Podcasts about Musicology

The back half of Musicology is up next. Talk about your highs and lows…Visit us on Facebook: https://www.facebook.com/TMATSPodcast/Twitter… X… Twix: @TMATSPodcastEmail: TMATSPodcast@gmail.com

80s Movie Soundtracks Everybody loves 80s movies, right? This week we are joined by author and film historiian John Malahy, whose new book Rewinding the 80s: Cinema Under the Influence of Music Videos, Action Stars, and a Cold War was released October 2025, to talk about the great soundtracks of the decade, from Top Gun, Flashdance, Lost Boys and Gorgio Moroder’s weird […] The post Modern Musicology #155: 80s Movie Soundtracks appeared first on The ESO Network.

Rakitina, Weilerstein & Tchaikovsky by CSO Association

TV Theme Songs! We’ve got a fun one for you this week! Stephanie leads the Modern Musicology gang in a discussion of our favorite TV Theme Songs! We each select five of our favorite themes, give a little story behind it, and say why we love it. Our discussion covers everything from sci-fi, police and medical dramas […] The post Modern Musicology #154 – TV Theme Songs! appeared first on The ESO Network.

Rok Hall The Rock and Roll Hall of Fame held their 2025 induction ceremony was held on November 8, and Rob and Alan are here to review it all! The 2025 class of inductees are: Performer Category: Musical Influence Award: Musical Excellence Award: Ahmet Ertegun Award: We review all of the key moments, including all the performances, plus acceptance […] The post Modern Musicology #153 – 2025 Rock Hall Inductions! appeared first on The ESO Network.

Recorded November 24th, 2025. An evening of celebration as we award the Research Ireland - Harrison Medal to Philip V. Bohlman. Following the presentation of the medal, Bohlman will deliver the 2025 Harrison Lecture, "On Goodness". About the Research Ireland - Harrison Medal In 2004 the Harrison Medal was inaugurated by the Society for Musicology in Ireland in honour of Frank Llewellyn Harrison (1905–1987), the Irish musicologist who made a seminal contribution to the study of medieval music (especially music in medieval Britain) and to the study of ethnomusicology. Harrison held positions in Canada and the United States before being appointed to a Lectureship in Music at Oxford in 1952; he was appointed Reader in the History of Music there in 1962. Harrison subsequently became Professor of Ethnomusicology at the University of Amsterdam in 1970. A detailed account of his career and publications by Robin Elliott is available in EMIR, Vol. 1, pp. 469–471. In 2018 the award was renamed the Irish Research Council - Harrison Medal in recognition of the longstanding contribution towards the funding of the award by the Irish Research Council (IRC). After the IRC had been incorporated into Taighde Éireann / Research Ireland in 2024 the name was adapted to Research Ireland - Harrison Medal. The SMI gratefully acknowledges the support of both the IRC and Taighde Éireann / Research Ireland. The Medal is awarded by the President and Council of the SMI to recognize outstanding achievements and excellence in research in musicology. Learn more at www.tcd.ie/trinitylongroomhub

Guests in the House by CSO Association

School's in session - Musicology is on deck for us and we cover the first half of the album in this episode. Visit us on Facebook: https://www.facebook.com/TMATSPodcast/Twitter… X… Twix: @TMATSPodcastEmail: TMATSPodcast@gmail.com

Remember the days when you would sit around with your friends and play records for each other? Well, that’s what we do on this week’s Modern Musicology! To celebrate Anthony’s 38th birthday, he shares with us 20 songs that he loves and gets our reaction to them. Anthony’s tastes range from pop to metal, from prog to […] The post Modern Musicology #152 – Anthony’s Birthday Extravaganza! appeared first on The ESO Network.

The first in a new LSU Press series exploring facets of Louisiana's iconic culture, Mardi Gras Beads (2022) delves into the history of this celebrated New Orleans artifact, explaining how Mardi Gras beads came to be in the first place and how they grew to have such an outsize presence in New Orleans celebrations. It explores their origins before World War One through their ascent to the premier parade catchable by the Depression era. Doug MacCash explores the manufacture of Mardi Gras beads in places as far-flung as the Sudetenland, India, and Japan, and traces the shift away from glass beads to the modern, disposable plastic versions. Mardi Gras Beads concludes in the era of coronavirus, when parades (and therefore bead throwing) were temporarily suspended because of health concerns, and considers the future of biodegradable Mardi Gras beads in a city ever more threatened by the specter of climate change. Doug MacCash covers New Orleans art and culture for NOLA.com, The Times- Picayune, and The New Orleans Advocate.  Emily Ruth Allen (@emmyru91) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's Carnival celebrations. Check out some of MacCash's other pertinent writings from NOLA.com here:  "Pretend Karens, marching traffic cones and French Quarter Fools: An amazing Monday before Mardi Gras" "Biodegradable Mardi Gras beads might be rarest throw of 2022 - or ever" "Mardi Gras flashback: Texas artist, 65, says she was first to bare breasts for beads at Carnival" Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama's Carnival. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Barenboim Conducts Bruckner 8 by CSO Association

The first in a new LSU Press series exploring facets of Louisiana's iconic culture, Mardi Gras Beads (2022) delves into the history of this celebrated New Orleans artifact, explaining how Mardi Gras beads came to be in the first place and how they grew to have such an outsize presence in New Orleans celebrations. It explores their origins before World War One through their ascent to the premier parade catchable by the Depression era. Doug MacCash explores the manufacture of Mardi Gras beads in places as far-flung as the Sudetenland, India, and Japan, and traces the shift away from glass beads to the modern, disposable plastic versions. Mardi Gras Beads concludes in the era of coronavirus, when parades (and therefore bead throwing) were temporarily suspended because of health concerns, and considers the future of biodegradable Mardi Gras beads in a city ever more threatened by the specter of climate change. Doug MacCash covers New Orleans art and culture for NOLA.com, The Times- Picayune, and The New Orleans Advocate.  Emily Ruth Allen (@emmyru91) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's Carnival celebrations. Check out some of MacCash's other pertinent writings from NOLA.com here:  "Pretend Karens, marching traffic cones and French Quarter Fools: An amazing Monday before Mardi Gras" "Biodegradable Mardi Gras beads might be rarest throw of 2022 - or ever" "Mardi Gras flashback: Texas artist, 65, says she was first to bare breasts for beads at Carnival" Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama's Carnival. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The first in a new LSU Press series exploring facets of Louisiana's iconic culture, Mardi Gras Beads (2022) delves into the history of this celebrated New Orleans artifact, explaining how Mardi Gras beads came to be in the first place and how they grew to have such an outsize presence in New Orleans celebrations. It explores their origins before World War One through their ascent to the premier parade catchable by the Depression era. Doug MacCash explores the manufacture of Mardi Gras beads in places as far-flung as the Sudetenland, India, and Japan, and traces the shift away from glass beads to the modern, disposable plastic versions. Mardi Gras Beads concludes in the era of coronavirus, when parades (and therefore bead throwing) were temporarily suspended because of health concerns, and considers the future of biodegradable Mardi Gras beads in a city ever more threatened by the specter of climate change. Doug MacCash covers New Orleans art and culture for NOLA.com, The Times- Picayune, and The New Orleans Advocate.  Emily Ruth Allen (@emmyru91) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's Carnival celebrations. Check out some of MacCash's other pertinent writings from NOLA.com here:  "Pretend Karens, marching traffic cones and French Quarter Fools: An amazing Monday before Mardi Gras" "Biodegradable Mardi Gras beads might be rarest throw of 2022 - or ever" "Mardi Gras flashback: Texas artist, 65, says she was first to bare breasts for beads at Carnival" Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama's Carnival. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

On October 16, 2025 one of the most influential guitarists in the history of rock – ACE FREHLEY of KISS – passed away at the age of 74.  Court Lewis and Matt Alschbach of the Rock and Metal Profs Podcast join us to share memories of Ace and talk about his impact on the musical landscape. We share our favorite songs, […] The post Modern Musicology #151-ACE!! appeared first on The ESO Network.

Afkham & Gluzman by CSO Association

It wasn't a comeback! 2004 was a HUGE year for Prince and it all kicked off with a Grammy performance with Beyoncé and continued with a well-planned set of appearances, the album Musicology, and a North American tour. Visit us on Facebook: https://www.facebook.com/TMATSPodcast/Twitter… X… Twix: @TMATSPodcastEmail: TMATSPodcast@gmail.com

TICKET PRICES Rob, Alan, and Stephanie — joined by our buddy JM Tuffley — go on a bit of a passionate, cathartic rant about a topic that really gets under our skin: TICKET PRICES! Trust me, we have a lot to say on this topic! We rage against the machine on subjects like exorbitant prices, ridiculous handling fees, long wait […] The post Modern Musicology #150 – Ticket Prices appeared first on The ESO Network.

SHOWGIRL – TAYLOR SWIFT his week we’re joined by two friends of the show, Daniel Pierce and Tillman Smoot, to talk all things Taylor Swift! We review Taylor’s new album, The Life of a Showgirl, plus all the things around it — the talk show appearances, the “Fate of Ophelia” music video, the cinema listening party, and more. […] The post Modern Musicology #149 – In Our SHOWGIRL Era! appeared first on The ESO Network.

Opera Without Words by CSO Association

Buckigham Nicks After a 52-year absence, Buckingham Nicks,the debut album by Lindsey Buckingham and Stevie Nicks, has finally been reissued in a newly remastered form. We’re joined by author Steven Cooper to talk about the album and Lindsey and Stevie’s journey from obscurity to international superstardom in Fleetwood Mac, and Steven tells us his story of meeting Stevie. Plus we […] The post Modern Musicology #148 – Buckingham Nicks appeared first on The ESO Network.

Ravinia Opening Night 2025 by CSO Association

“If you imagine a company has a ten million dollar marketing budget, right? And then you imagine they have a sonic logo on every single TikTok ad, Facebook ad, YouTube ad, all these new media where the majority of the traffic's coming from now. If they can increase conversion rates marginally, they can have a huge difference to their bottom line. And it's one of those things where, because sonic branding, once it's done, once, and, well, yes, there might be a brand refresh where it's changed in ten years, um, or it's updated, or maybe it's changed slightly to work with a different culture, right? There might be like a version which sounds slightly more Canadian, right? Or more Christmasy, or things like that. But the point being is this is an asset that they develop once, and then it can be used on these campaigns that can have huge advertising budgets, which makes it very cheap when you compare it to the actual campaign marketing spend.” – Dr. Thomas Dickson My guest on this episode is a musicologist who specializes in how we perceive sound and how it shapes brand communication. With a PhD in Music Psychology, he helps brands create emotionally resonant and research-backed sonic identities. His work reduces subjectivity, improves creative decisions, and even addresses legal risks like plagiarism in audio branding.His name is Dr. Thomas Dickson, and he's advised national retailers, tech firms, and service brands throughout his career. And, as if the subject of musicology isn't fascinating enough, we'll also be discussing how businesses can make sure their sound stays original and protected. As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that. (0:00:00) - The Power of Sound in AdvertisingOur discussion begins with a look back at Dr. Dickson's early memories of sound, and he came prepared with a more recent, but still memorable, experience that demonstrated the power of sound. “By the grand finale,” he recalls as he describes an outdoor concert featuring the Melbourne Symphonic Orchestra, “it's a bucketing down, raining and everyone's still there. So we've got this huge event, it's bucketing down, raining, [and] no one's leaving because they want to hear the finale.” He tells us more about musicology, what it means, and how it can help build a stronger brand. “Musicology is like the academic and rigorous study of music,” he explains. “It comes down to a broad range of different styles, so this could be like music history, it could be music psychology, which is what I looked at, the psychology of music or sound, [or] it could be ethnomusicology.”(0:09:05) - Musicology and Plagiarism in Sonic BrandingDr. Dickson tells us about the different dimensions of musicology and how sound influences us, such as musical expectancy and episodic memory, and how much our impression of sound comes from the media we consume. “We have cultural norms associated with electronic music,” he explains, “digital sounds, hard hitting bass, all that kind of stuff that we

Carmina burana by CSO Association

1995 We pay a visit to the year 1995 to talk about some of the music that was released that year. Anthony gives us the lowdown on the metal and prog scene at the time; Stephanie shares stories from her time at Virgin Records; Rob catches us up on the electronic scene, Alan fills us in on what a few legacy acts are getting up to […] The post Modern Musicology #147 – The Music of 1995 appeared first on The ESO Network.

Mahler Festival Broadcast: Mahler 6 by CSO Association

Salonen & Kuusisto by CSO Association

Interviewees: Kirsten Brown, PhD Assistant Professor of Health Professions Education at the Uniformed Services University of the Health Sciences; as a short disclaimer, Kirsten's views do not represent the official policy or position of her employer.  Dionna Bidny, MD, MMUS  a first-year resident in Physical Medicine and Rehabilitation at the University of Pittsburgh Medical Center, currently completing her Transitional Year; and Abby Konoposky, PhD Senior Director of Medical Education Research in the Department of Psychiatry at Northwell Health. Interviewer:  Lisa Meeks, PhD, MA, Guest Editor, Academic Medicine Supplement on Disability Inclusion in UME. Description: This episode of Stories Behind the Science brings you an intimate conversation with Dr. Kirsten Brown (Uniformed Services University of the Health Sciences), Dr. Dionna Bidny (University of Pittsburgh Medical Center), and Dr. Abby Konopasky (Northwell Health), co-authors of Disability in Undergraduate Medical Education in the United States: A Scoping Review, part of the Academic Medicine supplement on Disability Inclusion in Undergraduate Medical Education. Drawing from over 80 publications, their study traces how disability in medical education has too often been framed through deficit and legal models, while leaving intersectionality and the voices of disabled learners largely absent. Together, we explore why this framing matters, what the literature reveals about gaps and progress, and how a critical perspective can re-shape the field. Our guests share the personal and professional motivations behind this ambitious review, the surprises and challenges they encountered, and their hopes for how this work can serve as both roadmap and catalyst. Whether you are a researcher, faculty member, disability resource professional, or student, this episode offers insights into the state of the field and inspiration for charting new directions. Resources and links to the open-access article, Disability Resource Hub, and related tools are in the show notes. Transcript: https://docs.google.com/document/d/1iUYE0Q-2TA1flXiMU6rum1S3dO-obE5DoA9J0mFmHlE/edit?usp=sharing Bios:   Kirsten Brown, PhD Dr. Kirsten Brown's research examines the intersection of disability, power, and social systems. Her work has appeared in the Journal of College Student Development, the Journal of Diversity in Higher Education, and Journal of Higher Education. She co-authored the book Disability in Higher Education: A Social Justice Approach. Dr. Brown prepared this chapter during non-work hours as an independent scholar and this publication did not receive funding from the federal government. The views expressed are solely those of the author and do not represent the official policy or position of the Uniformed Services University of the Health Sciences, the Henry M. Jackson Foundation for the Advancement of Military Medicine, the Department of Defense, or the U.S. Government.  Abigail Konopasky, PhD Abigail Konopasky holds doctorates in educational psychology from George Mason University and in linguistics from Princeton University. She is currently an Associate Professor and Director of Medical Education Research and Scholarship in the Psychiatry Department at Northwell Health. She conducts critical qualitative and mixed methods research in health professions education, with a focus on equity, Black feminism, and critical disability studies using functional linguistic and narrative methods and theories of agency. She serves on the editorial boards of Teaching and Learning in Medicine, Perspectives on Medical Education, and Advances in Health Sciences Education. Dionna Bidny, MD, MMus  Dionna is a first year resident at the University of Pittsburgh Medical Center in Physical Medicine and Rehabilitation (currently  in her  Transitional Year). She has a BS in biomedical engineering and an  MMus in Musicology; she incorporated her interest in accessibility in arts, sports, and healthcare spaces through research during both degrees. In medical school, she continued to study and lecture in the space of disability  justice and its intersections with art, identity,  and healthcare experience, all  while navigating  chronic illness and pursuit of her own  accommodation and access needs. In residency, she aims to continue her work in accessibility within arts and sports through community engagement and engineering innovation. Key Words:   Disability in medical education Undergraduate medical education (UME) Disability inclusion Scoping review Academic Medicine supplement Deficit model vs. asset model Legal framing of disability Intersectionality in medicine Disabled learners' voices Critical perspectives in medical education Equity in medical training Accommodations in medical education Disability justice Ableism in medicine Representation in health professions Research roadmap Diversity and inclusion in medicine Disability studies in medical education Inclusive curriculum Systemic barriers in medical education Resources:  Article from Today's Talk Maggio, Lauren A. PhD; Brown, Kirsten R. PhD; Costello, Joseph A. MSIS; Konopasky, Aaron PhD, JD; Bidny, Dionna MD, MMus; Konopasky, Abigail PhD. Disability in Undergraduate Medical Education in the United States: A Scoping Review. Academic Medicine 100(10S):p S64-S73, October 2025. | DOI: 10.1097/ACM.0000000000006154 https://journals.lww.com/academicmedicine/fulltext/2025/10001/disability_in_undergraduate_medical_education_in.5.aspx   The Docs With Disabilities Podcast https://www.docswithdisabilities.org/docswithpodcast

Episode 214: Introduction à la journée d'études « Chants et musiques d'Algérie : un fait social » Dans ce podcast, Jonathan Glasser, professeur agrégé d'anthropologie à l'université William & Mary à Williamsburg, en Virginie, introduit la journée d'étude intitulée « Chants et musiques d'Algérie : un fait social », organisée conjointement par le Centre d'Études Maghrébines en Algérie (CEMA) et le Centre de Recherche en Anthropologie Sociale et Culturelle (CRASC) le 15 décembre 2024, en présentant une bibliographie sur la musique citadine algérienne de langue arabe. Jonathan Glasser est l'auteur de l'ouvrage The Lost Paradise : Andalusi Music in Urban North Africa (University of Chicago Press, 2016), qui a remporté le prix L. Carl Brown Book Prize de l'American Institute for Maghrib Studies et le prix Mahmoud Guettat International Prize in Musicology du Ministère tunisien des Affaires culturelles. Plusieurs de ses travaux ont été publiés dans l'International Journal of Middle East Studies, l'American Ethnologist, l'Anthropological Quarterly, Hespéris-Tamuda et Turath. Glasser a récemment terminé un manuscrit intitulé More Than Friends : Muslim-Jewish Intimacy in Algerian Music (Plus que des amis : l'intimité entre musulmans et juifs dans la musique algérienne). Pr. Karim Ouaras, Université d'Oran 2 / CEMA a modéré le débat. Nous remercions Dr. Jonathan Glasser, anthropologue au College of William & Mary, pour son istikhbar in sika à l'alto pour l'introduction et la conclusion de ce podcast. Montage : Hayet Yebbous Bensaid, Bibliothécaire / Chargée de la diffusion des activités scientifiques (CEMA). 

Mäkelä Conducts Mahler 3 by CSO Association

Harding Conducts The Planets by CSO Association

This episode of The Other Side of the Bell, featuring trumpet performer and recording engineer Greg Curtis, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Greg Curtis trumpet interview"   About Greg Curtis: Greg Curtis is equally at home behind the trumpet and behind the mixing board. A former student of Al Butcher, John Aley, Wayne Cook, Dennis Najoom, and Leonard Candelaria, Greg has performed with ensembles including the Milwaukee Civic Symphony, Racine Symphony, Kenosha Orchestra, Green Bay Opera, and later the Redlands Symphony. He has also played with a wide variety of groups ranging from the Glenn Miller Band to salsa and jazz ensembles such as Orchestra Veneno, Salsumba, and the Los Angeles Latin Jazz All Stars.   In Los Angeles, Greg designed, built, and owned The Bridge Recording, a world-class film scoring stage that became a go-to destination for projects like The Simpsons, The Walking Dead, The Handmaid's Tale, Marvel films, and studios including Disney, Warner Bros., and Universal. His work as a recording engineer and producer has led him to collaborate with Clint Eastwood, Rob Reiner, Gus Van Sant, and countless others.   Holding Master's degrees in both Trumpet Performance and Musicology from the University of North Texas, Greg continues to bridge the worlds of performance and production. Today, he records and mixes film scores, produces live events, and develops new audio technologies such as MyxStem, while remaining active as a freelance trumpeter and collaborator with groups like Long Beach Opera and The Paul Litteral Band.     Episode Links:   Website: gregcurtis.net Greg Curtis on Facebook Email: gregtpt at gmail.com Find Paul Litteral's album, The Litteral Truth, Outrageous 8 Records. Engineered, mixed and produced by Greg Curtis Paul Litteral episode on The Other Side of the Bell, Episode 92 Gary Grant's Studio Musician Manual John Snell appearance on Brian Hayes' The Music Mind podcast Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Greg Curtis Audio Engineer - Ted Cragg

Reiner Rarities by CSO Association

Remembering OZZY This week the Modern Musicologists, joined by our very good friend Matt Alschbach, look back at the life, career, and legacy of OZZY OSBOURNE, who passed away on 22 July 2025. We each talk about how we first discovered Ozzy, some of our favorite eras / albums / songs, our reactions to his final concert […] The post Modern Musicology #144 – Remembering OZZY appeared first on The ESO Network.

Billy Joel Documentary This week the Modern Musicologists are joined once again by our good buddy Matt Alschbach from the Rock and Metal Profs podcast, this time to talk about the brand new Billy Joel documentary, And So It Goes. Our conversation covers Billy’s musical origins, his influence on the musical landscape, the new things we learned from this film, and we each […] The post Modern Musicology #145 – Billy Joel Documentary appeared first on The ESO Network.

Jazz at Lincoln Center Orchestra and Wynton Marsalis by CSO Association

Musicians of the Orchestra by CSO Association

Janáček; J. Strauss, Jr. & Mussorgsky by CSO Association

The Music of 1985 (Part 2) Our wayback machine is broken, so we’re still stuck in the year 1985! But it’s okay, because there was some really great music in the second half of that year! We’ll be talking about iconic albums by Kate Bush, REM, John Cougar Mellencamp, KISS, Dio, Big Audio Dynamite, The Firm, The […] The post Modern Musicology #143 – The Music of 1985 (Part 2) appeared first on The ESO Network.

Chicago Symphony Orchestra Daniel Barenboim, conductor

The Music of 1985 This week we turn our musical chronometer back 40 years to talk about the albums that were released in 1985! Because it was such a huge year, we’re doing two shows, and in Part 1 we’re tackling January – June. We share funny stories and fond memories relating to albums by Talking Heads, […] The post Modern Musicology #142 – The Music of 1985 (Part appeared first on The ESO Network.

I'm delighted to welcome Maya Youssef, the world-renowned "Queen of the qanun" and innovative British-Syrian educator .You can also watch on YouTube, and the transcript is linked as well to my website: Maya shares with us how her frustrations with the traditional teaching of Arabic music led her to develop her unique system for teaching musicians and dancers in a completely different way. She also shared her past personal crisis as a victim of domestic abuse and how she found the strength to get out of that danger, which is shockingly pervasive. In fact, she said that she chooses to be vulnerable in sharing this because we never know who is listening. You will be uplifted with clips from Maya's beautiful second album Finding Home, which I encourage you to buy, and you'll find all Maya's projects linked in her website . She also talked to me about her exciting upcoming projects in 2026, including her book about learning and teaching Arabic music, her upcoming album and tours, and her wonderful collaborators. Maya spent the interview with her kanun and you'll hear her demonstrate several times, including a beautiful improvisation on maqam Rast.NewsletterPodcast MerchBuy me a coffee to support this series? Thanks!I've linked several episodes I'm sure you'll love: Ali Omar El-Farouk Shirley Kazuyo MuramotoKelly ThomaMohamed Assani Olcay Bayir(00:00) Intro (02:07) the kanun with demonstrations (08:15) Maya's youth in Syria (12:38) clip of Silver Lining and more about Maya's musical education (19:57) challenges with learning taqsim, and how she developed her method (31:13) qanun music: taqsim on maqam Rast (33:03) improvising, composing (35:18) other linked episodes and ways to support this podcast (36:04) musical influences and composing (38:26) clip of An Invitation to Daydream (38:24) avoiding injuries, album Finding Home, creative process with clip of In My Mother's Sweet Embrace (44:30) Al MacSween, Elizabeth Nott (46:37) about Soul Fever with clip (51:14) Leo Abrahams (53:21) learning from mentors, learning to be entrepreneurial, clip From My Homeland (57:00) surviving domestic abuse and the importance of speaking about it (01:04:01) SOAS graduate school Musicology (01:06:06) Aziza Mustafa Zadeh (01:07:38) two versions of Walk With Me, with clip of version with Leo Abrahams (01:11:05) Maya's upcoming book about learning and teaching Arabic music, new album, balancing her career

In this episode, Phil and JF are joined by Meredith Michael—musicologist, podcaster, and Weird Studies production assistant—for a conversation about animal songs. The phrase is intentionally slippery. Are we talking about songs about animals, or songs by animals? Both, as it turns out. Beginning with three very different human compositions—The Beatles' “Everybody's Got Something to Hide Except Me and My Monkey,” Hovhaness's And God Created the Great Whales, and Björk's “Human Behavior”—the hosts discuss the roles animals play in human music, mythology, and mind. Along the way, they touch on Pink Floyd, the Beatles' trip to India, heroin addiction, the indeterminacy of singing and screaming, the messiness of inter-species communication, the discovery of whale song, the problem of (not) projecting humanness onto animals, the Book of Genesis, and the porous boundary between the human and non-human worlds. All that (and more) for two of the songs! Phil's pick will be explored in a forthcoming episode. Meredith Michael is a PhD candidate in Musicology at the Indiana University Jacobs School of Music. She is working on a dissertation about musical mythologies of outer space in the twentieth century. In her spare time she loves making art of all kinds, going for long walks, making friends with cats, and watching cartoons. Meredith hosts the Cosmophonia podcast with Gabriel Lubell. References Victor Shklovsky, “Art as Technique” Pink Floyd, Animals Neko Case, "People Got a Lotta Nerve" The Beatles, "Everybody's Got Something to Hide Except for Me and my Monkey" Gavin Steingo, Interspecies Communication: Sound and Music beyond Humanity Little Richard, "Long Tall Sally"   Alan Hovhaness, And God Created Great Whales Roger Payne, Songs of the Humpback Whale Deleuze and Guattari, A Thousand Plateaus Olivier Messiaen, Quartet for the End of Time Weird Studies, Episode 181 on “The X Files” Kate Altizer, Piano Dogs and Whale Theaters: Paranoid Relations and Affect with Nowhere to Go in the Study of Nonhuman Animals and Music  David Rothenberg, Thousand Mile Songs Frans de Waal, Mama's Last Hug King James Bible  Herman Melville, Moby Dick Leonard Nimoy (dir.), Star Trek IV: The Voyage Home RILM Abstracts of Music Literature George Crumb, Vox Balaenae   Terrence Malick (dir.), The Tree of Life Image by Navin75, via Wikimedia Commons Learn more about your ad choices. Visit megaphone.fm/adchoices

How does music, even types you dislike, make wine more enjoyable? Can curated playlists in tasting rooms and wine bars influence how customers drink, eat, and experience wine? What happens when you stop overthinking wine and music and just enjoy? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Susan Lin, a Master of Wine and a Master of Fine Arts in Classical Piano and Musicology. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks   Highlights How does a low-pitched, slow-tempo musical piece impact the perceived fruitiness of wine? What does "timbre" mean in musical terms? How do different musical characteristics influence the perception of wine's effervescence? Did the participants' music preferences correlate with their enjoyment of the wine? What might surprise you about how the wines tasted in silence compared? Why does the influence of sound on our perception tend to go unnoticed? How are some winemakers using music in their wineries? Are there retail applications for Susan's research into the influence of music on the perception of wine? What would be Susan's ideal live concert and wine pairing scenario? What are some of the possibilities in the future for AI-generated music for wine experiences? Is there an interest in similar research on the intersection between dance and wine perception? What future research areas is Susan considering in terms of music and wine perception? What three objects would Susan display in a museum representing her life and passions? If Susan could share a wine with anyone outside the wine industry, who would it be and why? How can you start being more intentional about exploring sensory experiences with wine and music?   Key Takeaways How does music, even types you dislike, make wine more enjoyable? Susan says that in her experiments, the wine that was consistently the worst, least balanced, was the wine tasted without music. Even if somebody said I really didn't like this music, it was a way better wine to them than without music. Even for the wine experts, the wines were much more palatable without music. I think that's why sound can be a very, very powerful thing. Can curated playlists in tasting rooms and wine bars influence how customers drink, eat, and experience wine? Susan has worked with tasting rooms and wine bars to curate their playlists in terms of the experiences that they want their customers to have. You want to have people be a little more relaxed in the morning, but then, you start amping it up for the evening. I put together a complete journey, that sort of sonic seasoning for different expressions of their wines, for big bold red versus for their light, youthful white wines. What happens when you stop overthinking wine and music and just enjoy? Susan says that with the melding of music and wine, there's still so much to learn. Keep trying things. Don't worry about whether it's right or wrong. Just enjoy the experience. Let everything come in sensorially and enjoy that and embrace again the mystery of things. We can't explain everything through data, and that's a good thing.   About Susan R. Lin Susan R. Lin is a Master of Wine and a Master of Fine Arts in Classical Piano and Musicology. Susan's MW research paper ‘Influences of Classical Music on the Sensory Perception of a Brut Non-Vintage Champagne' and subsequent work on the interaction of music and wine have been featured in Decanter, Food & Wine, GuildSomm, and others. Each of Susan's creations is rooted in academic research and inspired by a deep respect for the essence of wine and music.         To learn more, visit https://www.nataliemaclean.com/347.

Why might a symphony night pair just as well with your wine as a heavy metal ballad? What is “sonic seasoning” and how can music impact the way we experience the taste of wine? How are sensory experiences like music, taste, and atmosphere all connected? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Susan Lin, a Master of Wine and a Master of Fine Arts in Classical Piano and Musicology. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks   Highlights What did Susan's grandfather teach her about fine beverages and hospitality? How did playing piano in hotels as a child shape Susan's perspective on the holistic nature of our sensory experiences? Is there a connection between Susan's backgrounds in tech, music, and wine? When did Susan decide she wanted to dive deeper into the intersection between music and wine? What makes a wine "musical"? How do cross-modal correspondences impact wine tasting? Why was Brut Non-Vintage Champagne Susan's choice for her research paper? What is "sonic seasoning" in the context of wine and music? What was Susan's most memorable wine and music pairing event? What might surprise you about the intersection between classical music and heavy metal? How did Susan set up her experiment to observe how music affected participants' perceptions of the wine they were tasting?   Key Takeaways Susan says she was always encouraging a Bach goth night at the symphony to bring people together. I like to say, whether my Brahms is your Metallica or vice versa, music can make such a difference in what you're feeling. Hence, if you got a glass of wine, what you're tasting in that glass, right? I've actually done a few experiments with heavy metal. People feel a lot of things, and there are ballads in metal. It's not just your typical really assertive sound all the time. It can be really soulful too and I noticed a lot of use of medieval melodies and folk songs in the ballads that are really nice. So not too far of a distance between Brahms and Metallica in that sense. Susan explains that if you're listening to something that might add a little bit of pizzazz here or there to your wine, like seasoning can do. It's more of a fun term, not a scientific term. All classical composers experienced all the emotions and all the feelings that we all do and it comes through in their music. Maybe they can be feeling joyful or melancholy or longing or frustrated or upset, and everything in between. So the nature of the seasoning is that it can run in many, many different ways. Susan observed during her performances how moods of the guests changed depending on what she played. Everything in the sensory world, all of our experiences, are really taken in holistically, right? It's not like, oh, we're just listening to this one thing and that's isolated. Oh, and we're tasting this one thing, we're smelling this one thing, and we're seeing something. It's all together. I knew that it was something special, and knew that it was something that I wanted to learn more about, or just somehow be a part of. And playing the piano in those situations actually was a great way for me to be a part of it.   About Susan R. Lin Susan R. Lin is a Master of Wine and a Master of Fine Arts in Classical Piano and Musicology.         To learn more, visit https://www.nataliemaclean.com/346. Susan's MW research paper ‘Influences of Classical Music on the Sensory Perception of a Brut Non-Vintage Champagne' and subsequent work on the interaction of music and wine have been featured in Decanter, Food & Wine, GuildSomm, and others. Each of Susan's creations is rooted in academic research and inspired by a deep respect for the essence of wine and music.

LIVE AID July 13 is the 40th Anniversary of LIVE AID, one of the greatest rock festivals of all time! We each share our memories of watching it live on the day, the excitement that surrounded the event, and some of the stories behind bands that didn’t appear for various reasons. Each of us has picked […] The post Modern Musicology #141 – 40 Years of LIVE AID appeared first on The ESO Network.

Lately the ancient philosophy of Stoicism is having a bit of a resurgence. This hour we learn about the philosophy, why people are drawn to it, and how to live like a Stoic. Plus, we look at how Stoicism appears in music. GUESTS: Massimo Pigliucci: The K.D. Irani Professor of Philosophy at the City College of New York. He is the author of books including Beyond Stoicism: A Guide to the Good Life with Stoics, Skeptics, Epicureans, and Other Ancient Philosophers, How to Be a Stoic: Using Ancient Philosophy to Live a Modern Life, and Nonsense on Stilts: How to Tell Science from Bunk. He also writes the Substack “Figs in Winter: Stoicism and Beyond.” Melinda Latour: Associate Professor of Musicology at Tufts University. She is author of The Voice of Virtue: Moral Song and the Practice of French Stoicism, 1574-1652. She is also editor of The Relentless Pursuit of Tone: Timbre in Popular Music. Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Salonen & Apkalna - Broadcast by CSO Association

No Original Members? In nearly every case when you see a classic band in concert now, it’s not the original line-up. Does that dampen your experience? Many legacy bands currently on the road are down to only one original member–and a few have none. Is it still the band if no one who started that […] The post Modern Musicology #140 – No Original Members? appeared first on The ESO Network.

LAST ALBUMS We all can think of those artists or bands that we feel went just one album too far (and sometimes more!) and what might have been a great ending, capping off an iconic career, is undermined by a less-than-stellar follow-up. This week Anthony and Alan talk about some of the examples they came up with — including Metallica, […] The post Modern Musicology #139 – Should Have Been Their Last Album? appeared first on The ESO Network.