Podcasts about criterion channel

CinemAddicts Episode 333 features reviews of two movies opening Friday, February 27 (Operation Taco Gary's and Undercard). Eric Holmes reviews Santa Zeta which was featured at the Slamdance Film Festival. Bruce Purkey recommends Mistress Dispeller which is streaming on Criterion Channel and he reviews the Patreon assigned pick Delirium: Photo of Gioia.   Timestamps 03:11 - Operation Taco Gary's.

This week, Dana is joined by Amy Nicholson, Los Angeles Times film critic and host of the podcast Unspooled, as well as Jamelle Bouie, New York Times columnist and host of the podcast Unclear and Present Danger. They discuss love affairs, lustful, glamorous, and interspecies.First up, it's the lustful as they take up Emerald Fennell's bodice-ripping adaptation of “Wuthering Heights.” Starring Margot Robbie and Jacob Elordi as the doomed duo Cathy and Heathcliff, the adaptation promises an over-the-top, camp spin on the Gothic tale but does it offer enough depravity to really deliver?Next, it's on to the glamorous with the Ryan Murphy-produced, CK One-scented limited series Love Story: JFK Jr. and Carolyn Bessette about the tragic love story of the political scion and New York fashion It Girl.Finally, they discuss all the interspecies hijinks and backstage chaos in the delightful revival of The Muppet Show.In an exclusive bonus episode for Slate Plus subscribers, the trio of cinephiles celebrate recent reporting that movie theaters are cool again.EndorsementsJamelle: William Wyler's 1939 version of Wuthering Heights starring Laurence Olivier— and while you're visiting the Criterion Channel, check out their collection Mervyn LeRoy's Pre-Code Films.Amy: Gore Verbinski's new film Good Luck, Have Fun, Don't Die, in theaters now.Dana: The patient, observant documentaries of the recently deceased filmmaker Frederick Wiseman, several of which are available to stream on Kanopy. ----Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

This week, Dana is joined by Amy Nicholson, Los Angeles Times film critic and host of the podcast Unspooled, as well as Jamelle Bouie, New York Times columnist and host of the podcast Unclear and Present Danger. They discuss love affairs, lustful, glamorous, and interspecies.First up, it's the lustful as they take up Emerald Fennell's bodice-ripping adaptation of “Wuthering Heights.” Starring Margot Robbie and Jacob Elordi as the doomed duo Cathy and Heathcliff, the adaptation promises an over-the-top, camp spin on the Gothic tale but does it offer enough depravity to really deliver?Next, it's on to the glamorous with the Ryan Murphy-produced, CK One-scented limited series Love Story: JFK Jr. and Carolyn Bessette about the tragic love story of the political scion and New York fashion It Girl.Finally, they discuss all the interspecies hijinks and backstage chaos in the delightful revival of The Muppet Show.In an exclusive bonus episode for Slate Plus subscribers, the trio of cinephiles celebrate recent reporting that movie theaters are cool again.EndorsementsJamelle: William Wyler's 1939 version of Wuthering Heights starring Laurence Olivier— and while you're visiting the Criterion Channel, check out their collection Mervyn LeRoy's Pre-Code Films.Amy: Gore Verbinski's new film Good Luck, Have Fun, Don't Die, in theaters now.Dana: The patient, observant documentaries of the recently deceased filmmaker Frederick Wiseman, several of which are available to stream on Kanopy. ----Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

We are back for our FIFTH SEASON!!! Can you believe that we've been at this for five years now??? I know we can't, but we have 58 episodes where we've paired pot with 117 movies as evidence here. Our earliest film was Georges Méliès' "The Infernal Caudron" from 1903, and our most recent is "Hanky Panky" from 2023. That's getting up on three years old now? Does that count as vintage in tubi years? But enough of our unexpected achievements. We've got our 59th episode right here, and with Valentine's Day just around the corner, we're exploring human sexuality with a pair of films that Philena describes as "more gross than romantic." Everything about BOB & CAROL & TED & ALICE (1969) screams the 60s, from Robert Culp in love beads right down to a Burt Bacharach song closing it out, but our crew found it's definitely worth a look as so many people are trying out polyamory with the same level of awkward as our film's titular couple. Plus Robert Culp and Natalie Wood smoke weed like pros Definitely stay tuned for Philena's title for a queer remake that she should really get crackin' on writing! The film also stars Ryan Cannon and Elliot Gould. How is it that Gould is making his Old Movies for Young Stoners debut just now??? BOB & CAROL & TED & ALICE is streaming on the Criterion and Roku Channels. Since we featured one of Mexico's most spectacularly-bad films in our last episode with the baffling SANTA CLAUS (1959), Bob felt it was time we explored the Golden Age of Mexican Cinema (1930-1960) with VICTIMS OF SIN (1951), a prime example of the Rumberas genre, a unique combination of musical, noir and intense melodrama. In fact, the emotions may have burned a bit too hot for some of our hosts. Ninón Sevilla is a dancer at the Club Changoo in Mexico City whose life goes to hell after she rescues a baby from a trash can. Directed by the great Emilio Fernández who was the John Huston or Kurosawa of Mexico's Golden Age, but is best known to gringos for playing the Mexican warlord Mapache in Sam Peckinpah's THE WILD BUNCH (1969). Legend also has it that Fernández was the sculptor's model for the Oscar statuette when he was chilling with Dolores del Río in Hollywood after he was a part of a failed rebellion in Mexico and had to flee to the United States for a while. The contrast of light and shadows of Gabriel Figueroa's cinematography are the equal of anything seen in the best American noirs. VICTIMS OF SIN is now streaming on Criterion Channel. Cory, Bob and Greg begin the show by talking about the pending closures of The Bottom of the Hill and Thee Parkside, two San Francisco punk clubs that they have all played and see a lot of shows at. The conversation brings up the Canadian rock god Thor, which is always welcome. Bottom of the Hill closes at the end of 2026, so please check out a show or ten there while you still can. https://www.bottomofthehill.com/calendar.html And Philena was not one of the influencers invited to screenings of the "Wuthering Heights," which really seems like an oversight by the Warner Bros publicity team if you ask us. Hey movie PR people, contact us at oldmoviesforyoungstoners@gmail.com and invite Philena to your premieres! She's got the power! Join us in March for our CHILDHOOD TRAUMA episode with THE 5,000 FINGERS OF DR. T (1953) and THE BOY WITH GREEN HAIR (1948). Subscribe on your preferred podcast app so you don't miss it. Theme song: Chaki the Funk Wizard, used with permission. "Cha Cha Fontanez" by Jimmy Fontanez and "Scale the Wall" by Everet Almond courtesy of YouTube Audio Library. Trailer and archival audio courtesy of Archive.org. Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

This is our NEW RELEASE review podcast, ONE HOT TAKE.Safdie's great gift is complication. The pleasure is watching the bill come due—again and again—without the film ever losing velocity. Safdie and co-writer Bronstein's structure is ruthless; setups bloom into havoc, payoffs land with cruel timing.Synopsis:Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.Isaac FeldbergIsaac Feldberg is an entertainment journalist currently based in Chicago, who's been writing professionally for nine years and hopes to stay at it for a few more. On a typical evening, he sits down to surf the Criterion Channel and ends up, inevitably, on Shudder. You can find him on Twitter at @isaacfeldberg.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This is our NEW RELEASE review podcast, ONE HOT TAKE.You may not share the faith on screen. But for two hours, you'll feel its pulse — and that's something rare, bracing, and unforgettable.Synopsis:Ann Lee, the founding leader of the Shaker Movement, proclaimed as the female Christ by her followers. Depicts her establishment of a utopian society and the Shakers' worship through song and dance, based on real events.Isaac FeldbergIsaac Feldberg is an entertainment journalist currently based in Chicago, who's been writing professionally for nine years and hopes to stay at it for a few more. On a typical evening, he sits down to surf the Criterion Channel and ends up, inevitably, on Shudder. You can find him on Twitter at @isaacfeldberg.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsOne Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Send us a textHello everyone, and welcome to season 4 of the Movie Roulette Tuesday Podcast!We have a lot in store for this season and to start we are shaking things up by.... dropping shake-ups.  But worry not!  We have something new and exciting to take their place.  We detail the changes in this episode.Kicking off the new season is our new theme, "The Criterion Collection".  Yes, all films this round need to have an esteemed place among the Criterion Collection or at least be available on the Criterion Channel... or maybe not... mistakes were made.Our first film is 1975's Dog Day Afternoon.  Starring Al Pacino and John Cazale, the film follows three amateur robbers who plan to hold up a Brooklyn bank. A nice, simple robbery: Walk in, take the money, and run. Unfortunately, the supposedly uncomplicated heist suddenly becomes a bizarre nightmare as everything that could go wrong does.  To top it all off, it's based on a true story.So welcome back everyone and thanks for listening!

As Trump's support collapses, he has lashed out in two directions–sending an unprecedented number of ICE agents to Minneapolis, where one of them murdered Renee Good, and sending the military to Venezuela, where he says he has seized control of the oil industry. Harold Meyerson comments.Also: Twenty Minutes Without Trump: There's a new TV series about how capitalism came to Communist China: 30 episodes made for Chinese TV by the great Hong Kong director Wong Kar Wai, running now on the Criterion Channel. John Powers, critic-at-large on Fresh Air with Terry Gross, explains.Plus: Rick Perlstein talks about the rise of Reagan, from what seemed like a career-ending defeat in the 1976 GOP primary, to his narrow victory in the popular vote in 1980–and how the darkness of the culture war has shaped the Republican Party that Trump came to dominate. Rick's long-awaited book, 1100 pages long, is “Reaganland: America's Right Turn, 1976-1980.”

It's the off-season and we promised you we'd get up to some shenanigans; Jake and Trey break down every sizzling inch of the hot stove and the NYCFCeefsteaks being seared on it! We talk merging Magno, a homegrown unceremoniously Haaked off, the baby Blues leaving and the baby Blues returning,  and much more. THEN: Jake and Trey watch their LEDs turn red and their easy money get harder as they review and discuss Kiyoshi Kurosawa's 2024 psychological shooter "Cloud". Watch the movie on the Criterion Channel before listening to double your pleasure, double your fun! Put down that limited edition idol figurine — you've got Blue Balls!

As Trump's support collapses, he has lashed out in two directions--sending an unprecendented number of ICE agents to Minneapolis, where one of them murdered Renee Good, and sending the military to Venezuela, where he says he has seized control of the oil industry. Harold Meyerson comments.Also: Twenty Minutes Without Trump: There's a new TV series about how capitalism came to Communist China, 30 episodes made for Chinese TV by the great Hong Kong director Wong Kar Wai, running now on the Criterion Channel. John Powers, critic-at-large on Fresh Air with Terry Gross, explains.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

As Trump's support collapses, he has lashed out in two directions--sending an unprecendented number of ICE agents to Minneapolis, where one of them murdered Renee Good, and sending the military to Venezuela, where he says he has seized control of the oil industry. Harold Meyerson comments.Also: Twenty Minutes Without Trump: There's a new TV series about how capitalism came to Communist China, 30 episodes made for Chinese TV by the great Hong Kong director Wong Kar Wai, running now on the Criterion Channel. John Powers, critic-at-large on Fresh Air with Terry Gross, explains.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Decade Project is an ongoing One Heat Minute Productions Patreon exclusive podcast looking back at the films released ten years ago to reflect on what continues to resonate and what's ripe for rediscovery. The third year being released on the main podcast feed is the films of 2015. To hear a fantastic chorus of guests and I unpack the films of 2016 in 2026, subscribe to our Patreon here for as little as $1 a month. In the latest episode, I talk with my very talented and insightful friend, the brilliant Chicago-based entertainment journalist Isaac Feldberg, about Justin Kurzel's career long examination of wounded masculinity and violence, through MACBETH.Isaac FeldbergIsaac Feldberg is an entertainment journalist currently based in Chicago, who's been writing professionally for nine years and hopes to stay at it for a few more. On a typical evening, he sits down to surf the Criterion Channel and ends up, inevitably, on Shudder. You can find him on Twitter at @isaacfeldberg.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Step into This Week in Horror History and relive the nightmare fuel of December 22–28: a Christmas-week collision of alien infiltration, true-case exorcism lore, and paranoia-soaked sci-fi horror.This episode digs into:Dec 25, 1998 — The Faculty: the ultimate '90s teen alien horror—teachers acting wrong, bodies getting swapped, and the school turning into a trap.Dec 22, 1978 — Deep-Cut Spotlight: Invasion of the Body Snatchers: a remake that doesn't just update the story—it infects it with urban dread, groupthink, and that soul-freezing “everyone's in on it” feeling.Dec 26, 1973 — The Exorcist: a cultural shockwave that rewired horror, from possession tropes to the way films build slow-burn dread.Dec 28, 1957 — The Mysterians: classic retro sci-fi with a giant-robot punch of Cold War weirdness.Plus: horror birthdays (Blair Witch vibes, scream queens, and silent-era legends), and a weekly recommendation that pairs perfectly with a second “high school is hell” watch.Where to watch (U.S.)The Faculty (1998): Tubi (free w/ ads), The Roku Channel (free), Paramount+ (subscription).The Exorcist (1973): Rent on Amazon Prime, Apple TV, Fandango at Home (episode also notes it's not streaming free / not included with subscription right now).The Mysterians / Earth Defense Force (1957): Criterion Channel (membership) — the episode says this is the current option.Invasion of the Body Snatchers (1978): Tubi (free w/ ads), Pluto, Plex; rent on Fandango at Home and Apple TV; also mentioned: Amazon Prime (subscription).Aspire — grab the exclusive discount: Aspiredrinks.com and use promo code SPOOKY for 20% off.

Did Charles really pick the Criterion Channel over the NBA Cup final?  He tells Mike why he made that decision, despite the fact that he considered the league's third annual in-season trip to Vegas to have been a success.  Staying in the association, expansion may or may not be on the way, and league decisions on both Terry Rozier and the Los Angeles Clippers still hang in the balance.  The NFL lost the Chiefs, Patrick Mahomes, and Micah Parsons in a span of a few hours, but will the ratings take a hit?  Snoop Dogg adds Netflix Halftime performer to his résumé, the College Football Playoff is here, and what does the latest bombshell media news mean for the sports world?  Plus, Jason's Wormbyte on World Cup ticket prices, and the Dr. Mike Smith Sports Moment of the Week sends Mike on a confusing journey back in time. 

From "The Shining" to "Lost in Translation," so many great films have been set in hotels. And all throughout December, you can stream many of those films on the Criterion Channel, as part of their series "Hotels on Film." Aliza Ma, head of programming for the Criterion Channel, discusses the series, and listeners share their favorite movies set in a hotel.

All throughout December, Criterion Channel subscribers can stream their new series "Black Debutantes: First Features by Black Women Directors." The series features films such as "Eve's Bayou," "Daughters of the Dust," "Just Another Girl on the I.R.T," and more. Rógan Graham, programmer and film critic, and Ashely Clarke, curatorial director at the Criterion Collection, discuss the series.

CinemAddicts Episode 323 features three movies that are coming out the week of December 5 (Endless Cookie, Man Finds Tape, Crucible). Co-host Bruce Purkey also reviews the Netflix feature Train Dreams and Cloud (streaming on Criterion Channel). Gofundme Page for Brandon Holmes. Timestamps 03:17 - Frontier Crucible (Images: Well Go USA). Theaters and Digital December 5. 12:24 - Endless Cookie (Images: Obscured Pictures). New York and Los Angeles theaters December 5 30: 26 - Man Finds Tape (Images: Magnet Releasing). Theaters and Digital December 5 38:12 - Cloud review 48:14 - Train Dreams (Images: Netflix Cr. BBP Train Dreams. LLC. © 2025) We receive a slight commission if you purchase items via our Amazon SiteStripe and/or affiliate links.  Members of our CinemAddicts Patreon receive a monthly Bonus episode and early access to interviews and movie spoilers.  CinemAddicts Facebook Page CinemAddicts Facebook Group CinemAddicts Patreon CinemAddicts YouTube Channel CinemAddicts Merch store Our Website is Find Your Films Thanks to our Patreon Community Ryan Smith Stephen Schrock Susan Charles Peterson Nelson B. McClintock Diana Van De Kamp Pete Abeyta Tyler Andula Stephen Mand Edmund Mendez Abbie Schmidt Jeff Tait Robert Prakash Kristen Chris M Jeremy Chappell Lewis Longshadow Iver Alex Clayton Daniel Hulbert Andrew Martin Angela Clark Myron Freeman Kayn Kalmbach Aaron Fordham Tracy Peters Grant Boston Ken Cunningham

This is our NEW RELEASE review podcast, ONE HOT TAKE.Synopsis:Grown men's recreational baseball game stretches to extra innings on their beloved field's final day before demolition. Humor and nostalgia intertwine as daylight fades, signaling an era's end.Sean BurnsSean Burns is a film critic for WBUR's Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly's lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.A graduate of New York University's Tisch School of the Arts, Burns was a recurring guest on the late David Brudnoy's WBZ 1030 AM radio show, and in 2002 received an award for Excellence in Criticism from the Greater Philadelphia Society of Professional Journalists. Currently a member of the Online Film Critics Society and the Critics Choice Association, he's also “the most annoyingest person ever,” according to his niece.WEBSITE: splicedpersonality.comTWITTER: @SeanMBurnsIsaac FeldbergIsaac Feldberg is an entertainment journalist currently based in Chicago, who's been writing professionally for nine years and hopes to stay at it for a few more. On a typical evening, he sits down to surf the Criterion Channel and ends up, inevitably, on Shudder. You can find him on Twitter at @isaacfeldberg.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On the latest PRAISING KANE we're diving into the fraught history of the two Coreys (Haim and Feldman) with the 1988 teen comedy classic(?) LICENSE TO DRIVE, featuring car chases, a hip drive-in restaurant, scary driving tests (/w James Avery), Richard Masur, Billy Ocean's "Get Outta My Dreams, Get into My Car" and OF COURSE the wonderful Carol Kane. We also chat about the upcoming short documentary CAROL & JOY which should be available to watch RIGHT NOW on the Criterion Channel. Enjoy! The post Episode 302 – Praising Kane – License to Drive (1988) first appeared on Cinema Smorgasbord.

New Yorkers across the boroughs are preparing for an expected crackdown by U.S Immigration and Customs Enforcement in the city. Plus,  the Criterion Channel is streaming a collection of family reunion movies this month including the indie classic “Pieces of April.”

ONE HOT FEST – BIFF is a special mini-series from One Heat Minute Productions. Host Blake Howard takes you inside the Brisbane International Film Festival — from filmmaker interviews and festival dispatches to reviews and discussions with guests and critics — relaying the energy, stories, and chaos that, in its heyday, made it one of Australia's unmissable film events.Broken Voices - Synopsis:Thirteen-year-old singer Karolína joins her sister in an elite girls choir, where a demanding choirmaster's influence shapes her dreams. As she strives for recognition, dark undercurrents emerge in this competitive musical world.Isaac FeldbergIsaac Feldberg is an entertainment journalist currently based in Chicago, who's been writing professionally for nine years and hopes to stay at it for a few more. On a typical evening, he sits down to surf the Criterion Channel and ends up, inevitably, on Shudder. You can find him on Twitter at @isaacfeldberg.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We want to feature the editors of four Canadian films that are not only critically acclaimed in this year's festival circles but also reflect the great community spirit behind their creation. Whether it's the utterly independent visions of MATT AND MARA and UNIVERSAL LANGUAGE or the deeply necessary stories of the Indigenous community in ABERDEEN and THE STAND, this year's Canadian films, in all their shapes and forms, are not short of boldness and style. Sara Bulloch is an editor and filmmaker in Winnipeg, Canada. She's edited films and series like ABERDEEN (premiered at TIFF2024), ALTER BOYS, SEEKING FIRE, ANCIENT BODIES, and many short films including I WOULD LIKE TO THANK MY BODY which won Audience Choice Award at Gimli Film Fest 2023. Short films she's written/directed have screened with Toronto Jewish Film Fest, the8fest, Gimli Film Fest, and more. Her films often explore mental health, identity, and relationships. Her short film, HOT DOG GUY won a People's Choice Award at Vox Popular Media Arts Fest 2022. She's also a motion graphics artist and community organizer. From 2019-2023 she organized OurToba Film Network & Fest, a community group for women, non-binary and gender diverse Manitobans in film. Xi Feng is a film editor based in Montreal. Having lived in China, Canada, and France, she has cultivated a unique blend of cultural and artistic sensitivity. Feng has worked as an editor on award winning films including CETTE MAISON, CAITI BLUES and most recently UNIVERSAL LANGUAGE, which won the inaugural Audience Award at the Directors' Fortnight at Cannes and is Canada's 2025 submission for the Oscars. Her filmography includes films premiered at major festivals such as Berlinale, Cannes, Sundance, TIFF, Vision du Réel, HotDocs, etc. Nathalie Massaroni is a Winnipeg-based editor and post production supervisor of more than 400 hours of television. Since graduating from the University of Winnipeg's film program, she has edited features and series including WINTERTIDE, ALTER BOYS, SEEKING FIRE, and ABERDEEN (which premiered at TIFF 2024). Nathalie has also edited other short form series and films such as D DOT H, TAILOR MADE, and I HURT MYSELF. If she's not working on a computer, you can find Nathalie at the dance studio or sipping coffee with a cat on her lap. Ajla Odobasic is a Bosnian-Canadian film editor based in Toronto. Her credits include MATT AND MARA, THE WHITE FORTRESS, the TFCA Best Canadian Film Award-winning ANNE AT 13000 FT, A.W: A PORTRAIT OF APICHATPONG WEERASETHAKUL, and the CSA-nominated HELLO DESTROYER. Her work has screened at several festivals and platforms including Locarno, TIFF, the Berlinale, MoMA, CBC Gem, and the Criterion Channel. Ajla teaches editing in Humber College's Film and Television program. Sarah Hedar is a Vancouver-based editor and story editor. Her patience and sense of humour keeps the challenges that so often bog down the creative process at bay. Sarah's award-winning work on provocative and original films spans both documentary and narrative projects, from features to shorts. Her keen eye for visual storytelling reflects her belief in the power of community, and the importance of continuously reassessing the status quo while building a world filled with empathy and hope for a brighter future. Her work has screened at festivals across the globe, but most notably, Sundance, TIFF, and VIFF. Kelly Boutsalis is the International Programmer, Canada for the Toronto International Film Festival. She's also a freelance writer, and has written about film and television for the New York Times, NOW Magazine, Elle Canada, Flare, POV Magazine and more. She's also written about lifestyle, design, and culture for publications including Vogue, Toronto Star, Chatelaine, VICE and Toronto Life. Originally from the Six Nations reserve, she lives in Toronto. She is on the board of imagineNATIVE and a member of the Toronto Film Critics Association.

Step into late November with This Week in Horror History, the horror podcast that digs into the spooky anniversaries hiding between Thanksgiving and Christmas. In this episode, we dive into a full week of genre milestones for November 18–25, from cult slashers and gothic ghost stories to Stephen King adaptations, survival horror gaming, and a haunting cannibal romance.We kick things off at summer camp with Sleepaway Camp (1983), the infamous 1980s slasher movie whose shocking final twist made it a cult legend on VHS and a must-watch for every serious horror fan. Then we ride into the fog with Tim Burton's Sleepy Hollow (1999), a stylish gothic horror film packed with headless-horseman mayhem, Hammer Horror vibes, and one of Johnny Depp's most beloved spooky roles.From there, we lock the supermarket doors and let The Mist (2007) roll in. This Stephen King horror movie traps terrified townspeople in a grocery store surrounded by Lovecraftian monsters and religious hysteria, building to one of the bleakest endings in modern horror cinema. We also pick up a controller for Condemned: Criminal Origins (2005), a grim Xbox 360 survival horror game that turned a next-gen console launch into a nightmare of crime scenes, jump scares, and first-person brutality.Our Deep-Cut Spotlight sinks its teeth into Salem's Lot (1979), Tobe Hooper's terrifying Stephen King TV miniseriesthat made an entire generation afraid to look out their bedroom windows. We talk small-town dread, the iconic window-scratch scene, and how this vampire story helped shape everything from Fright Night to Buffy the Vampire Slayer and Midnight Mass.Along the way, we roll through horror birthdays (including icons connected to The Silence of the Lambs, The Thing, and indie horror favorites), revisit the legacy of Universal's Frankenstein in a Then & Now segment, and close with a Weekly Recommendation: Luca Guadagnino's Bones and All (2022), a melancholic cannibal road movie that plays like a twisted, emotional Thanksgiving watch.If you love horror history, Stephen King adaptations, Tim Burton gothic horror, 80s slasher movies, Thanksgiving horror, and deep dives into cult classics, this episode is your cozy, creepy guide to late-November genre viewing.Subscribe to This Week in Horror History on the Weekly Spooky network so you never miss a horror anniversary, hidden gem, or nightmare from the vault.Sleepaway Camp (1983)Streaming: Currently streaming on Peacock and available via Prime Video (depending on region/packaging).Physical: Recent Blu-ray restorations from boutique horror labels are in print and easy to hunt down for collectors.Sleepy Hollow (1999)Digital: Available to rent or buy digitally on the usual suspects, including Prime Video and Apple TV.Physical: Long-standing Paramount Blu-ray and DVD releases are widely available.The Mist (2007)Streaming: Streaming on Peacock and Paramount+, often as part of their Stephen King / horror lineups.Physical: Blu-ray editions are easy to find, including releases that feature Frank Darabont's preferred black-and-white cut.Condemned: Criminal Origins (2005 – game)Digital: Recently delisted from major digital storefronts, so it's not a simple click-to-buy anymore.Physical / Legacy: Best found as a physical Xbox 360 disc or as remaining PC keys from reputable sellers that still activate on Steam; expect some tinkering on modern hardware.Salem's Lot (1979 miniseries)Streaming: Shows up on free-with-ads streamers like Tubi and on horror-centric services such as AMC+ and Shudder from time to time, though availability shifts.Physical / Digital: There are solid DVD and Blu-ray editions in circulation, and it's typically available to rent or buy digitally on major VOD platforms when it falls out of flat-rate streaming.Bones and All (2022)Digital: Available digitally on Prime Video.Streaming: Also popping up on cinephile-focused streamers such as The Criterion Channel and MUBI, making it easy to slot into a late-night double feature.This episode of This Week in Horror History is brought to you by Savorista Coffee. If you love big spooky flavors without the jitters, head to Savorista.com and use promo code SPOOKY at checkout for 25% off your order. Every purchase supports the show directly — treat yourself to better coffee and help keep our horror history rolling.

It's Die Hard in a police station!This week on DIE HARD ON A BLANK we're battening down the hatches with Ethan Hawke and Laurence Fishburne as we discuss the 2005 remake of ASSAULT ON PRECINCT 13!After a botched undercover drug bust results in the deaths of two of his fellow team members, traumatized Detroit cop Jake Roenick (Ethan Hawke) now works an unambitious desk job, where he oversees a quiet, remote precinct that's about to be decommissioned. However, when a busload of prisoners – including notorious gangster Marion Bishop (Laurence Fishburne) - are forced to take refuge at said precinct because of a brutal New Year's Eve snowstorm, Jake suddenly finds himself called back into action when mysterious masked gunmen assault the police station… After comparing and contrasting this film with John Carpenter's original 1976 classic (itself a loose remake of RIO BRAVO), the guys discuss the myriad DIE HARD (and DIE HARD 2) DNA on display in this pressure-cooker siege scenario, while musing on the possibility that the echoes of previous wars (Vietnam, the Iraq invasion) may be reverberating inside both versions of the story. They also discuss the idea of the “action-horror” subgenre in this surprisingly gory picture, as well as Ethan Hawke's post-TRAINING DAY action-hero run. Awards are handed out to the stellar ensemble cast in the DIE HARD OSCARS section, and as always the episode culminates with a cheeky edition of the DOUBLE JEOPARDY trivia quiz!TRAILER: https://www.youtube.com/watch?v=isoX0zcyG-4At the time of release, ASSAULT ON PRECINCT 13 is streaming on Starz and Philo in the US, and is available to rent or buy on Amazon Prime Video, Apple TV/iTunes, YouTube, Fandango and all the usual platforms! It is also available on physical media!The original 1976 version is also currently streaming on Amazon Prime Video, Fubo, Roki, Pluto TV, Kanopy, Shout TV, Plex and The Criterion Channel!Click here to subscribe to our Patreon feed 48 HOURS OF BUDDY MOVIES, where we've discussed other John Carpenter classics such as BIG TROUBLE IN LITTLE CHINA and THEY LIVE!www.patreon.com/48hoursofbuddymovies Hosted on Acast. See acast.com/privacy for more information.

Adam and Charlotte had a wonderful opportunity to introduce Charlotte's amazing new Restoration of Popeye (1980) at the American Cinematheque's Friend of the Fest movie festival in August. Now in celebration of that restoration appearing on the Criterion Channel, we want to share it with you.So grab some popcorn and wine, sit back and watch our intro, and then head over to the Criterion Channel to check out Popeye. It will be just like you were there in Los Angeles at the screening.Contact Us At:www.perfdamage.comEmail : perfdamagepodcast@gmail.comTwitter (X) : @perfdamageInstagram : @perf_damageLetterboxd : Perf DamageCheck Out our Youtube Channel:https://www.youtube.com/@PerfDamagePodcast

This is our NEW RELEASE review podcast, ONE HOT TAKE.Synopsis:Grace, a writer and young mother, is slowly slipping into madness. Locked away in an old house in and around Montana, we see her acting increasingly agitated and erratic, leaving her companion, Jackson, increasingly worried and helpless.Isaac FeldbergIsaac Feldberg is an entertainment journalist currently based in Chicago, who's been writing professionally for nine years and hopes to stay at it for a few more. On a typical evening, he sits down to surf the Criterion Channel and ends up, inevitably, on Shudder. You can find him on Twitter at @isaacfeldberg.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Rated RRuntime: 1hr 31minWritten & Directed by Chris StuckmannStars: Sarah Durn, Mason Heidger and Brendan Sexton IIIPremiered at Fantasia International Film Festival July 20, 2024Released in US October 24, 2025RT: 59% critics / 60% audience Currently in theatersSynopsisRiley Brennan and her friends are paranormal investigators who disappear while exploring the abandoned town of Shelby Oaks, Ohio. The bodies of the other investigators are later found, along with one of the video tapes containing their footage. Riley and the other tape remain missing. 12 years later, a film crew is making a documentary about the murders and disappearance focusing on Riley's sister, Mia, and her efforts to locate Riley, when a strange man appears at her door with the missing tape. This plunges Mia further into her search for Riley.Join us again in two weeks when we will be reviewing Kiyoshi Kurosawa's newest, Cloud, currently streaming on the Criterion Channel and available to rent elsewhere.Theme music: "Secret of Tiki Island" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

Diving into the 2000s Horror Collection on the Criterion Channel. Jealous?cinebums.comWrite to us: cinebumspod@gmail.comFollow us:@cinebums on InstagramLetterboxd:https://letterboxd.com/cinebums/

For the month of October, the Criterion Channel will spotlight spooky films, including selections from the best horror of the 2000s to a collection of John Carpenter movies. Criterion curator Clyde Folley discusses scary movies, plus listeners share their favorite horror films of the 2000s.

Hello everyone! Anders Holmes is here with another solo episode where he reviews the Hitchcockian horror film What Lies Beneath, directed by Robert Zemeckis.As it is spooky season (October aka Scary Movie Month) and Halloween is on the way, Anders Holmes will be talking about some of his favourite horror films in these solo Anders Reviews episodes. Horrors film that are some of his favourites, films that have made a big impression on him and films that people should check out. Whether they be fans of the genre or not.On this episode, Anders talks about one of his favourite horror films from the 2000s, a memorable film he watched as a child. He re-discovered it again in his thirties. What Lies Beneath was released in the year 2000. It stars Harrison Ford and Michelle Pfeiffer and, like previously mentioned, it was directed by Robert Zemeckis. The screenplay is credited to Sarah Kernochan and Clark Gregg (Agent Phil Coulson). Michelle Pfeiffer and Harrison Ford star as Norman and Claire Spencer (not Foster as Anders accidentally states in the episode), two madly in love people in a seemingly perfect and happy marriage. Claire is a stay at home, who was once was part of a popular musical quartet, while Norman is a university professor working a lot on a project and neglects his wife. Prior to the events of the film, Claire was in a car accident the year before and still is troubled by it. After her daughter Caitlin moves off to college, she becomes suspicious of what is going on with their neighbours, The Feurs, when she notices Mrs Feur crying in their garden and then she isn't seen again. It's not long before Claire suspects the husband of wrong doing and begins to experience paranormal occurrences in her home. She feels that she is being haunted by a ghost that wishes to contact her. What Lies Beneath is a good old fashioned haunted house story that channels and honours Alfred Hitchcock. It blends Rear Window and also George Cukor's film Gaslight. Robert Zemeckis, who is no stranger to the horror genre, made this film during hiatus from filming Castaway with Tom Hanks who needed to lose weight for that project. The film was made for 100 million dollars and made 291 million dollars worldwide, despite mixed reviews. Michelle Pfeiffer and Harrison Ford give tremendous performances, with most of the critical praise hailing Michelle Pfeiffer as the MVP. Harrison Ford is cast against type and that particular bit of casting works to the film's advantage. It's best to go into this film blind and not watch any trailers or TV spots, as they do spoil aspects of the plot and ruin a few twists and red herrings. The movie is available to watch on DVD and it's also able to be viewed on streaming services: Disney Plus and The Criterion Channel (but only for October). We hope you enjoy this episode and stay tuned for more solo episodes from Anders during this year's spooky season. Stay tuned for our upcoming Fascism on Film episode on The Marriage of Maria Braun. Also do listen to our Robert Redford Special. Be sure to check out our Monument Valley Film on our YouTube Channel.Follow us on our Instagram page.Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

100 years ago this year, celebrated director Robert Altman was born. To celebrate his legacy and influence on film, the Criterion Channel has launched a new September series, Directed by Robert Altman. The series includes films like "The Player," "The Long Goodbye," and "MASH." Sean Fennessey, co-host of "The Big Picture" and curator of the Criterion series, joins to discuss. Plus, callers share their favorite Robert Altman movies.

Who is the real mainstream of the Democratic party? Bernie Sanders and Zohran Mamdani? Or Chuck Schumer and Hakeem Jeffries? Some recent polls might have the answer – Harold Meyerson comments.Also: Trump had four major court decisions against him in a single week last week: on tariffs, defunding Harvard, sending troops to LA, and deporting Venezuelans, different courts and appellate panels said he was violating the law. Erwin Chemerinsky comments – he's Dean of the Law School at Berkeley.Plus: The new film “Caught by the Tides” by Jia Zhangke, considered worldwide to be the most important director in China: Over the last 30 years, his great project has been to tell stories that show the radical transformation of Chinese life by capitalism and the state. John Powers explains – he's critic at large on Fresh Air with Terry Gross. The film is streaming now on the Criterion Channel.

Sean and Amanda celebrate legendary filmmaker Robert Altman, who would have turned 100 this year, by breaking down his illustrious career. But first, they cover the awards distributed at the Venice Film Festival and recap Amanda's legendary weekend, which included seeing Oasis perform live and watching Paul Thomas Anderson's new film, ‘One Battle After Another' (1:20). Then, they construct Altman's shrine and build his Hall of Fame (14:39). Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack Sanders Use code "TheBigPicture20" for a 20 percent discount on an annual Criterion Channel subscription.  This episode is sponsored by State Farm®️. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.®️ Learn more about your ad choices. Visit podcastchoices.com/adchoices

September's going to be a busy month, we can tell already. We took a week off at the end of the summer but we're coming in hot to start the fall here at Breakfast All Day. Supposedly "The Conjuring: Last Rites" is the final film in the franchise -- it says so right there in the title! -- but nothing ever really ends. This is once again the scariest case Ed and Lorraine Warren have ever taken, something to do with a haunted mirror. You've seen it all before, but Patrick Wilson and Vera Farmiga are committed to the bit as always. In theaters. Then we review both Spike Lee's "Highest 2 Lowest" and Akira Kurosawa's "High and Low," the 1963 film that inspired it. The new one stars Denzel Washington as a music industry titan fighting a kidnapping scheme; Toshiro Mifune played a shoe company executive in the original. They have similar bones but are extremely different in how they tell their stories. The Kurosawa film is one of his greats, and Lee's latest is his most purely entertaining movie in a while. (At least one of us thought so.) You can catch "Highest 2 Lowest" on Apple TV+, while "High and Low" is on HBO Max and The Criterion Channel. Finally, we did a lengthy Movie News LIVE! Lots to talk about with fall festival season beginning, plus new trailers including "28 Years Later: The Bone Temple," and the gross use of AI to complete Orson Welles' "The Magnificent Ambersons." Join us every Friday at Noon Pacific at our YouTube channel. Thanks for being here! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/  

[REBROADCAST FROM April 16, 2025] Writer and director David Cronenberg's new film "The Shrouds" is partly inspired from the grief of losing his wife in recent years. The film follows a grieving businessman named Karsh who invents a way to connect with the dead. Cronenberg discusses, alongside actor Diane Kruger, who stars in the film. "The Shrouds" is now streaming on the Criterion Channel.

You'd have to be very bad at interviews, or really just conversations, to not get something from Abel Ferrara, who's the perfect combination of endearing and pugnacious, amenable to ideas while unable to entertain even a hint of bullshit. He's especially verbose discussing Turn in the Wound, his most recent documentary, which premiered at last year's Berlinale and is now streaming on the Criterion Channel and parallels the effect of Russia's war on the citizens of Ukraine with, in a slightly opaque but ultimately wise manner, concerts conducted by Patti Smith. Like many of Ferrara's documentaries––Mulberry St., Chelsea on the Rocks, or Piazza Vittorio––it wrings pathos from a concern for people and the places they live. I was only too happy to talk with him about this film and its endless concerns. I also want to note that myself and Instagram sensation Rohmer Fits will be screening Éric Rohmer's A Summer's Tale on Tuesday, Thursday, and Friday of this week's posting. Tickets are here and we hope to see you there: https://www.eventbrite.com/e/amnesiascope-a-tale-of-summer-tickets-1488838077769?aff=oddtdtcreator

Jared kicks off another round of retro reviews with Peter Bogdanovich's Paper Moon. Michael champions a new Netflix sketch series, Joe catches up with Andor, and Jared presents a Criterion Channel double feature.

Ep. 329: Edo Choi on Mikio Naruse at Metrograph: When a Woman Ascends the Stairs, Scattered Clouds, Wife! Be Like a Rose!, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. There are retrospectives that remain close to one's heart and for me, one such was an immersion in Mikio Naruse's work many years ago at Film Forum. Fortunately, film history can repeat itself in a good way: Metrograph and Japan Society have teamed up for a Naruse retrospective on his 120th anniversary. I spoke with Edo Choi, a film programmer at Metrograph and past guest on the program, about Naruse's rich and perhaps still underappreciated body of work, as well as its context within Japanese cinema. Among the films discussed: When a Woman Ascends the Stairs, Wife! Be Like a Rose!, Floating Clouds, and perhaps one of the great swan songs, Scattered Clouds, before Naruse's death in 1969. Mikio Naruse: The World Betrays Us continues through the end of the month at Metrograph. For listeners outside of New York, select films are available on the Criterion Channel. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Today on the 5: I was looking through the magnificent Criterion Channel film selections and saw one titled Gypsy 83. I'm not typically much of a "coming of age" film person, but this looked different and since it's Pride month, I figured why not see how it is. Turns out, it's pretty good!

Hang onto your slipcases because Blake Howard & Isaac Feldberg will discuss the canonisation of Sean Baker with the special CRITERION COLLECTION releases of ANORA and PRINCE OF THE CITY.AnoraContemporary cinema's foremost chronicler of American dreamers and schemers hustling on the margins of capitalist promise, Sean Baker, reaches new heights of mastery with this audacious anti–Cinderella story—a whirlwind neorealist screwball comedy with an aching heart. In an electric, star-is-born performance, Mikey Madison soars as Anora, an enterprising, ferociously foulmouthed Brooklyn erotic dancer and sex worker whose Prince Not-So-Charming comes along in the form of a Russian oligarch's wild-child son (Mark Eydelshteyn). This is the beginning of a fractured fairy tale—also featuring standout performances from Karren Karagulian, Yura Borisov, and Vache Tovmasyan—that turns the cruel realities of class inside out. Winner of the Palme d'Or at the 2024 Cannes Film Festival, Anora confirms Baker as one of our preeminent auteurs.DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURESNew 4K digital master, supervised by director Sean Baker and producer Alex Coco, with 5.1 surround DTS-HD Master Audio soundtrackOne 4K UHD disc of the film presented in HDR and two Blu-rays with the film and special featuresTwo audio commentaries: one featuring Baker, Coco, producer Samantha Quan, and cinematographer Drew Daniels, and the other featuring Baker and actors Yura Borisov, Mark Eydelshteyn, Karren Karagulian, Mikey Madison, and Vache TovmasyanNew making-of documentaryNew interviews with Baker and MadisonCannes Film Festival press conferenceQ&A with Madison and actor-stripper Lindsey NormingtonDeleted scenesAudition footageTrailersEnglish subtitles for the deaf and hard of hearing and English descriptive audioPLUS: Essays by film critic Dennis Lim and author Kier-La JanisseNew cover by Bianca Parkes and GrandSon, with photography by Max AbadianPrince of BroadwayA raw, disarmingly moving slice of neorealism, this early-career triumph from DIY auteur Sean Baker plunges into the world of West African immigrant Lucky (Prince Adu) and his Armenian Lebanese boss Levon (Karren Karagulian), two unlikely friends who peddle knockoff designer goods in Manhattan's wholesale district. When a long-forgotten ex forces him to take care of a young son he didn't even know he had, Lucky must figure out how to become a father without losing his edge in the counterfeit-merch game. Capturing the chaos of urban life through expressive handheld camera work, remarkably naturalistic performances, and flashes of manic humor, Prince of Broadway is one of Baker's most vivid explorations of the illusory nature of the American dream.DIRECTOR-APPROVED BLU-RAY SPECIAL EDITION FEATURESNew 4K digital restoration, supervised and approved by director Sean Baker and restoration supervisor Alex Coco, with 5.1 surround DTS-HD Master Audio soundtrackTwo audio commentaries: one featuring Baker and the other featuring producer and cowriter Darren Dean, associate producer and actor Victoria Tate, and actor Karren KaragulianNew introduction by BakerArchival interviews with Baker and actor Prince AduTwo documentaries on the making of the filmRestoration demonstration featuring Baker and CocoTrailersEnglish subtitles for the deaf and hard of hearingPLUS: An essay by film critic Robert DanielsNew cover by Drusilla Adeline/Sister Hyde, with additional photography by Ivory WoodsIsaac FeldbergIsaac Feldberg is an entertainment journalist currently based in Chicago, who's been writing professionally for nine years and hopes to stay at it for a few more. On a typical evening, he sits down to surf the Criterion Channel and ends up, inevitably, on Shudder. You can find him on Twitter at @isaacfeldberg.Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We have one of our do it yourself episodes this week, as Richard and the Guests construct Top Five Lists of Cinema Related Subjects and share them with you. Howard Casner has been watching the Criterion Channel, Todd Liebenow found some movies based on TV Shows you might not know, Dave Anderson has a choo choo fetish this week, and Nicole Ayers did the unthinkable, she stopped watching five different movies and tells us why.  Richard pulls off the slickest trick of attributing Star Wars to the wrong Director and no one calls him on it. Abracadabra. 

David Blakeslee hosts director/screenwriter Matthew Gentile in a conversation about six films from Argentina's golden age of cinema, currently featured on the Criterion Channel.

David Blakeslee hosts director/screenwriter Matthew Gentile in a conversation about six films from Argentina's golden age of cinema, currently featured on the Criterion Channel.

In 1966 the Mayor's Office of Film was established to try and encourage local filmmaking, in the hopes that it might help boost the economy. What resulted were films that presented a raw and unfiltered version of the city on the edge of crisis. Starting April 1, the Criterion Channel will feature a collection of films under the headline "Fun City: NYC Woos Hollywood, Flirts with Disaster," featuring films like "Dog Day Afternoon," "Cotton Comes to Harlem," "The Panic in Needle Park," and more. Writer and film critic J. Hoberman, who served as a film critic for the Village Voice and curated the Criterion series, discusses this period of film history. Hoberman's forthcoming book is called The 1960s New York Avant-Garde: Primal Happenings, Underground Movies, Radical Pop.

On this week's show, we preview the Oscars and Trump's demolition throughout renowned institutions of art. Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the hosts discuss I'm Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer. Endorsements: Dana: The documentary Pictures of Ghosts (2023) Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023 Isaac: The film Z (1969), available on streaming Podcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, we preview the Oscars and Trump's demolition throughout renowned institutions of art. Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the hosts discuss I'm Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer. Endorsements: Dana: The documentary Pictures of Ghosts (2023) Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023 Isaac: The film Z (1969), available on streaming Podcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, we preview the Oscars and Trump's demolition throughout renowned institutions of art. Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the hosts discuss I'm Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer. Endorsements: Dana: The documentary Pictures of Ghosts (2023) Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023 Isaac: The film Z (1969), available on streaming Podcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, we preview the Oscars and Trump's demolition throughout renowned institutions of art. Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the hosts discuss I'm Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer. Endorsements: Dana: The documentary Pictures of Ghosts (2023) Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023 Isaac: The film Z (1969), available on streaming Podcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, we preview the Oscars and Trump's demolition throughout renowned institutions of art. Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the hosts discuss I'm Still Here and the continued addition of non-English speaking films getting some of the biggest Oscar buzz. Then we tackle the latest Trump shakeups at the National Endowment for the Arts and The Kennedy Center. Finally, Dana and Julia sit down with the CEO of the Academy of Motion Picture Arts and Sciences Bill Kramer. Endorsements: Dana: The documentary Pictures of Ghosts (2023) Julia: Doppelganger: A Trip into the Mirror World by Naomi Klein, also discussed on Culture Gabfest in September 2023 Isaac: The film Z (1969), available on streaming Podcast production and research by Vic Whitley-Berry. Email us at culturefest@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, it's an all-movie week! Isaac Butler — author of The Method: How the Twentieth Century Learned to Act and host of the new Criterion Channel series, The Craft of Acting — sits in for Stephen Metcalf. First, the panel explores The Brutalist, director Brady Corbet's two-part epic following the life of László Tóth (Adrien Brody), a Hungarian-born Jewish architect who survives the Holocaust then emigrates to the United States. Then, the three unpack Carry-On, an action thriller set in Los Angeles International Airport. It's a well-made film with a dumb concept, and smashed Netflix records over the holiday. Finally, it's that time of year again: Dana leads the panel through Slate's Movie Club 2024, a cherished tradition in which she chats with other critics over email about the year in cinema. (Read her first post, here.) In the exclusive Slate Plus segment, the all-movie theme continues, as the three spoil The Brutalist.   Email us at culturefest@slate.com.  Endorsements: Dana: Adaptation, directed by Spike Jonze and written by Charlie Kaufman.  Julia: A two-part endorsement: (1) My Cousin Vinny and (2) the production design of Three Men and a Baby (that apartment!)  Isaac: “Eat What You Kill,” a masterfully reported piece by J. David McSwane for ProPublica.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices