them you can help support this channel.

Luke has the flu. Heidi is off gallivanting. Until they rejoin forces next week, enjoy this classic episode of Grad School, culled from deep within our vaults.The music of Van Dyke Parks has always taken you on a journey, replete with exquisite sounds and thoughtful concepts. His most recent collaboration is no different- he never met Veronica Valerio, but the resulting album is no less compelling. We talked with Van Dyke about the new album, finger foods in Berlin, the Twentieth Century Fox theme music and the various books of the bible in this wide-ranging conversation. "Only In America," Van Dyke Parks orchestrates Veronica Valerio is available everywhere on June 11th.

Jim Fielding's dynamic career has spanned senior leadership roles at top global brands, including Disney, DreamWorks, and Twentieth Century Fox, anchored in experience and an early career at The Gap, Lands' End, and as CEO of Claire's Stores; He joins me in an exclusive interview to talk about this new book ALL PRIDE, NO EGO: A Queer Executive's Journey to Living and Leading Authentically with leadership, retail and life lessons you need to hear. About JimJim Fielding is a partner at Archer Gray and president of its Co-Lab Division. A retail and media industry veteran, Jim served as president of Disney Stores Worldwide and led global consumer experiences at DreamWorks and Twentieth Century Fox. His early career experience included top international brands, from The Gap to Lands' End. Jim later served as CEO of Claire's Stores, Inc. He is the author of ALL PRIDE, NO EGO: A Queer Executive's Journey to Living and Leading Authentically (Wiley, August 15, 2023). Jim's expertise combines storytelling, product innovation, merchandising, and consumer experiences. He is an active community leader and philanthropist, a founder of the Queer Philanthropy Circle, and serves on the board of directors for the Indiana University Foundation. Jim has served as an executive-in-residence for IU's Office of Diversity, Equity, and Inclusion and a board member for GLSEN, Make-A-Wish International, and the American Red Cross. He is based in Atlanta, GA and Northport, MI. About MichaelMichael is the Founder & President of M.E. LeBlanc & Company Inc. and a Senior Advisor to Retail Council of Canada and the Bank of Canada as part of his advisory and consulting practice. He brings 25+ years of brand/retail/marketing & eCommerce leadership experience with Levi's, Black & Decker, Hudson's Bay, Today's Shopping Choice and Pandora Jewellery. Michael has been on the front lines of retail industry change for his entire career. He has delivered keynotes, hosted fire-side discussions with C-level executives and participated worldwide in thought leadership panels. ReThink Retail has added Michael to their prestigious Top Retail Experts list for 2024 for the third year in a row.Michael is also the president of Maven Media, producing a network of leading trade podcasts, including Canada's top retail industry podcast, The Voice of Retail. He produces and co-hosts Remarkable Retail with best-selling author Steve Dennis, now ranked one of the top retail podcasts in the world. Based in San Francisco, Global eCommerce Leaders podcast explores global cross-border issues and opportunities for eCommerce brands and retailers. Last but not least, Michael is the producer and host of the "Last Request Barbeque" channel on YouTube, where he cooks meals to die for - and collaborates with top brands as a food and product influencer across North America.

One of Carol's superpowers as a successful producer is her relationships with WRITERs. She is credited for starting the careers of David O'Russell, Noah Baumbach, and Mike White, in addition to being Former VP at 20th Century Fox and Co-President of Sandollar Productions (founded by Dolly Parton and Sandy Gallin). This is an excerpt from Carol Baum's new book: ⁠⁠⁠Creative Producing: a pitch-to-picture guide to Movie Development⁠⁠⁠. It is available wherever you buy books. Here we delve into Do's and Don'ts for talking to Writers, with some incredible stories along the way. Chapter 5 - Script Development, pages 49-52. Carol Baum has produced thirty-four movies, seventeen of them independently. Before becoming an independent producer, Baum was co-president of Sandollar Productions, Dolly Parton and Sandy Gallin's production company, for ten years, where she produced such hits as Father of the Bride; the Academy Award-winning HBO documentary Common Threads: Stories from the Quilt; Tidy Endings; I.Q.; Jacknife; True Identity; Buffy the Vampire Slayer; Gross Anatomy; Shining Through; Straight Talk; and Kicking and Screaming. As an indie producer, Baum made, among other movies, including The Good Girl; You Kill Me; and Boychoir. She has produced five television movies for Hallmark and several documentaries.  Her roots are in New York City, where she spent her early career in publishing, working for both Bantam Books and Random House and scouting for the English publisher Corgi. While in New York, she developed Ira Levin's The Stepford Wives, Stephen King's The Shining, and Ira Levin's The Boys from Brazil. When she relocated to Los Angeles, Baum became a studio vice president at Twentieth Century Fox and a senior vice president at Lorimar, where she developed Taylor Hackford's An Officer and a Gentleman. Following her stint as an executive, she produced David Cronenberg's Dead Ringers. Baum currently teaches producing in the Film and Television Production Division at USC's School of Cinematic Arts. She is also a mentor for the Peter Stark Producing Program at USC. Guest: ⁠IMDb⁠ ⁠Website⁠ ⁠Wikipedia⁠ Carole's book ⁠⁠Creative Producing: a pitch-to-picture guide to movie development⁠⁠ is available wherever you buy books. Host: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠www.mentorsonthemic.com⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Click here to join our Mailing list.⁠⁠⁠⁠⁠⁠⁠ Mentioned on this episode: ⁠Best Podcasts for Actors (Backstage)⁠ ⁠6 Must Listen to Podcasts for Actors (TheaterArtLife)⁠ ⁠30 Best Acting Podcasts (Feedspot)⁠ Join me at this virtual panel brought to you by SAG-AFTRA ⁠Actors with Podcasts for Actors⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/michelle-miller4/support

I recorded the intro to this episode earlier this week and already it's outdated! The strike is over! We can now talk about how GREAT Carol Baum is. Carol Baum has produced thirty-four movies, seventeen of them independently. Before becoming an independent producer, Baum was co-president of Sandollar Productions, Dolly Parton and Sandy Gallin's production company, for ten years, where she produced such hits as Father of the Bride; the Academy Award-winning HBO documentary Common Threads: Stories from the Quilt; Tidy Endings; I.Q.; Jacknife; True Identity; Buffy the Vampire Slayer; Gross Anatomy; Shining Through; Straight Talk; and Kicking and Screaming. As an indie producer, Baum made, among other movies, including The Good Girl; You Kill Me; and Boychoir. She has produced five television movies for Hallmark and several documentaries.  Her roots are in New York City, where she spent her early career in publishing, working for both Bantam Books and Random House and scouting for the English publisher Corgi. While in New York, she developed Ira Levin's The Stepford Wives, Stephen King's The Shining, and Ira Levin's The Boys from Brazil. When she relocated to Los Angeles, Baum became a studio vice president at Twentieth Century Fox and a senior vice president at Lorimar, where she developed Taylor Hackford's An Officer and a Gentleman. Following her stint as an executive, she produced David Cronenberg's Dead Ringers. Baum currently teaches producing in the Film and Television Production Division at USC's School of Cinematic Arts. She is also a mentor for the Peter Stark Producing Program at USC. Guest: IMDb Website Wikipedia Carole's book ⁠Creative Producing: a pitch-to-picture guide to movie development⁠ is available wherever you buy books. Host: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠www.mentorsonthemic.com⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠Click here to join our Mailing list.⁠⁠⁠⁠⁠⁠ Mentioned on this episode: Best Podcasts for Actors (Backstage) 6 Must Listen to Podcasts for Actors (TheaterArtLife) 30 Best Acting Podcasts (Feedspot) Join me at this virtual panel brought to you by SAG-AFTRA Actors with Podcasts for Actors --- Support this podcast: https://podcasters.spotify.com/pod/show/michelle-miller4/support

Today is a special day because we're tackling what might very well be my favorite movie if the 1980s...Russell Mulcahy's brilliantly over the top cult classic, Highlander!Released in 1986, and based off a student script from Gregory Widen, this tale of sword fighting immortals competing for the ultimate prize is like a big budget music video (complete with an iconic score from Queen!) and features Christopher Lambert, Sean Connery, and Clancy Brown in some of their most unforgettable roles. Join me as we take a deep dive into the Highlander universe -- form the film's origins and legacy on through to the universe of spinoffs it inspired. Just don't lose your head. Want to support the channel? https://www.patreon.com/Horrorgeek https://ko-fi.com/thehorrorgeekGet Your Horrorgeek Merch!https://horrorgeek.creator-spring.com/ Purchase Highlander here!https://amzn.to/477wyhEIceman Cometh: https://amzn.to/3Sl18jKHighlander 2: Renegade Cut: https://amzn.to/47aHn2wDisclaimer: this is an Amazon affiliate link. By purchasing through this link my channel will earn a referral fee. This will not make the item cost more. Amazon simply pays me for sending business to their site. It's another way you can support the channel.Resources:Fischer, Robert, director. The Making of Highlander. Fiction FACTory Filmproduktion, 2007. Mulcahy, Russell, director. Highlander. Twentieth Century-Fox, 1986. Russell, Maureen. Highlander: The Complete Watchers Guide. Warner, 1999. “Highlander (Film).” Wikipedia, Wikimedia Foundation, 27 Oct. 2023, en.wikipedia.org/wiki/Highlander_(film). Listen on podcast platforms:Spotify: https://open.spotify.com/show/2Cn1lep...Apple: https://podcasts.apple.com/us/podcast...Google Podcasts: https://podcasts.google.com/feed/aHR0...Amazon: https://music.amazon.com/podcasts/bb9...Follow me on social media!Twitter ► https://twitter.com/horrorgeekInstagram ► https://www.instagram.com/geekpocalypseFacebook ► https://www.facebook.com/mike.brackenThe Horror Geek FB group ► https://www.facebook.com/groups/11186...Blue Sky ► @horrorgeek.bsky.social

THE SHOW Jim Fielding is casting the kind of light we all need to free us from the anxiety of being enough and doing enough. Throughout his illustrious career as an executive as the world's most recognizable companies, he found that authenticity and kindness were the secrets to achieving the kind of success he most craved. But these realizations didn't come easy. After struggling with coming out, building international teams, and climbing corporate ladders, Jim left it all behind to lean into a new chapter where he brings his whole self to his work. This conversation is a must listen for anyone who wants to design a more meaningful professional life that delivers fulfillment and stability without sacrificing authenticity. Behind His Brilliance: Family Say hi to Jim on Instagram @allpridenoego THE GUEST JIM FIELDING | EXECUTIVE + AUTHOR, ALL PRIDE, NO EGO Jim Fielding is a partner at Archer Gray, and president of its Co-Lab Division. A retail and media industry veteran, Jim served as president of Disney Stores Worldwide, and led global consumer experiences at DreamWorks and Twentieth Century Fox. His early career experience included top global brands, from The Gap to Lands' End. Jim later served as CEO of Claire's Stores, Inc. He is author of ALL PRIDE, NO EGO: A Queer Executive's Journey to Living and Leading Authentically (Wiley, August 15, 2023). Jim's expertise combines storytelling, product innovation, merchandising, and consumer experiences. He is an active community leader and philanthropist, a founder of the Queer Philanthropy Circle, and serves on the board of directors for the Indiana University Foundation. Jim has served as an executive-in-residence for IU's Office of Diversity, Equity, and Inclusion, and a board member for GLSEN, Make-A-Wish International, and American Red Cross. He is based in Atlanta, GA and Northport, MI.  TOPICS COVERED Jim's path into retail and how he found success How authenticity accelerated Jim's elevation as an executive How Jim navigates high pressure situations Jim's advice on designing effective teams and collaborative cultures Jim's advice to professionals weighing their options A fresh perspective on failure – and how to fail up Why Jim stopped chasing the next promotion and title The ah ha moment that healed years of trauma And much more!

STEPHEN M. KRAVIT is executive vice president of the Gersh Agency, Beverly Hills. He has served as executive vice president of Kings Road Entertainment, senior vice president, business affairs, of Twentieth Century Fox and vice president, business-legal, of United Artists. A graduate of Columbia Law School, Stephen is a member of the California and New York bars and is admitted to practice in the United States Supreme Court, the United States Court of Military Appeals and various other courts.     Host Jason E. Squire is Editor of The Movie Business Book and Professor Emeritus, USC School of Cinematic Arts. Music: “The Day it All Began and it All Ended” by Pawel Feszczuk (License: CC by 4.0)  

Many LGBTQ+ individuals struggle with the question, "How do I show up at work, and as a leader, while still being true to myself as a queer person?" The answer, "Your way, on your terms!" Jim Fielding, author of the brand new book, ALL PRIDE, NO EGO: A Queer Executive's Journey to Living and Leading Authentically, shares he navigated his gay life and roles at t top global brands including Disney, DreamWorks, and Twentieth Century Fox.  From his conservative Midwestern roots and a lovingly imperfect family to higher education, travel, advocacy, Jim found how seeing the world through a distinctly different lens is actually a positive way of being in the world, living life without apologies. About Jim Jim Fielding is an acclaimed retail and media industry veteran whose expertise combines storytelling, product innovation, merchandising, and consumer experiences. He is a partner at independent media company Archer Gray, and president of its Co-Lab Division. Having led consumer products groups at the world's largest media companies, Jim served as president of Disney Stores Worldwide, and transformed global consumer experiences at DreamWorks, Twentieth Century Fox, and more.  His early career experience has included top global brands, from The Gap to Lands' End, where he mastered vertical specialty retail, product design, store operations, visual merchandising, and supply chain management. Jim later served as CEO of Claire's Stores, Inc., a leading jewelry and accessories retailer. An active community leader and philanthropist, Jim is a founder of the Queer Philanthropy Circle, the nation's premier fundraising and advocacy group for the queer community. He also participates in the Women's Philanthropic Leadership Circle and the Black Philanthropy Circle.  Jim serves on the board of directors for the Indiana University Foundation, and has served as an executive-in-residence for IU's Office of Diversity, Equity, and Inclusion, and as a board member for GLSEN, Make-A-Wish International, and American Red Cross.  He lives in Atlanta with his partner, Joseph. Connect with Jim Website Instagram Twitter LinkedIn

ALAN HORN has served as head of three studios and founder of another. Most recently, he was Chairman of Walt Disney Studios. Before that, he was President and COO of Warner Bros. Earlier, he co-founded and was Chairman of Castle Rock Entertainment and President and COO of Twentieth Century Fox. During his tenures, Alan has overseen some of the most popular screen entertainment over 30 years. He has received several industry honors for his leadership, and also served on the board of the Natural Resources Defense Council for 30 years and Chair for the final 3 years.   Host Jason E. Squire is Editor of The Movie Business Book and Professor Emeritus, USC School of Cinematic Arts.   Music: “The Day it All Began and it All Ended” by Pawel Feszczuk (License: CC by 4.0)  

Welcome to an interview with the author of All Pride, No Ego: A Queer Executive's Journey to Living and Leading Authentically, Jim Fielding, where he delivers an inspirational leadership story told from the perspective of an out and proud LGBTQ+ executive. In the book, you'll explore a call-to-action for authentic servant leadership that encourages people to own their truth and bring out the best in themselves and their communities. Jim Fielding is a respected retail and media industry veteran whose expertise combines storytelling, product innovation, merchandising, and consumer experiences. Jim currently serves as a partner at Archer Gray, an independent media company, and president of its Co-Lab Division. Having led consumer products groups at the world's largest media companies, including Disney, Dreamworks, and Twentieth Century Fox, Jim has built diverse cultures and visionary teams that excelled in competitive global markets. He served as president of Disney Stores Worldwide for four years, transforming its global consumer experience. He also served as CEO of Claire's Stores, Inc., a leading jewelry and accessories retailer.  Jim's early experience spanned leading global retail companies, from The Gap to Lands' End. He mastered all aspects of vertical specialty retail, including supply chain, product design, store operations, and visual merchandising.  An active community leader and philanthropist, Jim serves on the board of directors for the Indiana University Foundation and was a founding member of the Dean's Council for the Hamilton Lugar Global and International School. Jim is a founder of the Queer Philanthropy Circle, the nation's premier fundraising and advocacy group for the queer community. He also participates in the Women's Philanthropic Leadership Circle and the Black Philanthropy Circle.  Jim has served as a board member for GLSEN, Make-A-Wish International, and American Red Cross, as well as an executive-in-residence for IU Ventures and Indiana University's Office of Diversity, Equity, and Inclusion. He has endowed several scholarships at IU to support overseas study, international internships, and advocacy leadership training.    Jim lives in Atlanta with his partner, Joseph, and their dogs, Cricket and Olive. In the summers, you will find them in Leland and Northport, Michigan. Get Jim's book here: https://rb.gy/ax3aj All Pride, No Ego: A Queer Executive's Journey to Living and Leading Authentically. Jim Fielding. Here are some free gifts for you: Overall Approach Used in Well-Managed Strategy Studies free download: www.firmsconsulting.com/OverallApproach McKinsey & BCG winning resume free download: www.firmsconsulting.com/resumepdf Enjoying this episode? Get access to sample advanced training episodes here: www.firmsconsulting.com/promo

In this episode, we talk with Jim Fielding, who has led consumer products groups at the world's largest media companies, including Disney, Dreamworks, and Twentieth Century Fox. Jim is a partner at Archer Gray, an independent media company, and president of its Co-Lab Division. He is also founder of the Queer Philanthropy Circle, the nation's premier fundraising and advocacy group for the queer community. Listen as Jim talks about his career journey and new book ‘All Pride, No Ego: A Queer Executive's Journey to Living and Leading Authentically.' We also get his perspective on LGBTQ+ issues in the workplace and the current political climate, before providing receipts on LGBTQ+ representation and experiences in the workplace. To wrap up, you'll get a double dose of C-CRETS on tools LGBTQ+ employees can use to navigate their careers and how leaders can advocate for LGBTQ+ inclusion in the workplace.

Welcome to Strategy Skills episode 372, an interview with the author of All Pride, No Ego: A Queer Executive's Journey to Living and Leading Authentically, Jim Fielding, where he delivers an inspirational leadership story told from the perspective of an out and proud LGBTQ+ executive. In the book, you'll explore a call-to-action for authentic servant leadership that encourages people to own their truth and bring out the best in themselves and their communities. Jim Fielding is a respected retail and media industry veteran whose expertise combines storytelling, product innovation, merchandising, and consumer experiences. Jim currently serves as a partner at Archer Gray, an independent media company, and president of its Co-Lab Division. Having led consumer products groups at the world's largest media companies, including Disney, Dreamworks, and Twentieth Century Fox, Jim has built diverse cultures and visionary teams that excelled in competitive global markets. He served as president of Disney Stores Worldwide for four years, transforming its global consumer experience. He also served as CEO of Claire's Stores, Inc., a leading jewelry and accessories retailer.  Jim's early experience spanned leading global retail companies, from The Gap to Lands' End. He mastered all aspects of vertical specialty retail, including supply chain, product design, store operations, and visual merchandising.  An active community leader and philanthropist, Jim serves on the board of directors for the Indiana University Foundation and was a founding member of the Dean's Council for the Hamilton Lugar Global and International School. Jim is a founder of the Queer Philanthropy Circle, the nation's premier fundraising and advocacy group for the queer community. He also participates in the Women's Philanthropic Leadership Circle and the Black Philanthropy Circle.  Jim has served as a board member for GLSEN, Make-A-Wish International, and American Red Cross, as well as an executive-in-residence for IU Ventures and Indiana University's Office of Diversity, Equity, and Inclusion. He has endowed several scholarships at IU to support overseas study, international internships, and advocacy leadership training.    Jim lives in Atlanta with his partner, Joseph, and their dogs, Cricket and Olive. In the summers, you will find them in Leland and Northport, Michigan. Get Jim's book here: https://rb.gy/ax3aj All Pride, No Ego: A Queer Executive's Journey to Living and Leading Authentically. Jim Fielding. Here are some free gifts for you: Overall Approach Used in Well-Managed Strategy Studies free download: www.firmsconsulting.com/OverallApproach McKinsey & BCG winning resume free download: www.firmsconsulting.com/resumepdf Enjoying this episode? Get access to sample advanced training episodes here: www.firmsconsulting.com/promo

On this week's episode, we remember William Friedkin, who passed away this past Tuesday, looking back at one of his lesser known directing efforts, Rampage. ----more---- From Los Angeles, California, the Entertainment Capital of the World, it’s The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. Originally, this week was supposed to be the fourth episode of our continuing miniseries on the 1980s movies released by Miramax Films. I was fully committed to making it so, but then the world learned that Academy Award-winning filmmaker William Friedkin passed away on Tuesday. I had already done an episode on his best movie from the decade, 1985’s To Live and Die in L.A., so I decided I would cover another film Friedkin made in the 80s that isn’t as talked about or as well known as The French Connection or The Exorcist or To Live and Die in L.A. Rampage. Now, some of you who do know the film might try and point that the film was released in 1992, by Miramax Films of all companies, and you’d be correct. However, I did say I was going to cover another film of his MADE in the 80s, which is also true when it comes to Rampage. So let’s get to the story, shall we? Born in Chicago in 1935, William Friedkin was inspired to become a filmmaker after seeing Citizen Kane as a young man, and by 1962, he was already directing television movies. He’d make his feature directing debut with Good Times in 1967, a fluffy Sonny and Cher comedy which finds Sonny Bono having only ten days to rewrite the screenplay for their first movie, because the script to the movie they agreed to was an absolute stinker. Which, ironically, is a fairly good assessment of the final film. The film, which was essentially a bigger budget version of their weekly variety television series shot mostly on location at an African-themed amusement park in Northern California and the couple’s home in Encino, was not well received by either critics or audiences. But by the time Good Times came out, Friedkin was already working on his next movie, The Night They Raided Minsky’s. A comedy co-written by future television legend Norman Lear, Minsky’s featured Swedish actress Britt Ekland, better known at the time as the wife of Peter Sellers, as a naive young Amish woman who leaves the farm in Pennsylvania looking to become an actress in religious stage plays in New York City. Instead, she becomes a dancer in a burlesque show and essentially ends up inventing the strip tease. The all-star cast included Dr. No himself, Joseph Wiseman, Elliott Gould, Jack Burns, Bert Lahr, and Jason Robards, Jr., who was a late replacement for Alan Alda, who himself was a replacement for Tony Curtis. Friedkin was dreaming big for this movie, and was able to convince New York City mayor John V. Lindsay to delay the demolition of an entire period authentic block of 26th Street between First and Second Avenue for two months for the production to use as a major shooting location. There would be one non-production related tragedy during the filming of the movie. The seventy-two year old Lahr, best known as The Cowardly Lion in The Wizard of Oz, would pass away in early December 1967, two weeks before production was completed, and with several scenes still left to shoot with him. Lear, who was also a producer on the film, would tell a reporter for the New York Times that they would still be able to shoot the rest of the film so that performance would remain virtually intact, and with the help of some pre-production test footage and a body double, along with a sound-alike to dub the lines they couldn’t get on set, Lahr’s performance would be one of the highlights of the final film. Friedkin and editor Ralph Rosenblum would spend three months working on their first cut, as Friedkin was due to England in late March to begin production on his next film, The Birthday Party. Shortly after Friedkin was on the plane to fly overseas, Rosenblum would represent the film for a screening with the executives at United Artists, who would be distributing the film. The screening was a disaster, and Rosenblum would be given carte blanche by the studio heads to save the film by any means necessary, since Friedkin was not available to supervise. Rosenblum would completely restructure the film, including creating a prologue for the story that would be retimed and printed on black and white film stock. The next screening would go over much better with the suits, and a mid-December 1968 release date was set up. The Birthday Party was an adaptation of a Harold Pinter play, and featured Robert Shaw and Patrick Magee. Friedkin had seen the play in San Francisco in 1962, and was able to get the film produced in part because he would only need six actors and a handful of locations to shoot, keeping the budget low. Although the mystery/thriller was a uniquely British story, Harold Pinter liked how Friedkin wanted to tell the story, and although Pinter had written a number of plays that had been adapted into movies and had adapted a number of books into screenplay, this would be the first time Pinter would adapt one of his own stories to the silver screen. To keep the budget lower still, Friedkin, Pinter and lead actor Robert Shaw agreed to take the minimum possible payments for their positions in exchange for part ownership in the film. The release of Minsky’s was so delayed because of the prolonged editing process that The Birthday Party would actually in theatres nine days before Minsky’s, which would put Friedkin in the rare position of having two movies released in such a short time frame. And while Minsky’s performed better at the box office than Birthday Party, the latter film would set the director up financially with enough in the bank where he could concentrate working on projects he felt passionate about. That first film after The Birthday Party would make William Friedkin a name director. His second one would make him an Oscar winner. The third, a legend. And the fourth would break him. The first film, The Boys in the Band, was an adaptation of a controversial off-Broadway play about a straight man who accidentally shows up to a party for gay men. Matt Crowley, the author of the play, would adapt it to the screen, produce the film himself with author Dominick Dunne, and select Friedkin, who Crowley felt best understood the material, to direct. Crowley would only make one demand on his director, that all of the actors from the original off-Broadway production be cast in the movie in the same roles. Friedkin had no problem with that. When the film was released in March 1970, Friedkin would get almost universally excellent notices from film critics, except for Pauline Kael in the New York Times, who had already built up a dislike of the director after just three films. But March 1970 was a different time, and a film not only about gay men but a relatively positive movie about gay men who had the same confusions and conflicts as straight men, was probably never going to be well-received by a nation that still couldn’t talk openly about non-hetero relationships. But the film would still do about $7m worth of ticket sales, not enough to become profitable for its distributor, but enough for the director to be in the conversation for bigger movies. His next film was an adaptation of a 1969 book about two narcotics detectives in the New York City Police Department who went after a wealthy French businessman who was helping bring heroin into the States. William Friedkin and his cinematographer Owen Roizman would shoot The French Connection as if it were a documentary, giving the film a gritty realism rarely seen in movies even in the New Hollywood era. The film would be named the Best Picture of 1971 by the Academy, and Friedkin and lead actor Gene Hackman would also win Oscars in their respective categories. And the impact of The French Connection on cinema as a whole can never be understated. Akira Kurosawa would cite the film as one of his favorites, as would David Fincher and Brad Pitt, who bonded over the making of Seven because of Fincher’s conscious choice to use the film as a template for the making of his own film. Steven Spielberg said during the promotion of his 2005 film Munich that he studied The French Connection to prepare for his film. And, of course, after The French Connection came The Exorcist, which would, at the time of its release in December 1973, become Warner Brothers’ highest grossing film ever, legitimize the horror genre to audiences worldwide, and score Friedkin his second straight Oscar nomination for Best Director, although this time he and the film would lose to George Roy Hill and The Sting. In 1977, Sorcerer, Friedkin’s American remake of the 1953 French movie The Wages of Fear, was expected to be the big hit film of the summer. The film originally started as a little $2.5m budgeted film Friedkin would make while waiting for script revisions on his next major movie, called The Devil’s Triangle, were being completed. By the time he finished filming Sorcerer, which reteamed Friedkin with his French Connection star Roy Scheider, now hot thanks to his starring role in Jaws, this little film became one of the most expensive movies of the decade, with a final budget over $22m. And it would have the unfortunate timing of being released one week after a movie released by Twentieth Century-Fox, Star Wars, sucked all the air out of the theatrical exhibition season. It would take decades for audiences to discover Sorcerer, and for Friedkin, who had gone some kind of mad during the making of the film, to accept it to be the taut and exciting thriller it was. William Friedkin was a broken man, and his next film, The Brinks Job, showed it. A comedy about the infamous 1950 Brinks heist in Boston, the film was originally supposed to be directed by John Frankenheimer, with Friedkin coming in to replace the iconic filmmaker only a few months before production was set to begin. Despite a cast that included Peter Boyle, Peter Falk, Allen Garfield, Warren Oates, Gena Rowlands and Paul Sorvino, the film just didn’t work as well as it should have. Friedkin’s first movie of the 1980s, Cruising, might have been better received in a later era, but an Al Pacino cop drama about his trying to find a killer of homosexual men in the New York City gay fetish underground dance club scene was, like The Boys in the Band a decade earlier, too early to cinemas. Like Sorcerer, audiences would finally find Cruising in a more forgiving era. In 1983, Friedkin made what is easily his worst movie, Deal of the Century, an alleged comedy featuring Chevy Chase, Gregory Hines and Sigourney Weaver that attempted to satirize the military industrial complex in the age of Ronald Reagan, but somehow completely missed its very large and hard to miss target. 1985 would see a comeback for William Friedkin, with the release of To Live and Die in LA, in which two Secret Service agents played by William L. Petersen and John Pankow try to uncover a counterfeit money operation led by Willem Dafoe. Friedkin was drawn to the source material, a book by former Secret Service agent Gerald Petievich, because the agency was almost never portrayed on film, and even less as the good guys. Friedkin would adapt the book into a screenplay with Petievich, who would also serve as a technical consultant to ensure authenticity in how Petersen and Pankow acted. It would be only the second time Friedkin was credited as a screenwriter, but it would be a nine-minute chase sequence through the aqueducts of Los Angeles and a little used freeway in Wilmington that would be the most exciting chase sequence committed to film since the original Gone in 60 Seconds, The French Connection, or the San Francisco chase sequence in the 1967 Steve McQueen movie Bullitt. The sequence is impressive on Blu-ray, but on a big screen in a movie theatre in 1985, it was absolutely thrilling. Which, at long last, brings us to Rampage. Less than two months after To Live and Die in LA opened to critical raves and moderate box office in November 1985, Friedkin made a deal with Italian mega-producer Dino DeLaurentiis to direct Rampage, a crime drama based on a novel by William P. Wood. DeLaurentiis had hired Friedkin for The Brinks Job several years earlier, and the two liked working for each other. DeLaurentiis had just started his own distribution company, the DeLaurentiis Entertainment Group, which we’ll shorten to DEG for the remainder of this episode, and needed some big movies to fill his pipeline. We did an episode on DEG back in 2020, and if you haven’t listened to it yet, you should after you finish this episode. At this time, DEG was still months away from releasing its first group of films, which would include Maximum Overdrive, the first film directed by horror author Stephen King, and Blue Velvet, the latest from David Lynch, both of which would shoot at the same time at DEG’s newly built studio facilities in Wilmington, North Carolina. But Friedkin was writing the screenplay adaptation himself, and would need several months to get the script into production shape, so the film would not be able to begin production until late 1986. The novel Rampage was based on the real life story of serial killer Richard Chase, dubbed The Vampire Killer by the press when he went on a four day killing spree in January 1978. Chase murdered six people, including a pregnant woman and a 22 month old child, and drank their blood as part of some kind of ritual. Wood would change some aspects of Chase’s story for his book, naming his killer Charles Reece, changing some of the ages and sexes of the murder victims, and how the murderer died. But most of the book was about Reece’s trial, with a specific focus on Reece’s prosecutor, Anthony Fraser, who had once been against capital punishment, but would be seeking the death penalty in this case after meeting one of the victims’ grieving family members. William L. Petersen, Friedkin’s lead star in To Live and Die in LA, was initially announced to star as Fraser, but as the production got closer to its start date, Petersen had to drop out of the project, due to a conflict with another project that would be shooting at the same time. Michael Biehn, the star of James Cameron’s The Terminator and the then recently released Aliens, would sign on as the prosecutor. Alex McArthur, best known at the time as Madonna’s baby daddy in her Papa Don’t Preach music video, would score his first major starring role as the serial killer Reece. The cast would also include a number of recognizable character actors, recognizable if not by name but by face once they appeared on screen, including Nicholas Campbell, Deborah Van Valkenberg, Art LaFleur, Billy Greenbush and Grace Zabriskie. Friedkin would shoot the $7.5m completely on location in Stockton, CA from late October 1986 to just before Christmas, and Friedkin would begin post-production on the film after the first of the new year. In early May 1987, DEG announced a number of upcoming releases for their films, including a September 11th release for Rampage. But by August 1987, many of their first fifteen releases over their first twelve months being outright bombs, quietly pulled Rampage off their release calendar. When asked by one press reporter about the delay, a representative from DEG would claim the film would need to be delayed because Italian composer Ennio Morricone had not delivered his score yet, which infuriated Friedkin, as he had turned in his final cut of the film, complete with Morricone’s score, more than a month earlier. The DEG rep was forced to issue a mea culpa, acknowledging the previous answer had been quote unquote incorrect, and stated they were looking at release dates between November 1987 and February 1988. The first public screening of Rampage outside of an unofficial premiere in Stockton in August 1987 happened on September 11th, 1987, at the Boston Film Festival, but just a couple days after that screening, DEG would be forced into bankruptcy by one of his creditors in, of all places, Boston, and the film would be stuck in limbo for several years. During DEG’s bankruptcy, some European companies would be allowed to buy individual country rights for the film, to help pay back some of the creditors, but the American rights to the film would not be sold until Miramax Films purchased the film, and the 300 already created 35mm prints of the film in March 1992, with a planned national release of the film the following month. But that release had to be scrapped, along with the original 300 prints of the film, when Friedkin, who kept revising the film over the ensuing five years, turned in to the Weinsteins a new edit of the film, ten minutes shorter than the version shown in Stockton and Boston in 1987. He had completely eliminated a subplot involving the failing marriage of the prosecutor, since it had nothing to do with the core idea of the story, and reversed the ending, which originally had Reece committing suicide in his cell not unlike Richard Chase. Now, the ending had Reece, several years into the future, alive and about to be considered for parole. Rampage would finally be released into 172 theatres on October 30th, 1992, including 57 theatres in Los Angeles, and four in New York City. Most reviews for the film were mixed, finding the film unnecessarily gruesome at times, but also praising how Friedkin took the time for audiences to learn more about the victims from the friends and family left behind. But the lack of pre-release advertising on television or through trailers in theatres would cause the film to perform quite poorly in its opening weekend, grossing just $322,500 in its first three days. After a second and third weekend where both the grosses and the number of theatres playing the film would fall more than 50%, Miramax would stop tracking the film, with a final reported gross of just less than $800k. Between the release of his thriller The Guardian in 1990 and the release of Rampage in 1992, William Friedkin would marry fellow Chicago native Sherry Lansing, who at the time had been a successful producer at Paramount Pictures, having made such films as The Accused, which won Jodie Foster her first Academy Award, and Fatal Attraction. Shortly after they married, Lansing would be named the Chairman of Paramount Pictures, where she would green light such films as Forrest Gump, Braveheart and Titanic. She would also hire her husband to make four films for the studio between 1994 and 2003, including the basketball drama Blue Chips and the thriller Jade. Friedkin’s directing career would slow down after 2003’s The Hunted, making only two films over the next two decades. 2006’s Bug was a psychological thriller with Michael Shannon and Ashley Judd, and 2012’s Killer Joe, a mixture of black comedy and psychological thriller featuring Matthew McConaughey and Emile Hirsch, was one of few movies to be theatrically released with an NC-17 rating. Neither were financially successful, but were highly regarded by critics. But there was still one more movie in him. In January 2023, Friedkin would direct his own adaptation of the Herman Wouk’s novel The Caine Mutiny Court-Martial for the Paramount+ streaming service. Updating the setting from the book’s World War II timeline to the more modern Persian Gulf conflict, this new film starred Keifer Sutherland as Lieutenant Commander Queeg, alongside Jason Clark, Jake Lacy, Jay Duplass, Dale Dye, and in his final role before his death in March, Lance Reddick. That film will premiere at the Venice Film Festival in Italy next month, although Paramount+ has not announced a premiere date on their service. William Friedkin had been married four times in his life, including a two year marriage to legendary French actress Jean Moreau in the late 70s and a two year marriage to British actress Lesley-Anne Downe in the early 80s. But Friedkin and Lansing would remain married for thirty-two years until his death from heart failure and pneumonia this past Tuesday. I remember when Rampage was supposed to come out in 1987. My theatre in Santa Cruz was sent a poster for it about a month before it was supposed to be released. A pixelated image of Reece ran down one side of the poster, while the movie’s tagline and credits down the other. I thought the poster looked amazing, and after the release was cancelled, I took the poster home and hung it on one of the walls in my place at the time. The 1992 poster from Miramax was far blander, basically either a entirely white or an entirely red background, with a teared center revealing the eyes of Reece, which really doesn’t tell you anything about the movie. Like with many of his box office failures, Friedkin would initially be flippant about the film, although in the years preceding his death, he would acknowledge the film was decent enough despite all of its post-production problems. I’d love to be able to suggest to you to watch Rampage as soon as you can, but as of August 2023, one can only rent or buy the film from Amazon, $5.89 for a two day rental or $14.99 to purchase. It is not available on any other streaming service as of the writing and recording of this episode. Thank you for joining us. We’ll talk again soon, when I expect to release the fourth part of the Miramax miniseries, unless something unexpected happens in the near future. Remember to visit this episode’s page on our website, The80sMoviePodcast.com, for extra materials about Rampage and the career of William Friedkin. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.

Jim Fielding is a busy man. He's the president of the Archer Gray Co-Lab Group, the author of All Pride, No Ego: A Queer Executive's Journey to Living and Leading, and a leader of consumer product groups with prominent brands like Disney, Dreamworks, and Twentieth Century Fox, among others. In this week's episode, John and Jim talk about some of today's most pressing topics, such as our skewed perception of the world due in part to social media, the superpower of personal and professional authenticity, and real-world tips for making society a more inclusive and accepting place for everyone, including the LGBTQ+ community.Do you want to become your authentic self? You can Make It Happen with coaching and training from John Barrows at www.jbarrows.com.Are you interested in leveling up your sales skills and staying relevant in today's AI-driven landscape? Visit www.jbarrows.com and let's Make It Happen together!Connect with John on LinkedIn: https://www.linkedin.com/in/johnbarrows/Connect with John on IG: https://www.instagram.com/johnmbarrows/Follow Jim Fielding on LinkedIn: https://www.linkedin.com/in/jamesdfielding/Also Visit: www.allpridenoego.com

Many gay men, navigate the inevitable question of "How do I show up at work, and as a leader, while still being true to myself as a gay man?" The answer, "Your way, on your terms!" Jim Fielding, author of ALL PRIDE, NO EGO: A Queer Executive's Journey to Living and Leading Authentically, shares his dynamic career journey that has spanned senior leadership roles at top global brands including Disney, DreamWorks, and Twentieth Century Fox.  He recounts his journey from conservative Midwestern roots and a lovingly imperfect family to higher education, travel, advocacy, and ultimately owning his truth -- seeing the world through a distinctly different lens. About Jim Jim Fielding is an acclaimed retail and media industry veteran whose expertise combines storytelling, product innovation, merchandising, and consumer experiences. He is a partner at independent media company Archer Gray, and president of its Co-Lab Division. Having led consumer products groups at the world's largest media companies, Jim served as president of Disney Stores Worldwide, and transformed global consumer experiences at DreamWorks, Twentieth Century Fox, and more.  His early career experience has included top global brands, from The Gap to Lands' End, where he mastered vertical specialty retail, product design, store operations, visual merchandising, and supply chain management. Jim later served as CEO of Claire's Stores, Inc., a leading jewelry and accessories retailer. An active community leader and philanthropist, Jim is a founder of the Queer Philanthropy Circle, the nation's premier fundraising and advocacy group for the queer community. He also participates in the Women's Philanthropic Leadership Circle and the Black Philanthropy Circle.  Jim serves on the board of directors for the Indiana University Foundation, and has served as an executive-in-residence for IU's Office of Diversity, Equity, and Inclusion, and as a board member for GLSEN, Make-A-Wish International, and American Red Cross.  He lives in Atlanta with his partner, Joseph. Connect with Jim Website Instagram Twitter LinkedIn Join Our Live 40 Plus Gay Men, Gay Talk Chats The third Monday of each month at 5:00 p.m. Pacific, we gather together on a zoom chat to talk about the stuff us gay gays aren't talking about but should - careers, finances, sex, love, health, coming out - all that stuff that we think we're talking about but aren't. It's fun, it builds community, and you never know when you just might make a great connection or a friend. Click Here To Join The Calls! You can also listen to the podcast on…

Get 15% off zbiotics.com/reach - Wake up feeling great, even if you had a big night out. Episode Keywords: Roy Cohn, Rupert Murdoch, Ronald Reagan, Fox News, Donald Trump, Jared Kushner, Election Conspiracy Theories, Global Expansion, Iran Contra Scandal, CIA, Project Democracy, Twentieth Century Fox, Metromedia, Mogul, Television Stations, Market, Dave Marcus Episode Summary: In this episode, I discussed the complex connections between Roy Cohn, Rupert Murdoch, and Ronald Reagan and how they helped shape the landscape of the United States. We examined recent revelations involving Murdoch's Fox News network and its role in peddling lies to the American public. Rupert Murdoch's deposition was discussed, and how it does not absolve him or his company of responsibility for their actions. We also discussed Murdoch's influence, Donald Trump's reaction, the alliance between Murdoch and Jared Kushner, and Roy Cohn's impact on Murdoch's success. This episode provided an overview of the complex relationships between powerful figures and their influence on modern political and media landscapes. JOIN our PREMIUM CONTENT CHANNEL on YOUTUBE.COM/@NARATIVTV or Patreon.com/naratv. This week I share my thoughts on why Spy Murdoch has been the most challenging series for me to mount. Dear Friends: All of Narativ's content is supported by Narativ's patrons - Thank you for standing by my work and supporting democracy. Unless many more of you join, I cannot continue producing these shows. Please go to Patreon.com/narativ and sign up today. Thank you, Z Learn more about your ad choices. Visit podcastchoices.com/adchoices

SPY MURDOCH is the origin story of Rupert Murdoch as a spy and the first premium content serial from NARATIV TV.  The first and second episode are available for free.  Future episodes will be available to premium members only at patreon.com/narativ  Get 15% off zbiotics.com/reach - Wake up feeling great, even if you had a big night out.   Episode Keywords: Roy Cohn, Rupert Murdoch, Ronald Reagan, Fox News, Donald Trump, Jared Kushner, Election Conspiracy Theories, Global Expansion, Iran Contra Scandal, CIA, Project Democracy, Twentieth Century Fox, Metromedia, Mogul, Television Stations, Market, Dave Marcus Episode Summary: In this episode, I discussed the complex connections between Roy Cohn, Rupert Murdoch, and Ronald Reagan and how they helped shape the landscape of the United States. We examined recent revelations involving Murdoch's Fox News network and its role in peddling lies to the American public. Rupert Murdoch's deposition was discussed, and how it does not absolve him or his company of responsibility for their actions. We also discussed Murdoch's influence, Donald Trump's reaction, the alliance between Murdoch and Jared Kushner, and Roy Cohn's impact on Murdoch's success. This episode provided an overview of the complex relationships between powerful figures and their influence on modern political and media landscapes.   JOIN our PREMIUM CONTENT CHANNEL on YOUTUBE.COM/@NARATIVTV or Patreon.com/naratv. This week I share my thoughts on why Spy Murdoch has been the most challenging series for me to mount.   Dear Friends: All of Narativ's content is supported by Narativ's patrons - Thank you for standing by my work and supporting democracy. Unless many more of you join, I cannot continue producing these shows. Please go to Patreon.com/narativ and sign up today. Thank you, Z