Podcast appearances and mentions of candace bailey

Our third episode for Women's History Month, in which I chat with Dr. Candace Bailey (North Carolina Central University) about her musical upbringing as a pianist, her path to historical musicology, and her time in graduate school at Duke. We also discuss her current music history curriculum at NCCU and her 2021 book Unbinding Gentility: Women Making Music in the 19th Century South. Unbinding Gentility Candace's new article Get in touch with me at: hermusicacademia@gmail.com

Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Dr. Candace Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment—part of how people expected women to perform gentility—and a real practice—what women actually did. At the same time, her ethnographic reading of binder's volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women's places in southern culture. A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility: Women Making Music in the Nineteenth-century South (University of Illinois Press, 2021) challenges entrenched assumptions about nineteenth-century music and the experiences of the southern women who made it. Dr. Candace Bailey is professor of music at North Carolina Central University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama's Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices

Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Dr. Candace Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment—part of how people expected women to perform gentility—and a real practice—what women actually did. At the same time, her ethnographic reading of binder's volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women's places in southern culture. A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility: Women Making Music in the Nineteenth-century South (University of Illinois Press, 2021) challenges entrenched assumptions about nineteenth-century music and the experiences of the southern women who made it. Dr. Candace Bailey is professor of music at North Carolina Central University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama's Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Dr. Candace Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment—part of how people expected women to perform gentility—and a real practice—what women actually did. At the same time, her ethnographic reading of binder's volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women's places in southern culture. A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility: Women Making Music in the Nineteenth-century South (University of Illinois Press, 2021) challenges entrenched assumptions about nineteenth-century music and the experiences of the southern women who made it. Dr. Candace Bailey is professor of music at North Carolina Central University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama's Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Dr. Candace Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment—part of how people expected women to perform gentility—and a real practice—what women actually did. At the same time, her ethnographic reading of binder's volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women's places in southern culture. A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility: Women Making Music in the Nineteenth-century South (University of Illinois Press, 2021) challenges entrenched assumptions about nineteenth-century music and the experiences of the southern women who made it. Dr. Candace Bailey is professor of music at North Carolina Central University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama's Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Dr. Candace Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment—part of how people expected women to perform gentility—and a real practice—what women actually did. At the same time, her ethnographic reading of binder's volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women's places in southern culture. A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility: Women Making Music in the Nineteenth-century South (University of Illinois Press, 2021) challenges entrenched assumptions about nineteenth-century music and the experiences of the southern women who made it. Dr. Candace Bailey is professor of music at North Carolina Central University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama's Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Dr. Candace Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment—part of how people expected women to perform gentility—and a real practice—what women actually did. At the same time, her ethnographic reading of binder's volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women's places in southern culture. A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility: Women Making Music in the Nineteenth-century South (University of Illinois Press, 2021) challenges entrenched assumptions about nineteenth-century music and the experiences of the southern women who made it. Dr. Candace Bailey is professor of music at North Carolina Central University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama's Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Dr. Candace Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment—part of how people expected women to perform gentility—and a real practice—what women actually did. At the same time, her ethnographic reading of binder's volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women's places in southern culture. A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility: Women Making Music in the Nineteenth-century South (University of Illinois Press, 2021) challenges entrenched assumptions about nineteenth-century music and the experiences of the southern women who made it. Dr. Candace Bailey is professor of music at North Carolina Central University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama's Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Dr. Candace Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment—part of how people expected women to perform gentility—and a real practice—what women actually did. At the same time, her ethnographic reading of binder's volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women's places in southern culture. A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility: Women Making Music in the Nineteenth-century South (University of Illinois Press, 2021) challenges entrenched assumptions about nineteenth-century music and the experiences of the southern women who made it. Dr. Candace Bailey is professor of music at North Carolina Central University. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama's Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

On this episode of The Virtual Principal, we are continuing our series of discussions for Planning For The New School Year. My very dear friend, Dr. Candice Bailey, and I discuss the value in preparing for interviews, preparing to communicate, the post-interview, what's important in building your culture, and what we look for.Dr. Candice Bailey is the current principal in Guilford County Schools, North Carolina. She has been in education for 29 years. Dr. Bailey began her career as a Teacher's Assistant. Starting with teaching 4th grade students, she then transitioned into an AP position and was an AP at two High Schools in the area. She then transitioned to principalship in 2011.Dr. Bailey enjoys working with teachers, the community, and especially the students to help them see that their lives have meaning and that anything is possible. She often encourages her staff and students to dream and imagine the possibilities of the future. Dr. Bailey lives by the quote, “I dwell in possibility.”[01:03]  Let's Get To Know Dr. Candice BaileyDr. Bailey's talks about an opportunity that led her to be an administrator[02:17] Interviewing for the New School YearDr. Bailey starts with a list, then begins reaching out to those interestedLooking for educators that have a heart for children, are aligned with the culture of the schoolDr. Bailey's interview structureQuick break! Want to get organized for this school year? Visit my Instagram @thevirtualprincipal or www.drangeladraper.com where I will be dropping a Trello Board that will help you organize your whole back-to-school setup. Sign up now![13:59] What Happens After the Interview?The importance of communication; Providing the feedback people need to hear and giving closure to those who didn't get the job[20:42] Closing Up!Follow Dr. Candice Bailey. Links BelowWhat is your favorite word? Connected and graceDesk, room, or car: which do you clean first?    CarKey Quotes:“I look for people that really care about children. Because I can teach you the curriculum, I can teach you lots of classroom management, I can teach you how to write a lesson plan, but I cannot teach your heart how to care about children. “  - Dr. Candice Bailey"Sometimes when you send that follow up email, you have an opportunity to give someone the gift of feedback, because if people really are honestly trying to grow, then as educators, that's what we want, we want to help launch people off into a successful path." - Dr. Candice BaileyConnect with Dr. Candace Bailey on LinkedInTo know more about me and my journey, follow me on Instagram (@thevirtualprincipal).This season is being produced by Streamlined Podcast, making podcasting EASY FOR YOU.LEAVE A REVIEW + help someone who wants to advance their leadership by sharing this episode or click here to listen to our previous episodes.Support the show (https://www.buymeacoffee.com/VirtualPrincipa)Affiliate Links:https://www.buzzsprout.com/?referrer_id=1491721https://app.kajabi.com/r/n9rBF288/t/omihfpcuSupport the show (https://www.buymeacoffee.com/VirtualPrincipa)

On June 6, 2021, Bach Society Houston will present a concert called “Music in the Americas at the Time of Bach," which can be streamed online. The concert’s theme—“eighteenth-century music” outside the European geographical context and repertoire typically implied by the term—might raise questions for BSH audiences. Our episode today will explore some of those questions with Dr. Glenda Goodman, Associate Professor of Music at the University of Pennsylvania and author of the book Cultivated By Hand: Amateur Musicians in the Early American Republic (Oxford University Press). Dr. Goodman joins us to discuss how her book—and concerts like the one I just mentioned—can help us consider, and then expand, some of our assumptions, definitions, and labels around European-derived music during Bach's lifetime and in the generation or two following him. Resources mentioned in the show: Image from an 18th-century American music notebook at Dr. Goodman’s website “Notes on Bach” episodes with Dr. Andrew Talle about his book Beyond Bach and the Anna Magdalena notebooks Vast Early America episode of the history podcast “Ben Franklin’s World,” featuring Dr. Karin Wulf and other scholars Dr. Candace Bailey, Unbinding Gentility: Women Making Music in the Nineteenth-Century South (University of Illinois Press)

On the 22nd episode of Shit We Don’t Talk About, Candace Bailey joins us to disrupt the narrative about race and racism in the US today. She is an advocate against police brutality, and justice, systemic oppression, and racism. The one thing that’s been apparent the last four years and certainly in the last year is that shit has to start at home. It will take a grassroots effort to change the narrative that is dominated by the mainstream media and social networking sites. We can no longer avoid uncomfortable conversations and need to acknowledge that white supremacy exists on multiple levels, has existed since the founding of our country, can’t be denied, and it can’t be wished away. Three takeaways from this episode of the Shit We Don’t Talk About podcast: The root of our issue is that within our country’s founding documents, anyone with melanin in their skin is considered three-fifths of a human being. So we should be talking about what does it mean to be three-fifths of a human and what that means to you as a white person or as a person of color. America has done a great job throughout its history of putting band-aids on bullet wounds. When you put a bandaid on a bullet wound without removing the bullet, left alone it infects the whole body, and we need to stop asking why that wound doesn’t heal. When we're talking about the three P's of white power, we’re talking about Plantation, Penitentiary, and Pharma. These three elements are the evolution of white supremacy, where the penitentiary becomes the plantation and Big Pharma is the slave master. Candace’s advice to white people would be “Listen a lot to people of color, black people. Listen to what they're telling you. And don't be on the defensive. Just absorb some of it and take it home with you and unpack that with your family. And when someone says ‘I'm not racist’, challenge that and say, ‘How are you not racist? Help me to understand what do you do that works against racism every day? Or what do you do that makes you believe that you're not?’” Asking these types of questions is just the type of grassroots, ground-level conversations that need to be had in order to disrupt the current narrative regarding race and injustice in America. You can connect with Candace here: Website: www.lighthouselove.org Facebook: https://www.facebook.com/Lightcarrier13 Twitter: @candiACTION For full show notes on this episode, visit miavoss.live/22 ---- Find Mia online here or here. MUSIC CREDIT: Inspiring Experience  by Rafael Krux Link: https://filmmusic.io/song/5670-inspiring-experience- Inspirational Infinity Of Space by WinnieTheMoog Link: https://filmmusic.io/song/6593-inspirational-infinity-of-space License: http://creativecommons.org/licenses/by/4.0/ --- Support this podcast: https://anchor.fm/miavosslive/support

Microhistories are an important method of investigating an historical moment with a fine-grain focus that can puncture holes in the generalizations that historians sometimes make. In her new book, Charleston Belles Abroad: The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louis Rebecca McCord (University of South Carolina Press, 2019), Candace L. Bailey uses a close reading of the music owned and performed by three prominent women in antebellum Charleston to demonstrate the varied experiences and perspectives of figures who also had much in common. All three women were sophisticated, well-traveled, and moved in the highest social circles of the planter class in Charleston. Yet, each woman had unique educational backgrounds, upbringings, and musical choices. They all experienced the Civil War and its aftermath quite differently. Rather than confining herself simply to an analysis of the musical repertoire each woman owned, Bailey examines the scores with the attention often reserved for Medieval manuscripts to discern the implications of the publishers, source of the scores, and the handwritten markings left by her subjects as they learned the music. She thoroughly contextualizes the collections within the time period, the milieu of upper-class Southern women, the history of Charleston, and, most importantly, the lives of the three women as evidenced by other documents they and those in their circle left behind. In doing so, Bailey reminds us that we must balance studying sweeping historical trends with the lived experiences of individuals. Candace Bailey is a Professor of Music at North Carolina Central University. She began her career studying seventeenth-century British keyboard music, but in the last decade has devoted much of her research time to the role of music among middle- and upper-class women in the Southern United States during the nineteenth century. Charleston Belles Abroad is her third book, and she has published articles in many journals including the Journal for the Society for American Music, Music & Letters, and the Journal for Musicological Research. In 2015, she received a National Endowment for the Humanities Award for Faculty at Historically Black Colleges and Universities. She will be a Fellow of the National Humanities Center for the 2019–2020 academic year. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Microhistories are an important method of investigating an historical moment with a fine-grain focus that can puncture holes in the generalizations that historians sometimes make. In her new book, Charleston Belles Abroad: The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louis Rebecca McCord (University of South Carolina Press, 2019), Candace L. Bailey uses a close reading of the music owned and performed by three prominent women in antebellum Charleston to demonstrate the varied experiences and perspectives of figures who also had much in common. All three women were sophisticated, well-traveled, and moved in the highest social circles of the planter class in Charleston. Yet, each woman had unique educational backgrounds, upbringings, and musical choices. They all experienced the Civil War and its aftermath quite differently. Rather than confining herself simply to an analysis of the musical repertoire each woman owned, Bailey examines the scores with the attention often reserved for Medieval manuscripts to discern the implications of the publishers, source of the scores, and the handwritten markings left by her subjects as they learned the music. She thoroughly contextualizes the collections within the time period, the milieu of upper-class Southern women, the history of Charleston, and, most importantly, the lives of the three women as evidenced by other documents they and those in their circle left behind. In doing so, Bailey reminds us that we must balance studying sweeping historical trends with the lived experiences of individuals. Candace Bailey is a Professor of Music at North Carolina Central University. She began her career studying seventeenth-century British keyboard music, but in the last decade has devoted much of her research time to the role of music among middle- and upper-class women in the Southern United States during the nineteenth century. Charleston Belles Abroad is her third book, and she has published articles in many journals including the Journal for the Society for American Music, Music & Letters, and the Journal for Musicological Research. In 2015, she received a National Endowment for the Humanities Award for Faculty at Historically Black Colleges and Universities. She will be a Fellow of the National Humanities Center for the 2019–2020 academic year. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Microhistories are an important method of investigating an historical moment with a fine-grain focus that can puncture holes in the generalizations that historians sometimes make. In her new book, Charleston Belles Abroad: The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louis Rebecca McCord (University of South Carolina Press, 2019), Candace L. Bailey uses a close reading of the music owned and performed by three prominent women in antebellum Charleston to demonstrate the varied experiences and perspectives of figures who also had much in common. All three women were sophisticated, well-traveled, and moved in the highest social circles of the planter class in Charleston. Yet, each woman had unique educational backgrounds, upbringings, and musical choices. They all experienced the Civil War and its aftermath quite differently. Rather than confining herself simply to an analysis of the musical repertoire each woman owned, Bailey examines the scores with the attention often reserved for Medieval manuscripts to discern the implications of the publishers, source of the scores, and the handwritten markings left by her subjects as they learned the music. She thoroughly contextualizes the collections within the time period, the milieu of upper-class Southern women, the history of Charleston, and, most importantly, the lives of the three women as evidenced by other documents they and those in their circle left behind. In doing so, Bailey reminds us that we must balance studying sweeping historical trends with the lived experiences of individuals. Candace Bailey is a Professor of Music at North Carolina Central University. She began her career studying seventeenth-century British keyboard music, but in the last decade has devoted much of her research time to the role of music among middle- and upper-class women in the Southern United States during the nineteenth century. Charleston Belles Abroad is her third book, and she has published articles in many journals including the Journal for the Society for American Music, Music & Letters, and the Journal for Musicological Research. In 2015, she received a National Endowment for the Humanities Award for Faculty at Historically Black Colleges and Universities. She will be a Fellow of the National Humanities Center for the 2019–2020 academic year. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Microhistories are an important method of investigating an historical moment with a fine-grain focus that can puncture holes in the generalizations that historians sometimes make. In her new book, Charleston Belles Abroad: The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louis Rebecca McCord (University of South Carolina Press, 2019), Candace L. Bailey uses a close reading of the music owned and performed by three prominent women in antebellum Charleston to demonstrate the varied experiences and perspectives of figures who also had much in common. All three women were sophisticated, well-traveled, and moved in the highest social circles of the planter class in Charleston. Yet, each woman had unique educational backgrounds, upbringings, and musical choices. They all experienced the Civil War and its aftermath quite differently. Rather than confining herself simply to an analysis of the musical repertoire each woman owned, Bailey examines the scores with the attention often reserved for Medieval manuscripts to discern the implications of the publishers, source of the scores, and the handwritten markings left by her subjects as they learned the music. She thoroughly contextualizes the collections within the time period, the milieu of upper-class Southern women, the history of Charleston, and, most importantly, the lives of the three women as evidenced by other documents they and those in their circle left behind. In doing so, Bailey reminds us that we must balance studying sweeping historical trends with the lived experiences of individuals. Candace Bailey is a Professor of Music at North Carolina Central University. She began her career studying seventeenth-century British keyboard music, but in the last decade has devoted much of her research time to the role of music among middle- and upper-class women in the Southern United States during the nineteenth century. Charleston Belles Abroad is her third book, and she has published articles in many journals including the Journal for the Society for American Music, Music & Letters, and the Journal for Musicological Research. In 2015, she received a National Endowment for the Humanities Award for Faculty at Historically Black Colleges and Universities. She will be a Fellow of the National Humanities Center for the 2019–2020 academic year. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Microhistories are an important method of investigating an historical moment with a fine-grain focus that can puncture holes in the generalizations that historians sometimes make. In her new book, Charleston Belles Abroad: The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louis Rebecca McCord (University of South Carolina Press, 2019), Candace L. Bailey uses a close reading of the music owned and performed by three prominent women in antebellum Charleston to demonstrate the varied experiences and perspectives of figures who also had much in common. All three women were sophisticated, well-traveled, and moved in the highest social circles of the planter class in Charleston. Yet, each woman had unique educational backgrounds, upbringings, and musical choices. They all experienced the Civil War and its aftermath quite differently. Rather than confining herself simply to an analysis of the musical repertoire each woman owned, Bailey examines the scores with the attention often reserved for Medieval manuscripts to discern the implications of the publishers, source of the scores, and the handwritten markings left by her subjects as they learned the music. She thoroughly contextualizes the collections within the time period, the milieu of upper-class Southern women, the history of Charleston, and, most importantly, the lives of the three women as evidenced by other documents they and those in their circle left behind. In doing so, Bailey reminds us that we must balance studying sweeping historical trends with the lived experiences of individuals. Candace Bailey is a Professor of Music at North Carolina Central University. She began her career studying seventeenth-century British keyboard music, but in the last decade has devoted much of her research time to the role of music among middle- and upper-class women in the Southern United States during the nineteenth century. Charleston Belles Abroad is her third book, and she has published articles in many journals including the Journal for the Society for American Music, Music & Letters, and the Journal for Musicological Research. In 2015, she received a National Endowment for the Humanities Award for Faculty at Historically Black Colleges and Universities. She will be a Fellow of the National Humanities Center for the 2019–2020 academic year. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Microhistories are an important method of investigating an historical moment with a fine-grain focus that can puncture holes in the generalizations that historians sometimes make. In her new book, Charleston Belles Abroad: The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louis Rebecca McCord (University of South Carolina Press, 2019), Candace L. Bailey uses a close reading of the music owned and performed by three prominent women in antebellum Charleston to demonstrate the varied experiences and perspectives of figures who also had much in common. All three women were sophisticated, well-traveled, and moved in the highest social circles of the planter class in Charleston. Yet, each woman had unique educational backgrounds, upbringings, and musical choices. They all experienced the Civil War and its aftermath quite differently. Rather than confining herself simply to an analysis of the musical repertoire each woman owned, Bailey examines the scores with the attention often reserved for Medieval manuscripts to discern the implications of the publishers, source of the scores, and the handwritten markings left by her subjects as they learned the music. She thoroughly contextualizes the collections within the time period, the milieu of upper-class Southern women, the history of Charleston, and, most importantly, the lives of the three women as evidenced by other documents they and those in their circle left behind. In doing so, Bailey reminds us that we must balance studying sweeping historical trends with the lived experiences of individuals. Candace Bailey is a Professor of Music at North Carolina Central University. She began her career studying seventeenth-century British keyboard music, but in the last decade has devoted much of her research time to the role of music among middle- and upper-class women in the Southern United States during the nineteenth century. Charleston Belles Abroad is her third book, and she has published articles in many journals including the Journal for the Society for American Music, Music & Letters, and the Journal for Musicological Research. In 2015, she received a National Endowment for the Humanities Award for Faculty at Historically Black Colleges and Universities. She will be a Fellow of the National Humanities Center for the 2019–2020 academic year. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Kevin reunites with his "Attack of the Show!" co-hosts, Candace Bailey and Sara Underwood. Follow @saraunderwood and @candacebailey5!    Enjoy audio books? Goto https://www.audible.com/pointless for your free 30 day trial! Follow Sara on Twitter: https://twitter.com/SaraUnderwood   Follow Candace on Twitter: https://twitter.com/CandaceBailey5 Follow Kevin on Twitter: https://www.twitter.com/Attack @AttackSnap on Snapchat

After a brief chat with Chris Gethard, Doug welcomes actress Candace Bailey and comedians Greg Proops, Brad Williams, and Matt Weinhold to the show....See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Candace Bailey, host of Attack of the Show on G4, stops by The Matthew Aaron Show live from Detroit Coney Dog LA this Wednesday (3/28) afternoon starting at 4:00pm PT. Candace, who's also a very talented actress, will be dropping by to discuss her career, Attack of the Show & what the future hold for this gorgeous redhead. Also joining in as our special celebrity guest co-host will be lovable actor Louis Lombardi (The Usual Suspects, The Sopranos, 24...) Show starts at 4:00pm PT (6:00pm CT / 7:00pm ET.) If you're in the L.A. area stop on by Detroit Coney Dog LA and see us. If not, stream live from our website or subscribe for free and download the show on iTunes. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Reviews:  The Amazing Spider-Man #666, The Cape #1, The Red Wing #1, Thundercats TV show, Captain America: The First Avenger film More San Diego Comic-Con madness! Jimmy flies solo so he can get all of the great coverage out to you as quickly as possible! He gets in a question at the Jason Momoa (Conan, Game of Thrones) press conference and sits down with Saul Rubinek (Warehouse 13), Candace Bailey/Kevin Pereira (Attack of the Show), Elfquest cast and Joyce Brabner. News highlights include: Frank Darabont steps down as showrunner of The Walking Dead, images of Batman/Bane fight from Dark Knight Rises, Warner Bros. pushes back Man of Steel release date, Bryan Lee O'Malley's new comic, DC wants to hire more women, George Lucas loses Stormtrooper rights in UK, court rules in favor of Marvel against Kirby, IDW will publish Star Trek/Legion of Superheroes mash up, Marvel will publish "Season 1" comics, Vertigo to publish Fables spinoff, Brian K. Vaughan returns to comics, and Tony Lee & Becky Cloonan will bring you a Macgyver comic! As always, Listener Feedback, the Top 3 and more! Leave your iTunes comments! 5 stars and nothing but love!

Today we talk Google and their many announcements, Candace Bailey on AOTS, Dead Space 2, and George Lucas buying dead people. We review the deck building, table top Resident Evil game, and give our previews for the Spike VGAs, then if you stick around, it’s EMBARRASSING STORY TIME with Ash. Which is actually not when he has the seizure, that’s much earlier during the news. Thanks for listening! Also, for those that notice/care, the music bumpers have been significantly shortened, but no Micah, it’s not because I care what you think, Pilx wins the vote on this one, thanks buddy. rated NA Episode #7: Ash has a seizure