Podcasts about Musicology

Verdi's Requiem Mass, in its fervent quest for eternal rest, stands as a powerful demonstration of the composer's ability to harness the human voice. Hailed by NPR as “simply magnificent” for their two-time Grammy Award-winning CSO Resound recording of this work, Riccardo Muti and the Chicago Symphony Orchestra and Chorus are joined by a thrilling quartet of international singers to once again deliver a masterful blend of passion and precision. Please note: This program replaces Berlioz's The Damnation of Faust. Learn more: cso.org/performances/24-25/cso-classical/muti-verdi-requiem

Esteban Batallán, the CSO's principal trumpet since 2019, makes his much-anticipated debut as a soloist with the Orchestra in a pair of brilliant, high-flying concertos. Riccardo Muti frames the program with Joseph Haydn's tempestuous Symphony No. 48 and Schubert's Haydn-inspired Tragic Symphony. Learn more: cso.org/performances/24-25/cso-classical/muti-and-esteban-batallan

THE CLASH This week Rob and Alan chat with author Iain Key about his new book All the Young Punks: A People’s History of the Clash, an oral history of one of the most seminal bands in modern music. Iain is well-known to Louder Than War regulars as the presenter of his own Indie Brunch show on Louder Than […] The post Modern Musicology #138 – THE CLASH appeared first on The ESO Network.

Emily Moore is the Instruction and Outreach Archivist, and Mahala Ruddell is the Lead Processing Archivist in Special Collections and University Archives at the University of Oregon. They discuss their work and the value of UO's collections. They also talk about some of the curious things they have come across in the archives. • uoregon.edu/special-collections • uoregon.aviaryplatform.com • oregondigital.org Research Notes: Abigail Fine, assistant professor of Musicology in the UO's School of Music and Dance, talks about her new book "The Composer Embalmed: Relic Culture from Piety to Kitsch" which was published by the University of Chicago Press in June 2025. She also offers other titles to explore relic culture. • "The Author's Effects: On Writer's House Museums" by Nicola J. Watson • "Relics of Death in Victorian Literature and Culture" by Deborah Lutz • "Cranioklepty" by Colin Dickey • "The Hummingbird Cabinet: A Rare and Curious History of Romantic Collectors" by Judith Pascoe

2024 Ravinia Festival Opening Night: Celebration of Americana - Broadcast by CSO Association

Join us for an enlightening conversation with Dr. Natasha Loges, Professor of Musicology at the Hochschule für Musik Freiburg (mh-freiburg.de). Dr. Loges is renowned for her research on 19th-century music, concert culture, and gender studies (oxfordsong.org). In this episode, she delves into her forthcoming biography of Pauline Viardot, the influential 19th-century mezzo-soprano, composer, and cultural icon (hfmt-hamburg.de).⏰ Episode Highlights:1:13 – Guest Introduction2:11 – About the Viardot Biography6:57 – Viardot as Composer10:47 – Classical Music Perspectives: Then & Now15:00 – Historical Predictions of Classical Music18:10 – Controversies Around Viardot's Heritage21:43 – The Everyday Life of Pauline Viardot26:21 – The Open Marriage and 19th-Century Society30:38 – Three Sides of Viardot as Composer32:16 – Public Perception of Viardot's Appearance38:32 – Women as 19th-Century Entrepreneurs43:44 – Research Tips from Natasha Loges47:00 – Outro & Reflections

In Randall Goosby, the pioneering American composer Florence Price “has her ideal champion,” writes The Guardian, “his playing full of old-school warmth and breadth but never schmaltzy.” Price's beguiling violin concerto shares a program with Prokofiev's enchanting Seventh Symphony, composed for a children's radio broadcast. The suite from Die Meistersinger von Nürnberg gathers stirring moments from Wagner's opera. Learn more: cso.org/performances/24-25/cso-classical/elder-goosby-and-price

Dvořák's radiant salute to the New World kicks off an American road trip with James Gaffigan at the wheel. Take in poignant selections from Gershwin's landmark opera — sung by Janai Brugger — and the composer's urbane and nostalgic love letter to Paris. Chicago native Florence Price sets two American poems to song, and a pair of symphonic showstoppers by Bernstein transports audiences to “New York, New York” and beyond. Learn more: cso.org/performances/24-25/cso-classical/an-american-suite

Haitink Conducts Mahler 2 - Broadcast by CSO Association

Our deep dive into the best of 3rdEyeTV is wrapping up with this episode. Sticky Like Glue, Something in the Water, Musicology, Mama Feelgood, Next to Me and more round out this wide-ranging look at a Prince experiment.Visit us on Facebook: https://www.facebook.com/TMATSPodcast/Twitter… X… Twix: @TMATSPodcastEmail: TMATSPodcast@gmail.com

SNL SEASON 50 This week Alan unveils hSNL SEASON 50is ranking of the 15 best performances on the 50th Anniversary season of Saturday Night Live! It was a particularly good year for music, made even bigger by a special anniversary episode that included five musical performances in addition to the ones in the 20 regular season episodes.  So […] The post Modern Musicology #137 – Ranking the Music of SNL 50 appeared first on The ESO Network.

Matt Biilmann is the CEO and co-founder of Netlify, a platform that has raised over $200M to reshape how websites are built and deployed. A key figure in the open source web development community, Matt helped popularize the JAMstack architecture to improve performance and streamline developer workflows. Before launching Netlify in 2014 with Christian Bach, he built several startups and earned a degree in Musicology from the University of Copenhagen.In this conversation, we discuss:How Matt Biilmann coined the term “JAMstack”, and how it redefined the architecture of the modern webThe evolution of Netlify from a bootstrapped side project to a platform used by 6M+ developersWhy the future of web development includes designing not just for humans but also for AI agents, with a focus on Agent Experience (AX)The rise of low-code creators and “vibe coders” who build sophisticated projects by prompting instead of programmingWhy the open web matters more than ever in the age of AI, and what's at stake in the battle between open and closed platformsMatt's reflections on leadership, delegation, and what still drives him after more than a decade of building tools that empower other buildersResources:Subscribe to the AI & The Future of Work NewsletterConnect with Matt on LinkedInRead the new blog from Matt: Biilmann BlogAI fun fact articleOn the future of automation in B2B sales

Giulini Conducts Mahler 9 - Broadcast by CSO Association

Giulini Conducts Mahler 9 - Broadcast by CSO Association

The Rock & Roll Hall of Fame announced the 2025 roster of inductees on April 27 at 8:30 pm during a live broadcast of American Idol. 15 minutes later, we recorded an episode analyzing the announcements! What you get in this episode is our immediate reaction in a raw, unrehearsed discussion. Rob and Alan are joined by […] The post Modern Musicology #136 – The 2025 ROCK HALL Inductees appeared first on The ESO Network.

This week, Lisa welcomes Dr. Michael Largey, Professor of Musicology at Michigan State University's College of Music. Michael is an ethnomusicologist and folklorist who specializes in the music and culture of Haiti, particularly Haitian classical and religious music. Michael shares stories from his career studying Haitian music and culture, discusses the importance of intergenerational musical experiences, and reflects on how ethnography can build deeper connections between teachers, students, and communities. Together, Lisa and Michael also dive into how parents can help their children find mentors and musical communities, offering practical ideas for fostering meaningful relationships and experiences. Michael's book, Vodou Nation: Haitian Art Music and Cultural NationalismLisa's book, A Family Guide to Parenting Musically 

The CSO brings the soaring emotional peaks and valleys of Mahler's Sixth Symphony to Chicago audiences before performing it on Amsterdam's Concertgebouw stage. The “hammer blows of fate” in the finale seem to foreshadow the tragedies in Mahler's life, including his own fatal illness. But the symphony brims with life's pleasures, too, from memories of mountain pastures (listen for the cowbells) to a rapturous portrait of the composer's wife, Alma. Learn more: cso.org/performances/24-25/cso-classical/mahler-6-with-jaap-van-zweden

About the Lecture: In this presentation, Karnes will talk about Maija Tabaka, who was the first Soviet citizen to be awarded the DAAD fellowship. Tabaka unwittingly opened doors to over a decade of artistic exchanges between Riga and West Berlin. She also provided an enduring model for arranging such collaborations, with offices of the Latvian KGB partnering with Latvian emigres to broker relationships, awards, and creative possibilities. Mining archives in Berlin and Riga, this talk traces the origins of such exchanges in the 1970s, their evolution in the time of perestroika, and their end in an ill-fated endeavor to support the dream of the Latvian musician Hardijs Lediņš to record with Laurie Anderson in a newly reunited Berlin. About the Speaker: Kevin C. Karnes is Samuel Candler Dobbs Professor of Music and Divisional Dean of Arts at Emory University and Visiting Professor of Musicology at the Jāzeps Vītols Latvian Academy of Music. His most recent book is Sounds Beyond: Arvo Pärt and the 1970s Soviet Underground (2021). His latest research considers techno music and club culture as both product and reflection of transnational exchange across reimagined European borders at the turn of the 1990s.

Daniela Candillari grew up in Serbia and Slovenia.  She holds a Doctorate in Musicology from the Universität für Musik in Vienna, a Master of Music in Jazz Studies from the Indiana University Jacobs School of Music, and a Master of Music and Bachelor's degree in Piano Performance from the Universität für Musik in Graz. She is also a Fulbright Scholarship recipient.Daniela is in her fourth season as principal conductor at Opera Theatre of Saint Louis. In celebration of its 50th anniversary season, she is conducting the company's 44th world premiere, This House, with music by Ricky Ian Gordon and libretto by Pulitzer Prize-winner Lynn Nottage and her daughter, Ruby Aiyo Gerber.Daniela made her New York Philharmonic debut in its inaugural season in the new David Geffen Hall, conducting cellist Yo-Yo Ma in Elgar's Cello Concerto.  And she made her “Carnegie Hall Presents” debut leading the American Composers Orchestra in a program of premieres.  Other engagements include debuts with the Metropolitan Opera and Deutsche Oper Berlin, and productions with Lyric Opera of Chicago, Minnesota Opera, Detroit Opera, Orchestre Métropolitan Montreal, and Classical Tahoe Festival.Finally, Daniela has been commissioned by established artists including instrumentalists from the Boston, Cleveland, Detroit, and Pittsburgh Symphonies, as well as the three resident orchestras of Lincoln Center: the Metropolitan Opera Orchestra, the New York Philharmonic, and the New York City Ballet. She is deeply involved with Music Academy of the West's programming for young artists and she recently participated in master classes and discussions at DePaul University, Chicago Humanities Festival, and Valissima Institute.It's a pleasure to have her with me on this episode.

CSO Artist-in-Residence Daniil Trifonov, “without question the most astounding pianist of our age” (The Times of London), takes on Brahms' Second Piano Concerto, as remarkable for its rich orchestral writing as for its simultaneously glittering and muscular piano part. Dvořák's turbulent Seventh Symphony is both an expression of the composer's personal crises and a lyrical tribute to the Czech spirit. Learn more: cso.org/performances/24-25/cso-classical/makela-and-trifonov

Olivia Serafini-Sauli A year ago we interviewed filmmaker OLIVIA SERAFINI-SAULI on the completion of her film Endless Calls For Fame: The Story of the New Rising Sons. Since then, that film has found North American distribution and is now available on all major streaming platforms in a slightly reworked / updated format. We catch up with […] The post Modern Musicology #135 – OLIVIA SERAFINI-SAULI! appeared first on The ESO Network.

Beethoven, Mozart & Tchaikovsky - Broadcast by CSO Association

The Global Commission on Modern Slavery and Human Trafficking has issued a "wake-up call" to the world to act on what they deem "one of the most pervasive human rights issues of our time." The report makes several recommendations specifically for women and girls who make up 54% of the estimated 50 million people trapped in slavery around the world. They are more frequently targeted for forced marriage, sexual exploitation, and domestic labour. Nearly one in four victims are children. To discuss the topic Nuala McGovern was joined by the former Prime Minister, Baroness Theresa May and Nasreen Sheikh, who is a survivor of modern slavery.The Irish writer Edna O'Brien died last year at the age of 93. The last person to be granted an interview with her was the documentary maker Sinéad O'Shea. Her new film Blue Road weaves those final interviews with archive and readings from Edna's own diaries to tell the story of her extraordinary life.For the first time in its 900 year history, girls will be singing in the choir at St Paul's Cathedral on Easter Sunday. We hear from some of the girl choristers, and Kylie Pentelow speaks to Dr Katherine Hambridge, Associate Professor of Musicology at the University of Durham and Carris Jones, Vicar Choral and Girls' Voices Project Manager at St Paul's Cathedral about the significance of this moment.Presenter: Kylie Pentelow Producer: Annette Wells Editor: Emma Pearce

Italy's Prime Minister Giorgia Meloni - the first woman to occupy that role - has faced one of her biggest international tests yet. She is the first European leader to go to Washington to meet President Trump since his recent announcement of new tariffs on the EU. So how did Meloni's meeting with Donald Trump go, and how is Giorgia Meloni being seen back home, particularly by Italian women? Kylie Pentelow is joined by Laura Gozzi, Senior News and Foreign Affairs Journalist at the BBC.For the first time in its 900 year history, girls will be singing in the choir at St Paul's Cathedral on Easter Sunday. We hear from some of the girl choristers, and Kylie speaks to Dr Katherine Hambridge, Associate Professor of Musicology at the University of Durham and Carris Jones, Vicar Choral and Girls' Voices Project Manager at St Paul's Cathedral about the significance of this moment.Eczema is a complex long-term condition involving the immune system, genetics, skin barrier and the environment. 1 in 5 children and 1 in 10 adults have it. With NHS waiting times for dermatology appointments varying widely depending on location - many young women have taken to social media to talk about the condition, their own skin journeys and share photographs. Kylie is joined by two of them, Chloe Tatton and Katie Mackie, who both grew up with eczema; and Dr Tess McPherson, Consultant Dermatologist from the British Association of Dermatologists and the author of Skin Conditions in Young People.In Emma Gannon's new novel Table for One, the main character Willow learns to embrace the benefits of her new-found singledom after years of being in a relationship - and that includes learning to do typical couple activities, like going out for dinner, alone. Emma joins Kylie to discuss this, alongside expert on all things self-care, psychologist Suzy Reading. Presenter: Kylie Pentelow Producer: Rebecca Myatt

In his Third Symphony, Mahler portrays the whole of earthly existence. Its six movements — written for a massive orchestra, two choruses and a contralto soloist — explore humanity's relationship with nature using fanfares, marches, folk dances and bird calls. Children's voices portray angels while the sixth movement is a pantheistic love song to all of creation. Learn more: cso.org/performances/24-25/cso-classical/makela-conducts-mahler-3

In this episode of Beyond the Thesis with Papa PhD, host David Mendes is joined by Isabelle Koller, an assistant professor at VU Amsterdam and the founder of NextMinds. Isabelle shares her passion for helping early career researchers navigate the complexities of academia, from enhancing their well-being during their PhDs to planning the next steps in their careers. Throughout the conversation, Isabelle and David explore the challenges facing PhD students, particularly as they look to transition into industry or other sectors beyond academia. They talk about the importance of starting career exploration early, the value of networking, and practical tips for making a successful leap into post-PhD life. Whether you're a PhD student or someone guiding researchers, this episode is packed with insights on how to approach career development strategically and thoughtfully. Isabelle is Assistant Professor at VU Amsterdam, founder and CEO of NextMinds, certified coach and active writer.She is passionate about helping early-career researchers navigate academia - from increasing their well-being during their PhD to preparing the next steps of their career. What we covered in the interview: ⌚ Start Early: Seek career guidance as early as possible in your PhD journey to avoid the pitfall of going blind into the job market. You should make use of all resources possible to to prepare for the diverse opportunities available. Start by taking stock of what your program offers you.

The Music of 1975 This week we set the controls of our Wayback Machine to the funky days of 1975 and celebrate the 50th anniversary of some iconic albums! It’s a year of highs for a lot of bands we now think of as classic rock, and a key year for funk and disco. The Philly Soul […] The post Modern Musicology #134 – The Music of 1975 appeared first on The ESO Network.

Dancers from Chicago's world-renowned Joffrey Ballet join the CSO with newly commissioned choreographies. Symphonies by Haydn and the Chevalier de Saint-Georges abound in witty and joyful melodies while two 20th-century works are full of popular influences: Perkinson's jazz-tinted Sinfonietta No. 1 and Milhaud's rollicking Brazilian postcard, The Ox on the Roof. Learn more: cso.org/performances/24-25/cso-classical/cso-and-the-joffrey-ballet

Canellakis & Gerstein - Broadcast by CSO Association

Earth, in all its marvelous vitality and fragility, has inspired generations of composers. In The Oceanides, Sibelius conjures the water nymphs of Greek mythology and the broad majesty of the sea. Dvořák's The Wild Dove is based on a dark folktale about a dove's prophetic song. Childhood memories shape Rachmaninov's Symphonic Dances, his sumptuous masterpiece. Learn more: cso.org/performances/24-25/cso-classical/canellakis-and-rachmaninov

Send us a textDaniel C. Jones has always been drawn to pedal steel guitar. In the early 1970s, he fell in love with the country rock scene at the time. What stuck out to him, though, wasn't the Nashville country scene – it was the alternative country scene.Jones loved the sound of performers such as Jerry Garcia, his project New Riders of the Purple Sage, and Peter E. Kleinow (or “Sneaky Pete”). In 1971, Jones's brother took him to see a performance of Garcia's most well-known band, The Grateful Dead. Waylon Jennings opened that night, joined by Ralph Mooney, pedal steel guitar player for Jennings's group the Waylors.Jones says the instrument called to him because its sound instantly captivated him. Throughout the 1970s, he steadily performed on the road full-time, but by the 1980s, he prioritized his education. He earned a BA in Music from Sonoma State University in California, an MM in Musicology/Music Theory at the University of Colorado (CU) Boulder in 1984, and a Ph.D in Musicology at CU Boulder in 1991.Jones taught musicology at CU Boulder for over twenty years before retiring after the fall 2019 semester. Throughout that time, he performed pedal steel guitar on the side, both by himself and with the instrumental group Standard Deviations.Now, Jones focuses entirely on playing, particularly embracing standards from the Great American Songbook. His original compositions and arrangements are all instrumental, so for him, it's important to find pieces that lie well in the instrument's range. Thank you for listening to The Mountain-Ear Podcast, featuring the news and culture from peak to peak!If you want to be featured in the podcast, contact the host at media@themountainear.com!SUBSCRIBE ONLINE and use the coupon code PODCAST for A 10% DISCOUNT for ALL NEW SUBSCRIBERS! Subscribe at https://www.themtnear.com/subscribe!You can find us online by visiting https://www.themtnear.com!Find us on Facebook @mtnear!Share this podcast around!! Scroll near the bottom of our website's homepage or visit the podcast's main hub at https://themtnearpodcast.buzzsprout.com!You can contact our editor at info@themountainear.com!Thank you for listening!

Pierre Boulez at 100 - Broadcast by CSO Association

Journey up the Rhine River, as lovingly portrayed in Robert Schumann's Rhenish Symphony. Listen for the flowing water and contemplate the majesty of the Cologne Cathedral. To begin, Nikolaj Szeps-Znaider leads and performs the rich and alluring melodies of Bruch's First Violin Concerto. Pierre Boulez's iridescent Livre pour cordes marks the centenary of the composer's birth. This program will also be performed at Wheaton College on Friday, March 28. Learn more: cso.org/performances/24-25/cso-classical/bruch-and-schumann-rhenish

Shostakovich's Eleventh Symphony unfolds with the immediacy of a newsreel as it depicts the harrowing events of the 1905 Russian Revolution. Brimming with rebellious anthems and prisoners' songs, the Cold War-era score is widely heard as a veiled critique of the Soviet regime. Rachmaninov's First Piano Concerto, a farewell to Russia, features the captivating Simon Trpčeski. Learn more: cso.org/performances/24-25/cso-classical/hrusa-trpceski-and-rachmaninov

Composed as Napoleon's forces were threatening Austria, Haydn's Mass in Time of War features an extraordinarily ominous use of timpani and ends with a plea for peace. Beethoven's spirited First Symphony bears the influence of Haydn but also foreshadows the development of his own compositional style. MacMillan's eloquent Larghetto is based on his choral setting of Psalm 51. Learn more: cso.org/performances/24-25/cso-classical/haydn-mass-in-time-of-war

Celebrating Womens History Month - Broadcast by CSO Association

Hear why Ravel is a classical music master, whether capturing the sensuous allure of Spain in Rapsodie espagnole or summoning “the Greece of [his] dreams” in his ravishing suite from Daphnis and Chloe. Barber's Second Essay reflects the turbulent emotions of wartime. CSO Principal Clarinet Stephen Williamson solos in the world premiere of Indigo Heaven, a work written for him by American composer Christopher Theofanidis. Learn more: cso.org/performances/24-25/cso-classical/ravel-daphnis-and-chloe

ALBUM COVER ART Never judge a book by its cover, but sometimes you really can judge an album by its cover! This week on Modern Musicology we’re talking about album cover art! We each pick five of our favorite album covers and talk about the story behind them and why we love them so much. This […] The post Modern Musicology #131 – Favorite Album Cover Art appeared first on The ESO Network.

  Dr. Olivia Cacchione, a musicologist, sat with Patrick in the parlor to discuss her current work and study of music and sound in Victorian seances. Olivia also shared about years of uncomfortable out-of-body experiences and hearing voices that led to her being diagnosed with Temporal Lobe Epilepsy. Plus skepticism, haunted listening, enchantment, possibility vs. disbelief, Victorians and the accordion, the channeled music of Rosemary Brown, and asking the question, “How does music haunt us?” Visit BigSeance.com/257 for more info. Other Listening Options Direct Download Link   In this episode: Intro :00 Dr. Olivia Cacchione studies the sounds of ghosts and hauntings throughout history. She's a musicologist who earned her PhD at Northwestern University and received a Mellon Fellowship to conduct her extensive archival research across England and America. She is currently working on a book that highlights the role of music and sound in Victorian seances. Olivia's dissertation examined the cultural history of hearing, questioning how music haunts us, with an emphasis on the lived experience of the Victorian-era spiritualist séance. She covered Daniel Dunglas Home's accordion, the Davenport Brothers' musical cabinet, and lesser known mediums like Jennie Lord, who practically invented the musical seance. And Olivia wants you to know that she has a cat who is proudly named Madame Blavatsky. You can learn more about Olivia Cacchione and her work by visiting welcometotheseance.com. :45 What is a musicologist? 2:02 From harp performance to a PhD in musicology. 3:44 Patrick once again nerds out about the theremin. 6:12 More on where this interest in Victorian Spiritualism came from, and the pushback from her colleagues regarding her chosen area of study. 7:32 Hearing Voices. “When I was 15, I began ‘hearing things.' It took me ten years to receive a diagnosis of Temporal Lobe Epilepsy.” 10:51 Olivia's voices and out-of-body experiences. Are they paranormal? Or are they just symptoms of her diagnosis? 15:24 Enchantment. 16:45 “[The episodes were] very dark and quite scary, actually.” 18:05 Possibility vs Disbelief. 19:03 Victorian Spiritualists and Seances. For Victorians, it was really dark at night! 21:49 Haunted Listening. 27:56 Patrick reminisces about experiences years ago with his “rapper” from doing EVP research and experiments. 29:28 “How does music haunt us? What does it mean to be haunted, mesmerized, enchanted, or spellbound by a work?” 32:24 Check out Jerry Goldsmith's score for the 1985 film, The Explorers. 35:40 “[Victorians] simply had a different relationship with music.” 39:09 Music as a trigger. 41:11 Victorians and the accordion. 42:47 Residual music from the Bird Cage Theatre. 43:57 A Musical Seance featuring Rosemary Brown, who claimed to channel music from the great composers. 46:01 Alfred Russel Wallace. 48:28 “Before I was diagnosed, I absolutely thought, 'Maybe I'm psychic.' I wanted to lean in that direction with it.” 50:07 “People hear what I'm studying and they immediately want to tell me their own ghost stories. And you realize just how many people have ghost stories, and I love hearing them.” 51:12 Olivia's final thoughts. 54:40 Outro 56:27   Resources welcometotheseance.com     The Big Seance Podcast can be found right here, on Apple Podcasts, Pandora, Spotify, TuneIn Radio, Amazon Music, Audible, iHeart Radio, and YouTube. Please subscribe and share with a fellow paranerd! Do you have any comments or feedback? Please contact me at Patrick@BigSeance.com. Consider recording your voice feedback directly from your device on my SpeakPipe page! I would love to include your voice feedback in a future show. The candles are already lit, so come on in and join the seance!  

The cool of the Arctic meets the warmth of Italy. The brooding, majestic themes of Sibelius' Fifth Symphony evoke the remote landscapes of conductor Santtu-Matias Rouvali's native Finland. Tchaikovsky transports listeners to a Roman carnival in his Capriccio Italien. Seong-Jin Cho, lauded for his “expert music-making … miraculous in its execution” (The New York Times), takes on Prokofiev's incendiary Second Piano Concerto. This program will also be performed at Wheaton College on Friday, February 28. Learn more: cso.org/performances/24-25/cso-classical/seong-jin-cho-plays-prokofiev/

Glover & Jacobs - Broadcast by CSO Association

Matt Marble is an artist, author, audio producer and director of the American Museum of Paramusicology. Both creatively and through historical research, his work explores the inspired intersections of art and metaphysics and the intuitive disciplines they mutually employ. Matt is the author of Buddhist Bubblegum: Esotericism in the Creative Process of Arthur Russell, and the producer/host of Secret Sound, a podcast exploring the metaphysical biopics of American musicians, and The Hidden Present, an audio interview series exploring intuitive discipline and spiritual imagination. Additional works have been featured by the California Festival, Warp Records, and the Philosophical Research Society. His writing, research, media production, and personal archive constitute the American Museum of Paramusicology (AMP), through which he also publishes the monthly AMP Journal.The term “paramusicology” was first coined in 1993 by author Melvyn Willin to address psychic and pagan histories of music. Musicology being the study of music, paramusicology is the study of paranormal music experience. Though the term has struggled to find solid footing, the paranormal generally refers us to that which is "beyond" or “outside” the normal—to experiences or phenomena which cannot be explained by scientific reasoning, objective perception, or causal agency. This points our awareness to what may be called the numinous* in human experience. Due to its abstract nature, to even convey the numinous requires active imagination and symbolic communication. The AMP explores how the numinous informs human listening. And it unpacks the esoteric philosophies and intuitive disciplines which facilitate and draw from our spiritual and auditory imagination.In this discussion, Matt shares a bit about his background, as well as his inspiration for creating his platform. He talks about his visual art project known as Wondering Stars, a mixture of music and physical visual works, and how this came out of his dreamwork.He also talks about his podcast, The Secret Sound, and his 7-part series called The Hidden Present, and we even go into a short discussion about musical modes (as used in Western music  - (*thanks to my brother Dan for making that distinction) and their ‘moods', as well as how these can be useful tools for creativity.We then move to talk about the AMP Journal, and focus on Issue 16 from last August called “Spirit Invocations.” In this issues, Matt wrote about the film Longlegs and how sound (not ‘song', as I misspoke in the introduction) is key to this film, including the role of folk music and rock and roll and the esoteric aspects of these, along with how Marc Bolan served as inspiration and perhaps as blueprint of sorts for the main character. He also discusses the concept of the Fohat ( taken from the Theosophical Society) and how this may have inspired the ideas behind the metal balls that Longlegs placed inside the doll heads in the film.PROGRAM NOTEShttps://www.mattmarble.net/matt-marble (all links at the top of the page)https://www.mattmarble.net/buddhist-bubblegumhttps://www.mattmarble.net/amp-longlegshttps://mattmarble.bandcamp.com/https://www.youtube.com/@AmericanMuseumofParamusicologyhttps://www.instagram.com/americanmuseumofparamusicology/Full episode can be found at https://www.patreon.com/RejectedReligion, or purchased for a one-time fee. Music and Editing: Daniel P. SheaEnd Production: Stephanie Shea

Mixing ceremonial pomp with pastoral splendor, this survey of British classics features Haydn's last and grandest symphonic statement, the London Symphony; exquisite gems by Elgar and Britten, and the soaring beauty of Vaughan Williams' The Lark Ascending with violinist Stella Chen, winner of the prestigious Queen Elisabeth Competition and Gramophone's 2023 Young Artist of the Year. Marking the 150th anniversary of Ravel's birth, the program crosses the English Channel for the composer's beguiling Tzigane. CSO Concertmaster Robert Chen has withdrawn from his planned solo appearances in these performances due to rotator cuff tendinitis symptoms. Learn more: cso.org/performances/24-25/cso-classical/glover-and-english-classics

THE KINKS The Kinks was one of the most influential bands to come out of England in the 60s, with a career that lasted up through the late 90s. Their style and sound changed numerous times over the decades and they amassed a legion of dedicated fans. We talk with author / editor Chris Kocher about his new […] The post Modern Musicology #130 – The KINKS! appeared first on The ESO Network.

The rugged, windswept beauty of Sibelius' Violin Concerto is a perfect showcase for Christian Tetzlaff, whose “fiery and compelling” 2022 CSO performance was named one of the year's 10 best by Chicago Classical Review. Schoenberg's Pelleas and Melisande is a lush, quintessentially romantic orchestral portrait of Maeterlinck's mysterious, symbolist play, while Wagner's prelude delivers a thrilling opener. Learn more: cso.org/performances/24-25/cso-classical/tetzlaff-plays-sibelius

SNL Music Documentary Rob and Alan compare notes on the fantastic new documentary, Ladies and Gentlemen: 50 Years of SNL Music, written, directed and produced by Questlove. This film covers the entire spectrum of Saturday Night Live‘s long history with music and performance, and includes lots of behind-the-scenes footage and commentary from cast members, crew members and performers. All the iconic, controversial […] The post Modern Musicology #129: SNL Music Documentary appeared first on The ESO Network.

A taut and gripping thriller, Bartók's one-act opera follows Duke Bluebeard and his newest wife Judith as she opens the seven doors of his castle and discovers increasingly disturbing sights. Opera stars Christian Van Horn and Ekaterina Gubanova bring to life these ill-fated characters. Juxtaposed with this macabre folktale is Beethoven's joyful Second Symphony. Sung in Hungarian with English supertitles. Bluebeard's Castle by arrangement with Boosey & Hawkes, publisher and copyright owner. Learn more: cso.org/performances/24-25/cso-classical/salonen-and-bluebeards-castle

Albums discussed are Deftones' ‘White Pony' (2:30), and Prince's ‘Musicology (25:40). *This episode was recorded on December 14th, 2024 For all of Mutlu's tour dates and tickets visit⁠ ⁠https://www.mutlusounds.com/⁠ To suggest an album for CLRC hit the link below or leave it in the Apple Reviews or Spotify Comments:⁠ ⁠⁠https://www.rightstorickysanchez.com/p/album-review-and-interview-index⁠⁠⁠ The intro music is "I Should Let You Know" by Marian Hill. This is Carl Landry Record Club episode #156