Podcasts about Pardon

Një emision ku si asnjëherë më parë mendimet dhe fjalët vijnë si në jetë, të pacensuruara…Mirë, ndoshta pak të censuruara. “Pardon my French” nga Jonida Aliçkolli dhe Lei Kraja, ku e vetmja gjë që nuk dinë të bëjnë është të flasin frengjisht! Një gjë është e sigurtë, të qeshurat dhe surprizat janë të garantuara. Nuk do të mungojnë të ftuarit në studio, diskutimet mbi tema të ndryshme në mënyrën më të ‘zhveshur', si dhe muzikën më bukur të momentit. “Pardon My French” çdo të mërkurë në orën 18:00, me të ftuar special dhe intervista ekskluzive.

Një emision ku si asnjëherë më parë mendimet dhe fjalët vijnë si në jetë, të pacensuruara…Mirë, ndoshta pak të censuruara. “Pardon my French” nga Jonida Aliçkolli dhe Lei Kraja, ku e vetmja gjë që nuk dinë të bëjnë është të flasin frengjisht! Një gjë është e sigurtë, të qeshurat dhe surprizat janë të garantuara. Nuk do të mungojnë të ftuarit në studio, diskutimet mbi tema të ndryshme në mënyrën më të ‘zhveshur', si dhe muzikën më bukur të momentit. “Pardon My French” çdo të mërkurë në orën 18:00, me të ftuar special dhe intervista ekskluzive.

Jerry Bush was a plumber from Virginia with fourteen employees, a wife battling cancer, and a business his father built from nothing. When a big construction job left him waiting on $350,000 he'd already earned, he did what you'd probably do. He looked for a loan. The man who picked up the phone was named Jonathan Braun. Before Braun found Jerry, he was running a half-billion dollar international drug smuggling operation. After he found Jerry, he froze his bank account, drained his father's retirement, took money from his 16-year-old son, and told Jerry his only way out was to win the lottery or die. And then things got worse. By the time it was over, Jerry Bush had lost his business, his savings, and nearly his life. Jonathan Braun had a Ferrari, a Lamborghini, a personal butler, and a very powerful friend. What happens next will make you question everything you think you know about who the justice system is actually designed to protect and who it leaves behind. I Beg Your Pardon is a new investigative series from PRETEND. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Most independent artists treat venue booking like throwing darts in the dark—mass outreach with generic pitches, hoping something sticks. Christal Hector, founder of TuneHatch and member of the National Independent Venue Association's Industry Affairs Committee, explains what actually happens on the other side of that email. TuneHatch was built venues-first, solving venue problems before creating artist tools. That origin gives Christal an insider perspective most artists never get: what venues actually look for when evaluating artists, what makes them say yes to a show, and what behaviors separate artists who get booked repeatedly from those who struggle. In this conversation, we dig into the frameworks behind successful booking and touring. You'll learn the venue's mental checklist when an artist reaches out, what proof points actually matter beyond social media followers, how to approach booking systematically instead of randomly, and what makes touring financially and energetically sustainable. Find links to things mentioned in this episode at UnstarvingMusician.com Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support at UnstarvingMusician.com/CrowdSponsor This episode was brought to you by Podcast Startup. Ready to launch your podcast or take it to the next level? Podcast Startup gives you the frameworks, systems, and insider knowledge to build a show that actually grows your audience and serves your goals. Whether you're just getting started or looking to improve your existing podcast, you'll get actionable strategies on equipment selection, content planning, audience building, and sustainable production workflows—without the overwhelm. Learn more at UnstarvingMusician.com/PodcastStartup. Join podcasters who are building shows that last. Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process. More Resources for musicians Pardon the Disclosure: Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Stay in touch! @RobonzoDrummer on  Instagram @UnstarvingMusician on Facebook  and  YouTube   

Ever feel like every headline about teaching is trying to make you panic? That was the reaction this week when reading The Atlantic article claiming teachers should stop meeting students where they are. We unpack what it really means, share recent reads, and highlight classroom and library projects. Check out the article, and see what conversations it sparks in your own teaching!Resources:Atlantic Article: Stop Meeting Students Where They AreWatch BNT episodes on YouTube!Shop Our Faves.Let us know what you think! Leave a review on Apple Podcasts.Related Episodes:Episode 281, SEL and Organic Community Really Are This Simple - BNT Team MeetingEpisode 282, We're Building Our ELA Units WRONG. Here's How to Fix It - BNT Team MeetingEpisode 283, Resistant Readers Need the Four Reading Realms: A Walkthrough - BNT Team MeetingSHOW NOTES: https://www.bravenewteaching.com/home/episode288"Send us a message - please include your contact information so we can chat soon!"Head to bravenewteaching.com/waitlist to become a beta tester for BNT University!Support the show

Një emision ku si asnjëherë më parë mendimet dhe fjalët vijnë si në jetë, të pacensuruara…Mirë, ndoshta pak të censuruara. “Pardon my French” nga Jonida Aliçkolli dhe Lei Kraja, ku e vetmja gjë që nuk dinë të bëjnë është të flasin frengjisht! Një gjë është e sigurtë, të qeshurat dhe surprizat janë të garantuara. Nuk do të mungojnë të ftuarit në studio, diskutimet mbi tema të ndryshme në mënyrën më të ‘zhveshur', si dhe muzikën më bukur të momentit. “Pardon My French” çdo të mërkurë në orën 18:00, me të ftuar special dhe intervista ekskluzive.

La saison des parcs ouvre et on avait déjà plein de choses à vous raconter alors on a fait un gros podcast actu pour couvrir déjà un paquet de trucs. Y'a de l'actu Disney et Disneyland Paris (OUI, on va s'énerver. PARDON.). Y'a aussi de l'actu dans l'autre pays du fromage (la Hollande, pas l'Angleterre bien que le CHEDDAR !!! Bref.), des choses hypantes du coté de ça va être Tover et des Elfes Teling. Jsais pas ce que je dis.Et on teste deux choses ! Scarabetty nous raconte LES nouveautés du Futuroscope, avec la Serre des mondes et T.Rex, y'a du super et y'a du désastreux ; et Tom lui est allé à Pairi Daiza voir Edenya, la nouvelle serre où il fait chaud. Si vous avez été attentifs, on parle donc d'une serre qui s'appelle pas "serre" et d'une attraction qui s'appelle "serre" alors que c'est pas tout à fait une serre. COMMENT VOULEZ VOUS QU'ON S'EN SORTE. Allez, on se sert les clowns, bon podcast ! Merci à Scara pour sa participation et à Tom pour sa Capsule intégrée ! 6:37 Salut mon Lampadaire11:28 Le point réhab'15:00 L'ACTU : Une actu RETIRÉE à Disneyland Paris, un patron REMPLACÉ à Disney, un land RUMORÉ à Disney World35:10 Efteling et Toverland, les Pays Bas qui MONTENT55:40 Les nouveautés 2026 du Futuroscope, Scarabetty a testé !1:38:30 La nouveauté 2026 de Pairi Daiza, Tom a testé !1:56:25 Les "nouveautés" et actus de Disneyland Paris, et UN MENU DE NOUVEAU RESTO Découvrez tout ce que notre association a à offrir et soutenez-nous sur Patreon ! TOUS les podcasts Élabète en UN SEUL podcast, c'est possible en cherchant "Élabète" dans votre appli préférée ! Ou sur http://elabete.lepodcast.fr

Today's poem is Pardon My Heart by Marcus Jackson.The Slowdown is your daily poetry ritual. In this episode, Maggie writes… “If I had a different kind of heart, a tougher heart, would I be able to see what's happening in the world around me and not feel so brokenhearted? What would it be like to be able to sleep through the night, unbothered? I can't imagine feeling less, or caring less. That's not the heart I have.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

Monsieur Robert kennt kein Pardon | Kann uns die französische Comedy-Ikone Christian Clavier zum Lachen bringen? Ab dem 5. März ist die französische Leinwandlegende Christian Clavier mal nicht als Monsieur Claude unterwegs, sondern als Monsieur Robert – und der kennt, so will es uns zumindest der Filmtitel glauben lassen, kein Pardon. Perfekte Voraussetzungen also, denn auch wir vom Tele-Stammtisch können bekanntlich erbarmsungslos sein. Das musste Clavier bereits am eigenen Leib erfahren, als wir vor gut zwei Jahren seine Komödie "Oh la la – Wer ahnt denn sowas?" ausführlich unter die Lupe nahmen. Doch keine Sorge, liebe Clavier-Fans: Diesmal sitzt kein ausgewiesener Humorbanausen-Trupp am Mikrofon. Stattdessen spricht Lasse mit Sven darüber, ob Claviers neuester Kinoeinsatz erneut als Frontalangriff aufs Zwerchfell scheitert oder ob sich hinter all dem doch eine französische Komödie verbirgt, die einen Kinobesuch verdient – nämlich "Monsieur Robert kennt kein Pardon". Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Ever finish reading a Bible passage you've read a dozen times and think… Wait. How did I miss that?On this episode of Radical Radiance, I'm joined by my friend Cynthia Yanof, host of the Pardon the Mess podcast and author of her brand-new book, How'd I Miss That?.This conversation is for anyone who loves God's Word but sometimes feels like they're skimming instead of seeing. Cynthia invites us to slow down, stay curious, and pay attention to the moments, passages, and patterns we often overlook—and how God meets us right there.

**Joe Exotic Seeks Presidential Pardon with Support from Prison Staff**Joe Exotic, whose real name is Joseph Maldonado, is actively pursuing a presidential pardon from Donald Trump, bolstered by a supportive letter from a prison correctional officer. In a letter to President Trump and Pardon Attorney Ed Martin, Jones advocates for Exotic's release, stating, "I feel that Mr. Maldonado and his case need to be revisited.. his crime..Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Bonjour, listener! Comment allez-vous? On this magnifique episode of Baconsale, messieurs Joel, Kent, and Zack will be sharing their thoughts on French pop culture. We also have a, how do you say, special guest joining us here in the La Maison de Bacon. Our bonne amie Babs will assist us with our pronunciations and share some personal experiences about her time living in France. Also, we will be giving answers for such categories as Cinema Vérité (excellent films), A Voice that Brings Me Joie de Vivre, Encore for this Export, An Invention with Savoir-Faire, Bon Appétit (good food), Faux Pas Cuisine (bad food), and My Dream Bon Voyage! There will be plenty of poor attempts at French accents, but we'll try to avoid clichés as we converse about bread, cheat to find loopholes, and discover what isn't actually French.   Are you ready to press play? Oui? Then allons-y!

Avec Isabelle Pliya et Camille Aubenas

Former U.S. Pardon Attorney Liz Oyer was fired by Pam Bondi and Todd Blanche after she refused to recommend giving a domestic abuser back his gun. That criminal was Trump’s “Ambassador to Hollywood” Mel Gibson. Oyer explains how presidential pardons and clemency is supposed to work. With Trump’s Dept. of Justice, it’s been supercharged. Pardons seem to be driven by personal favors, political alliances and outright cash payoffs. Watch Mission Implausible on YouTube: https://www.youtube.com/@MissionImplausiblePod

Sam Altman and Marc Andreessen can frolic in my pickle water. The world they're imagining sucks. We're going to hide from it in the best way possible: An RPG actual play session where two ninjas have to kill Cheap Trick during their famous Budokan set in 1978. Ingest this into your model.News• If you live in Chicagoland and like supporting indie game designers, the Indie Boardgame Showcase is stopping at Big Star in Wrigleyville on Sunday, March 8 from 4:30-8:00 p.m. More than 15 designers will be there, demoing what they made for you. Get 50% off your ticket with the code BREAKUP at Quirk Events' website.• Also, I'm giving away a charming stack of indie games from The Seahorse and the Hummingbird, Grumpy Spider Games, Long Tail Games and Ada Press. Hear about these games and learn how to win them in the Games of the Week segment of Episode 110.Game of the Week (3:43)• You want a taste at how a Mars colony would have played out? Go to Texas, where your fixed-income auntie will be braised inside her apartment during unprecedented free-market desert heat as crypto mining operations brown out her AC and people in Granbury get crippling headaches from the hum of exotic currency being made across the street. I do not envy science fiction writers right now. This and other thoughts on AI in context of the fun slaughterhouse economy they've been iterating through several thrilling market crashes for decades now.• Where can we go that these hyperreal Carnegies and Rockefellers can't ruin? Well, we can teleport to Japan in 1978 and kill one of my favorite bands. Hear the mission and character setup for some actual play of the NINJA BORG RPG by Walton Wood and Rugose Kohn.Track of the Week (34:42)Pardon the sound quality, but I found some deep old ‘93-'94 big-crew boom bap cuts on YouTube from Now Born Click, Troubleneck Brothers and Freakin Inglish. You need to hear selections from theseYou can always hit the show with a one-time donation to get a really dumb cocktail book and a really disarming frog sticker.

As extraordinary combat operations unfold as we speak, the global landscape is facing a significant and ongoing shift. In today's lesson, we'll analyze these headlines to help you master advanced English vocabulary, from understanding a regime's actions to the complex coordination required by their international counterparts.

Neue Folge – Der Nespresso-Effekt ☕

DAY 120: The Pardon of the Sinful Woman Welcome to the Gospel in a Year on the Catholic Sprouts Podcast. In this episode we are reading Luke 7:36-50   To get the most out of this journey through the Gospels, we suggest you PRINT THE GOSPEL IN A YEAR NOTEBOOK. It's free and ready for you right here -->  http://catholicsprouts.com/the-gospels-in-a-year-on-the-catholic-sprouts-podcast   Thank you for joining us! Come Lord Jesus!

Fluent Fiction - Dutch: From Chaos to Commitment: A Proposal Amid Van Gogh's Masterpieces Find the full episode transcript, vocabulary words, and more:fluentfiction.com/nl/episode/2026-02-27-08-38-20-nl Story Transcript:Nl: Het was een koude winterdag in Amsterdam.En: It was a cold winter day in Amsterdam.Nl: Buiten lagen de grachten onder een dunne laag sneeuw en de lucht was een scherpe, bleke grijs die de stad omhulde.En: Outside, the canals were covered with a thin layer of snow, and the air was a sharp, pale gray that enveloped the city.Nl: Jeroen stond in de rij bij de garderobe van het Van Gogh Museum, zijn handen trilden lichtjes van de zenuwen.En: Jeroen stood in line at the cloakroom of the Van Gogh Museum, his hands trembling slightly with nerves.Nl: Vandaag zou hij Anke, zijn grote liefde, ten huwelijk vragen.En: Today he would ask Anke, his great love, to marry him.Nl: Zijn hart klopte sneller, niet alleen van de kou.En: His heart was beating faster, not just because of the cold.Nl: Jeroen zette zijn tas neer om zijn jas uit te doen.En: Jeroen put down his bag to take off his coat.Nl: Plotseling hoorde hij een vriendelijke stem achter zich: "Pardon, mag ik even langs?"En: Suddenly he heard a friendly voice behind him: "Excuse me, may I pass by?"Nl: Het was Bastiaan, een afwezige toerist met een tas die precies leek op die van Jeroen.En: It was Bastiaan, a distracted tourist with a bag that looked exactly like Jeroen's.Nl: In een moment van verstrooidheid pakte Jeroen de verkeerde tas mee.En: In a moment of absent-mindedness, Jeroen took the wrong bag with him.Nl: Binnen in het museum was het warm en sfeervol.En: Inside the museum, it was warm and atmospheric.Nl: De muren waren versierd met Van Goghs meesterwerken.En: The walls were adorned with Van Gogh's masterpieces.Nl: Anke keek met bewondering naar schilderijen zoals "De Sterrennacht" en "Zonnebloemen."En: Anke looked in admiration at paintings like "The Starry Night" and "Sunflowers."Nl: Haar ogen straalden en Jeroen voelde zijn hart smelten.En: Her eyes sparkled, and Jeroen felt his heart melt.Nl: Maar zijn enthousiasme sloeg om in paniek toen hij besefte dat hij de tas van Bastiaan had.En: But his enthusiasm turned to panic when he realized that he had Bastiaan's bag.Nl: Hij wist dat hij snel moest handelen.En: He knew he had to act quickly.Nl: "Anke," zei Jeroen, "wat denk je ervan als we even apart rondkijken?En: "Anke," Jeroen said, "what do you think about us looking around separately for a while?Nl: Zo kunnen we meer zien en straks weer bij elkaar komen."En: That way we can see more and come back together later."Nl: Anke knikte enthousiast, haar aandacht bij de kunst.En: Anke nodded enthusiastically, her attention on the art.Nl: Jeroen begon door de zalen te dwalen, zijn ogen speurend naar Bastiaan.En: Jeroen began wandering through the rooms, his eyes searching for Bastiaan.Nl: Hij liep door de drukke galerijen, het zachte gefluister van bezoekers om hem heen.En: He walked through the busy galleries, the soft whisper of visitors around him.Nl: Het uur tikte weg en nog steeds geen teken van Bastiaan.En: The hour ticked away and still no sign of Bastiaan.Nl: Jeroen liep met lichte wanhoop naar een nieuwe zaal toen hij Bastiaan eindelijk zag.En: Jeroen walked with slight desperation into a new room when he finally saw Bastiaan.Nl: Op hetzelfde moment liep Anke op Jeroen af, vol verhalen over de schilderijen die ze had gezien.En: At the same moment, Anke walked up to Jeroen, full of stories about the paintings she had seen.Nl: Jeroen nam een diepe adem en besloot ter plekke.En: Jeroen took a deep breath and decided on the spot.Nl: Zonder ring, zonder de perfecte woorden, maar met liefdevol improvisatie.En: Without a ring, without the perfect words, but with loving improvisation.Nl: Hij pakte Ankes handen vast en keek haar in de ogen.En: He took Anke's hands and looked her in the eyes.Nl: "Anke, elke dag met jou is als een prachtig schilderij.En: "Anke, every day with you is like a beautiful painting.Nl: Wil je de rest van je leven met mij delen?"En: Would you like to share the rest of your life with me?"Nl: vroeg hij, zijn stem vol emotie.En: he asked, his voice full of emotion.Nl: Anke keek verbaasd, maar haar ogen vulden zich met tranen van geluk.En: Anke looked surprised, but her eyes filled with tears of joy.Nl: "Ja, natuurlijk wil ik dat!"En: "Yes, of course, I want that!"Nl: zei ze, hem omhelsend.En: she said, embracing him.Nl: Op dat moment verscheen Bastiaan, met een verontschuldigende lach en Jeroens tas.En: At that moment, Bastiaan appeared, with an apologetic smile and Jeroen's bag.Nl: "Sorry, ik denk dat we onze tassen hebben verwisseld," zei Bastiaan, terwijl hij de tas overhandigde.En: "Sorry, I think we swapped our bags," Bastiaan said as he handed over the bag.Nl: Jeroen haalde opgelucht adem, haalde de ring tevoorschijn en schoof hem om Ankes vinger.En: Jeroen breathed a sigh of relief, took out the ring, and slid it onto Anke's finger.Nl: Het was geen perfecte uitvoering van zijn plan, maar de liefde en oprechte woorden waren genoeg.En: It wasn't a perfect execution of his plan, but the love and sincere words were enough.Nl: Zo leerde Jeroen dat soms, midden in chaos en onverwachte wendingen, de mooiste momenten ontstaan.En: Thus Jeroen learned that sometimes, amidst chaos and unexpected turns, the most beautiful moments arise.Nl: Want uiteindelijk was de liefde het enige dat telde.En: Because ultimately, love was the only thing that mattered. Vocabulary Words:enveloped: omhuldetrembling: trildennerves: zenuwenabsent-mindedness: verstrooidheidadorned: versierdadmiration: bewonderingsparkled: straaldenenthusiasm: enthousiasmepanic: paniekwander: dwalendesperation: wanhoopimprovisation: improvisatieemotion: emotieembracing: omhelsendapologetic: verontschuldigendeexecution: uitvoeringsincere: oprechteamidst: midden inchaos: chaosunexpected: onverwachtearise: ontstaanultimately: uiteindelijklayer: laagsharp: scherpegalleries: galerijentick: tikhanded: overhandigdemattered: teldeswap: verwisseldrelief: opgelucht

Një emision ku si asnjëherë më parë mendimet dhe fjalët vijnë si në jetë, të pacensuruara…Mirë, ndoshta pak të censuruara. “Pardon my French” nga Jonida Aliçkolli dhe Lei Kraja, ku e vetmja gjë që nuk dinë të bëjnë është të flasin frengjisht! Një gjë është e sigurtë, të qeshurat dhe surprizat janë të garantuara. Nuk do të mungojnë të ftuarit në studio, diskutimet mbi tema të ndryshme në mënyrën më të ‘zhveshur', si dhe muzikën më bukur të momentit.

Mark Zuckerberg's Meta is planning stablecoin comeback in the second half of this year. White House reiterates Trump has no plans to pardon Sam Bankman-Fried. DSRV and SBI Ripple Asia will test cross border payments on XRP Ledger.Brought to you by

Have you ever felt busy all day long but still wondered if any of it really mattered?This week's episode is a little different and so special. I'm sharing a conversation from another Christian Parenting podcast, Pardon the Mess, hosted by the wonderful Courtney DeFeo. I first heard her interview with Elaine Franklin years ago, and honestly, it stuck with me in such a meaningful way. So when I saw them sit down together again, I knew I had to share it with you.This conversation is all about time, but not in the way you might expect. It's not about doing more or getting more organized. It's about living with intention, clarity, and peace in the middle of full lives.Here are four takeaways that really stood out:Why understanding your circle of care vs. circle of responsibility can completely shift how you spend your timeThe importance of defining your purpose and mission before building your scheduleHow margin isn't lazy, it's protective for your faith, your family, and your well-beingWhy creating a “to stop” list might be the most freeing productivity tool you've never triedThis episode is packed with practical wisdom, but more than that, it's an invitation to step out of the hustle and into a more thoughtful, life-giving rhythm. If you've been feeling stretched thin or a little out of alignment, I think this one will really meet you right where you are.Elaine Franklin is a speaker, coach, and author who helps individuals and families align their time and priorities with their God-given purpose. Through her teaching, she offers practical and biblical tools for creating margin, setting healthy boundaries, and living with intention in every season of life.Resources MentionedSign up for Morning MinuteChristian ParentingOpen a LearningRX centerThe Christian Parenting Podcast is a part of the Christian Parenting Podcast Network. For more information visit www.ChristianParenting.orgPrivacy & Opt-Out: https://redcircle.com/privacy

Mea Culpa welcomes independent journalist and the creator of “Popular Information”.  Popular Information is Substack's first politically-focused publication. And features in-depth, fact-based, news and analysis from a progressive point of view. Legum, a lawyer, also founded the publication “ThinkProgressive” before leaving to work on Hillary Clinton's campaign. Judd shares with Michael his vast knowledge of the current moment and what part media plays in it all. 

On the Sunday of the Last Judgment, the Gospel reveals that judgment takes place not in a courtroom, but in the throne room of God—a reality the Church enters every Sunday in the Divine Liturgy. This homily explores how worship forms repentance, trains us in mercy, and sends us into the world with lives shaped by the pattern of Christ's self-giving love. --- The Throne Room Now: Judgment, Mercy, and the Work of the Liturgy A Homily on the Sunday of the Last Judgment (Matthew 25:31–46) When we hear the Gospel of the Last Judgment, our attention is usually drawn—rightly—to the command to do good: to feed the hungry, clothe the naked, visit the sick and the imprisoned. And the danger every year is that we hear this Gospel as if Christ were saying something like this: "Be good people during the week (ie take care of people)—and then come to church on Sunday." But that is not what the Lord is saying. In fact, the Gospel appointed for today does something far more unsettling—and far more hopeful. It places the Judgment not in a courtroom, but in the throne room of God. Christ says, "When the Son of Man comes in His glory, and all the holy angels with Him, then He will sit on the throne of His glory." That is not legal language. It is liturgical language. The people who first heard this would have known exactly what that meant. They would have filled in the details instinctively from the Scriptures and from worship: the throne surrounded by cherubim and seraphim; the unceasing hymn of praise; even the River of Fire—not as punishment, but as the light and heat of God's own glory. And here is the first thing we must understand: We are not only told about that throne room. We are brought into it. Every Sunday, the Church does not merely remember something that will happen someday. We are brought into that reality now - as much as we can bear it. The Kingdom is revealed to us here and now, sacramentally, liturgically, truthfully. And that changes how we hear today's Gospel. First: There is a connection between doing good and coming to church Sunday is not an interruption of the Christian life. It is its measure. In a real sense, every Sunday is a little judgment—not a condemnation, but a revelation. We come into the light, and the truth about us is allowed to appear. And notice how this begins in the Divine Liturgy. It begins not with confidence, not with self-congratulation, but with repentance. The priest, standing before God as the leader and voice of the people, pleads at the very beginning: "O Lord, Lord, open unto me the door of Thy mercy." That is not theatrical humility. That is the truth. We are asking to be let in—not because we deserve it, but because without mercy we cannot even stand. And then, before the Trisagion, the priest names what God already knows about all of us: that He "despisest not the sinner but hast appointed repentance unto salvation." And so he begs Him directly: "Pardon us every transgression both voluntary and involuntary." This is what Sunday is. It is the people of God standing before the glory of His altar and asking to be healed. Asking to see clearly. Asking to be made capable of love. But repentance in the Liturgy does not remain on the lips of the clergy alone. Before Communion, the entire Church takes up the same posture and says together words that are almost shocking in their honesty: "I stand before the doors of Thy temple, and yet I refrain not from my terrible thoughts." We do not pretend that standing in church has magically fixed us. We confess that we are still conflicted, still distracted, still broken. And then, with no room left for comparison or self-justification, we each say: "Who didst come into the world to save sinners, of whom I am first." And finally, we make the plea that fits today's Gospel with frightening precision: "Not unto judgment nor unto condemnation be my partaking of Thy holy mysteries, O Lord, but unto the healing of soul and body." The Church is honest with us here. The same fire that heals can also burn, depending on whether we approach it with repentance or with presumption. This is not a threat meant to drive us away, but truth meant to help us approach rightly. That is why Sunday is a little judgment—not because God is eager to condemn, but because His throne room is opened to us now in mercy, so that we may be healed, corrected, and trained to recognize Christ when He comes to us in the least of His brethren. Second: Sunday worship is where we actually do the work Christ commands And once we see that, we can begin to understand what the Church is actually doing here -  and why worship cannot be separated from judgment. Before we ever offer bread and wine, the Church first intercedes for the world. We pray for peace from above and the salvation of our souls; for the peace of the whole world and the good estate of the holy Churches; for this city and every city and countryside; for travelers by sea, by land, and by air; for the sick, the suffering, and the captive; for deliverance from tribulation, wrath, danger, and necessity. We even pray for civil authorities—not to bless power for its own sake, but that peace and order might make room for mercy and justice. In other words, before we do anything else, we place the needs of others before God. And in addition to interceding for all of this, here—at the heart of the Divine Liturgy—the Church actually performs the works of mercy Christ names in today's Gospel. Not in theory.  Not symbolically.  But truly. Here: Strangers are welcomed and given a home. Prisoners are freed from the shackles of sin and the sentence of death. The naked are clothed with baptismal garments. The thirsty are given living water. The hungry are given the Bread of Life. This is not allegory. This is reality at its deepest level. God Himself tells us to care even more for the soul than for the body. During the week, we sacrifice ourselves to meet bodily needs—and we must grow in that work. But on Sunday, we are commanded to do the most important work of mercy: to restore people to life in Christ. That is why worship is not optional. It is not private devotion. It is the Church doing what the Church exists to do.  And because that work is real, it carries with it genuine hope. Third: Sunday gives us a foretaste of the reward The Gospel of the Last Judgment is not only a warning. It is also a promise. Those who learn to serve Christ in the least of His brethren are not merely rewarded—they are invited to rest in God, to share in His life, to participate in His rule. Saint Paul says something astonishing: "Do you not know that the saints will judge the world? … Do you not know that we shall judge angels?" (1 Corinthians 6:2–3) This does not mean we become harsh or self-righteous. It means we are being trained—here and now—for a future of responsibility, faithfulness, and love. What we do here is forming who we are becoming. Conclusion What happens in this Divine Liturgy is the automatic response of the Church—that is, of a people devoted to sacrificial love—to God's command to care for others as we care for ourselves. This is not a dead ritual. It is a powerful tool for doing essential work. It is the throne room of God revealed to us now. But it is not meant to remain here. The expectation of the Church is that the pattern of the Liturgy becomes the pattern of our life. That the repentance we practice here becomes the repentance that shapes our weeks. That the mercy we receive here becomes the mercy we extend beyond these walls. That the intercessions we make here train us to notice, remember, and bear the burdens of others when we leave. That is why the Liturgy does not end with applause or reflection, but with a command: "Let us go forth in peace." We are sent out not having finished our work, but having been formed for it. And when the Son of Man comes in His glory, He will recognize those whose lives have taken on the shape of His worship— those who learned, here, how to repent, how to intercede, and how to love.

Most musicians dream of stability. Johnny Thirkell built a 50-year career with David Bowie, Paul McCartney, George Michael, and The Who - starting from colliery bands and working men's clubs in the North East. This isn't about talent. It's about the business systems that keep session musicians working for decades while others struggle after a few years. Johnny shares the relationship-building frameworks that get you in the room with major artists, the professional standards that ensure callbacks, and the economic strategies that survive massive industry changes - from the 1970s studio system to today's remote recording reality. Whether you're building a session career or any sustainable music business, the principles are the same: systematic relationship management, clear professional standards, and strategic adaptation to industry shifts. Topics covered: How session musicians actually get hired by major artists The relationship maintenance framework that creates repeat clients over decades Pricing strategies for session work Professional studio standards that ensure callbacks Adapting to 50 years of technology and industry changes Why "Blown It!!" became a book instead of staying as stories Career longevity principles that transfer to independent artists Show Notes Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support at UnstarvingMusician.com/CrowdSponsor This episode was brought to you by Podcast Startup. Ready to launch your podcast or take it to the next level? Podcast Startup gives you the frameworks, systems, and insider knowledge to build a show that actually grows your audience and serves your goals. Whether you're just getting started or looking to improve your existing podcast, you'll get actionable strategies on equipment selection, content planning, audience building, and sustainable production workflows—without the overwhelm. Learn more at UnstarvingMusician.com/PodcastStartup. Join podcasters who are building shows that last. Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process. More Resources for musicians Pardon the Disclosure: Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Stay in touch! @RobonzoDrummer on  Instagram @UnstarvingMusician on Facebook  and  YouTube   

Well, the day has finally arrived... After nearly four years of consistently praising Merauder's debut album, Master Killer (one of our favorite records ever) we're finally joined in person for a full length episode by vocalist Jorge Rosado.We discuss his early life in Brooklyn, the Sunset Skins, meeting the late great Javier "Sob" Carpio, being asked to eventually join Merauder (& recording Master Killer just a few months later), the complicated timeline of Five Deadly Venoms, his love for the Eddie Leeway versions of the songs, the rejection of not landing the Sepultura gig and much, much, MUCH more.A loaded episode that's been a long time coming. Thank you Jorge for joining us as we all celebrate 30 years of one of the best albums ever. Enjoy._______________Cool links:• Get 10% off GUILTY PARTY site-wide with code HARDLORE and grab some of our favorite clothing brands of all time• Get 10% off MILLS VINTAGE site-wide with code HARDLORE.• HardLore Official Website/HardLore Records STORE._______________00:00:00 - Start00:01:00 - Jorge Rosado00:04:55 - Brooklyn, Puerto Rico, Finding Music00:09:14 - Early Bands He Connected With00:12:16 - Meeting Javier "Sob" Carpio00:14:29 - CARNIVORE's Influence on Merauder00:15:55 - Jorge Rosado: The First Spinkicker?00:20:56 - Merauder Before Jorge, Attempts on His Life00:24:52 - "Sob Stories"00:29:08 - Merauder Demo With Minus, Full Contact00:33:29 - Joining Merauder00:35:50 - Jorge The Runner00:38:51 - Writing For Master Killer00:40:10 - Master Killer Demos, Contact with the Original Lineup00:43:37 - Pardon this Interruption...00:46:44 - Breaking Down Master Killer00:57:00 - Reaction To Master killer00:58:45 - Five Deadly Venoms01:05:46 - Merauder Tours01:08:39 - Auditioning For Sepultura01:20:12 - Bluetality01:23:57 - Reflecting On Five Deadly Venoms, Re-recording "Final War"01:24:57 - Thoughts on Merauder Merch Prices01:26:34 - Rag Men01:30:40 - God Is I (AKA Gangsta)01:36:56 - Jorge's Favorite Merauder Set, Relationship with Minus Now01:40:00 - HardLore Loves Merauder01:42:50 - Looking Back On Merauder01:46:08 - Top 4 Hardcore Records HardLore: A Knotfest Series, Fueled by Monster EnergyEdited by Steven Grise • Title sequence by Nicholas MarzlufJoin the HARDLORE PATREON to watch every single weekly episode early and ad-free, alongside exclusive monthly episodes.Join the HARDLORE DISCORD for community discussions and to participate in our future Q&A episodes.FOLLOW HARDLORE: INSTAGRAM, TWITTER, SPOTIFY, APPLEFOLLOW COLIN: INSTAGRAMFOLLOW BO: INSTAGRAM, TWITTER For sponsorship opportunities, email us! hardlore@knotfest.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Speaker: Rob BerrethScripture: Matthew 5:1–6Episode Overview:In this sermon on Matthew 5:1–6, we enter the opening words of the Beatitudes and discover a pathway that begins with spiritual poverty and leads to deep, lasting joy. Jesus declares that the kingdom belongs not to the self-sufficient, but to those who know their need. From being poor in spirit to mourning sin, from meekness to a hunger for righteousness, Christ reveals both the pardon He freely gives and the progress He graciously produces. This message invites us to receive the riches of Christ and to walk in the transforming work of His Spirit.Key Highlights:• Blessed Are the Poor in Spirit (Matthew 5:3)The kingdom is given—not earned. Spiritual bankruptcy becomes the doorway to divine abundance. Jesus offers Himself as the righteousness we lack.• Blessed Are Those Who Mourn (Matthew 5:4)Honest grief over sin is not despair but the beginning of comfort. God meets repentant hearts not with condemnation, but with compassion.• Blessed Are the Meek (Matthew 5:5)Meekness is strength under God's direction. Those who are humbled by grace become teachable, responsive, and ready to inherit what God promises.• Blessed Are Those Who Hunger and Thirst for Righteousness (Matthew 5:6)The Christian life is not only about being pardoned but about longing to grow. Christ satisfies those who desire to become more like Him.• Pardon and ProgressJesus does not merely forgive—He forms. The One who removes our burden also reshapes our hearts.Call to Action:Take time this week to sit quietly before the Lord. Ask Him to show you where you need to acknowledge spiritual poverty, where you need to grieve sin honestly, and where He is inviting you to hunger for greater righteousness. Don't try to fix everything at once. Let the Spirit gently direct you toward one area where growth is needed. Receive Christ's grace there—and walk forward in obedience, trusting that the One who pardons also empowers.Redeemer Church211 Northshore Dr. Bellingham, WA 98226www.redeemernw.org

Një emision ku si asnjëherë më parë mendimet dhe fjalët vijnë si në jetë, të pacensuruara…Mirë, ndoshta pak të censuruara. “Pardon my French” nga Jonida Aliçkolli dhe Lei Kraja, ku e vetmja gjë që nuk dinë të bëjnë është të flasin frengjisht! Një gjë është e sigurtë, të qeshurat dhe surprizat janë të garantuara. Nuk do të mungojnë të ftuarit në studio, diskutimet mbi tema të ndryshme në mënyrën më të ‘zhveshur', si dhe muzikën më bukur të momentit. “Pardon My French” çdo të mërkurë në orën 18:00, me të ftuar special dhe intervista ekskluzive.

Matt and Dennis talk the Winter Games and the collision course USA and Canada are on. Dennis is hoping Joe Schoen has a nice comfy chair for his new "role" and Dennis has a change of heart for the Yankees. Matt also shares his favorite Olympic storylines.

Meatfare/The Last Judgment Matthew 25:31-46  On the Sunday of the Last Judgment, the Gospel reveals that judgment takes place not in a courtroom, but in the throne room of God—a reality the Church enters every Sunday in the Divine Liturgy. This homily explores how worship forms repentance, trains us in mercy, and sends us into the world with lives shaped by the pattern of Christ's self-giving love. --- The Throne Room Now: Judgment, Mercy, and the Work of the Liturgy A Homily on the Sunday of the Last Judgment Matthew 25:31–46 When we hear the Gospel of the Last Judgment, our attention is usually drawn—rightly—to the command to do good: to feed the hungry, clothe the naked, visit the sick and the imprisoned. And the danger every year is that we hear this Gospel as if Christ were saying something like this: "Be good people during the week—and then come to church on Sunday." But that is not what the Lord is saying. In fact, the Gospel appointed for today does something far more unsettling—and far more hopeful. It places the Judgment not in a courtroom, but in the throne room of God. Christ says, "When the Son of Man comes in His glory, and all the holy angels with Him, then He will sit on the throne of His glory." That is not legal language. It is liturgical language. The people who first heard this would have known exactly what that meant. They would have filled in the details instinctively from the Scriptures and from worship: the throne surrounded by cherubim and seraphim; the unceasing hymn of praise; even the River of Fire—not as punishment, but as the light and heat of God's own glory. And here is the first thing we must understand: We are not only told about that throne room. We are brought into it. Every Sunday, the Church does not merely remember something that will happen someday. We are brought into that reality now—as much as we can bear it. The Kingdom is revealed to us here and now, sacramentally, liturgically, truthfully. And that changes how we hear today's Gospel. First: There is a connection between doing good and coming to church Sunday is not an interruption of the Christian life. It is its measure. In a real sense, every Sunday is a little judgment—not a condemnation, but a revelation. We come into the light, and the truth about us is allowed to appear. And notice how this begins in the Divine Liturgy. It begins not with confidence, not with self-congratulation, but with repentance. The priest, standing before God as the leader and voice of the people, pleads at the very beginning: "O Lord, Lord, open unto me the door of Thy mercy." That is not theatrical humility. That is the truth. We are asking to be let in—not because we deserve it, but because without mercy we cannot even stand. And then, before the Trisagion, the priest names what God already knows about all of us: that He "despisest not the sinner but hast appointed repentance unto salvation." And so he begs Him directly: "Pardon us every transgression both voluntary and involuntary." This is what Sunday is. It is the people of God standing before the glory of His altar and asking to be healed. Asking to see clearly. Asking to be made capable of love. But repentance in the Liturgy does not remain on the lips of the clergy alone. Before Communion, the entire Church takes up the same posture and says together words that are almost shocking in their honesty: "I stand before the doors of Thy temple, and yet I refrain not from my terrible thoughts." We do not pretend that standing in church has magically fixed us. We confess that we are still conflicted, still distracted, still broken. And then, with no room left for comparison or self-justification, we each say: "Who didst come into the world to save sinners, of whom I am first." And finally, we make the plea that fits today's Gospel with frightening precision: "Not unto judgment nor unto condemnation be my partaking of Thy holy mysteries, O Lord, but unto the healing of soul and body." The Church is honest with us here. The same fire that heals can also burn, depending on whether we approach it with repentance or with presumption. This is not a threat meant to drive us away, but truth meant to help us approach rightly. That is why Sunday is a little judgment—not because God is eager to condemn, but because His throne room is opened to us now in mercy, so that we may be healed, corrected, and trained to recognize Christ when He comes to us in the least of His brethren. Second: Sunday worship is where we actually do the work Christ commands And once we see that, we can begin to understand what the Church is actually doing here -  and why worship cannot be separated from judgment. Before we ever offer bread and wine, the Church first intercedes for the world. We pray for peace from above and the salvation of our souls; for the peace of the whole world and the good estate of the holy Churches; for this city and every city and countryside; for travelers by sea, by land, and by air; for the sick, the suffering, and the captive; for deliverance from tribulation, wrath, danger, and necessity. We even pray for civil authorities—not to bless power for its own sake, but that peace and order might make room for mercy and justice. In other words, before we do anything else, we place the needs of others before God. And in addition to interceding for all of this, here—at the heart of the Divine Liturgy—the Church actually performs the works of mercy Christ names in today's Gospel. Not in theory.  Not symbolically.  But truly. Here: ·      Strangers are welcomed and given a home. ·      Prisoners are freed from the shackles of sin and the sentence of death. ·      The naked are clothed with baptismal garments. ·      The thirsty are given living water. ·      The hungry are given the Bread of Life. This is not allegory. This is reality at its deepest level. God Himself tells us to care even more for the soul than for the body. During the week, we sacrifice ourselves to meet bodily needs—and we must grow in that work. But on Sunday, we are commanded to do the most important work of mercy: to restore people to life in Christ. That is why worship is not optional. It is not private devotion. It is the Church doing what the Church exists to do.  And because that work is real, it carries with it genuine hope. Third: Sunday gives us a foretaste of the reward The Gospel of the Last Judgment is not only a warning. It is also a promise. Those who learn to serve Christ in the least of His brethren are not merely rewarded—they are invited to rest in God, to share in His life, to participate in His rule. Saint Paul says something astonishing: "Do you not know that the saints will judge the world? … Do you not know that we shall judge angels?" (1 Corinthians 6:2–3) This does not mean we become harsh or self-righteous. It means we are being trained—here and now—for a future of responsibility, faithfulness, and love. What we do here is forming who we are becoming. Conclusion What happens in this Divine Liturgy is the automatic response of the Church—that is, of a people devoted to sacrificial love—to God's command to care for others as we care for ourselves. This is not a dead ritual. It is a powerful tool for doing essential work. It is the throne room of God revealed to us now. But it is not meant to remain here. The expectation of the Church is that the pattern of the Liturgy becomes the pattern of our life. That the repentance we practice here becomes the repentance that shapes our weeks. That the mercy we receive here becomes the mercy we extend beyond these walls. That the intercessions we make here train us to notice, remember, and bear the burdens of others when we leave. That is why the Liturgy does not end with applause or reflection, but with a command: "Let us go forth in peace." We are sent out not having finished our work, but having been formed for it. And when the Son of Man comes in His glory, He will recognize those whose lives have taken on the shape of His worship—those who learned, here, how to repent, how to intercede, and how to love.

In dieser Folge besprechen wir „Dead of Winter – Eisige Stille“, „Monsieur Robert kennt kein Pardon“ und die Serie „The Beast in Me“. Dich erwarten knackige Reviews, Hintergründe zur Inszenierung, Schauspiel‑Highlights und konkrete Watch‑Tipps. Timecodes: 00:00:00 Einleitung 00:01:55 Dead of Winter - Eisige Stille 00:14:50 Wir tippen den nächsten Sneakfilm 00:17:53 Kinocharts und Neustarts der Woche 00:22:08 Monsieur Robert kennt kein Pardon 00:36:51 The Beast in me ---

Wild opinions and even wilder stories on the WFAN as Craig Carton and Chris McMonigle take calls and spark MAJOR debate.

Tara dives into the chaos surrounding this year's Super Bowl halftime show, where millions tuned out and Bad Bunny's performance skirted FCC rules with explicit content in Spanish. She breaks down the legal implications, the outrage over fines, and the history of broadcast censorship from The Rolling Stones to today. The episode also covers the shocking conviction of a pardoned January 6 defendant for child molestation, contrasting outrage over Trump's pardon with sanctuary city policies that routinely release dangerous offenders. Tara examines hypocrisy, legal loopholes, and how America's media and legal systems respond differently depending on politics. ⚡ PRIMARY TALKING POINTS Super Bowl halftime: 9M viewers tuned out; TPUSA streams spike to 26M Bad Bunny controversy: explicit lyrics, FCC fines, and legal precedents History of censorship: Rolling Stones vs. modern broadcasting rules Sanctuary cities: convicted child predators released, NPR reports outraged Pardon fallout: January 6 defendant now convicted of child molestation Media hypocrisy: outrage selective, politics driving reactions

On this episode of Skipping Class presented by The Progress Report, Detroit OG Drunken Mas sits down for an unfiltered conversation about his journey through the streets, the music industry, federal prison, and redemption. Mass reflects on growing up in Detroit and working as a street promoter during the Death Row era, including his early relationship with Suge Knight. He also speaks on his bond with Big Meech and Southwest Tee, the BMF era, and navigating loyalty, controversy, and public opinion. After serving 10 years in federal prison, Drunken Mas opens up about what incarceration taught him — and how it became the foundation for something bigger. While behind bars, he began writing his book ‘Finders Keepers', which is now available on Amazon. The project is described as the first-ever visual book experience on Amazon — blending storytelling with a cinematic mini-movie component. Mas also shares what it meant to receive a presidential pardon from Joe Biden, how prison changed his mindset, and how he defines true progress today. From Coalition DJs Detroit to redemption and reinvention, this is a powerful story of accountability, growth, and evolution. Instagram: https://www.instagram.com/official1drunkenmas/ https://www.instagram.com/lalaashep/ https://www.instagram.com/theprogressreport101/ https://www.instagram.com/tprmediagroup1/ Website: https://TPRMediaGroup.com Listen to us on Apple Podcasts https://podcasts.apple.com/us/podcast/the-progress-report-podcast/id1494070183 Listen to us on Spotify Podcasts https://open.spotify.com/show/5sBgF6wWa7NmHraP2QuBEv?si=a0f5f19b8a494fb5 Learn more about your ad choices. Visit megaphone.fm/adchoices

Një emision ku si asnjëherë më parë mendimet dhe fjalët vijnë si në jetë, të pacensuruara…Mirë, ndoshta pak të censuruara. “Pardon my French” nga Jonida Aliçkolli dhe Lei Kraja, ku e vetmja gjë që nuk dinë të bëjnë është të flasin frengjisht! Një gjë është e sigurtë, të qeshurat dhe surprizat janë të garantuara. Nuk do të mungojnë të ftuarit në studio, diskutimet mbi tema të ndryshme në mënyrën më të ‘zhveshur', si dhe muzikën më bukur të momentit. “Pardon My French” çdo të mërkurë në orën 18:00, me të ftuar special dhe intervista ekskluzive.

Krystal and Saagar discuss Ghislaine's pardon plea to Trump, alleged co-conspirators revealed by Massie, Epstein prison tapes wiped by FBI & MORE.Nathaniel Raymond: https://x.com/nattyray11?lang=enTo become a Breaking Points Premium Member and watch/listen to the show AD FREE, uncut and 1 hour early visit: www.breakingpoints.comMerch Store: https://shop.breakingpoints.com/See omnystudio.com/listener for privacy information.

Today's Headlines: Ghislaine Maxwell invoked the Fifth during her House Oversight testimony, but her attorney said she would testify publicly if President Donald Trump grants her a pardon — claiming she could conveniently clear both Trump and Bill Clinton. The White House says a pardon isn't being discussed “at this time,” which is doing a lot of work. Reps. Ro Khanna and Thomas Massie were allowed to view the unredacted Epstein files at the DOJ for two hours and said they spotted at least six “likely incriminating” names. They didn't say who, but more lawmakers are expected to review the files soon. In the UK, King Charles said he would support investigations into Prince Andrew, including allegations he shared confidential trade information with Epstein, adding pressure on Prime Minister Keir Starmer as the scandal spreads across Europe. Meanwhile, the US State Department is launching a new program to fund MAGA-aligned think tanks across Europe ahead of America's 250th anniversary, while Israel approved new measures expanding control over parts of the West Bank — in violation of the Oslo Accords — ahead of yet another Netanyahu visit to DC. Back home, Dr. Mehmet Oz urged Americans to get vaccinated for measles amid the largest outbreak in decades, a federal judge allowed Trump to keep $16 billion in Gateway tunnel funding frozen for now, and Trump attacked US Olympic skier Hunter Hess for expressing “mixed emotions” about representing the country — as Lindsey Vonn fractured her shin days after tearing her ACL. Resources/Articles mentioned in this episode: AP News: Ghislaine Maxwell avoids answering questions in House deposition AP News: Palace says King Charles III will support police assessing former Prince Andrew's Epstein links Financial Times: US government to fund Maga-aligned think-tanks and charities in Europe NYT: Israel Gives Itself More Control Over Occupied West Bank NYT: Oz Offers Forceful Call for Measles Vaccination NYT: Gateway Funding Doesn't Have to Be Immediately Restored, Judge Says Axios: Trump calls Olympic skier with mixed feelings "a real loser" AP News: US snowboard star Chloe Kim calls for unity after Trump bashes teammate over immigrant crackdown AP News: Lindsey Vonn says she has complex tibia fracture requiring multiple surgeries after Olympic crash Morning Announcements is produced by Sami Sage and edited by Grace Hernandez-Johnson Learn more about your ad choices. Visit megaphone.fm/adchoices

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Ghislaine Maxwell pleads the Fifth and refuses to answer questions, but she did request a pardon from the president. Our White House Correspondent Jon Decker discusses lawmaker reaction to the unredacted Epstein files.

Ghislaine Maxwell pleads the Fifth and refuses to answer questions, but she did request a pardon from the president. Our White House Correspondent Jon Decker discusses lawmaker reaction to the unredacted Epstein files. See omnystudio.com/listener for privacy information.

What if the best business decision you could make is accepting your music is "unmarketable"? Not in the sense that nobody wants it—but that it won't compete for Spotify playlists alongside mainstream artists. This episode breaks down the economics of niche markets for independent musicians. How rejecting the streaming-everywhere model can actually generate more revenue. How owning your niche creates competitive advantages algorithm-dependent artists will never have. And the framework for deciding which platforms actually serve your music versus which ones waste your time for pennies. Drawing on insights from multi-instrumentalist Abe Partridge, we explore the deliberate choice some artists make: keeping certain projects off major streaming platforms because the economics don't work—and focusing instead on direct sales, live performance, and owned audience relationships. Topics covered: The streaming paradox for niche artists (why being everywhere means being nowhere) How to evaluate whether streaming platforms serve your music Revenue comparison: streaming vs. direct sales vs. live performance Abe Partridge's strategic approach to platform selection Owning your niche vs. competing with the entire music industry The role of professional representation in niche careers Framework for making strategic distribution decisions Building direct sales infrastructure (physical and digital) Creating owned audience relationships independent of algorithms When to abandon streaming entirely vs. selective streaming This isn't about being anti-streaming—it's about being strategic. Understanding where your music fits in the market and building your business model around that reality instead of fighting it. Show Notes at UnstarvingMusician.com. Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support at UnstarvingMusician.com/CrowdSponsor This episode was brought to you by Podcast Startup. Ready to launch your podcast or take it to the next level? Podcast Startup gives you the frameworks, systems, and insider knowledge to build a show that actually grows your audience and serves your goals. Whether you're just getting started or looking to improve your existing podcast, you'll get actionable strategies on equipment selection, content planning, audience building, and sustainable production workflows—without the overwhelm. Learn more at UnstarvingMusician.com/PodcastStartup. Join podcasters who are building shows that last. Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process. More Resources for musicians Pardon the Disclosure: Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Stay in touch! @RobonzoDrummer on  Instagram @UnstarvingMusician on Facebook  and  YouTube   

Avec Peggy Martin

Indiana wins the CFB National Championship. We talk about the great game Monday Night, the impact of Curt Cignetti, how insane the story is, future of CFB and more (00:00:00-00:38:55). We then talk coaching carousel and divisional round clean up ahead of Championship Sunday (00:38:55-01:08:20). Hot Seat Cool Throne including Beckham drama, the blob, aliens and more (01:08:20-01:35:00). Adam Thielen joins the show to talk about his NFL career, retirement, favorite teammates, the last team meeting with Mike Tomlin, playing with Rodgers, Bryce Young and more (01:35:00-02:14:08). Paddy the Baddy joins the show ahead of UFC 324 on Saturday Night to catch up, predict the outcome, his diet and some new English disses (02:14:08-02:29:04). We finish the show with listener submitted pardon your takes (02:29:04-02:43:19).You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/pardon-my-take

What do Darryl Strawberry, NBA YoungBoy and a plastic-surgery "slush fund" have in common? They're all beneficiaries of the president's cottage industry to sell access, buy freedom and redefine the meaning of crime. We explore an exclusive social network of dustbin characters, including a heavenly visit with Mel Gibson and Pete Rose.• Subscribe to "TrueAnon" with Brace Belden Hosted on Acast. See acast.com/privacy for more information.

Tonight on The Last Word: Minnesota officials reject the narrative that the deadly ICE shooting was justified. Also, Reps. Ro Khanna and Thomas Massie ask a federal judge to step in on the Epstein files release. And the House passes a bill restoring Affordable Care Act subsidies for three years. Laurence Tribe, Kirk Burkhalter, Rep. Ro Khanna, and Rep. Brendan Boyle join Lawrence O'Donnell. To listen to this show and other MS podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Start 2026 right and subscribe to Mark's show Next Up:Apple: https://podcasts.apple.com/us/podcast/next-up-with-mark-halperin/id1810218232Spotify: https://open.spotify.com/show/2f0n8G4xqUo8aGxbbbtRjHYouTube: https://www.youtube.com/@nextuphalperin?sub_confirmation=1 Mark Halperin opens the episode with his 2025 top political soundbites, revisiting the moments from politics and media that best captured the power shifts, internal party tensions, and national mood of the past year. From JD Vance's viral confrontations, to Gavin Newsom's rise, to Alexandria Ocasio-Cortez's dominance of the attention economy, to Ted Cruz–Tucker Carlson clashes inside MAGA, Mark explains why these clips mattered — and what they reveal about leadership, influence, and where American politics is heading in 2026.Mark is then joined by Dan Senor to discuss U.S. foreign policy and power inside the Trump administration. Senor explains why antisemitism thrives when leaders tolerate it, how political incentives shape silence on both the left and right, and why President Trump's record on Israel has made him one of the nation's strongest allies. He also breaks down how Secretary of State Marco Rubio has emerged as a singular figure in making U.S. foreign policy, wielding unusual influence through his close relationship with the president and his central role in managing global crises.Finally, Chris Collins joins Mark for a discussion about loyalty, justice, and what life looks like on the other side of a presidential pardon. Collins reflects on his status as the very first member of Congress to endorse Donald Trump in 2016, his experience with federal prosecution, and the moment Trump pardoned him just days before Christmas. He also offers rare insight into Trump's private leadership style — describing a president who listens carefully, values loyalty deeply, and often behaves far differently in private rooms than he does on camera.  Masa Chips: Ready to give MASA or Vandy a try? Get 25% off your first order by going to http://masachips.com/MARK and using code MARK.Unplugged: Switching is simple, Visit https://Unplugged.com/MARK and order your UP phone today!Visit https://shopbeam.com/MARK and use code MARK to get our exclusive discount of up to 40% off. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.