Podcasts about cbsrmt

It's the year 2000, and a middle aged woman's boring life is about to change. This version has no CBSRMT host segments or other elements, nor copyrighted soundtrack elements, nor commercial breaks. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the year 2000, and a middle aged woman's boring life is about to change. This version has no CBSRMT host segments or other elements, nor copyrighted soundtrack elements, nor commercial breaks. Learn more about your ad choices. Visit megaphone.fm/adchoices

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   CBS Radio Mystery Theater (CBSRMT) was a radio drama series created by Himan Brown that aired from 1974 to 1982 on the CBS Radio Network. Drawing inspiration from classic old-time radio shows like The Mysterious Traveller and The Whistler, CBSRMT was hosted by E. G. Marshall, who introduced each episode with an inviting yet eerie, "Come in!… Welcome." The series' signature began and ended with the sound of a creaking door and eerie music, a hallmark that echoed Brown's earlier show Inner Sanctum Mysteries. Each episode, about 45 minutes long, mixed genres beyond mystery, including horror, science fiction, historical drama, and even comedy. Popular around Halloween and Christmas, the series would also air special adaptations like A Christmas Carol every year, except for 1974 and 1982. CBSRMT featured original stories as well as adaptations of literary works by famous writers such as Edgar Allan Poe, Charles Dickens, and Arthur Conan Doyle. E. G. Marshall hosted the series until 1982, when actress Tammy Grimes took over for the final season. The show was known for its chilling theme music, which included elements from the Twilight Zone score by Nathan Van Cleave. With over 1,399 original episodes, the show ran five nights a week, with a mix of new content and repeats. Despite its popularity, some critics, like radio historian John Dunning, pointed out weaknesses in its scriptwriting. CBSRMT attracted an impressive roster of talent, from radio veterans like Joan Banks and Jackson Beck to well-known actors such as John Lithgow, Sarah Jessica Parker, and Agnes Moorehead. The series became an entry point for younger listeners into the world of radio drama, as well as a nostalgic callback for those familiar with the Golden Age of Radio. The show was recorded in New York at the CBS Studio Building, and its production process was quick and efficient, with actors often completing their roles in just a few hours. In the early 2000s, CBSRMT saw a revival through NPR, bringing the series to a new generation of listeners. Despite its end in 1982, CBSRMT remains a cherished piece of radio history, known for its suspenseful storytelling and atmospheric production.

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   CBS Radio Mystery Theater (CBSRMT) was a radio drama series created by Himan Brown that aired from 1974 to 1982 on the CBS Radio Network. Drawing inspiration from classic old-time radio shows like The Mysterious Traveller and The Whistler, CBSRMT was hosted by E. G. Marshall, who introduced each episode with an inviting yet eerie, "Come in!… Welcome." The series' signature began and ended with the sound of a creaking door and eerie music, a hallmark that echoed Brown's earlier show Inner Sanctum Mysteries. Each episode, about 45 minutes long, mixed genres beyond mystery, including horror, science fiction, historical drama, and even comedy. Popular around Halloween and Christmas, the series would also air special adaptations like A Christmas Carol every year, except for 1974 and 1982. CBSRMT featured original stories as well as adaptations of literary works by famous writers such as Edgar Allan Poe, Charles Dickens, and Arthur Conan Doyle. E. G. Marshall hosted the series until 1982, when actress Tammy Grimes took over for the final season. The show was known for its chilling theme music, which included elements from the Twilight Zone score by Nathan Van Cleave. With over 1,399 original episodes, the show ran five nights a week, with a mix of new content and repeats. Despite its popularity, some critics, like radio historian John Dunning, pointed out weaknesses in its scriptwriting. CBSRMT attracted an impressive roster of talent, from radio veterans like Joan Banks and Jackson Beck to well-known actors such as John Lithgow, Sarah Jessica Parker, and Agnes Moorehead. The series became an entry point for younger listeners into the world of radio drama, as well as a nostalgic callback for those familiar with the Golden Age of Radio. The show was recorded in New York at the CBS Studio Building, and its production process was quick and efficient, with actors often completing their roles in just a few hours. In the early 2000s, CBSRMT saw a revival through NPR, bringing the series to a new generation of listeners. Despite its end in 1982, CBSRMT remains a cherished piece of radio history, known for its suspenseful storytelling and atmospheric production.

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   CBS Radio Mystery Theater (CBSRMT) was a radio drama series created by Himan Brown that aired from 1974 to 1982 on the CBS Radio Network. Drawing inspiration from classic old-time radio shows like The Mysterious Traveler and The Whistler, CBSRMT was hosted by E. G. Marshall, who introduced each episode with an inviting yet eerie, "Come in!… Welcome." The series' signature began and ended with the sound of a creaking door and eerie music, a hallmark that echoed Brown's earlier show Inner Sanctum Mysteries. Each episode, about 45 minutes long, mixed genres beyond mystery, including horror, science fiction, historical drama, and even comedy. Popular around Halloween and Christmas, the series would also air special adaptations like A Christmas Carol every year, except for 1974 and 1982. CBSRMT featured original stories as well as adaptations of literary works by famous writers such as Edgar Allan Poe, Charles Dickens, and Arthur Conan Doyle. E. G. Marshall hosted the series until 1982, when actress Tammy Grimes took over for the final season. The show was known for its chilling theme music, which included elements from the Twilight Zone score by Nathan Van Cleave. With over 1,399 original episodes, the show ran five nights a week, with a mix of new content and repeats. Despite its popularity, some critics, like radio historian John Dunning, pointed out weaknesses in its scriptwriting. CBSRMT attracted an impressive roster of talent, from radio veterans like Joan Banks and Jackson Beck to well-known actors such as John Lithgow, Sarah Jessica Parker, and Agnes Moorehead. The series became an entry point for younger listeners into the world of radio drama, as well as a nostalgic callback for those familiar with the Golden Age of Radio. The show was recorded in New York at the CBS Studio Building, and its production process was quick and efficient, with actors often completing their roles in just a few hours. In the early 2000s, CBSRMT saw a revival through NPR, bringing the series to a new generation of listeners. Despite its end in 1982, CBSRMT remains a cherished piece of radio history, known for its suspenseful storytelling and atmospheric production.

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   CBS Radio Mystery Theater (CBSRMT) was a radio drama series created by Himan Brown that aired from 1974 to 1982 on the CBS Radio Network. Drawing inspiration from classic old-time radio shows like The Mysterious Traveler and The Whistler, CBSRMT was hosted by E. G. Marshall, who introduced each episode with an inviting yet eerie, "Come in!… Welcome." The series' signature began and ended with the sound of a creaking door and eerie music, a hallmark that echoed Brown's earlier show Inner Sanctum Mysteries. Each episode, about 45 minutes long, mixed genres beyond mystery, including horror, science fiction, historical drama, and even comedy. Popular around Halloween and Christmas, the series would also air special adaptations like A Christmas Carol every year, except for 1974 and 1982. CBSRMT featured original stories as well as adaptations of literary works by famous writers such as Edgar Allan Poe, Charles Dickens, and Arthur Conan Doyle. E. G. Marshall hosted the series until 1982, when actress Tammy Grimes took over for the final season. The show was known for its chilling theme music, which included elements from the Twilight Zone score by Nathan Van Cleave. With over 1,399 original episodes, the show ran five nights a week, with a mix of new content and repeats. Despite its popularity, some critics, like radio historian John Dunning, pointed out weaknesses in its scriptwriting. CBSRMT attracted an impressive roster of talent, from radio veterans like Joan Banks and Jackson Beck to well-known actors such as John Lithgow, Sarah Jessica Parker, and Agnes Moorehead. The series became an entry point for younger listeners into the world of radio drama, as well as a nostalgic callback for those familiar with the Golden Age of Radio. The show was recorded in New York at the CBS Studio Building, and its production process was quick and efficient, with actors often completing their roles in just a few hours. In the early 2000s, CBSRMT saw a revival through NPR, bringing the series to a new generation of listeners. Despite its end in 1982, CBSRMT remains a cherished piece of radio history, known for its suspenseful storytelling and atmospheric production.

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com! Get the commercial-free version by joining the Darkness Syndicate at https://weirddarkness.com/syndicate!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it. People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script. There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end. Or did it? In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again. One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience. In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares. Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = The Deadly Blind Man's Bluff (September 25, 1974)00:47:32.000 = The Spectral Bride (September 26, 1974)01:33:04.000 = Murder To Perfection (September 30, 1974)02:18:37.287 = The Bride That Wasn't (October 01, 1974)03:04:34.000 = The Golden Blood of the Sun (October 03, 1974)03:50:24.000 = Sister of Death (October 07, 1974)04:36:05.000 = Trapped (October 09, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-018

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it. People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script. There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end. Or did it? In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again. One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience. In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares. Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = Double Exposure (September 09, 1974)00:47:02.196 = The Hand That Refused To Die (September 11, 1974)01:32:06.177 = The Trouble With Murder (September 12, 1974)02:17:02.229 = What Happened To Mrs. Forbush (September 16, 1974)03:01:48.871 = Thicker Than Water (September 17, 1974)03:46:40.018 = The Garden (September 19, 1974)04:31:25.928 = Island Of The Lost (September 23, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-017

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it. People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script. There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end. Or did it? In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again. One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience. In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares. Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = The Case of MJH (August 22, 1974)00:46:43.193 = The Deadliest Favor (August 26, 1974)01:31:38.360 = The Fatal Marksman (August 28, 1974)02:16:41.790 = Medium Rare (August 29, 1974)03:01:39.324 = The Return of Anatole Chevenic (September 02, 1974)03:46:35.909 = The Imp In The Bottle (September 03, 1974)04:31:42.592 = Deadline For Death (September 05, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-016

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it. People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script. There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end. Or did it? In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again. One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience. In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares. Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = The Beach Of Falesa (August 12, 1974)00:46:56.401 = The Frontier of Fear (August 13, 1974)01:31:57.708 = Journey Into Terror (August 14, 1974)02:16:29.201 = The Final Vow (August 15, 1974)03:01:35.304 = The Hands Of Mrs. Mallory (August 19, 1974)03:47:10.685 = A Preview Of Death (August 20, 1974)04:32:14.778 = Having A Horrible Time (August 21, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-015

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it. People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script. There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end. Or did it? In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again. One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience. In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares. Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = Ghost at High Noon (July 29, 1974)00:46:54.396 = The Only Blood (July 31, 1974)01:31:45.305 = The Hit Man (August 01, 1974)02:16:26.079 = I Thought You Were Dead (August 05, 1974)03:01:30.661 = The Headstrong Corpse (August 06, 1974)03:46:49.707 = The Picture of Dorian Gray (August 07, 1974)04:33:15.631 = You Only Die Once (August 08, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-014

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it. People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script. There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end. Or did it? In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again. One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience. In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares. Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = The Devil God (July 11, 1974)00:47:10.859 = The Canterville Ghost (July 15, 1974)01:32:04.487 = The Real Printer's Devil (July 17, 1974)02:17:16.069 = The Dream Woman (July 18, 1974)03:01:50.137 = The Deadly Process (July 22, 1974)03:47:02.841 = Adam's Astral Self (July 23, 1974)04:32:25.822 = My Sister, Death ( July 25, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-013

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it. People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script. There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end. Or did it? In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again. One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience. In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares. Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = Where Fear Begins (June 25, 1974)00:46:09.444 = Yesterday's Murder (June 27, 1974)01:30:22.516 = Hurricane (July 01, 1974)02:14:41.491 = The Secret Life of Bobby Deland (July 03, 1974)02:59:07.847 = The Young Die Good (July 04, 1974)03:43:37.985 = Too Many Women Can Kill You (July 08, 1974)04:28:35.623 = And Death Makes Even Steven (July 09, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-012

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it.People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script.There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end.Or did it?In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again.One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience.In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares.Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRODUCTION00:01:54.482 = A Bargain In Blood (June 10, 1974)00:47:20.047 = The Rat (June 12, 1974)01:31:30.267 = The House of the Seven Gables (June 13, 1974)02:15:35.422 = The Times Dead (June 17, 1974)03:00:48.349 = Dr Jekyll and Mr Hyde (June 18, 1974)03:45:03.193 = The Secret Doctrine (June 20, 1974)04:29:14.530 = Escape! Escape! (June 24, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-011

Get full-length pulp audiobooks, pulp eBooks, and old-time radio shows ABSOLUTELY FREE FOR IMMEDIATE DOWNLOAD by emailing WeirdDarkness@RadioArchives.com!After September 30, 1962, commercial radio drama was as dead as the doornail described in the opening pages of Dickens' A Christmas Carol (1843), and everyone understood that television killed it.People who worked in both mediums realized that working in radio was a much better overall experience than television could ever be. Sure, TV had pictures to go along with the stories, but putting those pictures on the air involved a highly technical and expensive technology, and by the time those images reached the audience they were grainy, blurry, and sometimes nearly impossible to see. One actor could play different parts on several different radio programs, even in a single episode, but once they were seen in a TV show their face was recognizable enough that they had a hard time working on another show, and even a twenty-second appearance meant hours in makeup and wardrobe. Appearing in a radio drama required just a couple rehearsals and then remaining as quiet as possible in the studio, following along in the script until time to perform your lines, which you also read from the script.There was one important thing that television could offer over radio work; money. The accounting in TV and radio was fundamentally different. A radio program was usually paid for by a single sponsor while commercial time on TV shows was sold piecemeal, but there was still a phenomenal amount of money involved in TV production and the networks and sponsors were happy to pay it. Unable to compete with the huge amount of money being spread around by TV, after the final broadcasts of Suspense and Yours Truly Johnny Dollar on September 30, 1960, the Golden Age of Radio came to an end.Or did it?In the decade after the end of the Golden Age of Radio, TV matured artistically and technically. There had been a rejection by the networks of "rural" programming which helped launch a nostalgia craze. This craze began with the release of George Lucas's American Graffiti (1973), and suddenly everything old seemed new again.One of the genres which were best suited to radio was the horror shows which made listeners sit up in bed and pull the sheets over their heads. This sort of program had been pioneered Wyliss Cooper and Arch Oboler on Lights Out as well as The Whistler, Suspense, and Inner Sanctum Mysteries. This was the type of show creators decided upon for his radio nostalgia project, which became The CBS Radio Mystery Theater. They were convinced that there was enough interest from those who had heard similar shows growing up during the Golden Age, but the show built a following of younger fans for whom radio drama was a new and exciting experience.In many ways, CBSRMT was more like a TV program on the radio than a typical Old Time Radio show. The shows were taped rather than broadcast live, which allowed for greater post-production editing and creative control. The scripts generally ran 45 minutes, and the action was broken at points to allow for separately produced commercials and news bulletins to be inserted. The opening featured the "creaking door" effect which had been part of The Inner Sanctum. Host E.G. Marshall was never as campily creepy earlier horror hosts, but his closing, "Until next time, pleasant… dreams?" was sure to inspire nightmares.Production of CBSRMT was efficient almost to the point of cheapness. Creators drew upon radio row veterans working in New York as well as up-and-coming television personalities. The show used original stories from a wide variety of genres as well as literary classics. Writers were paid a flat $350 for each recorded script, and actors received union scale rates of $73.92 per episode. The actors would come into the studio for an initial script reading at 9:00 am, and the episode was generally completed by noon. Paychecks were handed out and the tape would be edited in the afternoon.00:00:00.000 = INTRO00:01:54.482 = The Bleeding Statue (May 23, 1974)00:46:21.986 = Mirror For Murder (May 27, 1974)01:30:27.244 = The Phantom Lullaby (May 29, 1974)02:14:39.905 = Dressed To Kill (May 30, 1974)02:59:05.145 = To Kill With Confidence (June 03, 1974)03:43:09.434 = An Occurrence at Owl Creek Bridge (June 04, 1974)04:27:15.215 = Darling Deadly Dolores (June 06, 1974)SOURCES AND ESSENTIAL WEB LINKS…This episode is sponsored by http://RadioArchives.comWeird Darkness Retro Radio theme by Storyblocks.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarknessWeirdDarkness® - is a registered trademark. Copyright, Weird Darkness, 2024.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =CUSTOM WEBPAGE: https://weirddarkness.com/cbsrmt-marathon-010

Cleveland Plain Dealer, July 28th, 1974 — CBS 'Theater's' Brown Burns about Serling "I'm proud of every minute we're on the air...and I'll stand up for every single show I do." Speaking of The CBS Radio Mystery Theater was Himan Brown, executive producer of the nationwide show that premiered January 6th and has garnered good ratings. His comments were the beginning of a rebuttal to negative remarks made about the show and The Zero Hour on these pages June 16th by Rod Serling, who narrated the latter program, which was dropped by Mutual last Friday. Brown burned. “My stories have complete relevancy to all that's going on now--exorcism, reincarnation--all stories of the moment. We're doing contemporary stories with the best writers and actors in the business. I think radio drama, contrary to what Serling says, is here forever and a day--and never will be off the networks again." Serling has written TV shows, movies, and books, but his only previous radio drama was written while he was a summer replacement at WLW in Cincinnati. "It's all sour grapes. Serling's relationship to radio has been a total failure," Brown said. “His criticism of his own show is a complete slur of his own integrity, because in the past he lent his narrative name or talents to what he wrote. The implication is that he was much involved with the stories on The Zero Hour and that's a fake.” Brown believes in Mystery Theater with all his heart. “It took me fifteen years to sell it, but it's been a happy fulfillment." The show has gone so well that Brown has a verbal renewal to go into a second year. He wouldn't discuss it, but Brown admitted that he has packaged a two-hour weekly Sunday drama series for CBS Radio that would debut early next year. Getting back to Mystery Theater, Brown admitted that he can't bat one-thousand on the series. "But I'll bat eight-hundred." He produces, directs, edits scripts, casts the shows and signs the checks. “The show has gone far beyond anything I ever hoped for. People are listening seven nights a week. The minute we put on the first repeats, the stations' switchboards lit up.” The first year's contract calls for one-hundred ninety-five new shows and one-hundred seventy repeats. Usually produced in New York, the program will invade Hollywood for talent there for the recording of eight mysteries, beginning August 5th. Born in Manhattan and with degrees from City College of New York and Brooklyn Law School--although he has never practiced law--Brown moved into TV production when radio drama fell by the wayside some fifteen years ago. Now, with The CBS Radio Mystery Theater, he's back home. "It's the greatest homecoming a man could possibly want." — Raymond P. Hart Although Rod Serling was disappointed with Mutual broadcasting's treatment of The Zero Hour, as covered in the previous episode of Breaking Walls, in 1974 Himan Brown's Mystery Theater won a Peabody Award for helping to usher in a new era of radio entertainment. It would run for eight more years until finally going off the air on December 31st, 1982. More than fifteen hundred episodes were produced. Most survive in listening quality.

CBS Radio Mystery Theater (CBSRMT) is a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982, and later in the early 2000s was repeated by the NPR satellite feed. It was a revival of the classic radio mystery genre, and was hosted by actor E.G. Marshall.Each episode of CBSRMT was a self-contained mystery story, typically lasting 45 minutes. The shows featured a wide variety of stories, from traditional whodunits to supernatural tales to psychological thrillers. The series featured a cast of talented actors and actresses, including many well-known names from television and film.CBSRMT was a popular success, and ran for a total of 1,399 episodes. It was praised for its high production values, its suspenseful stories, and its strong performances. The show also attracted a wide audience, including both fans of classic radio drama and newcomers to the genre.CBSRMT is considered to be one of the best radio mystery series ever produced. It helped to revive the genre in the 1970s, and it continues to be enjoyed by listeners today.

CBS Radio Mystery Theater (CBSRMT) is a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982, and later in the early 2000s was repeated by the NPR satellite feed. It was a revival of the classic radio mystery genre, and was hosted by actor E.G. Marshall.Each episode of CBSRMT was a self-contained mystery story, typically lasting 45 minutes. The shows featured a wide variety of stories, from traditional whodunits to supernatural tales to psychological thrillers. The series featured a cast of talented actors and actresses, including many well-known names from television and film.CBSRMT was a popular success, and ran for a total of 1,399 episodes. It was praised for its high production values, its suspenseful stories, and its strong performances. The show also attracted a wide audience, including both fans of classic radio drama and newcomers to the genre.CBSRMT is considered to be one of the best radio mystery series ever produced. It helped to revive the genre in the 1970s, and it continues to be enjoyed by listeners today.

CBS Radio Mystery Theater (CBSRMT) is a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982, and later in the early 2000s was repeated by the NPR satellite feed. It was a revival of the classic radio mystery genre, and was hosted by actor E.G. Marshall.Each episode of CBSRMT was a self-contained mystery story, typically lasting 45 minutes. The shows featured a wide variety of stories, from traditional whodunits to supernatural tales to psychological thrillers. The series featured a cast of talented actors and actresses, including many well-known names from television and film.CBSRMT was a popular success, and ran for a total of 1,399 episodes. It was praised for its high production values, its suspenseful stories, and its strong performances. The show also attracted a wide audience, including both fans of classic radio drama and newcomers to the genre.CBSRMT is considered to be one of the best radio mystery series ever produced. It helped to revive the genre in the 1970s, and it continues to be enjoyed by listeners today.

CBS Radio Mystery Theater (CBSRMT) is a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982, and later in the early 2000s was repeated by the NPR satellite feed. It was a revival of the classic radio mystery genre, and was hosted by actor E.G. Marshall.Each episode of CBSRMT was a self-contained mystery story, typically lasting 45 minutes. The shows featured a wide variety of stories, from traditional whodunits to supernatural tales to psychological thrillers. The series featured a cast of talented actors and actresses, including many well-known names from television and film.CBSRMT was a popular success, and ran for a total of 1,399 episodes. It was praised for its high production values, its suspenseful stories, and its strong performances. The show also attracted a wide audience, including both fans of classic radio drama and newcomers to the genre.CBSRMT is considered to be one of the best radio mystery series ever produced. It helped to revive the genre in the 1970s, and it continues to be enjoyed by listeners today.

CBS Radio Mystery Theater (CBSRMT) is a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982, and later in the early 2000s was repeated by the NPR satellite feed. It was a revival of the classic radio mystery genre, and was hosted by actor E.G. Marshall.Each episode of CBSRMT was a self-contained mystery story, typically lasting 45 minutes. The shows featured a wide variety of stories, from traditional whodunits to supernatural tales to psychological thrillers. The series featured a cast of talented actors and actresses, including many well-known names from television and film.CBSRMT was a popular success, and ran for a total of 1,399 episodes. It was praised for its high production values, its suspenseful stories, and its strong performances. The show also attracted a wide audience, including both fans of classic radio drama and newcomers to the genre.CBSRMT is considered to be one of the best radio mystery series ever produced. It helped to revive the genre in the 1970s, and it continues to be enjoyed by listeners today.

CBS Radio Mystery Theater (CBSRMT) is a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982, and later in the early 2000s was repeated by the NPR satellite feed. It was a revival of the classic radio mystery genre, and was hosted by actor E.G. Marshall.Each episode of CBSRMT was a self-contained mystery story, typically lasting 45 minutes. The shows featured a wide variety of stories, from traditional whodunits to supernatural tales to psychological thrillers. The series featured a cast of talented actors and actresses, including many well-known names from television and film.CBSRMT was a popular success, and ran for a total of 1,399 episodes. It was praised for its high production values, its suspenseful stories, and its strong performances. The show also attracted a wide audience, including both fans of classic radio drama and newcomers to the genre.CBSRMT is considered to be one of the best radio mystery series ever produced. It helped to revive the genre in the 1970s, and it continues to be enjoyed by listeners today.

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982,---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click or copy linkhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/cbs-radio-mystery-theater/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy